Onstage Ogden November 2023 Concerts

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SEASON

2023 2024 NOVEMBER


C H E C K OUT LiveEccles.com FOR ALL SHOWS AND INFORMATION @LiveEccles


WELCOME Timeless tunes have no expiration date. This month, we are thrilled to present a musical trifecta that perfectly encapsulates this idea: the Utah Symphony performing Beethoven’s 9th, the incomparable Audra McDonald, and Postmodern Jukebox. Imagine a musical composition so universal that it transcends time and genre to resonate with listeners of every age and preference. That’s Beethoven’s 9th Symphony for you. This isn’t just ‘classical music’ — it’s a soundtrack to humanity. The power of Beethoven’s symphony lies in its ability to speak a language that every heart understands, regardless of whether or not you’re an aficionado. Enter Audra McDonald, a powerhouse presence, making the classics feel like they were written yesterday. Audra doesn’t just sing; she brings stories to life, infusing oldschool charm into songs that might not be on your usual playlist but will surely find a place in your memory. Her renditions of the Great American Songbook aren’t a history lesson, they’re a mixtape of the human experience. Next up is Postmodern Jukebox, a musical collective that’s all about breaking down the boundaries of time with style. Regardless of whether you grew up with vinyl records or streaming services, their performances are a whirlwind tour through the decades that’ll make you want to tap your feet. Here’s to the music that brings us together, the wonderful artists who make it all happen, and of course our amazing donors. Your support doesn’t just fund a show; it ignites our community’s love for live music and keeps the melodies playing, the lights shining, and the curtains rising. Because of you, audiences of all ages get to experience timeless tunes. Thanks for joining us this evening and we hope to see you back again soon. James Fredrick Executive Director, Onstage Ogden 801-399-9214 / 3


ONSTAGE OGDEN

In 1949, Beverly Lund and Ginny Mathei decided they wanted to add even more culture to Weber County. So, for the small fee of $400, they brought the Utah Symphony to Ogden for a single performance. Three hundred people attended the concert. This 1949 concert was a big success, so the women decided to present even more concerts in Ogden. They organized a committee within the Welfare League (later the Junior League) to raise funds for the Symphony Concerts. Then, in 1957, this committee reformed and incorporated as the Ogden Guild. After a few more name changes and the addition of Ballet West performances in 1982, the organization became the Ogden Symphony Ballet Association. Under the direction of numerous board members and long-serving Executive Directors like Jean Pell (27 years), and Sharon Macfarlane (14 years), Onstage Ogden has expanded our programming to include internationally renowned classical dance, vocal, and chamber music. Since our inception, we have presented over 800 performances to tens of thousands of Utahns. In addition, Onstage Ogden actively works to engage and educate younger patrons. For example, our Youth Guild has provided generations of high school students with opportunities to serve. We also offer a variety of education classes, from Masterworks Music Detectives to Music and Dance Explorers. And we are partnering with several local community organizations to expand these programs to reach even more children and students. Onstage Ogden is proud to celebrate over 70 years sponsoring only the finest music and dance in the Greater Ogden area. We believe the arts have the power to inspire and uplift, and we are firmly committed to providing everyone in our community with greater access to the arts.

Mills Publishing, Inc. Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Graphic Design; Patrick Witmer, Graphic Design/Web Developer; Paula Bell, Dan Miller Advertising Representatives Onstage Ogden is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2023.

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BOARD & STAFF BOARD OF DIRECTORS Jean Vaniman President

Cirilo Franco At-Large Member, Executive Committee

Christina Myers President-Elect

Wendy Roberts At-Large Member, Executive Committee

Jennifer Webb Vice President

Deborah Uman Taylor Knuth Kate Holbrook Clark Daniele Bendinelli John Fromer Rosemary Lesser

Joyce Stillwell Secretary Roger Christensen Treasurer

FOUNDATION Russel King Chair

Meg Naisbitt Vice Chair

Russ King Ex-Officio Member Onstage Ogden Foundation

Dotty Steimke Treasurer

Secretary

Michael S. Malmborg Dr. Judith Mitchell Carolyn N. Rasmussen Sherm Smith Nikki Thon

