50 Lighting Setups / 50 configuraciones de iluminación

Page 123

Hangin’ with Hal CASE STUDY #50

CAMERA:

Hasselblad 503c

LENS:

120mm macro

FILM:

Fuji RDP

EXPOSURE:

f/8 at 1/15 second

LIGHTING: Luz 800ws pack with spun glass on 40-degree grid for main light (black wrap used as gobo to prevent spill on background); Luz 800ws pack with 20-degree grid and black-wrap gobo on background

Assignment

I shot one more Polaroid, switched to film, and just

Us magazine assigned me to photograph Hal Gurney,

starting shooting. I asked my assistant to peel the Po-

the director of the David Letterman Show, at work.

laroid when it was ready and let me know if we got rid of the glare.

Visual Objective

I wanted to capture a moment of quiet in the busy

Tips

schedule of a television director.

When photographing in a populated area, tape down your cords and stands. I also tape down the feet of the light stands to prevent them from being knocked over.

Pose

I basically let Mr. Gurney do his thing, pointing his

Also, when photographing monitors, be sure your

finger, talking on the microphone and so on. I finally

shutter is 1/30 second or slower to avoid a pattern that

asked him if he could take a quick break to sit back

will appear if you shoot at a faster shutter speed.

and try and look relaxed. He did, and I took the shot. Story

I arrived early to scout the location. When I went into the control room, I saw monitors displaying Letter20-degree grid with black-wrap gobo on background

man on the set and decided that was going to be my background. After I had the union electrician plug in my strobe packs, I began to set up my lights. (Note: As an independent contractor shooting on a television set, anytime you want to plug in, you have to ask the union electrician to do it for you.) I took some Polaroids of my assistant sitting in Hal’s chair and noticed some reflections from my main light on the monitors. Just as we placed black wrap around the light, Mr. Gurney walked in and said he was ready— meaning he did not have much time. 122

50 LIGHTING SETUPS FOR PORTRAIT PHOTOGRAPHERS

spun glass on 40-degree grid with black-wrap gobo for main light


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50 Lighting Setups / 50 configuraciones de iluminación

1min
pages 1, 14, 16, 35, 52

Index

7min
pages 126-129

Conclusion

1min
page 125

Tea Time

1min
page 122

Payne Financial Group

1min
pages 120-121

Hangin’ with Hal

1min
pages 123-124

ExcelleRx

2min
pages 118-119

The Conductor

2min
pages 115-117

Adoption Day

1min
pages 113-114

Computers and Skateboards

1min
page 108

Grace

1min
page 112

Julia’s Kitchen

1min
pages 106-107

Vignelli Design

1min
pages 101-102

Hothouse in the Alley

1min
page 100

Not So Nude

1min
pages 94-95

Protecting Journalist

2min
pages 92-93

Woody, Meet Ira

1min
pages 90-91

Outer Sam Pan

1min
pages 86-87

Motion to Urban Earth

2min
pages 88-89

Robert Lee Morris Meets Jackson Pollock

2min
pages 79-81

Vanguard Chief

1min
pages 76-77

The Beach Umbrella

1min
pages 71-73

Tender Tough Guy

1min
page 82

Drummer’s Dream

2min
pages 67-68

Folly with Caddie

1min
page 66

Business Titan

2min
pages 62-63

An Acerbic Wit

1min
pages 53-54

The Fourth Round

2min
pages 51-52

Cognitive Bow Tie

1min
pages 64-65

Five-Minute Pit Stop

2min
pages 57-58

Take Five9

2min
pages 42-43

Puff the Magic Dragon

2min
pages 45-47

Hockey on the Sea8

2min
pages 40-41
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