2013 2014
2013 2014
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WELCOME
2013 2014
Dear Friends, The Board of Directors and Staff of the Ogden Symphony Ballet Association are proud to welcome you to our concert this evening. The experiences you take from the concerts provide lasting memories for you and your family. If you are a first-time attendee, you may have a few questions about “concert etiquette.” To enjoy your experience to the fullest, relax and enjoy the music. Here are a couple of reminders that might put you at ease: ♫ Please silence cell phones, pagers, or anything else noisy. ♫ No photography or recording of any kind, please. ♫ Applaud when the Concert Master, Conductor, or Guest Artist enters. ♫ During the playing of a symphony or concerto which has multiple movements, applause is traditionally held until the end of the complete work when the conductor turns to face the audience. Right here at home we have the opportunity to attend performances by world-class performing groups, and the venue at the Browning Center is outstanding. During the remainder of our current season you will see more Utah Symphony, the “Little Mermaid” by Ballet West, and awardwinning Vocal Point from BYU. OSBA will continue “Bringing the Arts Home” for many years to come. We invite and welcome your participation as ticket holders, donors, and Association committee members. Enjoy your memories!
Sharon Macfarlane
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BOARD OF DIRECTORS
2013 2014
BOARD OF DIRECTORS Paul Sonntag President Genette Biddulph President Elect Joyce Stillwell Vice President Shelley Felt Secretary
ADVISORS Carol Brockman Karen Fairbanks Alan Hall Robert Harris Carol Hurst Sharon Lewis Thomas Moore Meg Naisbitt Suzy Patterson
Tina Olsen Treasurer
OSBA FOUNDATION Russ King Chair
Geraldine Christensen Past President/Nominating
Holly Nye Bauman Vice-Chair
Melissa Bennett Michael Call Robert Fudge Greg Gochnour Luckey Heath Paul C. Kunz Russ King Scott Major Judith Mitchell Stephanie Moore Jan Slabaugh Scott Sluis John Starley Jennifer Webb
Marti M. Clayson Secretary Richard White Treasurer Doug Holmes Paul T. Kunz Andrea Lane Sharon Lewis Robert E. Lindquist Tina Olsen Ellen Opprecht Carolyn N. Rasmussen Sherm Smith
EXECUTIVE DIRECTOR Sharon Macfarlane MARKETING MANAGER Melissa Seamons ACCOUNTING ADMINISTRATOR Susan Campbell EMERGENCY PROCEDURE Please identify the exits closest to your location. In the event it becomes necessary to evacuate the building because of an emergency, proceed to the closest exit in an orderly manner and then to a safe area away from the building.
APPROXIMATE PERFORMANCE TIME IS 2 HOURS. Unless previously authorized, cameras and recording equipment of any kind are not allowed at Ogden Symphony Ballet Association performances. Please turn off cell phones, beepers and beeping watches before the performance begins. The Ogden Symphony Ballet Association is funded in part by grants from the Utah Division of Arts and Museums, the National Endowment for the Arts, Ogden City Arts and the Weber County Recreation, Arts, Museums, and Parks (RAMP) program.
