Miguel (g.j.) Nacher Architecture Portfolio. Selected Works 2010-2017
Miguel Garcia Jimenez Architect - Designer 6 Hay Currie Street, Flat 26, E14 6GF, London, UK miguel.jimenez.nacher@gmail.com 07577766236 Miguel Garcia JimĂŠnez Nacher (Madrid, 1991) completed Architecture at Universidad Europea de Madrid (UEM). One year of international exchange at New School of Architecture and Design, San Diego, California. BIM expert in complex parametric geometry modelling and rendering post-production. BIM Coordinator of families parametrization modelling and BIM Project Auditor for the research group BIM Sports City Real Madrid (CDRM). Several collaborations with Angulo Arquitectos Office (Aa) in international contests and residential design. Between 2015 -2016 he worked in the design of 7 bridges in Shanghai at Air Lab Design Institute and collaborated in several other contest with studio Guadiana in Madrid. Recently he finished the MArch Architectural Design at the Bartlett School of Architecture (UCL) with distinction and got awarded the B-Pro Bronze Price.
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Education 2016 - 2017
2009 - 2015
2013
2008
Certifications 2017
Bartlett School of Architecture (UCL)
March Architectural Design, Research Cluster 4 UK, London
B-Pro Bronze Price
The Bartlett School of Architecture. London.UK
2016
Universidad Europea de Madrid (UEM)
Council of Architects Madrid(COAM) Madrid. Spain
Bachelor in Architecture Madrid, Spain
2016
Autodesk Building Performance Analysis Certificate
New School of Architecture and Design
Bachelor in Architecture, International Exchange San Diego, California
2016
IELTS
2015
Autodesk Revit Architecture
Everest School Monteclaro Science High School Madrid, Spain
IELTS academic module Level - C1
License 00415114
Skills
Professional 2017
AA Visiting School Madrid (Tutor)
2016
Licensed Architect/ Freelance
2016
Guadiana Studio - Porras La Casta Studio - Architectural Global Projects
Graduated in Architecture, specialized in graphic design, 3D computing and BIM. Skills for team work
Tutor during the workshop . Pavillion Design Madrid, Spain
Drawing/Modelling Rhinoceros Advanced AutoCAD Advanced Revit Advanced Grasshopper Intermediate Dynamo Basic
Architecture and Interior Design Practice Madrid - Valencia, Spain
Editing/Graphic Photoshop Advanced Illustrator Advanced InDesign Advanced After Effects Intermediate Premiere Basics
Architecture and Engineering Design practice. Position: Junior Architect Head of the Studio: Pedro Pablo Arroyo Alba, Jose Luis Esteban Penelas, Lorenzo Fernandez OrdoĂąez, Fernando Porras Isla, Francisco Domouso Madrid, Spain.
2016
Rendering Keyshot Intermediate Lumion Basics Thea Render Basics 3D Studio Max Basics
Revit Basic and Advanced Teacher Universidad Europea de Madrid Revit Basic/Advanced Course Teacher Madrid, Spain
2013 - 2015
2015
Scripting C# in Unity3D Basics Proccesing Learning Phython Learning
Angulo Architects (Aa)
Architecture and Interior Design practice Position: Architectural intern / Junior Architect Head of the Studio: Miguel Luengo Angulo Madrid, Spain
3D Scan ReCap Basics Faro Scanner Basics
BIM: Real Madrid Sports City Universidad Europea de Madrid
Languages Spanish Fluent English Fluent French Basics
Research Group. Position: Coordinator Architectural interns Madrid, Spain 3
06 MetaFor(M) Final Thesis Project. B-Pro Show Project. Bartlett School of Architecture (UCL). London, UK 2016.
12 Snob Palace Final Thesis Project. School of Architecture at Universidad Europea de Madrid (UEM). Madrid, Spain 2011.
18 i-Skin. Madrid Tower Case study for the class Design Studio, as a subject of fifth year of Architecture at Universidad Europea de Madrid (UEM). Madrid, Spain 2011.
20 SCENIC SPACE Case study for the class Design Studio, as a subject of fourth year of Architecture at Universidad Europea de Madrid (UEM). Madrid, Spain 2011.
