Mine Öztürk's Architectural Portfolio v2.

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MINE ÖZTÜRK

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PORT FOLIO ARCHITECTURAL WORKS

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Two Square One Street in Bodrum Student Competition

FLOW Bodrum, Turkey

ITU Architectural Design Master Program Research Project

DREAMS THAT I’VE NEVER HAD

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Gaziantep 100th Anniversary Monument Project Competition

ITU Architectural Design Master Program Research Project

MEMORY TRACE(S)

IM·AG·[E]·ING

Kayseri, Turkey

Yalova, Turkey

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02 Kayseri Melikgazi Meeting Point National Idea Competition

FOCUS:

Meeting Point

Kayseri, Turkey

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Agnès Varda's "Les glaneurs et la glaneuse" +

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AURA Istanbul Fall Semester 2020 Research Project

MOVEMENT OF THE VOID IN RURAL AREA Yalova, Turkey

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C ONTENT

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CV CO M P E TITION PROJE C TS FLOW

“Two Square One Street in Bodrum”Student Competition

MEMORY TRACE(S)

“Gaziantep 100th Anniversary Monument National Project Competition ”

FOCUS

“Kayseri Melikgazi Meeting Point National Project Competition”

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R E S E A R CH PROJE C TS DREAMS THAT I’VE NEVER HAD IM·AG·[E]·ING MOVEMENT OF THE VOID IN RURAL AREA “AURA Istanbul 2020, Research Project”


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curriculum vitae | CV

co n tac t e-mail mineozturk1998@gmail.com ozturkmi20@itu.edu.tr

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curriculum vitae

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MİNE ÖZT

+90 545 233 2019

architect | İzmir,Turkey 02.10.1998 -- Yalova

>>> click for Behance profile >>> click for Linkedin profile

+ EDUCATION İstanbul Technical University

2021-still

İzmir Dokuz Eylül University

2016-2020

Bursa İnegöl Mediha Hayri Çelik Science High School

2012-2016

MSci. Architectural Design program Bachelor of Architecture with an honorary degree, as the first of the Department (3.40 / 4)

+ WORK EXPERIENCE Alessandro Pepe Arquitecto

2021, Summer

AURA İstanbul | Architecture and Urbanism Research Academy

2020, Autumn

MEES Architecture

2019, Summer

Dokuz Eylül University

2018, Summer

Dokuz Eylül University

2018, Summer

İsmail Özbakır Sanat Tasarım

2017, Summer

Erasmus Office Internship |Porto/Portugal Researcher - Movement of the Void in Rural Areas

Technical Office Internship Building Surveying Internship Land Surveying Internship Building Site Internship

+ LANGUAGES English Turkish

upper intermediate native

+ INTERESTS Digital Illustration, Graphic Design, Architectural Design, Theory, Criticism, Phenomenology, Ontology, Post-human +

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COMPETITIONS& PRIZES

+ Equivalent Prize | Bodrum Two Squares, One Street Urban Design and Architecture Students Competition

student 2022 professional 2021

Honorable Mention | Gaziantep 100th Anniversary Monument National Project Competition

professional 2020

Third Elimination | Kayseri Melikgazi Meeting Point National Project Competition

student 2020

Exhibition | Mimarhane Student Projects Award Winning Selection

student 2019

1st Place prize | 48 Hours Architecture Student Idea Competition Participant | Ecological Design of Iztuzu Beach Sea Turtle Care Station and Daily Area (with MEES)

professional 2019 student 2019

Participant | Çuhadaroğlu Architecture Student Competition

student 2019

Participant | What Does Izmir Electric Factory Want To Be?

