Doggie Hamlet

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2019 2020 SEASON

Nancy Peery Marriott

Alice and Kevin Steiner

Chet and Carrie Goodwin



DOGGIE HAM LET By Ann Carlson

Friday and Saturday, September 13-14, 2019 • 6:00PM Salt Lake County Equestrian Park and Event Center

Please turn off all cell phones, pagers and other noisemakers.


DOGGIE HAMLET CREDITS Conceived, Choreographed and Directed by.............................................. Ann Carlson Shepherded by........................................................................................................Diane Cox Working Dogs...............................................................................................Wull, Monk, Lala Performed by........................................................................................................Diane Frank, Peter Schmitz, Ryan Tacata, Imre Hunter-To, Dominica Greene Stage Management.............................................................................................Reilly Horan Production Management...........................................................................Teresa Hartmann Flock of sheep provided by............................................................ Eph Jensen Livestock Bear River City, Utah In working with live animals for this performance we adhere to the Five Freedoms of Animal Welfare FIVE FREEDOMS OF ANIMAL WELFARE 1. Freedom from hunger or thirst by ready access to fresh water and a diet to maintain full health and vigor. 2. Freedom from discomfort by providing an appropriate environment including shelter and resting area. 3. Freedom from pain, injury or disease by prevention or rapid diagnosis and treatment. 4. Freedom to express (most) normal behavior by providing sufficient space, proper facilities and company of animal’s own kind. 5. Freedom from fear and distress by ensuring conditions and treatment which avoid mental suffering. Doggie Hamlet has been made possible through support of the MAP Fund, and the New England Foundation for the Arts’ National Dance Project, both supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. Preview performances of Doggie Hamlet were made possible by Vermont Performance Lab, Brattleboro, VT. Additional support for the development of Doggie Hamlet was from Art Matters, Charles L. Kerr and Heather Thomas, and Steve and Roberta Denning.

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CHOREOGRAPHER’S NOTE Nine years ago I read the novel The Story of Edgar Sawtelle by David Wroblewski. This story, that borrows from Shakespeare’s Hamlet and Kipling’s Jungle Book, haunted and enchanted me. Set in the Midwestern US in the ‘50s, the Sawtelle story unfolds with stuff of my own life experience. There are dogs and death, muteness and devotion, sign language, loss and a lot of heart. Doggie Hamlet is a performance that emerges from these stories but does not tell them. It is a dance that lives between the worlds of the stories we stick to, and how stories and words, dancing and death, sticks to us. Think of Doggie Hamlet as a dance, and a living landscape painting, and a 3-D pastoral poem. Doggie Hamlet builds an imaginal world of dancing dogs, sheep, people, fields and fencing (fencing that holds some in and some out). The performers are sturdy and rugged creatures all, whose bones know the language of motion and metaphor, prey and predator, mother and child, lover and beloved. I am indebted to all the performers for their rich and hopeful commitment to this work. They are ever willing to pick up and pluck it out anywhere, anytime, dancing in concert with this or that patch of earth. On the other hand (or paw, or foot, or hoof), Doggie Hamlet is about stewardship. First, a stewarding of our alertness to the persistent presence of nature, within and without. As we turn our collective attention today to the ground that is now this polo field at Salt Lake Country Equestrian Center, this ground becomes our “dance floor”. Never the same from one performance to another, Doggie Hamlet choreographs itself in front of our eyes, with two- and four-legged dancing that rages, goofs, soothes and hunts. It lives both within the symbolic ground of ourselves and is contained upon this actual ground that also nourishes us. By our presence, we are stewards here, to this ground, which of course, has its own history, mixing with the meaning of what is happening and has happened and will happen here today and after. Doggie Hamlet may be preposterous, absurd, simple, even silly, perhaps, but, also, maybe, Doggie Hamlet is a dangerous dance. It asks us, literally, to sit together at the edge of the mystery and sameness that joins all living things. Enjoy and thank you for being here. Ann Carlson, 2019