Academic
Bartlett School of Architecture 2017 Universidad Europea de Madrid 2015
METAFOR(M)
London, UK Bartlett School of Architecture 2017
The research is based in the automation of steel structures assembly. Since the project is part of a discrete design agenda, it is focused in the assembly of inexpensive, standardized and discrete units. In this case, they units are composed of steel bars of two different cross sections, that are fabricated in a serialised way, with specific bends and holes in limited places. The larger aggregation is organised in a building block logic, with predefined rules and limited connections, where the pieces’ geometry defines the course for the aggregation. The building block generates linear aggregations into surfaces, but can also be combined three dimensionally to form wider volumes. The components’ organisation creates patterns and densities enlightening the structural intensities that can be assembled without the need of managing several unique mass customized pieces. Instead, the elements are created through the addition of several steel bars assembled using automatic riveting with robots. The outcome of this approach is an intricate heterogeneous whole, with indeterminate differentiated spaces that can be recombined into a large number of different configurations. The intriguing entity has imprecise boundaries so that it can always be expanded with the addition of more blocks. The aesthetic outcome can be described as a hairy fibre structure with fuzzy borders, a steel cloud, that is characterised at the same time by hierarchy between the elements. The design process performs in a unified way towards defined objectives. The elements are a product of design, based on connection possibilities, rotation capabilities and structural characteristics. The way the units aggregate, on the other hand, is partially driven by a process of pre-established rules through algorithmic logic, namely the direction of the unit is oriented respectively with the vectors obtained through the traces of stress cloud, nevertheless, they can be set to meet specific goals, such as creating something functional and spatial. Right. Architectural Scale aggregation.
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METAFOR(M)
London, UK Bartlett School of Architecture 2017
Top down decisions are not used at all in this approach. The designer makes decisions about the parameters of the aggregation at an early stage but sets the rules without knowing or predicting the final result, which can be different in each iteration. Through this methodology, there is a great population of generated aggregations, based on the number of units connected, set from the designer. Each solution produced is evaluated by the designer based on matters of structural ability, spatial qualities and aesthetics. Based on that, the aggregations
are discarded or kept in order to form a catalogue of possible aggregations, larger chunks formed out of the simple units. However, while a generative algorithm continues the procedure each time trying to improve the results through the fitness function applied, in the project the results produced are random and assessed each time by the designer afterwards, narrowing each time the final choices to more optimal aggregations as the procedure keeps evolving. The aggregations produced have spatial qualities, but 8
in the methodology followed, the designer’s control over the process is limited, while there is no way to have a clear perception beforehand of how the aggregations will look like or behave. Top. Large Scale aggregation. Top Left. Elements connection diagram. Right. Catalog of different aggregations.
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METAFOR(M)
London, UK Bartlett School of Architecture 2017
A similar computational logic is followed in this iteration as described before. The difference is that instead of aggregating unit by unit, based on the space diagram that is created through the stress analysis data, the aggregation is performed in a higher level, from larger chunks generated through the code explained before. Top. Architectural Approach Right. Architectural aggregation diagram. Design process.
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Continuous Stress Field
Discretized Stress Field
Voxelization
SNOB PALACE
Moscow, Russia Universidad Europea de Madrid 2015
Nowadays the word snob is used in a derogatory context. However its etymological origin is completely different. Ortega Gasset defines The SNOB as an abbreviation of “sine nobilitate”, meaning without nobility. Which was used to categorize some bourgeois families. Since the fall of last CZAR In Moscow there is no longer “nobility” understood as such. The project site arises when you have to propose a space for these powerful families who are not noble (snobs). Being the best place a palace, The Kremlin. McLuhan said “When we traveled to the moon we expected to obtain craters photographs; however, we obtained photographs of ourselves. Ego trip. Love itself.” Curiously, like the earth, the Kremlin is only possible to contemplate from the distance, becoming a mirror of the project where the snobs can be reflected. Therefore the project is located across the river facing a set of the most exclusive palaces of Moscow, creating a series of frames that give us the glitz and luxury. Right. Exterior view. Entrance bridges to the building. Top Right. Interior view. Grid pattern resembling traditional Russian domes. Down Right. Floor Plan of the main floor.
