Utah Symphony April/May 2024

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RAVEL’S PIANO CONCERTO IN G

APRIL 26 & 27, 2024 / 7:30 PM

SCHEHERAZADE

MAY 17, 2024 / 07:30 PM

MAY 18, 2024 / 05:30 PM

ANNE AKIKO MEYERS

MAY 24 & 25, 2024 / 7:30 PM

Program notes and artist bios for upcoming and past performances are available on utahsymphony.org

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UTAHSYMPHONY.ORG / (801) 533-NOTE 5 CONTENTS
UTAH SYMPHONY APRIL/MAY 2024
6 Welcome 8 Season Sponsors 10 Board of Trustees 15 Utah Symphony 34 Donors 48 Acknowledgments 49 Administration
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PLAYS “FANDANGO”
23 29

WELCOME

On behalf of the musicians, board, and staff of Utah Symphony | Utah Opera, it is our pleasure to welcome you to Maurice Abravanel Hall and tonight’s concert. As we approach the conclusion of another spectacular winter season of artistic successes and incredible live music, we thank you for the energy you bring to our concerts, inspiring our musicians to create the very best music experiences with and for you.

We conclude this exceptional season of great live symphonic music with three programs, each including audience-favorite works led by world-class guest conductors and featuring extraordinary soloists with the incomparable musicians of our orchestra. Whether it is the evocative orchestration of Ravel, Prokofiev, RimskyKorsakov, and Copland; exciting new music from living composers; or virtuosic performances by Ingrid Fliter, Wendy Bryn Harmer, and Anne Akiko Meyers, you will hear the musicians of the Utah Symphony demonstrate their remarkable expertise as they deliver moments that will live long in your memory.

This summer we hope you will “Escape into the Music” with USUO for our 20th Deer Valley® Music Festival. The six-week summer concert series, which runs from July 5 through August 9, features a diverse musical lineup, showcasing the versatility of our Utah Symphony musicians as they perform music ranging from classical to alternative rock alongside popular artists. Also watch for the Utah Symphony as featured guests throughout the summer in outdoor community venues including the Sandy Amphitheater, Thanksgiving Point, and the Utah Cultural Celebration Center in West Valley City.

Thank you again for being part of tonight’s musical experience. Your presence matters and we look forward to seeing you outdoors this summer and once again in the marvelous setting of Maurice Abravanel Hall for our 2024-25 season! Please visit UtahSymphony.org and DeerValleyMusicFestival.org for more information about the concerts, guest artists, and subscription packages.

6 UTAHSYMPHONY.ORG / (801) 533-NOTE

THE PIANISTS ARE COMING!

This June! 37 pianists representing 11 countries will vie for a total of $106,000 in prize money and the title of the next Gina Bachauer International Artists Gold Medalist. Two weeks of performances culminating with two evenings of concerto performances with the Utah Symphony!

JUNE 16-25

QUARTERFINAL & SEMIFINAL ROUND

Rose Wagner Performing Arts Center

JUNE 28-29

FINAL ROUND with the Utah Symphony

Hall

BACHAUER
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COMPETITION Tickets and details at BACHAUER.com
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at Abravanel

SEASON SPONSORS

SEASON SPONSOR

MASTERWORKS SERIES SPONSOR

FILMS IN CONCERT SPONSOR

FAMILY SERIES SPONSOR

2023-24 UTAH SYMPHONY SEASON SPONSOR

Enriching excellence in the arts in Utah for more than half a century.

George S. and Dolores Doré Eccles Foundation Board of Directors (l to r): Robert M. Graham , Spencer F. Eccles, Lisa Eccles

PHOTO CREDIT: Ian Mower for Utah Symphony

BOARD OF TRUSTEES

ELECTED BOARD

Brian Greeff*

Chair

Annette W. Jarvis*

Vice Chair and Secretary

Joanne F. Shiebler*

Vice Chair

Steven Brosvik*

President & CEO

Austin Bankhead

Dr. Stewart E. Barlow

Judith M. Billings

George Cardon-Bystry

Gary L. Crocker

John D’Arcy*

David L. Dee

Barry L. Eden*

Jason Englund

Senator Luz Escamilla

Theresa A. Foxley

Brandon Fugal

Dr. Julie Aiken Hansen

Daniel Hemmert*

Dennis H. Hranitzky

Stephen Tanner Irish

Thomas N. Jacobson

Abigail E. Magrane

Judy Moreton

Dr. Dinesh C. Patel

Frank R. Pignanelli

Gary B. Porter

Shari H. Quinney

Miguel R. Rovira

Stan Sorensen

Dr. Shane D. Stowell

Thomas Thatcher

W. James Tozer

David Utrilla

Don Willie

Kim R. Wilson

Thomas Wright*

Henry C. Wurts*

MUSICIAN REPRESENTATIVES

Claudia Restrepo*

Barbara Ann Scowcroft*

EX-OFFICIO

Jean Vaniman

Onstage Ogden

LIFETIME BOARD

William C. Bailey

Kem C. Gardner*

Jon Huntsman, Jr.

