Gershwin's Piano Concerto by Mills Publishing Inc.

THE SOUND of INSPIRATION

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Contents PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow

The Music of Mozart

All-Star Evening

ART DIRECTOR / PRODUCTION MANAGER Jackie Medina

May 5, 2016

May 17, 2016

Gershwin’s Piano Concerto

Mahler’s Symphony No. 9

May 20–21, 2016

May 27–28, 2016

PROGRAM DESIGNER Patrick Witmer GRAPHIC DESIGNERS Leslie Hanna Ken Magleby Patrick Witmer ADVERTISING REPRESENTATIVES Paula Bell Karen Malan Dan Miller Paul Nicholas OFFICE ASSISTANT Jessica Alder ADMINISTRATIVE ASSISTANT Ruth Gainey EDITOR Melissa Robison

Tonight’s Concert

6 Welcome 8 Utah Symphony 10 Board of Trustees 15 Music Director 16 Reflections of a Legacy 17 Season Sponsor 18 Season Honorees 24 Testimonial 26 Trio 32 Evelyn Rosenblatt Artist 34 Season Sponsors

The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801-467-8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities.

44 Make It Your Masterpiece

70 Education

47 Perpetual Motion 50 Tanner & Crescendo Societies 51 Plan Big 52 Corporate & Foundation Donors 53 Utah Symphony Guild 54 Individual Donors 62 Administration 67 Classical 89 Broadcasts 64 Acknowledgments

@UtahSymphony

Welcome

On behalf of the musicians, board, and staff of Utah Symphony | Utah Opera, it is our pleasure to welcome you to Abravanel Hall and tonightâ&#x20AC;&#x2122;s concert. It has been a truly inspirational season and we hope that you have enjoyed celebrating the 75th anniversary of the Utah Symphony with us. Our anniversary season was not only a tribute to the legacy of the Utah Symphony, but also a tribute to the people of our state who had the vision to create and support a rich cultural tradition for its citizens. We are grateful to all great community leaders who help make Utah a wonderful place to live and to enjoy great live music! As we look to the future, we cherish our wonderful memories of this special season,

Thierry Fischer Symphony Music Director

but we do not preserve the art of symphonic music by framing it in a certain state of existence. Instead, we give our musicians the necessary support to continue to express their art at the highest level and to share this experience with us. Their artistic expression charges the air in Abravanel Hall and we react and reflect our own vitality. This dynamic energy exchange between artistic expression and audience resonance makes each performance remarkable. Thank you for joining us tonight. We hope to see you in the coming months at one of our many community concerts in outdoor venues throughout the valley or at our summer home of the Deer ValleyÂŽ Music Festival! Sincerely,

Patricia A. Richards Interim President & CEO

David A. Petersen USUO Board of Trustees Chair

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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Utah Symphony Thierry Fischer, Music Director / The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Rei Hotoda Associate Conductor

Roberta Zalkind Associate Principal

Barlow Bradford Symphony Chorus Director

Elizabeth Beilman Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Christopher McKellar Whittney Thomas

VIOLIN* Ralph Matson Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair David Park Assistant Concertmaster Alex Martin Acting Assistant Concertmaster Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Hanah Stuart Assistant Principal Second Leonard Braus• Associate Concertmaster Emeritus Karen Wyatt•• Jerry Chiu Joseph Evans LoiAnne Eyring Kristiana Henderson†† Teresa Hicks† Lun Jiang Rebekah Johnson Tina Johnson†† Paige Kossuth†† Veronica Kulig David Langr Melissa Thorley Lewis Yuki MacQueen Rebecca Moench Hugh Palmer David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian# Lynnette Stewart Julie Wunderle VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair

CELLO* Rainer Eudeikis Principal The J. Ryan Selberg Memorial Chair Matthew Johnson Associate Principal John Eckstein Walter Haman Andrew Larson Anne Lee Kevin Shumway Pegsoon Whang Joyce Yang†† BASS* David Yavornitzky Principal Corbin Johnston Associate Principal James Allyn Edward Merritt Claudia Norton Jens Tenbroek Thomas Zera HARP Louise Vickerman Principal FLUTE Mercedes Smith Principal The Val A. Browning Chair Lisa Byrnes Associate Principal Caitlyn Valovick Moore PICCOLO Caitlyn Valovick Moore OBOE Robert Stephenson Principal James Hall# Associate Principal

ENGLISH HORN Lissa Stolz

BASS TROMBONE Graeme Mutchler

CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

TUBA Gary Ofenloch Principal

Erin Svoboda Associate Principal

Eric Hopkins Associate Principal

Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair Leon Chodos Associate Principal Jennifer Rhodes

TIMPANI George Brown Principal

PERCUSSION Keith Carrick Principal Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal LIBRARIANS Clovis Lark Principal Maureen Conroy

CONTRABASSOON Leon Chodos

ORCHESTRA PERSONNEL Llewellyn B. Humphreys Acting Director of Orchestra Personnel

HORN Bruce M. Gifford† Principal

Nathan Lutz Orchestra Personnel Manager

Edmund Rollett Acting Principal Llewellyn B. Humphreys Alexander Love†† Stephen Proser TRUMPET Travis Peterson Principal Jeff Luke Associate Principal Peter Margulies Nick Norton TROMBONE Mark Davidson Principal

