FIVE SONGS 2007)

Page 1

FIVE SONGS For Soprano and Piano Quintet I "somewhere i have never travelled"

Text By E.E. Cummings Freely h = 50

 

  

Soprano

Some where

i

have

ne

3

-

ver

  

 

 

 

 

Violin 2

 

 

 

Viola

 

 

 

  

 

 

Violin 1

Violoncello

 

Freely h = 50

 

 

Piano

 4

 

p

 

fff with force

 

S.

p

MICHAEL-THOMAS FOUMAI (2007)

fff with force

       

 

tra - velled glad - ly

   be - yond

     a

-

  

ny

   ex - per

3

-

i - ence

your

   eyes

 

 

have their

    

3

 

si

-

Vln. 2

Vla.

Vln. 1

Vc.

  lence

Pno.

© Copyright 2007 Michael-Thomas Foumai (ASCAP) All Rights Reserved. FOUMAI: Five Songs (I) Page 1


FOUMAI: Five Songs (I) 2

7

   

S.

A

 

A tempo h = 50 mf

3

Some

3     

  -

where

i've

  

     

  

tra - velled

glad - ly be -

   

3

a - ny

yond

ex -

 

 

Vln. 2

 

 

Vla.

 

 

 

 

Vln. 1

Vc.

Pno.

 

 

      

10 S.

pe

Vln. 1

3

  

 

 

A tempo h = 50

  

  

 

           3

have

 

 

  

    their

si

-

   

in

lence

 

    

pp

 

    

pp

 

Vla.

Vc.

Pno.

  

           3

  

FOUMAI: Five Songs (I) Page 2

 

 

   

        

 

    

pp

     

    

   

   your

     

  

  

        

  

are

 



 

 

 



 

pp

pp

  

 

most frail ges - tures

pp

pp

mp

    

          

  

 

mf

3

eyes

    

 

p dolce, plain, simple

ri - ence - your

-

Vln. 2

3

A

  




FOUMAI: Five Songs (I) 3

14

  

S.

 which

Vln. 2

Vla.

3

things

Vln. 1

f

 en -

close

   

  





  

 

me

  

  



  

 

Pno.

 

  

  

17

Vln. 1

 



 



be - cause they

are

too







 

Vc.

Pno.

f

  

touch



mp sub.



mp sub.

 

  



  



 

 



  





















near

p

p

  

  

f

not

mp sub.

f

Vla.

3

f

Vln. 2

can -

  

mp sub.

f

 

   

S.



    

poco

f

poco

  

i

f

poco



which

f

poco

or

poco

Vc.

f

p

p

 

 FOUMAI: Five Songs (I) Page 3


FOUMAI: Five Songs (I) 4

B 21

S.

    

mf

3

Your

Vln. 1

Vln. 2

Vla.

Pno.

eas

- test look

   i - ly

-

 will

     3

un - close

me

   



   

 



   

   

f

f

 f

pp

pp



pp

B

closed

       

p semplice

  

  

my - self

  

 as

 



fin - gers

           you

o

 

   -

   

 

 

 

al

3

   

Pno.

  

FOUMAI: Five Songs (I) Page 4

   

    



  

pe



 



 



p

 

       

by

p

pe - tal

p

      

  

- ways

have



pen

    i

pp

p

Vc.

though



Vla.

3

 

Vln. 2

mf

   

25

Vln. 1

3



S.

f

Vc.

sligh

  

 





 



poco

 







 








FOUMAI: Five Songs (I) 5 mf dolce, flowing

            

28 S.

           

p

mp

            

Vln. 2

p

 

  

mp

Vc.

mp

Pno.

  

 

ous

Vla.

Pno.

-



  

 

  

ly

her

first



3

   

arco

   

arco

 





 

 

 

mp

rose



 

   

 

 

     

  

 

  

   

 

C

 

  

 

    

3

 

or

   if

your

wish

 3

 

be

  





 

 p

  

f



 

 p

  









 



  





   

  

C  

mp

mp

  

p

 

   

 

         

   

     

 

mp

 

Vln. 2

Vc.

    

f

mys - ter - ri -

      

    

  

31

Vln. 1

mp

  

S.





skil - ful - ly

ing

 

 

p

touch -

 

     



pens

 



    

 

pizz.

   

-

            

pizz.

o

p

  

   

  

spring

  

mp

Vla.

as

my - self

tal

Vln. 1

f

f

mp

f



    

mp

     

     

p

p

mp

  

 

      

FOUMAI: Five Songs (I) Page 5


FOUMAI: Five Songs (I) 6

35

3

  

S.

Vln. 1

mf



più

  

to

close

 

 

poco



 

Vla.

poco

Vc.

Pno.

i

me

poco

Vln. 2

   

  

poco

    

S.



f

  

Vln. 2

  



  

 

   

 

  

 

   

mp

mp

Vla.

mp

Vc.

Pno.

mp

will

f

        

shut





poco

poco

 as

when

 the



    

   

  

  

   

   

   

 

f

 f

 

 

 

 

 

heat

of

  

 

 

 

 this



  

heart

i - ma

  -

 gine

 the









 

 

 

 

FOUMAI: Five Songs (I) Page 6

f

 

f sub.

f



f sub.



poco

   

    



   

poco



f'ly

poco

poco

f sub.

     

poco

f sub.

beau - ti -

   



3

ve - ry

poco

Sud - den - ly

Vln. 1

 

and my life

   

39

3    




FOUMAI: Five Songs (I) 7

42



 

S.

snow

Vln. 1

-

care

f'ly

-



   





eve - ry

più

where

de





-

-

-

scen

-

 -



f

Vln. 2

  

  

 

  



  

  

 

  





  

  

 





f

Vla.

f

Vc.

Pno.

f

  

44

S.

Vln. 2

Vla.

Vc.

Pno.



 

 

 



  

  

  

  



 

ding

-

Vln. 1

 

 

mf dim.

mf dim.

mf dim.

mf dim.



 







    

  





  





  

   3

3

3

 

3

    

 

 

 

 

   

FOUMAI: Five Songs (I) Page 7


FOUMAI: Five Songs (I) 8

D

47

S.

A tempo h = 50

mp

3

no - thing

Vln. 1





which

we

are

3

poco

3

mp

 

 

 

3

in

this

ceive

per -

to

3

 



 e



 

Vla.

Pno.

D

A tempo h = 50



p semplice

   

49

 

S.

 3

3

pow - er

of

your



in

tense

Vln. 2

Vla.

Vln. 1

Vc.

Pno.

 

   

 

più

the

 

 3

   

FOUMAI: Five Songs (I) Page 8

  



  

whose

 

  

   3

3

fra - gil - i - ty



tex



-

ture com - pels

me

the

with

pp

 

p

 

pp

p

 

pp

 

p

 

pp

p



ppp

poco

 

quals

-

Vln. 2

Vc.

 3

world

3

 



 p poco "plain"

  

  


FOUMAI: Five Songs (I) 9

51

    

S.

3

col - or

Vln. 1

     

3

its

of

 

 3

coun

  

 ren

pp

 

pp

p

   

  

 

   

  

ppp

pp

p

 

   

 

  

 



 

  

 pp

     

-



 

 

mp

       

 

  

più

     

Pno.

pp

p



pp

p

   

pp

p

pp

p

   

pp

pp

p

pp

pp

p

   

 mp

    

    

 

   

 

    

 

     

      

 

   

    

 



mp cresc. poco

         



mp cresc. poco

pp

 

        

 

 

mf cresc. poco

pp



p

mp

   

pp

p

ing

  

mp

    

    



mp

 

 

mp

Vc.