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moscow LÍMITE Histórico subasta de barcos de lujo
subasta de piezas de arte
subasta de coches de lujo
club exclusivo
AUDITORIO
AUDITORIO
HALL Y ZONA DE EXPOSICIONES TEMPORALES
espacio expositivo
RESERVADO
RESERVADO
RESERVADO
espacio expositivo
ENTRADA
ALMACENES
ENTRADA
ALMACENES
ENTRADA
RESERVADO
RESERVADO
RESERVADO
R SA PA EL
A
A
REL SA PA
COMUNICACIONES COMUNICACIONES
COMUNICACIONES
ENTRADA
ACCESO
ASEO FEMENINO
ASEO MASCULINO
Plano Espacio Snob e: 1/200 Sección AA´
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SNOB PALACE
Moscow, Russia Universidad Europea de Madrid 2015
moscow LÍMITE Histórico
Leyenda Despiece Interior Hueco Ventilación ( OUT air) Refuerzo Estructural Huecos (ventanas y puertas) Hueco Ventilación (IN air) PCI (protección contra incendios) Módulo Hueco/ Embebido
Top: Grid pattern resembling traditional Russian domes. Down: Exterior view from the canal.
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moscow Lร MITE Histรณrico
Top: Structural post tensioning cables diagram
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SNOB PALACE
Moscow, Russia Universidad Europea de Madrid 2015
THE S
PALA 13
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1. Vidrio Bajo Emisivo LOW _E 2. Carpinterรญa Aluminio 3. Precerco ajustable a la ventana 4. Pieza Metรกlica para la colocaciรณn 5. Vierte Aguas 6. Impermeable entre Geotextiles 7. Muro de Hormigรณn 8. Rejilla Ventilaciรณn (tramex) 13. Enfoscado 14. Losa de Hormigรณn Blanco con รกridos de mรกrmol 15. Canalรณn Metรกlico 19. Montante Metรกlico para la ventana 21. Perfil Metรกlico Cuadrado 23. Persiana de Tela 24. Perfil en L de Anclaje 25. Listones de Madera 26. Fachada y Suelo Radiante/ Refrescante 27. Aligeramento de Poliespan 28. Brisolei de Hormigรณn
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detalle 1 e:1 /20
detalle 2 e:1 /20
detalle 3 e:1/20
Leyenda
detalle 2 detalle 1
Fachada y Suelo Radiante/ Refrescante
Top. Detailed Section. Relationship between the detached object and the environment.
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SNOB
ACE 3
detalle 3
detalle 5
Sección AA´ e: 1/50
LEYENDA detalle 4
2. Carpintería Aluminio 3. Precerco 4. Pieza Metálica para colocación 5.Vierte Aguas 6. Impermeable entre Geotextiles 7. Muro de Hormigón 8. Rejilla Ventilación (Tramex) 9. Neopreno 10. Hormigón con aridos de malaquita 11. Zahorras 12. Gravas 13. Enfoscado 14. Losa de Hormigón 15. Canalón metálico 16. Aislante ( lana de roca) 17. Hormigón Pobre 18. Pilotes 19. Montante Metálico Ventana 20. Difusor de aire 21. Perfil Metálico Cuadrado 22. Falso suelo
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detalle 4 e:1 /20
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iSKIN.MADRID TOWER Madrid, Spain Universidad Europea de Madrid 2014
Geotextile
Interior Flooring
Insulation Floor Layers Faรงade Sustructure Triangular Module
Faรงade
Ceeling Metalic Joint Floor Beam
Boundary Beam Panel Grip Beam Horizontal Element
Triangular Sandwich Panel
The idea is to re-design the skin of an existing tower in order to make it sustainable. The tower of Madrid was finished in 1957 and it is highly inefficient,.This way attaching a smart skin which produces renewable energy will make the tower more sustainable according to the paradigms of today as a green building. The skin is made of different modules which have different functions. Top. Construction detail. Right. Section, relationship with the square. 18
142 m
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D.1 22 m
D.2
37 m
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SCENIC SPACE
La Habana, Cuba Universidad Europea de Madrid 2011
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ESCALA CIUDAD Plano de situación
Vistas de elementos cercanos
Mar
Castillo
CIudad