G. Frank Joklik

Clark D. Jones

Thomas M. Love*

David T. Mortensen

Scott S. Parker

David A. Petersen

Patricia A. Richards*

Harris Simmons

David B. Winder

TRUSTEES EMERITI

Carolyn Abravanel

Dr. J. Richard Baringer

Howard S. Clark

Kristen Fletcher

Richard G. Horne

Ronald W. Jibson

E. Jeffery Smith

HONORARY BOARD

Jesselie B. Anderson

Kathryn Carter

R. Don Cash

Raymond J. Dardano

Geralyn Dreyfous

Lisa Eccles

Spencer F. Eccles

Dr. Anthony W. Middleton, Jr.

Edward Moreton

Marilyn H. Neilson

Stanley B. Parrish

Marcia Price

Jeffrey W. Shields, Esq.

Diana Ellis Smith

* Executive Committee Member

10 UTAHSYMPHONY.ORG / (801) 533-NOTE

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Thierry Fischer

Music Director Emeritus

Matthew Straw

Assistant Conductor

David Robertson

Creative Partner

Sharon Bjorndal Lavery

Chorus Director & Opera Assistant Conductor

VIOLIN*

Madeline Adkins

Concertmaster

The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton

Kathryn Eberle

Associate Concertmaster

The Richard K. & Shirley S. Hemingway Chair

Laura Ha

2nd Associate Concertmaster

Claude Halter Principal Second

Wen Yuan Gu

Associate Principal Second

Evgenia Zharzhavskaya Assistant Principal Second

Karen Wyatt

2nd Assistant Principal Second

Sara Bauman~

Erin David

Joseph Evans

Lun Jiang

Rebekah Johnson

Tina Johnson~

Alison Kim

Amanda Kofoed~

Jennifer Kozbial Posadas~

Veronica Kulig

David Langr

Hannah Linz

Yuki MacQueen

Alexander Martin

Rebecca Moench

Hugh Palmer

David Porter

Lynn Maxine Rosen

Barbara Ann Scowcroft

Ju Hyung Shin

Bonnie Terry

Julie Wunderle

VIOLA*

Brant Bayless

Principal

The Sue & Walker

Wallace Chair

Yuan Qi

Associate Principal

Emily Brown~

Julie Edwards

Joel Gibbs

Carl Johansen

Scott Lewis#

John Posadas

Leslie Richards~

Whittney Sjogren

CELLO*

Matthew Johnson

Acting Principal

The J. Ryan Selberg

Memorial Chair

Andrew Larson

Acting Associate Principal

John Eckstein

Walter Haman

Anne Lee

Louis-Philippe Robillard

Kevin Shumway

Hannah Thomas-Hollands~ Pegsoon Whang

BASS*

David Yavornitzky Principal

Corbin Johnston

Associate Principal

Andrew Keller

Edward Merritt

James Stroup~

Jens Tenbroek

Thomas Zera

HARP

Louise Vickerman Principal

FLUTE

Mercedes Smith

Principal

The Val A. Browning Chair

Lisa Byrnes

Associate Principal

Caitlyn Valovick Moore

PICCOLO

Caitlyn Valovick Moore

OBOE

Zachary Hammond Principal

The Gerald B. & Barbara F. Stringfellow Chair

James Hall

Associate Principal

Lissa Stolz

ENGLISH HORN

Lissa Stolz

CLARINET

Tad Calcara Principal

The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

Erin Svoboda-Scott

Associate Principal

Lee Livengood#

Chris Bosco~

BASS CLARINET

Lee Livengood#

Chris Bosco~

E-FLAT CLARINET

Erin Svoboda-Scott

BASSOON

Lori Wike

Principal

The Edward & Barbara Moreton Chair

Leon Chodos

Associate Principal

Jennifer Rhodes

CONTRABASSOON

Leon Chodos

HORN

Jessica Danz Principal

Edmund Rollett

Associate Principal

Jonathan Chiou

Julia Pilant~ Stephen Proser

TRUMPET

Travis Peterson Principal

Jeff Luke

Associate Principal

Seretta Hart~

Peter Margulies#

Paul Torrisi

TROMBONE

Mark Davidson** Principal

Sam Elliot

Acting Principal

Andrew Zaharis~ Acting Second Trombone

BASS TROMBONE

Graeme Mutchler

TUBA

Alexander Purdy Principal

TIMPANI

George Brown Principal

Eric Hopkins Associate Principal

PERCUSSION

Keith Carrick Principal

Eric Hopkins

Michael Pape

KEYBOARD

Jason Hardink Principal

LIBRARIANS

Clovis Lark Principal

Claudia Restrepo

ORCHESTRA PERSONNEL

Walt Zeschin Director of Orchestra Personnel

Hannah Thomas-Hollands Orchestra Personnel Manager

* String Seating Rotates

** On Leave

# Sabbatical

~ Substitute Member

UTAHSYMPHONY.ORG / (801) 533-NOTE 15 UTAH SYMPHONY

TO PERFORM TO INSPIRE

For over 40 years, the Utah Symphony has been welcoming nearly 20,000 fifth graders to Maurice Abravanel Hall for a specially curated program— it’s an experience designed just for them!