STAFF James Fredrick

Camille Washington

Executive Director

Marketing & Box Office Manager

Andrew Barrett Watson

Avery Franklin

Marti M. Clayson

Outreach & Events Manager

Sarah Lorna Bailey

Audience Engagement & Administrative Coordinator

Development Coordinator

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2023–24 SEASON

Preservation Hall Jazz Band July 25, 2023 at 7:30PM

Audra McDonald Nov. 9, 2023 at 7:30PM

Casablanca in Concert Feb. 8, 2024 at 7:30PM

Dvořák’s New World Symphony Sept. 14 at 7:30PM

Scott Bradlee’s Postmodern Jukebox Nov. 19, 2023 at 7:30PM

International Guitar Night Feb. 15, 2024 at 7:30PM

Tres Souls Sept. 15, 2023 at 7:30PM

Ballet West’s The Nutcracker Dec. 1, 2023 at 7:00PM Dec. 2, 2023 at 2:00PM & 7:00PM Dec. 3, 2023 at 2:00PM

Jazz at Lincoln Center Feb. 17, 2024 at 7:30PM

BYU World of Dance Sept. 23, 2023 at 2:00PM & 7:30PM Gabriel Royal Sept. 27, 2023 at 7:30PM Twisted Pine Oct. 12, 2023 at 7:30PM Puddles Pity Party Oct. 20, 2023 at 7:30PM Cirque Mechanics: Zephyr Oct. 21, 2023 at 2:00PM & 7:30PM

Here Comes Santa Claus Dec. 12, 2023 at 7:00PM Potted Potter Jan. 18, 2024 at 7:30PM Jan. 19, 2024 at 7:30PM

Lone Piñon Mar. 1, 2024 at 7:30PM Peter & the Wolf Mar. 14, 2024 at 7:00PM Chad Lawson Mar. 23, 2024 at 7:30PM

Prokofiev’s Violin Concerto No. 1 Feb. 1, 2024 at 7:30PM

The 5 Browns Apr. 19, 2024 at 7:30PM

BYU Men’s and Women’s Choruses Feb. 3, 2024 at 7:30PM

Anderson & Roe May 2, 2024 at 7:30PM

Beethoven’s Symphony No. 9 Nov. 2 at 7:30PM

Arts

The Onstage Ogden’s 2023–2024 season is funded in part by grants from the National Endowment for the Arts, the Utah Division of Arts and Museums, Weber County Recreation, Arts, Museums, and Parks (RAMP) program, and Ogden City Arts.

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ONSTAGE OGDEN

BEETHOVEN’S SYMPHONY NO. 9 November 2, 2023 / 7:30PM BROWNING CENTER AT WSU DAVID ROBERTSON, conductor SHARON BJORNDAL LAVERY, chorus director CELENA SHAFER, soprano DEBORAH NANSTEEL, mezzo-soprano CHAD SHELTON, tenor ZACHARY NELSON, baritone UTAH SYMPHONY CHORUS

BEETHOVEN

Beethoven: Symphony No. 9 in D minor, Op. 125, “Choral” I. Allegro ma non troppo, un poco maestoso II. Molto vivace III. Adagio molto e cantabile IV. Presto - Allegro assai - Allegro assai vivace

S E A SO N S P O N SO R

CO N C E RT S P O N SO R

VAL A. BROWNING CHARITABLE FOUNDATION

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ARTISTS’ PROFILES DAVID ROBERTSON Conductor

David Robertson—conductor, artist, composer, thinker, American musical visionary— occupies the most prominent podiums in opera, orchestral, and new music. He is a champion of contemporary composers, and an ingenious and adventurous programmer. Robertson has served in numerous artistic leadership positions, such as Chief Conductor and Artistic Director of the Sydney Symphony Orchestra, a transformative 13-year tenure as Music Director of the St. Louis Symphony Orchestra, with the Orchestre National de Lyon, BBC Symphony Orchestra, and, as

