Ananya Dance Theatre by Mills Publishing Inc.

2017 2018 SEASON

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IDEA TEAM Account Executive: Justin Peacock Assistant Account Executive: Purva Kogje Project Manager: Rachel King Project Manager: Dawn Cochran Producer 1: Ariadna Vazquez Cost Control Specialist: Gus Zepeda Art Studio: Scho Park

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Ananya Dance Theatre SHYAMALI: SPROUTING WORDS

World Premiere: September 15, 2017 The O’Shaughnessy at St. Catherine University, Saint Paul, Minnesota Ananya Chatterjea artistic director, choreographer, dancer Concept, Choreography: Ananya Chatterjea Collaborating Director: Marcus Young Score Composition and Sound Design: Greg Schutte Costume Design: Annie Cady Lighting Design: Kevin A. Jones Scenic Design: Joel Sass Media Design: Darren Johnson, Northern Dawn Media Dancers: Leila Awadallah, Ananya Chatterjea, Renée Copeland, Alexandra Eady, Kealoha Ferreira, Julia Gay, Felicia Perry, Hui Niu Wilcox, Alessandra Lebea Williams Goddess of New Dawns, Guest Artist: Janzell Luika Kim Tutor Instrumental and Vocal Musicians featured in Recorded Score: Negest Alemayehu, Chastity Brown, Laurie Carlos, Renée Copeland, Michelle Kinney, Mankwe Ndosi, Pooja Goswami Pavan We are grateful to have worked with the late, brilliant Laurie Carlos in the past; we remember her with love as we also dance to her voice in this work. Production Manager: Emma Marlar Please turn off all cell phones, pagers and other noisemakers. The taking of photographs, and audio or video recordings is strictly prohibited.

ANANYA DANCE THEATRE

Ananya Dance Theatre

SHYAMALI: SPROUTING WORDS Act I Unravelings at razorâ&#x20AC;&#x2122;s edge Act II From the archives of our bodies Act III Moving as grass Running time: 92 minutes, no intermission

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Choreographer’s Notes Shyamali is a tribute to all women across the world who have stood up against oppression, despite risk; who have constantly been at the edge of innovation as they have refused to be cowed; whose courage and persistence are historic even when they do not make it into the books of History; whose endless labor in dissent sustains their communities. Standing in resistance continuously necessitates sacrifice, vigilance, strategy. And even as we celebrate the unwavering labor, ingenuity, and the softness of women across the world who stand up to injustice, we acknowledge the pain, anxiety, and trauma that come with this work. Dancing Shyamali has taught us that dissent takes many forms, and the energy invested in each act of resistance is particular. Our creative process has brought us repeatedly to values of community, love, and solidarity that are at the heart of every grassroots movement. Our explorations in how to move like grass, soft, green, and forever returning have brought home to us the magnitude of women’s work in dissent, across time and space. Specifically, we owe our thanks to the women who have sustained Black Lives Matter, Native Lives Matter, No Dakota Access Pipeline, Fees Must Fall, Hok Kolorob, and many other global resistance movements. Our gratitude to Cannupa Hanska Luger, the indigenous visual artist whose mirror shields, made for the Oceti Sakowin Water Protectors at Standing Rock, inspired the last movement in Shyamali. To all of these leaders, we offer our greatest thanks and respect. I thank my collaborators for their tremendous support in bringing this vision to life. I am humbled by the countless contributions of my dancers without whom this work would be unimaginable. To our audiences, thanks, and my poem*: Standing in the scorching sun, we kiss the earth, hold each other sacred. We refuse the narrow lanes of hatred, spineless fear, violence of retribution. The closing of my imagination is outside of power’s reach. No, no, no, no, no. In radical love, I dissent. I affirm. Yes. –

