Sweeney Todd: The Demon Barber of Fleet Street

SWEENEY TODD

The Demon Barber of Fleet Street Cover preprint

OCT. 26 - NOV. 10, 2018 SWEENEY TODD Music and Lyrics by STEPHEN SONDHEIM Book by HUGH WHEELER From an adaptation by CHRISTOPHER BOND

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MISS BENNET: CHRISTMAS AT PEMBERLEY

By Lauren Gunderson & Margot Melcon

PIONEER THEATRE COMPANY The resident professional theatre of the University of Utah The Roy W. and Elizabeth E. Simmons Pioneer Memorial Theatre C. Lowell Lees Main Stage Karen Azenberg Chris Lino Artistic Director Managing Director presents

SWEENEY TODD The Demon Barber of Fleet Street A Musical Thriller

Music and Lyrics by STEPHEN SONDHEIM

Book by HUGH WHEELER

From an Adaptation by CHRISTOPHER BOND

Originally Directed On Broadway by HAROLD PRINCE Orchestrations by Jonathan Tunick Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards in Association with Dean and Judy Manos LUCY ANDERS JOE DELLGER KEVIN EARLEY JONATHAN SHEW

JEFFERSON BEHAN JAMES DONEGAN LAURA HALL BLAKE STADNIK DELANEY WESTFALL

MICHELLE BLAKE PATRICK RYAN CASTLE CAMERON HOLZMAN

PAYTON BOWEN TIMOTHY AARON COOPER MEGAN SHENEFELT

Scenic Designer

Costume Designer GEORGE MAXWELL BRENDA VAN DER WIEL

Sound Designer ALLAN BRANSON

LENNY DANIEL MARY FANNING DRIGGS ERIC SANTAGATA ANNE TOLPEGIN

Lighting Designer PAUL MILLER

Hair and Makeup Designer Dialect Coach AMANDA FRENCH SARAH SHIPPOBOTHAM

Production Stage Manager

BECKY LYNN DAWSON

Associate Director/Choreographer LENNY DANIEL

Musical Director PHIL RENO

Director/Choreographer KAREN AZENBERG Casting by BOB CLINE CASTING SWEENEY TODD is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www. MTIShows.com The videotaping or other video or audio recording of this production is strictly prohibited. *The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

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CAST

(In Order of Appearance)

SETTING Time: The 19th Century Place: London, Fleet Street and environs Anthony Hope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JONATHAN SHEW* Sweeney Todd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEVIN EARLEY* Beggar Woman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAURA HALL* Mrs. Lovett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANNE TOLPEGIN* Judge Turpin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE DELLGER* The Beadle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC SANTAGATA* Johanna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DELANEY WESTFALL* Tobias Ragg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BLAKE STADNIK* Adolfo Pirelli. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES DONEGAN* Jonas Fogg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES DONEGAN* Ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCY ANDERS*, JEFFERSON BEHAN*, MICHELLE BLAKE, PAYTON BOWEN, PATRICK RYAN CASTLE, TIMOTHY AARON COOPER, LENNY DANIEL*, JAMES DONEGAN*, MARY FANNING DRIGGS*, CAMERON HOLZMAN, MEGAN SHENEFELT Stage Managers. . . . . . . . . . . . . . . . . . BECKY LYNN DAWSON*, MARY P. COSTELLO* Dance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LENNY DANIEL* *Member of Actor’s Equity Association

UNDERSTUDIES

Understudies never substitute for players unless a specific announcement For the appearance is made at the time of the performance

Beggar Woman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MEGAN SHENEFELT Mrs. Lovett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARY FANNING DRIGGS* The Beadle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFFERSON BEHAN* Tobias Ragg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PATRICK RYAN CASTLE Adolfo Pirelli. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY AARON COOPER

ORCHESTRA Conductor/Keyboard I . . . . . . . . . PHIL RENO Keyboard 2 . . . . . . . . . . . . HEIDI TOWNSEND Violin. . . . . . . . . . . . . LINDA MONTGOMERY Cello. . . . . . . . . . . . . . . . . CIERA RASMUSSEN Bass. . . . . . . . . . . . . . . . . . . DENSON ANGULO

Clarinet . . . . . . . . . . . . . . . . . . SCOTT HARRIS Bassoon. . . . . . . . . . . . . . . . . . . . . . LUKE PFEIL Trumpet. . . . . . . . . . . . REED LECHEMINANT French Horn. . . . . . . . . . . AMBER TUCKNESS Percussion. . . . . . . . . . . . . TIMOTHY FEERST 8

Season support for Pioneer Theatre Company provided by:

Kevin Earley (Sweeney Todd) and Anne Tolpegin (Mrs. Lovett)

MUSICAL NUMBERS Act I OVERTURE THE BALLAD OF SWEENEY TODD. . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, The Company NO PLACE LIKE LONDON. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Anthony Hope THE WORST PIES IN LONDON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett POOR THING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett MY FRIENDS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett GREEN FINCH AND LINNET BIRD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna AH, MISS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope JOHANNA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope PIRELLI’S MIRACLE ELIXIR. . . . . . . . . . . . . . Tobias Ragg, Sweeney Todd, Mrs. Lovett, Ensemble THE CONTEST. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adolfo Pirelli THE BALLAD OF SWEENEY TODD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble WAIT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett PIRELLI’S DEATH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adolfo Pirelli THE BALLAD OF SWEENEY TODD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Trio KISS ME. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna, Anthony Hope LADIES IN THEIR SENSITIVITIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beadle PRETTY WOMEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Judge Turpin EPIPHANY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd A LITTLE PRIEST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett Act II GOD, THAT’S GOOD! . . . . . . . . . . . . . . . . . . . Tobias Ragg, Mrs. Lovett, Sweeney Todd, Ensemble JOHANNA . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope, Sweeney Todd, Johanna, Beggar Woman I AM A LASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett

BY THE SEA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett WIGMAKER SEQUENCE. . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope, Sweeney Todd, Ensemble THE LETTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quintet NOT WHILE I’M AROUND. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tobias Ragg, Mrs. Lovett PARLOUR SONGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beadle, Mrs. Lovett FOGG’S ASYLUM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble CITY ON FIRE!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna, Anthony Hope, Ensemble SEARCHING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett, Beggar Woman THE JUDGE’S RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Judge Turpin FINAL SCENE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett, Tobias Ragg THE BALLAD OF SWEENEY TODD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company

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DIRECTOR'S NOTE

I am not a fan of scary movies.

Halloween, Nightmare on Elm Street, Carrie, The Shining—none of them. I avoid that sort of nightmareinducing adrenaline rush at all costs.

Thriller theatre, on the other hand, is quite another matter.

Maybe it’s the real-but-not-too-real aspect I like. I can get drawn in, but when I’m just scared enough I can remember it’s a play and won’t be haunted in my sleep, or walking down a dark and empty street.

Sweeney Todd: The Demon Barber of Fleet Street was a groundbreaking piece of theatre when it premiered in 1979. Stephen Sondheim conceived the musical after he’d seen a play of the same title by Christopher Bond. It was a sung-through piece of theatre unlike anything ever seen before—haunting melodies layered upon dissonant chords; screeching sounds of engines and machines; sounds of the music hall and the opera in the same show. Hal Prince took on directing duties, adding depth to the piece by making a statement about the human condition. The setting—Victorian England on the eve of the Industrial Revolution, when the unexplainable was easily turned into something dark and sinister—adds yet another layer to this modern, American musical theatre classic.

I know many of you will say, “I’ve seen that show at PTC!” Yes, you did. Twenty years ago! So it’s time to revisit this classic and share it with another generation of theatre-goers.

I hope it leaves you on the edge of your seats. But only until you leave the theatre…

Karen Azenberg

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WHO'S WHO IN THE CAST LUCY ANDERS (Ensemble) First National Tour: Something Rotten! (Ensemble/understudy Portia). Off-Broadway: Baby!

