Volume II — Number 71
November 2014
Monthly Newsletter
Mark Matthews Bittersweet, but less sweet.
Newsletters
M. A. Carretero.
As reported on inside pages, last October 15 at the MAVA opened the exhibition "Three Centuries of Sculpture".
This is, say, the sweet taste of the event.
An exhibition of works in bronze, basically, and they are commemorating the first 120 years of existence of the Codina Foundry, a prestigious casting workshop based art works in Madrid.
First, I wonder what makes this exhibition at the Museum of Art Glass Alcorcon?
Municipal Museum of Alcorcon".
But behind a sour sour taste, He forgets that the name of the occasion of this "magna" the museum is the Art Glass exhibition. Alcorcon. ¿Errata produced by a slight oversight? So little respect he deserves our museum that gives you just call one Yes, of course, clear that it is way or another? a unique opportunity to Irrelevant to mention so wise present these wonderful phrase "the scalded cat flees works in the town of to the cold water." Alcorcon, missing more. And irrelevant because they
But there are also sculptures in plaster, resin, But in this place? Why? steel, stone, clay and fiberglass. Elaborating on the issue of disturbing causes, expose a Also, a large group of bronze platelets appear to few words said, as volapié, the Deputy Mayor and have a great value for the Councillor for the Arts in our Foundry is exposed. Municipal Corporation, as Complete the exhibition a well as President of the number of photographs that Spanish Association of reflect different moments in Painters and Sculptors the life of the workshop. during the presentation this Among the firms that have exhibition. He said he will try made the exhibited works to get there in a Museum Nuestra sede: are those of Benlliure (at Sculpture Alcorcón. Castillo Grande de the luxurious catalog figure What are to him the glass S.J. de Valderas Avda. Los Castillos, s/n this illustrious name in sculptures preserved in the lowercase), John 28925 ALCORCÓN. MAVA? A hobby? Christopher (a native, like (MADRID) Something is broken? info@amigosmava.org my father, the beautiful But the background is not village of Ohanes in Alpujarra), Victorio Macho your subconscious despise the glass and you put those Cesar Manrique, Oteiza traps on the road, what is and Auguste Rodin. The important and unfortunate to other 48 artists complete think of replacing the glass the collection. sculptures made by the other, which he did that values.
remind regular readers in the editorial of some of the previous newsletters I denounced the inexplicable assignment by the government team of our present Municipal Corporation to Madrid for most of the top floor of the Museum installation, initially, of a Family Meeting Point and, thanks to the refusal of the professionals in the multidisciplinary team of the new center, he stayed only a Family Counseling. That is because it has managed to make the "clip" that you can go to our dear acogotando Glass Art Museum: it was begun by the top floor and has continued through the basement and ground floor.
Maybe despite all these speculations and disquisitions is reached not jeopardize the existence of Another important indication the precious collection of that increases the sour taste glass sculptures that form of the event is that our the collection of MAVA, but Mayor, in the Presentation "who Forewarned is which includes the forearmed." aforementioned lavish exhibition catalog, uses the term "Castle Valdez
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November 2014
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S PE C I A L I NT E R E S T:
Important issue: the Intellectual Property Law (XLI) M.A.C.
Part of the month
The glass
Intellectual Property Law
Glasstec 2014
Restore the CNV
Activities on the MAVA
News
Our activities
Glass recycling
How does
CONTENTS:
collected proportional Article 156 Accounting to the use of their Documentation works. BOOK III Within six months of Article 155 Social the close of each fiscal Protection of the Function year, the entity shall rights recognized draw the appropriate by this Law 1. The management balance and report on TITLE IV entities, directly or the activities carried out Management bodies through others, during it. encourage the of the rights promotion of activities They will be subject to recognized in the or assistance services verification by experts Law for the benefit of its appointed by the Article 154 Cast members, as well as General Assembly of rights conducting training the entity held the activities. previous year or in its 1. It shall be made constitution. The equally among the 2. Collecting societies statutes establish the owners of the works shall devote to the rules under which there in accordance with a activities and services will be another auditor predetermined the preceding appointed by the statutes and paragraph, in equal minority. excludes shares, the arbitrariness system. percentage of the The audited balance remuneration referred sheet will be made 2. Collecting to in Article 25 of this available to partners. societies shall reserve to the holder Act, to be determined by regulation. a share in royalties
Part of the month
3
Established artists
4
Young artists
4
The glass
5
Glasstec 2014
6
Restore the CNV
7
Activities in Museums
8
Activities in the MAVA
11
Concert MAVA
12
Bronze in the MAVA
13
Guitar Series I (I)
14
Guitar Series I (II)
15
The beauty of the fragile
16
URGENT NEWS
Reflections on a Case
17
News
18
Fair thumbnail.
Culture 2014
18
Concert at the MAVA
19
Glass fabric
19
The glass museum
20
Windows in the Cathedral
21
School of Glass
22
Risk in the CRAM
23
Glass recicled
24
Christ Linares glass
25
Cultural tours
26
Culture 2014 Programme
26
Charging glass
27
Other trends
28
Room Equip'Hotel
29
Smart trains
30
The revolutionary Glass
31
The glass in Jerusalem
32
A world to discover
33
How does
34
Glass in South Africa
35
Glass Bridge in China
36
The Eiffel Tower
37
The Cathedral of Orange
38
Award Riventi
39
Lane last generation
40
An incredible hotel
41
Directorate
42
Mario Sergio Ramos. After his deserved success in Chicago Miniatures Fair, the "small works" Mario Sergio will be exhibited in Madrid and then London, where on November 29 will participate in the Kensington Dollhouse Festival and where we are sure to leave you stunned this accredited visitor Festival.
In the next exhibition of miniatures was held in Madrid on 15 and 16 this November stating the extraordinary work of our good friend and member of our Association
Writings unanswered by the Department.
17-01-13. Requesting inventory of parts that make up the permanent collection of MAVA.
11-06-13. Chance of receipt by the MAVA documentation on glass offered by the President of the Spanish Association of Science.
11-11-13. Requesting information on the agreement with the Madrid social services to install the MAVA.
www.amigosmava.org
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Part of de month. Mari Mészàros.
November 2014
fragments that fail to complete. His work is thus a figurative, but with a great conceptual load.
Volume II — Number 71
Among the unique and the generic raises more intimate traces of its models-of which extracts the mold directly- skin, scars, wrinkles, hair ... a universal category, while their bodies and faces represent the paradigm of human beings and their ability to deliver messages to their attitudes: tenderness, love, reflection, research ... "The incompleteness of reality affects me more Mari Meszaros graduated your own way of working than created his vision. in 1978 at the Art glass: the flat sheet, the The fragment containing Academy in Budapest. transparent top and later the 'totality' impresses me colored, cast in the mold. more than the whole To finance his studies he itself. " worked in a glass factory, In fact, it seems that his cutting vases. works are not round but His work is full of lyricism reliefs front lump, always and poetry. It was there that he met in need of a metal the glass, learned some The evocative power of support that threading of their techniques and gesture takes us to life and allow them to explored its possibilities situations, in the past, present fragments of a as an artistic material. sometimes remote. whole: a cut-face, a In the early 80s he The play "Frozen in Time hand, a leg ... moved to live in Holland, XII" which belongs to the Meszaros sculptures called by the firm Van series of the same name, always start the human Tetterode Voorthuizen to was donated by the artist body as a communication work as a designer in a after the MAVA temporary vehicle. workshop production of exhibition dedicated to architectural glass. The form is not submitted him in 2003 and was titled complete addiction but Mari Meszaros. Completed technical Hungarian Rhapsody. training, end up defining www.amigosmava.org
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Established artists. Mark Matthews.
Our web
November 2014
His recreation of this technique soon led to air entrapment precision integers 0 through 9, and then the entire alphabet in enclosed areas. This technique was so intriguing that was included in 1994 in the New Glass Review for innovation in design.
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This also drew the attention of Mr. Yukou Morito, a Japanese businessman Mark came to visit several times, and has included a wide variety of works of Mark in the Sphere Museum in Tokyo. One of the most exciting discoveries of Matthews found in animal skin. Having had the idea in the 80s, it was not until the early 90s when he made his first animal fur when a friend hooked up with some real tiger and leopard skins. The skins were photographed and reproduced in black and white. These images were then transferred to the masking material.
Mark Matthews is especially recognized for his work on the glass spheres. Work with one assistant and each piece is meticulously crafted and signed by the artist. Highly valued the work of Matthews has been published in many books and exhibited in museums such as the Victoria & Albert in London, the Corning Museum in New York, the Toledo Museum of Art in Ohio and the Smithsonian in Washington, DC In 1985, Mark was invited to open a business of glass within the Sauder Village. It was here where he began making glass beads (or marbles).
Mark made cylindrical spaces with specifically placed layers of colored He soon discovered that the area glass. Then sand is reheated and was a perfect way to explore covered with a layer of transparent radically different color systems and glass, then making two or three techniques of historical glass. areas. He quickly became obsessed with One only has to look at the white marbles. His design inspirations spaces and stripes or spots come from many places. graduated brilliantly for excellence Some designs come from the study in execution. of ancient marbles; Most designs In 1995 some examples of tiger and are drawn from historical glass leopard skin were included in the techniques that had never been permanent collection of the used in a format marble. prestigious collection of the Victoria and Albert Museum in London. Result of this effort came some amazing results and discoveries. Watch video. The "Ice Blue Air Numbers" collection was inspired by a paperweight made in the 1950s.