 

  

 

Vla.

   

53

Vln. 2

each

   

breath

Vln. 1

with

 

S.

er

-

 

 

ppp

Pno.

  

ev

p

 

and for

death

pp

ppp

Vc.

- ing

 3

p

 

Vla.

der

  

ppp

Vln. 2

-

   

3

tries

   





        

FOUMAI: Five Songs (I) Page 9


FOUMAI: Five Songs (I) 10 mf

57

Vln. 1

Vla.

Pno.

 S.

Vln. 1

Vln. 2

Vla.

Vc.



  



 

f

mf cresc. poco



f

  

 f

f

 

 

 

 

 





mp

poco più mosso h = 52

 

  

mf

do

not

know

 3

what

  it

      

p

 

      

is

 a

p



 

 

 

   

3

 

 



 - bout

p

   

 



    

 



    

 



    

 

mp

E

    

 

 

 

you





 

 

3

clo

  

3

-

 

 

-

-



cresc. poco a poco





 

 

 

    

that

 

 

cresc. poco a poco



mp



61

mp



p

cresc. poco a poco





cresc. poco a poco

cresc. poco a poco

E poco più mosso h = 52        

Pno.

i

 

Vln. 2

Vc.

S.

p

       

FOUMAI: Five Songs (I) Page 10

   

  

      



         

 

 

     



      




FOUMAI: Five Songs (I) 11

63 S.

Vln. 1

 

 3

ses

and

o

-

pens

 

 

on

 

f

- ly

some

 

thing

-

 

 

Vla.



 

3

3

Vc.



 

 

3



65

S.

3

    

 

 

mp with increasing intensity

3

3

 

mp with increasing intensity

Pno.



-

mp with increasing intensity

me



in

mp with increasing intensity



mp with increasing intensity Vln. 2

  

 

un - der -

 stands

 

some

-

where

the

3

voice





f più

 

 

 

 

  

3

of

  your

 eyes

Vln. 2

 









 

Vla.

 

 



 



 





 





Vln. 1

Vc.

Pno.

 

 

 

 

             

      

 

       

 



  

 

    

             

    

    

   

FOUMAI: Five Songs (I) Page 11


FOUMAI: Five Songs (I) 12 rit.

  

67 S.

 3

of

Vln. 1

 

Vln. 2



Vla.

 

Vc.

  

Pno.

 

S.

     

Vln. 2

 

 

 



 

 

3

rit.



 

 

    

 

voice

of

your

eyes

 

fff glorious !

deep

er

-

 

 

 

 

 

than

 

all

ro



 

ff glorious !



-

  

    

  

    

    

ff glorious !

 

   3

3    



     

   

 

3

ff glorious !

         

Exalting h=50

3

 3      

 3                     (I)    FOUMAI: Five Songs Pno.

Page 12

ff glorious !

 

 

 

 

  

3

  

 

 

 

is





   

 

 

    

 

A tempo h=50

più

  

    

    

più

 

 

 

 

 

più

                  3            

   

 

     



   



   

mf calmato

mp

F

  



   

mp



mf calmato

   



   





  



mf calmato

     

  

mf calmato

ff glorious !

Vc.

ses!

più



   F

 

 

f

 più

 

Exalting h=50

     

Vla.

the

 

eyes

 

 

bring out

 

your

 

69

Vln. 1



 

A tempo h=50

mp



mp

    mp leggiero

 


FOUMAI: Five Songs (I) 13

73

Vln. 1

     

Vln. 2

  

Vla.

Vc.

Pno.

 

 

Vln. 1

      



p

       



p

     

      

 

    

poco

poco

poco

poco

Vc.

Pno.

    

      

 

  

   

    

   

    



      

f

mf

p

f

mf

p

   

mf

f



mf

  

f

 

 

  

 

 

     

  

   

   

    

   

      

 

 

  



 ff

   

       

 

    

  

mf

    

 

    

  

     

  

      

  

     

  

   

 

   

ff

  

   

      

ff

 

ff

  

Vla.

 

Vln. 2

 

       

78

S.

 

S.

mf

mf

mf

 

 

 

 

 FOUMAI: Five Songs (I) Page 13


FOUMAI: Five Songs (I) 14

83

Vln. 1

   

Vln. 2

 

Vla.

Vc.

S.

       mp

mf

    



mp

  

mf

mp

mf

 

Vln. 1

Vln. 2

Vla.

Vc.

 

G  

  

 



 

f



f

     

 

    

 

     

  

 

 

G  

f





 

   

  

fff

 

 

  

  

 

 

 

 

 

 



 

  

  

f

 f

f



 

 

f

 

f

f

 

 

     

f

 

  

 

  

f

    

fff



 

 

f

 

  

FOUMAI: Five Songs (I) Page 14

     

  

 

 

 

  

    

     

 

  

 

Pno.

 

 

88 S.

mf

mp

 

      

Pno.

 


FOUMAI: Five Songs (I) 15

92

Vln. 1

S.



mf

 

Vln. 2

 

 

   

  

p

mf

   

 

 

  

  

  

  

  

 

p

 

Vla.

mf

Vc.

Pno.

 

Vln. 1

mf

  

p

p

 

 

 

  

  

 

  

 

p

 

p.



p

rit.

  p

Pno.



 

 

 

p

Vc.

  

   

Vla.

Vln. 2

97

S.



p



 

poco

  

 

pp

   

 

poco

  

p dim.

rit.



p dim.

 

 

 

pp

 

 

FOUMAI: Five Songs (I) Page 15


FOUMAI: Five Songs (I) 16

H 102

Reflective h = 40

   

S.

  

p

no

Vln. 1

      

   

    

   

   

   

pp

Vla.

Vc.

 S.

Vln. 1

poco

pp

H  

Pno.

poco

Reflective h = 40

 

105

   

       

Vla.

  

Vc.

    

    

3



ev - en the rain

ppp



 



   

 

   

 



   

 

small

con sord.



ppp

con sord.



ppp

pp

   

such

poco



con sord.

pp

  

has

 





poco

 

 

 

 



   

 

     



   

 

     

   

 

     



   

 

    



ppp

 

 

FOUMAI: Five Songs (I) Page 16

  

con sord.

not

     

hands

Vln. 2

Pno.

bo

-

dy

   

-

Vln. 2



 

 



    

ppp dolce

  

 

        



  


II "may i feel said he" MICHAEL-THOMAS FOUMAI (2007)

Text By E.E. Cummings Playful and Naughty q=150 (2+2+3)

 

Soprano

Violin 1

 

 

            

        

           

   

 

 

pizz.   

    

  



  

   

   

 

  

 

 

pizz.      

    

  

 

  

     

   

  

 

 

 

 

Viola

f jaunty

Vln. 1

Vln. 2

Vla.

Vc.

Playful and Naughty q=150 (2+2+3)

 

 

 

 

(3+2+2)

  

    

       

 

Pno.

f jaunty

5

 

 

 

       

f jaunty

S.

 

   

Violin 2

(2+2+3)

         

pizz.