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UTAH SYMPHONY Thierry Fischer, Music Director / The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation
2013 2014
Jerry Steichen
Roberta Zalkind
James Hall
Mark Davidson
Vladimir Kulenovic
Joel Gibbs Julie Edwards Carl Johansen Scott Lewis Christopher McKellar Leslie Richards†† Whittney Thomas
Lissa Stolz
BASS TROMBONE Graeme Mutchler
Principal Pops Conductor Associate Conductor
VIOLIN* Ralph Matson
Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. and Belva B. Ashton
Kathryn Eberle
Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair
Leonard Braus
Associate Concertmaster
David Park
Assistant Concertmaster
Claude Halter Principal Second
Wen Yuan Gu
Associate Principal Second
Hanah Stuart
Assistant Principal Second
Karen Wyatt •• Tom Baron • Joseph Evans LoiAnne Eyring # Teresa Hicks Lun Jiang Julianne S. Johnson • Rebekah Johnson Tina Johnson†† Veronica Kulig David Langr Melissa Thorley Lewis Elina Lev • Yuki MacQueen Alex Martin Rebecca Moench David Porter Judith Rich • Lynn Maxine Rosen Barbara Ann Scowcroft • M. Judd Sheranian Lynnette Stewart Julie Wunderle •• VIOLA* Brant Bayless
Principal The Sue & Walker Wallace Chair
Associate Principal
CELLO* Matthew Johnson Acting Principal The J. Ryan Selberg Memorial Chair
John Eckstein
Acting Associate Principal
Walter Haman Noriko Kishi†† Anne Lee Kevin Shumway Pegsoon Whang Robin Dunn†† BASS* David Yavornitzky Principal
Corbin Johnston
Associate Principal
ENGLISH HORN Lissa Stolz CLARINET Tad Calcara
Erin Svoboda
Eric Hopkins
Associate Principal
Associate Principal
Lee Livengood
PERCUSSION Keith Carrick
BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda BASSOON Lori Wike
FLUTE Mercedes Smith
Principal The Val A. Browning Chair
Lisa Byrnes
Associate Principal
Caitlyn Valovick Moore PICCOLO Caitlyn Valovick Moore
Principal
Eric Hopkins KEYBOARD Jason Hardink Principal
LIBRARIAN Clovis Lark
Leon Chodos
Maureen Conroy
Associate Principal
CONTRABASSOON Leon Chodos
Acting Principal
Principal
Principal The Edward & Barbara Moreton Chair
James Allyn Frank W. Asper, Jr. Edward Merritt Claudia Norton Jens Tenbroek Thomas Zera
Matthew Tutsky ††
Principal
TIMPANI George Brown
Jennifer Rhodes
Principal
TUBA Gary Ofenloch
Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell
Associate Principal
HARP Louise Vickerman #
Associate Principal
Principal
Associate Librarian
ORCHESTRA PERSONNEL Eric V. Johnson Director of Orchestra Personnel
HORN Bruce M. Gifford
Myroslava Hagen
Llewellyn B. Humphreys Ronald L. Beitel Stephen Proser Nathan Basinger ††
STAGE MANAGEMENT Chip Dance
Principal
TRUMPET Travis Peterson
Principal The Robert L. & Joyce Rice Chair
Jeff Luke
Associate Principal
Peter Margulies Nick Norton TROMBONE Larry Zalkind
Assistant Orchestra Personnel Manager
Production & Stage Manager
Mark Barraclough Assistant Stage & Properties Manager
• First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member
Principal
OBOE Robert Stephenson Principal
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SPONSOR
2013 2014
The
OGDEN SYMPHONY BALLET ASSOCIATION would like to thank
Matthew B. Eilis Foundation
For sponsoring tonight’s performance.
8 • 801.399.9214 • symphonyballet.org
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MASTERWORKS SERIES
Mozart, Bernstein & Neilsen
2013 2014
Apr 10 | 7:30 pm Val A. Browning Center Thierry Fischer, Conductor Kathryn Eberle, Violin
WOLFGANG AMADEUS MOZART
Eine kleine Nachtmusik, K. 525 I. Allegro
LEONARD BERNSTEIN
II. Romanze: Andante
III. Menuetto: Allegretto
IV. Rondo: Allegro
Serenade, after Plato’s Symposium
I.
Phaedras - Pausanias: Lento - Allegro
II. Aristophanes: Allegretto
III. Eryximachus: Presto
IV. Agathon: Adagio
V. Socrates - Alcibiades: Molto tenuto - Allegro molto vivace
Kathryn Eberle, Violin
/ INTERMISSION /
LEONARD BERNSTEIN CARL NIELSEN
Overture to Candide Symphony No. 5, op. 50
I.
II. Allegro - Presto - Andante poco tranquilo
Tempo giusto - Adagio
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ARTISTS’ PROFILES
2013 2014
Swiss conductor Thierry Fischer recently renewed his contract as Music Director of the Utah Symphony, where he has revitalized music-making and programming and brought a new energy to the orchestra and organization as a whole. Fischer has given many world premieres, and has instigated a major commissioning program in Utah, starting in Spring 2012 with a cello concerto for Jean-Guihen Queyras composed by Michael Jarrell, which he will also conduct with the Orchestre de la Suisse Romande in 2014.
