Savion Glover and Jack DeJohnette

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FALL LINEUP

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2015

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DECEMBER 5 KINGSBURY HALL

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DECEMBER 11 KINGSBURY HALL

AN EVENING WITH SAVION GLOVER AND JACK DEJOHNETTE DECEMBER 14 KINGSBURY HALL

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An Evening with Savion Glover & Jack DeJohnette in partnership with JazzSLC PROGRAM WILL BE ANNOUNCED FROM THE STAGE

DECEMBER 14, 2015 7:30PM

Kingsbury Hall Please turn off all cell phones, pagers and other noisemakers. The taking of photographs, and audio or video recordings is strictly prohibited.

SAVION GLOVER & JACK DEJOHNETTE

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Savion Glover Biography Savion Glover is a world-renowned dance sensation, Tony Awardwinning choreographer, teacher, producer and the very definition of cool. In 2013, The New York Post said, “The former Bring in ’Da Noise, Bring in ’Da Funk star can happily disappear into the group, but he’s still a virtuoso. At 39, he can fill a room with sound while barely moving, or create intricate rhythms without breaking a sweat. You watch and wonder exactly how he does it.”

Glover, known for combining traditional tap moves with his own edgy routines, describes his style as “young and funk,” which has proven to be the recipe for his extraordinary success, time and time again. Worldclass dancer, the late Gregory Hines once said of Glover, “We’re not talking about a good tap dancer. We’ve got to establish that right away. He could arguably be the best tap dancer that ever lived. He’s a genius.”

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SAVION GLOVER & JACK DEJOHNETTE


Savion Glover Biography At the age of 10, Glover made his Broadway debut in The Tap Dance Kid (1984). At the age of 15, he became one of the youngest Tony Award nominees for his role in Black and Blue (1989). In 1992, Glover starred as young Jelly Roll Morton alongside Gregory Hines in Jelly’s Last Jam, a role for which he made history as the youngest ever recipient of a National Endowment for the Arts grant. The success didn’t stop there. In 1996, he won a Tony Award for Best Choreography with Bring in ‘Da Noise, Bring in ‘Da Funk. The New York Times wrote, “Mr. Glover meticulously and respectfully demonstrates the techniques made famous by each, then blends them all into an exultant stylistic brew that belongs to no one but him. As dance, as musical, as theater, as art, as history and entertainment, there’s nothing Noise/Funk cannot and should not do.”

Broadway is not the only place where Glover has made a name for himself. His film repertoire includes Tap (1989), Bamboozled (2000), Barbra Streisand’s Timeless (2000) and most recently, Academy Award‐winning Happy Feet (2006) and Happy Feet 2 (2011) for which Glover served as co-­choreographer and the feet behind Elijah Wood’s character Mumble.

Glover has graced the small screen, too with countless television specials such as Gregory Hines’ Tap Dance in America (1989), Slide and Swing with Savion Glover (1998), Savion Glover’s Nu York (1998) and appearances including Saturday Night Live and a recurring role as Savion on Sesame Street from 1990-95, among others.

In order to keep the legacy of tap alive for future generations Glover founded The Hooferz Club School for Tap in Newark, New Jersey. The school’s students are not only encouraged to learn tap history and theory, but also to identify with the creative process that can revise and refine their own approach to tap dancing. With his extraordinary talent for tap paired with his desire to uphold its history, Glover’s legacy is from an end. He is currently working as choreographer with six-time Tony Award-winner Audra McDonald, director George C. Wolfe and producer Scott Rudin to retell the story of a 1921 historically black musical Shuffle Along. Shuffle Along or the Making of the Musical Sensation of 1921 and All That Followed is set to make its debut on April 21, 2016 at the Music Box Theater in New York City.

SAVION GLOVER & JACK DEJOHNETTE

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Photo ©CarlosPericás

Jack DeJohnette Biography In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, NEA and Grammy winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre. The list of creative associations throughout his career is lengthy and diverse: John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddy Hubbard, Betty Carter and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century. Born in Chicago in 1942, DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music. He added the drums to his repertoire when he joined his high school concert band at age 14.

