MICHAELANDREWSEVERETT
[ selected works ]
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michaelandrewseverett@gmail.com 413.297.9840 michaelandrewseverett.com http://issuu.com/michaelaeverett/
Design Development: Fluid Deviation | Daegu, South Korea Re-imagining the library of the technology age
CASE: Vascular Definitions | Chicago, Illinois Defining a new housing typology for Chicago
Chicago Architecture Museum | Chicago, Illinois Re-imagining the base of the Tribune Tower
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[ professional ]
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[em] [ph] [web] [folio]
EYP Inc | Boston, Massachusetts
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MICHAELANDREWSEVERETT
Photography/Drawings
Intern
for [Complete Works], including additional academic, professional and personal projects, please visit: http://issuu.com/ michaelaeverett/docs/ michael_a_everett_portfolio portfolio created in inDesign
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[ academic ]
DESIGN DEVELOPMENT: FLUID DEVIATION Daegu, South Korea
A fluid deviation from traditional library ways to the newly redefined, technology age library typology.
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on the cover: an interior rendering of the void space. rendered in rhino and photoshop right page: operational diagrams of the performative layout design based on a proposal by OneByNine for the Daegu Gosan Public Library Competition
DESIGN DEVELOPMENT: FLUID DEVIATION | Daegu, South Korea
[ academic ]
spring
2014: 16 weeks | professors Alexander Pincus, Lonn Combs
This library is a fluid deviation from traditional library ways to the newly redefined, technology age library typology. The library houses library stacks in one wing of the splitting volume and computer centers and data in the other wing. At the intersection of the splitting wings is a continuous void, connecting the two and facilitating the spread of knowledge. The rather open but directed floor plan is intended to draw users into and through the building. The physical knowledge (the book stacks) are condensed and raised into the library’s cantilever as a symbolic gesture of exposing the knowledge to the community. A balance is created between this physical knowledge and
the ephemeral knowledge (data/ online knowledge) that is stored primarily in the adjacent wing of the building. The ideology behind the renowned Design Development studio at RPI is to begin by choosing a conceptual design level competition entry that has never been realized in built-form. After rigorous scrutiny and redesign of the original concept, teams of 2 students are tasked with taking the project through design development, and outputting a comprehensive drawing set and 1:50 scale physical model expressing both details and designed systems of the project. This project was done in collaboration with Emily R. McGuire.
1 Typical Library Condition
2 Fluid Deviation from Traditional Methods to New Technologies
3 Slice Ends to Reveal Library to Community
4 Create Vertical Connection
5 Expand Public Space Around Void
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CUT-AWAY SECTIONS left to right section perspective through the sliced ends of the form, the typical laminated glass curtain wall detail section perspective through the perforated panel exterior cladding system adjacent to the core section perspective through the typical exterior cladding system of the building exposing the stacks
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Wall Section - Foundation Detailed Wall Wall Section - Perforated Metal Detailed Wall Section - Detailed Perforated Wall Metal Section - Stacks Detailed Wall Section - Glass Wall 1 : 10
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01 Vapor Profile 02 Panel System Steel Pin/ Angle 03 75mm Rigid Insulation R15 04 Panel System Steel Hanger 05 Gypsum Wallboard Ceiling Finish 06 Break-Formed 10mm Aluminum Panel: 5mm Perforation 07 150x50mm Extruded Aluminum Mullion 08 Vertical Girt 09 Hat Channel 10 25mm Insulated Glass Unit 11 Metal Stud 12 Break-Formed 10mm Aluminum Panel 13 16mm Gypsum Wallboard 14 50x300mm Quad Laminated Glass Mullion 15 Aluminum Pin Connection 16 10mm Aluminum Space Connection (behind) 17 Black Silicone Joint 18 Glass Interlocking Lap Joint Connection in Mullion 19 10mm Aluminum Angle Connection to Mullion 20 36mm Triple Laminated Monumental Glass
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TYPICAL RCP The lighting plan was conceived by the region of space that we wanted to create. First, the most public of spaces (the circulation space) need to be kept fluid in order to fit within the concepts of our design. In order to be fluid with lighting, indirect LED strips are arranged in a meandering pattern. Second, the classroom spaces are set up with indirect linear fluorescent strip lighting on a more set out grid. Finally, the remaining public spaces including the stacks, computer labs, and study areas are oriented very close to the exterior glass walls. The natural light is supplemented with minimal direct, recessed can overhead lights.