STAGE MANAGEMENT Chip Dance Production & Stage Manager Mark Barraclough Assistant Stage & Properties Manager • First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member

Sam Elliot†† Acting Associate Principal

Titus Underwood†† Acting Associate Principal Lissa Stolz

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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Board of Trustees

ELECTED BOARD David A. Petersen* Chair

John W. Williams Thomas Wright

Jesselie B. Anderson Doyle L. Arnold* Edward R. Ashwood Dr. J. Richard Baringer Kirk A. Benson Judith M. Billings Howard S. Clark Gary L. Crocker David Dee*

Alex J. Dunn Kristen Fletcher Kem C. Gardner* David Golden Gregory L. Hardy Thomas N. Jacobson Ronald W. Jibson* Thomas M. Love R. David McMillan Brad W. Merrill Edward B. Moreton Theodore F. Newlin III* Dr. Dinesh C. Patel Frank R. Pignanelli Shari H. Quinney Brad Rencher Bert Roberts Joanne F. Shiebler* Diane Stewart Naoma Tate Thomas Thatcher Bob Wheaton

LIFETIME BOARD William C. Bailey Edwin B. Firmage Jon Huntsman, Sr. Jon Huntsman, Jr. G. Frank Joklik

Clark D. Jones Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker Patricia A. Richards*

Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder

TRUSTEES EMERITI Carolyn Abravanel Haven J. Barlow John Bates

Burton L. Gordon Richard G. Horne Warren K. McOmber

Mardean Peterson E. Jeffrey Smith Barbara Tanner

HONORARY BOARD Senator Robert F. Bennett Rodney H. Brady Ariel Bybee Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous

Lisa Eccles Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Marilyn H. Neilson O. Don Ostler Stanley B. Parrish

Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith Ardean Watts

NATIONAL ADVISORY COUNCIL Joanne F. Shiebler Chair (Utah)

Susan H. Carlyle (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington, D.C.)

Alvin Richer (Arizona)

William H. Nelson* Vice Chair Annette W. Jarvis* Secretary John Dâ&#x20AC;&#x2122;Arcy* Treasurer Patricia A. Richards* Interim President & CEO

MUSICIAN REPRESENTATIVES

Travis Peterson* Karen Wyatt* EX OFFICIO

Donna L. Smith Utah Symphony Guild Genette Biddulph Ogden Symphony Ballet Association Dr. Nathaniel Eschler Vivace Judith Vander Heide Ogden Opera Guild *Executive Committee Member

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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Music Director

Swiss conductor Thierry Fischer recently renewed his contract as Music Director of the Utah Symphony Orchestra, where he has revitalized the music-making and programming, and brought a new energy to the orchestra and organization as a whole. Maestro Fischer was Principal Conductor of the BBC National Orchestra of Wales 2006–12 and returned as a guest conductor at the 2014 BBC Proms. Recent engagements have included the Boston Symphony Orchestra, Salzburg Mozarteumorchester, Orchestre de la Suisse Romande, Frankfurt Radio Symphony, Oslo Philharmonic, Rotterdam Philharmonic, Detroit Symphony, BBC Symphony, and London Sinfonietta. In 2015–16 he makes his debut with the London Philharmonic Orchestra (in subscription at the Royal Festival Hall), having recorded a Beethoven CD with them in 2014. Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

Maestro Fischer has made numerous recordings, many of them for Hyperion Records. Their CD of Frank Martin’s opera Der Sturm with the Netherlands Radio Philharmonic Orchestra and Chorus was awarded the International Classical Music Award (opera category) in 2012. Maestro Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and then became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–06. He was Chief Conductor of the Nagoya Philharmonic 2008–11, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.

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(801) 533-NOTE

Reflections of a Legacy By Julia R. Prata

As we close Utah Symphony’s 75th Anniversary, community writer Julia R. Prata reflects on our legacy.

As the Utah Symphony’s 75th anniversary season comes to a close, we are reminded to reflect upon the successes and celebrations of not only this season but seventy-five seasons filled with growth and progress built upon a foundation of greatness. Although it has been more than twenty years since Maurice Abravanel passed, his legacy stays with us, and those who had the honor of performing with him have not forgotten his greatness. To this day, there are several musicians of the Utah Symphony as well as retired Utah Symphony musicians who vividly recall their time under the baton of Maurice Abravanel. Violinist Tom Baron played with the Utah Symphony for a total of 47 years, from 1968 to 2015. When Baron speaks of his experience under Maestro Abravanel, the fondness is difficult to miss. “We did beautiful work with him. He demanded it and he got it from us, and we didn’t know how. We’d listen to those CDs later and say ‘Is that us?’ We never could figure it out. He was in touch with something that collectively we would feel.” Another retired Utah Symphony musician, Frances Darger, experienced the rise of Maestro Abravanel’s legacy from the very beginning and witnessed its lasting effects. The two things that stand out in Darger’s memories are Abravanel’s patient determination to create a place in the community for the symphony, and his dream of building a performance hall they could call home. We all know that he saw both of 16