Young artists. György Gàspar.
Our web
components that are created from the popular themes. The above series are inspired mainly by the "television generation" and my own childhood, movies category flowing from America to Europe.
Born in 1976 in the Hungarian town of Pecs.
complex, constructive thinking.
"My work is characterized by the
My sculptures are
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Currently I am inspired by the changes in the world in scientific / ecological problems ... my discoveries Uranium series reflects the energy crisis individually.
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The glass (II).
Volume II — Number 71
November 2014
Inputs for manufacturing the glass powder prepared as to be heated beyond its melting point to about 1700 ° C to be dissolved in water, hydrochloric acid and sulfuric fluorine, forming a layer of silica in combination with oxygen preventing the reaction from proceeding. When the cooling process is made suddenly, the silicon and oxygen atoms are bound, forming a tetrahedron pyramid, and in turn these molecules bind to silicon atoms, calcium, sodium and other elements via heat phonons forming an irregular molecular network preventing crystals from forming.
viscosity increases until finally it becomes solid. Ordinary glass for molding a temperature of 1200 ° C is required. In solids, the molecules are organized clearly impervious to particles waves by reflecting light by absorbing, scattering them or a combination of the three. As the substance joints weaken, gaps occur or gaps which allow light portions "break through". Metals reflect most of the light that has free electrons.
The absorption spectrum of photons of light from a material depends on the atomic structure of the The glass does not have a clear transition between solid material. and liquid point, but reaches An atom absorbs defined a steady state "crystalline and discrete frequencies, solid". while a molecule to contain higher energy levels than an At 1450 ° C, the melt atom can absorb a larger behaves as a low liquid range of light photons. honey-like called "vitreous
insulating material, as when heated suddenly surface expands or contracts before inside, causing cracking and cracks. The electron from a molecule only absorb photons glass containing enough energy to energize (in the ultraviolet range of less than 400 nanometers) and ignore the weaker energy photons of visible light (between 400 and 700 nanometers) that will not be absorbed or reflected by electrons but slightly "phonons" in molecular glass that refract light junctions, absorb little energy and allow you to take up the photons interact with another object. Photon absorption silicon oxide Si-O is low, but as other elements are added increases their potential for absorption.
If the glass contains pigments molecule by the presence of certain silica" viscosity as the elements, then it can absorb The glass appears temperature decreases and transparent because it has a certain colors of the visible the material becomes pasty. disordered molecular spectrum and transmit others, so that photons of The glass has a temperature organization and has no free electrons (most are oxides) light will be colored according of freezing. to the spectrum of light which makes it an electric absorbed. The colder you are, the and insulating heat stiffer it will be through stable www.amigosmava.org
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Glasstec 2014.
Volume II — Number 71
November 2014
After hard times for much of the glass industry, there are now clear signs of positive market developments. This was the clear message from the surveys of 1,217 exhibitors at Glasstec 2014. The nearly 43,000 trade visitors are also state very satisfied with their experience. Glasstec 2014 convinced the specialists from the fields of mechanical engineering, glass manufacturing, processing and finishing, crafts, architecture and construction, as well as glazed facades and solar sector: over 96% of the visitors are given a rating positive overall.
went very well. Along with the established themes Autoglass Arena and glass art, we offer a unique program for all segments of the skilled trades and are very pleased with how the show developed. " "The most important thing for us as organizers Glasstec? no doubt that our customers are happy because this is the basis for a positive and sustainable growth for the event to benefit everyone involved. Once again, we meet this goal in 2014, so again we have confirmed the role of glasstec as the most important international meeting point of the world with a clear barometer effect for the entire industry "says Hans Werner Reinhard, CEO Messe Düsseldorf.
Another highlight was the display glass used in alternative areas of application and ultra-thin glass "from the roll" for electronic applications. Other audience magnets were numerous models of facades, for example, with special geometries, fascinating optical effects or exceptional insulation properties, for example, using 4-layer insulating glass. The GTL was accompanied by a top -notch offering a specialist symposium - within the exhibition area GTL - a variety of conferences on subjects changing newspapers that were chosen greedily by visitors.
The conference "Solar meets Glass", "Engineered Transparency" The comprehensive support and "Architecture Congress" were program Glasstec expanded further crowded events. this year, also with visitors. At the open house to experts, prior In particular, the special show to opening day Gasstec also The average proportion of "glass technology live" (GTL) held gathered a large group of assistants and senior management in Hall 11, organized by Professor professionals in the solar industry improved again. More than three Stefan Behling and his team from and glass, which are interconnected quarters of the visitors came from the Institute of Building together to discuss issues. these levels. Construction at the University of With 80 participants, the two-day The proportion of visitors who have Stuttgart, was once again a show conference was welcomed, given there to do for many visitors. come to Düsseldorf from abroad the profound crisis in the solar reached about 60% and this figure With the motto Intelligent Glass, sector. remains unmatched in the industry glass products of the future and worldwide. The Engineered Transparency were exhibited at Glasstec 2014. conference attracted over 200 Martin Gutmann, president of the The results of the visitor survey participants from 23 countries to Federal Glasstec 2014 Guids confirm the selection of exhibits shed light on the latest Master says: displayed in GTL: according to developments in the field of I am satisfied with the abundance of experts, glass screens, technical structural glass engineering. applications, glass printing, coating positive signs in Glasstec 2014, especially in the field of mechanical and fine glass are the main issues The Architecture Congress which took place on Wednesday closed engineering and the glass industry. for next three to five years. The German expert glaziers trade is A particular point of attraction in the the show successful recording up to 280 participants. currently very good. Our ranges of special show a glass panel was The next Glasstec be held in glasstec in the Craft Centre, with its 3.20mx 14m in which a ceramic new glass processing and finishing digital printing process was Düsseldorf in line with its cycle of sand and seasons of participation in performed. two years from 20 to 23 September the new area Handwerk Live also 2016. 40% of visitors came to the event with specific intent to invest, which will generate positive impulses for exhibitors during the coming months.
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Restoration of the National Glass Centre.
Volume II — Number 71
November 2014
The rehabilitation of the covers of the National Glass Centre (CNV) of San Ildefonso will be completed for the month of December.
in the so-called Patio de Carlos III, which will remove the glass panels of the existing metal structure, waterproof side decks, and proceed to closing of the arches of the courtyard.
This year Buenaventura Sit installed, funded by the crown, a small flat glass furnace.
In 1746, the French master Dionisio Sibert drives Sources in the School of manufacturing crystals and in Industrial Organization (EOI), All these actions, first planned to 1750, the German master John which manages the Royal Glass modernize an outdated both Eder began manufacturing Factory, explained that the organizational and administrative entrefinos glasses. intervention covers progressing level building, are aimed at the In 1836, the Royal Treasury well, according to the planned conversion of the museum. formally took over the facility. project. Although the closure of some The location of the factory had Thus, they claim that "you are areas of the center while the the decisive element abundance making a considerable effort, necessary work, finally the of fuel available in the area. especially these days, to project has kept all active advance all possible work in installations except the upper The sands and refractory clays these last days of good weather room of the museum were made necessary feedstock and before you take over the winter initially raised. manufacturing equipment came and can hinder your progress." From the EOI ensure that "in an from nearby locations: Bernuy de Porreros, Brieva and the Lastrilla. The main objective of this work is institution like the Royal Glass to restore the waterproofing of Factory Farm we have to be The heyday of the Royal Factory the roof of the building that are in constantly on the move to was to the reigns of Charles III poor condition, basically maintain the facilities in the best and Charles IV. replacing covers West Wing, possible conditions, both for the Between 1770 and 1772 the East Wing and ship Woodshed, development of the building currently held in San and improving the South module. manufacturing activities or Ildefonso, intended for flat glass training, and to meet to the The performance has a budget needs of visitors to the museum. factory was built. of 1.8 million euros and a lead " In 1963 he finally finished for the time of six months, "so if there manufacture of glass wool in the are no unexpected problems and Strategic Plan Real Fábrica de Cristales de La climatology respects us, we hope These works are included in the Granja. to finish by the end of the year" strategic plan for the CNV of the note from the EOI. The building was therefore School of Industrial unused, and completely The works will be funded by Organization, which manages abandoned until 1982, when the Heritage, since the ownership of the Glass Factory since June National Glass Centre the building became a state last year 2013. Foundation, which begins its because their maintenance was Three centuries of history restoration and revival, costly for the Foundation of the recovering the old image National Glass Centre, which The Royal Glass Factory was featuring the whole, with the since June 2013 is held by the built with the arrival of the installation of the Technological School of Industrial Organization. Bourbon dynasty in Spain in Museum is the School of Glass 1727, where King Philip V of In addition to replacing the and Research Center. Spain covers fashion, they are also undertaking refurbishment works
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Activities in Museums I.
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November 2014
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Activities in Museums II.
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November 2014
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Activities in Museums III.
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November 2014
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Activities on the MAVA. Science Week.
Volume II — Number 71
November 2014
Once again, the MAVA involved in Science Week of the Community of Madrid with its own program, held from Tuesday 11 to Friday 14 this November. Since this is the International Year of Crystallography, didactic exhibition are titled "Glass vs. Glass", in order to study the similarities and differences between these two materials often confused. The workshop for student groups that visit will be performed in a glass test tube. This year the Museum of Art Glass Alcorcón (MAVA) will again display scientific glass, thanks to the collaboration of the Universidad Complutense de Madrid and blown glass exhibit by Alba Martin. Morning (10am to 14pm.) Will be for school and schools that have been able to make reservations from October 20. In the afternoon there will be workshops for families (Thursday and Friday) and guided tours for the public at 19pm visits. In addition, everyone can also see the
blowers. For schools in Primary, Secondary, Bachelor and Adult School, upon request.
will be provided by Alba Martin, one of the few women in our country blowers.
