Volume II — Number 86
March 2016
Monthly Newsletter
Newsletter
Petr Novotny Yearnings.
M. A. Carretero.
According to the Dictionary dela Royal Spanish Academy of Language, "longing" is remembered with regret the absence, denial or loss of someone or something dear. This feeling is what comes out in my brain it impossible to continue programming activity "Concerts in the MAVA" that our association has been developing since Feb. 22, 2013. Three years have already served since that day in which the tenor David Romero Luengo inaugurated the series of "Concerts in the MAVA". After it is scheduled over 24 regular concerts, a cycle of six piano concerts and another cycle of Spanish guitar consists of five concerts. As I reported in the editorial of the Bulletin last month, the Department of Entertainment of our municipality informed me by telephone on 19 January that we could no Nuestra sede: longer continue programming Castillo Grande de these concerts in the S.J. de Valderas Auditorium of MAVA because Avda. Los Castillos, s/n this space was reserved for 28925 ALCORCÓN. conducting civil weddings. (MADRID) info@amigosmava.org
I'm still waiting for the Department confirm to me in writing the reason or reasons given for that we can not continue programming our
educational concerts at the Auditorium of MAVA.
totally void, since there are other places throughout our better equipped and better This written confirmation that I located City for the elderly have already announced in the neighbors can enjoy more phone call that I mentioned favorable offers leisure. above is necessary as we document to initiate actions we Faced with this absurd deem appropriate to request measure of our Department of the necessary support to make Shows, and as has already reconsider the position that our been four months since our last City Council has adopted in concert, I miss the activities we relation to our program. had been doing each month for scheduling events. Because I am sure that, in the case of Castillo Grande de San He began our work with the José de Valderas where the application of space to the MAVA is installed, there is an Department for conducting the internal struggle in the concert presented next month government team of our City in the General Register of the Council to clarify that Alderman City. I have to say that we were or Councillor can stay with forced to make an application powers over this inviting space for each concert, because "they to devote to other things. meant a lot of work" receive for various events. This policy of "scorched earth" has already begun at the Continued consultation with the beginning of 2014 with the Miguel Angel Colmenero transfer of most of the second Foundation program that had floor of the Grand Castle to the been prepared for that month, Community of Madrid for a along with some of the private company installing it conservatories, to make there a Family Counseling, relevant advertising through bringing the Museum he lost various cultural and sports much of its exhibition space, centers, the own City Hall, the lost his library, lost some churches Municipality, School offices and lost two rooms of Music, School of Adults, dedicated to workshops. People's University of Senior Centers, the information panel Then, at the beginning of last of MAVA, our website and year 2015, they converted the Facebook, and the realization room that is located on the of the playbill to deliver to ground floor of the building concert goers. where the exhibition of sculptures made with the Also, being educational technique of laminated glass in concerts, also it had to prepare a space of use and enjoyment the information to be for our seniors was installed, transmitted before the start of replacing sculptures by the the concert itself on the appropriate furniture so you characteristics of the works, can play a game or can read curriculum interpreters and any the free newspapers that are other relevant information, as distributed in the municipality. was the case of individual chapters on the history of Over time we have found that classical music. the use of this second space dedicated to our elders is
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Important issue: INTELLECTUAL PROPERTY LAW (LII) MAC.
Volume II — Number 86
March 2016
S PE C I A L I NT E R E S T:
Part of the month
Intellectual Property Law
Registration in the RNA
BOOK IV
Award Magan
Ouka Leele in La Granja
The scope of the Act
Activities on the MAVA
News
Our activities
Glass recycling
How does
are not nationals of the European Union provided they have guaranteed their protection in Spain by an international convention.
Article 164
CONTENIDO:
Piece of the month
3
Established artists
4
Young artists
4
Registration in the RNA
5
David Magan Prize
6
Ouka Leele in La Granja
7
Activities Museums
8
Activities on the MAVA
11
The Mediterranean
12
Restoration of stained glas 13 Glass in Harrachov
15
Collection plate
16
Roman glass in Museums
17
News
18
Culture 2016
18
Good bye, José Antonio
19
Netherlands generates
19
The glass in museums
20
Recycling
21
Cultural visits
22
Culture 2016 program
22
Stained Mountain
23
Other trends
24
Interview with David Levy
25
HAS leader in Vietnam
27
The Ladies of Cerdanyola
28
Integrating graphene
29
How do
30
5D data recording
31
New window Barceló
32
The myth of Cinderella
33
Efficient solar sphere
34
High Glass
35
Swarovski Awards
36
Friends School of Glass
37
Sevilla Tower
38
Meet Orfeo Quagliata
39
Board Of Directors
40
The term of protection shall expire on the date Performers specified in the country .... of nationality of the 3. In any case, national holder without, in any case, the length does artists from other not exceed the countries shall enjoy the protection afforded established in the article mentioned. under international conventions and Article 165 treaties to which Spain is party and be treated Producers, makers of ordinary photographs as equivalent to the and editors Spanish artists when they should submit to the respective country 1. Producers, the makers of ordinary nationals . photographs and the publishers of the works 4. The terms of mentioned will be protection provided shall also apply to the protected under this Act owners mentioned who in the following cases:
a) When are Spanish citizens or companies domiciled in Spain, and they are citizens of another European Union Member State or companies domiciled in another Member state of the European Union. b) When they are nationals of third countries and published in Spain for the first time or within the following which have been in another country works mentioned thirty days. However, the Government may restrict the scope of this principle, in the case of nationals of States not sufficiently protect the works or publications of Spaniards in comparable circumstances.
URGENT NEWS
New gallery Javier Gómez.
Hello friends, I am pleased to share with you my new gallery Timeless: Timeless groups galleries: Minerva Gallery in Malmo and Gallery new Form in Trelleborg, Gdynia Timeless, Timeless Bialystok, Timeless Gallery Gallery Tiemless Miami and Marbella.
Will present my work and all the galleries of the group, and you can see my works in the gallery of Marbella. And in April in Sweden. I leave a Web link in the group. Best regards, Javier.
No response from the Department of Culture.
17-01-13. Requesting inventory of the components of the permanent collection of MAVA.
11-06-13. Possibility of receipt by the MAVA documentation on glass offered by the President of the Spanish Association of Science.
11-11-13. Requesting information on the agreement with the Community of Madrid to install social services in the MAVA.
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Piece of the month. Markku Salo.
Volume II — Number 86
March 2016
Markku Salo (Nokia characterized by their 1954) is one of the artists ideal functionality and and designers currently simple beauty. leading glass. Salo started his career in He was a pupil of the the world of design in great master Oiva Toikka 1983 and has since and its technical and worked for Finnish firms creative genius, reflected most emblematic design, in the boldness of its as Hackman, Iittala or shapes and colors, it has Aarikka. made many duties Since 1971 he has specified as its artistic participated in very heir. numerous joint and solo Heads the group of glass exhibitions in some of the artists of his generation, galleries and museums dedicating its activity both more representative in the design of functional glass as the Glass objects as Museum of Finland, the experimentation and the Gallery Creszenzo & search for new artistic Viesti in Rome, Italy, Blas expressions. Gallery & Knåda in Stockholm on This desire for Glasmuseet Ebeltoft in experimentation has led Denmark, the Mokkumto to the creation of works of Gallery in Seoul and the art and design objects
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National Glass Centre of La Granja. He has won several national awards and scholarships, including the Finnish State Prize for applied and industrial arts, and international, including the Georg Jensen Prize Nordic design are highlighted. His works are in major museums around the world, including the Corning Museum of Glass in New York, the Victoria & Albert Museum in London and the National Museum in Stockholm. On the occasion of Europe Week 2009 presented several of his works in the MAVA.
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Established artists. Petr Novotny.
Our web
Volume II — Number 86
March 2016
Petr Novotny was born in the As one of the first in the Czech Republic in 1952. former Czechoslovakia, he began his own studio for He studied glass manufacturing replicas of manufacturing and ancient glass. technology being an apprentice in the Glass Centre in Novy Bor and later continued his studies at the Industrial High School in that city.
He works for many leading artists and designers in the world, including: René Roubicek, Dale Chihuly, Marvin Lipofsky, Edward Leibovitz, Willem Heesen In 1983 he was awarded a Master of Fine Arts and glass and others. crafts.
He attends lectures and symposia on glass worldwide. He teaches regularly at summer glass sessions and workshops in Glass Furnace, Turkey and Pilchuck Glass School in the USA Today it is with Libor Fafala, co-owner and director of Ajeto Glassworks, Lindava in the Czech Republic.
Emerging artists. Ondrej Novotny.
Our web
trade of glass. After completing his study (2004), he traveled from America and Europe to gain experience and develop their skills. In 2010, Ondrej ended up working as a teaching assistant of Martin Janecký, which has influenced and completely changed his way of looking at the glass as a medium of communication in general. Recently, he has been working with various artists and designers in the Netherlands and the Czech Republic. Ondrej Novotny is the youngest son of the internationally renowned artist Petr Novotny, who was one of the pioneers of studio-glass movement in the eighties.
Ondrej glassmaking began at the age of fourteen, he finally decided to study professionally at school glass glass Novy Bor and began working as an apprentice in the
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Ondrej has a very different concept of aesthetics. Vivid colors, symmetry and balance are part of its approach to the glass.
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Registration in the RNA.
Volume II — Number 86
March 2016
On January 19 the official registration of our Association and of its Statutes was held in the National Register of Associations (RNA) of the Ministry of Interior.
procedures for registration began.