Ananya Chatterjea

*Translated and recited by the dancers in Shyamali ANANYA DANCE THEATRE

Artist Information Ananya Chatterjea (Guggenheim Choreography Fellowship, 2011; McKnight Choreography Fellowship, 2012; Joyce Foundation Award, 2016) is the artistic director of Ananya Dance Theatre, creating “people powered dances of transformation” that intersect women artists of color and social justice choreography. Her most recent work, Horidraa, was described as “a sweeping work that makes reference to everything from online dating to the modern health care industry” (MPR News, 9/13/16) and her choreography was applauded for “never flinch(ing) from exposing injustices women around the globe are subjected to daily” (Star Tribune, 9/19/16). She has toured her work to Ethiopia with U.S. State Department support, presenting the keynote performance at the Crossing Boundaries Festival in Addis Ababa (2015), to the Harare International Dance Festival, Zimbabwe (2013), the New Waves Institute of Dance and Performance, Trinidad (2012), and other national and international locations. Ananya is Professor of Dance at the University of Minnesota, where she teaches courses in Dance Studies and technique. She recently presented the keynote talk at the joint conference of Congress of Research in Dance and Society of Dance History Scholars (2016). She is currently writing her second book, under contract with Palgrave McMillan, exploring the politics of “contemporary dance” from the perspective of artists from global communities of color. Ananya is grateful to her dancers and collaborators for their commitment to excellence and justice, articulated artistically, and to Deej, Raj, and Srij, her loving family, for holding her together through storm. Marcus Young (Collaborating Director) is a behavioral and social practice artist making work for the stage, museums, and the public realm. He seeks new tones of belonging and liberation through design of behavioral and social forms, and shifts in systems and awareness that turn things into art. He created Don’t You Feel It Too? — an ongoing participatory street dance practice of social healing and inner-life liberation. From 2006 to 2015, he was City Artist in St. Paul, where he helped redefine the role of the artist in government as daily collaborator. His project Everyday Poems for City Sidewalk transformed the city’s sidewalk maintenance program into a publishing entity for poetry. Museum work includes With Nothing to Give, I Give Myself — living 10 days around-the-clock at the Minneapolis Institute of Arts to foster the understanding that people are the great overlooked works of art. Born in Hong Kong, Young has a BA in music from Carleton College and an MFA in theater from the University of Minnesota. Young is a recipient of awards from the McKnight, Bush, and Jerome Foundations. He received the 2016 Forecast Public Art Mid-Career Grant, given to one artist a year. Shyamali is his sixth show with Ananya Dance Theater. www.DYFIT.org Annie Cady (Costume Designer) holds an MFA degree in Theatre Design and Technology from the University of Minnesota, and a BA in Theatre Arts from Simpson College. Her professional design credits include productions for Children’s Theatre Company, Normandale Community College, Commonweal Theatre, Ten Thousand Things, Jungle Theatre, Black Label Movement, Minnesota Jewish Theatre Company, AMP, and Threads Dance Company. http://www. anniecady.com/ Greg Schutte (Sound Design) is a composer, drummer, producer, and sound designer. Shyamali is his eighth commission for Ananya Dance Theatre. As a touring drummer, Schutte currently plays with Grammy Award winning singer/songwriter Ryan Bingham. He has performed nationally and internationally with a variety of other artists, including Chastity Brown, Todd Clouser’s A Love Electric, The Hornheads, Jelloslave, Lori Line, Anthony Cox, Empire Brass, Chuchito Valdez, Bernard Allison, and more. He performed on B.B. King’s 2002 U.S. Summer Blues Fest with The Shane Henry Group; Ruf Records’ 2004 European Blues Caravan Tour with guitarist Sue Foley;

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UtahPresents Thanks NANCY PEERY MARRIOTT DINESH AND KALPANA PATEL

for supporting this performance by Ananya Dance Theatre

In the Heights Chasing Broadway Dreams See how a group of talented young artists led by composer-lyricist Lin-Manuel Miranda produced an original musical that some have called a modern day West Side Story.