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The ceiling over the main circulation is lowered in order C19 to accommodate C20 the main branch AC ducts. A02 - Level 2 Air- Level is5250 delivered to the main A03 3 8750 program spaces directly from the circulation ceiling cavity. This C19ceiling drop also C20helps to accent the high ceilings over the main program spaces. A03 - Level 3 The 8750 heating system is radiant through the floors, and directly connected to the city-wide district heating system. The LED strip circulation lights on the back of a dropped metal panel fin. They are housed in a reflective and curved formwork in order to direct the light produced A02 - Levelthe 2 onto adjacent fins which 5250 in turn redirects the light to the circulation spaces. are mounted A02 - Level 2 5250
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the second level, showing the stacks, study spaces and the cascading light of the void space
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1:50 scale sectional model expressing the structural systems of the building, and an understanding of the interior spaces
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[ academic ]
CASE: VASCULAR DEFINITIONS Chicago, Illinois
Defining a future housing typology for Chicago in response to cultural issues.
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on the cover: an interior rendering of the greenhouse space. hand drawn and post-processed in photoshop this page: a diagram of the mixed occupancy condition that young professionals present right page: a layer diagram juxtaposing screen time with health effects
[ academic ]
CASE: VASCULAR DEFINITIONS | Chicago, Illinois fall
2013: 5 weeks | professor Demetrios Comodromos
Who? Young Professionals. Friends/strangers living together in a single household as multiple rentals. Young (20-35 year old) full-time working post-graduate professionals. Size of household occupancy can multiply according to significant others. Why? Health. In today’s world where everything is available with the touch of a finger, young people are spending more and more time behind a screen (an average of 8.5 hours per day in 2010). Continuing at this pace of increasing time would result in being behind a screen for every waking hour long before 2050 even hits. This
addiction to technology results in natural daylight deficiencies, which is tied to many health issues, including diabetes, obesity, and depression. Following current trends, these rates will skyrocket, quickly leading to an unhealthy America. How? Networking Systems. In typical housing, systems and structure are separated and hidden from occupiable space, creating wasted space and further separating us from light and air. Critical systems networked in a vascular manner are optimized for transport and then exploited as a spatial definer, creating a healthier more natural environment for living.
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Systems
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TUBE SECTIONS ETFE Panel H-Section Steel Structure Fiberglass Insulation Rainwater Collection Gutter 2� High Velocity Air Duct
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FABRICATION Construction of the network of systems tubes is fairly simple. Once the network has been designed and structurally engineered, prefabrication of its parts can begin. An assembly of two types of pieces is created: (1) y-joints and (2) straight members connecting them. These pieces can be prefabricated with the necessary system pathways, allowing for only simple connections on-site.
02 Fabrication
Construction of the network of systems tubes is fairly simple. Once the network has been designed and structurally engineered, prefabrication of its parts can begin. An assembly of two types of pieces is created: (1) y-joints and (2) straight members connecting them. These pieces can be prefabricated with the necessary system pathways, allowing for only simple connections on-site.
