MARIANA PEDRO GONÇALVES architecture portfolio
マ リ ア ナ・ ペ ド ロ・ゴ ン サ ル ビ ュ シ ュ
PROFILE Personal Info
1
Skills and Competences
N a m e : Mar iana Ped ro Gonç alves カ ナ : マ リアナ ペドロ ゴンサルビュシュ e -m a i l: marianap ed rogonc alves@ g ma i l .com M ob i le : + 351 914 754 271
Lang uage: Po rtug ue s e Nati ve E ng li s h f lue nt und e rs tand i ng J apane s e , J L P T N5 , e le me ntary und e rs tand i ng Spani s h, e le me ntary und e rs tand i ng
B i r t h D a te: 1991/10/20
So f t ware: Auto d e s k Auto cad Ad o be P ho to s ho p, Ind e s i g n, Aud i t i o n Co re l d raw Go o g le Ske t chup, Rhi no ce ro s , Ke rk y t he a
Education
Competitions, Wokshops & Publications
G RA D UATE
2 0 1 3 : Wo rk s ho p K as hi i hama H o us e fo r all, Fuk uo ka, J apan
Q u a li f i c at i on : Master s d egree i n Archi te cture
2 0 1 3 : Artwo rk publi s he d i n “ M e ns age i ro d o M e ni no J e s us d e P ra ga ”
I n s t i t u t i on : Fac uld ad e d e A rq ui te ctura de Li sboa D a te : 2009/09/13 - onward s L oca t i o n : L isb on, Por tugal Q u a li f i cat i on : AUSMIP Exc hange stude nt I n s t i t u t ion : Ky ushu University D a te : 2 013/09/27 - onward s L oc a t i o n : Fuk uoka, J ap an
magaz i ne , n 1 8 5 2 0 1 3 : P lad ur S tud e nt Co mpe ti ti o n, XXIII e d i t i o nn 2 0 1 3 : Re s e arch f i e ld t ri p to São To mé and P rí nci pe , Af ri ca 2 0 1 2 - 2 0 1 3 : P art i ci pat i o n i n d e s i g n pro j e cts fo r São To mé ’ s 7 t h Art s Bi e nal 2 0 1 2 : 1 s t H o no rable M e nti o n i n FAL 1 s t P ho to g raphy co mpe t i t i o n 2 0 0 9 : Artwo rk publi s he d i n CP t rai ns o f Po rtugal as part o f “Vem e s t ud ar na E s pan” ad ve rti s e me nt campai g n, Q ue luz , Po rt ugal
BA S I C Q u a li f i c at i on : Exc hange high school stude nt I n s t i t u t i on : Nagano Nishi H igh School D a te : 2008/06/29 to 2008/08 /0 3 L oca t i o n : Nagano, Jap an Q u a li f i cat i on : H igh Sc hool De g re e I n s t i t u t ion : Esc ola Sec und ar ia Pa dre Al be rto N e to D a te : 2 009 (grad uation) L oc a t i o n : Queluz, Portugal
OVERVIEW
2
1
応急仮設住宅
2
家をつくるた め に
3
水 の目印
4
アパートホテル
5
コミュニティをつ なぐ
Emergency Housing Units
3
L i s bo n, 2 0 1 1
To Build a Home
7
L i s bo n, 2 0 1 2
Water Mark
11
São To me and P ri nci pe , 2 0 1 2
Apart-Hotel
15
S ão To me and P ri nci pe , 2 0 1 3
Connecting Communities
19
Fuk uo ka, 2 0 1 3
Annex - JLPT certificate
23
1
緊急住宅
2
1
3
4
Emergency Housing Units S e te Rios, L isb on, 2011
1 - S l e e p i n g u n i t s 2 - To i l e t 3 - K i t c h e n u n i t 4 - C o m m u n i t y s p a c e 5 - S h o w e r 6 - C o u p l e u n i t o r S e c o n d c o m m u n i t y s p a c e
The theme of this project was the creation of a n em ergency housing prototype with no more than 30sqm that could host up to 6 people in a crisis situation. The main concept was the clear establishment of what was to be community space and private space. All division related to individual functions - toilet, kitchen, bedare located in the walls leaving the central area free to be used as community spa ce by the inha bitants. The central void also serves as a v i s u a l fo c u s t h a t c o n n e c t s t h e o t h e r divisions previously described. The materials chosen also accentuate t h i s d i f fe r e n t i a t i o n b e t w e e n p r i v a t e and communal spaces.