those goals realized, as the Utah Symphony performs in Abravanel Hall every weekend. Maurice Abravanel is largely responsible for giving the Utah Symphony the reputation it has today. When Maestro Abravanel applied for the job in 1946, the Utah Symphony was a community orchestra without a true home. Initially, Abravanel only signed a one-year contract, but his dedication to the symphony extended that contract by 31 years. The Utah Symphony musicians experienced Abravanel’s intense dedication first-hand and believe that it was pivotal in unifying the orchestra. Claudia Norton, Utah Symphony bass player since 1967, talks about Maestro Abravanel’s involvement with his musicians. “He knew us personally, knew our personal lives, was very hands-on and insisted that we have the same vision that he did, and that was that music was the greatest gift to mankind,” she said. “I think that was a lot of the reason we were able to have such success in so many of our recordings.” This strong sense of dedication is still seen in the Utah Symphony today. The 75th anniversary season has been an immense success, filled with performances of different styles and sounds. The outpouring of support from our community collaborators and the audiences who attended this season’s performances echo the dreams of Maurice Abravanel and his conviction that music was the most important thing in the world. UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Utah Symphony 75th Anniversary Signature Sponsor

George S. and Dolores Doré Eccles Foundation Board of Directors Robert M. Graham • Spencer F. Eccles • Lisa Eccles

ith a tradition of generous support spanning more than three decades, the

George S. and Dolores Doré Eccles Foundation continues to play a key role in the success of Utah Symphony | Utah Opera. Today – as Signature Sponsor of Utah Symphony’s 75th Anniversary – the Eccles Foundation’s unwavering partnership of support is leading the way for Utah Symphony’s exciting future ... one filled with growth, opportunity, innovation and excellence!

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Season Honorees

Utah Symphony | Utah Opera is grateful to our generous donors who through annual cash gifts and multi-year commitments at the following levels make our programs possible. The following listing reflects contributions and multi-year commitments received as of 3/16/2016.

M I LLE N I U M $250,0 0 0 & A B OV E

EDWARD ASHWOOD & CANDICE JOHNSON

GAEL BENSON

LAWRENCE T. & JANET T. DEE FOUNDATION

E.R. (ZEKE) & KATHERINE W.† DUMKE

MR. & MRS. MARTIN GREENBERG

ANTHONY & RENEE MARLON

PATRICIA A. RICHARDS & WILLIAM K. NICHOLS

MARK & DIANNE PROTHRO CORPORATION

SHIEBLER FAMILY FOUNDATION

UTAH STATE LEGISLATURE/ UTAH STATE OFFICE OF EDUCATION

JACQUELYN WENTZ

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Season Honorees

DIANE & HAL BRIERLEY

KEM & CAROLYN GARDNER

CAROL & TED NEWLIN

JAMES A. & MARILYN PARKE

THEODORE SCHMIDT

NAOMA TATE & THE FAMILY OF HAL TATE

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Season Honorees E N C O R E $10 0, 0 0 0 & A B OV E

DOYLE ARNOLD & ANNE GLARNER

DR. J. R. BARINGER & DR. JEANNETTE J. TOWNSEND

R. HAROLD BURTON FOUNDATION

THIERRY & CATHERINE FISCHER**

ROGER & SUSAN HORN

THE RIGHT REVEREND CAROLYN TANNER IRISH**

RONALD & JANET JIBSON

EMMA ECCLES JONES FOUNDATION

FREDERICK Q. LAWSON FOUNDATION

EDWARD & BARBARA MORETON

GIB & SUSAN MYERS

WILLIAM & CHRISTINE NELSON

DR. DINESH & KALPANA PATEL

ANONYMOUS

RESTAURANT TAX RAP TAX

B R AVO $ 50, 0 0 0 & A B OV E

Scott & Jesselie Anderson B. W. Bastian Foundation Thomas Billings & Judge Judith Billings Marriner S. Eccles Foundation The Florence J. Gillmor Foundation Douglas & Connie Hayes Grand & Little America Hotels* Montage Deer Valley**

Scott & Sydne Parker Frank R. Pignanelli & D’Arcy Dixon Albert J. Roberts IV St. Regis Deer Valley** Wells Fargo Wheeler Foundation Lois A. Zambo

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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Season Honorees OV E R T U R E $25, 0 0 0 & A B OV E

Scott & Kathie Amann Arnold Machinery Mr. & Mrs. William C. Bailey BMW of Murray BMW of Pleasant Grove Michael & Vickie Callen Rebecca Marriott Champion Chevron Corporation C. Comstock Clayton Foundation Thomas D. Dee III & Dr. Candace Dee Delta Air Lines* John H. & Joan B. Firmage Kristen Fletcher & Dan McPhun

Holland & Hart** Richard K. & Shirley S. Hemingway Foundation Janet Q. Lawson Foundation Love Communications* Markosian Family Trust Carol & Anthony W. Middleton, Jr., M.D. OPERA America’s Getty Audience Building Program Charles Maxfield & Gloria F. Parrish Foundation Alice & Frank Puleo S. J. & Jessie E. Quinney Foundation

Dr. Wallace Ring Simmons Family Foundation Harris H. & Amanda Simmons Stein Eriksen Lodge** Summit Sotheby’s Nora Eccles Treadwell Foundation Vivint M. Walker & Sue Wallace Jack Wheatley John W. Williams Workers Compensation Fund Edward & Marelynn Zipser