Have you heard of our ‘Opera-tunities’ night? Students are invited to attend the final dress rehearsal of each Utah Opera production at the Janet Quinney Lawson Capitol Theatre and experience this art form up close and personal.

Every year, USUO travels across the state for in-school performances reaching 600+ schools and nearly 100,000 students.

RAVEL’S

PIANO CONCERTO IN G

APRIL 26 & 27, 2024 / 7:30 PM Maurice Abravanel Hall

AZIZ SHOKHAKIMOV, conductor

INGRID FLITER, piano

POLINA NAZAYKINSKAYA

RAVEL

PROKOFIEV Winter Bells

Piano Concerto in G

I. Allegramente

II. Adagio assai

III. Presto

INGRID FLITER, piano

INTERMISSION

Selections from Romeo and Juliet

GUEST ARTIST SPONSOR

LAWRENCE T. & JANET T. DEE FOUNDATION

CONDUCTOR SPONSOR

UTAHSYMPHONY.ORG / (801) 533-NOTE 17 MASTERWORKS SERIES

ARTISTS’ PROFILES

Aziz Shokhakimov is Music Director to Orchestre Philharmonique de Strasbourg and Artistic Director to Tekfen Philharmonic Orchestra. During 2015–2021 he held the position of Kapellmeister to Deutsche Oper am Rhein. His guest conducting has included orchestras such as Symphonieorchester des Bayerischen Rundfunks, NDR Elbphilharmonie Orchester, WDR Sinfonieorchester Köln, Orchestre Philharmonique de Radio France, and hr-Sinfonieorchester. In North America he has conducted Houston Symphony, Toronto and Seattle symphony orchestras.

Recent and forthcoming engagements

INGRID FLITER

Born in Buenos Aires in 1973, Ingrid Fliter began her piano studies in Argentina with Elizabeth Westerkamp. In 1992 she moved to Europe where she continued her studies in Freiburg with Vitaly Margulis, in Rome with Carlos Bruno, and with Franco Scala and Boris Petrushansky at the Academy “Incontrui col Maestro” in

include Wiener Symphoniker, Tonhalle Düsseldorf, Orchestra della Svizzera Italiana, Gulbenkian Orchestra, Utah Symphony and a returned to the 2023 La Roque-d’Anthéron with Sinfonia Varsovia.

Aziz Shokhakimov is equally prolific in the operatic repertoire. The 2022–23 season saw his debut with Opera National de Paris conducting Donizetti’s Lucia di Lammermoor. In 2023–24 Shokhakimov debuts at Bayerischer Staatsoper conducting Tchaikovsky’s Pique Dame. As part of his tenure with Orchestre Philharmonique de Strasbourg, he will conduct a new production of Wagner’s Lohengrin at Opera du Rhin. As Kapellmeister at Deutsche Oper am Rhein he conducted The Queen of Spades, Madame Butterfly, Salome and Tosca among others.

Imola, Italy, where she has been teaching since 2015. Ms. Fliter began playing public recitals at the age of eleven and made her professional orchestra debut at the Teatro Colon in Buenos Aires at the age of 16. Already the winner of several competitions in Argentina, she went on to win prizes at the Cantu International Competition and the Ferruccio Busoni Competition in Italy and in 2000 was awarded the silver medal at the Frederic Chopin Competition in Warsaw.

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AZIZ SHOKHAKIMOV Conductor Piano

Winter Bells

Duration: 15 minutes.

THE COMPOSER – POLINA NAZAYKINSKAYA (b. 1987) – “Each piece of music that I write comes from the depth of my heart,” says Russianborn composer Polina Nazaykinskaya, “from the inner ocean of emotions and possibilities that are carried by the waves of memories.” Nazaykinskaya focused early on music, showing aptitude as a toddler

Concerto in G Major for Piano and Orchestra

Duration: 23 minutes in three movements.

THE COMPOSER – MAURICE RAVEL (1875–1937) – Ravel traveled to Oxford University in 1928 to receive an honorary doctorate. Awards of that sort were hardly rare for artists of Ravel’s caliber but, given his lack of recognition at home (and his refusal to accept it when it finally came),

Selections from Romeo and Juliet, op. 64

Duration: 38 minutes.