Fri. Nov. 10, 8PM

Artist Information and Cyndi Lauper’s 2006 Body Acoustic World Tour with Minneapolis Reggae Pop group The RULE. Schutte toured Iraq and Kuwait in 2010, performing for the U.S./Coalition Forces with singer/songwriter Keri Noble. He owns and produces music at The Bathtub Shrine Recording Studio in NE Minneapolis. http://www.gregschuttemusic.com Kevin A. Jones (Lighting Design) has worked behind the scenes of the professional dance and theater community for more than 38 years. He was resident lighting designer and production manager for James Sewell Ballet for 20 years. His designs have illuminated internationally acclaimed ballets such as Moving Works, Barrage, Outerborough, Appalachia Waltz, Your Move, and Guy Noir: The Ballet. Kevin designed for Minnesota Dance Theatre, CAAM Dance, and numerous other dance and theater companies. He is the Production Manager for The O’Shaughnessy at St. Catherine University. Dr. Maya Angelou lauded him as “one of the best stage managers in America.” He designed and implemented the lighting and sound systems for the TEK Box at the Cowles Center for Dance and the Performing Arts. In 2017, he lit Sharon Eyal / Gai Behar’s Killer Pig for Gauthier Dance at the Colours International Dance Festival in Stuttgart Germany. Joel Sass (Scenic Design) is a stage director, designer, and adapter based in Minneapolis, where he has worked since 1990, specializing in the creation of new work for the stage and devising imaginative reinterpretations of classic plays. From 1990 to 1993, Joel worked with the Tony Award-winning Theatre de la Jeune Lune as resident assistant director, where he participated in the creation of several original pieces in addition to designing and occasionally performing. In 2007, he was honored with the national Alan Schneider Directing Award, administered by Theatre Communications Group. Joel was named Best Director in 2002 and 2008 by the Twin Cities theater critics. In 2009, he was named Best Scenic Designer in the Twin Cities, and the Jungle Theater was named Best Large Theater under his interim leadership. Joelsass.com Darren Johnson (Filmmaker) was an experimental video creator in the 1980s, commercial video producer and director throughout the 90s, and courtroom litigation strategist and multimedia producer for the early years of the 21st century. He is currently developing a slate of dramatic feature films exploring the more difficult issues of our time, and is in post-production editing of In Our Bodies Live Our Stories, a documentary about Ananya Dance Theatre, for release in 2018. He is honored that Shyamali marks 15 years of collaborating with ADT. NorthernDawn.Media Leila Awadallah (Dancer) is a Palestinian-American artist in the Twin Cities and has been dancing with Ananya Dance Theatre since 2013. She has a BFA in Dance from the University of Minnesota and a minor in Asian Language and Literature with a focus on Arabic studies. She was a SAGE Award recipient (2016), and her work has been presented by ACDA at the Kennedy Center (2016) and in the BIPOD Festival in Beirut, Lebanon (2017). Working with this company of artists continues to unravel and deeply breathe into her sense of self in relation with the beautiful community that manifests from the many aspects of this work. Renée Copeland (Dancer) has performed with Ananya Dance Theatre since 2010. She is co-founder of the dance/performance-art duo Hiponymous, a collaborator in the hip-hop-based dance collective BRKFST, and is a poet, musician and singer-songwriter. She holds enduring gratitude for the Twin Cities’ immense community of artists, family and friends, who inspire so much of her work, connecting her to the world. She is honored to dance transformative realities with the powerful people of ADT.

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WHITE RABBIT RED RABBIT • NOV 4 - DEC 2

Kingsbury Hall The play you are about to see is sealed inside an envelope. The person about to perform has never seen it. In fact, there is a new performer every night, and they’ve only been told what is absolutely necessary. Everything unravels in real time. We dare you not to Google this play. Slyly humorous and audaciously pointed, this “theater entertainment meets social experiment” is unlike anything, and will make you question everything. Have fun! 24 FRAMES MOVIE NIGHT . . . . . . . . . . . . . . . . . . . . . . . . . November 1 ERTH’S DINOSAUR ZOO LIVE! . . . . . . . . . . . . . . . . . . . . . . . November 8 THE LOWER LIGHTS CHRISTMAS . . . . . . . . . . . . . . . . . . . . . . . . . . December 4-9 MOLLY SWEENEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . February 1-2 SCOTT SILVEN - “WONDERS AT DUSK” . . . . . . . . . . . . . . . . . . . . . . February 10 STEVEN PAGE AND THE ART OF TIME ENSEMBLE . . . . . . . . . . . . . . February 14 BANFF FILM FESTIVAL . . . . . . . . . . . . . . . . . . . . . February 20-22 DOUG VARONE AND DANCERS . . . . . . . . . . . . . . . . . February 23-24 Tickets and information at utahpresents.org