Josh & Cherie James G. Frank & Pamela Joklik Robert & Debra Kasirer Katharine Lamb Marriott Residence Inn* Pete & Cathy Meldrum Harold W. & Lois Milner Rayna & Glen Mintz Moreton Family Foundation Fred & Lucy Moreton Terrell & Leah Nagata National Endowment for the Arts Ogden Opera Guild Park City Chamber/Bureau David A. Petersen Glenn D. Prestwich & Barbara Bentley Promontory Foundation ProTel* David & Shari Quinney Radisson Hotel* Brad & Sara Rencher Dr. Clifford S. Reusch† Resorts West* The Joseph & Evelyn Rosenblatt Charitable Fund David & Lois Salisbury Lori & Theodore Samuels Pauline Collins Sells Sounds of Science Commissioning Club George & Tamie† Speciale

Stalwart Films LLC* Thomas & Marilyn Sutton The Swartz Foundation Jonathan & Anne Symonds Barbara Tanner Thomas & Kathy Thatcher Zibby & Jim Tozer Tom & Caroline Tucker Utah Food Services* Utah Hispanic Chamber of Commerce* Utah Symphony Guild U.S. Bancorp Foundation

M A E S T R O $10, 0 0 0 & A B OV E

Anonymous Adobe American Express Ballard Spahr, LLP Haven J. Barlow Family H. Brent & Bonnie Jean Beesley Foundation Berenice J. Bradshaw Charitable Trust Judy Brady & Drew W. Browning BTG Wine Bar* Caffe Molise* Marie Eccles Caine Foundation-Russell Family Chris & Lois Canale CenturyLink Howard & Betty Clark** Daynes Music* Skip Daynes* The Katherine W. Dumke & Ezekiel R. Dumke, Jr. Foundation Dr. & Mrs. Ralph Earle Sue Ellis Thomas & Lynn Fey Gastronomy* General Electric Foundation Ann & Gordon Getty Foundation Elaine & Burton L. Gordon Susan & Tom Hodgson Hyatt Escala Lodge at Park City** Tom & Lorie Jacobson

See pages 52–59 for an additional listing of our generous donors whose support has made this season possible.

* In-Kind Gift ** In-Kind & Cash Gift † Deceased

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Vertigo Ensemble Andrew Rindfleisch, Music Director Saturday, June 25th, 4pm Main Library Auditorium at the Utah Arts Festival Free Admission

Presenting exciting new contemporary chamber music by Brian Ferneyhough, Stephanie Ann Boyd, Timothy Beyer, Clint Needham, plus a world premiere work by Randy Bauer, winner of the 2016 Utah Arts Festival Commission for Chamber Ensemble.

Sponsored by The Mandel Foundation UFS_SymphonyAd2012.pdf

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Testimonial

When I see the number of young people arriving for Utah Symphony concerts and Utah Opera performances, my belief in the impact of the Symphony’s and Opera’s education programs is affirmed. Their enthusiasm in attending these world-class performances at Abravanel Hall and the Capitol Theatre was nurtured from an early age on through the company’s extensive K–12 school programs. Once guided by Utah Symphony | Utah Opera’s curricula toward an understanding of orchestral music and opera, many keep returning with a growing appreciation for the expressive beauty of these art forms. This is the threshold into a lifetime of finding joy and meaning in music and theatre, and for many, the inspiration to strive for mastery of an instrument or their own voice. My own love for music was instilled by my mother while I was growing up in Ogden. She not only inspired me, but laid the foundation for a vibrant music and arts scene in Ogden that continues today. My wife Karen and I have encouraged music making among our own children, and are so pleased that through the Lawrence T. and Janet T. Dee Foundation and our support for Utah Symphony | Utah Opera we are able to continue a grand tradition of promoting the musical arts for youth throughout the state. David L. Dee President, David Dee Fine Arts Co-Chair, Lawrence T. & Janet T. Dee Foundation

Utah Symphony | Utah Opera is the proud recipient of Charity Navigator’s highest rating for sound fiscal management, commitment to accountability and transparency, and adherence to good governance and best practices—all of which allow us to execute our mission in a responsible way.

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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TRIO By Autumn Thatcher

TRIO is a collection of perspectives gathered by community writers about conductors, guest artists, and Utah Symphony musicians surrounding a singular theme. As Utah Symphony celebrates its 75th anniversary season, we asked: “Describe the connection between music and celebration in your life.” I loved the gathering of the people, and the way they would listen to what I had to say through music. It was a language that inspired me to grow and learn. —Joyce Yang

Joyce Yang Pianist

When I think about all the truly joyous memories in my life, playing concerts has often been the central reason for celebrations. The earliest memories in music go back about 25 years, when my aunt (my first piano teacher) organized small salon concerts for me and a few other students of hers. There were food, drinks, guests, and plenty of presents involved. We played our little pieces we learned earlier that week—whether it was 10 seconds long, or 5 minutes. No matter how small the piece, we received applause from the audience (parents and relatives mostly), and we bowed and walked back to our make-belief backstage. I knew from an early age that I have to practice and make the best music possible to make each concert a worthy event for myself and others. I loved the gathering of the people, and the way they would listen to what I had to say through music. It was a language that inspired me to grow and learn. After the music portion of the night, we celebrated for hours over cookies and milk. All the kids that got to the end of their piece received a gold star. This event took place every couple of weeks. This didn’t seem like much back then, but this process became the foundation of my profession. The “stage” became second nature to me. More importantly, this process taught me that every time I was ready to walk onstage to perform for an audience, it called for a celebration. To this day, I walk out onstage celebrating its very existence, the opportunity to deliver the music I love…And each time, I have my fingers crossed that I walk away with a gold star.