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BIOS Ann Carlson (choreographer, director) is an interdisciplinary artist whose work borrows from the disciplines of dance, performance and theater, as well as visual, conceptual and social art practices. Carlson’s work takes the form of solo performance, site-specific performance projects, ensemble dances and performance/video. Carlson often works within a series format, creating performance structures over a period of years that adapt and travel to multiple sites. Carlson has made a number of interspecies dance/performance works. Her award-winning work Animals

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(1988 - 1996) included collaborative dances with goats, a dog, a fish and a kitten and toured throughout the US and Europe. Carlson has made two works on horseback: Dead (1989), made for the opening of the Walker Art Center’s Sculpture Garden; and West (1997), a collaboration between Carlson, video maker Mary Ellen Strom and Risky, a quarter horse mare, that had 53 performances at the Museum of Contemporary Art, Los Angeles. Ann collaborated with Minneapolis Children’s Theater to create Animal Dance (2016), a work for a very young audience, infants to four year-olds. In Animal Dance, Carlson dances with a

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BIOS rabbit, a tortoise, baby goats, a dog, a chicken and a fish. Doggie Hamlet (2017) is part of this interspecies series investigating relationships between dogs, sheep and human animals. Most recently, Carlson has been working on “Women of a certain age with their dogs”, duets investigating the space between women and their dogs. Carlson is the recipient of numerous awards and over thirty five commissions for her artistic work. Awards include the 2016 Creative Capital Award, 2015 Doris Duke Award for Performing Artists; two American Masters awards; four a USA Artist Fellowship; a

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Guggenheim Fellowship; a New York Foundation for the Arts Fellowship; and a Fellowship from the Foundation for Contemporary Art. Carlson has been a visiting faculty member at numerous universities, among them, Wesleyan, Stanford, and Princeton Universities and currently at UCLA’s Dept of World Arts, Culture and Dance. In 2014, Carlson was honored with the Distinguished Alumni Award from the “U”. It is an honor to be back in Salt Lake City working with UtahPresents. Carlson has worked with Ririe-Woodbury Dance Company and recently was on faculty at Dance West..

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BIOS Diane Cox (performer, shepherd) has been on the Alfred University Sculpture/Dimensional Studies faculty since 1991. She received a BA in Environmental Biology from the University of Colorado (1971) and an MFA in Sculpture from the Art Institute of Chicago (1989). Cox raises sheep on her farm in upstate New York and her current flock consists of 125 North Country Cheviots. Maintaining a flock of this size requires a team and Cox’s team consists of three Border Collies, Monk (10 yrs.), Wull (8 yrs.) and Lala (5 yrs.). Cox and her dogs also compete in sheepdog herding competitions.

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Cox says, “There’s a bond between me and my dogs like no other. Herding is challenging and addictive, fascinating and enjoyable, frustrating and maddening. Dogs have always been a part of my life, but herding sheep offers the opportunity for me and my dogs to be team members. They have taught me much about humility, joy, optimism and perseverance. Dogs rule.” Diane Frank (performer) currently teaches in the Department of Theater and Performance Studies at Stanford University. Her professional work as a dancer includes eleven years

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BIOS with Douglas Dunn and Dancers, touring nationally and internationally; extensive choreographic collaborations with Deborah Riley; and continuing independent projects. Her works have been produced and performed in New York; Washington, DC; San Francisco; London and Paris. She trained extensively with Merce Cunningham and was on the teaching staff of the Merce Cunningham Dance Studio for eight years prior to moving to the Bay Area. Recent collaborations include: In A Winter Garden with composer Jaroslaw Kapuscinski, sculptor Will Clift and Japanese sho musician Ko Ishikawa; Tools for Traveling Toward the Light with composer Hassan Estakhrian and scenic designer Erik Flatmo; and Goattrout-snake-lizard girl with composer Tim Russell. She is a co-founder of Bay Area Dance Exchange, a consortium of university dance programs. Teresa Hartmann (production manager) is a freelance production and stage manager, editor/proofreader, and script supervisor for Film/TV. She was the full-time stage manager for The Wooster Group from 2005-2014. Other credits include The Music Center’s Joni 75: A Birthday Celebration, REDCAT’s Pacific Standard Time Festival: Live Art LA/LA (part of The Getty Foundation’s PST: LA/LA initiative), Universal Studios Hollywood, and Jim Findlay’s Dream of the Red Chamber (a performance for a sleeping audience). She has also worked as a stage management mentor, dramaturg and guest instructor for MIT Theater Arts. Born and raised in