WORKSHOPS

+ An Anecdoted Map of Moving Part

2022, March

CIRCLES Workshops, Instructor:Bilge Bal

The Ways of Opening Outward from the Iwan to the Balcony

2020, June

Contact Workshops, Instructor:Deniz Dokgöz

2019, October

A Fictional Izmir Experiment: An Imaginary Today Design

2019, October

Inside the Frame

Good Design İzmir, Instructor:Erenalp Büyüktopçu Good Design İzmir, Instructor:Damla Kabadayı

2019, September

Street Seating Design City Day Activities Without Cars

2018, November

View Workshop from Kadifekale

COMPUTER SKILLS

TMMOB Architect Room İzmir Branch Izmir History Project

+ Autodesk Revit Autodesk AutoCAD Autodesk 3Ds Max SketchUp Adobe Photoshop Adobe Indesign Adobe Illustrator Adobe Premiere Pro Mc Office +

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c o mpe t i t i o n 2 0 2 2 | student

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FLOW “Two Square One Street in Bodrum” Urban Design and Architecture Students Competition >>> Equivalent Prize

Location: Muğla, Bodrum, Turkey Team: Hilal Yivci (architect) Mine Öztürk (architect) Sıla Berdan Saygılı (architect) Şükrücan Top (architect)

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The areas defined in the competition area are Türkkuyusu Square, Türkkuyusu Street and Old Bodrum Square. In the proposed fiction, it is envisaged that the street will become an all-season living public ground for common stakeholders, connecting two important nodal points [square], increasing interaction by infiltrating secondary roads. It is aimed to maintain its existence in memory. It is observed that structures that are part of water culture such as the cistern, fountain in Türkkuyusu Square and the fountain in Old Bodrum Square are in a useless condition today. New functions have been proposed in order to increase the reusability of these spaces. In order to make the underground water source visible and to make it a part of daily life, strategically expanding water elements were designed in the niches and squares that continue along the street. The flow expands at a certain point of the street, collects, accumulates; it infiltrates other spaces to the extent that different structural elements allow. These expanded sub-spaces are designed as points where the traces in memory accumulate and emerge, which will strengthen their urban relations. The articulations to be made at this point are designed together with the construction of the space-building feature of water. By ensuring the continuity of the waterline, it is aimed to strengthen the communication with the built environment, nature and people.


Symbol(s)

Plan Main and Sub-Focal Points +

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It is aimed to continue the distinctive characteristic of the architectural texture of the region with new elements to be proposed. Flat structural elements used, distinctive forms; gives reference to the characteristic features of Bodrum in the region and in memory.

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View Türkkuyusu Old Square

Diagram Concept +

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URBAN SCALE ANALYSIS

.CONTEXT

It is still possible to read the centuries-old identity of Bodrum in the streets against the places that tourism consumes and de-identifies. . While Türkkuyusu Street is being reconsidered, it is aimed to find and reveal the spatial elements that make up the identity of the city in today’s Bodrum, taking into account the civil and archaeological values of the area.

.WATER SYSTEMS

The project area considers the water system of the Bodrum peninsula as a trace of cultural continuity as well as physical. With the aim of preserving the memory trace of Gökçedere Water Flow Road, which passes over Türkkuyusu Street, it is thought to bring the water trace to the surface. In this context, it has been proposed to use the bioswale system to concentrate and transmit the collected rainwater runoff as a strategy. The fountains and cisterns in the competition area were considered as a layer of the water network, and it was proposed to re-function the idle cisterns. these propositions aim to raise cultural awareness of the region’s water heritage.

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URBAN RELATIONSHIP K E N TS E L İ L İ ŞK İ

+ URBAN CONNECTING BACKBONE K ENTS EL BAĞLAYI CI OMUR GA

+ CHARACTER of the field DOKUNUN K ARAK TERİ

stone texture bougainvillea

water

cistern

palm

flower pot

fountain / well

wall

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PEDESTRIANIZATION YAYA L A ŞT I R MA

+ WATER FLOW S U AK IŞI

+ BACKBONE OMUR GA

Section 1-1 8

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+ TÜRKKUYUSU SQUARE

View Türkkuyusu Square

Plan a

Axonometric a

Section 2-2 +

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+ OLD BODRUM SQUARE

View Old Bodrum Square

Plan h

Axonometric h

Section 3-3 +

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+ SUB-FOCAL POINTS

+ STREET DESIGN

.corner Unqualified areas divided by short walls that restrict the street use of the locals and cause visual pollution are rearranged to create a holistic area where the street expands.