Espacios Públicos
PLANO DE EMPLAZAMIENTO
MAR Recorridos CASTILLO
Zona Mirador Fortaleza ESCOLLERAS Mini teatros CIUDAD
Espacios Públicos Gran auditorio
ESPACIO ESCÉNICO
PASEO MARÍTIMO
CALLE
The public space, is transformed as an scenario or a stage where people interact with other, it works like they are part of a play that is going on with the actors. In the Ancient Times, the Greeks discovered that the natural topography helped to move the sound through the audience. I reuse that concept to rediscover a new way to interpretate the scenic space. The plaza works as a public interactive space, where the topography helps to rediscover the place through acting, performance and interaction between the actor and the users of the public space. 20
A
ENTRADA
Cubierta practicable
PLAZA
Gran auditorio
PLAZA PÚBLICA
Espacios Públicos Mini teatros atros Zona Mirador
Mini teatros
GRAN AUDITORIO ESPACIO ESCÉNICO GRAN AUDITORIO
Left. Site plan, relationship with the surroundings Top. Roof Plan. Square extension.
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SCENIC SPACE
La Habana, Cuba Universidad Europea de Madrid 2011 ENTRADA AUDITORIO MINI-TEATRO Zona pública Teatro al aire libre
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ESCALA PARCELA
Alzado lateral con medianera
Cuanto jaleo se esta formando abajo
Bonitas vistas
Conciertos Cubierta Practicable
¡Ser, o no ser!
¡Ohh!.. que bien lo representa
MINI-TEATRO
Me gusta
ENTRADA
¡La, La, La, La!
¿Salimos a dar una paseo?
merecido descanso
Mi compañero esta actuando,¿lo vemos?
Que paseo más agradable
Que paseo más agradable
Top. Elevation, relationship with the square. AUDITORIO Down. Elevation,ENTRADA relationship with the median wall.
ENTRADA AUDITORIO MINI-TEATRO MINI-TEATRO
Zona pública
MINI-TEATRO Teatro al aire libre
MINI-TEATRO
otras actuaciones Cuanto jaleo se esta formando abajo Bonitas vistas
Cubierta Practicable Me gusta ¡Ser, o no ser!
Conciertos
¡Ohh!.. que bien lo representa
ENTRADA ¡Por fin! un merecido descanso
¡La, La, La, La!
¿Salimos a dar una paseo?
Mi compañero esta actuando,¿lo vemos?
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Que paseo más agradable
MINI-TEATRO
Top. Construction detail.
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26 BIM C.D.R.M Universidad Europea de Madrid Real Madrid Facility Management Transition to BIM. Research developed at Universidad Europea de Madrid and Real Madrid Sports City. Madrid, Spain 2015 Role: Researcher | Revit Architecture Models, Parametric Revit Families 3D scans and rendering Authors: Oscar Liebana, Felipe Aparicio
30 Green Belt Seven Bridges Guadiana, Porras La Casta, AGP Architectural Global Proyect Design of seven pedestrian walkways in Pudong (Shanghai) at Dishui Lake. Designed in Madrid, Spain 2015 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings Authors: Pedro Pablo Arroyo, Francisco Domouso, Lorenzo FernandezOrdoĂąez and Fernando Porras Isla
38 Archive Angulo Arquitectos Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings for Residential projects Authors: Miguel Luengo Angulo
Professional
Guadiana Studio 2016 Achitectural Global Projects 2015/16 Universidad Europea de Madrid 2014/2015 Angulo Arquitectos 2013/16
BIM C.D.R.M
Madrid, Spain Universidad Europea de Madrid 2015 Role: Researcher | Revit Architecture Models, Parametric Revit Families 3D scans and rendering Authors: Oscar Liebana, Felipe Aparicio
Research project for BIM implementation for optimizing facility management through the modeling of real facilities. The work was divided in several stages; data gathering, family categorization, structural, architectural and MEP modeling.
architectural elements were identified and categorized in different BIM families, which were modeled as well, and placed in the identical position in the BIM models of the facilities.