For families with children 4Educational exhibition "Glass 11 years accompanied by at vs. Glass". least one adult for every two children and advance We will see the similarities reservation, and differences between these two materials, their glass workshops. Two shifts morphologies and their each day. Thursday 13 and applications and uses, in Friday 14. First Time 17:30 order to clarify concepts. to 18:30, and the second Try that after this experience, shift from 18:30 to 19:30. we do not return to confuse For all types of public and terms we use in our evenings, glass blowing everyday language "crystal exhibition by Martin and glass", the "windowpane" Emilio Alba Elvira that are erroneous. Friday 14 18-20. Workshops crystals. Guided tours for the general Provoke crystal growth in a public. test tube. Each student will make his own that will lead. Wednesday 13, Thursday 14 and Friday 15 at 19pm. for Exhibition glassblowing and single audience. Groups of flame. over 15 people, reservations Again, the technical scientific required. glass blowing at the Reservations by calling the Complutense University of following numbers: Madrid, Emilio Elvira, held signs of their daily work, so - 911 127 630: Family important to perform workshops and guided tours experiments chemists, in the afternoon groups. physicists and - 911 127 635: Schools. mathematicians. The artistic and blow torch
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Concert MAVA.
Volume II — Number 71
November 2014
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Last October 17 was held in the Auditorium of the first monthly concert MAVA this academic season 2014/2015. Took part in this new event in our "Concert MAVA" program interpreters Pedro Dominguez on viola and siblings Kim, South Korea, on guitar.
Bach and siblings Kim "Encouragement" by Fernando Sor, the Overture to The Barber of Seville, Rossini, and the three movements of "Tonadilla" by Joaquin Rodrigo.
Pedro Dominguez is 17 and was the first time he gave a concert, something that we like a lot since our concert Pedro Dominguez played program are aimed the Suite No. 4 of JS mainly at young players
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that do not have spaces in which to demonstrate their musical training. The Kim brothers were conquered by the guitar world through his father, a professional guitarist in his native country and believed that the musical education of their children would develop more fully in our country. His performance can be seen through this link.
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Bronze in the MAVA.
Volume II — Number 71
November 2014
Estruga, Manuel Fernández Crowns, Carlos Garcia Muela, Daniel González, The artists were chosen not Juan Haro, Manolo Hugue, only for their relevance but Marisel Jimenez, Roberto also they all have a very Laorga Andres Lasanta, special relationship with the The exhibition runs through Paco León, Francisco. Foundry Codina, a complicity original bronze sculptures, López Hernández, Julio that goes beyond just a scale models, molds clay, Lopez Hernandez, Elena professional relationship, as plaster and silicone, a Lucas, Victorio Macho, part of the history of hundred pieces of statuary César Manrique, Pepe cast by the firm Codina from sculpture in Spain and Antonio Marquez, Fernando history of casting. 1892 until today. Montero de Espinosa, Carlos Sponsored by the city of Gabriel José Astudillo says Monteverde, Esteban Alcorcon, the show includes Montilla, Andreu Moreno, the show "is actually a celebration of the bronze as works by John Adsuara, Ramon Muriedas, Nassio, Julio Antonio, W.Barnes, a matter of artistic Juan José Oliveira, Antonio transformation, which in the Paco Baron, Eduardo Oteiza, Jaime Pimentel, Barrón, Thomas Batista, hands of Codina Foundry Auguste Rodin, Joaquin Benlliure, M.Berry Barnes, becomes a universal art, a Rubio "Camin" Jose Luis pleasure for the spirit and the Miguel Blay, José Buscaglia, Sanchez, Jill Sanders, Gloria Joseph Carrilero, Cayetano, Santacruz, Pablo Serrano, triumph of standing on the Josép Clara, Javier Clavo, ephemeral ". Fernando Suarez, Juan F. Coullaut Federico Valera Bull Janes, Eduardo Torres The centerpiece of the Valera Coullaut Lorenzo, Guard and Stride. exhibition is the horse's Juan Cristobal, Jesus Curiá, head, life-size fragment Javier de la Rosa, Oscar Martinez Campos memorial "Three centuries of sculpture" is an exhibition conceived as an overview of the history of the Spanish monumental sculpture.
Retiro Park, Mariano Benlliure.
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I cycle Guitar "Castle Valderas" (I).
Volume II — Number 71
November 2014
The day began October 24 in the auditorium of the First Cycle MAVA Classical Guitar "Castle Valdez" The cycle consists of five concerts that will develop in consecutive Friday through November 21. In this first cycle event attended by Russian Anton Yuzhanin and Sergio jienense Trillo. Anton was born in 1985 in St. Petersburg, Russia. From 2001 to 2005 he studied guitar at the College of Music in Moscow, where he studied with Alexander Vinitsky, and from 20052010 was a student of Academy of Music Gnesin, also in Moscow, Dmitry Illarionov class. From 2011 he studied at the Madrid Royal Conservatory in class of Professor Javier Somoza. He has participated in master classes by Stepan Rak, Zoran Dukic, Jeffrey McFadden, Marco Tamayo, Pablo Sainz
Villegas, Mauricio Diaz Alvarez and Maria Esther Guzman, among others. He has participated in international courses "Music in Compostela" (Santiago de Compostela) in 2006, 2007 and 2009 receiving guitar lessons from José Luis Rodrigo. He participated in the concert series IES Santa Teresa (Madrid) for 20112012 and 2012-2013 seasons. He has performed solo guitar at Casa de Canarias (Madrid) and the Casa de Asturias (Madrid). In March 2014 made a recording in Classical Radio RNE in the program "Youth Music". Sergio Trillo was born on July 31, 1991 in Ávila. At age 8 he made the entrance exam to the conservatory Tomás Luis de Victoria, Avila, which scored # 1 in his class. At this time she began studying classical guitar under the tutelage of
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Professor Luis Sanjuan Pernas. He has taken master classes and conducted specialized courses with great figures of his instrument, both in Spain and in Germany. Extends program official studies, receiving teachings flamenco teacher Jerome Utrilla in Seville. He has participated in various competitions and national and international competitions, obtaining very important results. Part of the group's music chapel of the Blessed Cathedral of Avila; with his duo has given several concerts. He is currently a graduate specializing in guitar by Madrid Royal Conservatory and has obtained the highest marks in the final exam. He has received grants from the Banco Sabadell for the prestigious Master of classical guitar at the University of Alicante.
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I cycle Guitar "Castle Valderas" (II).
Volume II — Number 71
November 2014
On October 31, the second concert of Classical Guitar Series I "Castle Valdez" was held in the auditorium of our Museum.
Guitar Trio "with Fret" and the duet "Harlequin" in such diverse settings as the Ateneo, the Centro Cultural de la Villa the Palacio de Congresos and the Juan The concert was played by March Foundation in Madrid Raul de Frutos, born in Segovia, where he began his all the Teatro Juan Bravo and Segovia Museum musical studies at the "Andrés Segovia" Linares Conservatory of that city, House. earning several academic awards and excellent ratings. Segovia also works with orchestra and guitar He finished his studies in plectrum "rope out" with guitar at the 1994 Madrid which he has given several Royal Conservatory under concerts as a solo guitar by Professor Miguel Angel different Spanish provinces Jimenez, obtaining of Segovia, Madrid, certification of Senior Valladolid, Castellon, ... Professor of Guitar. He later made courses with masters such as Jose Luis Rodrigo, David Russell, Alirio Diaz and Gerardo Arriaga, among others. He was drafted by the Junta de Castilla y León in the cycle "Youth in Concert" to provide, in December 1995, a concert in Salamanca. It operates on musical performer, both solo as a member of various chamber music groups, such as the
Notably his work as arranger, performing many arrangements and adaptations of different authors, times and musical styles for classical guitar groups.
both performer and arranger. Fill his musical activity with teaching, being Professor of Classical Guitar at the Municipal School of Music in Pinto (Madrid), since 1998. The concert consisted of the following works:
Preludes in the form of studies (C. Gagnon).
Suite Popular Brasileira (Heitor Villa-Lobos).
Epigrammatic Preludes (Leo Brouwer).
Castles of Spain (F. Moreno Torroba). This last composition he played the parts dedicated to the castles of Manzanares el Real, Alba de Tormes, Siguenza, Turegano and Alcazar of Segovia.
The same artist was presenting the biography of the authors of the works These arrangements, broadcast from his personal under the was playing and in website, have been very well the end, as in all our concert series "Concerts in the received by countless guitarists and classical guitar MAVA" a discussion between the audience and the teachers worldwide. performer who was very He has also worked on participatory developed . various recording projects,
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The beauty of the fragile.
View photos
Volume II — Number 71
November 2014
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Fragile but strong. These two antagonistic terms used to describe the work of the collective exhibition of glassmakers Segovia can be seen in the Art & Wine Arandina room.