Piano

 

       

            pizz.

f jaunty

Violoncello

(2+3)

(3+2+2)

 

 



(2+3)

 

 

 



  

 

  

   

   

   

 

 



 

   

 

  

 

sfz

 

 

 

 

  

 

sfz

(3+2)

(2+2+3)

 

 



 

 

 

 

 

(3+2)

  

 

  

     

mp

 

 

mp

     

f

f

   f

f

 

mp

 

 

  

 

 

 

   

 

mp

mp

mp

 

 

© 2007 Michael-Thomas Foumai (ASCAP). All Rights Reserved.

FOUMAI: Five Songs (II) Page 1


FOUMAI: Five Songs (II) 2 10 S.

Vln. 1

Vln. 2

  

Vc.

Pno.

 

 









   

 



 









 



 











 



 











 

   

ff

Vln. 1

Vln. 2

ff

 ff

 

 

A

14 S.

 

f playful

Vc.

feel

 

said

he

  i'll

 

squeal

said she





just once

   

said

  



its

fun

he

  said

    

    

    

      p leggiero

   

  

p

p

     

Pno.

   

may i

p

Vla.

 

ff

Vla.

p

arco

p leggiero

arco

  

 

arco

p leggiero

  

arco

 

 

  



   



mf

  

  

p leggiero

A          

mf

 

  

 

  

 

   

   

       

       

       

       

p leggiero

FOUMAI: Five Songs (II) Page 2

          


FOUMAI: Five Songs (II) 3



18

S.

Vln. 1

she

  

  

  

 

 

   

B f playful

 

S.

may

 i

 

   

  touch



pizz.

 

Vln. 2

  

Vla.

pizz.

 

 

             

 

fp

fp

mf

 



fp

                                     f

  

       

 

(2+3) (3+2+2)                              

 

                           



mf

f

           

 

f

mf

f

 

said

he

how



 

 much



 

said

 





 

 

sfz

a



 

 

sfz

 

-

 

 

sfz

mp leggiero



she

sfz

sfz

Pno.

 

 

mp leggiero

Vc.

(2+3)

 

f leggiero

22

Vln. 1

 

f

 

(3+2+2)

                                         f mf

Vla.

Pno.

 

                       

Vln. 2

Vc.

 





lot

said

he







why

 

sfz



sfz



  

sfz

B

 

  

 FOUMAI: Five Songs (II) Page 3


FOUMAI: Five Songs (II) 4



26

 

S.

said

not

Vln. 1

  

 

 

she

lets

go

 

 

 







 

  

f

Vln. 2



 

arco

said

Vc.





f

Pno.

  

Vln. 2

Vla.

Vc.

Pno.

 



 



  

 



 











 



  

 



FOUMAI: Five Songs (II) Page 4

 



 







 









 



 

 



 

 

  

 



 

 

 

not

too

far



  

 said

 

 













  

  

  

 





 

 

 

 

 

f

mf

where

you

are

said

 

 

 

 

 

  

 

 

 

f

f

   

 

 



he

 

 

said

  

he

 

far

  



 

 

too

 



f



   



  

f

what's

  

 

she

Vln. 1

30

S.



mf



mf

arco

mf

mf bring out

Vla.



        


FOUMAI: Five Songs (II) 5

C   

34 S.

f

(2+2+3)

(2+3)



she

Vln. 1

   



   

   

  

 

  



  

     

  

  

   

 

   

    fjaunty



pizz.

Vla.

f jaunty

pizz.

f jaunty

C  

S.

Vln. 1

(2+2+3)

 



pizz.



Vln. 2

Pno.

pizz.      f jaunty

Vc.

  

(2+2+3)

 

38

(2+3)

 

   

 

   





  

 



   

 



  



(2+2+3)

 

  



 

 

 

 

which

way

said

she

   arco

     

  

   

 



like

  

mf

p

Vln. 2

  

he

 

 

said



   

stay

  



 

 

i

  

 

may

 

  



mf

 



  

p

Vla.

Vc.

Pno.

 

p

 

p

                

               

                

               

p leggiero



FOUMAI: Five Songs (II) Page 5


FOUMAI: Five Songs (II) 6 42

Vln. 1

Pno.

 S.

 

 

 

 

        

                   

 

       

                      

 



 

 

  

f instrusive



 

 

45

 



 

f instrusive

 p sub, cresc.

   

 

said

  

  





he

is

it

love





   

said

 

  

  

  

 

said

she

    

 

 she

 

if

     

     

sfz

sfz

       sfz

 

your

wil

-



 

ling

said

 



 



 











 

  





 





 

    











 

p cresc.

   

p cresc.

Pno.

3

kiss



arco

Vc.

you

 



p cresc.

Vla.

f smooth

cresc.

  

3

if

arco

Vln. 2

i

he

 . gliss   

move

Vln. 1

may

 

 

said

f instrusive

Vc.

f



  

this

  

Vla.

 

 

 

Vln. 2

 

  

S.

arco

p cresc.

    

     

p cresc.

FOUMAI: Five Songs (II) Page 6

   

 

   

  

   

   

   

   

   

   

  

 


FOUMAI: Five Songs (II) 7

D

(2+2+3)

48 S.

Vln. 1

Vln. 2

f

Vc.

Pno.

you're

kill





  

    

       

    

        

     





        mf spicc.          

    





   

 

  

he

  

mf spicc.

  

mf spicc.

Vla.

mf

 

f

D      

but

 

f raunchy

         

 

S.

   wife

Vln. 1

Vln. 2

Vla.

Vc.

    

said



    

 

 

said

          

 

    

said

he

but your

            

         

 

             

  

    

(2+2+3)                                      

 

 

 

f marcato

 

 

  

 



  

  

 



  

    

 



  

     



(2+2+3)

marcato

            

    

 

f marcato

 

f marcato

 

(3+2+2)

    

 

                  

he

 (3+2+2)          

 

  

life

           

 

f più

    

f

but it's

            

    

                 

  

                 

                    f marcato



(2+2+3)

    

(2+2+3)

 

now

she

  



       



                  

   

said

(2+2+3)

  

she

ing

 

      

 

Pno.

-



(3+2+2)

52

f



 

   



   





(3+2+2)                   

   



            FOUMAI: Five Songs (II) Page 7


FOUMAI: Five Songs (II) 8

E

fff

glis

Vln. 1

Vln. 2

Vla.

Vc.

s.

57 S.

Orgasmic, A Tempo (q=150)

  

gliss.

gliss.

  

she!

 

                 

 

                 

 

                   

 

                 

ff elated! excited!

ff elated! excited!

ff elated! excited!

ff elated! excited!

E Orgasmic, A Tempo (q=150)          

 

ff elated! excited!

 

  

59 S.

 

said

gliss.

ow

Pno.

fff

mf

    



 

                                

               

Vln. 2

                                                      

Vla.

Vln. 1

Vc.

Pno.

 

                                                 

                                                

         

       

        

                             

FOUMAI: Five Songs (II) Page 8


FOUMAI: Five Songs (II) 9 62

 

S.

Vln. 1

f  

tip

-

F    





top

said

 

he

don't

 

Vla.

                

Vln. 1

 

oh





no

said

he

  don't

mp

mp

mf

mp

mp

mf

mp

mp

mf

mp

                                            

mp

      

stop



said

 she

           

mf

mp

                        

  

  tip

 

top



said

 he

 

 

don't

stop

                               mp



said

 she

  oh

 

no



said

 he

 

                               

mf

mp

                                                               

Vln. 2

mf

mp

mf

mp

mf

mp

mf

mp

mf

mp

mf

mp

                              

Vla.

