





SKY WORKSHOP
atelier/residence in a designers’ village Jiaxing - Zhejiang Country (China_designed in EMBT)

An atelier for the sky_Ceiling is the sky for a room. Sky is the background for our life, hollow of our perceptions and screen of our dreams: it is a gate for spirits. So, Sky workshop wants to be a place where to develop the culture of the ceiling for human being, a place where there will be activities for art and science
A garden for life_This Atelier is a kind of gardening. The insertion of earth, water, light, wind, and space into the workshop feeds ideas and wishes as water for blooming. Dwelling units, several technical ceilings, sound kit and projecting system will be instalated
Grafting_An experimental dwelling with mixed culture between China and Barcelona. Patios have origins from both Barcelona and China. Implanting barcelonian EMBT Creative studio and Benedetta Tagliabue Comfort residence to Haiyan country using chinese materials. Renovating chinese traditional factory into industrial methods for designers’ residence
The pavilion is developed as a guest house and a meeting point for creators and promoters from the entire world, to hold workshops, conferences, parties, tea ceremonies, etc. The project offers good amenity and affinity to the visitors on the ground floor, with different kind of functions like waterscapes, small gardens with several light courtyards inspired from the traditional Zhejiang Province, and a bathing pool. The second floor acts like an atrium, where there will be situated a private zone and work spaces. Two large private guest rooms are located on the west side and works paces enclosure the central void space with technical hanging system. A library is located between the first and second floor, with staircases and besides of the reinforced concrete column designed as the tree of the knowledge
CASA VALLS
single-family house Sant Vicenc dels Horts (Barcelona_designed in AgoraArquitectura)

This single-family detached house is located on the slopes of the mountains that stand out in the outskirts of Barcelona. Taking advantage of the orography of the the plot, the rooms of the house are located on two lev els, one of which is semi-underground: on the upper lev el is located the living area, which opens to the south in a large window overlooking the valley below, while the sleeping area is structured to the north with openings to the east and west; in the middle, a strip with services and spiral staircase that leads to the basement hosting the technical rooms and a covered outdoor area used as parking. The garden is organized in an upper terrace and a lower, more intimate one. For the external clad ding of the facades, the material used is perforated brick arranged in orderly rows that recall the textures of the ploughed fields in the valley below, visible from the large window in the living room
+73.50 +73.50
+73.50
15

14
13
12 10 +74.00


accomodation and office building Wilaya de
Setif (Algeria_designed in Studio Cozzani)
The two buildings are located within a strategic military site wanted by the Algerian Ministry of Defence in collabo ration with ‘Leonardo’ for the construction of helicopters near the city of Wilaya de Setif The building with the rooms for the workers of the site is located in the western part. As a result of the need to guar antee differentiated accesses, the external paths were marked by a covered canopy and the insertion of vegetation that also acts as a shield between the parking lots and the rooms. The building has a central full-height atrium to illu minate the balconies on the various levels. The plans of the various buildings are then divided into three bands: along the perimeter of the building there are accessory spaces (wardrobes and desks) and loggias, which are a filter space and avoid direct exposure to the outside. The second strip houses the rooms, which maintain a high level of privacy both outside and inside. Finally, the third strip, towards the internal balconies, houses the bathrooms and entrances that act as a filter between the rooms and the internal common areas. The rooms are divided into single rooms (14 sqm) and junior suites (28 sqm) on the first floor, independent suite/mini-apartments (35 sqm) with private terrace and reserved access leading directly from the VIP entrance on the ground floor to the second floor of the building where they are located. On the ground floor are located the common and service areas Next to the accommodation building is the office building, which acts as a filter between the residential area of the complex and the production area. The building opens with a portico on the south façade from which access is gained through the external covered portico. The ground floor houses spaces open to the public, i.e. the reception and wait ing room and the open space dedicated to conferences and meetings, a versatile space whose conformation can be adapted to the needs thanks to the insertion of a mobile wall. The first floor, reserved for professionals, is divided into 3 longitudinal bands: along the perimeter bands offices are located (differentiated into 3 categories according to the intended uses), while the central band houses the distribution corridor, lit by 8 large skylights, and with micro-per forated screens that house ancillary services (printers, kitchenettes, lounges)