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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TRIO By Autumn Thatcher

Music has been an important part of my life ever since I began the piano at age five and the violin at nine. I tinkered with the viola in high school, but when it came time to go to college I didn’t think it would be possible to make a living in music. I went to high school in Juneau, Alaska, and took some courses at the local community college, one of which was computer programming, which I enjoyed. So when I went to college, it was with the plan of majoring in math, and then going on to graduate school in computer science. However, I found myself spending all my spare time in the music building. After my first year I made it official. Then, after getting my master’s degree at Manhattan School of Music, I remembered the high school viola tinkering and decided to add the viola to my music making and was offered a full scholarship. I was working on a doctorate in viola when I got a job offer to play in the City Orchestra of Barcelona, so I started there in January of 1992, just in time to participate in the Olympics opening and closing ceremonies that summer.

Carl Johansen Violist

There in Barcelona I met my Peruvian wife and we had a little girl. In 2000, we went to St. Louis, where I played with the St. Louis Symphony Orchestra, then two years later we went to Rochester, N.Y. where I played with the Rochester Philharmonic, and in January of 2005 I started here in the Utah Symphony. I am delighted to be a part of this symphony, particularly during this 75th anniversary celebration year. Since my childhood, when my mom would punish me by not allowing me to practice, music has been an important part of my life, and I’m glad to be able to make music every day.

Arrive early and enjoy a fun, behind the music lecture for each of our Masterworks concerts. 6:45 PM in the First Tier Room, Abravanel Hall

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Dawn to Dust Featuring utaH SYMPHOnY cOMMiSSiOnS FrOM three leading american composers WitH MuSic DirectOr thierrY Fischer anD PercuSSiOniSt colin cUrrie

As part of its 75th-anniversary season, the Utah Symphony releases dawn to dust, a new recording featuring world premieres of orchestral works commissioned from three leading American composers: Augusta Read Thomas, Nico Muhly, and Andrew Norman.

Available April 8, 2016 at tHe utaH SYMPHOnY guilD StOre

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Evelyn Rosenblatt Artist

Our May 20th and 21st Masterworks concerts mark the annual Evelyn Rosenblatt Artist recognition created to honor a young soloist or conductor of exceptional promise who has an emerging national reputation. The 2015–16 Artist of Distinction is Joyce Yang. This annual recognition is endowed in perpetuity by Evelyn Rosenblatt and her family, who personally selected Ms. Yang as this year’s honored artist. Previous Rosenblatt tributes have been awarded to pianists Olga Kern, Yu Kosuge, Denis Matsuev, Cédric Pescia, and Denis Kozhukhin; violinists Veronika Eberle, Viviane Hagner, Scott St. John, Baiba Skride, and Will Hagen; cellists Julie Albers and Matthew Zalkind; and conductors Keri-Lynn Wilson and Andrew Grams.

Joyce Yang Evelyn Rosenblatt Artist

The love of great music always played an important role in the life of Evelyn Rosenblatt. As a high school student, Evelyn took the train from Ogden to Salt Lake City every Saturday to study piano. Following her marriage to Joseph Rosenblatt in 1930, she hosted many of Utah Symphony’s musicians and guest artists in her home over the years. These included Leonard Bernstein, Jascha Heifetz, Gregor Piatigorsky, Arthur Rubinstein, Beverly Sills, Glenn Gould, and Isaac Stern. The Rosenblatt sculptural plaque, designed to honor Evelyn Rosenblatt for her care and love of the Utah Symphony, is located in the lobby outside the First Tier Reception Room in Abravanel Hall. In 1997–98, Mr. and Mrs. Rosenblatt served as the first chairs of the Symphony’s Annual Fund Committee. In January 2000, the Rosenblatt family created the Evelyn Rosenblatt Young Artists Endowment to honor Mrs. Rosenblatt on the occasion of her 90th birthday. Mr. Rosenblatt passed away in May 1999, and Mrs. Rosenblatt in April 2004. Utah Symphony | Utah Opera gratefully thanks and recognizes Evelyn Rosenblatt.

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

program

Gershwin’s Piano Concerto

Gershwin’s Piano Concerto May 20 & 21 / 2016 / 7:30PM / ABRAVANEL HALL CRISTIAN MĂCELARU , Con du ctor JOYCE YANG , Pian o

BARBER

Essay No. 2 for Orchestra, Opus 17 / INTERMISSION /

GERSHWIN

Piano Concerto in F I. II. III.

Allegro Adagio Allegro agitato

JOYCE YANG , Pian o

DVOŘÁK

Symphony No. 6 in D Major, Opus 60 I. II. III. IV.