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BUILDING SECTION 13
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01 FiberOptic Tracking Solar Collector 02 BioPCM Sheet 03 FiberOptic Cables 04 Integrated Sound System 05 Rainwater 06 Exhaust Air 07 FiberOptic Task Lighting 08 Sun Shades 09 Electrical Wiring 10 Operable Air-Filled Partition 11 Radiant Heating (geothermal) 12 ETFE Window insulated/filled with exhaust air 13 Solid Insulated Panel 14 Smart Glass with flexible transparency 15 Fresh Conditioned Air from greenhouse 16 Glass 17 H-Section Steel 18 Collected Rainwater for greenhouse/grey water uses
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left page: the roof plan/panel diagram 01 Solid Insulated Panel 02 Phase Change Material Panel (BioPCM) 03 Shaded ETFE Window 04 Typical ETFE Window 05 Fiberglass Shell 06 ETFE Greenhouse Roof this page: from the top, the front, rear and side elevations (hand drawn). the rear elevation shows the large air intakes
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SMART GLASS Sunlight enters through the second floor windows all day long, however it is constantly being blocked by the traditional floor plate. The floor plate in the house of the future is made up of smart glass. It becomes frosted in a radius around whoever walks on it, but remains transparent at other times.
UPPER LEVEL The upper level offers complete flexibility with only operable partitions. Users select the number of cells they desire upon entering the space. Partitions remain open during the day when spaces are not occupied.
Option 1
ENTRY LEVEL The entry level offers flexibility of size and configuration of living spaces by allowing them to spill over into the greenhouse depending on users’ desires. drawings on overlay of hand drawn work and digitally drawn work.
Option 2
AIRFLOW SECTION Below shows the circulation of airflow through the building. The cold outdoor air is first warmed via geothermal heating, then is filtered through the plants in the greenhouse, then distributed through the vascular network and finally exhausted after its utilization.
Exhaust Air Intake Radiant Heating
Filter
Filter
Dispersion
Closed Loop Geothermal Heating
PARTITIONS Top Edge: The fabric of the partition slides into a small cavity in the tube along its top edge when it is open. This visually hides the partition within the tube while it is not in use. Airflow: Airflow into the cavity is warm, exhaust air. Cavity is filled, and then the valve remains open to create pressure in the cavity when air is passed by it, keeping it inflated. Air is sucked out and the valve is closed upon partition storage. Bottom Corners: The bottom corners of the partitions on tracks (within the bordering vertical tubes) that they slide down when the partition is closed, to ensure they entirely fill and create the complete partition.
Partition Open: When switch is flicked, airflow is reversed and air is sucked out of the cavity, collapsing the divider and sucking it up its tracks, into its storage cavity. Partition Closed: Airflow open into cavity, divider slides downward and fills with air
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Welcome,
Tom
Welcome,
Tom
:
t today’s cells
please selec
:
t today’s cells
please selec
user enters the space and walks to the touchscreen. the user then selects the cells he/ she desires that day off a floor plan. The specific cells and total number of cells may vary based on daily use.
upon confirmation, the operable partitions around the selected cells begin to inflate.
the fully inflated partitions create private areas for each of the users.
renderings hand drawn and then post-processed in photoshop and illustrator
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[ academic ]
CHICAGO ARCHITECTURE MUSEUM Chicago, Illinois
Redesigning the base of one of Chicago’s most historic landmarks
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[ academic ]
CHICAGO ARCHITECTURE MUSEUM | Chicago, Illinois fall
2012: 15 weeks | professor Gerald Larson
The concept of the project is to create an organic interaction to accent the juxtaposition with the adjacent Chicago Tribune Tower. Reusing portions of the existing structure accents this juxtaposition. The museum is laid out along interior paths, which allows users to see the complex overlaps in history which cannot be understood in the traditional, linear way of learning.
programmed exhibits, the museum is also designed to interact with the community of Chicago. It does this by providing studios, where designers and artists can “rent” and work free of charge, provided they produce one work every three months for an exhibit in the museum.
Along with the organic form, and the paths that make up the museum’s
The project also contains outdoor public space, an amphitheater, classroom space, research space, a library, a design shop, and a high end cafe and restaurant on Michigan Avenue.
on the cover: digital model built in rhino and maya, rendered in rhino and photoshop this page: stacked plans showing pathways flowing through the open museum volume.