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Brooklyn, NY, she has a B.A. in English Literature from CUNY Brooklyn College. Dominica Greene (performer) earned a BFA in contemporary dance from the University of North Carolina School of the Arts in 2016, studying and performing repertoire by many notable choreographers. Greene has since developed strong working and collaborative relationships with Helen Simoneau, Jasmine Hearn, Kayla Farrish, Burr Johnson and Kate Wallich. She has toured domestically and internationally including festivals in Burkina Faso and China. She has extensive film/video experience and is a proud teacher of Dance Church. Greene relocated to Salt Lake City in June to join Ririe-Woodbury and is honored to be involved with Ann Carlson in Doggie Hamlet. Reilly Horan (stage manager) is a Brooklyn-based crew lead, stage/road manager, production manager, scenic carpenter, teaching artist, storyteller, writer, and movement improviser, working with Blue Man Group, The Public Theater, Community Word Project, Education at Roundabout Theatre, The Moth, and a number of independent dance artists. Both in New York and in a touring capacity, her work focuses on devised and multimedia collaborative theater and dance, large theatrical community engagement projects, arts accessibility, identitybased work, working with young people, and disrupting and re-imagining the profound lack of diversity and equity in the technical theater industry. 9


BIO’S Imre Hunter-To (performer) is a ninth grader who is an avid soccer, wrestling, and track team member. A reader of action/fiction, Imre enjoys spending much of his time with friends. His favorite subject in school is science where he learns about our world through different experiments. His wish is to one day live in California and to go to Germany and Denmark with his family. Peter Schmitz (performer) has been in the creative arts for over 30 years as a performer, choreographer, and teacher in the mediums of dance, theater, film/ video. As a Visiting Guest Artist Peter has worked at numerous colleges and universities including Amherst, Smith, Bennington, Middlebury, Emerson and University of Michigan. In a curious coincidence, this summer Peter performed in two Tom Stoppard plays Dogg’s Hamlet and Cahoot’s Macbeth. He has received numerous awards

for choreography and performance in theater and in dance but the rewards of working with Ann Carlson on any of her projects far outweigh any other acclaim. Ryan Tacata (performer) is a performance maker, educator, and scholar based in San Francisco. His recent projects include A Minor Repair (2019) commissioned by The City of Chicago for the Goat Island retrospective; and First Things First, with his performance collective For You, world premiere at the Momentary (AR) in 2020. He is currently Lecturer in the Immersion in the Arts: Living in Culture Program at Stanford University. www. ryan-tacata.com Special Thanks to: Roberta and Steve Denning, Charles Kerr and Heather Thomas, Sara Coffey, Margaret Lawrence, Babs Case, Kristy Edmunds, Jay Wall, Calista Lyon, Ros Warby.

Eph Jensen Livestock is a family owned and operated range sheep outfit based just outside Bear River City, Utah. Eph Jensen (1894 – 1987), the son of Danish immigrants, began herding sheep for a cousin after serving in WWI. He started purchasing land for his own sheep operation in 1928, and by 1945 was running his own herd of 1,200 ewes. Eph’s son Karl returned to work the ranch after graduating from the U of U in 1958 (where he was a running back for the U football team). Now run by Karl’s son Lane (CSU ‘96), Eph Jensen Livestock today pastures 2,200 sheep on native ranges in Box Elder, Cache, Weber, Wasatch, and Duchesne Counties. Most notably, the Jensens are the only sheep outfit that still trails their ewes home each fall via a dedicated right of way on a historic sheep trail that runs down Box Elder Canyon and through Brigham City. This 2-day, 23 mile migration takes place every fall on the third Friday of October, always drawing crowds of spectators along the route.

