PLA.-;.5 PLAT is a student-directed
TABLE OF CONTENTS
journal published out of the Rice School of Architecture.
Joseph Scherer,
Questions, comments and donations can be directed to: ISSN 2162-4305
Rice School of Architecture
PLATjournal.com
PLAT Journal
editor@PLATjournal.com
MS-50
EDITORS' INTRODUCTION
05
NOTE TO THE CONTRACTOR
06
HAIR, SPIKES, CATTAIL AND TURKEYFOOT
08
Eileen Witte Matthias
Neumann
Wei-Han
Vivian Lee
Houston, Texas 77004 ACKNOWLEDGMENTS The production and publication of PLATwould not have been possible without the talents and generosity of:
EDITORS-IN-CHIEF
Lindsay Howe
Sarah Whiting, Dean, Rice School of Architecture MANAGING
EDITOR
Erin Baer
Lars Lerup, Dean Emeritus, Rice School of Architecture
Curime Batliner,
Fares el Dahdah, Associate Professor, Director of Graduate
Brandon Kruysman,
Studies, Rice School of Architecture DESIGN
Jonathan
Neeraj Bhatia,
Melissa McDonnell
DRAWING
Rr
16 20
MACHINIC
PERTURBATIONS
liE' Glclhdnl
22
Proto
Wortham Fellow, Rice School of Architecture
Rodrigo Lima
Rice School of Architecture,
Renee Reder
Faculty and Staff
The Architecture Society @ Rice WEB DESIGNER
Rice University Graduate Students Association
Ian Searcy
Rice University
CJ MacQuarrie
Jana Vandergoot
Sean Billy Kizy
DIRECTOR
James and Molly Crownover
RE-APPROPRIATING
MiChal'!
Malic ,'II
32
34
MECHANISMS
James Tate
WILD FOOD, WATER WELLS, LOCATIONS MARKERS
40
DRAWING
48
McJrtl G01lc,( Ii
ARCHITECTURAL
SUBTERFUGE:
Nonya Grenader
Theoretical
JDMiner Systems LLC
IN CONVERSATION
WlTff
Raymond Brochstein
IN C()NVERSA7/0N
\!\I/!/-! AII/Ol/lf P,I
Brandon
Joujou Zebdaoui
Kelly Barlow
WIT/I
Garret Jones
Lynn Stekas and John Daley DIRECTOR
AND 26
IN CONVERSATION
of Architecture
ART EDITOR
PLAYING WITH MISCOMMUNICATION AMBIGUITY
Nana Last, Associate Professor, University of Virgina School
GRANT
Solutions for
Urban Realms
Scott Colman, Senior Lecturer, Rice School of Architecture
EDITOR
PUBLISHING
FROM THE EARTH: Sustainable Rapidly Developing
Joseph Scherer, Eileen Witte
Clifford
Characters
and Articulated jo/],
Myths
I fl7nv
50 '18
Of'
C,O
THE MALLEABLE
MANIFESTO
62
KONC: Translating
Music to Form
68
The Henry Luce Foundation, Inc. DISTRIBUTION
DIRECTOR
Architecture Center of Houston Foundation
Amanda Crawley
The Rice Design Alliance
COPY
SPECIAL
CJ MacQuarrie Dimitrie
EDITORS
THANKS
Seanna Walsh, Tracy Bremer, Jessica Tankard, Jessica
Marti Gottsch, Patricia Bacalao, Ethan Feuer, David Dewane
Cronstein, Tsvetelina Zdraveva, Sue Biolsi, Justin Brammer,
India Mittag, Director of Development, Rice School of
Chimaobi Izeogu, Mary Casper, Sara Hieb, Jia Tolentino, Matthew Faega , Lauren Ajamie
?tefanescu
TO
Rebecca Sibley, Brianna Rogers, Louie
WITi-l Aillollll'
P'IO'I
IN CONVERSA7/0N
WITH iVlwiw!!