The data gathering was solved through 3D scanning, using FARO scanners the whole facility was scanned on site and post produced at the office. The different
Top. 3D scan of the facilities. Right. Exterior and interior architectural renderings of the facilities. 26
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BIM C.D.R.M
Madrid, Spain Universidad Europea de Madrid 2015
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[E] INFINITY 无限
GREEN BELT 7 BRIDGES ShangHai, China Universidad Europea de Madrid 2016
Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings Authors: Pedro Pablo Arroyo, Francisco Domouso, Lorenzo Fernandez-Ordoñez and Fernando Porras Isla
[D] LOTUS 阶梯式
[C] BASKET 篮子 GREENBELT7BRIDGES is an investigation group (Air Lab Design Institute) that responds to a general strategy based on the site analysis and on the public programs that have been developed around Dishui lake. The need to give continuity to all paths (tracks for pedestrians and cyclists) in the park over the seven channels generates 7 footbridges. Building a new bridge in the city is not only a technical or functional problem. Issues such as scale, weight or the formal fluidity are crucial to define the relationship between the new structure and the urban environment
[B] FLOWER 鲜花
Every footbridge is a specific link of the same chain, its basic qualities link every bridge as part of a single strategy: essential structures, forms that express the construction, restrained sizes. They are all pieces that belong to the public realm and that become spaces for collective uses. 30
[F] COFFER 洞穴
[G] WAVE 波浪
[A] STRIDER 水黾
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GREEN BELT 7 BRIDGES ShangHai, China Universidad Europea de Madrid 2016
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GREEN BELT 7 BRIDGES ShangHai, China Universidad Europea de Madrid 2016
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GREEN BELT 7 BRIDGES ShangHai, China Universidad Europea de Madrid 2016
THE ARCHIVE | Residential
HOUSE A
Angulo Arquitectos | Private Client Madrid, Spain 2013 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings The house is divided in two boxes. The lower one contains all the public uses while the top one houses the private spaces. A new folding panel system is introduced (176x47x329cm) to respond to this private but also open space.
TWIN HOUSE
Angulo Arquitectos | Private Client Madrid, Spain 2014 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings A plot of almost 1900 m2 ,situated in the middle of the mountain environment of Madrid. Where there are countless of granite formations, many large-sized pines and above all, a colossal one that divides the plot in: “before the pine” and “behind the pine”.
5 HOUSES MAJADAHONDA Angulo Arquitectos | Private Client Madrid, Spain 2016 Role: Junior Architect | Architectural Drawings The 5 houses in Majadahonda are oriented around a void, around a patio that illuminates, sponges and increases the interior surface of the house. Each house is a particular universe, only conditioned by the bridge that connects the two large spaces. 38
ACAPULCO HOUSE
Angulo Arquitectos | Private Client
Madrid, Spain 2016 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings The detached house responds to an idea of order ​​ of three pieces, two of them respond to the public and the other to the private. The living room and kitchen are separated by a covered corridor that frames the entrance of the house and closes with patio.
PERELLO HOUSE JNacher | Private Client
Valencia, Spain 2016 Role: Architect | All the process - Design development, Structural Analysis and Construction Developement Interior refurbishment of a flat in Valencia. Since the stairs are located in the living room, this ones acquire an important presence, becoming the essential part of the design. The rest of the house is distributed to take advantage of the maximum space.
EUCALIPTOS HOUSE
Angulo Arquitectos | Private Client
Madrid, Spain 2016 Role: Junior Architect | 3D Models, Rendering, Image Postproduction, Architectural Drawings and Video To respond to the program proposed by the client 2 patios were created by subtraction of the initial solid, into patios that guarantee the incorporation of the proposed uses.
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THE ARCHIVE | Competitions
SUPERS(K)OOL
Angulo Arquitectos | Competition Dubai, United Arab Emirates 2014 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings A school of architecture located in DUBAI has to be INSPIRING, FUN AND SUPERCOOL. Students must be inspired by this visionary city with a contemporary/ future artifact (aka performative device) that takes its context into account and acknoledges it.