On September 30, 2013 request of the Community of Madrid the registration of new statutes in the Register of Associations and in its letter dated March 3, 2015 we As indicated in the resolution of requested the correction of the the RNA, the inscription was made in Group 1, Section 1, with text of one of the items, sending a certificate on the composition the national number 609,044. of the Board and that, since the Until then, and since its founding, new scope was national, our both our Association and its permission to submit all statutes had been enrolled in the documentation to RNA Interior Register of Associations of the Ministry. Community of Madrid. This request was duly answered In ancient statutes mention that through our written on the 18th the scope of our association was of next March. limited to the Community of On August 18 they returned us to Madrid was made. make the same request than we With the appointment of the did on March 3, so we got on the current Board at the Annual phone with the Area Associations General Assembly held on to inform them of duplicity, that February 4, 2007, intended to had already responded to its expand the scope of our earlier request and requesting Association at the state level it that remitiesen all documentation had, so we had to make a to RNA. redrafting of our Statutes . On 8 October we received a On February 24, 2013 was sent request from RNA to members by email convening acknowledging receipt of the for Extraordinary General documentation sent by the Meeting on 9 March following as Community of Madrid and asking a single point on the agenda the us to aportásemos additional amendment to the Statutes documentation, documentation included. Also, a file that notice sent them on 28 November and with the new wording of the justifying the delay by the Statutes is attached. unsuccessful management in the location of the different members the new wording of the statutes of the previous Board. was approved at the Extraordinary General Assembly As expected in the case of the of that on 9 March and the administration, we had to pay
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fees to the Community of Madrid and the Ministry of Interior for registration applications. Since it is not acceptable that the Community of Madrid would perceive rates for services that had not dated November 30 request the return of these fees until the date of publication of this Newsletter still remain waiting for their response to respect. The registration of the new statutes, as you can tell, has been sick laborious, but in the end we achieved such registration and our Association on the National Register of Associations of the Interior Ministry. What advantages does the registration of the association in RNA? The registration of an association in the RNA carries several benefits:
partners, in terms of liability, since registration involves the separation between the assets of the association and heritage partners (art. 15 Organic Law 1/2002 of 22 March, regulating the right of association)
and the rest of society, because enrollment is a guarantee that the aims of the association are lawful and democratic functioning.
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David Magan Prize.
Volume II — Number 86
March 2016
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The sculptor and member of our David Magan Association (Madrid, 1979), with his work 'Cube XIII', has won the Second Prize NH Collection of Contemporary Art ARCO 2016, coordinated by Juan Alfaro.
Rosenstock (Costa Rica), Marta Creus (Spain), Dan Desmond and Robert Galstian (USA), Simon Parra (Ecuador ), Solita Mishan (Colombia), Frances Reynolds (Argentina), Jimmy Belilty (Venezuela) and Eugenio Re Rebaudengo (Italy).
Magan's work is a threedimensional color composition methacrylate and stainless steel that will be exposed during the fair ARCOmadrid 2016 and later will be incorporated into the private collection of NH Hotel Group in the Eurobuilding hotel.
color compartmentalization
tradition inherited both sculptural and architectural procedures. Thus, their works become a continuous process of experimentation with developments that light and color are drawing in their dialogue with space.
Open or closed, dynamic or static, each of its parts is a complex game where Trained at the School of the viewer is confronted Arts and Crafts in Madrid, with various possibilities: where he specialized in either the activity and woodworking and iron, contemplative enjoyment Magan soon showed a linked to the paintings, or strong interest in glass. the rotation and tensions required by dimensional Result of deepening in arts. this area was the development of a From these pages we The jury responsible for personal technique in send to David our selecting the winning which fuses the color warmest congratulations artist has been formed by compartmentalization by and congratulations. international collectors pieces of flat glass Watch video. David Grebler feature window and a (Switzerland), Judko spatial conception
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Ouka Leele in La Granja.
Volume II — Number 86
March 2016
Madrid artist designs a work glassmakers who make the CNV for the exhibition Think Glass' Alcorcón MAVA. For Barbara Allende Gil de Biedma (the real name of Ouka Leele) photography and painting that transforms images are their usual environment, and sometimes sculpture but had never used the glass to express themselves.
barriers and I can not sort that only take pictures; I like to do a bit of everything. " The process is slow. Diego Rodriguez, master glassmaker, has worked with Barbara to choose colors and shapes to get to an idea that may have an unexpected ending. "Just as we find something else, sometimes finding out the error," warns the artist.
Until he was asked to participate in the exhibition 'Think Glass' Art Museum of Alcorcon Glass (MAVA), which later, in May, will travel to the Museum of Glass in La Granja.
The teacher uses techniques Venetian color. Once molten material, a process that begins at 450 degrees and ends at 1200, is blowing with cane steel ball glass red to go shaping, "It is an incredible opportunity for turning, marking the grooves of the fig with grater metal, making me because I worked in longer with an assistant who sculpture, but I've never done goes down to a small pit to give things in glass, a fascinating adequate volume and length to material because it provides the neck of the fruit ... volume and light." Barbara hopes to define the end result. The initial idea, embodied in the sketches that have drawn, "is the maturity that has fallen," and the first prototypes made by the glassmakers of the Foundation CNV displayed as colored glass fruits. They are "a fig that has fallen to the ground, which is already open and has mold and other still full of life, green transparent glass with the feeling that still hangs from the tree and a drop of nectar. Is the transition from life, "he explains enthusiastically to the new experience. Because he likes to "break
Step by Step Barbara observes, suggests some aspect and records the whole process with the phone. Diego will explain you every step, "now what I need is to give volume because we want a pretty big piece," he warns after adding several balls, up to four colors in one piece. Thus a fig glass after another, each with a shape and a predominant color according to the pigment that gives the particular metal oxide, which is "an added difficulty because each color has a different plasticity".
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When you have the desired shape and volume, each element of the sculpture (about ten kilos of weight) passes furnace cooled to 450 degrees for the temperature to go down slowly, until seven hours later, is cool and ready for cutting and polishing of the surface. Once completed and before traveling to Alcorcon, sculpture of several pieces will be protected in a foam injection mold before final packaging. Ouka Leele enjoy the process of creation, this time with Diego Rodriguez and other glassmakers of the CNV Foundation. It has been demanding with colors and as the molded parts progresses, reaffirms its view that this work "is a privilege." And he is happy with the proposal of the MAVA and for having performed in Segovia, "where I have known the woods and nature," in part a source of inspiration for this work, she says, "and I will play with time which means, because until the finish we do not know what will be. " This 'life transition' Ouka Lele will be exhibited at the MAVA Alcorcon since March 2 with the work in glass artists like Carmen Calvo, Maria Angeles San Jose, video artist Luis Patino, Carmen Algara, Manuel Bouzo or Aníbal Merlo.
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Activities Museums I.
Volume II — Number 86
March 2016
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Activities Museums II.
Volume II — Number 86
March 2016
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Activities Museums III.
Volume II — Number 86
March 2016
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Activities on the MAVA. "Think of glass."
March 2016
as well as some brief rhythmic strokes and touches like acentos- of oil, is a space flat and purely plastic: a consistent way in the same space that your stuff will build it and doing this. Aníbal Merlo (Buenos Aires, 1949) is a poet of matter that handles concepts.
Volume II — Number 86
A concerns he recognized, that is, the landscape, the reality-unreality and tension between space and time axis should be added one that may be the synthesis of all of them, something like the imaginary possession of uninhabitable landscape by the I.
The Valencian artist Carmen Calvo was the guest artist at Art Madrid'16, 11th edition of the contemporary art fair held from 24 to 28 February at the Crystal Gallery Centro Centro Cibeles.
the artist fascinated with the urban fabric of cities.
Thus, the strange photographs of Merlo, who both refer to the prehistory of this technique as the Surrealist practice and that use methods of digital processing, explore and walk metaphysical places that suggest known but strange places and, above all, the man who has visited and kept in her eyes.
Lois Patiño (Vigo, 1983) combined his studies of psychology at the A fabric whose plot is threaded past Universidad Complutense de and present, urban rationality and Madrid with Tai film school. sentimental traces of lived or live, He continued his training film NYFA existence and project. New York and Barcelona, where the On Friday 26 February at 19: 00h a Their conceptions were also carried Master of Creative Documentary conversation between the artist and on several occasions the public done at the University Pompeu four outstanding art professionals space. Fabra. and journalism was held - Susana Blas, contemporary art historian Manuel Bouzo (El Puente, He has taken courses of video at specializing in gender issues; Rosa Ourense, 1946) draws on the vital the Universität der Kunst in Berlin Perez, director of Fluid Rosa Radio memories and aesthetic. and workshops with artists and 3; Angela Sanz, chief editor of filmmakers such as Joan Jonas, The first, which can be glimpsed as Discover Art and Semíramis James Benning, Pedro Costa, influences, combined Russian González, curator of independent Victor Erice, José Luis Guerin and art - with which he talked about his Constructivism and Surrealism, Daniel Canogar. while the latter, speaking of life, his work, and the visibility of women in the art sector, within the experience, form a landscape of Carmen Algara (Madrid, 1948) is a objects in which both formal poetic self-taught artist with technical framework of the parallel program valuation as tools that dynamically training in some workshops. #ARTEYGENERO . activate memories claimed. Carmen Calvo was also the author He debuted relatively late in the art The messages of these paintings of the posters of the fair. world, but with a fairly clear idea of and objects may overlap in some what he intended to do, both in the About Ouka Lele we referred on compositions or having own lives. use of materials, always austere page 7 of this Bulletin. and concepts to stream. In the work of Angeles San Jose Juan Ugalde (Bilbao, 1958) is a (Madrid, 1961) it has renounced Erick Miraval was born in Huanuco Spanish figurative painter of pop painting color and essentially - Peru in 1982. trend. reaffirmed as art space as a means to create awareness and govern the After living seven years in the Since the 1990s his work is Peruvian Amazon (Pucallpa) he characterized by the fusion between organization of pictorial space. that moved to Lima where at age 16 he is your challenge. painting and photography. began to develop in competitions However, his is not a mock space, and awards. But it was in the mid-eighties when "theatrical", "perspective" or it was unveiled with abstract Artist living in Madrid, working with derivative of tradition to represent expressionist paintings. the feeling of depth and atmosférica plastics and multidisciplinary means. Their original sources of inspiration - -linear following the opticalmathematical principles perpetuated are comics Spanish, hieroglyphic, Make devices referred to painting; since the Renaissance classicism landscapes kitsch, jokes and his work as a cartoonist, has led and baroque art. On the contrary, drawings with computer. him to consider matters relating to the space of the painting "made" the environment, his book is his The sculptural work of Esther graphite-that is, ore spread on the best presentation field. Pizarro (Madrid, 1967) has been support in successive sweeps lead, characterized by the motivation of
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La Mediterránea in Frankfurt.