(Lizzie). Regional: Sweeney Todd: The Demon Barber of Fleet Street, Love Story: The Musical (Jenny), Richard III (Young Richard), Much Ado About Nothing, A Little Night Music (Anne), Starmites (Bizarbra/Eleanore), The Sound of Music (Liesl) and Oliver! (Charlotte).

Other favorite roles: A Chorus Line (Maggie), Follies (Young Heidi), and Humperdinck’s Hansel and Gretel (Gretel). Baldwin Wallace University alum and under BRS/Gage management.

Instagram @lucsqueal. For Poppa.

JEFFERSON BEHAN (Ensemble) is thrilled to make his Pioneer Theatre Company debut in this show! Off Broadway/NYC Theatre: 2econd Stage Theatre, The Lion Theatre, Theatre 20/20 and The Acorn Theatre. Selected Regional: Guys and Dolls (Finger Lakes Theatre Festival), The Secret Garden, Sweeney Todd: The Demon Barber of Fleet Street (Denver Center), Oliver! (Forestburgh Playhouse), Les Misérables, Disney’s Beauty and the Beast (Merry Go Round Playhouse), The Producers (Theatre by the Sea), Titanic (Virginia Musical Theatre). As a tenor soloist, Behan has appeared at Carnegie Hall, The Kennedy Center, The Notre Dame Cathedral and the cathedrals for St. John the Divine and St. Francis of Assisi. Thanks to family, teachers, Amy and the entire Heaton family for making this possible.

LENNY DANIEL (Ensemble/ Dance Captain) has assisted Ms. Azenberg on too many shows to count and for too many years to count. Productions he has choreographed include Mary Poppins (Utah Shakespeare Festival) and Spamalot (both Geva Theatre Center and Arkansas Repertory Theatre). He also directed and choreographed Mid-Life! The Crisis Musical

(TexARTS); choreographed The Little Mermaid (Forestburgh Playhouse); assistant directed The Wizard of Oz National Tour starring Mickey Rooney and Eartha Kitt; and assistant choreographed GiGi (Paper Mill Playhouse). Daniel assisted Ann Reinking and performed in Here Lies Jenny starring Bebe Neuwirth (NYC & SF).

Performing credits include Broadway: Cats (final original company) and The Wizard of Oz. NYC: Sinatra (Radio City Music Hall), Wonderful Town (NYC Opera). Tours: Spamalot, Chicago, South Pacific, Camelot, Jekyll & Hyde. Regional: Mamma Mia!, Newsies, Chess, Oliver!, The Last Ship, Sweet Charity and A Christmas Carol: The Musical (all at PTC), Two Gentlemen of Verona (Baltimore Center Stage), Mary Poppins, Peter Pan (Alabama Shakespeare Festival), Gigi and Evita (Paper Mill Playhouse). Grammy-nominated cast album The Wizard of Oz. JOE DELLGER (Judge Turpin) is delighted to return to PTC where he performed the role of Birling in An Inspector Calls. Broadway: Father in Ragtime, The Coroner in Porgy and Bess, Magnus in Lestat and Herst in Scandalous. Off-Broadway: Bellomy and Hucklebee in The Fantasticks, Jim Mason in A Blanket of Dust. Tours: Grandpa/Señor O’Brien in Freaky Friday, Andre in The Phantom of the Opera. Regional: Police Inspector Hanke in The Visit (Goodman Theatre with Chita Rivera), Joseph Pulitzer in Newsies and Judge Turpin in Sweeney Todd: The Demon Barber of Fleet Street (Malz/Jupiter Theater), Jacques Brel Is Alive and Well and Living in Paris (Alliance Theater), Scrooge in A Christmas Carol (Arvada Center), Father in Ragtime (Ford Theater), General Waverly in White Christmas (Fulton Theater) and Padre in Man of La Mancha (Goodspeed). Member – Actors Equity!

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WHO'S WHO IN THE CAST JAMES DONEGAN (Adolfo Pirelli/Jonas Fogg/Ensemble) PTC debut! Favorite credits include several companies of Forbidden Broadway, both in New York and around the world, including two cast albums; Me & My Girl as Gerald (Maltz Jupiter Theatre); Wonderful Town as Bob (Musicals Tonight); Born Yesterday as Paul (Northern Stage); Company as Bobby (Actor’s Express); Hello, Dolly! as Cornelius (Arkansas Repertory) and numerous productions of The Drowsy Chaperone as Adolpho.

When he’s not in a show, Donegan teaches group fitness classes for Equinox clubs in New York and owns/operates James Did It! – a graphic and web design company serving businesses of all sizes. jamesdonegan.net. For Dad. MARY FANNING DRIGGS (Ensemble) is thrilled to be back on the PTC stage in Sweeney Todd: The Demon Barber of Fleet Street, having last appeared as Rosie in Mamma Mia!. Driggs has appeared in over 20 PTC productions, including The Last Ship (Regional Premiere), The 25th Annual Putnam County Spelling Bee, White Christmas, Les Misérables (Regional Premiere), 42nd Street, The Producers, Disney’s Beauty and the Beast and Smokey Joe’s Café. Originally from Texas, she holds a BFA in Music Dance Theatre from Brigham Young University. Favorite local and regional credits include Annie Get Your Gun (Annie), Joseph and the Amazing Technicolor Dreamcoat (The Narrator), Once Upon a Mattress (Winnifred), Sweet Charity (Charity), Baby (Lizzie) and The Tempest (Alonso, directed by Tony Kushner). Ms. Driggs maintains a private vocal studio and teaches workshops specializing in pop-belt techniques. She is a proud member of Actors’ Equity Association.

KEVIN EARLEY (Sweeney Todd) Fresh off of directing The Fantasticks at his alma mater Webster Conservatory, Earley was last seen at PTC as Bob Cratchit in A Christmas Carol: The Musical. Last year: The Gentleman Caller in Glass Menagerie (Alabama Shakespeare Festival), Joe in The Spitfire Grill and Pilate in Jesus Christ Superstar. Broadway/National Tour credits include: Death Takes a Holiday, Les Misérables, Thoroughly Modern Millie and A Tale of Two Cities. 2016 was filled with three new musicals; Chasing Rainbows (Goodspeed), Josephine (Asolo Repertory Theatre) and Empire, the Musical. Awards include Joseph Jefferson Award for Assassins, NY Drama Desk Nomination for the title role in Death Takes Holiday, L.A. Drama Critic’s Circle Award for 1776.

More at kevinearley.com. Happy to be working with Mrs. Karen Azenberg once again.

LAURA HALL (Beggar Woman) is thrilled to return to PTC, having previously been seen in Something’s Afoot and A Christmas Carol: The Musical.

She made her Broadway debut in Wonderland and toured with Diane Paulus’ revival of Pippin. Regionally, she’s been seen in Loch Ness (Adirondack Theatre Festival), 39 Steps, Mary Poppins, Next to Normal (Weathervane Repertory Theatre), Marvelous Wonderettes (Gem Theatre), Urban Cowboy (Gateway Playhouse), Junie B. Jones (Theatreworks USA) and performances with the Cincinnati Pops.

Hall also toured for five years with the musical theatre sketch comedy group The Water Coolers. TV: “Shades of Blue” and “The Today Show.” Fun fact: Hall is continuing the trend of only having played British people on this stage! Instagram @laurahappyhall ERIC SANTAGATA (The Beadle) is thrilled to be back at Pioneer Theatre Company, having previously been involved in It Happened One Christmas, The Rocky Horror Show and Rent.

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Kevin Earley as Sweeney Todd

Pioneer Theatre Company thanks the Wanda and Carvel Mattsson Memorial Fund Endowment for its support of Sweeney Todd: The Demon Barber of Fleet Street.

WHO'S WHO IN THE CAST Broadway credits include: Falsettos (Associate Director), The Scottsboro Boys (Assistant Director/ Choreographer), Prince of Broadway, Bullets Over Broadway, Chaplin and The Apple Tree. Other NYC credits include The Beast in the Jungle (Associate Director/Choreographer), A New Brain (Assistant Director/Choreographer), Dot (Associate Director), Happiness, Stairway to Paradise and Face the Music.