Vazquez who signs his work as 'Valango' Manel Alba Dominguez and Martin.
says the coastal glazier, who has done work as a reproduction of a motorcycle helmet, busts, hats, portraits or Contemplating the works, the what everyone wants, "keeping viewer can note the magic that in mind the functionality that is is a natural material as the part going to give the piece of all, thanks to the perfect because they could not make A group of seven artists, each play of light and brightness it the wheel for a car," explains with their own style and brings. Llorente. engaging in a different "The colors are the most discipline, show the work that Among the works that have appealing addition to their can be performed with such a been seen in Art & Wine very fragility, with paint, whether oil delicate glass material. striking piece of sculpture. paintings or watercolors, not This art form is little or nothing so bright colors are achieved; This is a silhouette of wood on known in our country, where and then there is the play of the African continent, trapped there is a misconception that light, which is used as the by barbed wire with a face this material is reserved for artist wants, "says Llorente. made by the technique of crockery and glassware or to casting, from the workshop of In the exhibition you can see give life to the windows. Reuben Llorente, his artistic pieces of jewelry, recycled power and social awareness, "Outside Spain, the glass is of blown glass, stained glass and inspired by hopping the fence great importance in France sculptures to the casting to the border between Spain and Germany there are many technique. and Morocco. schools and museums, but This work styles and helps here almost no books are A powerful demonstration of visitors to banish the found," Llorente regrets the strength that can acquire stereotypical idea that works of Ruben, a young Fuentespina the fragile mixture of silica art glass are confined to the having the workshop in sand, soda ash and limestone religious heritage environment. Segovia. that can be found naturally or "You can do almost anything humans to produce with great The other artists are Juan Jose with this material, it is more pulse and sensitivity, creating Carrero, Maria Soria Alameda, than a saint in a stained glass art. Fernando Garcia, Laura window in a church or a drink,"
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Reflections on a Glass Box.
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November 2014
To commemorate its 30th anniversary, the "Fondation Cartier pour l'art contemporain" presents an exceptional project. The Fondation Cartier continues celebrating its 30th anniversary with a Glass Box on Musings / Reflections on a Glass Box, a new installation created especially for the occasion by the architectural and design interdisciplinary Diller Scofidio + Renfro.
component of American composer David Lang and Jody Elff sound designer, who works with the architecture of the building to raise questions about transparency, perception and one's relationship with space .
"The unique glass exhibition spaces designed by Jean Nouvel at the Fondation Cartier has been a challenge for artists and curators for two decades, upending the conventions of gallery white The Cartier Foundation box and pushing the building designed by Jean Nouvel is used as raw material boundaries of architecture. for his work for the first time in The large transparent walls of the history of the institution. the building were at the forefront of glass technology in Musings on a Glass Box / Reflections on a Glass Box is the 90s, aspiring to one of the highest goals of Modernity: a complex job that occupies dematerialize the wall and the entire ground floor of the Cartier Foundation, where an completely connect the inside to the outside. alteration in the ceiling will trigger a surprising reaction. The result is an immersive environment that includes a comprehensive acoustic
Its visual and acoustic qualities are accentuated by a few strategically placed interventions in systems of plumbing, electrical and building facade. Using a common place in a period of time and the sense of arbitrariness, activated with one project, the unexpected collapse of the roof. The response occurs with the help of a bucket, a choir, sensors, robotics, remote communications, video and audio processing in real time. The two ground floor galleries interconexionadas a feed back loop. Small gestures in the main gallery are magnified in the smaller, making the strange seem familiar and banal convert singular. "
Cuándo.- from October 25, Musings on a Glass Box / 2014 to February 22, 2015. Reflections on a glass box empty galleries downstairs to Dónde.- 261 Boulevard Raspail activate its exhibition capacity. - 75014 Paris.
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N E W S (I).
Exhibition in Prague. From 7 to 12 last October took place in Prague Designblok the sixteenth edition of the biggest annual design festival held in Central Europe. The event - which is also known as Prague and Design Fashion Week exhibitions and events offered in five unconventional buildings located in the city center.
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The Grandhotel Sroubek, a former school in the street Mikulandská the Colloredo-Mansfeld Palace, home Dum U Minuty, the Church of St. Simon and St. Jude ... are some of the areas in which the various exhibitions and events unfold. It is noteworthy collaboration with Dutch designer Ineke Hans with Křehký publisher, for which he has developed an amazing collection of glass.
Culture 2014. London, won the American scene. Discover the artist who designed the Spanish art den USA, which, with its scenes of beach lapped by the Mediterranean sun, with its Spanish gardens and elegant portraits, knew seduce the great museums and private collectors Americans, who acquired much of the most outstanding and representative works of this final stage in his career. Most of the works in this exhibition, then, belong to the age and maturity of the artist were exhibited and collected by US elites. They show the interaction that occurs between the tastes of these new patrons and style of fullness and freedom of the painter, showing, through the eyes of the American aristocracy, the better and more international image Sorolla.
Last October we visited the Exhibition Hall Recoletos Mapfre Foundation in Madrid, to see the collection of paintings by Sorolla that until January 11 next year,
2015, will be available for public contemplation. This exhibition aims to present the cosmopolitan Sorolla, after success in Spain, Paris and
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The tour starts by Sorolla's works preserved in America before the arrival of the painter. Follow gallery of portraits by the painter, landscapes and gardens that renewed the image of Spain, besides the beach scenes and ends with gouaches, drawings and notes to the modernity of New York or Chicago.
N E W S (II).
Concerts in the MAVA.
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The next 28 will celebrate a new classical music concert in the Auditorium of MAVA. This will be the seventeenth and we seem programmed within our project "MAVA Concert" and the second of
this academic year. Given that our concerts in educational plan developed, this time we will continue to report on the most important aspects of the works are to be performed and on the
lives of the authors of those works. And at the end of the show, viewers can engage in dialogue with the artists participating in the concert on the various aspects of their training, activities, etc.
Glass fabric. complements for added realism and movement with knitting needles and some hands up there.
The technique started working since 2006 and today this is the result that has been refined over the years between wax and melting furnaces, first create the molds which are made to withstand extremely high temperatures, hot steam, is in charge of casting for later workpiece shape and temperature glass and to then let cool slowly over a period of several weeks followed by a process in which "stings and digs" figure to give Based in Seattle, Carol Milne has been creating revolting that effect and thus finally a glass sculptures that emulate perfectly tissues to let piece that seems out an us see the strands function in part to give a archaeological process. perfectly organized and tidy result that
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The glass in Museums: Gordes.
Our web
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November 2014
Many pieces are exposed: Beaded necklace Persians (Mycenae thirteenth century BC), three handles glass (blown He was born with a glass molded Jerusalem collection of stained glass II ° and III century AD), by Frédérique Duran for miniature (III and IV exhibitions in Barcelona, centuries BC) ... scientific Madrid, Rome, Florence, objects : rebuilding the New York and under the still Synesius (IV century patronage of SaintBC first production of Gobain Corporation. wine alcohol to 80 °), Since 1975, the museum electric machine continues to expand its Ramsden (1768) collection of artifacts Fiberglass (XX century), reflecting the historic the heat shield tiles on glass: the glass bead the space shuttle (4,000 BC) ... ceramic tile Challenger (which glass in the space shuttle consists of 31,000 tiles and recently photovoltaic covered with pure silica), modules. which rotate the This museum was established in 1975 by Suzanne Brunner Bernheim-Duran and Frédérique.
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structures to support photovoltaic cells ... Located in the park and the Museum of Stained Glass on a Gallo-Roman site inhabited for 2,000 years, the Moulin de Bouillon, Historic Landmark, presents a unique set: • The oldest olive oil mill that remains intact. • Press the sixteenth century. • Press 7 tons with a length of 10 m. • History of Marseille soap. • Collection of oil lamps.
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The stained glass windows of the Cathedral of Segovia.
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Sacred art in its many manifestations, aims not only to decorate the temples and churches, but to provide a catechetical experience through different artistic expressions to illustrate the Gospel message.
different chapels of the temple are reported.
Thus, highlighted the work of glassmakers Pierre and Pierre de Chivarri Netherlands, in the first phase of the stained-glass windows in the sixteenth century The 65 windows of the Cathedral and with the cooperation of glassmakers in the Netherlands of Segovia faithfully fulfill this goal, as they could well see the as Nicolas de Vergara, Nicholas Holland and Gualter of Ronch. participants in the Business Cycle "Heritage Sunday", The work of glassmakers got organized by the Municipal Segovia Cathedral today Tourism, that after the summer presumed to have the largest break gave the penultimate visits group of Renaissance stained tour of one of the most important glass in Europe, with near sets of glaziers heritage of mannerism and style based on Spain. the style of Flemish artists of the Participants in the visit counted as a guide for this tour with Laura Pizarro Zoido degree in Art History from the University of Salamanca and titled upper glass at the National Glass Centre Foundation, which beat out the artistic and technical features of the windows of the Cathedral. Pizarro Zoido feature the iconographic cycle of the windows of the cathedral, in which episodes of the Passion and Death of Christ united with Old Testament stories both in the windows of the nave and in the
time. He also highlighted the work done in the second phase of the installation of the windows, carried out in the seventeenth century and was the widest of the three dating to date; where a document is made to order the iconographic program of the stories told in the windows attributed to Francisco Herranz. On this point, Laura Pizarro said the theoretical goal of the windows was none other than "praise the catholicity in a turbulent period for the proliferation of other religious currents linked to Protestantism,
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though the last and fundamental purpose was just to cover the openings left in the temple. " Pizarro Zoido also wanted to highlight the stained-glass windows in the chancel by Maumejean Casa de Madrid in the early twentieth century, to date the complete catalog of the Cathedral stained glass. As systems making stained glass, the expert said that has not changed in terms of technique, but has improved in terms of using technologies to obtain forms and colors more easily artesanso glassmakers. "The work maintains a high Glazier he explained artisanal component but it is true that current technology can greatly facilitate the process that was previously done manually." Pizarro Zoido also praised the restoration project that the council of the Cathedral of Segovia is underway on the windows of the temple, and said it was "absolutely necessary" given the precarious condition of many of them. He noted that the work conducted by the stained glass Segovia Carlos MuĂąoz de Pablos is a "guarantee" for a final result.