Pno.

she

 

                                                       

mf

Vc.

                                                       

66

S.

said



mf

F                 

stop



                                                    

Vln. 2

Pno.

mp

Vc.

 

 

                           

       

    

      

    

mf

mp



                                                               

            

mf

     

 

mp

          FOUMAI: Five Songs (II) Page 9


FOUMAI: Five Songs (II) 10

   

70 S.

Vln. 1

G

mf

f

  

go

                                 

Vln. 2





                                 

3

3

3









              mf

3

f euphoric

  6

6

 

Vla.

 



3



3

 3

 

    

6

FOUMAI: Five Songs (II) Page 10

3



6

3

 

6

3



3



6

"sigh"

 f

 

gliss.

3



3



3





3

3

     6



 

  

 

  6

6

3

 

  





3

    

 



ummm



6

he

6

6

3

3



  

  



3

   

 

 

said

3

3



come?



f euphoric

mf

 

3

f euphoric

Vln. 2

Pno.

                    

Vc.

3



 

Vln. 1

74

S.

3

3

f euphoric

G               

Pno.

3

f euphoric

mf

 

                                    mf

Vla.

slow

mf

Vc.

6

6

 


FOUMAI: Five Songs (II) 11 78

S.

 said

3

 

Vln. 2

 

Vla.

 

Vln. 1

Vc.

 

82

S.

Vln. 1

she

3

3







 6

6





3











3



6

6

di

-

-

-

3

3

-

-





3



3







3

 

  

3



      

6

6



3

 

6

6



said



3















3

f calmato



f calmato

H

       

 

6



vine



Pno.



  

f calmato

 

     

f calmato

Vc.

3

f calmato

Vla.

3



H

 

Vln. 2

3

3

you're

3





3

Pno.

 

6

 

   

  

 6

 

  

  6







 6

 

  6



FOUMAI: Five Songs (II) Page 11


FOUMAI: Five Songs (II) 12 85

  

S.

Vln. 1



he

Vln. 2

 

rit.

you

 



 



are

Mine









dim.

dim.

 

Vla.

 

dim.

dim.

Vc.

 

Pno.

   



88

Vln. 1



Pno.

FOUMAI: Five Songs (II) Page 12





6

6





















       

 

6

she

I

6



6



        

I

 

Vla.

Vc.



6

said

 

        

 

 6

Vln. 2

 

rit.

 

 

S.

dim.

6

       

  

 6

6

       



 6

6

       



 6

6

 


FOUMAI: Five Songs (II) 13

(h=40)

92

 

S.

Vln. 1

 



    

pp



    

pp

Vln. 2





  





    

 

 6

6

  

       



 6

6

 

(h=40)

       



 

pp

       

 

pp

pp

Pno.

 

Vla.

Vc.

 6

6

     

FOUMAI: Five Songs (II) Page 13



III "it may not always be so"

Text By E.E. Cummings

  

Reflective q=60

MICHAEL-THOMAS FOUMAI (2007)

  

Violin 2

  

Viola

 

  

Soprano

Violin 1

Violoncello

Reflective q=60

 

Piano

 

  

 



mp

                                      mp dolce, liquid

A 5

S.

Vln. 1

 

p

 

it

   

  

p

3

 

may

not

3

    

al

-

ways

  

be

so

  

 

 

 

n

Vln. 2

 

 

 

Vla.

 

 

 

 

 

 

Vc.

 

Pno.

 

            

        

          

 

A

    

p dolce, liquid

 

    

                

© 2007 Michael-Thomas Foumai (ASCAP). All Rights Reserved.

FOUMAI: Five Songs (III) Page 1


FOUMAI: Five Songs (III) Page 2 10 S.

Vln. 1

p

    

  

and

i

  

say

3

    

that

 

if

your

 

lips

  

which

i

 

  

 

 

 

 

 

 

 

 

 

 

3

  

 

con sord.

 

con sord.

 

con sord.

p

 

Vla.

Vc.

 S.

  

 

B f     

 

 f

Vln. 2

Vla.

  

 

 f

 f

Vc.

   

con sord.

f

B      

Pno.

-

   

-

-

3

    3

   

3

3

    3

mp liquid

 3

3

         

FOUMAI: Five Songs (III) Page 2

 3

3

3



3

 3



3

mf

mf



and

mf

mf cresc.

thers

mf

3

      

3

 3

 

p

 

      

  

                  

13

 

  

 

no

Vln. 1

 

 

   

 3

    

     pp

strong

 

    

clutch

  

  

 

p

 

 

fing - ers

3



p

p

 

   

mp

 

 

 

mp

 

 

p

  

pp

  

 

mp

 

3

mf

 

pp

  

     





dear

 

 

your

a-

p

mf

 

  

touch

p

mf

     

  

3

p

mf



Pno.

 

should

have loved

p

Vln. 2

 

  

  

 

p

  

mp dolce, liquid

                      

 

   


FOUMAI: Five Songs (III) Page 3 17

S.

Vln. 1

Vln. 2

Vla.

Vc.

Pno.

his

 

 

 

  

22



 

 

p sub.







p sub.

not

 

  

 far

 

  



p sub.



a

   p

mf

- way

mf

  

  

  

 

  

  

  

   p

 

  



  

  

mf

mf

mf

p

  

  

  

  





 

mf

 









p sub.









p sub.

p sub.

 

  

  

C    

 

mf

 

  



mf



mf

 



mf

p

    

mf

p

     

p

   

  

 

mf

time

 





3

p

C

  

 



p sub.

Pno.

 

    

 

in

  

p sub.

Vc.

mine

Vla.

  

p



 

Vln. 2

 

 

p

as

 

heart

 

S.

Vln. 1

 



f

 

  

 



  

 

  



  

 

  

 

  

 

p sub.

f

f

f

f

p sub.

p sub.

p sub.

 

 

 

 

 

 

 

 

FOUMAI: Five Songs (III) Page 3


FOUMAI: Five Songs (III) Page 4

D    

27 S.

mf

  

if

Vln. 1

    

Vln. 1

 

Pno.

sweet

 

  

 



p

 

  

hair

lay

 

 

in such

 

 

a

 

 

  

  

 

   

 

 

 

  



 

 

      

 

 

 

  





  

 

     

   

f

D

mp delicate 3

    

 

 f



 



p

p

p

 

                  3

3

3        

  

mf

 

  

       



    mf

 

   

mf

 

              

           

  

  

   

     

si -

lence

 

as i

know

or such

  

    

mp flowing

p

    

  

FOUMAI: Five Songs (III) Page 4

writ

p

  

great

p

   

mp flowing

3

p

p

     



-

3

      

 

mp flowing

Vc.

your

 

mp flowing

Vla.

face

 

mp flowing

Vln. 2

- thers

 

 

30

S.

 

3

 

 

Pno.

no

    

     

f

Vc.

a-

on

f

Vla.

3

f

Vln. 2

  

ing

words

as

pizz.

mf pizz.



mf

pizz.

mf pizz.



mf

utt - ring

 

  

o -

ver

much

 

 

 

 


FOUMAI: Five Songs (III) Page 5 33

Vln. 1

 

 

S.

stand

  

3

help

  

-

 

less - ly

f

  

 

be - fore the

  

  

3

spi - rit

accel.

 at

-



 

bay

arco

  

 





  

  





mf cresc., with intensity

Vln. 2

Vla.