CELENA SHAFER Soprano

After two summers as an apprentice at the Santa Fe Opera, the career of soprano Celena Shafer was launched to critical raves as Ismene in Mozart’s Mitridate, re di Ponto. Since that breakthrough debut, Shafer has garnered acclaim for her silvery voice, fearlessly committed acting, and phenomenal technique. Since first appearing with the Utah Symphony | Utah Opera as a high school

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protégé of Pierre Boulez, the Ensemble InterContemporain. In 2023, he made his first return to Sydney, and will begin a three-year tenure as the inaugural Creative Partner of the Utah Symphony and Opera. Since his 1996 Metropolitan Opera debut, Robertson has conducted a breathtaking range of Met projects, including the 2019–20 season opening premiere production of Porgy and Bess, for which he shared a Grammy Award, Best Opera Recording, in March 2021. In 2022, he conducted the Met Opera revival of the production, in addition to making his Rome Opera debut conducting Janáček’s Káťa Kabanová.

student, Shafer has performed operatic roles there including The Queen of the Night in The Magic Flute, Musetta in La Boheme, Constanze in The Abduction from the Seraglio, Rosina in Il barbiere di Siviglia, Gilda in Rigoletto, Norina in Don Pasquale, and Lisette in La Rondine. She was the 2014–15 season Artist-inResidence and recently has sung a New Year’s Eve Gala, Beethoven Symphony No. 9, Mahler Symphonies Nos. 2, 4, and 8, and the Mighty Five Tour through Utah’s state parks, all led by Thierry Fischer.


ARTISTS’ PROFILES DEBORAH NANSTEEL Mezzo-Soprano

“A formidable display of vocal power and dramatic assurance,” mezzo-soprano Deborah Nansteel made her debut with The Metropolitan Opera as Alisa in Lucia

CHAD SHELTON Tenor

Chad Shelton is in demand as a concert soloist and has joined the Minnesota Orchestra for Mozart’s Requiem, Beethoven’s Symphony No. 9, Janáček’s The Diary of One Who Vanished, as well as the title role in concert performances of Candide. He has sung Siegel’s Kaddish with the Houston Symphony; Beethoven’s Symphony No. 9 with the Utah Symphony, Pacific Symphony, Phoenix Symphony, Rochester Philharmonic, and Colorado Music Festival and Mozart’s Requiem with

ZACHARY NELSON Baritone

The 2023–2024 season features a mix of role debuts and favorites for Zachary Nelson. During the summer of 2024 he debuts the role of Faninal in Der

di Lammermoor, her debut with the Lyric Opera of Chicago as Gertrude in Roméo et Juliette, her Carnegie Hall debut in Mozart’s Coronation Mass, and her New York Philharmonic debut alongside Eric Owens in In Their Footsteps: Great African American Singers and Their Legacy.

the Mormon Tabernacle Choir; Verdi’s Requiem with the Brussels Philharmonic; Handel’s Messiah with the Virginia Symphony Orchestra and the Houston Symphony; and a gala concert of opera favorites with the Puerto Rico Symphony Orchestra. He is the recipient of a Richard Tucker Foundation Career Grant and the Richard F. Gold Career Grant from the Shoshana Foundation. He holds a Master of Music degree and Artist diploma from the Yale University School of Music and a Bachelor of Music degree from Louisiana State University.

Rosenkavalier with Santa Fe Opera. Earlier in the season he makes several other returns: to Florentine Opera as Dulcamara in L’elisir d’amore; Atlanta Opera as Marcello in La bohème, and Arizona Opera as Leporello in Don Giovanni. In concert he appears with the Sag Harbor Song Festival in recital.

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HISTORY OF THE MUSIC

Symphony No. 9 in D Minor, op. 125 (“Choral”)

Duration: 65 minutes in four movements.

THE COMPOSER – LUDWIG VAN BEETHOVEN (1770–1827) – When nearing the completion of what was to be his final symphony, the 9th, Beethoven initially considered a premiere location outside of Vienna. At the time, he harbored significant displeasure with the Austrian capital’s lack of support for serious music in general, and his music in particular. No longer interested in his concerti, sonatas, or symphonies, Beethoven believed, Viennese audiences were instead rushing to hear Rossini operas and other “light” populist fare. But he was wrong. When he made contact with promoters in Berlin regarding the 9th, word quickly spread in Vienna and his many admirers there presented him with a letter of support that included a successful plea on behalf of the city and its audiences.