b
b
2
1
1
5 a
4 6 3
PLAN ground floor
PLAN 1st floor
4
Servant space Served space
S EC T I O N SECTION
a
b
one big window
Central void
1
緊急住宅
5
10
5
20
Emergency Housing Units S e te Rios, L isb on, 2011
The second part of the project consisted in aggregating in a system 30 prototypes while making the circulation also part of the public s p a c e i n t h e u r b a n v o i d o f t h e c i t y. As a starting point the already standing old wall of Estrada de Benfica was selected as something to maintain as memory of the place. The circula tion betwee n the d ifferent prototypes is organized along a s l o p e g a l l e r y. T h i s m a k e s t h e w a l l something that is alive and whose movement we can observe from the street instead of his previous u n d e r s t a n d i n g a s a p h y s i c a l b a r r i e r. The display of the buildings is more disperse and low in height in eastern part and starts building up towards west in an attempt to relate to the high height of the collective housing that faces this site. This kind of band -like arrange me nt of the prototypes also allows the creation of small community courtyards.
PLAN ground floor
PLAN first floor
6
SECTION
2
家を建ってることを
5
10
7
20
To Build a Home C a r n i d e, L isb on, 2012
This project started as a search of the harmony betwee n 2 d ifferent realities. This site is the transition point between a older city with low density housing, not higher than 2 floors, and a contemporary designed city with high density housings that go u p u n t i l 4 0 m i n h e i g h t .
b
Succeeding the urban design, I chose the building in far north as the one to be developed. This building is the one that faces directly the traditional housing and is, the refore , one of the most delicate links in the transition of this pre-existing part of the city and the new designed created. The building is characterize d by 2 ways of living “the living-outside” meaning the part of the building that faces the public street, and the “living-inside”, the part of the building that establishes a r e l a t i o n s h i p w i t h t h e i n n e r, m o r e community-like, courtyards.
PLAN ground floor
a
8
b
PLAN
first
a
floor
b
PLAN second floor
a
2
家を建ってることを
5
10
9
20
To Build a Home C a r n i d e, L isb on, 2012
Because of the very narrow width of the traditional street that the building faces in north, it was decided that the d if fe rent stores should grow in height in a stair disposition, so that they wouldn’t be understood as high as they are while walking through the street. On the opposite side, this stair disposition creates a shadowing area where parents can rest and watch their kids play in the courtyard. The houses in ground floor are d u p l e xe s , a i m e d a t f a m i l i e s a n d e l d e r l y, w h i l e t h e h o u s e s i n t o p floor are simplex, aimed at young people living alone, who can easily climb the stairs and use the gallery system.
S EC T I O N a
E L E VAT I O N N o r t h
E L E VAT I O N S o u t h
SECTI O N b
10
1
2
4
S EC T I O N
PLAN second floor simplex
PLAN first floor duplex
PLAN ground floor duplex
Water Mark S ã o To m é and Pr ínc ip e, 2012
DR
SALT WATER
city plan
actual public toilets
T E R R I TO RY
AVERAGE DISTANCE TO PUBLIC TO
SALT WATER
O
O
R
SM
INKING DR
SALT WATER
IN
PEOPLE
HAS NO ACCESS TO DRINKING WATER
B
1.5 KM
N
R
FORMAL
M
18
INFORMAL CENT AVERAGE DISTANCE TO PUBLIC TOILET/SHOWER LY E
IS
HAS NO ACCESS TO DRINKING WATER
I UR
PEOPLE
CENT E
HAS NO ACCESS TO DRINKING WATER
UR
M
IS
UR
TO
IN
B
TRADE
IN
TO
18 1.5 KM
IN LIV G
B
Y NL
AVERAGE DISTANCE TO PUBLIC TOILET/SHOWER
PEOPLE 1.5 KM
1.5 KM
1.5 KM
TO
SALT WATER
M
R
Dispersion is the main characteristic of the inform al part o f t h e c i t y. A s a w a y t o f i x t h i s R M L O F N I i s sA ue, I thought of creating C new Y ENTE L s m a l l e r c o m m u n i t y c e n t e r Ns n e a r t hAiLs h o u s i n g t h a t w oAVERAGE u l d a l s o DISTANCE p r o v i d e TO PUBLIC TOILET/SHOWER FORM basic necessity equipments as toilets or showe rs for the people w h o l i v e i n t h e i n f o r m a l c i t y.