  

 

  

arco

 

mf cresc., with intensity

  

arco

 

mf cresc., with intensity

Vc.



 S.

Vln. 1

Pno.

Vla.

Vc.

 

 

 



3

 

 

 



















  



  



  

  

tension







tension



tension

                                           

3

3

   

   

3

3

         

3

3

           

3

3

        

 

 





    

 

mp



3

mf cresc., with intensity

tension

 

Vln. 2

 



3                      

 

 



accel.

36

  

arco

mf cresc., with intensity

Pno.

  

  

  

 

 



 

       

  

  

   

 

  

FOUMAI: Five Songs (III) Page 5


FOUMAI: Five Songs (III) Page 6

E 39

  

S.

Vln. 1

Più mosso q=72

   

 

 

 

f espress.

   

Vln. 2

f espress.

   

Vla.

Vc.

Pno.

 

f espress.

    

E                   f espress.

     

6



Vln. 1

Vln. 2

Vla.

Vc.

   

  

Pno.

6



 





             6

   

              

     

      

3



 



6

                  



6

ff molto espress.

   

3



    3

may

not al - ways be

    

     



 

    

    



  

     

    





    

     





f più, molto espress.

f più, molto espress.

                   

f più, molto espress.

        6

3

                        



3

  

3

 

  

 

 

6

   





f più, molto espress.

3

    

 

 

 

3

 

3

 

    

3

FOUMAI: Five Songs (III) Page 6

3

  

  

 

6

6

   

 

it

 



       

3

 

 





f espress.

41

S.

         

 

3

3

   

 

 

 


FOUMAI: Five Songs (III) Page 7 44 S.

Vln. 1

  

 

 

so

    

 

 

 

 

 

Vla.

Vc.

Pno.

    

  

     

Vln. 2

Vla.

 

 

 

 

p

   

3

 

may

      



 

 



 

 



 

 

 

 

 

5

 

 

3

al

Pno.

    

-

ways

  

  

  pp

be

  

p

 

 

 5

3

 5

fff broadly

3

5

fff broadly

       

so

  

   

 

  

 

  

 poco

p

  

 

p

Vc.

fff broadly

  

p

 

and

   i

say

    

3

that

  

 

 

 

p

if

  

 

  

  

your

   p

   

  

p

  

   

 

 

 

  

                

                       

p

    

which

 

 

   

   

 

p

lips

F Andante q=60         p dolce, liquid



    

3

  

p

 

5

   

not

 

         

 

 

 

3

 

Andante q=60

F

it

Vln. 1

 

             3 3                 

47 S.

 

 



fff broadly

Vln. 2

 

 

 

 

 

         

FOUMAI: Five Songs (III) Page 7


FOUMAI: Five Songs (III) Page 8

     

51 S.

Vln. 1

3

  

 

 

  

 

 

 

      

  

  

i

  

have

loved

p

  

Vln. 2

p

Vla.

Vc.

S.

 

p

mf

3

55

   

     

Vla.

 

Pno.

     

this

 

should

  

p



 

p

mf

  

 

 

  

   

  

  

 

 

   

   

 

 

pp

 

pp

p

mf

p

mf

p

mf

this should

p

mf

p

p

           3

3

  

be

i say

   

 

 

 

p

   

    

pp dolce, liquid

                       

    

cresc.

 

mf

  

  

  

  

 

  

  

  

 

  

  

  

  

 

mp

   

pp

  



  

  

 

  

  

  

  

 

mp

be

           

FOUMAI: Five Songs (III) Page 8

be

  

 

  

p



p

     

p

 

if

mf 3

p



  

   

3

  

  

nother's

-

 

p

  

 

mp

  

Vln. 2

Vc.

 

         if

Vln. 1

3

mf

  

 



  

 

mp

     

  

 

p

mf

mf

   

touch a

p

mf



should

3

  

Pno.

 

    3

mp

pp

mp

you

mp

mp

mp

      mp



3

you

3

of

my

  

heart

  

mf

mf

 

3

 

mf

          

mf

 



bring out



                  

 

            3

   

  


FOUMAI: Five Songs (III) Page 9 60

  

S.

Vln. 1

   f





   

Vln. 2

   f

Vc.

   

f

  

Pno.

Vln. 1

3

should





f



 mp

f

f

  

3





 

be

 

i

say

  

 if

 

 mf espress.



3

this

should

 

 3

be

 

  

should

 





 



 



 

    

                3

3

3

3

3

pp poco cresc.

3 3                  3

 3

3

3

3 3

3 3

   



   3

3



3

3 3

       3



be



mp

     

    

mf delicate 3

     

3

  

mp

 



mp

   3      

Pno.

 

 

mp





mp

Vc.

 

mp

Vla.

3



mp

 



f

mf cresc.

Vln. 2

 

if this

 

mp sub.

mp

 

 

S.

  

64





f

Vla.

 

  3 

3 3

 

FOUMAI: Five Songs (III) Page 9


FOUMAI: Five Songs (III) Page 10

68

S.

quasi cadenza

 

f

if

Vln. 1

Vc.

Pno.

if this

3

should

be

i

say

if this

ff

should

    

be

 

you

    

 

    

 

    

 

    

 

    

 

       f

G

 

Tempo primo q=60

 

p whispering

  

      

   

G  

 

you

 p

 



 

mf



 

 

p

p

mf

Tempo primo q=60

FOUMAI: Five Songs (III) Page 10

 p

 



 

mf



 

 

mf

p

mf



my heart

mf

p

  of

p

mf

 

mf

p

Vla.

mp

you

  

Vln. 2

Pno.

3

quasi cadenza

S.

Vc.

i say

 

  

f

69

Vln. 1

be

mp

  

f

should

  

f

Vla.

if this



f

Vln. 2



  

3

send

   me

 a

  

 p

  

p



  

  

  

p

p

3

 

lit - tle

 

word

 

 

 

 

mf

 mp

 mp

mf

mf

mf

 mp

 mp

 

 


FOUMAI: Five Songs (III) Page 11 73

S.

Vln. 1

Vln. 2

Vla.

Vc.

a

 

 

 

 S.

mf

 mf

 mf

  

    

  3   

3

may

 



 

pp



 

  

   

mf

un

 

3

-

to

him



rit.





 3

3



and

 

his

hands



 

 



  



all



 



 





 

 

3

say - ing ac - cept

 

 

  

3

take

     



  



f espress.



mf

go

  



 

f espress.

H Più mosso q=70               

f più

 

pp

f espress.



 

pp

mf

Pno.

 

 



ppp like snow falling

   

mf

 

mf

mf

Vc.

 

 

pp

i

Vla.

Più mosso q=70 f espress.

 

 



 H

 

3

  

Vln. 2

 

that

Vln. 1

76

 

rit.

word

Pno.

 

  

3

lit - tle



 

 

  

 



 



f espress.

 

  3

 

f espress.

 



3

     

  mf

 

 



 

3

 

 

  

 

 

3

    

3

 

 

3

 

3

 

 

 

FOUMAI: Five Songs (III) Page 11


FOUMAI: Five Songs (III) Page 12

79

S.

rit.

ff



Vln. 1

 

Vln. 2

 

Vc.

 

 



f spatial



   I

 

3

 

3 3



 

i

 

     

shall

p

  

p

ness

from



     

 

 

 

 

me.