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STRUCTURE The double facade in the project acts as the cavity for all of the mechanical systems and the structure. It varies in depth based on the necessary truss depth, as illustrated in the sections. Each skin is covered with smaller apertures allowing for a diffuse quality of light to enter the museum spaces. The skin turns in on itself in places where more transparency is necessary to allow for specific views.
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PANELIZED SKINS The skins attached to either side of the structure are tessellated into a pattern utilizing a controlled number of different panel sizes, shown in the wall section and corresponding elevation above. Panels are then customized to allow for larger or smaller apertures. The cavity created is lit with LED lights allowing for the museum to glow at night. The image to the right is what the intervention (3D printed) would look like on-site when viewed from Michigan Avenue
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left column: additional views of the 3D printed intervention on-sight main image: hand drawn, photoshop rendered view of the main entry hall
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[ professional ]
EYP INC
ARCHITECTURE & ENGINEERING Boston, Massachusetts
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EYP ARCHITECTURE & ENGINEERING | Boston, Massachusetts summer
2014: 4 months | Intern
Principal: Jeremy Oberc Lead Designer: Kip Ellis Project Manager: Sandy Carroll
conceptual designs. The final output consisted of multiple options and multiple scales.
Work included: Revit computer modeling, schematic design work, rendering, conceptual design/ interview prep
Additionally and more in-depth, I experienced the schematic design process of a collegiate science building. The project consisted of renovation, addition, reprogramming and recladding an existing building. My work ranged from visualizations, to details, to Revit modelling, to SD set drawings.
At EYP, I experienced design in multiple stages of the process. I was asked to assist on three project interviews: fast paced, charrette style
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* PRESERVE EXISTING CAP AND SPANDREL AND BASE CONDITIONS
eypae.com
eypae.com
CONSULTANTS:
CONSULTANTS:
* PRESERVE EXISTING CAP AND SPANDREL AND BASE CONDITIONS
BREAK METAL REVEAL, PTD TO MATCH CW
EXPOSED CONC BEAM, ETR.
NEW ALUM WINDOW SYSTEM, TYP.
NEW ALUM WINDOW, TYP.
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NOTE: SEE PLANS AND B.O.D. FOR INTERIOR FINISHES
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NEW ALUM WINDOW SYSTEM, TYP.
NEW ALUM WINDOW, TYP.
General Notes:
Existing Roof 36' - 0"
EXPOSED CONC BEAM, ETR. 12' - 0"
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PTD. EXPOSED CONCRETE BEAM
NEW ROOF MEMBRANE OVER 1/2" PROTECTION BRD, NEW 4" RIGID INSULATION, NEW VAPOR BARRIER. TAPERED LIGHT WEIGHT CONC TOPPING OVER DOUBLE TEES, ETR.
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PRECAST WINDOW PANEL, ETR.
EXPOSED 1" INSULATION, ETR. CONC BEAM, ETR.
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General Notes:
Existing Existing Roof Roof 36' - 0"36' - 0"
CUT STONE @ WINDOW HEAD, ETR.
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WOOD TRIM
* PRESERVE EXISTING CAP AND SPANDREL AND BASE CONDITIONS
NEW ROOF MEMBRANE OVER 1/2" PROTECTION BRD, NEW 4" RIGID STONE INSULATION, NEWCUT VAPOR COPING, ETR. BARRIER. TAPERED LIGHT WEIGHT CONC TOPPING OVER DOUBLE TEES, ETR.
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NEW ROOF MEMBRANE OVER 1/2" PROTECTION CUT STONE BRD, NEW 4" RIGID COPING, INSULATION, ETR.NEW VAPOR BARRIER. TAPERED LIGHT WEIGHT CONC TOPPING OVER DOUBLE TEES, ETR.