THE COMPOSER – SERGE PROKOFIEV (1891–1953) – Prokofiev returned from a concert tour with his family to Soviet Moscow in the summer of 1936. It was always the plan, but one wonders whether he might have wanted to be elsewhere had he been present there a few months earlier, when the government made their

and eventually enrolling in the Tchaikovsky Conservatory in Moscow at the age of 15 for both composition and violin. Her international awards and accomplishments since have been many, including the Charles Ives Scholarship from the American Academy of Arts and Letters. “The writing of music is a divine act,” Nazaykinskaya believes, “…a meditative experience that opens the gates to the paradise lost and brings out the nostalgia for the infinite.”

Continued online…(See QR code.)

the English gesture of appreciation was significant. But, in truth, Ravel was as impervious to foreign praise as domestic, and he probably didn’t give the British honor much credence after leaving London. Certainly, no more than he gave the rapturous American audiences from his tour there earlier in the same year. For Ravel, adoration and scorn were of equal value. Which is to say, not that much.

Continued online…(See QR code.)

“expectations” of Soviet artists clear by way of a scathing critique of Dmitri Shostakovich. The Pravda review of the opera Lady MacBeth of Mtsensk scared everyone except Prokofiev, who was conveniently abroad at a time when communication about such things could be refracted by time, distance and translation. In any case, he missed it, and managed to steer well clear of it when he got home.

Continued online…(See QR code.)

TO VIEW THE FULL NOTES, PLEASE SCAN THE QR CODE. >>

HISTORY OF THE MUSIC

UTAHSYMPHONY.ORG / (801) 533-NOTE 21

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SCHEHERAZADE

MAY 17, 2024 / 07:30 PM

MAY 18, 2024 / 05:30 PM

Maurice Abravanel Hall

DELYANA LAZAROVA, conductor

WENDY BRYN HARMER, soprano

DOBRINKA TABAKOVA

RAVEL

Orpheus’ Comet (U.S. Premiere)

Shéhérazade

I. “Asie” (Asia)

II. “La Flûte enchantée” (The Enchanted Flute)

III. “L’Indifférent” (The Indifferent One)

WENDY BRYN HARMER, soprano

INTERMISSION

RIMSKY-KORSAKOV

Scheherazade

I. “The Sea and Sinbad’s Ship”

II. “The Story of the Kalendar Prince”

III. “The Young Prince and the Young Princess”

IV. “Festival at Baghdad - The Sea. - The Ship Breaks against a Cliff Surmounted by a Bronze Horseman”

CONCERT SPONSOR

MORETON & CO.

GUEST ARTIST SPONSOR

CONDUCTOR SPONSOR

UTAHSYMPHONY.ORG / (801) 533-NOTE 23 MASTERWORKS SERIES

ARTISTS’ PROFILES

DELYANA LAZAROVA Conductor

Delyana Lazarova’s international musical education influences her wide-ranging repertoire. Born in Bulgaria, she has a natural affinity to Eastern European and Russian repertoire (Dvořák, Stravinsky, Tchaikovsky, Bartók), but feels equally at home in the Viennese Classical period, influenced by her studies in Switzerland. Lazarova is passionate about music of the 20th and 21st centuries. Following her highly successful debut in

November 2022, she will lead two further projects with the ROCO chamber orchestra in Houston in February 2024, including a world premiere by Adam Schoenberg and works by Aaron Copland, Elfrida Andrée and Jessica Meyer. With Collegium Novum Zurich she will perform Romitelli’s “An Index of Metals”, and together with the Munich Chamber Orchestra she will dedicate herself to music by Chin, Shostakovich, Clyne and Ligeti. In autumn 2023 Lazarova’s first CD was released, recorded with the Hallé Orchestra and featuring works by Bulgarian composer Dobrinka Tabakova.

WENDY BRYN HARMER

Soprano

The Seattle Times heralded Wendy Bryn Harmer as “a standout Senta with a big, radiant voice” in her first performances of Der fliegende Holländer with Seattle Opera. In the 2023-24 season, she sings her first performances of Brünnhilde in Die Walküre with Atlanta Opera. She also returns to the Metropolitan Opera as Kitty Hart in the new production of Dead Man Walking, creates the role of Marilyn in Gregory Spears and Tracy K. Smith’s The

Righteous in her Santa Fe Opera debut, and sings Ravel’s Shéhérazade with the Utah Symphony. Future seasons see her debuts with the Staatsoper Hamburg and the Lyric Opera of Kansas City and a return to Santa Fe Opera. Last season, she returned to Utah Opera for further performances of her sought-after characterization of Senta in Der fliegende Höllander and sang Sieglinde in Die Walküre in concert with Michigan Opera Theater in addition to returning to the Metropolitan Opera roster for its productions of Lohengrin and Der fliegende Höllander.

24 UTAHSYMPHONY.ORG / (801) 533-NOTE

Orpheus’ Comet

Duration: 6 minutes.