.pool Increase the emphasis of the lower focal point at the intersection of blind-alley and Türkkuyusu Street,a pool was designed to increase the visual quality of the street and to actively provide water to stray animals.

.intersection In order to strengthen the relationship between the streets connecting to Türkkuyusu Street and the street, the water trail seeps into these streets and expands towards the unused facades.

.locale The area, which is currently a dead-end street and used as a parking lot; expanding towards the main axis, it turns into a permeable public space with high interaction with water.

It is intended to harvest rainwater with water brought to the surface along the street.

.niche Public niches are created by the expansion of the street floor into unused voids. It is aimed to increase the time spent by the citizens on the street by making the walls thatcreateboundriespermeable.

.wall The porous wall, which is added to the circulation made through pedestrian circulation and crossings, divides the total unused volume and creates sub-focals for the use of different functions around it.

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The stone courtyard wall is used as a public seating element by the street user as well as its separator function.


*palmiye / palm

su duvarı / water wall *palmiye / palm

oturma birimi / sitting unit

su havuzu / water pool

sergi elemanı duvar / exhibition wall

*begonvil / bougainvillea

*ağaç ve çalı grubu / tree & bush

su birikim noktası / water puddle salıncak / swing

su kanalı / water channel

oturma-oyun birimi / sitting - playing unit

*eğimli yüzey / inclined surface

aydınlatma birimi / lighting element

oturma birimi / sitting element

*çim / grass *duvar / wall

*bordür

*ağaç ve çalı grubu / tree & bush

*çim / grass

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At the first stage, it is envisaged to remove the elements that reduce the legibility of the historical texture and impair the visual-aesthetic perception. In this context, the recommended rehabilitation moves are:

SUGGESTION

C U R R E N T S TAT U S

+ Removal of different materials in the facade such as wood, mosaic etc. + Using a common color application on the facade (iconic white-blue), + Transportation of cables, electrical wires, installations to underground, + Designing urban elements and furnitures for fitting the locale texture, + Standardization of windows materials, + Designing the store’s signboards and making them a common style, + Suggesting a structure attached to the façade, which is designed covered with vines & plants with reference to the historical texture instead of an awning.

+ URBAN FURNITURE

SITTING UNIT

BIKE PARK

CIRCULAR SITTING UNIT

FLOWER POT

SINGULAR SITTING UNIT

SEATING UNIT WITH POTS

VERTICAL LIGHTING

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It is aimed to design the urban furniture to be constructed in the design of the street with references from locale daily life practices and to blur the public-private boundaries. The furniture placed along the street creates a unity as a network of repetitions, not as many independent pieces. +

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c o mpe t i t i o n 2 0 2 1 | professional

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MEM ORY TRAC E (S) >>> Honorable Mention Gaziantep 100th Anniversary Monument National Project Competition

Location: Gaziantep, Turkey Team: Gülay G. Güven (industrial designer) Ada Rahvancı (industrial designer) Deniz Aslan (industrial designer) Göksun Sönmez (industrial designer) Ayçıl Yılmaz (architect) Deniz Yılmaz (architect) Merve Pilgir (architect) Mine Öztürk (architect) Arzu Kutkam (landscape architect) Ayşegül Yarar (artist) Necmettin Yağcı (artist) Azimet Karaman (artist)