Santagata has worked in London’s West End and at The Young Vic as well as in regional theaters across the country. He serves on the board of Westport Country Playhouse’s resident conservatory, The Broadway Method Academy and teaches theatre arts at venues nationwide. CCM graduate. Love and gratitude to the always supportive Karen Azenberg.

JONATHAN SHEW (Anthony Hope) is thrilled to be back at PTC, after last season’s Newsies.

Broadway: Bandstand (Donny understudy, Andre Baruch).

National Tour: Wicked (Fiyero understudy). New York: Radio City’s Spring Spectacular (Jack understudy). Off-Broadway: Voca People. Regional: North Shore’s Mame (Older Patrick), Paper Mills’ Ever After (Prince Henry understudy), Next to Normal as Gabe (Arizona Theatre Company), Diner directed by Kathleen Marshall (Delaware Theatre Company). Shew also does Brazilian jiu-jitsu in his free time. So much love and thanks to Amy and my family for their support. Instagram @jonathanshew. Hang tight!

BLAKE STADNIK (Tobias Ragg) is honored to make his PTC debut in this incredible story! Previous credits include the National Tours of 42nd Street (Billy Lawlor), Newsies (Crutchie) and Les Misérables (Marius). He received his BFA in musical theatre from Penn State University, and now pounds the pavement in NYC. Special thanks to his managers David Krasner and Terry Saperstein for their hard work and his loving family for all their support. As a legally blind actor and an advocate for disabled artists, Stadnik would

like to remind us all that everyone matters, and we are capable of great things when we approach our world with compassion and understanding.

Instagram @blakestadnik ANNE TOLPEGIN (Mrs. Lovett) is thrilled to be returning to PTC, where she was last seen in Women in Jeopardy (Mary) and Sting’s The Last Ship (Peggy White).

Broadway: A Tale of Two Cities, Les Misérables. Off Broadway: Carrie (Margaret White; standby for Marin Mazzie, MCC Theatre) Sweeney Todd: The Demon Barber of Fleet Street (Mrs. Lovett standby for Carolee Carmello, Barrow St. Theatre). National Tours: Kinky Boots (Marge), Billy Elliot (Billy’s Mum), Ragtime (Mother understudy), Mamma Mia! (Donna alternate).

Favorite regional credits include: Passion as Fosca (Pegasus Players), Little Women as Marmee (The John Engeman Theatre) and Screen as Mira (NJ Repertory). TV: Recurring on “Mr. Robot” (USA), “Iron Fist” (Netflix/Marvel). Originally from San Francisco, Tolpegin has toured North America, Mexico and Japan. Graduate of Northwestern University. Faithful 49ers fan. Instagram @ anneetolpegin Twitter @annetolpegin IMDB.me/ annetolpegin DELANEY WESTFALL (Johanna) is happy to be back in her home state doing a show with which she’s quite familiar. She was last seen playing Johanna in the critically acclaimed Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street (Barrow Street Theatre). Other credits include Broadway: Kinky Boots (Lauren), Side Show. National Tours: Beautiful: The Carole King Musical. Regional: Les Misérables (Cosette), Starlight Express (Pearl). She is a graduate of Brigham Young University. Special thanks to her family, friends and agents. Now let’s attend this tale! Social Media @deraney

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WHO'S WHO IN THE CAST MICHELLE BLAKE (Ensemble) happily returns to PTC after previously appearing in Oliver!, The Count of Monte Cristo, It Happened One Christmas, The Music Man, Man of La Mancha, Annie and Sunset Boulevard. Other recent credits include Tuck Everlasting as Mae Tuck, Mary Poppins as Winifred Banks, Catch Me If You Can as Paula Abagnale, White Christmas as Betty Haynes, Curtains as Georgia Hendricks and Kiss Me, Kate as Lilli/Kate. Trained in vocal performance at Utah State University. Love and gratitude to my family and friends.

PAYTON BOWEN (Ensemble) is thrilled to make his PTC debut. He is a senior in the ATP at the University of Utah and is interning this year with PTC. He appeared as Philip in You Can Never Tell (U of U Theatre) and was last seen in an uncredited appearance as Boy in PTC’s season opener of Oslo. Thanks to my family, friends and Karen for all of the encouragement and support.

PATRICK RYAN CASTLE (Ensemble) is thrilled to be back on the PTC stage after performing in Newsies last December. Castle is a senior in the MTP at the University of Utah and plans to graduate in the spring. Some university credits include Happy McGuire in Steel Pier, Ginger O’Shaughnessy in The Beautiful Game and, most recently, Anatoly Sergievsky in Chess (All U of U Theatre). He thanks his family and dearest friends for their constant love and support.

TIMOTHY AARON COOPER (Ensemble) is excited to join the PTC family. Broadway National Tours: A Gentleman’s Guide to Love and Murder. Off-Broadway: Vox Lumiere’s Phantom, The Light Rail (NYMF). Regional: Jesus Christ Superstar (Seven

Angels Theatre). Cooper has also worked as a main stage performer for Disney Cruise Line. BFA Brigham Young University. Much love and thanks for his wife, Sarah, and daughter Ollie. www.timothyaaroncooper.com CAMERON HOLZMAN (Ensemble) is a junior in the MTP. He is a scholarship recipient and has also appeared in the musical Steel Pier and The Beautiful Game.

Most recently, he appeared as Anatoly in Chess (U of U Theatre). He would like to thank his parents for their continued belief in his passion, all of his friends who have supported him along the way and his voice teacher, Dave.

MEGAN SHENEFELT (Ensemble) is a graduate of the MTP at the University of Utah and is thrilled to be returning for her third show at the PTC. Favorite credits include St. Jimmy in American Idiot, Lucy T. Slut in Avenue Q, Pirelli in Sweeney Todd: The Demon Barber of Fleet Street and Jesus Christ in Godspell. Second-place winner of Classical Singers International Singers Competition in Boston. Much love to family and friends.

KAREN AZENBERG (Director/Choreographer) This marks Karen Azenberg’s seventh season as Artistic Director at PTC. Favorite projects include the world premieres of Alabama Story and “i”; the regional premieres of Sting’s The Last Ship and Les Misérables; and The Curious Incident of the Dog in the Night-Time, Newsies, Sweet Charity and The Rocky Horror Show. Originally from New York, her work there includes Lyrics and Lyricists (92nd St. Y), Blocks (a collaboration with Johnathan Larson), Prom Queens Unchained and choreography for Richard Greenberg’s The Dazzle (Roundabout Theatre Company). Among her other credits are National Tours of Carousel and Brigadoon, West Side Story (over 15 productions), and productions at Indiana Repertory, Geva Theatre Center, Alabama Shakespeare Festival, 22

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WHO'S WHO IN THE CAST Goodspeed and Utah Shakespeare Festival.

Karen is a past president of the Stage Directors and Choreographers Society (SDC). Her favorite productions are her son Alexander and her daughter Emelia.

has also designed for the Alabama Shakespeare Festival and for the Utah Shakespeare Festival. He is a member of United Scenic Artists. To see more of his work, visit gmaxwell.weebly.com.

PHIL RENO (Musical Director/Conductor) has been the music director/conductor for numerous Broadway shows: Something Rotten!, Promises, Promises, Elf – The Musical, The Drowsy Chaperone, The Producers, Thou Shalt Not, Dame Edna: The Royal Tour, Dame Edna: Back with a Vengeance and Cats. Off-Broadway: The Diva Is Dismissed (Public), A New Brain (Lincoln Center), Chess (Master Theatre). National Tours: Joseph... (with Donny Osmond), world premiere of Music of the Night, Starlight Express and Bob Fosse’s Sweet Charity. Regional: Minsky’s (pre-Broadway premiere at Ahmanson), How the Grinch Stole Christmas (premiere at the Old Globe), Melissa Manchester’s I Sent a Letter to My Love (premiere at North Shore), Happy Days (premiere at Falcon Theatre). Television: Music director/conductor for “Broadway Under the Stars,” CBS 2002-2006; CBS Tree Lighting in Bryant Park 2006-2013. Film: The Producers. Reno has conducted six original cast albums and has been nominated twice for a Grammy award for his work as a producer of Something Rotten! and The Drowsy Chaperone cast albums.