Allegro non tanto Adagio Scherzo (Furiant): Presto Finale: Allegro con spirito

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MASTERWORKS

Gershwin’s Piano Concerto

artists’ proﬁ les

Winner of the 2014 Solti Conducting Award, Cristian Măcelaru has established himself as one of the fast-rising stars of the conducting world. With every concert he displays an exciting and highly regarded presence, thoughtful interpretations and energetic conviction on the podium. Maestro Măcelaru came to public attention in February 2012 when he conducted the Chicago Symphony Orchestra as a replacement for Pierre Boulez. The performances were met with critical acclaim. Since his Chicago debut, he has conducted that orchestra on subscription in three consecutive seasons. Conductor-in-Residence of the Philadelphia Orchestra, Maestro Măcelaru made an unexpected subscription debut with the Philadelphia Orchestra in April 2013. Since then, he has conducted Philadelphia on four subscription programs and will lead a subscription program in 2015–16. Cristian Măcelaru Conductor

An accomplished violinist from an early age, Maestro Măcelaru was the youngest concertmaster in the history of the Miami Symphony Orchestra and made his Carnegie Hall debut with that orchestra at the age of nineteen. He also played in the first violin section of the Houston Symphony for two seasons. Maestro Măcelaru formerly held the position of Resident Conductor at Rice University’s Shepherd School of Music, where he was Music Director of the Campanile Orchestra, Assistant Conductor to Larry Rachleff and Conductor for the Opera Department. A proponent of music education, he has served as a conductor with the Houston Youth Symphony, where he also initiated a successful chamber music program. As Founder and Artistic Director of the Crisalis Music Project, Cristian spearheaded a program in which young musicians perform in a variety of settings side-by-side with established artists. Their groundbreaking inaugural season presented concerts featuring chamber ensembles, a chamber orchestra, a tango operetta, and collaborations with dancer Susana Collins, which resulted in a choreographed performance of Vivaldi/Piazzolla’s Eight Seasons. Cristian Măcelaru lives in Philadelphia with his wife Cheryl and children Beniamin and Maria.

MASTERWORKS

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artists’ proﬁ les

Gershwin’s Piano Concerto

Ms. Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work.

Joyce Yang Piano 2016 Recipient of the Evelyn Rosenblatt Young Artist Award See page 32 for further information

Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle. Born in 1986 in Seoul, South Korea, Ms. Yang received her first piano lesson at the age of four. She quickly took to the instrument, which she received as a birthday present, and over the next few years won several national piano competitions in her native country. By the age of ten, she had entered the School of Music at the Korea National University of Arts, and went on to make a number of concerto and recital appearances in Seoul and Daejeon. In 1997, Ms. Yang moved to the United States to begin studies at the pre-college division of the Juilliard School with Dr. Yoheved Kaplinsky. During her first year at Juilliard, Yang won the pre-college division Concerto Competition, resulting in a performance of Haydn’s Keyboard Concerto in D with the Juilliard Pre-College Chamber Orchestra. After winning the Philadelphia Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra at just twelve years old. She graduated from Juilliard with special honor as the recipient of the school’s 2010 Arthur Rubinstein Prize, and in 2011 she won its 30th Annual William A. Petschek Piano Recital Award. Ms. Yang appears in the film In the Heart of Music, a documentary about the 2005 Van Cliburn International Piano Competition. A Steinway artist, she currently lives in New York City.

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program notes

Gershwin’s Piano Concerto Samuel Barber (1910–1981)

Essay No. 2 for Orchestra, Opus 17 INSTRUMENTATION: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, 2nd clarinet doubling bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, percussion, strings PERFORMANCE TIME:

11 minutes

BACKGROUND

For better or worse, it is impossible to consider Samuel Barber’s place in the history of music or to discuss any of his compositions without bringing up the subject of his indestructible Adagio for Strings, one of the two or three most popular American works in the concert repertory. In fact, as with so many of his pieces, we might not be able to hear the beautiful Essay No. 2 for Orchestra if the Adagio for Strings had not come before it, creating something of a sensation along the way. And that might not have happened without the secret intervention of another composer. Barber, one of the most gifted composers America ever produced, met his life-partner, Gian Carlo Menotti, when they were students at Philadelphia’s renowned Curtis Institute. Both were musical prodigies who became star pupils at Curtis. But in many ways, they were opposites. The aristocratically handsome Menotti was charismatic and confident, and had already had two operas successfully produced in his native Italy when he enrolled at Curtis at age 17. Barber was far more shy. He was serious about his music and applied himself diligently, but was reticent about the results, and while Menotti lived in the expectation of success and felt it would come looking for him, Barber seems to have viewed 38