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Higher School of Glass.
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November 2014
The Royal Glass Factory devotes a large part of their management training within the School of Glass.
applying for first year these lessons were offered in the Royal Place.
which began in the Age of Enlightenment.
This coexistence is a unique In the academic year 2011- and exceptional educational Three weeks we began the 2012 the second year of the experience where students new academic year 2014new plans are implemented, are in contact with the 2015 in the center, although the third was implemented in business and professional enrollments have declined 2012-2013, and the fourth world of glass in modern significantly compared to and last, 2013-2014. history and full facilities, in previous years. which museum, from the first The curriculum comprises day, the collection of Thus, it has not received four academic years of 60 traditional pieces sufficient demand for credits per year, meaning complements a unique interested students to meet that students take a total of exhibition of contemporary this year to the first year of 240 credits of the European art glass. Higher Grade Glass. Credit Transfer System (ECTS), the end of Grade. The Royal Factory remains a Thus, currently are enrolled unique landmark in art in the School of Glass A total These credits are distributed education and glass of 15 students, who are among core subjects, technology, as evidenced by doing their studies in order to compulsory subjects of art, the continued collaboration get your degree and enter electives, and a final project. with the most prestigious the workforce, some of them One of the main attractions institutions in this field. through training practices of the School of Glass is its offered in collaboration with In fact, this month has been privileged location in the companies or institutions. told in school with students historic building that houses from Tufts University, with As you may recall, the since the eighteenth century, undergraduate and graduate Governing Council of the the Royal Glass Factory of student at the prestigious Junta de Castilla y León in La Granja de San Ildefonso. Istituto Europeo di Designo 2010 adopted new curricula Students and teachers share or the presence of an artist in for higher artistic education space and facilities with residence at the University of Grade Glass, begun traditional glass factory, Manchester. experimentally in 2010-2011,
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Risk of collapse in the CRAM.
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November 2014
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Since last staff month of the Ministries of Culture and Public Works revolved order for the area where the Crystal Gallery is located will cordon off this into the Regional Center for the Arts, with the risk that they might break down some glass who are buckled and for days (published timely information from INDEPENDENT February 19) so it makes no artistic or cultural or in the forecourt of CRAM events, or inside the gallery, until further notice.
He said the two workers who were inside the building, one in charge of the library and the other Educal Gallery Manager Crystal, they had to relocate the Teatro Obrero, to guarantee safety; even while admitting that according to studies conducted by experts, the glasses do not endanger the public
architect Francisco Serrano Cacho, it was inaugurated in 2006. "The glass ribs have only one level and reach the bottom was not covered, was since the building did not think of that structure."
He explained that the air caused the glass to bow slightly, although, he said, none "The people we came to do is damaged or broken, just the opinion noted that lopsided. However you must although these collapse pose remove the entire set of no danger, since it is a glass of glasses that makes this gallery "We are in contact with the high tension, it's like the cars, to replace the structure, ie be theater worker to the activities then very tiny bits that would disassembled and put all intended to perform on the not cut in swims are made, structural aluminum facade and Esplanade are made in areas such is the case of skylights later putting on glasses " of gardens, the center will that are above parking, continue to operate the same," fractionated into multiple He said it would be the said Diana Correa Sandoval, pieces, so it's not something Secretary of State Public head of the CRAM, who said risky, however we do not want Works which will handle the she will head the institution, to cover the well after the project. while not an official drowning child, thereby "We are receiving various appointment of who will determining completely seal proposals from different succeed Stephen Luis off the area took "he architects and will determine Murguia, who served as explained. what would be indicated, we do director of this cultural space is He noted that this problem has not know the cost of the designated. its origins from construction of investment or how many the project created by the glasses are in total."
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Recycling. Life Clayglass.
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November 2014
absorption and high mechanical strength. This represents a high consumption of thermal energy generated in the most part by the combustion of natural gas. The result is the emission of greenhouse gases, especially CO2, which contribute to global warming.
LIFE ClayGlass is funded by the European Commission within the LIFE program to support innovative initiatives that contribute to sustainable development and the achievement of the objectives of the Europe 2020 strategy and plans of the EU on climate and environment. It is one of 59 projects approved in the Spanish call 2012 in the category of Environmental Policy and Governance. The total amount of aid by the European Commission LIFE projects in this call, in all categories, has been 276.71 million euros. The use of recycled glass as a flux in lieu of clay in the production of ceramic bricks is the centerpiece of this innovative project which has already started its implementation phase and, within two years, expected to demonstrate the technical feasibility and sustainability the performance of the
However, with the addition of recycled glass as a flux to proposed method of replace clays, low firing production, process and temperature up to 1,100 ° C disseminate to the rest of because the glass begins to Europe, with the introduction melt at lower temperatures. of new products in the usual channels of distribution and Thus, an energy savings of between 10 and 15%, and a marketing. reduction in emissions of In LIFE ClayGlass a team of CO2, around 2,000 tonnes AITEMIN (Association for per year, for a factory Industrial Research and produces medium size. Development of Natural Moreover, it helps to reduce Resources), consortium the ecological footprint, as leader and technology recycled glass replaces a partner consortium participates; Ceramics Mora, portion of the clay used, an technology partner; Restart overexploited natural resource. Association, strategic partner; Aristotle University The built-in glass as of Thessaloniki (Greece), ClayGlass LIFE innovation partner and Recycling Pozo for manufacturing ceramic Cañada validation, bricks comes from CRT dissemination and transfer (cathode ray tube) televisions partner. and monitors, windows and In the case of structural ceramics industry, specifically in the manufacture of stoneware or clinker are used temperatures up to 1,300 ° C to obtain technological properties required low
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windscreens of vehicles in use and the glass mixed with organic waste generated in the homes. They are all waste going to landfills and that through this project, will be given a second life in coating materials.
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Representing Christ in Linares.
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November 2014
From the street, nothing portends what is hidden rooms restoration of the Archaeological Museum of Linares. But just the fact that up to the second floor of the palatial mansion that houses, especially Iberian and Roman archaeological treasures that have come out in recent years from the excavations of the ancient city of Cástulo and promises a great discovery. Archaeologists and restorers tour the laboratories engaged in holding the pieces in his hands with the delicacy required over time. They are eager to show the world the discovery of last season has not finished yet. Suddenly, one of the technical options appear before us wearing a plastic blue. "Here she is," says judgmental. Supports the box on one of the desks and lifts the lid on a drawing and shows what will appear inside. A black cloth inside the cabinet emphasizes the engravings, but the first thing that attracts attention is the wonderful condition and how complete is the piece of glass that carries hidden over 1,600 years, since the second half of the fourth century . Must be carefully to perceive that consists of small pieces glued skillfully using a resin Paraloid call options. But do not distract junctions so that the image of an archaic, beardless and aesthetics of Greek philosopher Christ holding a cross gemada, emerges clearly to all present. They are just 175 grams of glass about two millimeters thick with exquisite subtlety sustained by soft cotton gloves restorative. It's a whistle, a plate of 22 cm diameter with a clear role in the liturgy of Christianity hold the bread, the metaphor of the body of Christ in the celebration of the
Eucharist. However, it is not another piece. The excellent preservation of delicate piece has allowed archaeologists MMX project Forum, which conducts excavations of the ancient city of monumental Cástulo recover up to 81% of the original whistle, something truly exceptional pieces of glass as old. But also, the way of representing Christ and the chronology of the building and the layer in which the whistle was evoke the founding era of early Christianity and promise to remove archaeological chronologies of this time, at least in the Iberian Peninsula. "When we found it was a big discussion within the team of archaeologists," says Marcelo Castro, project Forum MMX conducting excavations in Cástulo. "We were afraid to defend what they saw, because it forced you to review the chronology of early Christianity in Spain," says the archeologist. The whistle has just been presented by the territorial delegate of Economy, Innovation, Science and Job, Ana Cobo, and Education, Culture and Sports, Yolanda Caballero of the Andalusian, together with the Deputy Provincial Employment Promotion and Tourism Férriz Angeles Linares (Jaén). And, as archaeologists have been dating Cástulo by analyzing ceramic materials and the study of associated coins, one minted under Emperor Constantius II, the whistle just presented to the world is concurrent with that right historic moment which Christianity ceases to be practiced in secret in catacombs and houses of
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worship -Domus Ecclesiae behind the society of the time. That is, what they have found is one of the earliest depictions of Christ after the dignity of Christian worship. In fact, the very representation of the son of God beardless, with short curly the Alexandrian style and wearing a toga philosopher iconography reveals hair belonging to the period before the stabilization of Christianity. And so it is with the characters that accompany so common in early Christian art scene dela traditio legis, delivering the Gospel message to the apostles Peter and Paul. Both figures carrying a parchment -rotulus leg- and also robed, but lack the distinctive characteristics of both -the apostles bald and beard chivo- later appear with the recognition and definitive consolidation of the religion. Archaic other element of the piece is the material itself. Both the development of the liturgical dish, like the stroke of printmaking has led experts to believe that was developed in the workshop of the port of Ostia in Rome and not in other workshops minor as Cologne, from which other parts of similar manufacturing and subsequent timeline display at the Metropolitan in New York. A fourthcentury papal provision attributed to Pope Urban I, mandating how they should be the objects of worship, forced to abandon the manufacture of glass chalices and patens, wood or copper and used for this precious metals like gold or silver . Again, the piece found in Cástulo is in a transition space paleocristianismo towards consolidation as the religion of the elites more closely linked to power.