 

 



 

 

 

 

  

 

 

ff

ff

ff



    

turn

 



3

 

 

 

   

 

     

 

 

my

face,

  

 

  

p

p

 

 

 

  

  

 

G.P.

     

3

   

-

 

G.P.

ff

  

 

 

 

3

 

3

- i



 

 

Reflective q=60 p

rit.

 

   

 

 

 

f più

p

   

and

  

  

  

3



hear

 



one

     

p

p

3

 

 

 

 

bird

 

 

 

 

  

 

 

 

I

 

Pno.

fff

3

happ

ff

 

3

  

        

Vla.

3

    

Vln. 2

 



Then

Vln. 1

f più

83 S.

f più

 

  all

 

 

Pno.

 

ness

-

 

f più

Vc.

i

-

  

Vla.

3

happ

Reflective q=60

p dolce

   

FOUMAI: Five Songs (III) Page 12

 

 

  

      

 

 

 

     

 

 

 


FOUMAI: Five Songs (III) Page 13 rit.

    

86 S.

   

sing

Vln. 1

   

   

Vln. 2

 

Vla.

Vc.

Pno.

ter -

ri - bly

 

  

p

 

  

p

  

     

a

   -

 

  

in

 

 

3

  

 

     

 

 

pp

  

     



   

3

lands

lost

3

 

 

 

rit.

  

ppp

3

 

 3

the

  

     

pp

 

 

     

pp



far

3

3

 

  

 

3

p

     

      

  

ppp

3

   

FOUMAI: Five Songs (III) Page 13



IV Text By E.E. Cummings

"once like a spark"

Alive and Active q=100

    f

Soprano

like

  

Violoncello

    

4 S.

Vln. I

 

    

life

be

  -



sfp like a spark pizz.

fff

  

   

 

f











 

  



             

 

  

   





 

gins

A

 



 



 







 





  





f animated

sempre pizz.

Pno.

meet



      

Exuberant q=150

pizz.

Vc.

gers

 

sfp like a spark



f animated

Vla.

-

Alive and Active q=100

f animated

Vln. II

stran

if

 

       

  

ff

sfp like a spark

  

A

       

   

Viola

 

spark

   

Violin II

a

Violin I

Piano

once

ff



MICHAEL-THOMAS FOUMAI (2007)

f animated

              f animated          Exuberant q=150

 



 





 



                   





 







 

 

 









  

  

               

© 2007 Michael-Thomas Foumai (ASCAP). All Rights Reserved.

 















 

 

 

  

 

 



                 



 

FOUMAI: Five Songs (IV) Page 1


FOUMAI: Five Songs (IV) 2

 

S.

Vln. I

  

Vln. II

Vla.

Vc.

Pno.

Vln. I





  

  





  

   

not

poor

not











 

pizz.

 

 

      

mf bubbly

 

 

FOUMAI: Five Songs (IV) Page 2

on - ly

a

 f

- ware

  

 

 

  

 

 

 

    



 ff



 

ff

3

pizz.

  

3

p sub.

 

 

          3

 

arco

  

  ff

 

arco

  

ff

  3                   3

3

p sub.

 

       fp

f

        fp

f









  

       

 

 





  

    

arco

ff

3

mf

  

 3 3             3  p sub. 

             3

 

3

p sub.

      

Pno.

 

rich

      

 

mf bubbly

ff

Vc.

mf

f

Vla.

 

mf bubbly

   

Vln. II



 

                      

12

S.

 

f spirited

8

p sub. 3

3

  



ff

3

3

            

mf





f

f

   

f

 

fp

   

      


FOUMAI: Five Songs (IV) 3 A tempo

16

S.

Vln. I

kind





  

B



 

ff giddy

 



 



 

  

f scherzando





I

not

not

 

 

     

       



 

  

 











 







you

not

poss

   

 





3





- i

 



     













       

           

B

3

f

    

 

  

fp

  

fp

f

fp

f

  

  

   

arco

f

      

   

           



         

mf

 on

    

f

     

arco

ble

-

        

arco



 - ly

     









        

           

arco

ff

 3







  

   

ff

p sub. 3



ff

  

 

Frivolous, A tempo (q=150)

  



pizz.

f scherzando

Pno.

 

  

ff

p sub.

A tempo

pizz.

f scherzando

Vc.

pizz.

Vla.

  

Vln. II

plete

-

p sub.

21

Vln. I

   

p sub.

S.

p

 

on - ly com

Pno.

p sub.

cruel

Vla.



nei - ther nor

Vln. II

Vc.

f



           

f scherzando

 

Frivolous, A tempo (q=150)

      

  

 

  



   

 







  

 



 



   

 

    







 



mp giddy







 



FOUMAI: Five Songs (IV) Page 3


FOUMAI: Five Songs (IV) 4

24

S.

Vln. I



Vln. II

Vla.

Vc.

truth

   



Pno.

   

Vln. II

Vla.

Vc.

Pno.



      







  



 

   

ly

-

 gliss.

  

 

truth - ful

  

 

  



once

   

  

    

                

ev

- er

and

 



 

-



 

   



 











  



 





 





  







FOUMAI: Five Songs (IV) Page 4







 

deep

our

most







 









 





 







 

      

p cresc.

     



 

ff



  

ff





   ff





 







 





   

so



        

p cresc.

       

to

dark



  ff

 

ff

 

 

            p cresc.

   

                     

 

are

      

  

       

for



     

    

touch



    

 

   



 

stan - gers who

   



p cresc.

  

 

if



        

selves

Vln. I

ful

-

         

28

S.





f

 


V "now does our world descend"

Text By E.E. Cummings

  

Foreboding h=60

MICHAEL-THOMAS FOUMAI (2007)

 

Violin II

 

Viola

 

  

Soprano

Violin I

Violoncello

Foreboding h=60

  

Piano

3

pp distant bells

       

3

3

    

   

A

quasi recitativo

4

p

S.

   

* chant words in rhythm of ordinay speech on determined pitch.

now

does

our

world

de

- scend

the

path

to

no

 

Vln. II

 

Vla.

 

 

Vln. I

Vc.

A

Pno.

quasi recitativo

let ring until next sounding pitch

- thing

- ness

cruel

now

can

-

cels

  

kind;

    © Copyright 2007 Michael-Thomas Foumai (ASCAP). All Right Reserved FOUMAI: Five Songs (V) Page 1


FOUMAI: Five Songs (V) Page 2

S.

friends

turn

to

en

-

 e

-

 

mies

there

- fore

la

-

ment,

my

 

dream

mf

 

and

don

a

do

-

 

er's

 

 

Vln. II

 

Vla.

 

 

 

 

Vln. I

Vc.

Pno.

B 5

A tempo h=60

  

S.

p

   

doom

  

Vln. II

  

Vla.

 

  

Vln. I

Vc.

B A tempo h=60

     

Pno.

3

 

p distant bells 3

     

FOUMAI: Five Songs (V) Page 2

3

   

3

    

3

  

     

3

     

3

   

 


9 FOUMAI: Five Songs (V) Page 3

C p

quasi recitativo 10

* chant words in rhythm of ordinay speech on determined pitch.

S.

cre

-

 

ate

is

now





 

con

-

trive;

i

 

Vln. II

 

Vla.

 

 

Vln. I

Vc.

Pno.

S.

Vln. I

free - dom: what makes

-

ined,

mere

-

 

ly

know

 a

  



slave there - fore, my

   life,

lie

     down

and more

by

most

   

en - dure

all that

 

you

ne

- ver

were

 

Vla.