GEORGE MAXWELL (Scenic Designer) has been the resident scenic designer at Pioneer Theatre Company for over 25 years and has had the distinct pleasure of designing over 100 productions for the company. He recently designed Newsies and The Will Rogers Follies for PTC before retiring in January. A few of his favorite PTC designs include Next to Normal, Rent, White Christmas, A Christmas Story, Chicago, Metamorphoses, Enchanted April, West Side Story, Proof, Peter Pan, Noises Off, Man of La Mancha, Ain’t Misbehavin’, Miss Saigon, Fiddler on the Roof and A Christmas Carol: The Musical. He was tapped by the Utah Opera Company to design The Coronation of Poppea and The Ballad of Baby Doe. Maxwell

PAUL MILLER (Lighting Designer) Previously at PTC: Mamma Mia!, In the Heights, Much Ado About Nothing, A Few Good Men, I Hate Hamlet, The Count of Monte Cristo and The Curious Incident of the Dog in the Night-Time. Broadway: Amazing Grace, The Illusionists, Legally Blonde, Freshly Squeezed and Laughing Room Only.

Off-Broadway: Desperate Measures, Clinton The Musical, Pageant, Vanities, A New Musical, Waiting for Godot, Addicted, Nunsense, Balancing Act and 10 productions for New York City Center Encores!. Regional: The Old Globe, Dallas Theater Center, Chicago Shakespeare Theater, Idaho Shakespeare Festival, Asolo Rep Theatre, American Conservatory Theater, Cleveland Play House, Pasadena Playhouse, Goodspeed Opera House and Westport Country Playhouse. National Tours include: The Illusionists, Elf – The Musical, Shrek, Legally Blonde, Sweeney Todd: The Demon Barber from Fleet Street, Hairspray, The Producers and The Sound of Music. Television: Live from Lincoln Center, Netflix and Comedy Central specials and New Year’s Eve from Time’s Square for the last 18 years. Internationally: The Stratford Festival, London’s West End, Vienna, Milan (Teatro alla Scala), Brazil, The Philippines, South Africa and China.

BRENDA VAN DER WIEL (Costume Designer) is part of the design faculty for the University of Utah Theatre Department and serves as head of the Performing Arts Design Program. She designs regularly for that department as well as for Pioneer Theatre Company and the Alabama Shakespeare Festival. Recent works in Utah include Chess, Hello Dolly!, the masks for Animal Farm, Blue Stockings and the Avenue Q puppets for U of U Theatre. Some favorite designs for Pioneer Theatre Company include Mamma Mia!, Outside Mullingar, Alabama Story, Rent, Emma and A Christmas Story. Some favorite designs for the Alabama

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WHO'S WHO IN THE CAST AMANDA FRENCH (Hair and Makeup Designer) has been a makeup and hair designer for over 28 years. She has worked for Montana Shakespeare in the Parks, the Utah Shakespeare Festival, Utah Opera, Egyptian Theatre Company and the University of Texas at Austin. She is a contributing writer in the tenth edition of Stage Makeup

by Corson, Glavan and Norcross and her work can also be seen in The Costume Technician’s Handbook by Ingham and Covey, and Wig Making and Styling: A Complete Guide for Theatre and Film by Ruskai and Lowery, first edition. She attended the College Conservatory of Music at the University of Cincinnati, where she studied with Hair and Makeup Designer Lenna Kaleva.

She is a member of the United States Institute for Theatre Technology (USITT), and a current University of Utah adjunct assistant professor of wigs and makeup.

Shakespeare Festival include Annie, A Midsummer Night’s Dream, The Little Mermaid, Mary Poppins, Macbeth, Much Ado About Nothing, The Comedy of Errors and The Count of Monte Cristo. Her work has also been seen at Utah Shakespeare Festival in Mary Poppins, Treasure Island and A Midsummer Night’s Dream.

ALLAN BRANSON (Resident Sound Designer) is thrilled to join Pioneer Theatre Company. He previously worked at The Arkansas Repertory Theatre as their resident sound designer for six seasons, where he designed such shows as Because of Winn-Dixie (world premiere), The Bridges of Madison County (regional premiere) and Memphis (regional premiere). Branson is a proud member of The Theatrical Sound Designers and Composers Association.

SARAH SHIPPOBOTHAM (Dialect Coach) is a graduate of the Central School of Speech and Drama in London. She teaches in the Actor Training Program at the University of Utah. Her work as dialect coach for PTC includes Oslo, Twelfth Night, The Curious Incident of the Dog in the Night-Time, The Last Ship and Oliver!. She was seen on stage in The Curious Incident of the Dog in the Night-Time and King Charles III. Shippobotham also works as resident voice and dialect coach for the Shaw Festival in Canada.

pioneer theatre company gratefully acknowledges the following businesses and individuals for their contributions to this production:

Teresa Lowe Utah Festival Opera

BECKY LYNN DAWSON (Production Stage Manager) joins Pioneer Theatre Company for her second season. She holds an MFA from Mason Gross School of the Arts and a BFA from Utah State University. Selected stage management credits include From Here to Eternity, Saturday Night Fever (Merry-Go-Round Playhouse), The Spitfire Grill, Chicago, M. Butterfly (Northern Stage), The Christians (Gulfshore Playhouse), Divinamente New York 2009 & 2010 (EH Arts International), Warning: Adult Content (Theatre 54), Spain (Bridge Theatre Company) and Monster, House (English Rose Productions). She

Nancy Hills Jean-Louise England Kent and Jean Jensen Dave Hallock George S. and Dolores Doré Eccles Center Theatre Park City

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WHO'S WHO IN THE CAST and learn on Fleet Street; the amazing cast and crew for their talent and warmth; and the biggest “Thank you!” to his husband Chaz for the constant love and support.

would like to send many thanks to her family for their continuing support.

MARY P. COSTELLO (Stage Manager) has worked on over 40 productions during eight seasons with PTC. Favorites include Sting’s The Last Ship, Newsies, The Will Rogers Follies, Les Misèrables, In the Heights, Next to Normal and Rent. Other stage management teams: Indiana Repertory Theatre, Connecticut Repertory Theatre, Boston Theatre Works, Grand Valley Shakespeare Festival and the Utah Shakespeare Festival. Proud Equity member.

STEPHEN SONDHEIM (Music and Lyrics) wrote the music and lyrics for Saturday Night (1954), A Funny Thing Happened on the Way to the Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday in the Park with George (1984), Into the Woods (1987), Assassins (1991), Passion (1994) and Road Show (2008) as well as lyrics for West Side Story (1957), Gypsy (1959) and Do I Hear A Waltz?

(1965) and additional lyrics for Candide (1973).

Anthologies of his work include Side by Side by Sondheim (1976), Marry Me a Little (1981), You’re Gonna Love Tomorrow (1983), Putting It Together (1993/99) and Sondheim On Sondheim (2010).

He composed the scores of the films “Stavisky” (1974) and “Reds” (1981) and songs for “Dick Tracy” (1990) and the television production “Evening Primrose” (1966). His collected lyrics with attendant essays have been published in two volumes: “Finishing the Hat” (2010) and “Look, I Made a Hat” (2011). In 2010 the Broadway theater formally known as Henry Miller’s Theatre was renamed in his honor.

KALLIE ERICKSON (1st Assistant Stage Manager) is a recent graduate from the University of Utah with a BFA in stage management. Recent stage management credits include form of a girl unknown and Stags Leap (SLAC), In The Heights: Concert Production (PTC) and You Never Can Tell and Dogfight (U of U Theatre). She is super pumped to be back at PTC this season with some of her favorite people! Love to the fam and to her pup.