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NEW ROOF MEMBRANE OVER 1/2" PROTECTION BRD, NEW 4" RIGID INSULATION, NEW VAPOR CUT STONE LIGHT BARRIER. TAPERED COPING, ETR. OVER WEIGHT CONC TOPPING DOUBLE TEES, ETR.
Existing Roof Existing Roof 36' - 0" 36' - 0"
EXPOSED CONC BEAM, ETR.
EYP Architecture & Engineering Independence Wharf 470 Atlantic Ave., 7th Fl. Boston, MA 02210 Telephone 617 305 9800 Fax 617 305 9888
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* PRESERVE EXISTING CAP AND SPANDREL AND BASE CONDITIONS
ALUMINUM CAP NEW ROOF MEMBRANE OVER 1/2" PTD. PROTECTION BRD, NEW 4" ALUMINUM RIGID INSULATION, NEW VAPOR PANEL BARRIER. TAPERED LIGHT WEIGHT CONC TOPPING OVER DOUBLE TEES, ETR.
EYP/
EYP Architecture & Engineering, P.C. Independence Wharf 470 Atlantic Ave., 7th Fl. Boston, MA 02210 Telephone 617 305 9800 Fax 617 305 9888
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NEW SLATE STOOL
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RADIANT HEATING
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EXISTING BRICK TIE BLOCKING TO EXISTING CMU SHELF, REINFORCE WITHBACKUP STEEL ANGLE
CUT EXISTING SILL AND REINSTALL
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this page: detailed typical wall sections
TIE BLOCKING TO EXISTING CMU BACKUP NEW BLOCKING @ WINDOW, TYP
2" PERIMETER INSULATION BELOW GRADE, ETR.
TIE FLASHING TO EXISTING THROUGH WALL FLASHING, TYP.
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CUT EXISTING SILL AND REINSTALL
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NEW STEEL STRUCTURE AND COMPOSITE DECK FLOOR
Schematic Design DATE:
Tunnel -5' - 0"
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following pages: a bird’s eye rendering of the existing building, followed Integrated S Integrated Science Complex Level 1 0" by the same view0' - of the Concordia College Concordia Colleg Moorhead, Minnesota Moorhead, Minn completed renovation TIE FLASHING TO EXISTING THROUGH WALL FLASHING, TYP.
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KEY PLAN:
on the cover: an interior rendering of the entry, main stair, and commons beyond
NEW STEEL STRUCTURE AND COMPOSITE DECK FLOOR
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NEW CAST STONE
SCALE: EYP PROJECT NO.: CLIENT PROJECT NO.: DESIGNED BY: DRAWN BY: CHECKED BY:
2014.08.01 1/2" = 1'-0" 1009075.02 EYP EYP EYP
5' - 0"
STRUCTURAL SUPPORT AT CURTAIN WALL SILL, TYP.
Schematic D DATE: Tunnel -5' - 0"
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SCALE: EYP PROJECT NO.: CLIENT PROJECT NO.: DESIGNED BY: DRAWN BY: CHECKED BY:
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[ personal ]
PHOTOGRAPHY/ DRAWINGS
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[ personal ]
SELECTED WORKS Drawing has always been a passion of mine. Whether scratching down conceptual design ideas, doodling or sketching physical objects, I try to draw as much as possible. I believe that drawing can activate the mind in different ways than digital media can. In addition to sketching, photography is a recently discovered passion of mine. I began by shooting primarily landscapes. Through that, I have found that I am intrigued by the idea of conveying motion through still images as well as learning to professionally shoot architecture. Most of all, I enjoy the expression of subjects through my own unique point of view.
on the cover: fruit still life, drawn by hand with charcoal this page: sketch of the Zaragoza Contemporary Art Museum, Spain
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The idea behind this project was to start by drawing a series of very rough napkin sketches, and then pick one (above) to evolve into three finalized 14�x17� drawing plates. All of these plates were to be hand drawn in either graphite or ink.
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Floating into the Storm Lake Tahoe, California June 09, 2013
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Lower Manhattan New York, New York September 10, 2013
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