BERLIN FOOTBRIDGE COMPETITION Porras la Casta & Guadiana | Third Prize Berlin, Germany 2016 Role: Junior Architect | 3D Models, Rendering, Image Postproduction and Architectural Drawings The bridge becomes a main element of the landscape that can be contemplated from the street and therefore its friendly dialogue will contrast with its denial of the environment from the prison. Leading to the harmony or the bewilderment of the perception.
PLAZA DE ESPAÑA MADRID Porras la Casta & Guadiana | First Prize Madrid, Spain 2016 Role: Junior Architect | Image Postproduction The winning project of the citizen consultation of Madrid plans to connect the square with the Gran Vía through an esplanade, in addition to increasing the area of trees, including gardens of olive trees and magnolias. 40
See more in jimeneznacher.com
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Latest Projects, Exhibitions and Workshops
Repository of ongoing things
AA VISITING SCHOOL MADRID 2017 Madrid, Spain AA - UEM - COAM
The last stages on the evolution of Softmodelling focus on the incorporation of a new fabrication module, towards digitally controlling the assemblage of flexible discrete elements, allowing higher degrees of complexity. This has been first tested in the last edition of the AA Visiting School Madrid, where a robotically manufactured pavilion was commissioned by the Official College of Architects for their permanent exhibition. This could potentially become a dual structure in which both compression and tension forces are supported
with discrete linear elements, controlling the local stiffness of both systems locally, through the different arrangements and levels of connectivity between then. AA VS DIRECTOR Christopher Pierce PROGRAMME DIRECTOR Manuel Jimenez Garcia LOCAL COORDINATOR Jose Luis E. Penelas 44
FACULTY Vicente Soler Christina Dahdaleh Miguel Garcia Jimenez Adolfo Nadal Manuel Jimenez Garcia Jose Luis E. Penelas SPONSORS: Universidad Europea Madrid COAM (Colegio Oficial Arquitectos Madrid) Roca Madrid Gallery
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B-PRO SHOW 2017
London, UK The Bartlett School of Architecture 2017
For the prototype built for the B-Pro Show, the logic remains the same, but the units change to be fabricated only from square bars of 16*16mm hollow profile, helping in the structural ability and load bearing characteristics of a heavier whole. The particular prototype consists part of the architectural speculation for a scaleup approach in the design process of the discrete assemblies. It consists part of the main column that supports the whole structure. In this particular moment, the lower part of the column branches out in different directions, due to the flexibility of rotation that the
discrete pieces allow, through their combinatorics. This way, the column turns to become a slab and the other way around. The same system is used for the design of steps, columns, corners, slabs, openings, resulting in a similar aesthetic effect on the top plan, as well as in the elevation, forming the bones, the structural system of a larger aggregation with architectural qualities. Top. Render Large Scale aggregation. Right. Picture of the exhibition B-Pro Show 2017 46
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3D SCAN CHILLIDA SCULPTURE Madrid, Spain Guadiana Studio 2016
‘Lugar de Encuentros VI’ it is a concrete sculpture by Eduardo Chillida installed in 1974 in the gardens of the Fundacion Juan March, Madrid (Spain). Is part of a series of six sculptures that are named “Place of gathering” and are distributed in Madrid, Bilbao, Toledo and Palma de Mallorca. It is a set of two pieces that under this title , the sculptor refers to the perfect connection between the masculine and feminine aspect, located opposite each other. As
it is an exposed piece of reinforced concrete, during these years it has suffered the wrath to the weather, which has caused the piece to be in a “delicate” state of conservation. The first step to its restoration, starts with a meticulous 3D scan. Using a FARO scanner it was possible to obtain a point cloud to first reproduce the geometry and secondly identify the locations of the eroded concrete. The reproduction of a 3D model allowed to properly 48
measure and categorize the different broken parts. The final part of the process includes a planning a procedure to proceed with the restoration. Top. 3D scan of the object and surroundings Right. 3D Model
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6 Hay Currie Street, Flat 26, E14 6GF, London, UK miguel.jimenez.nacher@gmail.com 07577766236
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