TAHRA SI’MONE VEASLEY (2nd Assistant Stage Manager) is excited to be back at PTC! Previous Assistant Stage Manager credits include Mamma Mia! (PTC), Steel Pier and Animal Farm (U of U Theatre) and Twelfth Night (Salt Lake Shakespeare). Previous Stage Manager credits include Chess, Our Country's Good, Eclipsed and Hamlet (U of U Theatre), Trash! (Sucker Punch Productions) and UYT Summer Productions. She thanks her Godparents, Debbie and Nancy, for their support.

HUGH WHEELER (Book) was a novelist, playwright and screen writer. He wrote more than thirty mystery novels under the pseudonyms Q. Patrick and Patrick Quentin, and four of his novels were transformed into films: “Black Widow,” “Man in the Net,” “The Green-Eyed Monster” and “The Man with Two Wives.” For films he wrote the screenplays for “Travels with My Aunt,” “Something for Everyone,” “A Little Night Music” and “Nijinsky.” His plays include Big Fish, Little Fish (1961), Look: We’ve Come Through (1961) and We Have Always Lived in the Castle (1966, adapted from the Shirley Jackson novel), he co-authored with Joseph Stein the book for a new production of the 1919 musical Irene (1973), wrote the books

RYAN GRAYTOK (SDCF Observer) is a NYCbased director/choreographer living in Brooklyn with his husband, 90-pound dog, two rabbits and lots of pet hair. Recent credits include Chess (choreographer/assistant director) and Ragtime (choreographer) Off-Off Broadway and Jekyll & Hyde (co-director/choreographer) Off-Broadway.

He would like to thank: Karen for the mentorship, laughs and movie in her mind; Elishia, David and the Stage Directors and Choreographers Foundation for the incredible opportunity to work 28

L-R: Anne Tolpegin (Mrs. Lovett) and Blake Stadnik (Tobias Ragg)

Pioneer Theatre Company thanks The Richard K. and Shirley S. Hemingway Foundation for its support of the student matinee program.

WHO'S WHO IN THE CAST for A Little Night Music (1973), a new production of Candide (1973), Sweeney Todd, the Demon Barber of Fleet Street (1979, based on a version of the play by Christopher Bond), and Meet Me in St. Louis (adapted from the 1949 M-G-M musical), contributed additional material for the musical Pacific Overtures (1976), and wrote a new adaptation of the Kurt Weill opera Silverlake, which was directed by Harold Prince at the New York Opera. He received Tony and Drama Desk Awards for A Little Night Music, Candide and Sweeney Todd. Prior to his death in 1987 Mr. Wheeler was working on two new musicals, Bodo and Fu Manchu, and a new adaptation of The Merry Widow.

by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students.

BOB CLINE (Casting) is the founder of Bob Cline Casting in New York, and Broadway World recently named him one of New York’s ten best. He has cast film, TV, commercials, over 70 national tours and numerous regional theaters across the country.

Independently, or in his association with Rich Cole since 1994, he has cast for Pioneer Theatre Company, the Fulton Theatre, the Malz-Jupiter Theatre, The Repertory Theatre of St. Louis and many, many others. Bob has also been a proud faculty member in Pace University’s Theatre program in charge of the senior BFA musical theatre majors for the last 10 years. Nights when he is not directing shows, he can be found directing students in one of the two audition classes he has taught weekly for the last 18 years through The Actor’s Loft.

MUSIC THEATRE INTERNATIONAL (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser, and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 70,000 professional, community and school theatres in the US and in over 60 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior™ shows are 30- and 60-minute musicals for performance

ACTOR’S EQUITY ASSOCATION (“Equity”) founded in 1913, is the U.S. labor union that represents more than 50,000 actors and stage managers. Equity seeks to foster the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #EquityWorks

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FOR YOUR INFORMATION Emergency Exits are indicated to your right and left in the theatre. Please identify the exit closest to your seat location in case an emergency occurs.

The videotaping, photographing or other video or audio recording of this production is strictly prohibited. This includes photos taken by phone.

CELLULAR PHONES, CAMERAS AND WRIST BANDS ARE DISRUPTIVE; even when set on silent or vibrate, they may disrupt wireless sound equipment. Please leave your electronics in the car, or turn them off entirely while in the theatre.

TEXTING is disturbing to the actors and your fellow audience members. Do not text during the performance.

If you might need to be reached during a performance, leave your exact seat location with the box office. The number for emergency calls is 801-581-6963.

We have a hearing assistance system that allows our hard-ofhearing patrons to sit in any seat in the house. Collateral required; inquire at the coat check.

We welcome all persons. Those with special requirements should request assistance in advance.

Refreshments are not permitted in the auditorium, but are available in the main floor lobby pre-show and during intermission. Bottled water is allowed in the theatre.

The University of Utah is a non-smoking campus, both inside and outside all buildings.

Evening performances are at 7:00 p.m. Monday through Thursday, 7:30 p.m. Friday and Saturday; Saturday matinees at 2:00 p.m. Please avoid arriving after curtain time. To avoid disturbing other patrons, latecomers will be seated at the discretion of the House Manager. This policy has been instituted at the request of many of our patrons.

Season ticket holders may exchange their tickets for another performance of the same play by returning tickets to the box office at least 48 hours prior to the performance date. Tickets are nonrefundable.

You may donate your tickets, helping yourself and Pioneer Theatre Company. If you are unable to attend a production, make a tax-deductible gift of your tickets to the Theatre so that we may re-sell them. Call the box office at least 48 hours prior to the performance date.

The Patron Services staff will serve you from 10:00 a.m. until 6:00 p.m., Monday through Friday. During the run of a show, the box office is open extended hours Monday through Saturday.

No children under age 5 are admitted to performances.

L-R: Jonathan Shew (Anthony Hope) and DeLaney Westfall (Johanna)

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LORE

Sometimes the truth is more frightening than fiction. Join storyteller Aaron Mahnke and musical guest Chad Lawson for an unforgettable evening of dark, spine-tingling tales—the perfect way to celebrate All Hallows’ Eve. Lore is an award-winning, critically acclaimed podcast that exposes the darker side of history, exploring the people, places, and things we fear the most.

October 31, 2018 | 7:30 pm de Jong Concert Hall ON SALE NOW

THE MOUSETRAP by agatha christie

directed by david morgan

Trapped in a local bed and breakfast by a snowstorm, a group of strangers is horrified to learn there is a murderer in their midst. Join us for the longest-running play of the modern era, a tale of suspense and terror that ends as shockingly today as it did in 1952. “The Mousetrap” is presented by special arrangement with SAMUEL FRENCH, INC. October 26–November 10, 2018 Pardoe Theatre ON SALE NOW

FALL STAGE ARTS ETHEL MIRABAL, FLUTE: BYUwith ArtsROBERT ad THE RIVER page 36 Recognized as one of America’s most adventurous string

quartets, ETHEL strives for common creative expression forged in the celebration of community. ETHEL is joined

by Grammy Award-winning Robert Mirabal, a Taos Pueblo composer and songwriter known especially for his work with the Native American flute.

December 7, 2018 | 7:30 pm de Jong Concert Hall ON SALE NOW

WONDERLAND

music by frank wildhorn lyrics by jack murphy original book by gregory boyd and jack murphy

uk adaptation by robert hudson directed by tim threlfall choreographed by nathan balsar music direction by gayle lockwood

From the team that brought you the BYU smash hit The Count of Monte Cristo, this new musical takes Lewis Carroll’s classic story and sets it in present day New York. Jump down the rabbit hole to discover this inspirational story of love, redemption, and the power of imagination.