“As a child, I listened to all kinds of music and I never put them into categories,” he recalls. “I had formal lessons on piano and listened to opera, country and western music, rhythm and blues, swing, jazz, whatever. To me, it was all music and all great. I’ve kept that integrated feeling about music, all types of music, and just carried it with me. I’ve maintained that belief and feeling in spite of the ongoing trend to try and compartmentalize people and music.” By the mid-1960s, DeJohnette had entered the Chicago jazz scene – not just as a leader of his own fledgling groups but also as a sideman on both piano and drums. He experimented with rhythm, melody and harmony as part of the Association for the Advancement of Creative Musicians during the group’s early days, and later drummed alongside Rashied Ali in the John Coltrane Quintet. He garnered international recognition during his tenure with the Charles Lloyd Quartet, one of the first jazz groups to receive crossover attention.

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SAVION GLOVER & JACK DEJOHNETTE


Jack DeJohnette Biography In 1968, DeJohnette joined Miles Davis’s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like LiveEvil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972). During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975.

The mid 1970s were marked by a series of short-lived groups and projects – many of them leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette’s various other collaborative ventures, especially recordings and tours with Keith Jarrett. DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013.

Another of DeJohnette’s high-profile projects in the early 1990s was a touring quartet consisting of himself, Holland, Herbie Hancock and Pat Metheny. In 1992, SAVION GLOVER & JACK DEJOHNETTE

the group released Music for a Fifth World, an album inspired by Native American culture that also included appearances by Vernon Reid and John Scofield. Given the diversity of players and styles that he had embraced by this point, DeJohnette was already describing his music in the “90s as “multidimensional.”

In 2004, DeJohnette recorded and toured with two Grammy nominated projects – Out of Towners, with Jarrett and Peacock (aka the Standards Trio); and Ivey Divey, which featured Don Byron and Jason Moran. He continued to work with Jarrett and Peacock in 2005, but also launched numerous additional ventures that same year, the first of which was the Latin Project – a combo that consisted of percussionists Giovanni Hidalgo and Luisito Quintero, reedman Don Byron, pianist Edsel Gomez, and bassist Jerome Harris. Other projects in 2005 included The Jack DeJohnette Quartet, featuring Danilo Perez, John Patitucci and Harris; and the Beyond Trio, a group that celebrated the music of drummer Tony Williams, featuring John Scofield and Larry Goldings. And if that weren’t enough to make for a busy year, 2005 also marked the launch of DeJohnette’s own imprint, Golden Beams Productions. His first two projects on the new label were Music from the Hearts of the Masters, a duet recording with Gambian kora player Foday Musa Suso, and a relaxation and meditation album entitled Music in the Key of Om, featuring DeJohnette on synthesizer and resonating bells. The latter recording was nominated for a Grammy in the Best New Age Album category. He closed 2005 with the release of Hybrids, a seamless weave of African jazz, reggae and dance music that featured Foday Musa Suso and an international cast representing musical styles from around the world.

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Jack DeJohnette Biography Two live recordings emerged in 2006: The Elephant Sleeps But Still Remembers (Golden Beams), which captured his first musical encounter with guitarist Bill Frisell at the Earshot Festival in Seattle in 2001; and Saudades (ECM), a 2004 London concert celebrating the music of Tony Williams. DeJohnette and Frisell reunited in the fall of 2006 – along with multi- instrumentalist Jerome Harris and mix master Ben Surman – for a tour to promote The Elephant Sleeps. DeJohnette continued to explore African music in 2007 via the Intercontinental project, a partnership with South African singer Sibongile Khumalo that included a successful European tour and culminated in a performance at the Capetown Jazz Festival in South Africa. Other projects in 2007 included studio gigs and tour dates with Bruce Hornsby, Christian McBride, Herbie Hancock, Wayne Shorter and Ron Carter. DeJohnette also appeared on Michael Brecker’s posthumously released final album, Pilgrimage.

Extensive touring continued in 2008, along with the recording of a trio album with Patitucci and Perez during a snow storm near DeJohnette’s home in upstate New York. The sessions resulted in Music We Are, released in April 2009 with a bonus DVD that provided a rare look at the trio’s friendship, their creative relationship and their approach to the recording process.

DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one

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many awards that DeJohnette has received over the years, beginning in 1979 with the French Grand Prix Disc and Charles Cros awards. He has figured prominently into readers polls and critics polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society’s Hall of Fame in 2010.

In 2011, he was chosen to perform at the Kennedy Center in tribute to his longtime friend and musical inspiration, Sonny Rollins. Marking his 70s birthday in 2012, he received a National Endowment for the Arts Jazz Master Fellowship – the highest U.S. honor for jazz musicians – in recognition of his extraordinary life achievements, contributions to advancing the jazz art form, and for serving as a mentor for a new generation of aspiring young jazz musicians. The year-long birthday celebration included performances at the Monterey and Newport Jazz festivals, a tour of Europe with The Jack DeJohnette Group (a quintet he formed in 2010) and several concerts with Chick Corea and Stanley Clarke.

Despite all the awards and accolades, though, DeJohnette continues to make the creative process his highest priority. To that end, his most recent recording is Sound Travels, a nine-song, genre-spanning album that includes Latin rhythms and West Indian energy, meditative pieces and straightahead jazz. Included in the long list of guest players is Esperanza Spalding, Bobby McFerrin, Bruce Hornsby and Jason Moran.

SAVION GLOVER & JACK DEJOHNETTE


UtahPresents Thanks NANCY PEERY MARRIOTT GEORGE Q. MORRIS FOUNDATION

for supporting this performance of Savion Glover and Jack DeJohnette


Savion Glover

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SAVION GLOVER & JACK DEJOHNETTE


UPCOMING PERFORMANCES: John Pizzarelli Quartet with Special Guest Jessica Molasky Saturday, January 2, 2016 Trio da Paz & Friends Monday, February 8, 2016 The Strayhorn Project with the Juilliard Jazz Players Monday, March 21, 2016 The Fred Hersch Trio Friday, April 29, 2016 More information at jazzslc.com

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Jack DeJohnette

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SAVION GLOVER & JACK DEJOHNETTE


HELLO, DOLLY! • JANUARY 15 - 17

Kingsbury Hall PRESENTED BY THE UNIVERSITY OF UTAH DEPARTMENT OF THEATRE Matchmaking was never so much fun as it is in this timeless tale of loves brought together by a unique and intuitive matchmaker. Long before the advent of eHarmony and Match.com, there was Dolly Levi! Book by Michael Stewart Music and Lyrics by Jerry Herman Based on the Original Play by Thornton Wilder Director by Denny Berry

NORTHWEST DANCE PROJECT • JANUARY 22

Marriott Center for Dance With dancers who are classically-trained and fearless, Northwest Dance Project has established itself as a bold and innovative contemporary dance company. Performing an all-original repertoire from a select roster of accomplished choreographers as well as the most promising new talents, the company has been involved in the creation of over 170 new works over the past 10 years and, as Dance International Magazine put it, is “changing the way dance is created.”

I AM BIG BIRD: THE CAROLL SPINNEY STORY•JANUARY 29

Kingsbury Hall POST-FILM Q&A WITH CAROLL SPINNEY For 45 years, Caroll Spinney has been beloved by generations of children as the man behind Sesame Street’s Big Bird and Oscar the Grouch. A loving portrait of the man in the yellow suit, the film features extraordinary footage of Spinney’s earliest collaborations with Jim Henson. As the yellow feathers give way to grey hair, it is the man, not the puppet, who will steal your heart.