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Volume II — Number 71
November 2014
Our activities. In this section we detail the activities which take place this month, corresponding to the cultural visits related to the glass and outputs that we as provided in the program CULTURE 2014.
Cultural Tours.
The next day 16 this November visit the Convention Hotel, Madrid, to see the XXII International Fair Dolls House Miniatures, which involved our friend Mario Sergio Ramos, Vitreus Ignis, who is also a member of our Association of Friends of MAVA.
Mario will display one of the beautiful work done with exquisite art works in glass made with a torch. After his stay in Chicago to exhibit their work in another exhibition of miniatures, will travel later this month to London to participate in a similar event.
Culture 2014 Programme.
will be shown at the exhibition which will open on November 14, the day on which they will present the proceedings of the jury and the ratio of winners.
discovery of young talents and the possibility that gives our call to become visible to the critics and the public in general, being a discovery platform new promises spirit that was As assures Astudillo, born the Salon d'Automne In total there were twenty President of the and which remains the winning works, which Association, the main hall today". of Autumn "is the together with selected, In this November visit the Centro Cultural Casa de Vacas, in Madrid's Retiro, to see the 81 edition of the Autumn Exhibition, organized by the Spanish Association of Painters and Sculptors.
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Pricing artwork: Glass.
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November 2014
The presence of works in glass is common in auction dedicated to the decorative arts, both inside and outside of Spain.
depending on the "special" of the work: age, type of decoration (carved, gold ...) their prices can reach very interesting dimensions to the world of decorative arts.
pieces of glass, including the aforementioned René Lalique: vases, jewelry, car mascots, etcetera.
These parts get very We must differentiate interesting and high prices, between national auction being able to overcome houses and international, We can also find pieces of some € 90,000. since the interest of more contemporary taste Therefore, our collectors goes to a certain as those made in Art recommendation is that if style. Nouveau and Art Deco, you own a piece of glass or without actually find works In Spain, as usual, is crystal, do not despise the by the great names of that relatively easy to find parts, likely sales. Collecting this era, such as Lalique and and within them, perhaps type of work is booming, Daum, but in most cases the most common are and this must be added a we will pieces "style". those belonging to the taste for everything vintage. Royal Factory of La Granja On the other hand, the Do not hesitate to turn to de San Ildefonso. professionals who can set world of international the value of their parts auctions usually have a There is a definite market higher profile pieces, and quickly and easily. around them, and this is where we find large
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Other trends. Elizabeth at the Gulbenkian.
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November 2014
Two women, Elizabeth II of Castile Isabella of Braganza, very Portuguese two-yes, also our Catholic are the protagonists of the shared history, the treasures of the Spanish royal house, a major exhibition of the Gulbenkian Foundation in Lisbon, which seeks to highlight the best of these 350 years of relationships, almost always, by marriage. The sample -141 pieces of all the arts, from armory to tapicería- opens with the breviary drawn to Isabella in the late fifteenth century, who ordered the first pages were to record the date of birth of their children. The prayer book passed to his daughter Mary when she traveled to Portugal to marry Manuel I. In 1517, when Queen Mary died, the book was inherited by his eldest daughter Elizabeth.
began construction ofthe Escorial and includes in his will as inalienable property of the Crown, that is the core of the royal collections, weapons, tapestries and paintings showing the Gulbenkian. Two frames, one next to another, "speak for themselves of the various interests of Charles V and his son Philip II," explains one of the exhibition curator Alvaro Soler del Campo. "The Emperor's armor, dented references to virgins and the might warrior." His mount wears the imperial eagle and two columns with the slogan Plus Ultra, "beyond" that four centuries later would copy Buzz Lightyear in Toy Story.
of Charles V and the Empress Isabella of Portugal, kneeling in prayer, completes and Philip II and another family in the same situation. Sobriety comes with portraits of Emperor two daughters, Joan of Austria (Alonso Sanchez Coello, 1560), founder of the Monastery of the Discalced, and her sister Mary (Pantoja de la Cruz, 1600), who took refuge in the monastery die. To show the common bonds, the double wedding at the border on January 19, 1729, when Princess Mariana Vitória de Bourbon entered Portugal married to the prince of Brazil, after Joseph I, his sister Maria Barbara of Braganza left Portugal to marry Fernando VI. Polyglot, performer and singer Barbara de Braganza had total influence Fernando VI to promote culture in Spain. At his death, Ferdinand VI went mad.
Beside the black armor of his son, Philip II. "Nothing to do" continues Soler del Campo, "the forced religious references are added engraved with the ruling virtues, Prudence, Strength Roaming objects monarchs, and his and Justice, in addition to gods and court, is a constant until Philip II goddesses of Greco-Roman established the headquarters in mythology." When he becomes King of Another sample beads are two small Madrid. At that need to take with Portugal (Philip I) armor redesigns to oil paintings by Goya, factory bullets samples might, due the size of the include the country code. and gunpowder factory, not well work, as minitablas John Flanders known and found in the outer office of (1465-1519) are shown, with religious Thanks to the collaboration of the the king in La Zarzuela. These works scenes like Queen, minialtar National Heritage Museum's Ancient follow the link to the exhibition also embossed silver or the same Art Lisbon and various private demonstrate common misadventures tapestries that decorated the royal collections and La Caixa Foundation, of the two countries. The two pictures houses according to the activity (game extraordinary pieces as varied as resemble a "war of independence" and room or ranch hunting), according to shown. One is the polychrome the season: winter rugs to paintings for sculpture of Saint Elizabeth of Portugal other "Napoleonic invasions".Oh, the palabras¡. Ferdinand also the summer. (Manuel Pereira, 1625), brought from commissioned the painter to decorate the Monastery of the Discalced. "A This variety of decorative treasures, sculptor unbelievable, with exceptional the bedroom Fuendetodos his second paint to fabrics, weapons or books, wife, Isabel de Braganza. The result is work that can be seen in the Madrid formed the whole of the Gulbenkian church of San Antonio, misnamed the St. Elizabeth of Portugal to serve the exhibition, which will continue until the Germans, it is the Portuguese" poor, all in shades of gray, very end of January. Goya's nothing politically correct, and explains curator Pilar Del Rio. that, fortunately, never placed in the The Isabella Breviary is still here and In the eagerness to show aesthetic double bed. there, as when Charles V married and power of the successive reigns, Isabel, daughter of Manuel I of here Titians, an El Greco, and Salome Three hundred and fifty years later, Portugal, it takes him to Castile. and two floors of the Gulbenkian, the presented with the head of St. John Through the direct descendants of cycle closes as it began, with another Baptist, a late dazzling claoroscuros Empress Elizabeth, came the Lusowoman, another Elizabeth, and like all Caravaggio. Hispanic unification same Crown as of them, at least one woman-like tapestries and portraits remind At the entrance of the room, the object. Two portraits of Isabel de exposure. chronology of the two countries shows Braganza, the first with a flat hand, on that when you are constipated the the other with a building under If Charles V was the warrior, the other also, but the Cenotaph Charles construction in the background. The medieval ruler, nomad, dragging V and his family (Juan Pantoja de la germ of the Prado Museum, the behind him to cut his son Philip II (I of Cruz, 1599) proves: eight squares of Portuguese pushed and bequeath to Portugal) embodies and ways of life of equal size, with a family tree charts humanity as a leading museums early modern government. Sets the where royal houses of both sides worldwide. capital of the kingdom in Madrid, intersect, one might say. Family Group
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Multisensory Room Equip'Hotel.
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November 2014
Games leds and shadows to recreate the sunrise and sunset; new musical sounds through vibrations; issuance of pleasant scents; except linen, microfiber and cotton from Egypt; Raindrops in the shower under a bright rainbow; 3D carpet enjoy more sensations; grab bars subtly integrated into the furniture and a hidden platform in a small sensor that will detect if a person falls, triggering an alarm ....
It is designed so that everyone can enjoy memorable moments and fully benefit from high-end comfort. The company Klein® gives this project a functional luxury and contributes to the unique design of the system incorporating Senses Room sliding glass door selfclosing technology access to the bathroom.
brake system incorporated in the top rail. Providing accessibility is not the only contribution of Klein this new concept of hotel room.
His impeccable technology includes tweezers that allow installation unique decorative glass with fabric inserted between two sheets of this material, the result of his collaboration with specialist Equipped with the innovative fabrics Bisson-Bruneel® and Unikself® system need not craftsman glazier Miroiterie The Senses Room, to be accompany the closure of of Chartreuse®. presented at the Paris Salon the leaf: the system does it The timeless modernity of Equip'Hotel 16 to 20 for us. glass, no frame and November is an innovative No electrical connections, lightweight design contribute multisensory room of 25 square meters with dressing the door closes softly, alone. greatly to the elegance and The absence of threshold accessibility of the whole room and bathroom, made and the lack of framework room, designed by Francis with exceptional materials removed all barriers to van de Walle Sherp'Acces and subtly adapted to the freedom of movement, ease with the help of specialist needs of people with all of use and visual elegance. technical solutions for types of disabilities: motor, accessibility, and Pierreauditory, neurological Klein Unikself® also allows Henri Bouchacourt, PH2B diseases or elderly full open door stop by a Studio. dependents.