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In the design, it is aimed to create an inclusive commemoration place in order to keep the memory of thousands of our martyrs from Antep alive and to tell about their heroism in the 100th anniversary of our liberation. The traces of war are not concepts that can be easily erased from these lands and our memories. The aim of the venue is to awaken the feelings of “unity”, “solidarity”and “struggle”in which the people are one body in the national struggle. By collecting these traces under the main title of ‘memory codes’, it was aimed to remind the memories of the National Struggle, which they refer to. Remembering is thought of as a phenomenon that allows you to get lost in the past and rediscover its value. Therefore, each item in the space created for this purpose contains mnemonic traces related to our memory. Along with this, the act of walking, which is fictionalized, creates new potentials specific to the ‘moment’ with different encounters of the bodies circulating in the memorial space. The “memorial place” has been designed in a setup that allows for different approaches that ensure the continuity of the cultural route. The monument, which is the starting element of the commemoration place, turns its face to the city and invites the citizens to the commemoration experience. By accepting the monument as the beginning, the commemoration space expands into the city, connects important landmarks and creates a ground continuity that can be used for public events. By creating elevation differences and transitions at every point of the space, different views about the space have been created, and it is aimed to feel the monument at different scales by the citizens.


View Memorial Area +

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URBAN SCALE ANALYSIS

.WATER GREEN TOGETHERNESS

.SPATIAL CONNECTIONS

With its location in the city, Allaben Stream creates potential public spaces around it. The green public spaces that develop around the stream enable the citizens to maintain the trace of the “water” in the memory and to keep the past layer alive. The competition area has been proposed as a potential area that will become a part of the holistic trail by being articulated to a setup where natural elements such as green and water provide continuity together at the upper scale. In the proposal, the natural character of the area provides an environment that will allow the citizens to rest in daily life.

When analyzed from the upper scale, important buildings and spaces of different nature surround the competition area. Surrounding and feeding the area; It is possible to talk about Gaziantep Castle and the historical texture created by the old urban texture around it, public green areas such as the 100th anniversary park and the planned National Garden, cultural structures such as Zeugma and Panorama museums, shopping places and government institutions that the citizens use daily. The memorial area, which is the common point of these different places, is the end point of the cultural road that starts from Gaziantep Castle, end with the Panorama museum in the proposed.

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View Approach to the Memorial Area

.NATURAL - HISTORICAL BOUNDARY

.COMBINE OF GREEN AND URBAN

The fragmented character of the competition area constitutes a border that cannot merge with the important points around it, and that does not allow the castle and its surrounding historical texture to infiltrate the identity of Gaziantep. At this point, it was observed that the green character of the stream and the historical texture around the Castle were interrupted in the area and could not be intertwined with each other. Interventions are envisaged that will allow the historical texture and natural texture to flow into each other in the area.

The proposed design is the intersection of the natural regional character formed by the Allaben Stream and the green landscape, and the capillary urban character formed by the urban texture and the panorama. The competition area defines an area where these two separate phases begin to intertwine and melt. These two important elements have been articulated to each other in a fiction that will bring the values of the field to the fore.

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DESIGN APPROACH

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.ROUTE AND CONNECTIONS Although the Panorama museum and the Democracy Square are important foci, their relations with each other are interrupted by the vehicle road and Allaben Stream. The connection bridge that allows the historical texture to leak over the proposed stream and the pedestrianized vehicle road constructed after it and the arrangement of the lights will transform the memorial area into a new focus by creating a continuous floor that combines the memorial area and the urban texture.

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. PUBLIC GROUND EXTENSIONS It is aimed to continue the public hard floor, which started from the streets of the historical texture, in the inner courtyard of the Panorama museum and on the hard floors of the memorial area. These public floor extensions continue from the memorial space and work as a texture that creates an intersection with the different elements around it. In this way, the relations of the area with its surroundings were strengthened and physical boundaries were removed.

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. PEDESTRIAN ARTICULATION Due to the vehicle roads that limit and fragment the area, it has been observed that the transitions of the citizens take place over certain points. It is not possible for an articulation starting from the historical texture and continuing to the Democracy Square. Pedestrian circulation, which currently continues at the perimeter of the area, has been preserved, and a new circulation arrangement has been envisaged that provides continuity through the memorial area that is articulated to it.

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.INTEGRATED MEMORIAL AREA A potential “green platform” has been created, which is added to the green growing around the stream, as important green areas such as the Nation’s Garden and the 100th Year Park infiltrate the fragmented area where there are single trees. The access of the historical texture to the area has been strengthened, and a memorial area designed in the middle of two important elements, which takes the citizens on a journey of remembrance. The monument is designed with to create a silhouette with Panorama, on the periphery, so that the citizens can integrate with the area and become a part of daily life.