THE COMPOSER – DOBRINKA

TABAKOVA (b. 1980) – Though born in Bulgaria, Dobrinka Tabakova has lived in London since 1991 and become an integral part of Britain’s musical life. She graduated from the Guildhall School of Music and went on to receive a PhD from King’s College London. Fully committed to the promotion of living composers,

Shéhérazade

Duration: 17 minutes in three movements.

THE COMPOSER – MAURICE RAVEL (1875–1937) – In 1903, Ravel was a founding member (if there truly was such a thing) of Les Apaches. It was a loose confederation of artists, musicians and writers who met weekly to workshop ideas and offer up new creations for group scrutiny. They kept it up until the

Scheherazade, Op. 35

Duration: 42 minutes in four movements.

THE COMPOSER – NIKOLAI RIMSKYKORSAKOV (1844–1908) – RimskyKorsakov had no opera projects in the queue during the 1887-88 season, so he was able to focus on orchestral composition. The three successive works he created during that time – Capriccio espangol, Op. 34, Russian Easter Overture,

she co-coordinated the British Music Information Centre’s The Cutting Edge program and has served as president of the Guildhall’s Contemporary Music Society. Tabakova has medaled at the 4th Vienna International Music Competition, was awarded the prize for an anthem commemorating the Queen’s Golden Jubilee at St. Paul’s Cathedral and has been celebrated at competitions from Amsterdam to New York.

Continued online…(See QR code.)

Great War and the list of regular attendees varied, as professionals and like-minded amateurs came and went over the years. The name Les Apaches was taken from the charismatic street gangs that emerged during the Belle Époque in Paris, and Ravel’s cohort probably saw themselves as non-violent brothers to these plucky outcasts. At the very least, their ranks included a few real characters too.

Continued online…(See QR code.)

Op. 36 and Scheherazade, Op. 35 –would eventually bring him international symphonic fame, but Rimsky-Korsakov made no effort to capitalize on it. He was an opera man, through and through, and was already well on his way to falling under the spell of Richard Wagner. The trio of orchestral 1887/88 showpieces, however successful, would soon be part of a closed chapter for the composer.

Continued online…(See QR code.)

TO VIEW THE FULL NOTES, PLEASE SCAN THE QR CODE. >>

HISTORY OF THE MUSIC

UTAHSYMPHONY.ORG / (801) 533-NOTE 25
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Songs of Sinatra & Friends

JOE GRANSDEN AND HIS 16-PIECE BAND

Sat, May 11, 7:30 p.m.

CONCERT HALL

For tickets visit uvu.edu/thenoorda or scan here:

ANNE AKIKO MEYERS PLAYS “FANDANGO”

MAY 24 & 25, 2024 / 7:30 PM

Abravanel Hall

GIANCARLO GUERRERO, conductor ANNE AKIKO MEYERS, violin

JENNIFER HIGDON

ARTURO MÁRQUEZ

Fanfare Ritmico

Fandango

I. “Folia Tropical”

II. “Plegaria” (Chacona)

III. “Fandanguito”

ANNE AKIKO MEYERS, violin

INTERMISSION

COPLAND

Symphony No. 3

I. Molto moderato

II. Allegro molto

III. Andantino quasi allegretto

IV. Molto deliberato - (Fanfare) - Allegro risoluto

CONCERT SPONSOR

UTAHSYMPHONY.ORG / (801) 533-NOTE 29 MASTERWORKS SERIES

ARTISTS’ PROFILES

GIANCARLO GUERRERO

Giancarlo Guerrero, Music Director of the Nashville Symphony, is a six-time GRAMMY® Award-winner. Through commissions, world premieres, and recordings, Guerrero is a leading champion of 21st Century American composers.

A leading conductor on four continents, Guerrero regularly conducts top American orchestras including those in New York, Boston, San Francisco, Chicago, Cleveland, Cincinnati and Philadelphia. In Europe, he is a former music director

ANNE AKIKO MEYERS

Violin

Anne Akiko Meyers, one of the world’s most esteemed violinists, has been called “the Wonder Woman of commissioning” by The Strad. A trailblazer in her field, Anne has collaborated with today’s most important composers, conductors, orchestras and presenters, creating a remarkable collection of new violin repertoire for future generations. Since her teens, Anne has performed around the world as soloist with leading orchestras and in recital.

Anne received a GRAMMY® Award nomination for her live recording with Gustavo Dudamel and the L.A. Philharmonic of Arturo Márquez’s Fandango, a concerto for violin and orchestra written for her in 2021

of the NFM Philharmonic in Wrocław, Poland. He frequently conducts in major German cites including Berlin (Deutsches Symphonie-Orchester) and Frankfurt (Museumsorchester); and with orchestras in Spain (Bilbao) and Portugal (Gulbenkian). He travels annually to South America for the São Paulo State Symphony, and regularly performs in Australia with orchestras in Sydney, Brisbane, Perth, and Adelaide, and in New Zealand. He spent a decade as the Principal Guest Conductor of the Cleveland Orchestra, Miami Residency. He also served as Music Director of the Eugene Symphony, and Associate Conductor of the Minnesota Orchestra.

which has already been performed more than 25 times. The recording is the latest of more than 40 releases, which have become staples of classical music radio and streaming platforms.