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Smart trains.
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When the train arrives at the station you board the first car because your smartphone tell you that the only empty seats were there.
Manufacturers are developing new ways to capture attention.
The company launched a GSO glass for liquid crystal displays that are Your app searched social mounted seamless networks the most windows and can be current information on used to display trip whether there was delay, information, and when you settle into advertisements and your seat, touch the videos. transparent glass window With this quality to save and it becomes an space, the screen was interactive display of originally made for the travel information. army. Here are four ways that For the future, the GSO technology is is developing a touchtransforming travel by sensitive version and train. another version that can Admire landscapes from switch to electronic the windows of the train screen transparent will soon cease to be the window. only entertainment for Alstrom, French train passengers. maker, has prototypes of
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tables that convert into tablet screens and can be used to read news or to order food. However, like airlines, train companies have to consider that passengers prefer their smartphones, tablets and laptops and not the cheapest seats screens. Interactive accessories will be most useful when trains connect achieve progressively faster access. Augmented reality is next and then the passengers can explore your destination before getting off the train. And the technical advances which is outrageous.
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With a revolutionary glass.
Volume II — Number 71
November 2014
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The company iConcept, located in the port of Marin and directed by engineer Lola Palace, is the only Galician representative participating in the fourth edition of Momentum Project.
activities undertaken by the association is to promote decent work performance quality and for these people to achieve greater personal and social autonomy, and thus many of its members will be iConcept part of the team The marinense business known developing various activities in for its specialty in making glass the production process. So far using multifunctional material that were responsible for performing is environmentally friendly, and the magnetic accessories in their also contributes to the social occupational employment integration of people with centers, as from now also take disabilities. place in a percentage of 50%, the The marinense initiative is part of full production of its low cost line this event after overcoming a that "everyone can iConcept selection process among 193 enjoy, "Palacio said. nominations nationwide. "We The company created a multifunctional glass that can do many things, from iConcept is a company that writing to fix tissues and paper designs, manufactures and documents to project images," markets glass multifunctional Palacio told EFE, also highlighted products that respect the the possibility of using environment. The key to its videoconferencing equipment. success is a specialized production process and at the Also, this company allows social same time, totally organic. The integration of people with flagship product iConcept are disabilities, as has the support of labeled boards, magnetic, the John XXIII Foundation, which projectable, backlit and video produces magnetic accessories integration, which designed and in their occupational centers for marketed with an impeccable people with intellectual disabilities aesthetic, a product with recycled and hopes now to work so and recyclable materials offers 'intense' with 'iConcept ', said great opportunities for yesterday the director of the businesses and individuals. In foundation, Carmen Puga. panels manufacturing can write The purpose of all educational, and attach drawings, employment and educational photographs or articles.
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The team is formed company marinense four people and the pace of sales is growing at 80%. Ten projects in Momentum Project Momentum Projec is an event that annually selects ten projects of entrepreneurs with social impact, the collaboration also ESADE and PwC, which receive financial support from BBVA. This edition is the only Galician presence of marinense company. To be part of this initiative entrepreneurs must prove that his company has operated at least two years and have at least two employees from its workforce and to show that this is a reliable business and make a profit. International market IConcept The company was selected to participate in this contest, mainly by exporting their star to Central Europe, Mexico and Colombia products. Also, known for its iConcept progress made in economic matters and their desire for social integration of disabled people. Also, the company was awarded marinense last year with the Innovation Award and the Young Entrepreneur Award of Galicia.
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The glass in Jerusalem.
Volume II — Number 71
November 2014
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The holiday of Sukkot should be considered in the colorful Botanical Garden of the University of Jerusalem at Givat Ram.
Around the plants meet the characters and take part in exciting sessions and walk through the maze of the African Savannah.
As we know, the Botanical Garden was founded in 1953 and is a jewel of nature in the heart of Jerusalem, the center for tourism, recreation, education and training center.
Also Broken Flowers, a flower exhibition Sculptural Glass (Glass In the garden grow over Flowers) group of artists 6,000 different kinds of Beit Halochem of capital. plants from a variety of geographic regions. Around Lake Botanical Garden glass flowers, It serves as a bank where adorned with flowers gardens are maintained created with various It is in collaboration with with valuable plants, Blagina theater and invite techniques and recycled including endangered all the public to a magical some of the statues are plants, ornamentals and scattered on the ground forest trees. event, a theatrical and others are floating. marathon of plants, Furthermore, this garden flowers, magic and art Each artist inspired his offers an amazing sculptures. work on vegetation. The collection of rare plants bond between the glass from around the world to It can be seen as the and the garden plants is intoxicate visitors with plants come to life and fascinating and every become happy and colors and aromas. work is related to the colorful human nature and the cyclical characters. laws. It is used for parties and happy environment to be visited and invited the public to watch the project called "Botaniada" which is a part of theatrical activities for the whole family.
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Page 33
Crystals, a world to discover.
Volume II — Number 71
November 2014
made of calcium carbonate crystals? It is a prodigious structure, a perfect Exhibition · Until container of protein and an 16/11/2014 ideal environment for an SCIENTIFIC CULTURE embryo. You know how it is The show was created with constructed? How long does it form? Why such a the clear aim to surprise visitors with a new way of thin structure is so robust? seeing and understanding This and other content can Crystallography, through be covered in this sample, an aesthetic and haunting among other tasks, aims to image that triggers help clarify some curiosity. misconceptions about the
Glass: a world to discover
crystals in the public, such It consists of 14 panels proposed, each of them an as when the crystals with aesthetically striking image glasses are confused or associated with jewels and that hints at a science content linked to the world gemstones with magical properties. of crystallography.
of the Laboratory of Crystallographic Studies (LEC / CSIC), Juan Manuel García Ruiz. Event Type: Exhibition Organiser: House Science Museum of Seville Email to contact: comunicacion.andalucia@c sic.es Start Date: 02/10/2014 12:00 End Date: 16/11/2014 21:00 Location: House Science Museum of Seville Address: Pavilion of Peru. Avda. Maria Luisa s / n
For example, did you know The exhibition is Location: Seville coordinated by the director that the shell of an egg is
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How does.
Volume II — Number 71
November 2014
This month we include some pictures of the technique practiced by Mark Matthews.
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Glass in South Africa.
Volume II — Number 71
November 2014
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Location: 105 Corlett Drive, Johannesburg, 2196, South Africa.
tinted glass Eclipse Advantage. Ivan Lin helped with the specification of the glass with respect to sound The architect of the project, insulation, advising that the Carla Soudien describes the laminated glass may achieve conceptual approach. "The insulation performance for concept of the building is the budget. derived from a number of sources, including the This is an office building with location and context, the two floors above a podium choice of materials and parking 3 floors, separated program needs The site by double cone shapes with provides an opportunity for metallic coating volume. The generate a jeweler craft office space is an elongated materials including glass and and flattened concrete and coating Arcelor Mittal glass wrapped closed at its CaĂŻman for cones. Software ends, which is punctuated was used to generate a with vertical slots, with collection of forms that defy raised beveled plant east, traditional expressions of following the boundaries of materials such as concrete the site. Tapers are double and glass. extensive planting volume spaces and include on the podium also softens the reception and training. the structure for the people. " The park has 190 bays.
stone and slate are placed at entrances, in a similar to the masonry on the facade of the cellar master. Beyond is the landscape filler is designed as a xeriscape, using indigenous low maintenance plants with tall grass on the perimeter to soften the edge of the building and the balustrades. The landscaping of the roof matches the podium downstairs with a combination of polished concrete walkways and the like plantation. Box office concrete and glass
The shape of the concrete box office has two levels and is characterized by its ends wrapped with amazing openings that make vertical cuts on the way. The dark Carla says that the design is Podium base glass windows shaped based on a glass box that grooves contrasts with the This rectilinear box surround seems to float, supported by matte texture of the concrete is constructed of brick and three conical shapes. The box. concrete element with a coating provides a glowing panel coated aluminum The main glass facades are effect achieved with coating. Under no stone single crystal with a little changing light qualities. In panels slate blue African reflection, in an effort to get addition, it can contain the Riven Walling as a contrast away from a black glass that required shape while other stripe to break the meets the needs of heating, materials do not. In the north voluminous basement level. cooling and glare without and south elevations compromising performance. specified a reflective Floor outdoor terminations laminated glass SolarShield Gateways polished concrete S30. On the east and west with saw cut pattern, inlaid elevations specified a gray www.amigosmava.org
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Glass Bridge in China.
Volume II — Number 71
November 2014
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If you have vertigo, you may step on a bridge at 180 meters high will result an assignment of risk, but if the bridge also has a glass floor will be impossible to cross.
cover their shoes before passing.