nell//all
7~ 76
78
UN-SIGNED
Eunike
THE PLAN AFRESH
Arch itectu re Linda L. Sylvan, Executive Director, Rice Design Alliance
STAFF Matthew Austin,
70
ABUSE
Louis Weiss
IN CONVERSATION
Raj Mankad, Editor of Cite, Rice Design Alliance
Weiss, Jenny Zhan, Alex Gregor, Timmie Chan, Nicholas
ALGORITHMIC
IN CONVER:)A710N
84 WITH Joll/7 /'v'c':'
BIM
OJ
92
Jared Hagens
RESTRAINING
Victoria Goldstein
COLLAGE STRATEGIES
J\lex Cornelius
THE DEATH OF THE PORTRAIT: from Cubism to CATIA 98
PRINTER The Prolific Group
I
Printed in Canada
96
Weiss, Andrew Daley
lOll
PLA.-;.5 PLAT is a student-directed
TABLE OF CONTENTS
journal published out of the Rice School of Architecture.
Joseph Scherer,
Questions, comments and donations can be directed to: ISSN 2162-4305
Rice School of Architecture
PLATjournal.com
PLAT Journal
editor@PLATjournal.com
MS-50
EDITORS' INTRODUCTION
05
NOTE TO THE CONTRACTOR
06
HAIR, SPIKES, CATTAIL AND TURKEYFOOT
08
Eileen Witte Matthias
Neumann
Wei-Han
Vivian Lee
Houston, Texas 77004 ACKNOWLEDGMENTS The production and publication of PLATwould not have been possible without the talents and generosity of:
EDITORS-IN-CHIEF
Lindsay Howe
Sarah Whiting, Dean, Rice School of Architecture MANAGING
EDITOR
Erin Baer
Lars Lerup, Dean Emeritus, Rice School of Architecture
Curime Batliner,
Fares el Dahdah, Associate Professor, Director of Graduate
Brandon Kruysman,
Studies, Rice School of Architecture DESIGN
Jonathan
Neeraj Bhatia,
Melissa McDonnell
DRAWING
Rr
16 20
MACHINIC
PERTURBATIONS
liE' Glclhdnl
22
Proto
Wortham Fellow, Rice School of Architecture
Rodrigo Lima
Rice School of Architecture,
Renee Reder
Faculty and Staff
The Architecture Society @ Rice WEB DESIGNER
Rice University Graduate Students Association
Ian Searcy
Rice University
CJ MacQuarrie
Jana Vandergoot
Sean Billy Kizy
DIRECTOR
James and Molly Crownover
RE-APPROPRIATING
MiChal'!
Malic ,'II
32
34
MECHANISMS
James Tate
WILD FOOD, WATER WELLS, LOCATIONS MARKERS
40
DRAWING
48
McJrtl G01lc,( Ii
ARCHITECTURAL
SUBTERFUGE:
Nonya Grenader
Theoretical
JDMiner Systems LLC
IN CONVERSATION
WlTff
Raymond Brochstein
IN C()NVERSA7/0N
\!\I/!/-! AII/Ol/lf P,I
Brandon
Joujou Zebdaoui
Kelly Barlow
WIT/I
Garret Jones
Lynn Stekas and John Daley DIRECTOR
AND 26
IN CONVERSATION
of Architecture
ART EDITOR
PLAYING WITH MISCOMMUNICATION AMBIGUITY
Nana Last, Associate Professor, University of Virgina School
GRANT
Solutions for
Urban Realms
Scott Colman, Senior Lecturer, Rice School of Architecture
EDITOR
PUBLISHING
FROM THE EARTH: Sustainable Rapidly Developing
Joseph Scherer, Eileen Witte
Clifford
Characters
and Articulated jo/],
Myths
I fl7nv
50 '18
Of'
C,O
THE MALLEABLE
MANIFESTO
62
KONC: Translating
Music to Form
68
The Henry Luce Foundation, Inc. DISTRIBUTION
DIRECTOR
Architecture Center of Houston Foundation
Amanda Crawley
The Rice Design Alliance
COPY
SPECIAL
CJ MacQuarrie Dimitrie
EDITORS
THANKS
Seanna Walsh, Tracy Bremer, Jessica Tankard, Jessica
Marti Gottsch, Patricia Bacalao, Ethan Feuer, David Dewane
Cronstein, Tsvetelina Zdraveva, Sue Biolsi, Justin Brammer,
India Mittag, Director of Development, Rice School of
Chimaobi Izeogu, Mary Casper, Sara Hieb, Jia Tolentino, Matthew Faega , Lauren Ajamie
?tefanescu
TO
Rebecca Sibley, Brianna Rogers, Louie
WITi-l Aillollll'
P'IO'I
IN CONVERSA7/0N
WITH iVlwiw!!