January 24–February 2, 2019 de Jong Concert Hall On sale November 19, 2018

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FRIENDS OF PIONEER THEATRE COMPANY Pioneer Theatre Company Board of Trustees Dan Lofgren, Chair Mark Capone, Vice Chair/Budget Co-Chair Budget Co-Chair Stan D. VanderToolen

Development Chair David R. Peterson

Karen Azenberg Gregory N. Barrick Sandi Behnken Colleen Larkin Bell Steven M. Brinton Nate Boyer Doyle Clayburn Craig N. Darrow Fred Esplin Pat Hemingway

Marketing Chair Todd Wolfenbarger

Christopher Lino Michele Mattsson Eric Maxfield Jeff Paris Gregory D. Phillips Lamont R. Richardson John W. Scheib, PhD Sue Skanchy Harris Smith Janette Sonnenberg

Brandon Stringham Daniel A. Reed, PhD Amy Wadsworth Emeritus A. Scott Anderson Edward F. Bates William H. Child Paul M. Durham Spencer F. Eccles

Nominating Chair Harris H. Simmons David E. Gee Kathie Horman James Macfarlane Peter D. Meldrum Kevin R. Murray Bruce T. Reese J. Douglas Whisenant

Pioneer Theatre Guild Officers Doyle Clayburn, President Glen Clayburn, President-Elect Peggy Stanley, Vice President Heather Benson, Secretary Kris Burton, Treasurer For information regarding PTC Guild membership, call Carolyn at 801-601-8847.

Corporate, Foundation, and Public Support Pioneer Theatre Company is pleased to recognize the many businesses, foundations, public institutions, and corporate sponsors that support our mission. Thank you for your generous contributions.

Season Support Salt Lake County Zoo Arts and Parks Fund

Presenting Sponsors ($50,000 and above) George S. and Dolores Doré Eccles Foundation

Emma Eccles Jones Foundation Meldrum Foundation

Dominion Energy The Shubert Foundation

Simmons Family Foundation Steiner Foundation, Inc.

Harris H. and Amanda P. Simmons Family Foundation

Zions Bank

Executive Producers ($25,000 – $49,999) Utah Division of Arts and Museums

Producers ($10,000 – $24,999) Anonymous Donor Cowboy Partners R. Harold Burton Foundation L. T. and Janet T. Dee Foundation College of Fine Arts Art Pass Program Marriner S. Eccles Foundation

Richard K. and Shirley S. Hemingway Foundation Pioneer Theatre Guild

W. Mack and Julia S. Watkins Foundation Wells Fargo

Benefactors ($5,000 – $9,999) Andeavor BW Productions + Durham Jones & Pinegar George Q. Morris Foundation — In Memory of Gabrielle M. Woods

Holland & Hart, LLP Larry H.and Gail Miller Family Foundation Charles Maxfield and Gloria F. Parrish Foundation Parr Brown Gee & Loveless

Anonymous Donor

Spencer F. and Cleone P. Eccles Family Foundation

Anserfone + The Boyer Company

Ernst & Young Jet Blue +

Anonymous Donor American Express Matching Gifts Bonneville Radio + Clear Channel + Cumulus +

Daria Book Club Fidelity Charitable Gift Fund The Handley Foundation Java Joe's KSTU +

Phillips Ryther & Winchester The Summit Group Riverton Music U.S. Bank Foundation S. J. and Jessie E. Quinney Foundation Salt Lake City Arts Council

Directors Club ($2,500 – $4,999) Robert and Barbara Patterson Family Memorial Foundation

John and Marcia Price Family Foundation

Associates ($1,000 – $2,499) National Life Group Charitable Foundation PwC

Snow, Christensen & Martineau Foundation

General Partners (up to $999) Richard H. and Joann O. Keller Family Foundation Pandora Reagan Outdoor + State Farm Insurance Cos.

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Strong & Hanni, Law Firm Wilcox-Smith Foundation The Williams Companies, Inc. Xerox Corporation

FRIENDS OF PIONEER THEATRE COMPANY Special Gifts Gifts to capital projects, artistic programming, and endowments secure the future of Pioneer Theatre Company. The donors listed are recognized for their important contributions to sustaining and enhancing artistic excellence.

Planned Gifts Sally Boynton-Murray • Normon S. • and Grace R. Higson • Chris Lino and Colleen Lindstrom Diane L. Parisi The Estate of Margot L. Shott • deceased Play-By-Play Bireley Endowment Susan Stoddard Heiner and Blake T. Heiner Lee and Audrey Hollaar

Special Projects Haze + Hard Nancy Melich & J. Alexander Hemphill In honor of Colleen Lindstrom

PTC True and Quasi Endowments Anonymous Eric Biedermann Roger and Sara Boyer Kem and Carolyn Gardner Francis and Joan Hanson Mattsson Memorial Fund William and Donna Vogel Elliot J. Hulet In Memory of Shannon Elizabeth Meldrum Foundation Endowment and Amanda LaRae Maxwell In Memory of Mars Spafard Fund Meldrum Foundation

Spoor Endowment Chris Lino The Peter and Susan Stevens Endowment Susan Dolan Stevens and Peter Stevens Robin M. Woods Legacy Endowment A fund to support the advancement of women in theatre

Annual Fund Support From Individuals Individual Sponsors ($5,000 and above) Most individual donors to PTC choose to support the general work of the company. There are also opportunities to contribute gifts of $5,000 or more to specific productions or projects. For more information call 801-581-6960.

Anonymous Donor

Judy Brady and Drew W. Browning In honor of Colleen Lindstrom and Chris Lino

Hank and Pat Hemingway Kathie and Chuck Horman

Roger and Mary Lowe The Jennifer Speers Family Trust

Directors Club ($2,500 – $4,999) The Directors Club is a giving level recognizing donors who make an annual contribution of $2,500 or more to PTC. Members of the Directors Club receive exclusive benefits throughout the theatre season. For more information call 801-585-3196.

A. Scott and Jesselie Anderson Bonnie Jean and H. Brent Beesley Sandi Behnken Colleen Larkin Bell Lynette and Marsden Blanch Kristina and Kenneth Burton Mark and Kelly Capone Craig and Stephanie Darrow

Paul and Maren Durham Susan F. Fleming Sandra E. Geary David E. and Sherrie Gee Susan K. Hickenlooper Dale A. and Rachel B. Kimball Linda J. Leckman, M.D. Robert Lence

Anonymous Donor (3) In Memory of Stephen W. Barlow Bill and Beth Beck C. Kim and Jane C. Blair In Memory of Art Brothers Michael and Alison Brown Robin and Marion Campbell Margaret Cragin-Masarone Anne and Ashby Decker

Tim and Candace Dee Elizabeth Terry Dunning Joan Erickson Bob and Mary Gilchrist Julie and Devon Glenn David H. Green David D. Hickox Lee and Audrey Hollaar Cindy Spoor and Doug Howard

Anonymous Donors (4) Brian Allen Christine A. Allred John and Linda Ashton Karen Azenberg and Augie Mericola Mary Anne Berzins Kenneth and Karen Brewster Marilyn and Robert Brinton Steven and Joan Brinton Martin Cathey Bruce and Lynn Cohne Philanthropic Fund Renee Christensen Morlene Dangerfield Michael D. Drews

Robert and Liz Ence Chesley and Amy Erickson Community Foundation of Utah on behalf of the Rosenbush + Zimmerman Family Fund Bob and Mary Gilchrist Doris and David Gillette John and Elizabeth Hammond In Honor of Ruth Hansen Hale Bonnie Hedman* Jennifer Hedman* Nancy Melich and J. Alexander Hemphill Larry and Tina Howard Elise and Paul Hutchings

Lofgren Family James L. Macfarlane Eric and Lara Maxfield Peter and Catherine Meldrum Jeff Paris Michael and Jan Pazzi Gregory D. and Cynthia Phillips Margaret P. Sargent

Richard Koehn and Sheryl Scott Harris H. and Amanda Simmons Kevin and Alice Steiner R. Eric and Michele Thompson * Stan and Jill VanderToolen * Todd and Michelle Wolfenbarger

Associates ($1,000 – $2,499) Tom and Carol Jepperson * Bruce and Maxine Johnson Sheldon R. Furst and Ellen Liu Jayne Luke David and Donnna Lyon Doralee Madsen Nickie and David McDowell Nancy and George D. Melling Brenda Mueggenborg