18 INFORMAL FORMAL
IS
UR TO
TRADE
CENT E
M
AVERAGE DISTANCE TO PUBLIC TOILET/SHOWER
IN LIV G
Y NL
IS
RESOURCE INKING DR
CENT E
IN LIV G
UR
O
FORMAL TRADE
NT E
TO
M
IS
UR
TO
Y NL
INFORMAL
R
FORMAL
Y NL
RINKING E CD R
INFORMAL
R
The base of this project consists in a system to create a relationship INKIN t h e s e 2 d i f f e r e n t INpFaOr Rt sMAoLf Db eRt w e e n G the city since the city centre is c u r r e n t l y l o w i n a c t i v i t y b e iFnOgRMoAnL l y u s e d by t h e p e o p l e w h e n i n n e e d t o SALT c o n sWATER ult services.
O
INFORMAL FORMAL
In the territory analysis we can understand 2 very well defined p a r t s o f t h e c i t y. T h e f i r s t b e i nRgINKING t h e r e m a i n s o f t h e c o l o n i a l cDi t y which comprises the city centre, the second being what we ca ll informal c i t y m a r k e d b y t h e u r b a n s pSALT r a w l WATER consisted by small wood e n housing.
VERAGE DISTANCE TO PUBLIC TOILET/SHOWER
INKING
O
S ã o To m é a n d P r í n c i p e i s a n e x - Po r t u g u e s e c o l o n y l o c a t e d i n Gulf of Guine, in western equatorial coast of Central Africa. It comprises 2 extremely small volcanic islands - S ã o To m é a n d P r í n c i p e - b e i n g that this project is developed in t h e c a p i t a l c i t y - S ã o To m é . I t i s one of the poorest countries in Africa, depending 94% of external economic aid.
O
3
11
水 の目印
12
city skyline
3
水 の目印
INFORMAL CITY 2
4
8
exception
Water Mark S ã o To m é and Pr ínc ip e, 2012
The majority of the wooden housing that constitutes the informal urban tissue has no direct access to water (being it for drinking or hygiene). The only public toilet that can be used by the se people is located in the city centre and its size is not enough to satisfy the demands. Placing these equipments near the people that need them is here thought as more than a basic necessity fulfilment project. In the inform a l city there is no clear orientation or direction, since its matrix of growing is organic. T h e r e fo r e this equipment was thought also as a way of marking the territory so that people that lived f a r a w a y c o u l d f i n d i t c l e a r l y. T h e s k y l i n e o f S ã o To m é a n d P r i n c i p e i s v e r y l o w, s o c r e a t i n g v e r y h i g h and easily identifiable elements in the landscape is a simple way of c r e a t i n g o r i e n t a t i o n i n t h e t e r r i t o r y. The development of this equipment is thought to be in a growing network system, being t h a t t h e go a l i s t o p r o v i d e t h e s e functions in an individual scale once the city keeps developing its d r a i n a ge s y s t e m .
13
2nd and 3nd Necessity Equipments
LUDIC EQP.
SOCIAL COHESION ELEMENTS
Create PLACES
Introduce centralities
PUBLIC SPACES
PROXIMITY ELEMENTS repetition
WATERMARK
Basic Necessity Equipments a SUSTAI NABLE COMMUNITY
SUSTAINABLE SYSTEM SUSTAINABLE INFRA-STRUCTURE
SYSTEM
a PLAN ground floor
14 INFORMAL CITY
2nd and 3nd Necessity Equipments
exception
SOCIAL COHESION ELEMENTS
Create PLACES
Introduce centralities
LUDIC EQP. PUBLIC SPACES
PROXIMITY ELEMENTS repetition
WATERMARK
Basic Necessity Equipments SUSTAI NABLE COMMUNITY
SUSTAINABLE SYSTEM SUSTAINABLE INFRA-STRUCTURE
SYSTEM
SECTION a
SECTI O N b
4
アパートホテル
5
15
20
10
Apart-Hotel
S ã o To m é and Pr ínc ip e, 2013
CO N CE PT The side of this building is a present urban void in the city fabric. When visiting the local it appeared clear there was a necessity to design urban fronts to the main streets as w e l l t o t h e a b a n d o n e d Yo n G a t o square, which was also re-designed. This apart-hotel faces directly one of the most important elements o f t h e c i t y o f S ã o To m é a n d P r í n c i p e - the church of Conce ição. Therefore it was included an exception in both fo r m , a l i g n m e n t a n d s c a l e a s t o acknowledge the importance of this building.
C R E AT E U R B A N F R O N T S
E S TA B L I S H TWO DIFFERENT REALITIES
FUN C TIO N A L DIAG R A M
The site is now use d a s a informal market place so the structure of the building includes an external low commerce ring that involves t h e a p a r t - h o t e l i t s e l f. T h e f o r m a l approach to this commercial ring fo l l o w s t h e i m a g e o f t h e t r a d i t i o n a l h o u s i n g o f S ã o To m é - k u b a t a , s i n c e it is mostly d esigned for the locals. In the core of this ring a mist building of small scale aparthotel and confe rence rooms is designed. This inter ring has a more contempora ry form a l la nguage in a search to intertwine the traditional housing facade with the city’s European buildings.