Volume II — Number 86
March 2016
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Restoration of stained glass windows in Segovia (I).
Volume II — Number 86
March 2016
They are located in high, inaccessible and difficult to reach places. But they are so important that all those who contemplate it are amazed. Are the windows of the Cathedral of Segovia, a set of glass art is more important than in Europe because of its excellent quality and scarcity. The Lady of the Cathedrals ornate stained glass windows from 1539, which gradually have lost its original luster for various reasons, such as inclement weather or by damage caused by facts as prominent as the fire that took the tower of the Cathedral in the century XVII, which it damaged the south at the foot of the ship. Wind is one of the great enemies of these works of art glass. One of the greatest damage produced them a gale in 1916 which caused them to have to make new the chancel. A century after the great incident, the concern about being in perfect condition these treasures is paramount to the Cathedral Chapter. So its leaders hired in 2009 to the company 'Vetraria Muñoz de Pablos', the segoviano Carlos Muñoz de Pablos, dedicated to the creation, restoration and conservation of artistic stained glass. The work is usually performed five people, including three children of stained glass artist, Alfonso, Pablo and Rodrigo and stained glass artist himself, who was awarded the prize Castilla y León of Arts 2005 found. Seven years in which they have already managed to restore 47 windows of the 113 planned, following a master plan that began
basic functions: enclosure to isolate the inside from the outside; Plastic support with an image for people who could not read could understand the sacred message of the Old and New Testaments and thirdly, as a light filter, to create an environment for centuries, because "the light generating color changes because The rush here are not good for a the goal is to create an environment vast and multidisciplinary work that of transcendence, "says Alfonso requires applying various Muñoz. techniques to remove, restore and Segovia Cathedral was the last replace the windows in the huge Gothic style built in Spain and the gaps. use of light held was known very well For now, the restaurateurs are to project the vaults or create satisfied with the work done "hottest" illuminations. because "nobody says anything However, over the years and the and is a sign that is good." arrival of new styles such as Baroque In his opinion, the work performed caused five windows were removed involves "more than half" of all in order to have "a clean white light", because so far have ended "the something that clashes today in most difficult". certain points for the lighting imbalance. Not all the windows were bad, some were well preserved and There Muñoz de Pablos and their others had visible damage, even children have another important with holes and missing elements challenge: make a contemporary with a precision and a critical study glazed, but "seeking compromise" to have managed to return all its achieve a balance between the splendor to that required it. Renaissance and Gothic. "The historical windows need a In fact, at the foot of the ship, the series of operations that meet the Italian Francisco Sabatini in the specific requirements posed by eighteenth century removed from its contemporary restoration. That is, location the largest showcase of all: there is a deep understanding of Judgment. A hole three meters wide the work involved, the maximum and six meters high which is now reversibility of all operations to blank, but these professionals are ensure that none of them generate hoping to install later this year. any deterioration, that all contributions are routed to a better The vitralistas know which window understanding of the work without was placed in each window factory thanks to the file of the Cathedral, a distorting their reading and above all, that the primary objective is the fundamental document for this work best preservation of this heritage. " which originated in 1540, when it became a commission to plan When they settled in the sixteenth windows. ..//.. century, the windows had three in May 2009 and is composed of seven different phases. Work could end in 2018, although "could be extended a couple of years" because "the problem is we do not know what you are getting," as recognized Alfonso and Pablo Muñoz brothers.
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Restoration of stained glass windows in Segovia (II).
Volume II — Number 86
March 2016
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..//..
pioneers, such as cleaning with a wet system that "is safe and unique Specifically, at the foot of the ship in the world" and which have been are triptychs, which tell the story of investigating 15 years, because Christ, the cruise is dedicated to the "the restoration of stained glass is a life of the Virgin and girola public field that is not studied and is life of Christ. In the oculus you can known as "point. be seen angels musicians. The restorers also respect the In addition, these experts may also historic smithy the window, return its splendor windows that are keyways and shields, including now an amalgam of colors because leaded somewhere missing or in they are positioned no sense, as a poor condition, for which they use a kind of collage, what they call "a specific lead buying in the salad" as the central window of the Netherlands, that "it is the best in triptych is over the organ. the world, because everything we The workshop do with quality materials. " The work of these restaurateurs began by the north because they were those that had suffered least, which has allowed them to "discover the secrets and lattices then undertake the work more complicated," explained the MuĂąoz brothers.
Once finished, the restoration team back into place, for what often invest five days. Furthermore, they use the original system anchored to the stone cathedral with a specific resin anchors, as long as weather conditions permit.
Once restored, these professionals In fact, their daily lives must have continue to protect the because exquisite precision. First to remove "one of the causes of the it from its location without suffering deterioration is more air, exerting a any harm to what they have to walk force of 70 kilos per square meter, on many occasions by the very roof or impacts," they explain. of the Cathedral and lower, So, they install a glass laminate modules, through the narrow spiral that "not broken" to avoid such staircases Seo Segovia. damage. Also, they leave an Then, the piece is taken to the isothermal chamber between the workshop where they continue to glass and the glass that generates possess different processes to an air stream that prevents clean the joint. For best results, condensation so that "if you avoid perform research on materials, in condensation, no chemical addition to employing numerous, deterioration." complementary, analytical In addition, everything they do is techniques such as Raman well documented in a "very esprectoscopia, which identifies the comprehensive" report, which structure of the compounds forming includes both a historical and materials without taking sample, aesthetic study, among other even when they are poorly things. crystalline . In the stained glass that make any A technique that have been
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reintegration they seek to be "very mimetic" that can only be appreciated by experts, but with calibers that are physically marked with a laser from the back, imperceptible to the naked eye. Permanent exhibition Since its inception, the restorers were clear that the segovianos had to admire the enormous work done closely. Therefore, the Chapel of St. Gregory welcomes a piece to appreciate in detail the delicate and complex realization of a window. The first one was exposed was the Deposition of the XVI century, attributed to Pierres Pierres of Holland and glassmakers Chiberri in 1547. Today, you can see the triptych form up for 'The Christ with the Cross',' The sacrifice of Isaac 'and' Naomi talking to women '. It is a set of new creation that is accompanied by drawings, cartoons and documentation necessary to achieve them. In addition, the exhibition is completed with several explanatory panels developed work, the history of the Cathedral and the iconographic program of restoration. The ultimate goal of the restoration of all windows is that from inside the cathedral, not notice anything and there is a harmony, which seems that vitralistas are getting. So far, only a scaffold is observed in the heights of Seo that use these professionals. What is clear is that this intervention is being made, in his opinion, that "will not have to intervene in a long time." A job that everyone can enjoy when completed this set, returning back to the Cathedral its own light.
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Glass in Harrachov.
Volume II — Number 86
March 2016
The Czech Republic is a traditional manufacturer of glass products.
example cups or vases uncut without decorations, in China prefer a more varied and assorted decorative details.
paid in that country, said Novosad.
In the Czech Republic The window company of the Harrachov glass products they town of Harrachov, in northern The factory management in are sold exclusively at the Bohemia, is the oldest in the China prefer to send these factory and mostly foreign country that is still working and items, since they are difficult to tourists buy them. specializing in handmade imitate, and said František items. Novosad, who owns the glass Four years ago the factory commemorated the 300th company Harrachov. 80% of production of anniversary of its existence. Harrachov glass factory is for František Novosad admits export. that, precisely for fear that the Unlike other companies, it managed to overcome without Chinese do not try to imitate Its cups, vases, glass shelves, their products, hesitant in the further damage the economic chandeliers and other items, crisis thanks to its production beginning establish business reach markets about 30 contacts with that country, but opened to tourists. countries worldwide. now the business is going well. 15 years ago the owner of the In recent years the biggest In the case of products for the glassworks in Harrachov also orders are markets in the Chinese market glassmakers opened a small brewery and United States and China. later a beer spa baths, which can demonstrate their skills attracts many tourists to the While in the United States they and experience and their work place in the country and is much appreciated and well are interested in simple glass abroad. products, but larger, for
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Collection of glass plates.