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his calling to music almost as a guilty burden. In a now-famous letter to his mother that he wrote at age 9, he warns “I have written this to tell you my worrying secret. Now don’t cry when you read it because it is neither yours nor my fault. I suppose I will have to tell it now without any nonsense. To begin with I was not meant to be an [athlete]. I was meant to be a composer, and will be I’m sure. I’ll ask you one more thing. — Don’t ask me to try to forget this unpleasant thing and go play football…” Through his mid-twenties, Barber remained unknown to the public, but his abilities did not go unrecognized: He traveled extensively, having won the Rome Prize and the Pulitzer Traveling Scholarship. These travels helped Barber develop his mature compositional style, which has been termed American Romanticism. Fame came in 1936, when Menotti saw the score of Barber’s String Quartet, Op. 11. With his infallible sense of musical marketing and popular taste, Menotti recognized the quartet’s second movement as a potential hit, and passed it along to Arturo Toscanini, who introduced it as the Adagio for Strings in a November 1938 broadcast by the NBC Symphony Orchestra. Toscanini boldly programmed another work by the young Samuel Barber, his Essay for Orchestra, Op. 12, on the same broadcast. While the Adagio was an excerpt that took on a life of its own, the Essay was a new form: a medium-length, self-contained, single-movement concert work for orchestra. With the success of the Toscanini broadcast came new commissions, and Barber composed the Essay No. 2 for Orchestra at the request of Bruno Walter for a concert honoring the centennial of the New York Philharmonic in 1942. WHAT TO LISTEN FOR

The nine-year-old Samuel Barber’s letter to his mother is interesting as a cultural artifact, and it is not without charm and a UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

program notes

Gershwin’s Piano Concerto

bit of unintentional humor. But in it we can also recognize early qualities that remained constant in the mature composer’s music: earnestness and emotional frankness. We hear these in the Essay No. 2 for Orchestra, as we do in all Barber’s compositions. The ups and downs of his reputation came from changing attitudes toward the lyricism and the forthright expression of feeling in his music. During periods of modernist experimentation and the flight to atonality, Barber’s reputation descended; the quality of his music did not. The musical sources for his second orchestral essay included ideas that Barber had considered but then tabled while working on his 1939 violin concerto. Though lyrical in line and in its overall effect, the essay is constructed with an intellectual precision in which some analysts hear the influence of modernism—and of Barber’s stylistic antagonists. It certainly proves that he could hold his own with their technical rigor. Barber’s operas Vanessa and Antony and Cleopatra demonstrate his ability with dramatic narrative. But this essay, like the one that preceded and the one that followed it, conveys a sense of rhetorical logic without any specific programmatic content. George Gershwin (1898–1937)

Piano Concerto in F INSTRUMENTATION: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, percussion, strings, solo piano PERFORMANCE TIME:

35 minutes

BACKGROUND

We all know George Gershwin, or at least we UTAHSYMPHONY.ORG

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think we do: the American troubadour who wrote “Swanee” when he was 19 and never looked back. The magician of musical theater whose endless torrent of melodies lit the lights of Broadway. The serious classical composer of the Concerto in F and Porgy and Bess, whose Rhapsody in Blue defined a new genre of composition uniting jazz and European idioms. Tirelessly prolific, Gershwin was not yet 39 when he died in 1937, seemingly having lived more life and written more music than most composers could in two or three lifetimes. His career spanned Tin Pan Alley, the legitimate theater and the opera house. Which was the real George Gershwin? And now, more than 117 years after his birth, what is his place in classical music? To answer unanswerable questions such as these, critics and music historians often start with the magisterial writings of the late Nicolas Slonimsky and especially the thousands of articles he edited for Baker’s Biographical Dictionary of Musicians, a standard reference in the profession. This is how Slonimsky opens his entry on George Gershwin: Gershwin, George, immensely gifted American composer; b. Brooklyn, N.Y., Sept 26, 1898… With the words “immensely gifted,” Slonimsky positions Gershwin editorially in the pantheon of great composers. In Slonimsky’s scarily hierarchical world of musical prestige ratings, Gershwin occupies a position above many famous European composers when gauged on talent alone. Instead of the typical European pattern of childhood precocity, private instruction and conservatory studies, George Gershwin began his explosive musical development at age 10 after discovering a friend’s violin playing. With the mentorship of pianist MASTERWORKS

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Gershwin’s Piano Concerto

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Jack Hambitzer and as a song “plugger” on Tin Pan Alley, he gained the tools he needed for success in every kind of popular music of his day. By age 16, Gershwin was already working in Tin Pan Alley music stores, demonstrating sheet music on the piano and absorbing the songwriter’s craft. Gershwin’s early growth as a musician was largely self-generated. His first piano studies with Ernest Hutcheson and Charles Hambitzer in New York did not amount to much, and one gathers that even his early study of harmonic theory with Edward Kilenyi and Rubin Goldmark merely formalized principles he was already using intuitively. But throughout his career Gershwin maintained a serious, disciplined application to music education, continuing private lessons in counterpoint with Henry Cowell and Wallingford Riegger. During the last years of his life, Slonimsky notes, “he applied himself with great earnestness to studying with Joseph Schillinger in an attempt to organize his technique in a scientific manner; some of Schillinger’s methods he applied in [his opera] Porgy and Bess.” He also joined the migration of American composers who studied with Nadia Boulanger in Paris. Boulanger, who helped scores of prominent composers find their own distinctive voice, reportedly advised Gershwin that she had nothing to teach him and sent him home to continue composing. Despite the insecurity that continually drove him to seek validation from theoreticians with classical credentials, Gershwin’s career was a nearly unbroken string of successes in both the classical and popular realms—setting a precedent that would later be followed by other Americans including Leonard Bernstein, Andre Previn, John Williams, and Alex North. His Rhapsody in Blue is still described by many as the most popular and widely performed of all American classical works; his Piano Concerto in F was commissioned 40