Thierry Fischer Conductor The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation
Fischer was Principal Conductor of the BBC National Orchestra of Wales from 2006–12 and continues to return as a guest conductor. Other engagements include the Philharmonia, Czech Philharmonic, Orchestre National de Lyon, Frankfurt Radio Symphony, Cincinnati Symphony, Orchestra of the Age of Enlightenment, London Sinfonietta, Scottish Chamber Orchestra, and Swedish Chamber Orchestra. Last summer he made his debut at the Grant Park Music Festival in Chicago and he is guest conducting with the Oregon Symphony, the Detriot Symphony, Atlanta Symphony and the Pacific Symphony this season. He will also be conducting at The Deer Valley® Music Festival this summer. In 2012 Fischer’s recording for Hyperion of Frank Martin’s opera Der Sturm with the Netherlands Radio Philharmonic Orchestra and Chorus was awarded the International Classical Music Award (opera category). Other recent Hyperion releases have included Honegger, d’Indy and Florent Schmitt with the BBC National Orchestra of Wales—with whom he has also recorded the Stravinsky ballets for Signum and Stravinsky and Frank Martin concerti with Baiba Skride for Orfeo.
Fischer’s hallmarks are a lightness of touch and transparency of texture, allowing room for vivid characterization.
Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe, where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and then became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–06. He was Chief Conductor of the Nagoya Philharmonic 2008–11, making his Suntory Hall debut in Tokyo in May 2010, and is now its Honorary Guest Conductor.
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ARTISTS’ PROFILES
2013 2014
Kathryn Eberle is Associate Concertmaster of the Utah Symphony | Utah Opera. Previously, Ms. Eberle was a violinist with the St. Louis Symphony and Guest Concertmaster with the Omaha and Richmond Symphonies. She served extensively as Concertmaster for the Juilliard Orchestra, including the ensemble’s tour of China, as well as performances in Avery Fisher, Alice Tully and Carnegie Halls.
Kathryn Eberle Violin
Ms. Eberle’s solo performances include appearances with the Los Angeles Philharmonic, the Louisville Orchestra, the Nashville Symphony, the National Academy Orchestra of Canada, the Bahia Symphony in Brazil and the Fireworks Ensemble at the Library of Congress. She has collaborated with such artists as Edgar Meyer, Jaime Laredo, Arnold Steinhardt, Ricardo Morales and members of the New York Philharmonic. Eberle garnered grand prizes in the YMF National Debut, Pasadena Instrumental and USC Concerto Competitions and top prizes in the Klein, Stulberg and Corpus Christi International Competitions. An avid chamber musician, her festival appearances include Aspen, Banff, Yellow Barn, Encore School for Strings, Missillac (France), Sewanee, Laguna Beach, Innsbrook and Festival Mozaic. Ms. Eberle received a Master’s Degree from The Juilliard School studying with Sylvia Rosenberg. She previously studied with Robert Lipsett both at the Colburn School and the University of Southern California, where she received the String Department and Symphony awards upon graduation. A native of Nashville, Tennessee, she was a pre-college student of Cornelia Heard at Vanderbilt’s Blair School of Music. Ms. Eberle performs on a J. B. Vuillaume, Paris, 1870.
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PROGRAM NOTES
2013 2014
Eine kleine Nachtmusik THE COMPOSER – Wolfgang Amadeus Mozart (1770–1827) Mozart lost his father in May of 1787 and his passing weakened the last bit of glue that held the Mozart family together. Mozart had always remained fitfully connected to his Salzburg roots but without the patriarch around to demand regular family contact, Mozart began to ignore even his once beloved sister. Don Giovanni was under construction during this period and after the success of Figaro, much was expected.