Volume II — Number 86
March 2016
Rafael Sáiz, Burgos child photographer Cirilo Moreno Saiz, a legacy to the city of Burgos a collection of glass plates, old negatives from the early twentieth century, if not for the work of his father not therefore have less historical value and artistic.
photographer, so, as it did at the time his father, Rafael Saiz has chosen to protect these parts.
In this case, cediéndolas the Municipal Archives, which will create a special fund under the title Cirilo Moreno Saiz, and begin work on the This is a collection that Saiz material: cleaning, catering, found, almost by chance, dating, classification and between the material retains digitization. its progenitor. Archive director, Milagros They are an unknown author, Moratinos, explained that are older that could range this is an "ambitious" project. between 80 and 100 years, It will take time and even and represent primarily may require external altarpieces and altars, expertise, since the although there are also about identification and dating of landscapes or groups of the images is not exactly people. simple. "They're not my father and I Rafael Saiz estimated that do not know how they got the plates can be the into the hands of my father," beginning of 1900, by the acknowledged Saiz, but type of elements shown suspects that the great (there is even a balloon over Cyril's got someone who the city). intended to get rid of them. In addition, "there are many And it is that the negatives retablos" and some sketches are "sacred" in Burgos family
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of altars, explained photographer, which leads us to believe that the photographs would be professional assignments. 400,000 negative The assignment of these glass plates is considered, at least from the City, as the beginning of the arrival of Moreno Saiz legacy of the Municipal Archives. Milagros Moratinos has reminded his son would love to keep the photographer's work, which does not rule out self Rafael Saiz. "Yes I would like to have your site on the File," he acknowledged. However, we are talking about more than 400,000 negatives, the oldest in the early '40s, and touch one to one study. In addition, Saiz recalled that, not the legal term of 100 years have passed, falls on them data protection.
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The Roman glass in museums in Madrid (XIV).
Volume II — Number 86
March 2016
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Eduardo Alonso Cereza
Another plaque appeared in Hama, level II (Syria). These objects are almost all the same type, in some cases it may come from the same mold, and the chronological field running from the sixteenth century to the thirteenth century B.C.
chronological period from the sixteenth to the thirteenth century B.C. It also carries a significant trade in this geographical area where the molded glass plate would be another example, or alternatively could think of a shift in Syrian-Mesopotamian artisans in Asia Minor and the Eastern Mediterranean.
plates and originates in Syria or the Syrian-Mesopotamian region, it serves to prove the antiquity of this fact. Egyptian craftsmen also had to face the lack of raw materials such as wood, stone and metals.
As was the case in Mesopotamia they were This could involve a short obtained through attacks, time as articles of raids or business manufacture, but would Religion in the ancient world relationships; An example of enjoy a long period of use. this is the lapis lazuli, so envelops everything, including the arts and crafts. abundant in Egyptian jewelry, Home plate was in all which was thought that came probability Syrian or a The molded glass plate through Byblos, but the more nearby region. representing the goddess of prominent for its production fertility is an example of the The importance of this fact was in Afghanistan today. influence of religion in the possessed Syrian or SyrianNatron or sodium carbonate is glass, but not an isolated Mesopotamian glass from used in soap factories, glass incident, so it will be the the sixteenth century B.C. same with the Egyptian and and dyes are obtained, as well follows and irradiation Asia as salt, carpets and medicinal Roman glass. Minor and the eastern plants, trade with the oasis Mediterranean in a Which appears on these etc.
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N O T I C I A S (I).
March 2016
Chartres, the Bible glass. mysteries.
Volume II — Number 86
On one side of the cathedral, the old house has been converted into Tithe Centre du Vitrail, which is both museum restoration workshop, study center and exhibition hall of glass artists.
the city. The Gothic cathedral, one of the most beautiful in the world, Bright and dark at once, full of is located in the upper part of stained glass and hidden
The upper part (where the bishop stored grain) has been rebuilt, while the cellar (where the wine was collected) retains its Romanesque vaults.
Culture 2016.
View photos
Last February we visited the Casa de Vacas in Madrid's Retiro Park Cultural Center to see the exhibition of selected in the 51st Queen Sofia Prize for Painting and Sculpture, organized by the Spanish Association of Painters and Sculptors works.
support of specialized Jury gathered for this important prize, consisting of José Gabriel Astudillo Lopez, President of the Spanish Association of Painters and Sculptors, Maria Dolores Barreda Pérez, General Secretary of the Spanish Association of Painters and Sculptors, Antonio Vargas, The exhibition is an excellent Google, painter, sculptor and proposal of the best Spanish engraver Rafael Canogar, painter artists, some highlights and Eduardo Naranjo the painter, other novel, which coincides with sculptor and artist the presence in Madrid of multidisciplinary Alejandro international public important Aguilar Soria, author of the visual occasion of ARCO and has the image of the Prize, the journalist
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and writer Javier Sierra, President of the National Association of Art Critics, Tomás Paredes, Alma Branches, Director of the Fiart Foundation ( International Arts Fund) and Alberto Cornejo Alcaraz, Director of Art Madrid. The exhibition, which has remained open until February 29, comprises a total of 66 works (42 paintings and 24 sculptures) among which is the winning work this year, and the winner was announced on the same opening ceremony.
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N O T I C I A S (II).
Goodbye, Jose Antonio.
March 2016
Volume II — Number 86
municipality of Quintanas de Valdelucio , as reported by sources of emergency services.
The director of the Museum of Altamira, José Antonio Lasheras, died last February 27 in an accident when he collided frontally the vehicle he was traveling with another tourism in the N-627 road, at the height of Burgos
of the City of Burgos, firefighters Council of Palencia and the public health service, the Sacyl, who sent the place a UVI The two cars have one basic life support collided for reasons that ambulance and doctor at have not been clarified the health center of and in one of the vehicles Aguilar de Campo. have been trapped two people, who have been In the accident, the trasladas the University doctors of Sacyl of Burgos hospital in confirmed the death of serious condition. Jose Antonio Lasheras and attended and Apparently, one of the transported the injured to wounded woman is the Care Complex of Burgos. director of the Museum of Altamira. Lasheras (Barcelona, 1956) directed the The operating room 112 Museum of Altamira since moved the notice of the 1991. accident to the Civil Guard Traffic, firefighters Rest in peace.
Netherlands generates solar energy. by concrete modules of 2.5 x 3.5 meters, solar panels coated slip tempered glass to prevent accidents. Bicycles and electric vehicles could one day recharge your batteries directly on roads or bicycle lanes. Since it began operating a few days ago, the track has produced 140 kilowatts per hour, the equivalent of 140 washing cycles. By the time the electricity injected into the grid but in the future could be used to illuminate the street. Holland has a lot of ambition in the field of renewable energy.
I wish we could see these developments in our country.
is a reality in the Netherlands and that could help reduce dependence on oil pollution that The first street in the world capable of converting sunlight into causes climate change and global warming. energy was officially opened to traffic in the Netherlands. It's actually a bike lane 70.1 meters What if covered with solar panels long in the town of Krommenie. highways ?, an interesting idea, it
Lane called "SolaRoad" is formed
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With about 17 million people, the bicycle is a very popular transport system. The government's goal is to triple the share of renewable energy in overall energy consumption by 2020.
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The glass in Museums: Kunstpalast.
Our web
Volume II — Number 86
March 2016
The Museum Kunstpalast (German: Museum Kunst Palast) is an art museum in Dusseldorf which houses a collection ranging from classical antiquity to the present: paintings, sculptures, a graphic collection of 70,000 drawings, photographs and prints , collection of applied arts and the Hentrich museum has an important collection of glass works.
nineteenth century, collected many drawings of the Düsseldorfer Malerschule later ceded to this collection. The Kunstmuseum [Museum of Art], in its current form, was opened in 1913 to expose the Municipal Art Collection. The current building.
After World War II, especially in the early 1960s, the collection was expanded with contributions from donations or permanent cessions of various collections: Hentrich and Barlach-Heuer, Giradet, Binder, Schwartz and Koch. In 1979 the collections were scattered throughout the city for the restoration and extension of the building which reopened in May 1985.
The Ehrenhof building complex was built in 1925 for the exhibition "Gesolei (abbreviation of the German, The complex has an area of A fire in 1993 forced to close Gesundheitspflege, soziale 5,000 sqm and 4,000 sqm und Fürsorge Leibesübungen the museum until next year. permanent exhibition for temporary exhibitions besides [health, social care and sport"]. In 2001 the Museum of Art and the neighboring Palace of Art art library, theater Robert Construction plans for the formed a foundation (in a Schumann with 800 seats and building architect Wilhelm public-private partnership) Restoration Institute. Kreis. entitled: "Stiftung Museum The museum has its Communal art collections, Kunst Palast" [Museum antecedents in the works in the Museum of Kunstpalast]. Kunstmuseum Düsseldorf, a Applied Arts (which had been In the same complex of typical communal art collection founded in 1883) and the buildings, also it based the in Germany. Ceramic Collection Hetjens Hetjens-Museum moved to the NRW-Forum Kultur und The first exhibitions were in Wirtschaft [Forum for culture charge of the popular regents building Ehrenhof in 1928. and economy of North RhineJan Wellem, Duke of In 1932 he added the Westphalia]. Palatinate, and his wife Anna collection of the Art Academy, Maria Luisa de 'Medici and which was refounded in 1819 In this collection you can also some citizens of Düsseldorf and had a thirty paintings from find Hentrich glass collection, with its more than 3,000 rich. the private collection that the pieces, it is one of the largest Elector Palatine Johann The number of exhibits was in Europe. Wilhelm founded in 1710. expanded in the nineteenth Among the most important century with the collection of Most of the works of the Lambert Krahe, formerly a original collection had become elements of this collection are collection of educational property of the Bavarian royal the glass art deco French artist Maurice Marinot, plus medieval purposes Düsseldorf family and had been Kunstakademie [Academy of transferred in 1805 to Munich glassware Merovingian era (584-641 BC.) To the years of Fine Arts in Düsseldorf]. finally staying at the Alte the Renaissance. Pinakothek. The Düsseldorfer Gallerieverein, founded in the
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Recycling. Cement cullet.