THE HISTORY – The 9th Symphony is difficult to define adequately, so massive was its scope and so indelible its historical importance. The work stood guard over the entirety of the 19th century, inspiring nearly every future composer to seek previously unknowable possibilities in the genre of the symphony. Beethoven ignored the limits of rhythm, harmony, structure, and nearly every other Classical-era convention in this piece and the famous fourth movement defies even contemporary attempts at classification. That such disparate elements – from the Turkish March to Friedrich Schiller’s “Ode to Joy” to the fragmentary backward glances to the prior movements – could be so richly

By Jeff Counts

interwoven over its 24 minutes serves as final confirmation of Beethoven’s topmost place among the gods of our musical pantheon. Few have summed up this music better than author and scholar Jan Swafford, who said “The Ninth Symphony, forming and dissolving before our ears in its beauty and terror and simplicity and complexity, is itself Beethoven’s embrace for the millions…” He’s referring to the millions (us) mentioned in Schiller’s text. The May 7, 1824 premiere at Vienna’s Kärntnertortheatre surely ranks among the greatest public triumphs of his life. On the concert with the “Choral” Symphony were the Consecration of the House Overture and three sections of the Missa Solemnis. The sold-out house was incredibly enthusiastic and their ovation at the close of the symphony created one of the most poignant moments of the composer’s career. Beethoven, then fully deaf, continued to leaf through his score until one of the soloists got his attention and pointed to the cheering Viennese audience, to whom he politely bowed. It feels tragic now to recall the repeat performance which occurred a little over two weeks later – a poorly attended, financially disastrous affair that would be Beethoven’s last concert.

THE WORLD – Elsewhere in 1824, the U.S. saw the creation of the Bureau of Indian Affairs, Simón Bolívar was installed as dictator of Peru, New Holland was renamed Australia, Stonewall Jackson was born, and Lord Byron died.

THE CONNECTION – Beethoven 9 has been programmed frequently over the years by Utah Symphony. The most recent performance was in September 2018 under Thierry Fischer.


ONSTAGE OGDEN

AUDRA MCDONALD November 9, 2023 / 7:30PM BROWNING CENTER AT WSU ANDY EINHORN, conductor AUDRA MCDONALD, vocals UTAH SYMPHONY

S E A SO N S P O N SO R

CO N C E RT S P O N SO R

ALAN & JEANNE HALL FOUNDATION

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ARTISTS’ PROFILES ANDY EINHORN Conductor

In the 2016–17 season, Broadway music director and conductor Andy Einhorn leads the Indianapolis Symphony, Houston Symphony, Calgary Philharmonic, Tucson Symphony, and Fresno Philharmonic orchestras. Beginning in April 2017 he conducts Bette Midler in the Broadway revival of Michael Stewart and Jerry Herman’s Hello Dolly!, for which he serves as music director. Mr. Einhorn’s other Broadway credits include Irving Berlin’s Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s

AUDRA MCDONALD Vocals

Audra McDonald is unparalleled in the breadth and versatility of her artistry as both a singer and an actor. The winner of a record-breaking six Tony Awards, two Grammy Awards and an Emmy Award, in 2015 she was named one of Time magazine’s 100 most influential people and received the National Medal of Arts— America’s highest honor for achievement in the field—from President Barack Obama. Blessed with a luminous soprano and an incomparable gift for dramatic truth-telling, she is as much at home on Broadway and the opera stage as in her film and television roles. Alongside her theatrical work, she maintains a major career as a concert and recording artist, 14 / OnstageOgden.org

Cinderella, Andrew Lloyd Weber’s Evita, Stu Barker’s music for Brief Encounter, Adam Guettel’s The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Theatre du Châtelet’s production of Sondheim’s Passion in Paris. Since 2011 Mr. Einhorn has served as music director and pianist for six-time Tony Award winner Audra McDonald, performing with ensembles including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, and Los Angeles Opera, and at venues including David Geffen Hall, Carnegie Hall, Walt Disney Concert Hall, and Teatro Real, Madrid.