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TEDXSALTLAKECITY• September 21 Kingsbury Hall In music, dynamic harmony is critical for variety and brings a sense of moving forward. Individually, the words create an unusual paradox - being dynamic implies constant change, while harmony is synonymous with consistency and consensus. TEDxSaltLakeCity 2019 will feature “ideas worth spreading” from speakers and performers exploring dynamic harmony in technology, entertainment, and design.

FROM RIVER TO RIM: HIKING THE GRAND CANYON NATIONAL GEOGRAPHIC LIVE! IN PARTNERSHIP WITH GRAND CANYON TRUST September 27 • Kingsbury Hall Writer Kevin Fedarko and photographer/ filmmaker Pete McBride share their journey of nearly 800 trail-less miles through the heart of the Grand Canyon and the threats to the canyon they discovered along the way. Hear their behind-the-scenes stories of this grueling but critical expedition, illustrated with stunning visuals. MRS. KRISHNAN’S PARTY (YOU’RE INVITED!) . . . . . . . . . . . . November 1&2 AXIS DANCE COMPANY . . . . . . . . . . . . . . . . . . . . . . . . November 8 VIETNAM THROUGH MY LENS . . . . . . . . . . . . . . . . . . November 14 &15 HEALTHCARE: STORIES OF REBELLION . . . . . . . . . . . . . . . November 21 THE LOWER LIGHTS CHRISTMAS CONCERTS . . . . . . . . . . December 11-14 SHE KILLS MONSTERS • DEPT OF THEATRE . . . . . . . . . . . . January 16-19 BLACK VIOLIN . . . . . . . . . . . . . . . . . . . . . . . . . January 21 JORDI SAVALL: SPLENDOR OF THE IBERIAN BAROQUE . . . . . February 4 GUANGDONG MODERN DANCE COMPANY . . . . . . . . . . . . February 4 Tickets and information at utahpresents.org


SPONSORS Nancy Peery Marriott Alice & Kevin Steiner Chet & Carrie Goodwin Thank you to the people of Salt Lake County for supporting Zoo, Arts and Parks

Kathryn Atwood & Jacques D’Astous Marney & Peter Billings R. Harold Burton Foundation The Castle Foundation Mary L. Daines Design Ink/Lone Rock Clothing Mike Ferro Gordon and Connie Hanks

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Lee & Audrey Hollaar Robert and Mikelle Mansfield Lori McDonald Chrissy & Kurt Micek Dinesh & Kalpana Patel The Steiner Foundation Kyle Treadway and Greg Pedroza

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DONORS Carolyn Abravanel Adobe R. Scott and Kathleen Amann* Ari Diamonds Peter Ashdown Kathryn Atwood and Jacques D’Astous Gina Bacon Gina Barfuss Byron and Deborah Barkley The Bar Method Cynthia Barnes Hillary and Caleb Barney The B. W. Bastian Foundation Kristin Beck William and Deborah Beninati John Bergerson* Marney and Peter Billings Tracey Bjarnson Bombay House Prakash Botlaguduru Stewart Brock R. Harold Burton Foundation Timothy Butler Darryl and Ann Butt Patricia Callahan Kristine Campbell and David Sandweiss Holly Case The Castle Foundation Mckay Chamberlain Dhiraj Chand Muljibhai and Sharda Chaudhari Sydney Cheek-O’Donnell Stacy Chivers Patricia and Geoffrey Christensen Havilah Clarke The Council of Dee Fellows Kim and Pat Crandal Jim Dabakis and Stephen Justesen