The bridge 200 feet long, was built in the early summer and is similar to the original Skywalk Grand Chinese engineers have built Canyon in the US a suspended glass bridge Allows visitors to look 180 meters above a valley of through clear glass 2.5 Pingjiang county, Hunan inches the canyon, as if self province, reports 'The were airborne. Telegraph'. Tianmen Mountain Dubbed "The oriental (Heavenly Gate Mountain) is Skywalk", this glass bridge is so called because of a huge 4,700 meters above sea natural cave located half level on the side of the way to the summit. Tianmen Mountain in Located in the province of Zhangjiajie, China. Hunan, the highest peak is In order to keep the path 5,000 meters above sea clean, tourists are asked to
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level and is home to a large number of rare plant species. This magnificent glass structure extending joining two rocky summits, and last but not least, may be jeopardized by the wind. "At first it was fine, but when I was a third of the way I started shaking knees" said Ku Yun, 23, who has already crossed this pass glass. Those who choose to go through this last candidate 'scariest attraction in the world' may have specialized personnel to provide them with emotional support during the voyage.
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The Eiffel Tower is renewed.
Volume II — Number 71
November 2014
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In its 125th birthday, the Eiffel Tower received a touch. Now, tourists visiting Paris be definite stand on a glass floor located on the first level to see the City of Light from above. The transparent glass floor is on the first level, ie 57 meters above the streets, a moderate but not suitable for vertigo sufferers height. The total height of the tower, with antennas, is 324 meters, the second floor is 115 and the third at 276. The four small sections of observation at that level cost 30 million euros and opened last October, after almost two years of work, but the Eiffel Tower never closed during construction. In the center of the floor of an acre, the solid ground that bordered the vacuum was replaced
with a glass floor, and a protective grille tilted glass wall vacuum. The first floor, the largest of the tower is, paradoxically, the least frequented. The Society for the Exploitation of the Eiffel Tower (SETE) hopes that this renewal will become a space to check. Besides the glass floor was rebuilt there the public reception spaces and modernized educational tour. "We are not a museum, but we have a history," said a spokeswoman for the management company. "The goal is to climb as fast as possible, it is similar to a blood circuit system" describes Dubelloy Wilhelm, aka "Wim" receptionist in the tower for 13 years. Every seven or eight minutes, two elevators
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rotation undertake two levels between the floor and the second floor. To follow up you have to take one of the "duolifts" that lead to the third. The first floor is a possible break in the fall for visitors who take the elevators. And so, both descent and ascent, for the brave climbing the stairs to the second floor (671 steps), which did little more than fifty percent of the visitors in 2013. Spacing and manage the endless stream of people is one of the goals of the renovation of the first floor, and the third has a maximum capacity of 400 people. The steel tower is the most visited paid attraction in the world, with seven million visitors a year, and was built for the Universal Exhibition of 1889.
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Cathedral Glass Orange.
Volume II — Number 71
November 2014
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Anyone remember how in 2011 the Diocese of Orange, California, she starred in one of the most expensive, audacious and debatable for a diocese in recent years real estate transactions: the acquisition of the gigantic cathedral glass, made in the 80's architect Philip Johnson and owned by the Protestant church Crystal Cathedral Ministries, founded by TV preacher Robert Schuller, who finished in a complex procedure failed. The cost of the transaction was $ 40 million, but the perplexities were due to
the possibility and the opportunity to convert to the Catholic faith certainly a spectacular and evocative building but designed with criteria other than those of the Catholic liturgy.
world around us, not in a closed room for heavy structures. "
In response, Philip Johnson was an extraordinary structure in glass. According to some, Schuller belong, among As Wikipedia points out, other things, to a degree "the Rev. Robert Schuller, of American after founding his own Freemasonry. Protestant Christian http:// congregation in 1955, vimeo.com/107739291 commissioned the church to spread their message In any case, this one here is above the video that through architecture. It shows the status of the was inspired by the conversion work on the relationship of religion with nature; in fact, stated cathedral glass, the most original, bright and that spirituality was expressed better in touch spacious cathedrals of the United States. with the sky and the
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Award for a work of Riventi.
Volume II — Number 71
November 2014
Structural Facades Riventi received yesterday in Madrid on Saint-Gobain Glass Architecture Prize in 2014 for Best Facade, for the work that this company has made Burgos in the administrative building of the Directorate General of State Assets, located across the street Torrelaguna 58, in the capital of Spain. The award, given by SaintGobain Glass and with the collaboration of the Superior College of Architects, distinguishes those embodiments that are committed to using glass as the main element of the building envelope. In this edition, the prize falls on a building with 10,000 square meters of glass façade double skin, ie two levels of route inside an intermediate gallery dedicated to maintenance. The work, as detailed by William Rilova, managing director of this company
based in Villalonquéjar III, has been met with a curtain wall model R, a patent developed by this family business consisting of a structural silicone curtain wall profiles without sight 'also incorporates a revolutionary new system of external opening on certain elements to allow natural ventilation of the building, "explains awarded. For this closure has chosen a high performance double glazing allows solar control and low emissivity.
Glass in Madrid, highlights that have made "fully glazed with greater requirements for thermal and acoustic requirements, highly-efficient and environmentally friendly 'Building. The award, which includes categories for Best Project, Best Solution and Best Glass Facade, is provided in each category with 2,000 euros, certificate and plaque. Other embodiments.
Riventi, Adelaido Rilova founded in 2000, is a firm with extensive experience in With regard to the exterior, glass facades and is the the company has developed author of landmark projects a system awarded facade such as the Complex of 'breathable', which prevents Human Evolution, Isozaki overheating has added towers in the center of Bilbao property. or hotel designed by architect "This skin is glazed Norman Foster in London. microventilada the entire In Burgos, gave image to the height of the building and headquarters of Angulas consists of screen printed Aguinaga, Cheese Angulo or solar control glasses." L'Oreal, among other William Rilova, who companies, and numerous collected the award at the iconic buildings. seat of the Saint-Gobain
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Page 40
Bike lanes next generation.
Volume II — Number 71
November 2014
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Holland is a pioneer in creating new infrastructure to service the bike country. His ambition is to get the bike is used in almost all daily trips and therefore are launching innovative projects such as solar lanes or bicycle lanes fast. The project will go fast bike lane in the city of Arnhem to Nijmegen in the east of the country, and aims to promote the daily traffic congestion in enabling a fast track for expert and rapid cycling.
is responsible for carrying out this project that includes the design of additional infrastructure such as tunnels, whose completion is expected this year. Holland was also the first country to convert their bike lanes in generating spaces of renewable energy through solar technology. The SolarRoad project plans incorporate bike lanes technology supply electricity for public lighting and even home use.
The Royal The bike, built with HaskoningDHV company concrete 1.5 by 2.5
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meters, has a top layer of glass an inch thick. Underneath that layer of tempered glass are the crystalline silicon solar cells that collect energy from the sun. It is estimated that this project will generate 50 kWh per year per square meter. Currently, TNO, the Dutch company responsible SolaRoad project, prepares to deploy in November 2014. They will build a pilot 100m Krommenie bike lanes in the province of North Holland project.
Page 41
An incredible hotel.
Volume II — Number 71
November 2014
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The incredible number of hotel openings in China continues with the completion of Sunrise Kempinski Hotel, Beijing, which will open this November. The striking and luxurious 97 meter high with 21 floors housing 306 rooms and suites. It was designed by Architect Design Co. Shanghai Huadu and lies Yanqi Lake Shore, about 60 kilometers from downtown Beijing. While "traditional" is the last word that comes to mind when the spherelike structure is observed, there are some Chinese classical elements into play. On one hand, it was designed to appear to be a rising sun, which the designers say, is
symbolic of the rapidly growing economy of China.
Kempinski occupies 14 square kilometers; it is the largest owner of the trademark in China.
The entrance to Sunrise Kempinski is shaped like Besides the main building the mouth of a fish, a there are 111 additional symbol of prosperity. hotel rooms in the Yanqi and 178 scattered in 12 From a side angle, the other boutique hotels hotel takes on the nearby private island. appearance of an oyster, which represents fortune At night, the hotel is in Chinese culture. illuminated with powerful LED lights powered by With an area of 18,075 hydropower. square meters, the outer glass surface is covered The resort ($ 185 night) by more than 10,000 has 14 restaurants and panels of this material. bars, two spas, a private marina, a pagoda, The panels are oriented recreational facilities and so that the top of the a gym and a children's building reflects the color club. of the sky, the average Yanshan reflects the The company says that nearby mountain and the the construction was bottom section shows the carried out over 24 lake. months with the help of over 9,300 workers. The whole complex is located Sunrise
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Nuestro Boletín tiene su redacción en:
La Asociación de Amigos del MAVA fue
November 2014
constituida el 21 de junio de 2003 de conforCastillo de San José de
midad con la ordenación vigente.
Valderas.
La finalidad de esta Asociación es pro-
Avda. Los Castillos, s/n 28925 ALCORCÓN
mover, estimular y apoyar cuantas acciones
MADRID
culturales, en los términos más amplios, ten-
Al vidrio por la cultura
gan relación con la misión y actividad del Museo de Arte en Vidrio de Alcorcón.
Volume II — Number 71
Nuestro objetivo es desarrollar actividades y colaborar con otras entidades públicas o privadas en la promoción, defensa y difusión del Arte y la Cultura. Nuestros socios pueden ser honorarios, benefactores, numerarios y juveniles.
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Presidente honorario
Evangelina del Poyo
Presidente
Diego Martín García
Miguel Angel Carretero Gómez
Francisco Martín García
Vicepresidente
José María Gallardo Breña
Secretaria Rosa García Montemayor
Vocales
Javier Gómez Gómez
Pablo Bravo García
Tesorera Mª Angeles Cañas Santos
Page 43
Volume II — Number 71
November 2014
Glaziers Segovia. Images (I).
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Volume II — Number 71
November 2014
Glaziers Segovia. Images (II).