nell//all
7~ 76
78
UN-SIGNED
Eunike
THE PLAN AFRESH
Arch itectu re Linda L. Sylvan, Executive Director, Rice Design Alliance
STAFF Matthew Austin,
70
ABUSE
Louis Weiss
IN CONVERSATION
Raj Mankad, Editor of Cite, Rice Design Alliance
Weiss, Jenny Zhan, Alex Gregor, Timmie Chan, Nicholas
ALGORITHMIC
IN CONVER:)A710N
84 WITH Joll/7 /'v'c':'
BIM
OJ
92
Jared Hagens
RESTRAINING
Victoria Goldstein
COLLAGE STRATEGIES
J\lex Cornelius
THE DEATH OF THE PORTRAIT: from Cubism to CATIA 98
PRINTER The Prolific Group
I
Printed in Canada
96
Weiss, Andrew Daley
lOll
PL~n" Art is a representation of a lack: lack of the Whole, lack of an Order, lack of the Other. The prehistoric cave paintings of Lascaux were projections of the object of the hunter's desire. All surviving artifacts and monuments of civilization are materializations of desired objects; that is, every construct is built in the place of a preconceived lack. Without representing the lack of a particular object, the will to form is a blind force that gropingly explores a space of virtual forms desiring to be real. Therefore, representation plots future movement, just like the map orients the explorer towards his future destination. Representation constitutes a reversal through which space and time begin to be traversed according to the systems of their representation. Symbols were inscribed, miniature mock-ups were carved, and songs were put together to assign meaning to an intractable and even senseless sequence of events. Design has always addressed the wish to control matter, to bestow on it a desired complexity and use it as another end of human intelligence. The technological innovations of the twenty-first century shortened the distance between the virtual, desired object and its physical actualization; through software interfaces, rapid prototyping techniques, and programmable materials, we advanced toward a geometry of our private desires and the private means of their production. The map expresses an insatiable desire to attain, to mold, and even transcend the territory. The words of the Representer approach metonymically the absent object like mappings of an
PROLEGOMENA TO ANY FUTURE SCIENCE FICTION
unattainable Utopia - a map without a territory.
Michael Vlasopoulos What would a future emancipated from representation techniques look like? Is hisYou see; so we've always been on our way to this new place - that is no place, really - but is real. It's our nature to represent. We're the animal that represents, the sale and only maker of maps. And if our weakness has been to
1
"Memory
Palace." William
Gibson. No Maps for These Territories.
DVD. Directed by Mark
Neale. Docurama, 2000.
Desire constitutes the single form-finding force of reality; gone are the archaic abstractions of reality to two-dimensional
surfaces and coordinate systems, our
transcripts and our digital simulations.
confuse the bright and bloody colors of our calendars with the true weather of days, and the parchment's
tory possible without the ability to consciously define absences? In such a scenario,
territory of our maps with the land spread out before The Id-machine is a contraption that generates material forms in place of im-
us - never mind. We have always been on our way to this new place - that is
material desires3 It renders the role of the architect obsolete, or distributes it as
no place, really - but it is real.
an unbounded potential. The distance between the organism and its exterior is William
Gibson - "Memory
Palace"
dissolved in a wish-fulfilling
1
continuum. There is no absence to be represented. The
Id-machine instantly brings every story to completion, uniting the subject with the The organism is an aggregate that perseveres through its relations to an exterior.2
2
"You cannot,"
Christopher
Life is located in the gap between a desirous something and a desired other.