regularly appearing at the world’s foremost venues. She won her first Tony Award for Best Performance by a Featured Actress in a Musical for Carousel at Lincoln Center Theater (1994). Over the next four years, she received two additional Tony Awards in the featured actress category for her performances in the Broadway premieres of Terrence McNally’s play Master Class (1996) and his musical Ragtime (1998). In 2004 she won her fourth Tony, starring alongside Sean “Diddy” Combs in A Raisin in the Sun, and in 2012 she won her fifth for her title role performance in The Gershwins’ Porgy and Bess. In 2014 she made Broadway history and became the Tony Awards’ most decorated performer when she won her sixth award for her portrayal of Billie Holiday in Lady Day at Emerson’s Bar & Grill.


UTAH SYMPHONY Matthew Straw Assistant Conductor VIOLIN* Madeline Adkins Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair Laura Ha 2nd Associate Concertmaster Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Evgenia Zharzhavskaya Assistant Principal Second Karen Wyatt 2nd Assistant Principal Second Erin David Joseph Evans Lun Jiang Rebekah Johnson•• Tina Johnson~ Alison Kim Amanda Kofoed~ Jennifer Kozbial Posadas~ Veronica Kulig David Langr Hannah Linz Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer David Porter Lynn Maxine Rosen Barbara Ann Scowcroft Ju Hyung Shin Bonnie Terry Julie Wunderle

VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair

OBOE Zachary Hammond Principal The Gerald B. & Barbara F. Stringfellow Chair

Yuan Qi Associate Principal

James Hall Associate Principal

Julie Edwards Joel Gibbs Carl Johansen Scott Lewis John Posadas Whittney Sjogren Leslie Richards~

Lissa Stolz ENGLISH HORN Lissa Stolz

CELLO* Matthew Johnson Acting Principal The J. Ryan Selberg Memorial Chair

CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

Andrew Larson Acting Associate Principal

Erin Svoboda-Scott Associate Principal

John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Hannah Thomas-Hollands~ Pegsoon Whang

Lee Livengood# Chris Bosco~

BASS* David Yavornitzky Principal Corbin Johnston Associate Principal James Allyn Andrew Keller Edward Merritt James Stroup~ Jens Tenbroek Thomas Zera HARP Louise Vickerman Principal FLUTE Mercedes Smith Principal The Val A. Browning Chair Lisa Byrnes Associate Principal Caitlyn Valovick Moore

BASS CLARINET Lee Livengood# Chris Bosco~ E-FLAT CLARINET Erin Svoboda-Scott BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair Leon Chodos Associate Principal Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Jessica Danz Principal Edmund Rollett Associate Principal

TRUMPET Travis Peterson Principal Jeff Luke Associate Principal Peter Margulies Paul Torrisi TROMBONE Sam Elliot Acting Principal Andrew Zaharis~ Acting Second Trombone BASS TROMBONE Graeme Mutchler TUBA Alexander Purdy Principal TIMPANI George Brown Principal Eric Hopkins Associate Principal PERCUSSION Keith Carrick Principal Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal LIBRARIANS Clovis Lark Principal Claudia Restrepo ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel Hannah Thomas-Hollands Orchestra Personnel Manager

Jonathan Chiou Julia Pilant~ Stephen Proser

PICCOLO Caitlyn Valovick Moore

•• Second Violin * String Seating Rotates

** On Leave # Sabbatical

~ Substitute Member

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ONSTAGE OGDEN

SCOTT BRADLEE’S POSTMODERN JUKEBOX November 19, 2023 at 7:30PM BROWNING CENTER AT WSU

Even in our futuristic age of AI chatbots and virtual realities, there is still nothing in the world that compares with the thrill of hearing classic genres of music, performed live by a group of exceptional singers and musicians that have truly mastered the ability to move an audience. That’s the philosophy behind Scott Bradlee’s Postmodern Jukebox, whose Life In The Past Lane World Tour returns to 40 US cities this Fall. The revamped show will blend modern-day earworms and iconic pop hits with the original styles

that put American popular music on the map: Ragtime, Swing, Big Band, Country/ Western, Doo Wop and Soul. Equal parts time-traveling musical variety show and career-launching talent platform, Postmodern Jukebox (or “PMJ”) will feature a cast of performers from their wildly popular YouTube channel, to bring the musical universe to life. Everything New is Old Again—leave the AI at home and take a road trip to experience Life In The Past Lane! Dressing in vintage attire is encouraged.