Wolfgang Amadeus Mozart Composer
INSTRUMENTATION: strings DURATION: 16 minutes in four movements
THE HISTORY – The term “Nachtmusik” (“Notturno” in Italian) described an 18th-century composition written in the style of a serenade. The literal “night music” translation was in keeping with the historical intent of serenades as a kind of “lovers’ window” music meant specifically for evening performance. Mozart composed several serenades and serenade-like works but only three had the “night” designation in their titles. Easily most famous from that subset was the K. 525 Serenade in G Major, known as Eine kleine Nachtmusik. It is only natural to read some specialness into the work’s title since, in today’s language, “A Little Night Music” sounds rather charming and evocative. But in truth, Mozart likely only scribbled a note in the language of his day that designated this music as “a little serenade” in comparison to the other not-so-little ones in his catalogue. Still, the more literal and less appropriate translation persists and frankly, it serves the piece best. Mozart worked on this miniature gem concurrently with Don Giovanni and probably finished it only mere months after his father’s death. The elegant, effervescent tone of Eine kleine Nachtmusik puts it at odds with a family tragedy and surely confirms the belief that it was written upon request for a social occasion of some sort. The nature of that event is no longer known but the music itself has proven eternal and Eine kleine Nachtmusik exists now as one of the most popular creations of any composer. THE WORLD – The United States Constitution was created in September of 1787. Also that year, the HMS Bounty set out on its fateful voyage and the two largest moons of Uranus were discovered by astronomer William Herschel. THE CONNECTION – Surprisingly, Eine kleine Nachtmusik has only appeared once before on the Masterworks Series. The year was 1976 and the conductor was Maestro Abravanel.
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PROGRAM NOTES
2013 2014
Serenade, after Plato’s Symposium THE COMPOSER – Leonard Bernstein (1918–1990) In a decade remembered mostly for his dramatic creations (Wonderful Town, Westside Story and Candide to name a few), Bernstein did compose one of his most important concert works in the 1950s. The Serenade for Violin and Orchestra was completed in 1954, the same year Bernstein began his historic run of appearances on the CBS culture show Omnibus with an engaging and critically acclaimed discussion of Beethoven’s 5th Symphony.
Leonard Bernstein Composer
INSTRUMENTATION: solo violin, timpani, tambourine, suspended cymbal, snare drum, tenor drum, triangle, glockenspiel, xylophone, chimes, Chinese blocks, harp, strings DURATION: 31 minutes in five movements (played without pause)
THE HISTORY – After completing the serenade in August, Bernstein wrote the following explanation of his intentions: “There is no literal program for this serenade, despite the fact that it resulted from a rereading of Plato’s charming dialogue, The Symposium. The music, like the dialogue, is a series of related statements in praise of love, and generally follows the Platonic form through the succession of speakers at the banquet. The ‘relatedness’ of the movements does not depend on common thematic material, but rather on a system whereby each movement evolves out of elements in the preceding one. For the benefit of those interested in literary allusion, I might suggest the following points as guideposts: I. Phaedrus opens the symposium with a lyrical oration in praise of Eros, the god of love. Pausanias continues by describing the duality of lover and beloved. II. Aristophanes does not play the role of clown in this dialogue, but instead that of the bedtime storyteller, invoking the fairy-tale mythology of love. III. Eryximachus speaks of bodily harmony as a scientific model for the workings of love-patterns. IV. Agathon’s panegyric embraces all aspects of love’s powers, charms and functions. V. Socrates describes his visit to the seer Diotima, quoting her speech on the demonology of love [and endures] the famous interruption by Alcibiades and his band of drunken revelers…” Bernstein also describes the “hint of jazz in the celebration” as the “natural expression of a contemporary American composer imbued with the spirit of that timeless dinner party.” THE WORLD – Marilyn Monroe married Joe DiMaggio in 1954. Also that year, Alan Turing committed suicide, the First Indochina War ended, the first Godzilla film was released in Tokyo and William Golding published Lord of the Flies in England. THE CONNECTION – Serenade was last performed by Utah Symphony in 2004. Keith Lockhart conducted and Robert McDuffie was soloist.
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PROGRAM NOTES
2013 2014
Overture to Candide THE COMPOSER – Leonard Bernstein (1918–1990) Bernstein’s ascendance to the Music Directorship of the New York Philharmonic in the late 1950s necessitated a pause in his composition of dramatic music. The last two projects before the break were constructed simultaneously but enjoyed very different trajectories following their completion. It goes without saying that West Side Story went supernova right away but Candide was very poorly received in nearly all of its various iterations.