Alexander notes, "separate the pher Alexander, The Timeless
Any future science fiction has to investigate the implications of an unmediated
covered. This is the personal odyssey of the organism: to incorporate more
Way of Building.
manipulation of matter and the ominous possibility of a suffocating overabun-
exterior to its interior, to strive for fullness. Myths trace the asymptotic courses of
32.
Oxford University
(New York, Press, 1979),
Stalker (1979) intelligent
and the near-
marine planet of
Solaris (1972),
dance of forms. If not for the filters of priority and selection that taxonomize the
the desirous agent and the desired object. The hero competes with the external
lacks of this world, it would be saturated with forms in the name of individual
forces that impede fulfillment and defer closure. When the obstacles bring the
and collective desire. A world in which we don't represent in order to design but
protagonist to a dead-end, a deus ex machina presents itself with its epiphany;
rather think through matter constitutes a return to a pre-symbolic interaction with
by manifesting itself to the mortals, the divine entity intervenes to bridge the
the environment. It would bring us before the Lascaux cave drawings, back to a
plot-sustaining gap.
world where the only language available was the force of action. The imaginary of science-fiction,
long-grounded by the phantasmagoria of digital simulations and
virtual realities, could be reignited as literal reification. Nothing is left for fantasy.
108
telluric Zone in A. Tarkovsky's
object of Desire.
The object of desire defines a horizon of activity and, with it, a distance to be
lung from its oxygen." Christo路
Important precedents in science fiction include the infamous 3
109
following
page,
Id Machine,
Courtesy of Author
PL~n" Art is a representation of a lack: lack of the Whole, lack of an Order, lack of the Other. The prehistoric cave paintings of Lascaux were projections of the object of the hunter's desire. All surviving artifacts and monuments of civilization are materializations of desired objects; that is, every construct is built in the place of a preconceived lack. Without representing the lack of a particular object, the will to form is a blind force that gropingly explores a space of virtual forms desiring to be real. Therefore, representation plots future movement, just like the map orients the explorer towards his future destination. Representation constitutes a reversal through which space and time begin to be traversed according to the systems of their representation. Symbols were inscribed, miniature mock-ups were carved, and songs were put together to assign meaning to an intractable and even senseless sequence of events. Design has always addressed the wish to control matter, to bestow on it a desired complexity and use it as another end of human intelligence. The technological innovations of the twenty-first century shortened the distance between the virtual, desired object and its physical actualization; through software interfaces, rapid prototyping techniques, and programmable materials, we advanced toward a geometry of our private desires and the private means of their production. The map expresses an insatiable desire to attain, to mold, and even transcend the territory. The words of the Representer approach metonymically the absent object like mappings of an
PROLEGOMENA TO ANY FUTURE SCIENCE FICTION
unattainable Utopia - a map without a territory.
Michael Vlasopoulos What would a future emancipated from representation techniques look like? Is hisYou see; so we've always been on our way to this new place - that is no place, really - but is real. It's our nature to represent. We're the animal that represents, the sale and only maker of maps. And if our weakness has been to
1
"Memory
Palace." William
Gibson. No Maps for These Territories.
DVD. Directed by Mark
Neale. Docurama, 2000.