Volume II — Number 86
March 2016
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A "green" variety of hydraulic cement moisture resistant wing, which is based on glass recycling urban waste, was developed by a team of CINVESTAV (Cinvestav) Saltillo (Mexico) unit.
of reactions leading to the solidification of what was initially a similar paste which form Portland cement mixing with water" explained.
atmosphere compared with the conventional Portland. Furthermore, the reduction of emissions of carbon dioxide of this new ecological cement compared to Portland cement production is determined.
"This paste hardens and develops finally excellent mechanical properties that make Recycle glass as cement is But based on experience with appropriate cement to produce "logistically easier and more other families of ecological concrete for various beneficial for the environment cements also work in the applications". than do it through the industry Cinvestav-Saltillo, Escalante itself that material," said The mechanical properties such Garcia is estimated that at least researcher Jose Ivan Escalante as compressive strength, were 50 percent. Garcia. optimized in the laboratory with To date there are many scientists the help of statistical methods to He explained that this is an in the world to prove the use of complete the process without alternative to Portland cement, glass, cement and concrete having to perform hundreds of for its excellent combination of equipment, but their approaches assays. properties, is the most widely are different. used in the construction industry; "We look appropriate for that Instead, the scientists proposed one kilogram of CO2 for each cement to develop the best Cinvestav, which already has two identical product number: mechanical and chemical patent applications nationally, however, in production large properties and is resistant to process focuses on the amounts of carbon dioxide are moisture conditions," he added production of an alternative to released to the atmosphere. the scientist, PhD specializing in Portland cement. Where appropriate, this group of ceramics from the University of The main advantage would fail an researchers used all kinds glass Sheffield, England. industrial waste that is converted is washed, dried, crushed and With those statistics tools and into useful materials, instead of ground before being combined process described above, throwing more trash to landfills, with limestone, an abundant Escalante Garcia and his "said the expert. mineral and very low cost. Then collaborators managed to the obtained mixture activated The most appropriate niche cement that can be considered with a solution of alkali market for this innovation would ecological for two reasons: compounds. be the industry prefabricated besides contributing to recycle glass in its production emits less construction products. "By subjecting cullet to a chemical activation with alkaline carbon dioxide into the compounds will We led a series
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In this section we detail the activities which take place this month, corresponding to the cultural visits related to the glass and outputs that we as provided in the program CULTURE 2016.
Cultural visits. Portuguese design has been installed for a few weeks, until the end of March in the Central Design Slaughterhouse Madrid, hosted an exhibition 70 parts 44 shown authors.
Volume II — Number 86
March 2016
Our activities.
These include some made of glass and therefore we will make a visit to this Central of Design in this March. Content and sober, faithful reflection of the Portuguese
character, and heir to a fruitful and rooted craft tradition, the
CULTURE 2016 program.
This March will visit the Prado Museum to see the most important exhibition in Spain on Georges de La Tour (1593-1652), considered one of the most important French painters of the seventeenth century. A sample will be composed of more than thirty paintings of the author, an exceptional number considering that only forty paintings from his hand, from prestigious international
institutions, among which include known "Old playing the hurdygurdy" (c. 1620-1630) and "Saint Jerome reading" (c. 1627-29), two recent additions to the collections of the Prado which illustrate the essential features of the painting La Tour, specialized in genre scenes and religious affairs artist additions.
thanks to a brief article by Hermann Voss published in 1915, in which he related his first painting with historical documentation.
No one had been able to recognize the personality of this strange artist, whose paintings often were attributed to Spanish painters: John Rizzi, Herrera the Forgotten for more than two Elder, Zurbaran, Velazquez, centuries, La Tour was recovered Murillo, Maíno, etc. in the early twentieth century
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Stained Mountain.
Volume II — Number 86
March 2016
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The stained glass educates, motivates and transforms, said Gabriel Mountain his son Fernando Mountain Vazquez, representative of the third generation within 'Vitrales Mountain', workshop leader now places his art not only in churches, restaurants and museums, but in any part of the world.
glass as an emotion, said it was light that comes alive in the colors motivating moods and a change of environment, creating feelings of closeness between the believer with God in a temple, or the saints in Europe to feel the impact of the play of light cathedrals.
Installed since early last century in Torreon, Mexico, each utensil is valued.
"A similarity between the stained glass window with people live, normally observed with light, like people. Lights as it is touched by the natural light projecting inward. But you light night light and projection is outward as people with their own light, "says Fernando.
Moreover workers, real skilled craftsmen. The light in the painting is beautiful and refracts the color in the pupils.
In the stained glass life becomes color that explodes Focused on sending a through the light of his stained glass window pieces managing to requested by the governor of transform an environment. Puebla, Rafael Moreno The colors pop, fractals that Valles, for the Museum of multiply their ruts on International Baroque (MIB) anything: a plate, a glass, a that will have 2 floors and glass table. twenty rooms designed by Simple but extremely Toyo Ito, one of the top ten worship, Fernando Mountain architects in the world, in explains that the painter Vitrales Mountain time he Chagall defined the stained stopped.
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It looks like European tradition workshops with two or three hundred years old. It is no coincidence that there impersonates nothing: not a table or a chair has been changed. Miguel Angel Fernandez, who for years was head of the Coordination of Museums and Exhibitions of the National Institute of Anthropology and History and also drafted the book 'The Glass of Mexico', in the restoration of the civil works of Chapultepec Castle was who He validated the workshop to intervene stained glass windows and stained glass for the MIB. "In Puebla there vitralistas, also in the Federal District, Why us? Miguel Angel Fernandez puts his hand to the spit and says: 'If you want a stained glass window in your museum' he says directly to the governor, 'with Mountain Tower'. And stained glass we have to go to market tomorrow, "said Fernando Mountain.
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Other trends. Opening of ARCO.
Volume II — Number 86
March 2016
Among the many lattices forming the braiding striking sculpture by Cristina Iglesias iron, mobile photographing people close to Felipe and Letizia kings visiting the booth trickled EL PAÍS. Within the maze of two tons of weight, the artist explained to the Monarcas the complex process of elaboration of the piece, oblivious to the din of the royal party. The route of the authorities, accompanied by gallery owners, bodyguards, journalists, photographers and gawkers, marked the official opening of the 35th edition of the Contemporary Art Fair of Madrid (Arco).
of the landmarks of the commemoration, as it approaches the commemorative date. "They liked a lot and have shown interest especially how a work of this magnitude is made," said Antonio Cano, at the end of the visit of kings. Not for less. The huge iron ship Churches impressive. Create your own space, a kind of shelter that isolates the visitor from the rest of the stands of the pavilion Ifema, the Madrid Trade Fair which is held Arco, attended by 221 galleries from 27 countries.
Not surprisingly, there are fragments of the book inserted in a work so rotund as subtle in its multiple readings. "Basque Art? Of course she is Basque, and San Sebastián like me, but mostly is an international artist, "said Angel Gabilondo, former Minister of Education and leader of the socialist opposition in the Madrid parliament. "I was surprised and I liked it. You walk in and then have to leave behind a path of light and shadow, "said the mayor of Madrid, Manuela Carmena.
"It's architecture is literature, is sculpture and the viewer must "I am interested in this double Kings remained a long time in the transform Cristina suggestions," character building and bowels of suspended III Pavilion, said the director of the National concealment, the desire for refuge dreams, as they spoke with Museum Reina Sofia, Manuel Borjaand also to show. Like the shadows Iglesias, the president of El Pais, Villel. cast on the wall and on the ground, Juan Luis Cebrián; COUNTRY outside the ship could be space, After the royal stele, which went to director, Antonio Cano; PRISA "said the artist. other booths, visits to space EL CEO; José Luis Sainz and CEO of PAÍS followed. PRISA News, Manuel Mirat. A ship leaving the reading of the novel Solaris, Stanislaw Lem, as Separated from the main The large presence of the dome of recognized Churches, rather than delegation, the Secretary of State the editor of this newspaper group the influence of the eponymous film for Culture, Jose Maria Lassalle, was due to the events celebrating by Andrei Tarkovsky - "although the had an impact on "Aporia" (paradox the 40th anniversary of El Pais, film is always there; without or insurmountable logical difficulty) which went on sale on May 4, 1976. realizing influences, "he added presented by the artist in his work of This commitment to the art of one Sister musician and soundtrack Arc have received visits from the of the Spanish most international composer Alberto Iglesias. general public after two days of creative with work in some of the buyers and professionals. best museums in the world, is one The desire for refuge
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Interview with David Levy (I).
Volume II — Number 86
March 2016
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For some time now we have been hearing different technological initiatives to create smart windows that react to environmental conditions instinctive way to create comfortable conditions inside the rooms.
industrially manufactured, except for special orders. This is the main reason why we are not smart windows in our own homes. What solution developed in the CSIC and how to solve these problems?