S E A SO N S P O N SO R

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FRIENDS OF ONSTAGE OGDEN Onstage Ogden is grateful for the individuals, corporations, foundations, and government agencies who have made a charitable contribution in support of the performing arts in our community. Includes gifts made following May 1, 2022.

SEASON SPONSOR ($100,000+) Weber County RAMP

Stewart Education Foundation

SERIES SPONSOR ($25,000+) Alan & Jeanne Hall State of Utah

SPONSOR ($10,000-$24,999) Art Works for Kids Foundation The Franzen Family Dr. Robert Fudge and Sylvia Newman Robert & Marcia Harris Lawrence T. Dee and Janet T. Dee Foundation

PROTECTOR ($5,000–$9,999) George S and Dolores Dore Eccles Foundation Drs. Rosemary & David Lesser* Marriner S. Eccles Foundation

PARTNER ($2,500–$4,999) Better Being Marti M. Clayson* Meg and Mark Naisbitt*

Utah Division of Arts & Museums Val A. Browning Charitable Foundation

Norman C. & Barbara L. Tanner Charitable Support Trust Richard & Shirley Hemingway Foundation Weber State University

Christina & Shaun Myers* Ogden City Arts Beaver Creek Foundation

Suzy Patterson Marty and Carolyn Rasmussen* WESTAF Western States Arts Federation *Board of Directors, Foundation, or Staff member

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FRIENDS OF ONSTAGE OGDEN BENEFACTOR ($1,000–$2,499) Bank of Utah Household Geraldine and Evan Christensen Dr. Rosemary Conover and Luckey Heath Brent and Vicki Cox Rick and Karen Fairbanks Doug and Shelly Felt Cirlio Franco* John Fromer and Willis McCree* William and Deborah Hackett

PATRON ($500–$999)

Kay A. Ballif Amber Blackhurst in memory of Frank S. Blair Brian & Vicky Boyle Nola Chase Dr. Allen and Janis Christensen Raymond and Betty Christian Tim and Candace Dee Allan & Kellie Diersman

ADVOCATE ($250–$499) Andy and Susan Mccrady Beth Mannino Carl and Helgard Wolfram Cathay Christiansen Dr. Ann Ellis Gary and Marilyn Newman

Bill & Barbara Hughes Dean Hurst and Kristen Hurst Hyde in memory of Glenn Robertson Dr. Val Johnson Paul and Cindy Kunz Michael and Sharon Lloyd Jean and Richard Miller Dr. Judith Mitchell* Robert Montgomery, MD

MSL Family Foundation Scott and Pam Parkinson Ralph Nye Charitable Foundation Carolyn Rich-Denson Harry and Becky Senekjian Jonathan and Beverly Souder Jean Vaniman* Glenn and Connie Wimer

Diana & Ralph Dunkley James & Nicole Fredrick* Donna and Ralph Friz Kay Hoogland Marlin & Kathleen Jensen Russel R. and Jane T. King* Jan and Jerome Luger David and Linda Lundstrom Robert and Sally Neil

Joyce and Robert Stillwell* Dr. Deborah Uman and Mr. Michael Sanders* Janice and Sheldon Ward Jennifer & Dr. Michael Webb* Kent and Trudy Whiteman Jon & Dawnene Wilson

Jeane Taylor Joan Ahlf Juergen Sass Katherine Grunert Laurie & Greg Rives Mary L Mathewson

Ned and Sheila Stephens Pat Fuller Paul and Sandra Perkin Roger Christensen* Sean Bishop & Taylor Knuth* Wendy and Cary Roberts*

Please contact Onstage Ogden Development Coordinator, Sarah Bailey, at 801.612.0757 or sarah@onstageogden.org, if you would like to make a donation, if your name has inadvertently been left off or is misspelled.