Desire constitutes the single form-finding force of reality; gone are the archaic abstractions of reality to two-dimensional
surfaces and coordinate systems, our
transcripts and our digital simulations.
confuse the bright and bloody colors of our calendars with the true weather of days, and the parchment's
tory possible without the ability to consciously define absences? In such a scenario,
territory of our maps with the land spread out before The Id-machine is a contraption that generates material forms in place of im-
us - never mind. We have always been on our way to this new place - that is
material desires3 It renders the role of the architect obsolete, or distributes it as
no place, really - but it is real.
an unbounded potential. The distance between the organism and its exterior is William
Gibson - "Memory
Palace"
dissolved in a wish-fulfilling
1
continuum. There is no absence to be represented. The
Id-machine instantly brings every story to completion, uniting the subject with the The organism is an aggregate that perseveres through its relations to an exterior.2
2
"You cannot,"
Christopher
Life is located in the gap between a desirous something and a desired other.
Alexander notes, "separate the pher Alexander, The Timeless
Any future science fiction has to investigate the implications of an unmediated
covered. This is the personal odyssey of the organism: to incorporate more
Way of Building.
manipulation of matter and the ominous possibility of a suffocating overabun-
exterior to its interior, to strive for fullness. Myths trace the asymptotic courses of
32.
Oxford University
(New York, Press, 1979),
Stalker (1979) intelligent
and the near-
marine planet of
Solaris (1972),
dance of forms. If not for the filters of priority and selection that taxonomize the
the desirous agent and the desired object. The hero competes with the external
lacks of this world, it would be saturated with forms in the name of individual
forces that impede fulfillment and defer closure. When the obstacles bring the
and collective desire. A world in which we don't represent in order to design but
protagonist to a dead-end, a deus ex machina presents itself with its epiphany;
rather think through matter constitutes a return to a pre-symbolic interaction with
by manifesting itself to the mortals, the divine entity intervenes to bridge the
the environment. It would bring us before the Lascaux cave drawings, back to a
plot-sustaining gap.
world where the only language available was the force of action. The imaginary of science-fiction,
long-grounded by the phantasmagoria of digital simulations and
virtual realities, could be reignited as literal reification. Nothing is left for fantasy.
108
telluric Zone in A. Tarkovsky's
object of Desire.
The object of desire defines a horizon of activity and, with it, a distance to be
lung from its oxygen." Christo路
Important precedents in science fiction include the infamous 3
109
following
page,
Id Machine,
Courtesy of Author
AUTHOR BIOGRAPHIES Curime Batliner
is a European
dcsignercurrent:ly
his Bachelor
from the Tcchnic<ll University
of Vienna in 2008. he transferred
the University under at
of Applied
Arts, die Angewandre,
Greg Lynn. He is currently
The Southern
research
degree
located
in Los Angeles. After receiving
California
a Masters
lnstitute
for architecture
serves as an assistant
to the Depnrtment
She is currently of townships
in Architecrure
where
works as a translator
working
of Architecture.
Garrett
candidate
and has led
Jones
Dallas architecture
ClIrrent
E. LeFevre
of Architecture,
the 2011 SOM Architecture
iVlatter Dcsign. Brandon rvlovement
of the architect
member
which is dedicated
in an ever-changing
of
Bachelor
of Architecture
Southern
California
to re-imagining
the role
I
socielY marterdesignscudio.com
search
program
on computational
Philadelphia
chitects
is currently
in Beijing, China where
within the rapidly
transforming
a design architect
he explores Chinese
at a variety of scales, his work explores representational
techniques
matic, and technological the contemporary
Eu ni ke
the potential
Operating
professor
studied
materi,ll, shifting
in Singapore,
in the US. She is currently
Master
degree
geometry
a.t
Planning.
construcrion
cli-
systems
of
director
teaches
program
towards
a
of the Archirectural
Architectural
Design
in the
project
manager
lives and works in Houston
A:,;sociation (London,
to be humbled
recently
University's
located
completed
his Master
of Architec-
He Ltd. in
and assistant
School of Architecture
focuses on the intersection Prior to teaching,
of
Lee practiced
as a
and LTL Architects
Li ma
Canada.
his knowledge
degree
Calirornia,
department's
his Bachelor
of Science
of Technology
in Architec-
and recently
received
a
from the California
College of the Arts
where he is co-founding
editor of the
first student
Currently
working
in the profession
is a graduate
Texas at Austin School of Architecture. Partners
fabrication
in San Antonio
Christian
Schools.