Leonard Bernstein Composer
INSTRUMENTATION: 2 flutes, piccolo, 2 oboes, 2 clarinets, bass clarinet, Eb clarinet, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, snare drum, tenor drum, glockenspiel, xylophone, harp, strings DURATION: 5 minutes
THE HISTORY – Based on a satirical 1759 novella by Voltaire called Candide: The Optimist, Bernstein’s 1956 comic operetta originally featured a libretto by Lillian Hellman. Hellman’s fingerprints are all but gone now and the text of this troubled work now bears the marks of its many ensuing collaborators. Revivals and revisions dot the post-premiere history of Candide with significant new versions of the operetta appearing in 1973 and 1989 (this last was the “Final Revised Version”). The basic plot, for the most part, survived the various changes of authorial voice and tells of Candide, a young man who is convinced that all things happen for the best possible reasons. He travels the world in a series of adventurous tests to his naïve theory and Bernstein’s ability to juggle different musical styles aptly depicts the diverse succession of disasters encountered by the “eternal optimist.” Aside from a few memorable and oft-excerpted arias, it is the fantastic overture that has kept this mostly unsuccessful music in vogue today. Bernstein was never at a loss for catchy themes and they shoulder each other with good-natured ease over the 5-minute course of this fleet, virtuosic showpiece. Nothing lasts too long and every note and phrase reflects the breezy tale to come. Bernstein featured the overture on a New York Philharmonic program in 1957 and it was as immediately beloved as the opera was misunderstood. THE WORLD – The Suez Crisis occurred in 1956. Also that year, Tunisia gained its independence from France, Hungarian citizens staged a revolt against their Soviet-controlled government and C. S. Lewis published the final Narnia novel. THE CONNECTION – Candide Overture is performed often by the Utah Symphony but rarely on a Masterworks program. The last time was in 1987 under Andrew Litton.
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PROGRAM NOTES
2013 2014
Symphony No. 5, op. 50 THE COMPOSER – Carl Nielsen (1865–1931) Nielsen was on the road a lot during the early 1920s. Trouble at home had reached an untenable level, with Nielsen and his wife both sufficiently miserable that their marriage was best served by an increase in his conducting engagements abroad. Nielsen was never an overly quick worker when composing and the paired stresses of spousal estrangement and other professional responsibilities made for an especially labored creative process.
Carl Nielsen Composer
INSTRUMENTATION: 3 flutes (3rd doubles piccolo), 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, tambourine, triangle, suspended cymbal, 2 snare drums, celesta, strings DURATION: 34 minutes in two movements
THE HISTORY – One of the works that suffered somewhat from this crisis was Symphony No. 5, a work Nielsen described as among the most difficult projects of his career. He toiled over the score for more than a year and completed it in 1922 only little more than a week before the scheduled premiere. To meet this deadline, Nielsen had been forced to limit his social engagements while in Gothenburg as a guest conductor, stating: “…I need peace to work on my symphony…” and that, to find such peace, he had “completely avoided dinner parties.” It might not seem like such a terribly high price to pay for one’s work, but imbedded in the innocence of the statement is an acknowledgement of Symphony No. 5’s immense depth and importance. The Great War was over when Nielsen first set to work on the piece but the brutality of that incredible calamity had impressed itself onto his soul in permanent ink. By declining to apply a nickname for the first time in his symphonic career, however, Nielsen kept the specific inspiration for Symphony No. 5 just out of frame. He was never inclined to call it his “war” symphony (as many do today), but nearly all of his references to contrast, opposition and the presence of “evil” in the music support his demurral that no one was or would ever be the same after the war. Nielsen chose a unique two-movement structure to portray the elemental conflicts of man. The first section, according to biographer Robert Simpson, represents “the crux of the conflict itself” while the second offers “a finale that rise[s] out of the ashes in a great fount of regenerative energy.” THE WORLD – 1922 was the year of the Lincoln Memorial dedication in Washington D.C. Also in 1922 was the publication of James Joyce’s Ulysses in Paris, Egyptian independence and the installation of Benito Mussolini as Prime Minister of Italy. THE CONNECTION – Nielsen 5 has only been performed in one previous Utah Symphony program. Varujan Kojian conducted the performance in 1980.