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Artist Information

Alexandra Eady (Dancer) entered into the space of Ananya Dance Theatre at age 16. She is continuously grateful for the opportunity to learn from the powerful people that occupy this space. ADT’s commitment to social justice and intentional choreographic creations fuel her performance onstage. She earned her degree in dance from the University of Minnesota in 2016. She is incredibly thankful for her wonderful mentors, teachers, students, friends and family that give her endless energy and light. A very special thank you to Shane Eady, Lisa Ellis, and Arianna Eady for their unfaltering love. Kealoha Ferreira (Dancer) is entering her fifth season as a performing and teaching artist of Ananya Dance Theatre. She is immensely grateful to have taught Yorchha and Choreographing Identities workshops at South High School, Patrick Henry High School, the Women’s Initiative for SelfEmpowerment, and the Bunyiaad 2017 Summer Intensive. Her dancing is inspired by the overlapping histories and desires of the artists and students with whom she works. Julia Gay (Dancer) is an actor, dancer, poet, playwright, and teaching artist. She is a Chinese adoptee who writes and creates to bridge the vastness between memory, heart, and home. Julia completed her BA at Macalester College and is the recipient of The Playwrights’ Center’s 2017-18 Many Voices Mentorship. She is humbled and honored to share the stage with artists she so admires. Felicia Perry (Dancer) is an ARTrepreneur specializing in fashion, design, performance art, and curating spaces. She joined Ananya Dance Theatre in January 2017. Felicia explores multidisciplinary arts from several vantage points and genres. She is an activist who serves on the executive committee of the Association for Black Economic Power, and is an on-air host of DesignHER Life at Community Radio Station KRSM. Hui Niu Wilcox, Ph.D. (Dancer) has been moving and thinking with Ananya Dance Theatre since 2004. She is an Associate Professor and Chair of Sociology at St. Catherine University. She also teaches in Women’s Studies and Critical Studies of Race/Ethnicity. Wilcox is grateful for the privilege of engaging in activism through dance, and for the loving support of her family and friends, especially Elliot, Claire, and Lynn. Alessandra Lebea Williams (Dancer) earned her Ph.D. in Culture & Performance at UCLA. She began dancing with ADT in Pipaashaa (2007) and Ashesh Barsha (2009). Originally from Minneapolis, she earned her BA in American Studies and Dance at Macalester College and later received the Grassroots Solutions Organizer of the Year Award for her community organizing. Janzell Luika Kim Tutor (Guest Artist - Goddess of New Dawns) has been performing for as long as she can remember, in choirs, bands, and musical theater productions across the valley and in Hawaii where she was born and raised. She was most recently seen on stage in Midvale as Motormouth Maybelle in the musical production of Hairspray, which she also music directed. Janzell has a BS in Business and MS in Public Administration and has worked at the University of Utah for over 12 years. She currently works in the College of Nursing Office of Advancement as the Manager of Alumni Relations and Special Events. Last, but not least, Janzell is completely in love with Ben and her two beautiful children ages 8 and 5. Emma Marlar (Production Manager) is part dancer, part production manager, and in Ananya Dance Theatre known as the boss of time. Emma graduated in the spring of 2016 with a BFA in dance from the University of Minnesota. She lives in the Twin Cities, balancing a career in the performance, creation, and technical sides of dance. This is her fourth season working with Ananya Dance Theatre. Emma feels extremely fortunate to be given

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Acknowledgements the opportunity to support these incredible artist and important stories. Shyamali: Sprouting Words is a National Performance Network/Visual Artists Network (NPN/VAN) Creation and Development Fund Project co-commissioned by the Kelly-Strayhorn Theater, Pittsburgh, PA, in partnership with the Asian Arts Initiative, Philadelphia, PA, the Maui Arts & Cultural Center, Kahului, HI, the Skirball Cultural Center, Los Angeles, CA, The O’Shaughnessy at St. Catherine University, St. Paul, MN, and NPN. The Creation and Development Fund is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information: npnweb.org. Shyamali: Sprouting Words was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. Production residency funded by the New England Foundation for the Arts’ National Dance Project, with funding from The Andrew W. Mellon Foundation. Shyamali: Sprouting Words is supported by an Art Works grant from the National Endowment for the Arts, the Imagine Fund, and The O’Shaughnessy. This activity is made possible by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund. This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund. General Operating support was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation. Ananya Dance Theatre. P. O. Box 2427, Minneapolis, MN 55402-0427 AnanyaDanceTheatre.org | Follow us on Facebook, Twitter, and Instagram

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UtahPresents thanks the following individuals for their support during Love UT Give UT 2017 Zana U. Anderson Kristian W. Anderson John Thomas Armstrong Pete Ashdown Christine C. Busch Dennis M. Busch Susanne Busse Daniel Busse Suzanne Campbell Erica Casey Patricia A. Clay Candace C. Collins Pilar Davis Melissa Dawson Darrin Doman Victoria Petro Eschler Cynthia Fleming