and several
publication.
pursuing
of Technology
a Master in Zurich.
student
at the University
of
Prior to this, he worked
and taught
Architecture
He is currently
involved
with
courses
at
in furniture
design competitions.
as an
continues
Michael Maltzan Maltzan
Architecture
is an AlA Fellow and principal
in Los Angeles.
the arts. he is committed
is curremly
Institute
received
and
on a daily basis.
at the Swiss Federal
rabrication.
ofL/MAS
Taubman
in the offices of SHoP Architects
CJ MacQuarrie
and is
UK) Visiting School
Azrieli School of Architecture
in Ottawa. Ontario. in Ottawa,
Li ndsay Howe
Her research
iVlaster or Architecture
Overland
Jared Haggens
Architect
Re-
wirh a rocus
in New York.
is a partner
of Michigan's
institute
San Antonio
Urbanism,
robotic
in the
in Design
and Technologies,
and synchronous
tllre frolll the Georgia
architecture
in Buenos Aires.
intern
Systems
enrolled Master
Jt the Gerald D. Hines College of
UH. She currently
ture from Carleton
located with a
and is currently
of Architecture's
and representation.
Rodrigo
and gO[ swal-
working
in Rice University.
Goldstein
Architecture
designer University
at design offices such as Point B Design,
University
in San Francisco,
Graduate
a number
in New York Ciry.
grew up in Jakarta.
Architecture.
experience
He is also pursuing
and the THEVÂŁRYivlANY
and Urban
of non-standard
as a means of intersecting
lowed into architecture
Victoria
degree.
Wei-Han Vivian Lee
the role of architecture
city.
of Architecture
and also has project
at MAD Ar-
urban condition.
biases wirh the continually
years with
is an architectural
Institute
worked
at the Uni-
several
from Philadelphia
in Emerging
has previously
themalleablists.org
Alex Cornelius
of
design competitions.
Kruysman
of the Malleablist
student
this, he worked
Baldridge.
in Los Angeles. He graduated
Fellow, and Principal
is also a founding
in architecture,
School
Burton
architectural
Brandon
'29 Emerging
Knowlton
to
firm SmithGroup,
of large-scale
is the Howard
is a jVlasters of Architecture
versiry of Texas at Austin. Prior
tive representation.
Clifford
the retrofitting
South Africa and the reconciliation
these pieces with the urban whole.
to
with Austin Architect
Fellow at the Ohio State University
Architecture.
he studied
of Architecture
within Peter Testa's Xlab for the past two years. His
Brandon
IOplc:olflllt!
of Landscape
on her thesiS, which addresses
in Johannesburg,
thesis research explores synchronous robotic fabrication and genera-
Practitioner
and design-I'doled
to creating
Building architecture
new experiences
and an agent for change
of Architecture
been recognized
with numerous
where she
Architecture
awards. 23 citations
accolades,
of Michael
on his background that is a catalyst
in for
in our cities. This work has including
from rhe American
five Progressive Insriture
of Archi-
AUTHOR BIOGRAPHIES Curime Batliner
is a European
dcsignercurrent:ly
his Bachelor
from the Tcchnic<ll University
of Vienna in 2008. he transferred
the University under at
of Applied
Arts, die Angewandre,
Greg Lynn. He is currently
The Southern
research
degree
located
in Los Angeles. After receiving
California
a Masters
lnstitute
for architecture
serves as an assistant
to the Depnrtment
She is currently of townships
in Architecrure
where
works as a translator
working
of Architecture.