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ASSOCIATION MEMBERSHIP Donations made from March 2817, 2013 to March 28, 2014
2013 2014
Diamond 10,000 + Val A. Browning Foundation Matthew B. Ellis Foundation John B. & Geraldine Goddard Family Foundation Alan & Jeanne Hall Foundation Robert & Marcia Harris Richard K. & Shirley S. Hemingway Foundation John A. & Telitha E. Lindquist Thomas & Stephanie Moore RAMP Emerald $5,000 to $9,999 Lawrence T. & Janet T. Dee Foundation Mrs. Thomas D. Dee Marriner S. Eccles Foundation John B. & Geraldine Goddard Edith Dee Green Foundation Mr. & Mrs. Paul T. Kunz Shirley Mack Carolyn & Marty Rasmussen Utah Division of Arts & Museums Ruby $1,000 to $4,999 Alsco Inc. Mr. & Mrs. Dwight L. Baldwin Beaver Creek Foundation Mr. & Mrs. Rex Bean William & Melissa Bennett Russ Carruth Evan & Geraldine
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ASSOCIATION MEMBERSHIP
2013 2014
Jeneile Tams David & Jeane Taylor Karen Vanden Bosch Glenn & Connie Wimer Carl B. & Helgard Wolfram Pearl $50 to $199 Mr. & Mrs. A. George Adamson Jack V. & Shann Albretsen Zana Anderson Kay & Mark Ballif Janet Bean Dr. & Mrs. Robert Beishline Dr. & Mrs. Paul C. Bennion Vernon & Jacque Bergstrom Charles & Gail Bock Mrs. Rollin O. Boe Mr. & Mrs. Chris Bolieau Mr. & Mrs. Robert Bradford Elaine & Harold Brattland Mr. & Mrs. DeWayne Brockman Maj.(ret) & Mrs. Wendell Brumley Afton Cain Call Family Foundation Susan & Carey Campbell Steven W. & Lynne Carter Cathay Christiansen Ned & Lynn Champagne Kitty Chatelain Child Culture Club Julie Coley Phyllis & Charles Combe Mark & Piper Cooper Kathie & Marshall Coopersmith Joelle Creager Frank & LuDene Dallimore Ms. Shirley Danielson
Golden & Sharon Decker Wilford Dehart Carolyn Deru Michael & Susan DeYoung Kellie & Allan Diersman Deanna Donaldson Kathryn Douglas Drama Club of Ogden Ted & Ann Alene Dunn Mr. & Mrs. Jonathan Earl Sherry Eckert Ronald & Georgia Erickson Barbara Farr Dr. Boyd J. Farr Mrs. Nancy S. Farrell-Nickell Mr. & Mrs. Thomas Fearn Ms. Marsha Ferrin Jill Flamm Mr. & Mrs. Christopher Ford Linda Forest Roger & Frances Forsberg Marie W. Francis Dr. Robert Fudge & Sylvia Newman Pat Fuller Randy & Bonnie Galbraith Bert & Karen Gall Allison Gonzales Janice Grajek Mr. & Mrs. Leonard Grassli Nancy & Lawren Green Mr. & Mrs. Ronald Greer Marie Griffith David & Joan Hadley Austin Halbritter Gayle Halverson Nikki Hansen Tom & Diane Harding Mary Hargis Lowell Marriott Harrop
26 • 801.399.9214 • symphonyballet.org
Jerald V. Harrop David & Marlene Havertz Doris Hayner Fred E. Heath Louis Howell Susie & Elliot Hulet Robert & Rula Hunter Dr. Michael & Lori Jacobazzi Eric & Becky Jacobsen Julie Johnson Mr. & Mrs. Steve Johnston Dorothy Jones William & Lorna Kennedy Donna Kimball Melba & Denis Kirby Col (ret) & Mrs. Donald Knight Mr. & Mrs. Dean Knighton Mrs. Melba Kofoed Marilyn Konieczny Andrea D. Lane Jody & Blake Leatham Marjorie Leaver Karen Lee Sally & William Lindsay Mr. & Mrs. Allan Lipman Jr. Sharon Lloyd Jeanette Long Reed & Cheryl Loveland Eugene & Pat Low Melba Lucas Diane Luke Ivaloo Lund John P. Lyon MacDowell Ensemble Erika Martin Shirrel & Barbara Martin Rand & Cynthia Mattson Earl & Carole McCain Jennifer & James McGregor