Steve and Alisa Parks Linda S. Pembroke John Netto and Catherine Putnam-Netto Brian and Janice Ruggles Dr. Brent and Janette Sonnenberg James M. Steele Lou Ann Stevens Amy Wadsworth and David Richardson

Angels ($500 – $999) Dr. Brent C. and Eve James Richard H. Keller and Christena Ensign Greg Hatch and Terry Kogan + Chris Lino Uri Loewenstein Mary McCarthey Sue and Fred Morris James and Karen Nelson Oren and Liz Nelson Diane L. Parisi John and Susanne Parsons Karen F. and Leon Peterson Wayne and Robyn Petty In Memory of Suzann Pyper Barbara and John Reid

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Joanne Rich Zoe and Lon Richardson, Jr. Harold and Debbie Rust In Memory of Darlene Sackett Kent and LaRae Scott William and Saundra Stone Marsha Tadje Cindy and Mark Vernon Barbara Wheat David and Jeralynn Winder

Anne Tolpegin (Mrs. Lovett) and Kevin Earley (Sweeney Todd)

Principal Sponsor of Sweeney Todd: The Demon Barber of Fleet Street

FRIENDS OF PIONEER THEATRE COMPANY Patrons ($250 – $499) Anonymous Donors (3) Craig and Joanna Adamson Susan and Ken Albrecht Jon K. and Darlene Alley Eric and Judy Anderson James A. and Carol A. Anderson Johnny Anderson Sandra and Marc Babitz Bryan and Tina Bagley Jim and Martha Bale Lonnie and Jill Baskett Rachel L. Bates Jerry and Marcella Borrowman Kenneth M. and Barbara L. Calney Doug and Barbara Campbell Art and Luana Casper Robert and Barbara Cherrington Wilma and Willie Dolowitz Drs. Richard C. and Ann W. Engar In memory of Keith M. Engar Elizabeth England

Lars and Susan Erickson Larry and Shirley Florence Jan and Stan Foutz Dennis C. Gassman Shaleane Gee Dietrich and LaDon Gehmlich Marian Green Beth C. and Peter T. Hanlon Francis and Joan Hanson Ingo and Mary Henningsen Monika Hopper John and Carol Huffman Randy and Nickie Huizenga Dan Humiston and Jackie GianniniHumiston Amy Haselhorst and Richard Irons Bruce and Rhonda Irvine Randy and Liz Jensen Michele and Dave Jenson Dr. Robert and Julie Kessler The Kohlburn Family

Dr. and Mrs. Larry W. Kraiss Guttorm and Claudia Landro Bradley P. Rich and Dr. Erika Lloyd Helga and Herbert Lloyd Donald and Louise Lochhead Ronald and Danece Mangone Marie and Adam Martin Mary McCarthey Tony and Mary Ann Morgan Kevin R. and Deon Murray Michael E. Nash Tim and Peggy J. Newman Karen H. Nichols Carol M. Oliver Maura and Serge Olszanskyj Dinesh and Kalpana Patel Deborah C. Perry Fred and Carolyn Petersen Bryce Peterson Kirt Peterson Robert and Virginia Peterson

Anonymous Donors (14) Mons Aase Carolyn Abravanel Vern and Barbara Adams John and Sheryl Allen Kathy Aller Susan Allred Gloria and Irwin Altman Diane Anderson Donna Andrews Dawn Aoki In honor of J. Michael Mattsson Richard and April Armstrong James C. Ashworth In Memory of Mary G. Asson Amy Babcock Robert L. Backman Linda K. Ballard Barbara Bannon Bryce and Margaret Barker Landon Ray Barker Almina Barksdale Don Barlow Joyce and John Barnes Mary L. Barnes Rachel L. Bates Kathleen E. Bayn Nancy J. Behnken Lani Belisle Abby Bird Richard Charles Brandt Dave and Lori Buhler John P. and Andrea M. Burke Christine and Devin Calcut Brad and Leslie Campbell Brian E. Chapman Margaret Chapman Ray and Bobbie Christiansen Geraldine M. Clark Howard and Betty Clark Patricia and John Clay In honor of A COMEDY OF TENORS – cast, crew, creatives, et al.

Jeremy Conder Donna L. Conway Dennis W. Coon Kathie and Marshall Coopersmith Cathy Cornell and Karen Skinner John D’Arcy William Daniloff Debbie Davis Michael and Rebecca Davis Kathy and Lawrence Derrick Jerry Diana James R. Dickson Bob and Sue Dintelman Jack and Joyce Dolcourt Anne and Sandy Dolowitz Robert Doran Carrie and Randy Drown Kathryn Egan Steve Eklund Susan Elder James P. Elkins, Jr. Brent Evans Kent Fawcett Kathy and Dane Finerfrock Kathy and Craig Fineshriber Lou Jean Flint In Memory of Gloria Forcht Sarah George and Richard Ford Norman L. and Carol Foster Brian W. and Cheryl B. Fox Carolyn C. Fredin Ann Gardner Lynda Geddes Marc and Carol Gentner Elizabeth Gloyn Ralph L. Gochnour Jerry and Linda Good Diana Goodell Lewis and Ceselie Goodwin Kristin Wann Gorang Stefanie Voigt and James Greenbaum Dr. John and Anabel Greenlee Dennis M. Gross

Frank and Patrica Pignanelli Nancy Pitstick Laszlo and Sandra Preysz George C. Rackham, Jr. Dr. Marvin L. and Beth Rallison Larry P. Schumann Michael Scott and Loretta Falvo-Scott David and Julianne Seal Janet and David Sharp Ralph and Kayleen Simmons Patricia and Homer Smith Robert A. and Julie A. Sperling Mary O. Stanley Julie A. Stokes George Sumner and Tina Hose-Sumner Elaine B. Weis Wayne and Carol Welninski In honor of Joseph Welninski Dr. and Mrs. H. James Williams Ben Wilson and Michele Mattsson Chris R. Wood

Contributors ($50 – $249) Judy Grow Mr. and Mrs. Ryan Hackett Clair and Vivian Hadley Maxine R. Haggerty Gerry Hanni Justin and Kristina Hansen Justin L. Hansen Richard Harper Jonathan D. Hartford Don Harward Peter and Jan Haug Alan and Rosena Heal Patti Hendricks Ross Owen and Larry Herndon James D. Hill Michael Hines Kenny and Janeal Hodges Jason Hoggan Frederick A. Hottes Virginia Huber Karen Hyde Colin Jackson Darlene Jensen Danelle and Paul Jensen Elaine Jensen Karen Johnsen Mark and Sheila Johnson Alana Jonat Tammy Jones Kathy Jorgensen Diane Julian Ben and Jenn Kalm Kathleen M. Kaufman Jim and Maggie Kearns Fonda Kersey Russel and Jane King Richard and Gene Klatt Carolyn and Peter Kowalchick Robert Kraemer Paul Kriekard Joan M. and Douglas S. Lake Janice and Harvey Lansing Richard and Connie Larrabee

40

Darryl and Bonnie Lee Howard and Nancy Lemcke Keith Leonard Steve and Karin Liimatta Katy Lillquist Pauline Lindsay Morris and Jane Linton Susan Conniff Lockhart Diane Luke Michael W. Luskin Elaine Lyon Joel S. Macey Bonnie R. Macfarlane Ralph R. and Sylvia S. Mabey Jennifer H. Malherbe Darcia Mallory-Gordon Gary and Ruth Manville Ted and Shirley Marakis In Memory of Ralph E. & Winnifred S. Margetts Karen McArthur John F. McNamara Neta McOmie Ronald C. Mills Dr. and Mrs. Corey Miller Richard R. and Jean H. Miller Sally Miller Bruce Miya Peggy Montrone James Moss Robert C. and Carol S. Moss James Moyer Dalmas H. Nelson Brenda Nibley Rosalie Notarianni Jean and Ralph Nuismer J. Nunn Michael and Marlene O’Hara Linda B. Purcell Ogden William D. Ohlsen Kristi and Jeff Oritt Julie Olson Tim Orton