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View Trace Wall

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CONCEPT

Trace - Time - Layer (s) Remembering is an action that depends on getting lost in the past and rediscovering its value. The past itself is monumental, contact with it provides renewal for the future. The space, which is designed as a trace splitting the topography, creates different layers in the third dimension with the walls. The trail presents a route, the body included in the route involuntarily interacts with the field through orientations. Encounters and changes at the memorial site can change the value of the space in a ‘momentary’ way. The monumental area, built with the traces of the citizens and the people who have experienced the place, creates a new layer in the memory of the city dweller that connects the present and the future.

1 · Monument & Reflection Pool 2 · Wall of Names

Circulation of Memorial Area

3 · Hunger Declaration

4 · Amphi & Event Area 5 · Traces Wall

6 · Collective Memories Area 7 · Memorial Wall

Diagram Route +

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Plan 1/500

Section a-a +

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Axonometric Memorial Area Route

+ Reflection Pool · Yansıma Havuzu

+ Wall of Names · İsimler Duvarı

+ Hunger Declaration · Açlık Beyannamesi

+ Amphi · Amfi

+ Collective Memories Area · Kolektif Anılar Alanı

+ Memorial Wall · Anma Duvarı

+ Healing Soil · İyileştirici Toprak

+ Trace Wall · İz Duvarı

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View Memorial Area Monument

View Memorial Wall

Section b-b +

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Project Detail(s)

ana taşıyıcı çelik kiriş

diyagonal rüzgar bağlantı kirişleri

tali taşıyıcı çelik kirişler ara bağlantı kirişleri

ana taşıyıcı çelik kiriş

diyagonal rüzgar bağlantı kirişleri

diyagonal rüzgar bağlantı kirişleri

tali taşıyıcı çelik kirişler

ara bağlantı kirişleri ana taşıyıcı çelik kiriş

perdahlı beton döküm döşeme hasırçelik donatılı beton - 15cm blokaj 10-15cm sıkıştırılmış zemin

helikopter tepsi ve pervaneli döküm-eğim %1 hasırçelik donatılı beton - 15cm trapez sac(stud sabitlenme) çelik kiriş

çelik sac - beton kompozit döşeme sistemi

epoksi boyali galvaniz korkuluk t: 2cm

paslanmaz çelik L profil bağlantı elemanı t: 1cm

cıvata bulon

sıva

çelik kolon

doğal taş döşeme kaplaması 15x45 - h: 5cm, açık gri-koyu gri-beyaz harç - 7.5cm hasırçelik donatılı beton 15cm blokaj - 15cm sıkıştırılmış zemin

drenaj çakılı (1-2 no çakıl)

perfore drenaj borusu filtre jeotekstil - 110 gr/m² BA temel grobeton

Detail Section Bridge

doğal taş döşeme kaplaması 45x15 - h: 5cm, açık gri-koyu gri-beyaz harç - 7.5cm hasırçelik donatılı beton 15cm blokaj - 15cm sıkıştırılmış zemin

beton duvar

prekast beton döşeme kaplaması 30x200x5cm h: 10cm,açık gri yapıştırma harcı - 7.5cm hasırçelik donatılı beton blokaj - 15cm sıkıştırılmış zemin(%98 proctor)

havara taşı üst kaplamalı prekast beton blok

drenaj kanalı - polimer kanal+döküm ızgara

Detail Section Amphi +

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nebati toprak - 50cm sıkıştırılmış zemin RAL 9010

BA duvar doğal taş döşeme kaplaması 15x15 - h: 5cm, gri harç - 7.5cm hasırçelik donatılı beton 15cm blokaj - 15cm sıkıştırılmış zemin

döşeme led wallwasher cam korumalı

drenaj çakılı %1 Eğim

drenaj kanalı polimer kanal+döküm ızgara perfore drenaj borusu filtre jeotekstil sargılı - 110 gr/m² BA temel grobeton