9.201.2 9.201.4
LOCAUX Numero
10.2
9.201.7
9.204.5
9.204.6
9.201.1 9.201.6 9.203.7
10.3 1.8
1.6 1.8 9.201.1Vestibule 9.201.2Séjour 9.201.3Bureau 9.201.4Chambre 9.201.5Vestiaire 9.201.6Salle 9.201.7Patio 9.202.1Vestibule 9.202.2Séjour 9.202.3Bureau 9.202.4Chambre 9.202.5Vestiaire 9.202.6Salle 9.202.7Patio 9.203.1Vestibule 9.203.2Séjour 9.203.3Bureau 9.203.4Chambre 9.203.5Vestiaire 9.203.6Salle 9.203.7Patio 9.204.1Vestibule 9.204.2Séjour 9.204.3Bureau 9.204.4Chambre 9.204.5Vestiaire 9.204.6Salle 9.204.7Patio 10.2 10.3
9.203.2 9.203.4 9.204.7 9.204.2
1.6 NUMEROTATION (par 101
9.202.7 9.202.2 9.202.4
9.203.1 9.203.6 9.203.3
6.111.2 NUMEROTATION 2 3 4
7.106.1a
7.112.2 7.112.1
6.108.1a
6.111.1
6.110.2
6.109.1
7.112.2a 7.112.1a 6.113.1a 6.114.1a 6.115.1a 6.116.1a 7.117.2a 1.6 6.107.1
7.106.1
6.110.1
6.109.2
6.113.2 6.114.2 6.115.2 6.116.2 6.118.2 6.119.2
6.107.2
7.117.2 7.117.1 7.117.3
5 6 8 9 10 NUMEROTATION (par 101
6.108.1 7.101.1 7.101.2
6.113.1 6.114.1 6.115.1 6.116.1 6.118.1 6.119.1 6.120.1 6.121.1 6.122.1 6.102.1 6.103.1 6.104.1 6.105.1
LOCAUX Numero
7.002.1
8.003.1 8.003.2 7.001.3
8.003.3
7.001.2
5.1 4.7 4.4
1.5 3.43.2 3.3
LOCAUX 1.6 1.7 6.102.1 6.102.1a 6.102.2 6.103.1 6.103.1a 6.103.2 6.104.1 6.104.1a 6.104.2 6.105.1 6.105.1a 6.105.2 6.107.1 6.107.1a 6.107.2 6.108.1 6.108.1a 6.108.2 6.109.1 6.109.1a 6.109.2 6.110.1 6.110.1a 6.110.2 6.111.1 6.111.1a 6.111.2 6.113.1 6.113.1a 6.113.2 6.114.1 6.114.1a 6.114.2 6.115.1 6.115.1a 6.115.2 6.116.1 6.116.1a 6.116.2 6.118.1 6.118.1a 6.118.2 6.119.1 6.119.1a 6.119.2 6.120.1 6.120.1a 6.120.2 6.121.1 6.121.1a 6.121.2 6.122.1 6.122.1a 6.122.2 7.101.1 7.101.1a 7.101.2 7.101.2a 7.101.3 7.106.1 7.106.1a 7.106.2 7.106.3 7.112.1 7.112.1a 7.112.2 7.112.2a 7.112.3 7.117.1 7.117.1a 7.117.2 7.117.2a 7.117.3
1.6 4.9
10.1 7.001.1
5.3 5.25.4 1.3 4.8 4.6 4.5 4.2 4.1
1.1 1.2 1.3 1.5 1.6 2.1 2.2 3.1 3.2 3.3 3.4 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 5.1 5.2 5.3 5.4
7.001.1Chambre 7.001.2Salle 7.001.3Vestiaire 7.002.1Chambre 7.002.2Salle 7.002.3Vestiaire 8.003.1Séjour 8.003.2Junior 8.003.3Salle 8.003.4Vestiaire 10.1
4.3
3.1
7.002.3 NUMEROTATION 10 NUMEROTATION (par ex 7.101.1) 101




(12x25m) (18x9m ognuno) m) D -juniores)





custode) urbana, palestra aperto)
foresterie, alloggio
IL BOSCHETTO CASELLI


international competition for the re-organization of Testaccio area (Rome, Italy) together with dr. arch. Virgina De Jorge Huertas as DJDM Architecture
parcheggi disabili 1 _ 25 (mq) DM 236/1989_Art. 8, comma 2.3 (1 largo 3,20m /50 parcheggi)
parcheggi auto elettriche 1 _ 20 (mq) (consideriamo 1/10 dei parcheggi per auto)
parcheggi moto 10 _ 50 (mq) (1 posto auto 3 posti moto da 5 mq ciascuno)

parcheggi bici (consideriamo le dimensioni di parcheggio pari 2,00x0,65m)

parcheggi bici elettriche 7 _ 9 (mq) (consideriamo 1/10 dei parcheggi per bici) 392 (mq)




PO parcheggi carico/scarico merci (1 parcheggio = 40 mq) 3 _ 120


-NTA PRG)







1.