Thus, apart from user comfort, also it contributes to greater energy efficiency Our contribution in this field is a of the building, with consequent pioneer and very important. savings in energy and monetary This CSIC of Windows Smart EMDs expense that entails. (Externally Modulated Displays) The widespread application of these technology is unprecedented because technologies is, however, very difficult innovation representing lies in the due mainly to its high cost and has possibility of manufacturing smart only been possible installation in very windows that do not require for their specific and selective situations. expensive manufacturing components such as conductive glasses (ITO) or However, the Higher Council for compounds LC , for operation. Scientific Research (CSIC) has developed a strategy based on not based on liquid crystal (LC), which could have a wide implementation in all types of window and facade at a very economical cost materials solution. Vitreous has maintained an interview with Professor David Levy, Department of Photonic Materials Institute of Materials Science of Madrid (ICMM), the CSIC, who has had the collaboration of Dr. Marcos Zayat, ICMM also in development this innovative and affordable technology. What is an intelligent window and why it is not yet current use in the actual construction? In recent years they have tried to develop successfully without valid technologies for application in smart windows, or "smart windows", based on different principles to obtain a variable transmission window light.
These two elements are those that raise very markedly manufacture of conventional smart windows (electrochromic, LCD, PDLC / GDLC, SPD, etc.) and, therefore, are a major limitation for insertion in the market. The EMDs not only represent a very attractive to existing technologies alternative, but they are also an alternative more "accessible" in economic terms, since it will allow the manufacture reasonably priced facilitating large-scale introduction of the technology of smart windows the market and expanding the range of the sector to new potential users. What is this new technique to achieve "smart windows"?
The operating principle of this technology is based on the controlled activation of a combination of chemical and physical reactions which produce These systems use very sophisticated the opaque-transparent glass window techniques and huge production costs, switching. especially when it comes to large for These coatings EMDs consist of thin use for example in facades, so not films of highly porous material by exposure to wet or dry air, radically www.amigosmava.org
change their optical transmission in the visible and infrared range, achieving switching between a transparent state and an opaque. As a result, the device regulates the amount of visible light or infrared and reduces sun visibility through the glass. None of the existing systems work, or its working principle is based, according to an air flow with controlled humidity as element that causes the change in transmittance of the new device (switching ON-OFF). The device shown in the figure is a 15x15 cm window in which there are two coated with EMD coating facing an interior cavity through which is passed the humidity controlled air for activation glasses. The system is complemented by an autonomous activation box which houses a system to damp or dry air circulating inside the window. The application of this coating less than one micron thick acts as a barrier able to control the amount of light passing through glass and thus reduce visibility or provide privacy instantly, adjust the lighting in places where necessary or act as protective against solar radiation. Its operation can be activated with a remote controller and the response times are a few seconds. What are its main advantages? The simple and easy preparation device and that use cheaper materials than conventionally used in other intelligent and compliant window environment, causes the manufacturing costs are extremely low, allowing the mass production of smart structures of great surface (square meters). ..//..
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Interview with David Levy (II).
Volume II — Number 86
March 2016
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..//.. As an example, a square meter of a classic window to be able to perform these functions can cost thousands of euros, but with our technology just a few cents! What applications can have this new technology? The technology can be applied in different elements of a building windows or doors, partition panels in offices, sliding doors, regulatory elements or light protection, display screens of information, ceiling panels, skylights, mirrors for applications in architecture decoration inside or outside of buildings or regulatory elements or light protection, among others. Its operation can be controlled with a remote controller and can be applied in intelligent buildings as windows and doors and partition panels office on sliding doors, storefronts, restaurants, shops, hotels, bathrooms, hospitals and large surfaces, creating "privacy "desired efficiently and dynamically (reversible). They have done already testing application work? What has been the behavior?
device that can exhibit at any trade fair. They have taken into account the current regulations at present in the building sector? It was not necessary because it is a simple modification of currently used glass therefore adapts to these regulations.
These windows can be used in a wide variety of applications where control light passing through the window or a dynamic or controlled privacy required.
These windows may also be appropriate to reduce the air conditioning load of a building in It is this technology supports its summer and heating in winter, thus application in any type of glass or offering an optimization of energy surface or, conversely, requires any resources in buildings, but perhaps special requirements? most remarkable in terms of energy Yes, it is compatible. This is a premise savings is that the main consumer need for activation is the "water" and that we set in the first steps of this only in small amounts. invention. This technology was created to save the current deficit windows in the market. Not only is an economic factor. When making a smart window and pretend incorporate it into the production lines of specialized industrial sector, manufacturing processes must also be "simple". Manufacturers also seek profitability in their manufacturing lines while saving time also reduce their costs.
We are talking about profitability of industrial processes. The EMDs meet There have been no trials work. this requirement since it is a product The EMDs have aroused great interest that is both complex and novel is of the industry related to this field, and simple to manufacture. we have good expectations apply in Another no less important advantage this sector. is its high photo-stability (do not The transfer of this technology new windows EMD is well advanced, since there is already a demonstrator or prototype preliminary laboratory size shown in the photograph.
In terms of energy efficiency, what are the advantages of this new development?
degrade light) when exposed to sunlight, which makes them valid for use abroad.
We have also managed to adapt the technology so that it can be used on surfaces that are flexible, flat, curved, We are now thinking move to the phase of scaling-up to develop a larger whether glass or polymer.
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During times of opacity of the window allows the external view from inside the room? No. Privacy is a target and therefore of the characteristics of the invention. Moreover, it does allow light through, therefore not need to turn on a light to illuminate the room, but that would take advantage of ambient light. Have you already been interest by the industry in this innovation? Where should contact companies interested in adopting this technology? This research is aimed at both the architectural sector and decor as for windows, partitions (interior / exterior) and privacy in buildings, meeting the demands of current sustainability application in the sectors construction and energy and even the automotive sector. Any interest in the industry in this technology that we intend to transfer our laboratory to industry is welcome, because we are at a very advanced stage and willing to make the transfer. They can go to CSIC or the Office of Knowledge Transfer of CSIC.
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HAS, leading Vietnam.
Volume II — Number 86
March 2016
made in different colors such as yellow, green, blue, vermilion, pink and purple. Many designs are made in classic and realistic styles, with gold or carved decorative patterns. All materials are imported from Germany, Poland and the Czech Republic. According to Hoa, it is very difficult to satisfy foreign customers, as they have good taste and are very demanding, so in addition to advanced technology and modern Established in 2012, the family with a tradition in production lines, also limited liability company the production of glass in requires workers skills HAS has become one of the province of Thai Binh. and diligence. the leading companies in After graduating from It HAS has become one Vietnam producing college in 2000, Hoa of the leading glassware Bohemia. worked for a company manufacturers and Its products have been specializing in the distributors of glassware exported to many distribution and in Vietnam. markets like the US, manufacture of glass His pieces are sold in Europe and Japan, products company most provinces and glass among others. Bohemia. products are high-end Bohemia is a famous During his 12 years of favorites of large groups brand of glass in the work there, I had the and corporations. Czech Republic, with opportunity to work with Each year, the company high-end products such foreign experts and as glass, glasses, accumulated experience achieved sales of about memorabilia and and knowledge about this 40 billion VND and occupies about 40 decorative. type of product. percent of the market After its constitution, the He decided to establish share of exports in the company quickly his own company and US, Europe and some established HAS its successfully investigated Asian countries like Japan position in the domestic a new production line of and Singapore. market, because in glassware Bohemia. It also has the privilege of Vietnam there are few HAS now has a factory in being distributor of manufacturers of highQuoc Huong Street, Thao Bohemian crystal for end glass. Dien district of, District 2, some companies in the The company was Ho Chi Minh City. Czech Republic. founded by Nguyen Thi Their products vary in Hoa, who was born into a styles and sizes, each
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The Ladies of Cerdanyola.
Volume II — Number 86
March 2016
That modernism is not just a phenomenon Barcelona is something known. Other towns close to the capital have signed works by Antoni Gaudí, Domenech i Montaner Lluís Josep Puig i Cadafalch. In the exhibition Modernism, art, workshops and industries that have visited nearly 100,000 people in La Pedrera in which the fundamental role of applied and decorative arts in the Catalan modernism showed, the first piece that received the visitor was a splendid glass of Cerdanyola Art Museum (MAC), known popularly as the "Ladies of Cerdanyola".
[the restaurateur who returned their splendor in 2014] who advised the transfer, "says Txema Romero, director of MAC, which maintains that it has been a tremendous spread of the museum has increased the number of visitors.
hosted the Doménech Laboratories, hence also known as Can Domenech, were dismantled in the sixties.
"People who visit us ask them where they come from and especially on weekends, are Barcelona."
"Coincidentally, when it would proceed with the restoration of the door with problems Leaded appeared a neighbor who had located the top was missing, so all conceded" he says, pleased, the director who knows a Balcells 1906 sketch of the door "so it turns 100 years."
The Ladies of Cerdanyola are three huge panels made in 1910 for the main hall of the summer residence of the merchant Evaristo Lopez.
In her six women appear surrounded by nature. In one of them, two women are Considered one of the most swinging so placida (this is the outstanding works of art of group that has traveled to modernist glass of Catalonia, Barcelona); in the other, two once the sample back to look women peonies launch the at the place for which they swans from a boat and the last were created, the Casa Evarist pick flowers along the water. López, a modernist housing The old ladies have found their Gaeietà Buigas and Eduard way home a gift. Maria Balcell built in 1894 in "On Wednesday he finished the heart of the city of Valles assembling the original Occidental. gateway to the house; an "It was like having a storefront exquisite union of wood and on Passeig Gràcia. When they stained glass floral inspiration requested the pieces was a and example of modernism, huge responsibility. Ask advice "Romero says. from the Center for Restoration The door, like the other of Personal Property of the windows of the building that Generalitat and Jordi Bonet,
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When the museum opened in 2009 it was able to recover the bottom of the leaded glass and the lower wood, but the top was rebuilt.