Detail Section Concrete Wall +

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c o mpe t i t i o n 2 0 2 0 | professional

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Kayseri Melikgazi Meeting Point National Project Competition >>> Third Elimination

Location: Kayseri, Turkey Team: Bengi İnak (architect) Mine Öztürk (architect) Sıla Berdan Saygılı (architect) Zeynep Özkaya (architect)

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Kayseri is one of our provinces with many historical and cultural values. After the proclamation of the Republic, the changes that took place with the modernization movements destroyed historical areas or turned them into objects that were passed by and unnoticed due to the new roads built. In its current form, the competition area is a transition area where people walk without hesitation. Based on these situations, it is aimed to make the design area more timeless and slower for the urban dwellers. The proposed actions are aimed at bringing the inhabitants together and increasing the time to experience the area. With the zoning in the design area, a spatial fiction has been designed that involves the citizens of the action areas and pauses them from time to time. The areas, on the other hand, have been created based on the daily life practices of the people of Kayseri, the needs of the area and the contextual framework. Increasing the time spent by the city dwellers in the area will increase the interaction with the historical texture and thus, the historical city walls will get rid of the situation of unnoticed objects that people passed by and will become perceptible. The design area serves as the starting point in the proposed route along the trail of the historical city walls. In the past, the water ditch trace in front of the city walls was preserved and a linear water element proposal was made to the design area.


View A Connection Between the Wall and the Cupola

Section a-a +

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View Meeting area for public events

URBAN SCALE ANALYSIS

. SLOWNESS

The changes and transformations taking place in the city have destroyed the historical areas or turned them into unnoticed objects that are passed by because of the new roads built. With the proposed design, the area is predicted to be more timeless and slower for pedestrians. With various actions, it is aimed to bring the citizens together and increase the time to experience the area. Thus, the effect of the transition area will be broken and the area can turn into a meeting point.

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.BUFFER ZONE

There is heavy traffic flow on the boulevard that establishes the boundaries of the area. This situation creates both sound and visual pollution for the design area. In addition, due to fast vehicle traffic, the historical fortification wall and cupola are not perceived by pedestrians and drivers. The proposal is to construct a slowed path along the line of the design area. At the periphery of the field; A green line was created in order to prevent sound and visual pollution and to provide shading and air conditioning.

.FOCUS AREA(S)

For the meeting actions, the focus areas were selected from the potential regions of the area by analyzing the movements of the people. In this sense, the “1st focal area” means a defined activity area at the intersection of the fortification wall and the bastion, In order to highlight the palimpsest texture on the“2nd focal region”city wall, The“3rd focus area”was determined due to its proximity to the Cıncıklı Mosque and its potential to establish a relationship with historical items.


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URBAN FURNITURE

Plan +

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re s ea rc h pro je c t 2 0 2 2 | İTÜ MSci. Architectural Design

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DREAMS T H AT I’VE NEVER H AD RESEARCH PROJEC T

created within ‘ MTS 526 Representation of Architecture and Urban Space’ Course Tutored by Dr. Bihter Almaç I​​​​​​ stanbul Technical University Architectural Design Master’s Program

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We have an innate imagination to create spaces that are sometimes entirely new, sometimes variations of familiar places, based on the elements we encounter in our conscious lives. This study aims to investigate the phenomenon of dreams from a subjective perspective through architectural drawing tools through the establishment of domestic space, its relationship with memory and its interpretation. Bachelard (1994) defined our houses as the embodiment of our dreams in the Poetics of Space. Every nook and cranny we have in our homes represents an imaginary* home built from a dream*-memory that has been overshadowed by the past from which we have acquired our daydreaming habits. There are many favorite points, objects, events, memories and people in the houses we live in. It is aimed to explore the role of dream matter and cosmic rituals (tarot, dream interpretations, etc.) together in the formation of this imaginary house. Going beyond the conventional house representation fiction, I am trying the explore intersection of the interpretation and montage of the distinctive parts/ elements of the houses I live in and creating representation of “day-dreams” of different atmospheric spatialities. While creating this work, I research my own memory as a data, treat my memories as a piece, and make a summary of the ‘elements’ of the three houses I have lived in until now. It is aimed to explore the memory, interpretation and imagination by producing representations of dreams that I have never seen personally. By considering the drawing itself as a cosmic ritual, it is aimed to create dreamlike expansions with an exposition of the drawings and to use the potential of dreams as a space constructor.