TIAN JIANAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . February 2 TIMBER! • CIRQUE ALFONSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . February 4 BANFF FILM FESTIVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . February 16-18 RADICAL REELS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . February 25 globalFEST • CREOLE CARNIVAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . March 31 DIE FLEDERMAUS • UNIVERSITY LYRIC OPERA ENSEMBLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . April 22-23 DOKTOR KABOOM! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . April 28 Tickets and information at utahpresents.org


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$2,500–$4,999 Every Blooming Thing Richard K. and Shirley S. Hemingway Foundation Lee A. and Audrey Mack Hollaar Geoffrey W. and Jonette C. Mangum Parsons, Behle & Latimer Sorenson Legacy Foundation Western States Arts Federation XMission Zions Management Services Company

$10,000–$24,999 Art Works For Kids Zeke Dumke, Jr. John and Marcia Price Family Foundation Salt Lake City Arts Council George Q. Morris Foundation National Endowment for $1,000–$2,499 the Arts Becton, Dickinson and Utah Division of Arts Company and Museums Kenneth P. and Sally R. Burbidge Foundation $5,000–$9,999 Sue J. Ellis Bruce W. Bastian John K. and Ilauna J. Foundation Gurr R. Harold Burton Robert E. and Mikelle Foundation Hampton Schlupp Mansfield Inn Jerry and Linda Rowley Dinesh and Kalpana Mark J. and Dana C. Patel Foundation Wiest Prince, Yeates & Wells Fargo Foundation Geldzahler New England Foundation $500–$999 for the Arts Marian W. Ingham Jerry W. Hussong and Brian Burka Michael Feehan and Margaret M. DeAngelis

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All gifts made between January 1, 2014 and December 31, 2014.

UTAHPRESENTS ADVISORY BOARD Geoff Mangum, Chairman Margaret Billings Bill Bireley Troy D’Ambrosio Michael Feehan Mike Ferro

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Jake Garn Don Gale Marian Ingham Rob Mansfield Lori McDonald Chrissy Micek Peter Morgan

Krista Sorenson Alice Steiner Julie Thomas R. Kyle Treadway Raymond Tymas-Jones Mark Wiest

SAVION GLOVER & JACK DEJOHNETTE


UTAHPRESENTS STAFF Brooke Horejsi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director John Armstrong. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Events Manager Gay Cookson. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director of Development Brooke Day. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Office Manager Michael Draper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Engineer Stephanie Gosdis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Event and Administrative Coordinator Patrick Grace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operations Director Janet Graham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finance Manager Ryan Ireland . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Box Office Manager Sheri Jardine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Communications Manager Keven Myhre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Manager Jennie Nicholls-Smith.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Associate Director of Development Cody Watkins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Stage Manager Robin Wilks-Dunn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Community Engagement Manager Steve Wimmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager

Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Leslie Hanna, Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant, Jody Martin, Administrative Assistant The UTAHPRESENTS, Miss Nelson is Missing playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2015.


Sponsors The Steiner Foundation Alice and Kevin Steiner Nancy Peery Marriott Thank you to the people of Salt Lake County for supporting Zoo, Arts and Parks

Zeke Dumke, Jr.

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R. Harold Burton Foundation

Kyle Treadway Geoff and Jonette Mangum

Lee and Audrey Hollaar Kurt and Chrissy Micek

A Professional Law Corporation

The Castle Foundation

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SAVION GLOVER & JACK DEJOHNETTE


Patron Information

• In the event of an emergency, please walk to the nearest exit and follow instructions given by theatre personnel and ushers. Auditorium exits are clearly marked with lighted exit signs above each door. Move away from the building to a safe place. • Late-comers will be seated in accordance with the seating guidelines of the individual production. • Restrooms are available in the lower lobby. • Refreshments are available in the lower lobby. • Drinking fountains are available in the upper and lower lobbies. • Coat check service is available in the lobby on the west side. • Free assisted-hearing devices are available from the coat check room in the main lobby on the west side. • Cameras and recording devices are strictly forbidden unless permission

for their use is authorized in writing by theatre management. • Ticket office is located on the lower plaza, east of the main staircase. For ticket information, call 801-581-7100. • Lost and found is located in the ticket office or by asking the house manager. Please leave your name, phone number and description of the lost item with the ticket office (801-581-7100) or house manager. • Disabled parking is located on the east side of Kingsbury Hall via Presidents Circle. • The patron elevator is located on the west side of all three lobbies. • Food and drink are not allowed in the auditorium. • Please silence mobile phones, watches and any other noise-making devices. • Visit UtahPresents online at utahpresents.org.


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