Highlights from Anne’s 2023-24 season include performances of the Philip Glass Concerto No.1 with the Los Angeles Philharmonic at the Hollywood Bowl and with the Prague Philharmonia; Mendelssohn’s Violin Concerto with the Royal Philharmonic Orchestra on its U.S. Tour; the world premiere of Billy Childs’s requiem In The Arms of the Beloved, with the Los Angeles Master Chorale; an appearance on NPR’s popular Tiny Desk Concerts; and a residency at the Laguna Beach Music Festival, where she is the 2024 artistic director. Upcoming commissions include a work for violin and orchestra by Eric Whitacre, and New Chaconne by Philip Glass.

30 UTAHSYMPHONY.ORG / (801) 533-NOTE
Conductor

Duration: 6 minutes.

THE COMPOSER – JENNIFER HIGDON

(b. 1962) – Few composers have had as much influence on 21st century American music as Jennifer Higdon. She got a late start, by the precocious standards of the art form, taking up the flute at 15 and not even considering composition until she was 21. This didn’t hold her back. Higdon is now among the most frequently

Fandango

Duration: 32 minutes in three movements.

THE COMPOSER – ARTURO MÁRQUEZ

(b. 1950) – Márquez was born in Sonora, Mexico and, though he also studied in America and Europe, his home country has never been far from his mind. In addition to numerous awards and academic recognitions for his work as a composer, Márquez has enjoyed a fair

Symphony No. 3

Duration: 43 minutes in four movements.

THE COMPOSER – AARON COPLAND (1900–1990) – For Copland, the late 1930s and early 1940s were years of artistic crystallization. He spent them composing the works that confirmed his status as one of America’s leading musical icons, a position from which he hoped to further

performed American composers, and her list of awards includes a Pulitzer Prize and recognition from the Guggenheim Foundation, the NEA, ASCAP, the Cliburn and the Koussevitzky Foundation. Her commissions too are numerous and wideranging, many of which have resulted in celebrated recordings. Higdon can boast over 70 of those, and she has racked up three Grammys along the way.

Continued online…(See QR code.)

HISTORY OF THE MUSIC

measure of celebrity in the classical music world, thanks to Gustavo Dudamel and the television show that was designed to freely mimic the conductor’s rise. Maestro Dudamel (the real one) helped put Márquez on the world map by performing and recording his Danzon No. 2 in 2008, a piece that would later feature prominently in an episode of the American comedydrama “Mozart in the Jungle.”

Continued online…(See QR code.)

legitimize his country’s orchestral tradition in the wider world. His great ballet scores (Billy the Kid, Rodeo, Appalachian Spring) all date from this fertile stretch and, though Copland experimented with a wide variety of contemporary styles over the course of his career, it is the highly personal sound he created during this period that he is best remembered for today.

Continued online…(See QR code.)

TO VIEW THE FULL NOTES, PLEASE SCAN THE QR CODE. >>

UTAHSYMPHONY.ORG / (801) 533-NOTE 33

INDIVIDUAL DONORS

Utah Symphony | Utah Opera is grateful to our generous donors who, through annual cash gifts and multi-year commitments, help us bring great live music to our community.

Gifts as of March 3, 2024

* in-kind donation ** in-kind & cash donations † deceased

MILLENNIUM ($250,000+)

Anonymous Kem & Carolyn Gardner Jacquelyn Wentz

ENCORE ($100,000 TO $249,999)

Scott & Jennifer Huntsman

Anthony & Renee Marlon

John & Marcia Price Family Foundation

BRAVO ($50,000 TO $99,999)

Dr. Kent C. DiFiore & Dr. Martha R. Humphrey

Dennis Hranitzky

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Harris H. & Amanda Simmons

Elizabeth Solomon

George Speciale

OVERTURE ($25,000 TO $49,999)

Frances Akita & Christine Sulser

Thomas Billings & Judge

Judith Billings

Mr. & Mrs. Jim Blair

Bloomfield Family Foundation

Suzanne Weaver† & Charles Boynton

Berenice J. Bradshaw Trust

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Michael & Vickie Callen

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34 UTAHSYMPHONY.ORG / (801) 533-NOTE

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Jeannette J. Townsend

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W. Browning

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Jacobs Family

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M. Jacobsen

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Walter J. & Peggy Plumb

Matthew Prince & Tatiana

Lingos-Webb Prince

ALLEGRO ($5,000 TO $9,999)

Anonymous [7]

4Girls Foundation

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David Brown

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Larry Clemmensen

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Parks

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Selberg

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Stringfellow

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Paul Taylor

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Jaelee Watanabe

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David & Jerre Winder

Douglas Wood

UTAHSYMPHONY.ORG / (801) 533-NOTE 35 INDIVIDUAL SUPPORT

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Anonymous [5]