RE-DISCOVERING TESTACCIO’S
CALCOLO PARCHEGGI PRIVATI




6 _ 8 (mq) (4mq/10mq SUL)
(i parcheggi privati per artigiani ed artisti sono posizionati di fianco ai parcheggi privati degli impianti sportivi per un migliore gestione)

parcheggi auto
392 (mq) (1 posto auto 20 mq)
parcheggi disabili DM 236/1989_Art. 8, comma 2.3 (1 largo 3,20m /50 parcheggi)
LAND_the proposal starts with the appropriation of the public space in this area of Rome, the ‘Meadows of the Roman People’, as defined by Nolli in his plan from 1748. The core of this project will be the little building/ office where participatory processes will be initiated with the citizens during which access to information and the opening of a programmatic table will be guaranteed
parcheggi auto elettriche (consideriamo 1/10 dei parcheggi per auto)

parcheggi moto (1 posto auto 3 posti moto da 5 mq ciascuno)
parcheggi bici (consideriamo le dimensioni di parcheggio pari 2,00x0,65m)
2. RE-GENERATING PUBLIC SPACE_in addition to the repositioning of the former Testaccio soccer field, there will be also a hybrid square/space dedicated to activities and sports that are becoming more and more popular in urban areas and that not need a playing field with pre-established dimensions and rules: it will be a dancefloor, a skate park, an outdoor gym, a tribune from which to watch the matches, an agora where craftsmen will teach students, a playground free from prejudices restrictions in which the users themselves will define the rules of the game. The multifunctionality of this space will guarantee its use during the 24 hours of the day
51500(mq)13600(mq)6400(mq) = 31500(mq) * 0,25 (mq/mq) = 7875(mq)
3_RE-DEFINING THE CONCEPT OF WALL_the current conformation of the area is strongly marked by the presence of walls that hinder the free movement of students, citizens and new ideas. We believe, however, that a wall should not only be an element used to delimit the space: it can be itself a space in which different activities co-exist, a kaleidoscope full of seats, openings and mirrors that reflect the space endlessly. But the wall is not only the constructive element that delimits and shapes space. If we think of the near and mighty Roman Walls, inevitably our thought refers to the closure, to the verticality of power in the ancient empire. In this sense, the idea is to ‘overturn’ the wall metaphorically on the horizontal plane, passing a vertical management to a horizontal and participatory management
4_RE-MEMBERING THE ‘LUCUS PRIMIGENIO’_the ‘boschetto’ (woods_in Latin ‘lucus’) is a magical place full of life. At one time the Romans asked the Genius loci, or the Nume of the forest, permission to hunt or cut wood; today instead the green spaces of the Capital seem empty and uninhabited. Recomposing the physical and symbolic unity of the Ecological Network means trying to rekindle those collective memories that this city must be able to remember
450 (mq) + 300 (mq) + 324 (mq) + 60 (mq) + 6000 (mq) + 740 (mq) +
5_PARTICIPATORY STRATEGIER FOR A FLEXIBLE SPACE_it is proposed to distribute the space contained in a permeable parallelepiped of 30x80m following a matrix of 10x10m, without obstacles of vertical supports in the middle in order to generate an open infrastructure in which craftsmen and artists can distribute one, ten, one hundred times their ateliers according to their professional needs without limitations that hinder their appropriation of the space. The matrix also allows a correct distribution of the necessary installations for the work of the craftsmen and the irrigation of vegetation in the building envelope, guaranteeing a high level of flexibility and adaptability
7874(mq) 442 (mq) 236 (mq)


6_OPTIMIZE STRUCTURE TO SHAPE THE CITY_an inverted truss is proposed for two reasons. The first is to favour the passage of light in every point of the space, avoiding placing pillars in the centre and positioning them only along the perimeter. This strategy allows greater flexibility and dynamism on the ground floor where part of the ateliers will be placed. The second is to occupy the space inside the truss and make it a multifunctional space: thanks to the use of the inverted truss, cro-squares have been strategically placed above-height in the 11 meters of height of the building in which everyone can decide where to install according to their needs