Oscar G. Gonzales Stephanie Gosdis Janet Graham Rebecca Noonan Heale Paul Leland Hill Brooke Horejsi Sheri Jardine Kathleen Jones Brian R. Jurena Angela L. Keeton David Kirby Michael Lobb Kyle A. Mantas Lori K. McDonald Peter Morgan Keven Myhre Johnnae Nardone

Jeani Ann Park Katherine Potter Robert R. Prentice Jerry Rapier Clay M. Shubin Jordan B. Smith Krista Sorenson Alice L. Steiner R. Kyle Treadway Anne Bueno Vance John Webster Robin Wilks-Dunn Cameron Williams Peihui Wu Havilah M. Zeller

Donors $25,000 + Nancy Peery Marriott Foundation Salt Lake County Zoo, Arts & Parks University Guest House & Conference Center

Geoff and Jonette Mangum PacifiCorp Parsons Behle & Latimer Rocky Mountain Power Steiner Foundation Kyle Treadway and Greg Pedroza $10,000–$24,999 Donna and Michael Weinholtz ArtWorks For Kids Western States Arts Federation Hampton Inn & Suites XMISSION Moutain West Small Business Finance Zions Management Services Salt Lake City Arts Council Company Alice and Kevin Steiner Steven and Annette Suite $1,000-$2,499 The Castle Foundation $5,000–$9,999 Equality Utah Foundation Marney and Peter Billings John and Ilauna Gurr Mike Ferro Robert and Mikelle Mansfield $500–$999 Mitchell Barlow & Mansfield Havilah Clarke Chrissy and Kurt Micek Cosette Joesten George Q. Morris Foundation Lori McDonald Dinesh and Kalpana Patel Foundation Prince Yeates & Geldzahler $250–$499 Utah Division of Arts & Museums Troy and Paula D’Ambrosio Eric and Shellie Eide $2,500–$4,999 Janet and Ric Harnsberger Peter Ashdown Thelma Iker Analecia and Zeke Dumke, IV David and Lisa Kieda Every Blooming Thing Goldman Sachs $100–$249 Lee and Audrey Hollaar Carolyn Abravanel Richard K. and Shirley S. Hemingway Brent and Cheri Andrus

Church of Jesus Christ of Latter-day Saints Foundation Eli Lilly and Company Foundation Zach Emig Cynthia and Jeff Fleming John and Cathey Frederick Donald Gale David and Diana Gessel Robert and Mary Gilchrist Richard and Darlene Hirschi Brooke Horejsi Toni Hansen Michael Hilliard Pat and Boyer Jarvis Carolyn and Peter Kowalchik Robert Kraemer and Julia BarkmeierKraemer Lori Larsen Michael Lobb Deborah Magness Peter and Michelle Morgan Jeri and Richard Pugh Carolyn Rich-Denson John Robbins and Heather Ambrose Jordan Smith and Jennie NichollsSmith Jim and Krista Sorenson V. Randall and Susan Turpin Lauri Welch Jacqueline Wittmeyer and Christopher Hill

Foundation Kenworth Sales Company M Lazy M Foundation

And other anonymous donors

John and Mary Burger Robert Carney Mark Christison

All gifts made between January 1 and December 31, 2017.

Staff & Advisory Board Brooke Horejsi. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director John Armstrong. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Events Manager Ashley Barentine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Light Technician Dennis Busch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Development Specialist Brooke Day. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Office Manager Janet Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finance Manager Ryan Ireland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Box Office Manager Sheri Jardine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Communications Manager Brian Jurena . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Manager Joe Killian . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Engineer Keven Myhre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operations Director Jennie Nicholls-Smith.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Director of Development Alex Smith. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Events Manager Robin Wilks-Dunn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Community Engagement Manager Steve Wimmer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager

UTAHPRESENTS ADVISORY BOARD Krista Sorenson, Chair Margaret Billings Havilah Clarke Troy Dâ&#x20AC;&#x2122;Ambrosio Mike Ferro Jake Garn Don Gale Dave Gessel

Chet Goodwin Russ Haynie Tiana Hood Marian Ingham Ti Kinikini David Kirby Swathy Mahasanan Robert Mansfield

Lori McDonald Chrissy Micek John Scheib Alice Steiner R. Kyle Treadway Raymond Tymas-Jones

Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Jessika Huhnke, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant; KelliAnn Halvorsen Administrative Assistant The UtahPresents playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2017.

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