Snuffling for black gold

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M I C HAEL S M AL L, W RITER MONDAY, 7 FEBRUARY 2011

SNUFFLING FOR BLACK GOLD For his seventy-fifth birthday, his daughter presented Jake with an English oak tree, quercus robur, about four years old. It came in a medium-sized flowerpot in which the potting mix was pretty well dried–out. Not a very big oak tree, no more than sixty centimetres in height and surprisingly spindly. In fact, the stem was malformed, splayed half-way up, which made it very vulnerable to snapping in a stiff breeze. The leaves too were mottled with a more luminescent paler green or light yellowish brown on their lobes. ‘Don’t spray with anti-fungals,’ Shirl warned, when he meekly pointed out these stains on his tree. ‘The nursery man said, otherwise you’ll kill the spoor.’ She was speaking more loudly these days because he was hard of hearing, particularly slow to catch the first syllables of words. Occasionally, she would even shout, as if he were stone deaf, impatient at having to repeat whole sentences, all because ‘words’ might transmute into ‘birds’ and fly off to convolute meaning. Shirl also gave him a half wine-barrel that still smelled of alcohol, which caused both of them some anxiety, for it was essential to have the soil prepared just right. As advised by his daughter through the nurseryman, Jake bought four 30-litre bags of premium potting mix and a gauge for measuring the levels of moisture and alkalinity, the pH. But after emptying three bags of potting mix into the more capacious halfbarrel with its three silver-coloured buckles round the wooden staves, the task of carefully removing the tree from its tight-fitting pot was tricky. Having scooped out a hollow in the mix and dunked the pot in water to soak, his easing the stem proved to be a messy job for arthritic fingers. The hollow wasn’t deep enough, so the stem sat up too high in the mix, and holding it while trying to scoop beneath roots that he couldn’t see, the original crust of mix broke, exposing the root ball itself. Already he was feeling anxious and inadequate, trying to hollow out a deeper hole with one hand and holding the forlorn sapling cross-wise in the other, palming over a hasty covering of more mix.


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