20 (p) + 20 (p) + 40 (p) + 30 (p) + 30 (p) + 20 (p) + 160 (p)
2,5 = 64_1280 (mq)
40 _ 800 (mq)
(1 posto auto = 20 mq) 1 _ 25 (mq) 3,20m /50 parcheggi) 4 _ 80 (mq) parcheggi per auto) 28 _ 142 (mq) moto da 5 mq ciascuno) 162 _ 211 (mq) pari 2,00x0,65m) 16 _ 21 (mq) dei parcheggi per bici) 1280 (mq)
80 _ 1600 (mq) 118_2362 (mq) (1 posto auto = 20 mq) 2 _ 50 (mq) 3,20m /50 parcheggi) 8 _ 160 (mq) parcheggi per auto) 42 _ 210 (mq) moto da 5 mq ciascuno) 240 _ 310 (mq) pari 2,00x0,65m) 24 _ 31 (mq) dei parcheggi per bici) 2362 (mq)
PRG_DA 40 alberi/Ha) PRG_DA 80 arbusti/Ha) 126 (alberi) 252 (arbusti)
building/ that do prejudices and element shapes the from spaces generate correct perimeter. 3 mi











































parcheggi auto 13 _ 260 (mq) (1 posto auto = 20 mq)

parcheggi disabili 1 _ 25 (mq) DM 236/1989_Art. 8, comma 2.3 (1 largo 3,20m /50 pa parcheggi auto elettriche 1 _ 20 (mq) parcheggi moto 12 _ 63 (mq) parcheggi bici (consideriamo le dimensioni di parcheggio pari a parcheggi bici elettriche 28_ 36 (mq) (consideriamo 1/10 dei parcheggi
(mq)
CALCOLO PARCHEGGI PRIVATI
parcheggi auto
10 _ 200 (mq) 1 _ 25 (mq) 1 _ 20 (mq) 21_ 108 (mq) 123 _ 160 (mq) 12 _ 15 (mq)
529 (mq) (1 posto auto = 20 mq) parcheggi disabili DM 236/1989_Art. 8, comma 2.3 (1 largo 3,20m /50 pa parcheggi auto elettriche parcheggi moto parcheggi bici (consideriamo le dimensioni di parcheggio pari a parcheggi bici elettriche 529 (mq)


The complex rises on the Celio hill, one of the seven historical hills around which the city of Rome was built. It was the last to be included in the building entourage of the republican epoch and was marked by a dense net of roads. In the 64 a.C. the Neronian fire destroyed the whole urbanization of the zone. Then, thanks to the affirmation of Christi anity as religion of state, a vast and articulated clergy conquered the hill and, taking advantage of preexisting Roman buildings, several basilicas and churches were raised for the new cult. St Gregorio Magno (540 - 604 a.C.) was one of the most important members of the new clergy: he built this complex within his own house (the Domus Giordana) and dedicated it to the apostle Andrea, since a small church entitled to this saint already existed in the nearby. The monastery consisted of two oratories, a guesthouse, a library and smaller servicing constructions. A recent restora tion have proved that this place was already an oratory since the year 1000. At the end of the 16th century, of all the preexisting structures, only the perimetral walls, parts of the ancient cloister and the church remained. The complex as it appears today, is the result of an intervention wanted by the cardinal Cesare Baronio in 1602, inspired by the Controriforma principles. His wish was to integrally restore the primitive Gregorian complex, creating now a unitary project, by placing other two oratories on the two sides of the central oratory of St Andrea: it was a consequence of the position of masonries and preexisting materials belonging to the ancient Roman house. This way, the costs and the times of the intervention were very reduced. The marmoreal statue of St Gregorio, a work of Nicolas Cordier (who reused a block of marble previously outlined by Michelangelo) was located in one of the side oratories, the Triclinium Pauperum. In the center of this oratory a marmoreal table from the 3rd century was also placed: it was the one on which Gregorio Magno, become Pope, gave food to poor people. In 1968 frescos from medieval age were discovered, but the actual decoration of the whole complex is made by Guido Reni, together with Lanfranco and Domenichino, in 1608. The façade is a Flaminio Ponzio project