"Many of the people who visited us from Barcelona have said they would return to see the ladies in their original place," Romero says. You will also see a sign that is now underway in the MAC, on the rationalist architecture in Cerdanyola, analyzing seven examples of these projected premier architects whose careers germinated in the thirties and the Civil War smashed buildings. "Today only two remain standing, others were expanded and modified and are almost unrecognizable" remacha Romero.
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Integrating graphene into glass.
Volume II — Number 86
March 2016
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A group of scientists from the University of Stony Brook and the Department of Energy's Brookhaven National Laboratory in the US has developed a glass with electronic properties that integrates graphene and could optimize the screens of all types of devices and solar cells .
and lime, most common glass, which can be found in the windows, bottles and many other everyday objects.
The method that created these researchers can add layers of graphene on the surface of ordinary glass, and stands out as a scalable, easy to implement and inexpensive process.
"Sodium inside the glass creates a high density of electrons in graphene, which is essential to carry out many processes," said Nanditha Dissanayake, a member of the team, which believes it has been a challenge to get this reaction.
In tests, scientists used a glass substrate of soda
When applied the graphene, the sodium atoms present in the glass potentiated the electronic properties of the miracle material.
The method has been used to integrate graphene group in glass known as doping, through which foreign chemicals are introduced. However, scientists discovered that graphene may be doped optimally without adding chemicals, allowing the resulting compound is more resistant to degradation. There is still much work to be done and we need to continue research on the process of doping and carefully examine the strength of the material during exposure to operating conditions of the real world. Potential applications of conductive glass graphene are many, from consumer electronics to energy technologies. For example, it is a promising candidate to replace indium tin oxide in solar cells, in organic light emitting diodes (OLEDs) in display screens and touch.
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How does it.
Volume II — Number 86
March 2016
This month we include some pictures of the technique practiced by Gudenrath reticello.
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5D data recording.
March 2016
The file is written in three layers of nanostructured points separated by five micrometers (one millionth of a meter).
Volume II — Number 86
Self-assembled nanostructures change the paths with the light passes through the glass, changing the polarization of light that can be read by combination of optical microscope and a polarizer. Glass memory has been compared to the 'memory crystals' used in the Superman movies. A system of eternal 5D data recording is presented. Scientists at the University of Southampton have taken a big step forward in the development of digital data storage, able to survive for billions of years. Using nanostructured glass, scientists Optoelectronics Research Centre at the University (ORC) have developed recording and retrieval processes fivedimensional (5D) digital data recording femtosecond laser.
With a very stable, secure portable memory form, the technology could be useful for organizations with large files, such as national archives, museums and libraries, to preserve their information and records. The technology was demonstrated experimentally for the first time in 2013, recording a digital copy of 300 kb of a text file successfully in 5D.
Now, the main documents of human history, such as the Universal Declaration of Human Rights (UDHR), the optics of Newton or This storage allows the British Magna Carta, properties have been saved as unprecedented, including digital copies that could the capacity of 360 TB / survive the human race. disk, thermal stability up to 1000 ° C and life The documents were virtually unlimited at room recorded using ultrafast temperature (13,800 lasers producing million years to 190 ° C) extremely short and by opening a new era of intense light pulses. data file eternal form.
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Data is recorded via selfassembled nanostructures created in fused quartz. The information coding is carried out in five dimensions: the size and orientation, in addition to the three-dimensional position of these nanostructures. Professor Peter Kazansky, the ORC, says :. "It's exciting to think we've created the technology to preserve documents and information and store it in space for future generations This technology can ensure the latest evidence of our civilization. Everything we've learned will not be forgotten". The system will be presented at the meeting of the Optical Engineering Conference in San Francisco.
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New window Barceló.
Volume II — Number 86
March 2016
The huge fresco drawn with mud Barceló created in the glass facade of the French National Library is "heir to the Seu," says the artist in an interview that was broadcast by the program ib3 Dues voltes.
"It is a living work," says the artist. "You never repeated the same, since the conjunction of the sun and vegetation in this case outside of Vilafranca- makes the drawing is literally always different, an idea that I really like."
the Museum of Paris with a monographic since its reopening in 2014, Barcelo joked: "It's not to be indifferent, but should be alive."
Barceló also acknowledged that it was "fun" Speaking at Space analysis and the Seu, in the Blessed presenting Neus Albis today The painter wanted to clarify Sacrament chapel. issued a report focused on that the works to be "I go often to visit with the work Barceló prepares displayed both inside the friends," he acknowledged, for the French capital. library and the Picasso while indicating that its Museum, respond to "a Inside Sa Teulera, his pottery intervention on the facade of single exposure", with workshop Vilafranca, the the library Paris "has a lot to bullfighting echoes, titled artist explained that what do with what I did in the Seu, Sun and shadow. could be seen at the Paris because it's mud." library will be "a great "In the National Library will "That was the first time I window painted in mud", a be more engravings, used the mud to a material that appreciates paintings, one of them very monumental work. In Paris "because it allows the large, of the eighties. Also the work also will be passage of light and It recent work, etchings, monumental but ephemeral, achieves a very particular portraits of my mother, because it is unfired mud. and special light. " ceramics, bronzes ... a Everything is ephemeral, summary of what you will Barceló shown in the including Seu" he added. find in the two exhibitions I program IB3 the play of After his work in the have been doing for years, shadows and light projected cathedral, he recalled, "we "he said. into library work drawn on did the performance Paso the glass. Asked about his feelings to doble, also with mud and be announced in France as ephemeral". the first living artist to enter www.amigosmava.org
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The myth of Cinderella.
Volume II — Number 86
March 2016
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With the help of the Fairy Godmother, Cinderella gets her rags turn into a splendid dress, and a pumpkin in a luxurious carriage. At least until twelve o'clock. Because at that time, as the story says, Cinderella has to run with your shoes glass before the illusion faded and Prince discovered his true aspect. But physics knows no illusions or tale. A group of students from the University of Leicester has shown that Cinderella could not have fled the Prince at twelve o'clock if I had gone driveway with glass shoes. In research published in "Journal of Physics Special Topics", a magazine in which students do work related fiction and reality and that fit curiosities but scientific advances, these young people have evaluated the resistance that would have a heeled shoe with glass. "While Cinderella could have been standing with her shoes, regardless of the size of the heel, you can not say
the same if I had tried walking or running," explained these young people in their particular study.
To simplify things, they agreed that Cinderella weighed 55kg and had 32 European.
He also had to take into In the best case scenario, as account the angle of the heel calculated resistance glass to the ground when walking and the forces at play, these or running, stride height, the scientists argue that pressure distribution along Cinderella could have fled the length of the heel ... etc. the Prince with a shoe with a As Mervyn Roy, one of the heel of at most 1.15 teachers responsible for this centimeters. work, National Geographic A length much less than said, "There is only one real what is usually seen in the world, but once you look in drawings. fiction, there is a vast realm of things to explore." To reach that conclusion, students equations applied Apart from the funny, or not, to measure the resistance to that results such studies, the the weight of the shoe, when scientist also said that if Cinderella was standing today students can solve when I was walking or when problems as simple as it is I was running. thanks to the work of others in the past. They also estimated the resistance of the glass But even in the case study through simplification: they shoe Cinderella would still felt that it was made of one have to continue studies with of the most common glass new materials or different so applied the parameters of angles of impact of the heel. hardness and strength of Science is restless until he this material. touches the realm of fantasy. In addition, they were forced to estimate the measures of the girl.
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Page 34
Efficient solar sphere.
Volume II — Number 86
March 2016
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This solar sphere is 70% more efficient than traditional panels and generates energy to the moonlight. Its operation is quite simple. The device comprises a container completely spherical glass filled with water for magnifying the intensity of sunlight at over 10,000 times.
and magnified on the back, which in turn, by a bending effect, sunlight concentrated inward subsequent intensification in a certain area of your base. Right in that area tiny solar panels are positioned to capture the arrival of that ray of light magnified.
Although this phenomenon of With this simple device is amplification and not only able to capture concentration of sunlight energy on sunny days, from water has been but also on cloudy days known for centuries, the and even generate novelty introduced by the energy at night from the German architect and moonlight. inventor AndrĂŠ Broessel, By the geometry of the is to provide the solar sphere, much of the Rawlemon of a light received on the positioning system with previous cap is reflected
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respect to the constant movement of the sun and the moon to the system much more efficient than current photovoltaic technology. One of the premises of this young architect was without the use of sophisticated semiconductor devices or complicated technology, the cost of which hinder the accessibility of users walk to this type of high efficiency devices. Glass, water and tiny solar panels, along with positioning software from the sun or moon, is all you need Rawlemon for generating energy from the light captured 24 hours a day.
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High performance glass.