ACKNOWLEDGE SP ECI A L E LE M E N T
l o b by a n d o f f i c e s bedrooms
confe re nce rooms
commercial
S PA
service area LO B BY
I N N E R CO U R T YA R D S A S CO N N E C T I N G E L E M E N T
16
b
a
PLAN ground floor
S EC T I O N a
4
5
アパートホテル
10
Apart-Hotel
S ã o To m é and Pr ínc ip e, 2013
The element that faces the church is the transitory element between the se 2 type s of form alisms. Is also the tallest piece of the complex, never surpassing the height of the church. The pitched roof is an analogy to the im a ge ry of the church.
a
S EC T I O N b
20
b
17
18
1
2
4
SECTI O N
PLAN
5
コミュニティをつ なぐ
Conne cting Communties K a s h i i, Fuk uoka, 2013
19
M A I N O B S TAC L E S
2
1
3
This project started as a c h a l l e n ge t o e n h a n c e t h e r e l a t i o n s h i p of the recently established Island City community a nd the longer staying community of Kashii district i n Fu k u o k a , J a p a n . I s l a n d C i t y i s a n artificial island created for both residential area as well as industrial u s a ge , i n c r e a s i n g c u r r e n t H a k a t a ’ s harbour area. Island City started being inhabited 8 y e a r s a go a n d i t s p o p u l a t i o n escalated to 4000 inhabitants as of 2010. The only physical connecting elements between this island and the pre-existent Kashii area are 2 b r i d ge s , b e i n g o n e c a r f r e e . A running pathway was also recently designed around the Mishima Bay as a way to link these 2 d ifferent communities.
Bad connection between communities and bay
P OT E N T I A L 1- Eldery population 2- Students 3- Families 4 - Shopping environment 5- Familes 6- Shopping environment 7- Industrial workers 8- New inhabitants 1
1
2
2
H o w e v e r, w h i l e a n a l y s i n g t h e area, it was noticeable that the potential of this pathway wasn’t being used to its fullest. The circuit besides being too long was also lacking in activity stimulation. Pe o p l e w e r e u s i n g i t o n l y f o r j o g g i n g , walking and cycling and not really as a place to be. Acknowledging the potential of this bay to be com e the focus place where people of d ifferent communities can meet and establish relations, we carefully study which were the main obstacles for its lack of success and designed a strategy to improve current situation.
Overlong pathway
Lack of activities in the bay
8
8
NEW COMMUNITY
3
4
7 6
5
UNCONNECTED COMMUNITIES
3
4
7 6
5
CONNECTED COMMUNITIES
20
S T R AT E G Y
1- Improving connectivity
INTERVENTION AREAS A for eldery B
» pedestrian walk connects only the edges of bay
2- Add activity
» connectivity is improved by creating routes that connect the inside of each community to the bay.
for students
for new community F
» there are no support buildings or activities located along the pedestrian route.
» new activites and support instalations are added according to the needs of different communities.
3- break pedestrian walk into zones
3 km
» there are barely no breaks in the pedestrian walk which makes its use harder by people who cannot break it into zones.
C
for neigh bourhood
300 m
» breaks are introduced in average of every 300 m. The pedestiran walk is divided by zones which activites relate to the community they are serving.
E
D
for Kashii community
5
21
コミュニティをつ なぐ
Conne cting Communties
housing
K a s h i i, Fuk uoka, 2013
housing
One of the projects developed was aimed at the elder population t h a t l i v e s n e a r t h e Ta k a t s u k a I n a r i Jinja. The proposal was to create a s a fe r o u t e f o r p e d e s t r i a n s u n t i l the bay and also to provide some facility were elderly people could p l a y g a m e s o r t a l k l e i s u r e l y. This project has 2 d ifferent backgrounds, one of them is of course the view of Mishima Bay and the Island City skyline, while the other is the prote cted fore st area of Mishimazaki.
STATION
housing housing
takatsuka inari jinja
housing
housing
KASHII KAEN
for
A
Section A before design
UNSAFE SIDEWALK
ISLAND CITY
Section A after design
SAFE SIDEWALK
22
5
10
20
eldery recreational center
housing
amphitheatre
amphitheatre
eldery recreational center
beach
pedestrian bridge
bridge
playground
water canal
bridge
playground
23