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FRIENDS OF ONSTAGE OGDEN DONOR ($100–$249) A. George Adamson Lyle and LaVon Allen Marlene Barnett David Bauch Phil and Melanee Berger Gail and Nick Breeze Arthur & Marian Budge Rick and Deb Burnett Brenley Burton Jeffry and Linda Burton Edwin Cannon Brad and Lynn Carroll Lon and Constance Castleton Kitty Chatelain Aaron Clark Phillip & Gail Coleman Dean & Karen Cooper Doris D’Asto Dessa Dal Porto & Victor Dumas Ludene Dallimore Lynn and Natalie Dearden Darin and Deborah Deem Dr. Douglas Deis Gaye and Robert Delange Carolyn B. Deru DeLoris and Dale Dorius Sherry Eckert Steve Ericson Janet and Steven Evans Stephen and Judy Farr William and Anita Ford Dixie Funk Karen Gall Livleen Gill David and Ruth Ann Gladwell Greg and Caitlin Gochnour Scott and Deborah Greenwell

Josh Grimaud David and Joan Hadley Nicola Haffenden Kim and Becky Hale Terry Hartman-Smith Ron Harward Kimberly and Christian Hearn Tina and Robert Herman Jon Higginbotham Anthony Hirst Amy Huntington Carol Jackson Eric & Becky Jacobson Alisa Jenney Patsy Johnson Melba and Denis Kirby Melissa Klein Paul Kriekard Betsy Oppenheim Leve Charles Lindquist William and Sarah Lindsay James & Deborah Lindstrom Camille Loffredo Estella Malayika Duane E. Manful Debra Marin Frank and Sharon Markos Erika Martin Rand and Cynthia Mattson Sandy and Phillip Maxwell James and Jennifer McGregor Mary & Kent McMillen Karen Miner Roland & Amy Miller George Muller Maurine Naisbitt Ruth Nielsen

Ogden Chapter of MacDowell Ensemble Cheryl Orme Michael & Cindy Palumbo Donald Pantone George and Margaret Pappas Jeff Paulson Janet and Robert Petersen Bobbie Ramer Bonnie & William Rembacz Tamara Robinette Eileen & Steve Santella Mary and Howard Schuyler Shane and Pamela Schvaneveldt Sempre Musical Society in memory of Dr. Richard Miller Denise Sly Carol and Paul Sonntag Keith and Marlys Sorbo Edward and Mari Lou Steffen Dorothy & Dan Steimke* Edna Stratford Michael Taylor Nikki Thon* Robert Tillotson Lucinda and Phillip Wagner Jack and Bonnie Wahlen Andrew and Suzanne Wall Bruce and Kay Wallace Linda Watson Paula Weick and Carl Stuart Barbara and Gerald West Kent and Trudy Whiteman Aloha Whitney Marilyn Woodbury Douglas Yonemura Larry Zaugg

MEMBER ($50–$99) Kathleen Adams Cheryl Allen Terrence and Patricia Arthurs Clyde Baker Laura Barker Danielle Bendinelli* Brad and Madeleine Teresa Castaldi and Clifford Catalfamo Sharon Charley Julie and Stephen Coley Michael and Susan Deyoung

Gloria Dixon Randy Emery Jill Flamm Dennis & Katherine Gladwell Janice Grajek Austin Halbritter Mary Hargis Linda Hearn William & Jackie Jones Rennee Bohman Marilyn Konieczny Wendy and Phillip Laterza

Kathryn MacKay Alice Mulder Claude & Barbara Nix Matt & Camille Pollard Joan and Paul Powell Tamara Robinette Georgia Torres Dixie Vandyke Kelly VanNoy Gerald and Ann Walters Jackie Watson

Please contact Onstage Ogden Development Coordinator, Sarah Bailey, at 801.612.0757 or sarah@onstageogden.org, if you would like to make a donation, if your name has inadvertently been left off or is misspelled.

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