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FRIENDS OF PIONEER THEATRE COMPANY Elissa Oshinsky Chris James Oswald Ted and Kay Packard Brett Packham Linda D. Page Gigi Parke Kirsten Park Nancy Parker Ron and Barbara Parker Paula Paterson Helen Patterson Mary Ann and William Payne Gary and Janet Peck Joyce A. Pell Sheila Penrose Chris Peterson Ian Peterson Kirt Peterson Kara Pettit Colleen Pierce

James and Barbara Pierson Phyllis B. Pingree Walter J. Plumb Dennis Polster Carol Prince Roger and Susan Pyper Thomas Quam Susan Reese Barbara Reid Sallie Rinderknecht Ben and Kathy Roa J. Kyle and JoAnn K. Robertson Julie Robideau Michael B. Robinson Dr. John and Mary Jo Robinson Kathleen and Michael Rodman J. Rogers Sid Rudolph

Leonard and Alene Russon Karen Sawyer Paige St. Jeor Jane and Kent Sakashita Sarah W. Scheuller C. Duwayne and Alice C. Schmidt Madalyn S. and James P. Seaman Matthew Seely Tina Seferos Harry and Becky Senekjian Stuart and Mary Silloway Ann M. Simms A.J. and Leah Smith Deborah Smith Kelly Smith Greg and Mary Smith Robert B. and Janet D. Smith In Memory of Marvin E. and Kathryn T. Smullen

Stuart Stanek Drs. Barry and Connie Stults Russell T. and Sandra Strauss Annie and Cory Strupp Emily Swensen Jesse J. Suek Robert and Carol Tayler Kyle Taylor Anne Carson Thompson Joel and Pamela Thompson Guy L. and Elaine Thompson Robyn Toone Kathy D. Van Orman Lisa and Scott Verhaaren Nona Vernon Bill and Heidi Vriens Joan Vrtis Alison Walker Gwen Wardle David and Shauna Weight Jeff Weight

Sylvia Weight David and Dixie West Martha J. Westman Tina R. Whitehead Henry O. Whiteside John Wiethorn Nancy G. Woodward Ron Sawdey and Cissy Wolff Sally Wyne Nancy Young Stuart and Barbara Young Tod and Mary Young Andrey Zharkikh

The donors acknowledged above made gifts and pledges between September 16, 2017 and October 6, 2018. +In-Kind Donation * This donor is recognized at the gift level equal to their donation plus a corporate match. Make your gift go further: Check to see if your company has a matching gift program. If you have any changes or questions regarding your program listing, please call 801-585-3196.

O U R TEAM I S YO U R

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42

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LOGE GALLERY PRESENTS

2018 UWS FALL MEMBER EXHIBITION

Kristi Grussendorf “Navigating the Glass Dome”

Visit the Utah Watercolor Society’s Fall Member Exhibition, in the Loge Gallery of Simmons Pioneer Memorial Theatre, running concurrently with Sweeney Todd: The Demon Barber of Fleet Street, October 26 through November 10, 2018.

For more information: pioneertheatre.org/loge-gallery

PIONEER THEATRE COMPANY STAFF ARTISTIC STAFF Artistic Director. . . . . . . . . . . . . . . . . . . . . . . Karen Azenberg Resident Fight Choreographer. . . . . . . . . . . . . . . . . Christopher DuVal Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . . . Allan Branson Resident Scenic Designer. . . . . . . . . . . . . . . . . . . . . George Maxwell PRODUCTION STAFF Production Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Reed Rossbach Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Mack Production Stage Manager . . . . . . . . . . . . . . . . . . . Mary P. Costello* Props Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Walters Charge Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Jensen Scenic Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda McMall Painters . . . . . . . . . . . . . . . . . . . . . Miriam Gonzalez, Brooke Morgan Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barbara Nelson Stage Technicians. . . . . . . . . . . . . . . . . . . . . . . . Cara Pomeroy-Allan, Michael Begue, Chris Dwan, Andrew Smith Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . . Phillip R. Lowe First Hand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K.L. Alberts Asst. Costume Shop Manager. . . . . . . . . . . . . Wendy Schow-Massine Drapers/Cutters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Misty Reubens, Wendy Schow-Massine, Margo Seamons Master Tailor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leah Pelz Millinery/Crafts Artisan. . . . . . . . . . . . . . . . . . . . . . . Rachel Buechele Stitchers. . . . . . . . . . . . . . . . . . . . . Colleen Pierce, Amanda Andrews Wig Master. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda French Wig and Makeup Assistant . . . . . . . . . . . . . . . . . . . . . . . ZJanelle Lee Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Costume Rental Coordinator. . . . . . . . . . . . . . . . . . . . . . . Do’nel Ault Master Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek Technical Advisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lee Hollaar

ADMINISTRATIVE STAFF Managing Director. . . . . . . . . . . . . . . . . . . . . . . . . . Chris Lino Box Office/Patron Services Manager. . . . . . . . . . . . . . . . . Heidi Bruce House Manager/Asst. Patron Services. . . . . . . . . . . . . . . . Nikki Baum Patron Services. . . . . . . . . . . . . . . . Alexis Brinkerhoff, Erica Carvalho,. . . . . . . . . . . . Susannah Castleton, Jenifer Christensen, Luke Corkran, Mitchell Garets, J.T. Hiskey, Sasha Pinegar, Caprice Schulte Business Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Llenares Asst. Business Manager . . . . . . . . . . . . . . . . . . . . . . . . . Matt Bennett Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Bowen Concessions. . . . . . . . . Amona Faatau, Marissa Jeppson, Katina Nikols, Abigail Raasch, Tom Roche, Joanne Rowland, Emily Smith, Whitney Stephens, Emily Turner, Morgan Werder Director of Development. . . . . . . . . . . . . . . . . . . . . . . . Diane L. Parisi Director of Annual Giving . . . . . . . . . . . . . . . . . . . . . Sarah D. Young Development Assistant . . . . . . . . . . . . . . . . . . . . Jacqueline Mumford Director of Marketing & Communications . . . . . . . . . . . . Kirsten Park Publicity Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vreni Romang Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BW Productions ADDITIONAL STAFF FOR SWEENEY TODD: THE DEMON BARBER OF FLEET STREET Stage Managers . . . . . . . . . . . . Mary P. Costello*, Augie K. Mericola* 1st Assistant Stage Manager. . . . . . . . . . . . . . . . . . . . . Kallie Erickson 2nd Assistant Stage Manager. . . . . . . . . . . . . . . Tahra Si’mone Veasley SDCF Observer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ryan Graytok Rehearsal Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heidi Townsend Assistant to the Lighting Designer. . . . . . . . . . . . . . . . David DeCarolis Live Mix Engineer. . . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Hubbard Light Board Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek Head Spot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cade Beck Rail Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Graham Melton Deck/Rail Crew . . . . Emily Beatse, Jen Christensen, William Hadden, . . . . . Allison Harkness, Sophia Jensen, Paige Mercy, Kelsey Petersen Follow Spot Operators. . . . . . . Kyle Allen, Alex Jones, Hannah Keating Sound Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Andelin Anderson Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Wardrobe Running Crew. . . . . . . . . . . Caroline Hanks, Andew Cortes, Serena Collins, Sammy Daoud, ZJ Lee, Haley Nowicki Assistant Master Electrician . . . . . . . . . . . . . . . . . . . . . . . Cade Beck Electricians. . . . . . . . . . . . . . . . . . . . . . . . Cade Beck, Nick Bellendir, Wesley Darton, David DeCarolis, William Hadden, Jennifer Hairr, Rachel Harued, Chaska Johnson, . . . . . . . .Graham Melton, Alawna Sullivan-Jimenez, Trish Whitekettle Lighting Programmer . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek *The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

PTC Advertising by Modern8 • Cover Art by Greg Newbold MILLS PUBLISHING STAFF Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Chad Saunders, Advertising Representatives; Caleb Deane, Administrative Assistant.

The Pioneer Theatre Company program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2018.

44

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