Pno.



mag



 

let ring until next sounding pitch



-



 

quasi recitativo



Vln. II

Vc.

C

 p let ring until next sounding pitch

  

FOUMAI: Five Songs (V) Page 3


12 FOUMAI: Five Songs (V) Page 4

S.

Vln. I

Vla.

Pno.

hide,

poor

dis

oured





mind

who

thought

your



ing

no

and

yes:

-



 

self

so

wise;

 

 

 much

 could

 un

-

der

- stand

Vln. II

Vla.

Pno.

-

and

Vc.

hon

-

 

 

S.

Vln. I



Vln. II

Vc.



 

 

  p let ring until next sounding pitch

  

FOUMAI: Five Songs (V) Page 4

 

 con

 -

cern

-

 

  if


FOUMAI: Five Songs (V) Page 5

 

S.

they've

Vln. I

be

 -

come

the

Vla.





same

it's

time

you

un

 

 -

be

-

came

  

S.



p

 

Pno.

 

Vln. II

Vc.

   

where

p let ring until next sounding pitch

 

 climb

-

 

ing

was

and

bright

 

is

dark

-





ness

and

to

mf

 

 

 

Vln. II

 

Vla.

 

 

 

 

Vln. I

Vc.

Pno.

FOUMAI: Five Songs (V) Page 5


FOUMAI: Five Songs (V) Page 6

D    

10 S.

Vln. I

p

   

         

fall

cresc. poco a poco

   

S.

wrong's

3

 

(p)

f distant

       

14

Vln. I



the

   

3

on

-

ly

         

   

3

 

 

pp cresc. poco a poco

  

Vla.

3

pp cresc. poco a poco

Vc.

Pno.

3

 

3

   

pp cresc. poco a poco

  

3

3

     FOUMAI: Five Songs (V)  Page 6

 

   

 

 

 

 

f

      

ppp

ppp

f

3

 

   f

(p)

3

3

 since

       

 brave

    poco

 

(p)

 

    

 

 



are

cow

 3

-

3

3

ards

3

(p)

3

 

 

 

3

(p)

       

 

(p)

 

3

3

3

  



poco

poco

3

        

 

3

f

(p)

(p)

poco

 

3

poco

 

      

f

f



right

     

pp cresc. poco a poco

   



pp cresc. poco a poco

Vln. II

 

 

ppp

   

f



f

3

 

f

D 3        

Pno.

            ppp

      ppp

        ppp

Vc.

f

ppp

mf

now

         

Vla.

f

ppp

Vln. II

3

3

     

 3

all

 there -

        poco

 

   

 

    

     

 

 

 

 

poco

poco

3

poco

3

      poco

 


FOUMAI: Five Songs (V) Page 7

18

S.

Vln. I

accel.

3

3

fore

des - pair,

my

   

  

   



      



(mp)

Vla.

   



3

(mp)

Vc.

Pno.

Vln. I

Vln. II

3

3

(mp)

 

 

  

E f

   

Più mosso q=128

f

   

 

       

 

        

        

 

   

           

 

 

in - to

the

dirt

   

(mf)



3

3

(mf)

 

  

3

 

3

3

3

6

     

 

(mf)

breif

-





3

   

 

     

 



f

 

   

 

 

 

 

  

each

 

  

are

bliss

where





3

       



see - ing

eyes

 

3

 

    

 3

      



   



   

   

    

  



 

     



 

3

 3



 

  

3

go

 

    

   

 



       



 

 

blind

 



3

      

 





     

 

er

3

(mf)

 

of

3

 

 

end



mf

3

     

end - less

 

    

3

3

from this

  



(mf)

6

 

E Più mosso q=128                 

Pno.

 3

  

     

 

  

f

Vc.

     

f Vla.

accel.

    

 

3       

3

  

die

        

(mp)

  

22 S.

 

  

     

 3

and

   

3

heart

(mp)

Vln. II

3

    

 

 

  FOUMAI: Five Songs (V) Page 7  


FOUMAI: Five Songs (V) Page 8

    

  

26 S.

Vln. I

where

 

see

Pno.

 

      

 

3

 

p sub.

3

    

p sub.

 



3





  



   



blind

p

    to

  

 

mf cresc.

Vln. II



 

Vla.

  

kiss





     

eve

-

 3

    

Pno.

p

    

FOUMAI: Five Songs (V) Page 8

poco

     



  



ry

things

 

 

no

     





    

poco rit.

       

     

    

 



 

and

 

   

  

   

  





 

    



poco

a - rise my soul





     

  

thing

   

3

mf cresc.

      

  

 3

                              

p

poco

  

   

      

     



mf cresc.

mp sub.



 

3

p

 

   

3

                    

 

3

mf cresc.

 



for - get

lips

mf cresc.

     



3

       

3



  

poco rit.

where

 

  



poco

       

 



   

3

poco

p

poco

     

     



where

  

 

 

p sub.

poco

     

3

3

3

 

                      

S.

Vc.



3

 

3

30

Vln. I

go

       

eyes



p sub.

Vc.

ing

-

  

 

p sub.

Vla.

 

   

p sub.

Vln. II

      



    

 



   

   



         

    


FOUMAI: Five Songs (V) Page 9 Tempo primo q=128

  

34 S.

ff

sing!

Vln. I

  

Vln. II

    

   

  

     

Pno.

 S.

Vln. I

Vln. II

Vc.

Pno.

  



3

Tempo primo q=128

3

 

   

   

  

 

 

          3

 

 

         3



  



 

  

does

our

 



    3



    

3



 

F

                

3

  

3

3

3

   

3

3

f with passion

3

                3

3

          3

        3

   



-

3









         



 

scend



f più, with passion

 



p sub.

  de

  

now

f più, with passion

    

world



f più, with passion

3

    

    

  

Vla.

ff



f più, with passion

p sub.

ff with force

p sub.

3

3

p sub.

f molto sonore

         

37



3

3

3

       

F   

  

f molto sonore

f molto sonore

Vc.

3

f molto sonore

Vla.

 

  

 

                            6

6

sfz

3

    

 

3

 

6

 

3



FOUMAI: Five Songs (V) Page 9


FOUMAI: Five Songs (V) Page 10

38

S.

Vln. I

 3

de





 -

3

scend

-

  

3

 

   



    

3



 

p sub.

Vla.

Vc.

Pno.

 

Vln. II

   

 

Vln. I



Vln. II



 

 

 

 

 

- rise

3

my

 

 

 

bring out

Vc.

 

mf with intensity



 3

3

6

FOUMAI: Five Songs (V) Page 10

       



 

 



3





   

end





-

3



6

   

       3



less

end

 

 



 

of

    

3

     

     

     

3

3



     3

 

   

 

 

 

 

mf with intensity



     

  



this



3

from



 



     



mf with intensity

6

3

    

  



                      

Pno.



3

3

ff



       

mf with intensity

 

mf cresc.

        

mf with intensity





3

bring out

Vla.

           

but



3

  

3

 



mf cresc.

 

6

 

mf cresc.

p sub.

 

     

p sub.

  6        

soul

  

 

no - thing - ness

to

mf cresc.



    

  

a

6

 



   

3

     

mf cresc.

p sub.



       3

 

p sub.

  

41

S.

3



      



  

3

the path

     



f

3



3

 

       



       


FOUMAI: Five Songs (V) Page 11

44

S.

breif - er

Vln. I

Vla.