Nada Miller Karen Miner Janet & Robert Mitchell Mark & Meg Naisbitt Dr. & Mrs. Noel Nellis Robert & Eleanor Newman Lisa Nichols Arthur & Ruth Nielsen Peggy Nielsen Mr. & Mrs. John L. Ospital Janica & Donald Pantone Brent & Martha Parker Jerry & Penny Patterson Paul & Sandra Perkin Billie K. Petersen Mr. & Mrs. Robert Petersen Jim & Kay Philpott Mr. & Mrs. Melvin Pobanz Matt & Cami Pollard JoAn & Paul Powell Beverly Prothero Pat Rasband Russell & Phyllis Rogler Diane D. Russell Shane & Pamela Schvaneveldt Blaine & Justine Seamons Sempre Musical Society Sterling & Barbara Sessions Greg & Susan Shreeve La Wanna & Robert Shurtliff Mrs. Dodie T. Stallcup Edward & Mari Lou Steffen Jonathan Sterzer Theron Stock Darlene Stoddard Dr. Scott & Clair Swift Myra & Ken Tams Joe & Evalyn Terry John & Marcy Thaeler
ASSOCIATION MEMBERSHIP
2013 2014
Charles Thomas Irene Thurston Karen Trewet David Turner Patti VanAarle Dr. & Mrs. Ralph VanderHeide Dixie VanDyke Kelly VanNoy Ed & Jeannie Vendell Charlie & Audrey Vogt Hans Von Gortler Harold & Emily Vonk Lucinda & Phillip Wagner Melvin Walker Andrew & Suzanne Wall Renee Warner Juanita & Charles Watts Suzanne Wayment Mr. & Mrs. Kent West Evelyn Wiggins Enid Wilde Kenna F. Williams Maryonne Wilson Harry & Marilyn Woodbury Larry Zaugg Jolene Zito Memorial Donations Ruth Boe Keith & Marlys Sorbo Richard Curtis Sharon Macfarlane Edna Stratford Kenneth Bowers Dorothy Montoya
Shirley Danielson Muriel Elzey Sharon Macfarlane JoAnn Taylor James L. & Carolyn B. Wold William Egbert Dr. & Mrs. Arthur Budge Val & Karen Lofgreen Sharon Macfarlane Carolyn & Marty Rasmussen Hague Ellis Mr. & Mrs. Paul T. Kunz Sharon Macfarlane Thomas & Stephanie Moore Carolyn & Marty Rasmussen Boyd Farr Dr. & Mrs. Arthur Budge Evan & Geraldine Christensen Carrie Ann Christensen Jenny & Danny Cole Dr. Judith Mitchell Sharon Macfarlane Tina & Russell Thompson Holly & Bill Ward Darlene Farr Dr. & Mrs. Arthur Budge Mr. & Mrs. Paul T. Kunz Sharon Macfarlane Dr. Judith Mitchell Geraldine Goddard Mr. & Mrs. Robert Evans Kenneth & Norine Holmgren Sharon Macfarlane
Muriel “Gene” Jackson Susan & Carey Campbell Gaile Johnson Drs. Jean & Richard Miller Tom Leavitt Sharon Macfarlane Jim & Suzy Patterson John A. Lindquist Barbara Anderson Marlene Barnett Dr. & Mrs. Arthur Budge Dr. & Mrs. Fred Clayson Lara Deppe Mr. & Mrs. Val Lofgreen Sharon Macfarlane Carolyn & Marty Rasmussen Thomas & Stephanie Moore Melissa Seamons Lewis May Sharon Macfarlane H. Jay Moyes Sharon Macfarlane John D. “Fig” Newton Ann Bergera Dr. & Mrs. Arthur Budge Ann Alene Dunn Dr. & Mrs. Ralph Friz Dorothy Jones William & Lorna Kennedy Mr. & Mrs. Paul T. Kunz Val & Karen Lofgreen Sharon & Marvin Lewis Sharon Macfarlane Dr. Judith Mitchell
Thomas & Stephanie Moore Carolyn & Marty Rasmussen Melissa Seamons James & Carolyn Wold Jolene & Chad Zito Valerie Newton Janet Bean Anne Bergera Harold Carver Verdene & Ralph Collins Lara Deppe Drama Club of Ogden Shirley & Bob Dunbar Ann Alene Dunn Donna & Ralph Friz Patricia Garner The Gray Beret’s Kenneth & Norine Holmgren Dorothy Jones William & Lorna Kennedy Mr. & Mrs. Paul T. Kunz Andrea Lane Sharon Macfarlane Dr. Judith Mitchell Paul & Maurine Naisbitt Jim & Suzy Patterson Carolyn & Marty Rasmussen Melissa Seamons Lori Snider Susan Taylor James L. & Carolyn B. Wold Jolene Zito Janica Pantone Sharon Macfarlane Thomas & Stephanie Moore Dr. Judith Mitchell