Brent Daines Annie and Jahn Davis Jeanne DeFelice Dumke Law Analecia Dumke Zeke Dumke George S. And Dolores Doré Eccles Foundation Eric and Shellie Eide EKA Solutions, Inc. Sue Ellis Scott and Dayna Epperson Isac Kennedy Ernest Every Blooming Thing Fatpipe Inc. Mike Ferro Julie Fleming-Suttich Wyatt Frampton Michele Schulte Franks Pamela Funk Randhir Gandhi and Manisha Shah Andrew and Giselle Garrison Heather Gee and Robert Wenzel Robert and Mary Gilchrist Mila Gleason Goldman Sachs Chet and Carrie Goodwin Muriel and William Gowski Mary Jane Gregoire Donald Griffiths John and Ilauna Gurr Ruth and Nathan Hadlock Shanna and Aaron Hall* Mary Lou Hamill Hampton Inn & Suites /Salt Lake City – University/ Foothill Gordon and Connie Hanks Dawn Hansen Janis Hansen Phil Hansen Mauri Hansen

Janet and Ric Harnsberger Greg Hatch and Terry Kogan* The Richard K. and Shirley S. Hemingway Foundation Renae and Albert Hepler Joshua Herzbrun Brent Hill Richard and Darlene Hirschi* Laurie Hofmann* Lee and Audrey Hollaar Tiana Hood and Steven Morales Brooke and Michael Horejsi Kathie and Chuck Horman Karineh Hovsepian and Russell Kelly Thelma Iker Marian Ingham Liz Ivkovich Srikanth and Nirmala Jammulapati Julie Jensen Cosette Joesten* Julia and Ken Jones Sarah Judd Page and Don Juliano Sneha and Sandhya Kasera Anthony and Tracie Kay Scott Keller Kenworth Sales Company Joy and Badawe Khader David and Lisa Kieda David and Renae Kirby Kallen Konen Carolyn and Peter Kowalchik* Larry and Janine Krystkowiak Ryan Kump Marissa Larochelle Deborah and James Lindstrom LIFEWTR

Mike Lobb Lone Rock Clothing / Design Ink George and Martha Macomber Tory and James Magleby Swathy and Maha Mahasenan Jana Malovich Geoff and Jonette Mangum Robert and Mikelle Mansfield Kyle Mantas Nancy Peery Marriott Shaun and Wendy McCardell Lori McDonald Ryan Mertens Chrissy and Kurt Micek Arts Midwest Kelly Miller Mitchell Barlow & Mansfield Dan Mont-Eton Toni Montrone Fred Morgan Peter and Michelle Morgan Delona Muhlestein Donald and Clara Murphy* Aleksandar At. Nedelchev National Endowment for the Arts New England Foundation for the Arts Claudine Dina Nielsen Rebecca Noonan-Heale and Bret Heale William and Jan Olpin Marie and Michael Otto Marielle Pariseau Dinesh and Kalpana Patel Bankim Patel Natu Patel Piyush Patel Prakash Patel

All donors giving gifts of $25+ over the last 18 months.

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DONORS Sanjay Patel Tushar Patel Kevan Paul Robert Pendleton Deborah and Joseph Pienezza Marcella and Michael Plantin Chaipat Pothikamjorn John and Marcia Price Family Foundation Prince Yeates & Geldzahler Blanca Estela Raphael Renters Legal Liability Traci Reston-Householder Carolyn Rich-Denson Tara Richards John Robbins and Heather Ambrose Vicky and Scott Robbins Grant Rust

Josephine Rust Salt Lake City Arts Council Salt Lake County Cultural Facilities Support Program Salt Lake County Zoo, Arts and Parks The Semnani Family Foundation Ashlin Sharp Sallie Dean Shatz Aaron Silverman Lakhwinder Singh T. J. Singh Laura Snow and PierreRichard Prosper Krista and James Sorenson Kari Spendlove Alice and Kevin Steiner Steiner Foundation

Robin Steiner The Sam and Diane Stewart Family Foundation Annie and Cory Strupp* Valda Tarbet Gigi and Mark Thorsen Monica Traphagan Kyle Treadway and Greg Pedroza Janell and Stephen Tuttle Annette Tybur University of Utah Guest House & Conference Center Umbrella Theater Company Utah Division of Arts & Museums Utah Humanities Rebecca Utz and Steve Altman