Vc.

Pno.

 

each



Vln. II



our

  

  

    

go

     

 

 

  



  





   

  

ff molto maestoso





 

    fff with great force       

        3         

 

   

  

  



 

  

                           

ff molto maestoso

             



3



rit.

 

 

 



    

  



   

ff molto maestoso

 

 

ff molto maestoso

     

 



    

3

  

ff molto maestoso

 

3

blind

     

Vla.

eyes

 

  

3

 

  

3

rit.

3

    

      

see - ing

   

Vln. II

Pno.

where

     

bliss

  

 

Vc.

3



  



Vln. I

 

 

48

S.

  

3

 



 

 

 







 





 





        

   

 

 

   

 

FOUMAI: Five Songs (V) Page 11


FOUMAI: Five Songs (V) Page 12

G

S.

         

ff    

Resoluto h=60

51

3

now

Vln. I

Vln. II

does our world

     

 

ff più, with force

     

 

ff più, with force

Vla.

Vc.

      ff più, with force         

de - scend

G

 

Vln. II

Vla.

Vc.

 

no - thing - ness where climb

     

 

       

        

 

    

 

  

    

    

 

  

    

        

 

    

 

  

    

    

 

  

    

                 

 

     

 

    

 

  

 

  3

     

3

    

3

is dark - ness and to

   

 

   

 

 

      

 

 

    

 

       

3

      FOUMAI: Five Songs  (V) Page 12

  

  

  

3

 

   

3

     

 

 

         

 

 

 

3

 

 

3

      

3

 

 

 

fff broadly

 

fff broadly

 

       

  

3

    

  

 3

 3

3

3

         

3

3

 3

  6

3

fff broadly

 

fff broadly

3

 

     

   

 

 

fall

   

 

 

   

 

 

 

     

      

 

was

    

 

         

- ing

    

3

     

  

fff

    

3

to



 

ff like bells, clanging!

    

Pno.

path

   

    

3

and bright

Vln. I

  

   

Resoluto h=60

54

S.

the



 

       



ff più, with force

   

Pno.

 

 

3

       

3

 3

3

 3

 3

 

 

 

3

 

3

 

 

 

 


FOUMAI: Five Songs (V) Page 13

H   

57 S.

Vln. I

Vln. II

  



   





f

f

  

Vla.

 3

f

Vc.

mf

Vln. I

Vla.

Vc.

 

 







3

3

3

3

 

 

 

 

Pno.

 

3

 



 

3

3

  

  

 3

    

  



3

 

 

 3

    3

3

3

3

3

3

   

 





        

  

    

 

    

 

   

 

mf calmato, dim.

mf calmato, dim.

       mp

mf calmato, dim.

mf

3

 

    

 

 

mf

3

 

    

 

 

    

 

mf

   

    

 3

3



3

3

 

3

3

 

3

mf

Vln. II

3

3





3



 

59

3



    

S.

3

f

3

    

H    

Pno.

   



   

 

  

  

      

 

   

mf calmato, dim.



mp calmato, dim.

   

     

 

FOUMAI: Five Songs (V) Page 13


FOUMAI: Five Songs (V) Page 14

64

 

S.

Vln. I

    

  

 

   

mp

  

Vla.

mp

Vc.

Pno.

    

Vln. I

   

   

   



mp

     

 

  

    

68

S.

p

 3

end

 



      

Vla.

Vc.

Pno.

pp

mf

     pp

  

    pp

  

   

 

mf

mf

mf

I                       mf

pp

                     

pp

        

 

  

 

   

    

pp

mf

       

pp

 

pp

pp

mf

 

 

pp

mf

pp

this

 

    

mf

pp

FOUMAI: Five Songs (V) Page 14

3

 

  



end

  

  

    

poco rit.

  

less

pp

from



pp

     

  

Vln. II

but



mp

Vln. II

   

I   

mp angelic

poco rit.

            mf

   

pp

     


FOUMAI: Five Songs (V) Page 15

quasi recitativo

71 p

Pno.



but

from

this

 

end - less

end

of



breif - er

each

 

Meno mosso q=60

  

our

bliss

pp no vibrato

 





 







   

p hollow and diastant

 

 



p hollow and diastant

  

pp no vibrato



 

 

p hollow and diastant

 

 

 

quasi recitativo

 



 

pp no vibrato

Vla.

 

Vln. II

Vc.

 

S.

Vln. I

* chant words in rhythm of ordinay speech on determined pitch.

 

 

 

  

 

Meno mosso q=60

pp

    quasi recitativo

73

  

S.

Vln. I

     

Vln. II

Pno.

  



could

un



der - stand

con

- cer

yes

and

 

 

 

 

 

 

 

 

ppp

-

- ning

 

ppp

no

 

  

 

 

    



 

p

 



much

 

  

And

ppp

  

Vla.

Vc.

* chant words in rhythm of ordinay speech on determined pitch. p

 

quasi recitativo

   

 

  

 

FOUMAI: Five Songs (V) Page 15


FOUMAI: Five Songs (V) Page 16

J p

  

75 S.

Vln. I

Meno mosso h=48

 

   

   

p

  

   

   

  

   

Vln. I

Vla.

Vc.

 

  

   

 

  

 

mf

mf

    mf

 

 

 

 

 

 

 

 

p

 

p



 p





mf

  





   



 

p

   

p

p



p

   

Pno.



      

go

mf

blind

 

Meno mosso h=48

  

Vln. II

eyes

 

mf

79

S.

- ing

  

p

mf

3

   

 

 

p

mf

 

  

mf

p

J  

Pno.

see

   

p

Vc.

  

mp

  

 

p

Vla.

where

Vln. II

 

 

mp steady, distant bells

  

FOUMAI: Five Songs (V) Page 16

 

where

lips

3

for - get



 



 



 

 

 

 

 

p

mf

p

p

mf

 

mp

mf

p

 

 

3

 to


FOUMAI: Five Songs (V) Page 17

82

 

S.

 

kiss

Vln. I

 

 



 

 

 

 

p

 

Vla.

Vc.

Pno.

 

thing

 

 

rise

  

 

p

  

  

     

p

 

p

mf bring out

p

      f  

    

mf

 a

-

 

mf

 

 

 

K  

 

 

mf

   

 

mf



my

soul

mf

  

  

  

p

p

p



 

3

mf bring out

 

 

p

mp

p hovering

p

mp



p

mp

no -

p

mp

 

Vln. II

things



85

Vln. I

ry



S.

-

p

3

  

Pno.

ev

 

p

Vc.

where



p

Vla.

K

  

Vln. II

     

 

 

 

p

p

mf

 

p

 





 

 

  

 

p

  p

 

 

   



mf

 

mf

   



   

p

 

 

      f  

  

p

    

FOUMAI: Five Songs (V) Page 17


FOUMAI: Five Songs (V) Page 18

88

 

S.

Vln. I

 

rit.

    

  

     

 p

 

Vla.

Vc.

mp



    

 

 



 

    

 

     

 

 

 

   

rit.

 

 

  

FOUMAI: Five Songs (V) Page 18

sing



mp

          

n

pp

 

pp

 



mp



p



pp

   

Pno.

Morendo h=52

   

   

p

  

  and

p Vln. II

mp

mp

mp

   

pp

pp

       pp

   

         

Morendo h=52

      

 

   

3

3

     

   

ppp

 

       3

    


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