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Austin

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Guenther

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Hardesty

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Weakley

36 UTAHSYMPHONY.ORG / (801) 533-NOTE
Host Liz Adeola Host RaeAnn Christensen FROM THE UNIVERSITY OF UTAH STREAMLIVETV FORFREE WATCH LIVE. STREAM ANYTIME. DOWNLOAD THE FREE PBS APP

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ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) CONTINUED

Betsey & Scott Wertheimer

Kelly Whitcomb

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FRIEND ($1,000 TO $2,499)

Anonymous [4]

Christine A. Allred

Margaret Anderson

Joe Arnold

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Graham Baker

Sue Barsamian

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Patterson

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George Pilko

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H. Stevens

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Lori Turner

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Dr. James C. Warenski

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Watson

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David B.† & Anne Wirthlin

38 UTAHSYMPHONY.ORG / (801) 533-NOTE
Students get $100 $50 WHEN YOU OPEN AN ACCOUNT $50 AFTER 6 MONTHS Promotion is for student new members only. Students are defined as anyone ages 14-18 or anyone enrolled in high school or an accredited college or university. Must qualify for membership and have valid SSN/ITIN to join. A minimum balance of $10 in primary savings must be maintained. Upon opening, $50 will be deposited into the account of the qualifying member. The second $50 will be deposited after 6 months if the account is in good standing. Cash award is treated as interest and will be reported to the IRS Form 1099-INT. The Annual Percentage Yield (APY) is based on tier balances. Balances between $0 - $999 earn 0.05% APY and balances between $1000+ earn 0.10% APY. APY is current as of 3/8/2023. For more information or full terms and conditions, scan the QR code, visit our website at www.ufirstcu.com, call 801-481-8800 or visit a branch. You must mention this promotion at account opening to be enrolled in the promotion. This offer is ongoing but subject to change without prior notice and other restrictions may apply. Federally Insured by NCUA. Learn more at UFIRSTCU.COM/get100

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Anonymous

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($150 TO $499)

Anonymous [10]

Karen Acker

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Horner

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44 UTAHSYMPHONY.ORG / (801) 533-NOTE

DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT

Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the longterm well-being and stability of USUO, and through its annual earnings, supports our Annual Fund. For further information, please contact 801-869-9015.

Anonymous

Edward R. Ashwood & Candice A. Johnson

Gael Benson

C. Comstock Clayton Foundation

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The Elizabeth Brown

Dee Fund for Music in the Schools

Lawrence T. & Janet T. Dee Foundation

Thomas D. Dee III & Dr. Candace Dee Hearst Foundation

Estate of John Henkels

Roger & Susan Horn

Carolyn T. Irish Revocable Trust

Estate of Marilyn Lindsay

The Right Reverend

Carolyn Tanner Irish† and Mr. Frederick Quinn

Loretta M. Kearns†

Vicki McGregor

Edward Moreton

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Perkins-Prothro Foundation

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GIFTS MADE IN HONOR

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Orson Clay

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O.C. Tanner Company

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James Edward Wright

ENDOWMENT UTAHSYMPHONY.ORG / (801) 533-NOTE 45

INSTITUTIONAL DONORS

We thank our generous donors for their annual support of Utah Symphony | Utah Opera.

* in-kind donation ** in-kind & cash donation

$100,000 OR MORE

The Church of Jesus Christ of Latter-day Saints Foundation

Lawrence T. & Janet T. Dee Foundation

Marriner S. Eccles Foundation

$50,000 TO $99,999

Anonymous

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$25,000 TO $49,999

Arnold Machinery

Associated Food Stores

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Carol Franc Buck Foundation

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46 UTAHSYMPHONY.ORG / (801) 533-NOTE

$1,000 TO $9,999

Anonymous

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Merit Medical Systems, Inc.

Ray, Quinney & Nebeker Foundation

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Snow, Christensen & Martineau Foundation

Summerhays Music Center

Utah Autism Foundation

Utah Symphony | Utah Opera would like to especially thank our major sources of public funding that help us to fulfill our mission and serve our community.
UTAHSYMPHONY.ORG / (801) 533-NOTE 47 INSTITUTIONAL DONORS

Now opeN for LuNch aNd diNNer west tempLe aNd 400 south iN the historic eagLes BuiLdiNg.