Volume II — Number 86
March 2016
The Museu do Amanhã be one complex, which also installed, of the great cultural icons of considering the sustainable the 2016 Summer Olympics. design of Calatrava, photovoltaic panels on its And the extraordinary building, cover . which has renovated and modernized and decadent Laminates processed by image of Porto Maravilha, is TVITEC belong to the extra double stamp 'made in Spain' clear Solar Sunguard in its construction. Guardian Neutral 67 model, which promote transparency On the one hand, the and luminosity, and have 4 exceptional design of the most sheets colorless PVB that international Spanish architect, guarantee, in turn, security. Santiago Calatrava, and on the other the glass skin that The rolled-tempered are of surrounds a steel structure that various thicknesses: 12 + 12; seems to emerge from the 6 + 6, 8 + 8 and 10 + 10. water of the bay, thanks to They also incorporate a small TVITEC. dark-colored silk-screened on TVITEC, the first Spanish the inner side of each unit. manufacturer of architectural In total more than 750 pieces glass, provided for this work of glass of irregular shapes over 3,000 m2 of different and sizes, some of which are products of high performance around 4 m they were and design features and a very processed. demanding specifications of The Spanish transformer, solar control in the field of which has its main production industrial transformation. site in Cubillos del Sil -very TVITEC dressed the Museum near Ponferrada- is now one of of Tomorrow, in which only two in Europe that can laminated and tempered glass manufacture glass up to 12 m used by incorporating solar in length (mega-jumbos). control coatings to improve the These pieces, large and energy efficiency of the
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characterized by transparency, contribute to the team claim Calatrava to achieve highly luminous spaces that magnify the size of the rooms. The Museu do Amanhã opened last December 19 and in addition to receiving thousands of hits in the early days- is already listed as one of the 10 new best museums in the world. Dedicated to science and technology, invites you to imagine how we will live in the next 50 years; audiovisual immersive spaces, interactive installations and games are available in Portuguese, English and Spanish. The spectacular glass shell that opens like a large window on the front of the museum is an element of the most distinctive of the project, which has had the Odebrecht construction company as a major player and Martifer fachadista as responsible for the structure, in which architectural glass 'made in Spain' plays a prominent role.
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Swarovski awards.
Volume II — Number 86
March 2016
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The winners of Swarovski Designers of the Future Award this year, proposed by Design Miami and Swarovski, have been announced in Paris: the Japanese sound artist based in London, Yuri Suzuki; Indian artist Anjali Srinivasan glass; and German-Icelandic duo Veronika Sedlmair and Brynjar Siguroarson whose Brynjar & Veronika Studio is based in Berlin.
highlight the different approaches and technologically daring design through the work of designers who are not yet household names," said Rodman Primack, executive director of Design Miami, who have been granting the award since 2006.
"The winners this year are witness to the breadth of this field, with explorations in sound design, glass work and The winners were invited to the fact storytelling through the Swarovski headquarters in design". Wattens, Austria, to explore The award recognizes the techniques of glass designers and emerging manufacturing company. studies are expanding the The winners have been culture of design through commissioned to Swarovksi to experimentation with create new works around the innovative technology. glass, working closely with Previous winners were the experts Swarovski production Studio Swine, who created to be released in the twelfth optical frames with human hair edition of Design Miami Basel and manufactured plastic 14 to 19 June. objects found at sea; "TechnoThe commission invited to fairy" Elaine Ng Tan Ling, investigate the notion of known for his work of biorefinement as part of the mimicry and textiles; and Max creative process, while Lamb, who recently unveiled presenting an ideal way to an installation made with a design how to live in the future tree in the garden of his proposal. grandfather for the London Design Week and FUMI "The Swarovski Designers of Gallery. the Future Award aims to
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2016 winners were selected by a jury of leading figures in the design world, including Nadja Swarovski; Devan Sudjic, the Director of the London Design Museum; Zoe Ryan, the Curator of Architecture and Design at the Art Institute of Chicago; Li Edelkoort, trend analyst and director of Parsons Design Interdisciplinary Program; architect Asif Khan and Alexandra Cunningham Cameron of Design Miami. Over the years, the award has been a strong indicator of the state of design, highlighting emerging talents at the top of their field globally throughout the entire industry. The exhibition of the Designers of the Future of Design Miami Basel brings a new energy and a creative and experimental advantage the most important event for the high-end market luxury design, creating a crosspollination between the collectable design, design as art (which tends to be conservative when it comes to new production technologies) and the vanguard.
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Friends of the School of Glass.
Volume II — Number 86
March 2016
The Friends Association of the School of Glass (AEV) in El Progreso, Yoro, Honduras, is a non-profit NGO, promoted by professional and committed people, whose mission is to advocate for access to education for young people, as a means of improving the quality of life and development at Community level. The AEV ensures the proper operation of the School of Glass and supports both the curriculum and the development of students.
implementation activities In addition, community of the School of Glass development projects are educational program. promoted both educational structures and Support personal and communities from which professional they come students in development / as supplementary educational alumni / ae. needs, and all kinds of Contribute to actions for the benefit of sustainable and longthe community. term financing of the Contact the Association of project. Friends of the School of Support activities aimed Glass through this link. at development of the AEV OBJECTIVES: community in which the Ensure the objectives of School of Glass is the School of Glass. located. Support the
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Page 38
Sevilla Tower, the highest of Andalusia.
Volume II — Number 86
March 2016
The visit organized CaixaBank Sevilla Torre has revealed curiosities Cartuja skyscraper, a building 180 meters high, making it the highest in Andalusia. Among these curiosities is the speed of their lifts, climbing one time in walking over three meters per second plant. In total, it takes just over 35 seconds to travel the 37 first floors. The building has 12 elevators and a forklift. Six lifts up from the floor to the 18 -4 plant and six rise from 19 to 35. The forklift makes the journey from the -4 to 37. In that last visitable floor there is an exceptional panoramic viewpoint, which allows us to contemplate bird's eye view Cartuja, the old town, the river, Triana, Tablada or Aljarafe. "From here you have a unique perspective of the Giralda," said Rafael Herrador yesterday, territorial director of CaixaBank, the financial institution that took over the project in 2012 after the merger of La Caixa and Cajasol. The building has 11 pedestrian walkways that connect the entrance of Tower Seville
Square, where buildings podiums go the mall and the CaixaForum.
explains that for thorough cleaning requires at least three months.
Hotel guests and office users will have different access. Customers will do it from the floor facing the street, while office workers will use an access from floor -1. Workers will have an entry card that also identify them in elevators.
Operators are cleaning façade strips from top to bottom.
In addition to the glass coating, it has 1,500 tons of steel on its facade. These steel blades replaced the ceramic coating thought at first and then was scrapped because of the It is expected that Hotusa, the danger that could lead to chain operate a hotel in 13 of passersby if they gave off any the 39 floors of the skyscraper, blow gondolas used to clean glasses. "Any piece that could open a panoramic restaurant on the 37th floor, the last to be shed ceramics would become a projectile for pedestrians visited. when falling from 180 meters Farrier declined to say whether high," said Rafael Herrador. the hotel is five star luxury, as stated in the beginning, since The gardens there on the now being negotiated with the covers of the two podiums City Council and the Board its buildings where a shopping mall will not be visited by the characteristics and public in general for security modification of the regional reasons, although Puerto regulations for this and other Triana does not rule out a skyscrapers remain exempt future open to small groups. from the requirement, for example, have windows. "It Rainwater collected in wells will be a unique and premium located on the -4 floor of the hotel," said the regional building allow watering these director of CaixaBank. gardens, with 12,000 square The skyscraper has 19,000 m2 meters and more than 3,000 units of 60 plant species, may of glass facade. Manuel not be visited by the general Jimenez, manager of Puerto public now. Triana, which owns the skyscraper and whose shares are 100% of CaixaBank
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Page 39
Meet the artist Orfeo Quagliata.
Volume II — Number 86
March 2016
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Since then he became increasingly complex jobs, giving a special name to each of the pieces The artist likes to experiment performed, an eccentric with different techniques and detail and quite strange. create conceptual pieces, This artist is quite expensive using their knowledge in different disciplines to make these days and often uses combinations of colors, sizes the phrase "I'm so fusing future" to describe himself. and geometries. He even went to print shirts His first official work was with different colors and that Born in San Francisco, he done 15 years ago. We talk phrase in the middle. has been in contact with about a necklace that was a glass child, because for She loves to do fungi, bars glass plate fused in stripes some time he worked and mini bars, tables, stained with a silver piece in the alongside his father learning glass and jewelry. middle. about this material. Orfeo Quagliata is a unique artist, who uses the physics of light, the science of industrial engineering and the beauty of art to give life to the beautiful glass sculptures of contemporary style never seen before. Definitely a similar style you will not see in the foreseeable future.
Then studied architecture, industrial design and furniture design.
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Page 40
Our Newsletter is worded in:
The Association of Friends of MAVA was incorporated on June 21, 2003 in accordance with current management.
Castillo de San José de
March 2016
Valderas.
The purpose of this Association is to
Avda. Los Castillos, s/n 28925 ALCORCÓN
promote, encourage and support many
MADRID
cultural activities, in the broadest terms, are related to the mission and activities
When glass culture
of the Museum of Glass Art Alcorcon.
Volume II — Number 86
Our goal is to develop and collaborate with other public or private entities in the promotion, protection and dissemination of art and culture. Our members may be fees, benefactors, Full and juveniles.
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Presidente honorario
Evangelina del Poyo
Presidente
Diego Martín García
Miguel Angel Carretero Gómez
Francisco Martín García
Vicepresidente
José María Gallardo Breña
Secretaria Rosa García Montemayor
Vocales
Javier Gómez Gómez
Pablo Bravo García
Tesorera Mª Angeles Cañas Santos
Page 41
Reina Sofía Awards (I).
March 2016
Volume II — Number 86
2
3
4
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Page 42
Reina Sofía Awards (II).
Volume II — Number 86
March 2016
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Page 43
Reina Sofía Awards (III).
Volume II — Number 86
March 2016
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