View Pieces of memory represented by the cards +

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View Day Dream +

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a r a ş tır m a p ro je s i 2 0 2 2 | İTÜ MSci. Architectural Design

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I M· A G · ·[ E]· · IN G RESEARCH PROJEC T

created within‘ MTS507E Architecture in Context Course Tutored by Dr. Bihter Almaç >>> Click for the blog.

I​​​​​​ stanbul Technical University Architectural Design Master’s Program

>>> Click for the project booklet. Click for the Youtube video.

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The “im·ag·[e]·ing” essay film focuses on Agnès’s movie the [act] of gathering, the gather’s [body], and the anthropomorphic [object] the potato, and the site [space] in the film. The psychological-gestural remains of the act of gathering and spatial connections are opened to question through the different aspects of drawing, photography/printing and image/data. The characteristic of the act of gathering, which is defined by the movement, is trying to be deciphered with different hand-gestures in the past and today. The Essay film itself, its text, voice-over and drawings from the different layers of the essay form. The essay takes the reader on a journey through different layers as a set of unexpected discoveries. As Giannetti (1975) said “an essay is neither fiction nor fact, but a personal investigation ”. I’m using essay form as a personal investigation involving both my passion and intellect. The situation that everything around us (space, body, object) is in a state of becoming in the digitalized world is explored with performative transitions between different formats. Our changing production-consumption relationship between the past and the present and the change in the ways we interact with the things we consume creates differentiated-gathering action. Every image we ‘imaging’ while surfing digital screen based media causes different fragments to be collected and consumed.


View Example of Some Drawings +

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a r a ş tır m a p ro je s i 2 0 2 0 | AURA İstanbul

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06 M OV E M E N T OF THE VOID IN RU R AL AR E A RESEARCH PROJEC T

AURA İstanbul | Architecture and Urbanism Research Academy 2020

Location: Altınova, Yalova, Turkey Yürütücü: Büşra Al Sinan Logie

>>> Click for the project booklet.

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The rural area has a structure that includes complex systems. Understanding the rural area requires deciphering it from a holistic perspective, independent of the built environment-natural environment we are used to. In this study, it was aimed to go beyond reading the rural area from the plan plane with a generic method and to explore the space by experiencing it. Walking, though it is not the physical construction of a space, implies a transformation of the place and its meanings. The mere physical presence of man in an unmapped space and the variations of perceptions he receives crossing it, constitute a form of transformation of the landscape that, without leaving visible signs, culturally modifies the meaning of space and therefore the space itself. (Careri, 2016) The steps wandering in the countryside generate unsteady relationships with the environment. Thanks to this experience, each trekker will have their own rural area experience and travel diary. In this study; It is aimed to decipher different rhythms by walking in the layered rural structure. The study sees walking practice as both a means of observing the change of void and an aesthetic practice that continuously (re) constructs the landscape. In this context, the first part of the study aims to establish a perspective on the void in the rural area. The second part creates a narrative by using various data collected during a series of daily walks on a certain route. As a result, it is aimed that the knowledge acquired through researches is experienced with different perspectives and temporality. Five spatial setups have been created that create different sub-voids and experience areas that allow them to be experienced on the specified route.


View Example of Some Pages in the Booklet +

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Map Distribution of pavilions

Diagram Rhythms of the Rural +

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PAVILION (s)

+ Pavilion 1

+ Pavilion 2

+ Pavilion 3

+ Pavilion 4

+ Pavilion 5 +

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