~ Italian Cuisine ~ 801-364-8833 caffemolise.com

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~ Wine Bar ~ 801-359-2814 btgwinebar.com

ACKNOWLEDGMENTS

UTAH SYMPHONY | UTAH OPERA

123 West South Temple

Salt Lake City, UT 84101

801-533-5626

EDITOR

Megs Vincent

HUDSON PRINTING COMPANY

www.hudsonprinting.com

241 West 1700 South

Salt Lake City, UT 84115

801-486-4611

AUDITING AND ACCOUNTING

SERVICES PROVIDED BY

Tanner, llc

LEGAL REPRESENTATION PROVIDED BY

Ballard Spahr Andrews & Ingersoll, llp

Dorsey & Whitney, llp

Holland & Hart, llp

Jones Waldo

ADVERTISING MEDIA & WEBSITE SERVICES

PROVIDED BY

Love Communications, Salt Lake City

ADVERTISING CREATIVE & BRANDING SERVICES

PROVIDED BY

Struck, Salt Lake City / Portland

The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief.

Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts.

By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.

48 UTAHSYMPHONY.ORG / (801) 533-NOTE
S West Temple • Salt Lake City, UT

ADMINISTRATION

Steven Brosvik

President & CEO

David Green

Senior Vice President & COO

Micah Luce

Director of Human Resources & Organizational Culture

Julie McBeth

Executive Assistant to the CEO

Natty Taylor

Human Resources Coordinator

SYMPHONY ARTISTIC

Anthony Tolokan

Artistic Consultant

Walt Zeschin

Director of Orchestra Personnel

Hannah Thomas-Hollands

Orchestra Personnel Manager

Morgan Moulton

Artistic Planning Manager

Isabella Zini

Artistic Planning Coordinator & Assistant to the Music Director

Matthew Straw

Assistant Conductor

SYMPHONY OPERATIONS

Jen Shark

Director of Orchestra Operations

Melissa Robison

Front of House Director

Chip Dance Director of Production

Marcus Lee

Operations Manager

Sarah Madany

Stage Manager

Christopher Danz

Assistant Stage Manager

OPERA ARTISTIC

Christopher McBeth

Opera Artistic Director

Sharon Bjorndal Lavery

Chorus Director & Opera Assistant

Conductor

Carol Anderson

Principal Coach

Michelle Peterson

Director of Production

Ashley Tingey

Production Coordinator

Sarah Scofield

Resident Artist, Mezzo - soprano, Sponsored by Charles Boynton

Jeremiah Tyson

Resident Artist, Tenor

Tshilidzi Ndou

Resident Artist, Baritone

Jasmine Rodriguez

Resident Artist, Soprano

Laura Bleakley

Resident Artist, Pianist

DEVELOPMENT

Leslie Peterson

Vice President of Development

Garrett Murphy

Director of Development

David Hodges

Director of Institutional Giving

Calli Forsyth

Assistant Director of Institutional Giving

Katie Swainston

Individual Giving Manager

Lisa Poppleton

Grants Manager

Dallin Mills

Development Database Manager

Maren Holmes

Manager of Special Events

Ellesse Hargreaves

Corporate Engagement Manager

MARKETING & COMMUNICATIONS

Meredith Kimball Laing

Vice President of Marketing & Communications

Adia Thornton

Director of Marketing

Robert Bedont

Marketing Manager

Megs Vincent

Communications Manager

Nina Starling

Website Content Coordinator

Emma Price

Marketing & Communications Coordinator

PATRON SERVICES

Faith Myers

Director of Patron Engagement

Jaron Hatch

Patron Services Manager

Toby Simmons

Patron Services Assistant Manager

Caitlin Marshall

Sales & Engagement Manager

Genevieve Gannon

Group Sales Associate

Lorraine Fry

Michael Gibson

Ian Painter

Ananda Spike

Val Tholen

Rocky Porter

Salem Rogers

Chloe Toyn

Crystal Pryor

Patron Services Associates

ACCOUNTING & INFORMATION TECHNOLOGY

Steve Hogan

Vice President of Finance & CFO

Mike Lund

Director of Information Technologies

Melanie Giles Controller

Jared Mollenkopf

Patron Information Systems Manager

Bobby Alger Accounts Payable Specialist

Karine Mnatsakanyan Payroll Specialist

EDUCATION

Ben Kipp

Vice President of Education & Community Engagement

Jessica Wiley

Symphony Education Manager

Kevin Nakatani

Opera Education Manager

Beth Foley Education Coordinator

OPERA TECHNICAL

Sam Miller

Technical Director

Kelly Nickle

Properties Master

Dusty Terrell

Scenic Charge Artist

JR Orr

Head Carpenter/Shop Foreman

COSTUMES

Carol Wood

Costume Director

Marcos Ambriz

Costume Rentals & Stock Manager

Madi Halverstadt

Costume Rentals & Stock Assistant Manager

Milivoj Poletan

Master Tailor

Melanie Lamb-Delgado Assistant Tailor

Dawnette Dryer Cutter/Draper

Molly Hartvigsen

First Hand

Julie Porter

Crafts Artisan/Milliner

Mallory Goodman

Kathryn Wieland

Costume Stitcher

We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.

UTAHSYMPHONY.ORG / (801) 533-NOTE 49 ADMINISTRATION
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