Garrett
candidate
and has led
Jones
Dallas architecture
ClIrrent
E. LeFevre
of Architecture,
the 2011 SOM Architecture
iVlatter Dcsign. Brandon rvlovement
of the architect
member
which is dedicated
in an ever-changing
of
Bachelor
of Architecture
Southern
California
to re-imagining
the role
I
socielY marterdesignscudio.com
search
program
on computational
Philadelphia
chitects
is currently
in Beijing, China where
within the rapidly
transforming
a design architect
he explores Chinese
at a variety of scales, his work explores representational
techniques
matic, and technological the contemporary
Eu ni ke
the potential
Operating
professor
studied
materi,ll, shifting
in Singapore,
in the US. She is currently
Master
degree
geometry
a.t
Planning.
construcrion
cli-
systems
of
director
teaches
program
towards
a
of the Archirectural
Architectural
Design
in the
project
manager
lives and works in Houston
A:,;sociation (London,
to be humbled
recently
University's
located
completed
his Master
of Architec-
He Ltd. in
and assistant
School of Architecture
focuses on the intersection Prior to teaching,
of
Lee practiced
as a
and LTL Architects
Li ma
Canada.
his knowledge
degree
Calirornia,
department's
his Bachelor
of Science
of Technology
in Architec-
and recently
received
a
from the California
College of the Arts
where he is co-founding
editor of the
first student
Currently
working
in the profession
is a graduate
Texas at Austin School of Architecture. Partners
fabrication
in San Antonio
Christian
Schools.
and several
publication.
pursuing
of Technology
a Master in Zurich.
student
at the University
of
Prior to this, he worked
and taught
Architecture
He is currently
involved
with
courses
at
in furniture
design competitions.
as an
continues
Michael Maltzan Maltzan
Architecture
is an AlA Fellow and principal
in Los Angeles.
the arts. he is committed
is curremly
Institute
received
and
on a daily basis.
at the Swiss Federal
rabrication.
ofL/MAS
Taubman
in the offices of SHoP Architects
CJ MacQuarrie
and is
UK) Visiting School
Azrieli School of Architecture
in Ottawa. Ontario. in Ottawa,
Li ndsay Howe
Her research
iVlaster or Architecture
Overland
Jared Haggens
Architect
Re-
wirh a rocus
in New York.
is a partner
of Michigan's
institute
San Antonio
Urbanism,
robotic
in the
in Design
and Technologies,
and synchronous
tllre frolll the Georgia
architecture
in Buenos Aires.
intern
Systems
enrolled Master
Jt the Gerald D. Hines College of
UH. She currently
ture from Carleton
located with a
and is currently
of Architecture's
and representation.
Rodrigo
and gO[ swal-
working
in Rice University.
Goldstein
Architecture
designer University
at design offices such as Point B Design,
University
in San Francisco,
Graduate
a number
in New York Ciry.
grew up in Jakarta.
Architecture.
experience
He is also pursuing
and the THEVÂŁRYivlANY
and Urban
of non-standard
as a means of intersecting
lowed into architecture
Victoria
degree.
Wei-Han Vivian Lee
the role of architecture
city.
of Architecture
and also has project
at MAD Ar-
urban condition.
biases wirh the continually
years with
is an architectural
Institute
worked
at the Uni-
several
from Philadelphia
in Emerging
has previously
themalleablists.org
Alex Cornelius
of
design competitions.
Kruysman
of the Malleablist
student
this, he worked
Baldridge.
in Los Angeles. He graduated
Fellow, and Principal
is also a founding
in architecture,
School
Burton
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versiry of Texas at Austin. Prior
tive representation.
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the retrofitting
South Africa and the reconciliation
these pieces with the urban whole.
to
with Austin Architect
Fellow at the Ohio State University
Architecture.
he studied
of Architecture
within Peter Testa's Xlab for the past two years. His
Brandon
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of Landscape
on her thesiS, which addresses
in Johannesburg,
thesis research explores synchronous robotic fabrication and genera-
Practitioner
and design-I'doled
to creating
Building architecture
new experiences
and an agent for change
of Architecture
been recognized
with numerous
where she
Architecture
awards. 23 citations
accolades,
of Michael
on his background that is a catalyst
in for
in our cities. This work has including
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