801.399.9214 • symphonyballet.org • 27
ASSOCIATION MEMBERSHIP
2013 2014
Hetty Hammon Sly Denise Sly Samuel Paul Thompson Jeanne Kessler Trudy Wood Klea Mordaunt In-kind Donations AlphaGraphics ALSCO Cross Action Computers DataZ.com Gibby Floral Hilton Garden Inn Jimmy Johns KBZN & KLO Radio Kaffe Mercantile Lucky Slice Pizza Snowbasin Standard Examiner Super Sonic Car Wash Val A. Browning Center Thanks to the Donors who gave to the OSBA during Love UT Give UT on March 20, 2014 Barbara Anderson Bonnie Anderson Anonymous Marlene Barnett William & Melissa Bennett Genette Biddulph Val J. Bielecki Debra Bockas Melissa L Briggs Dewayne & Carol Brockman
Carey Campbell Susan Campbell Annette F Child Carrie Christensen Evan & Geraldine Christensen Jenny Cole Marilyn Cox Vicki T. Cox Claudia Crawford Nancy Crocker Mary Anne Daines Ludene Dallimore Brianna Davis Lara Deppe Michael DeYoung Karen W Fairbanks Christian L. Felt Shauna Felt Shelley L. Felt Angela Flamm William & Anita Ford Robert Fudge Bonnie B. Galbraith Elizabeth Garman Greg Gochnour Ronald & Connie Greer Brian Griffin Kari L. Gullickson Mardee Hagen Mary Hall John Hansen Joyce & Ron Hanson Louise Harper Amy Harris Jane Harris Luckey Heath & Rosemary Conover Nicole Hepler William G. Hughes Carol L. Jackson
Raquelle B. Johnson Tanya Johnson Amelia C. Jones Brooke Karrington Destiny A Karrington Tessa Karrington Kimi Kawashima Erika King Jane T. King Charles Riley King Russ King Christian Kunz David Kunz Paul & Cindy Kunz Rebecca Kunz Julie Lewis Sharon R. Lewis Charles & Jerry Lindquist Kathryn Lindquist Robert E. Lindquist Carolyn Macfarlane Garrett Macfarlane Roger T. Macfarlane Sharon Macfarlane Scott Major Marshall Enterprises Rachel McAllister Mary McKinley Elizabeth McNurlan Terrence Merritt Drs. Jean & Richard Miller Wayne & Nada Miller Alison Mitchell Christopher R Mitchell Eric P Mitchell Judith Mitchell Thomas & Stephanie Moore Debra Muller Meg S. Naisbitt
Carolyn R. Nebeker Sally J. Neill Lisa M. Nichols Amy Nicholson Elizabeth Nielson Leslie Nielson Michael A. Palumbo Pamela Parkinson Scott H. Parkinson Jim & Suzy Patterson Lori A Putnam Carolyn Rich-Denson Cary Roberts Andrea Scanlon Sandefur Schmidt Allison G. Schneiter Blaine & Justine Seamons Jonathan & Margaret Seamons Matthew & Johnanne Seamons Melissa Seamons Sarah Seamons Jan Slabaugh Scott & Valerie Sluis Paul & Carol Sonntag Tina Thompson Stephen T. Thomson Nikki J. Thon Janis B. Vause James Wandling John Wandling Joseph Wandling Rebecca Wandling Janice Ward Cynthia Webb Greta Webb Matthew Webb Michael & Jennifer Webb Brandon Weicks
If your name is incorrectly spelled or listed, or has been left off of our Association Membership list, please contact our office at 801-399-9214 or email melissa@symphonyballet.org. 28 • 801.399.9214 • symphonyballet.org
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