Vicki Varela Brenda Wadsworth Kenneth Waldram, Jr. Alex Walton Whitney Ward Nathan Webster and Charlotte BoyeChristensen WESTAF Linda Whitaker Robin Wilks-Dunn and Samuel Dunn Kelly and David Winslow* Jody and Wai-Ming Wong Brad and Julia Wright Xmission Zions Bank *levelUP Member

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STAFF ADVISORY BOARD Brooke Horejsi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director Ashley Barentine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Light Technician Dennis Busch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Development Specialist Calin Clifford. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Event Manager Brooke Day . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Office Manager Janet Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finance Manager Ryan Ireland. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Box Office Manager Liz Ivkovich. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director of Development Sheri Jardine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Communications Manager Joe Killian. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Manager Keven Myhre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operations Director Josh Stier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Event Manager Robin Wilks-Dunn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Community Engagement Manager Steve Wimmer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager

UTAH PRESENTS ADVISORY BOARD Rob Mansfield, chair Luna Banuri Marney Billings Patricia Callahan Dhiraj Chand Havilah Clarke Annie Davis Mike Ferro

Don Gale Jake Garn Chet Goodwin Josh Herzbrun Tiana Hood Marian Ingham David Kirby Chrissy Gilbert Micek

MILLS PUBLISHING, INC.

Lori McDonald James Nish Daniel A. Reed John W. Scheib Srilatha Singh Alice Steiner Kyle Treadway

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Dan Miller, President; Paula Bell, Regional Advertising Director; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Dan Miller, Paul Nicholas, Chad Saunders Advertising Representatives, Caleb Deane Administrative Assistant The UtahPresents playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2019.

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PATRON INFORMATION •

In the event of an emergency, please walk to the nearest exit and follow instructions given by theatre personnel and ushers. Auditorium exits are clearly marked with lighted exit signs above each door. Move away from the building to a safe place.

Late-comers will be seated in accordance with the seating guidelines of the individual production.

Cameras and recording devices are strictly forbidden unless permission for their use is authorized in writing by theatre management.

Ticket office is located on the lower plaza at Kingsbury Hall, east of the main staircase. For ticket information, call 801-581-7100.

Children under six are not admitted to performances. All patrons must have a ticket regardless of age. Lap sitting is not allowed.

Lost and found is located in the ticket office or by asking the house manager. Please leave your name, phone number and description of the lost item with the ticket office (581-7100) or house manager.

Disabled parking is located on the east side of Kingsbury Hall via Presidents Circle.

Food and drink are not allowed in the auditorium.

Please silence mobile phones, watches and any other noise-making devices.

UtahPresents Thanks

LEE AND AUDREY HOLLAAR

for supporting these performances of Doggie Hamlet

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OUT OUT ON ON THE THE TOWN TOWN OUT ON THE TOWN

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MARTINE 22 East 100 South. Exceptional ambience, located in a historic brownstone. Martine offers Salt Lake City a sophisticated dining experience kept simple. Conveniently located on First South around the corner from the Eccles Theater. Extensive bar and wine service. martinecafe.com L, D, T, LL, RA, CC, VS. 801-363-9328 SPENCER’S 255 South West Temple, SLC. Winner of Wine Spectator’s Award of Excellence and Best of State for Fine Dining, enjoy locally sourced Prime steaks and sustainable seafood dishes from Executive Chef Sebastian Lowrey. Seasonal cocktails, inspired desserts, and exceptional service compliment your meal. L, D, S, T, LL, RA, CC, VS. 801-238-4748 | Reservations at Opentable.com

SQUATTERS PUB BREWERY 147 West Broadway SLC. Join us before and after the show for eclectic daily specials and traditional pub favorites such as bacon topped meatloaf, pizzas and a delicious array of burgers, all paired with our world-class beer and welcoming atmosphere. L, S, AT, LL, D, CC, VS. 801-363-2739

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