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by Walter Damrosch after he heard the Rhapsody at its legendary premiere at New York City’s Aeolian Hall in 1924. Between the world wars, Gershwin’s music was indispensable on Broadway, in Hollywood, and to the nightlife of sophisticated urbanites everywhere. His death at age 38 stunned his friends and the public alike. A famous comment from the writer John O’Hara reflected the feelings of many: “George Gershwin died on July 11, 1937, but I don’t have to believe it if I don’t want to.” WHAT TO LISTEN FOR

Though it is frequently programmed both in the U.S. and abroad, and has been recorded by many orchestras (including the Utah Symphony, with soloist Jerome Lowenthal conducted by Maurice Abravanel), Gershwin’s Piano Concerto in F is less familiar than his Rhapsody in Blue—which is, after all, seemingly everywhere (including television commercials for United Airlines). No concerto sounds more distinctively American, though it is closer in form and orchestration to a classical piano concerto than is the Rhapsody. In the concerto we hear the fruits of Gershwin’s strange, out-of-sequence classical training. It may have been a circuitous route, but Gershwin completed it in record time, as if he knew his life would be cut tragically short. The concerto demonstrates not only the spectacularly rapid growth of Gershwin’s classical chops, but also his unique ability to incorporate a wide range of American musical idioms—show tunes and jazz among them—into a traditionally classical form. Its orchestration, bright and brassy and with jazz percussion, is entirely Gershwin’s, and won admiring comments from the English composer William Walton, himself a sophisticated orchestrator. UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

program notes

Gershwin’s Piano Concerto

The concerto opens with a traditionally dramatic build toward the introduction of the piano’s solo material, but with decidedly untraditional jazz elements worked into the mix; the second movement incorporates elements of blues; and the final movement, which reprises material from the concerto’s opening, also contains elements of ragtime. Antonin Dvořák (1841–1904)

Symphony No. 6 in D Major, Opus 60 INSTRUMENTATION: 2 flutes, 2nd flute doubling piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, percussion, strings PERFORMANCE TIME:

41 minutes

BACKGROUND

Considering the fact that his greatness is universally accepted, it’s odd to think of Dvořák’s reputation as problematic. But in America and even in Europe, especially in Austria and Germany, his advocacy of folkloric sources and national character in classical music long interfered with the recognition of his true significance as a composer. In the U.S., it still does. Dvořák was an early proponent of national identity and indigenous folk music as the creative wellspring for classical composers. Other composers including Bartók and Smetana believed as he did, but Dvořák stands alone in his success in combining folk melodies and European classical traditions in the symphonic form. His call to folk music was nowhere more relevant than in America, where musically rich folkways overspread the country like a giant quilt. That’s one reason why the visionary philanthropist Jeanette Thurber, when she founded the National UTAHSYMPHONY.ORG

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Conservatory of Music, invited Dvořák to become its director. Her judgment was later confirmed by the Pulitzer Prize-winning critic Harold Schonberg, who for three decades starting in 1950 reigned from his desk at The New York Times as an arbiter of taste in classical music. “Smetana,” he wrote, “was the one who founded Czech music, but Antonín Dvořák…was the one who popularized it.” At the National Conservatory, Dvořák’s efforts to help American composers find a national character incorporating African-American and American-Indian sources were resisted. But if ethnic music is regional, genius transcends geographic boundaries. In Europe, the champions of Dvořák’s music—especially the composer Johannes Brahms and Hans Richter, conductor of the Vienna Philharmonic—knew genius when they heard it. Brahms was persistent in bringing Dvořák’s talent to the attention of conductors long before Dvořák went to America (in 1892). A concert by the Vienna Philharmonic in November 1879, the year before Dvořák composed his sixth symphony, featured his Third Slavonic Rhapsody under Richter’s baton. Shortly afterward, Dvořák described the occasion in a letter: I set out last Friday and was present at the performance of my Third Rhapsody, which was liked very much, and I had to show myself to the audience. I sat next to Brahms by the organ in the orchestra, and Richter drew me out. I had to appear. I must tell you that I immediately won the sympathy of the whole orchestra and that out of all the new works they tried over, and Richter said there were sixty of them, they liked my Rhapsody best of all. Richter kissed me on the spot and told me he was very glad to know me… Music historians are still sorting out the reality behind Dvořák’s subjective account, MASTERWORKS

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which may have described an open rehearsal rather than the concert itself. It seems clear that Dvořák’s acceptance by his fellow musicians was warm, at least at first, and the resulting commission for his sixth symphony came directly from Maestro Richter. But critical accounts of the public’s response to the Rhapsody describe the audience as respectful rather than enthusiastic, and his Viennese colleagues’ feelings may have cooled rather quickly; the Vienna premiere for this symphony, originally scheduled for December 1880, never took place. Why not? Richter pleaded conflicts both personal and professional—illness in the family, overcommitment in the orchestra. While musicologists pore through primary sources and weigh probabilities, it’s instructive for the rest of us to consider the possibility that the very nationalism that Dvořák believed in hindered the acceptance of his Symphony No. 6 in Austria. He had begun to suspect that anti-Czech feelings in Vienna were influencing attitudes toward his music there, and later learned that some members of the Vienna Philharmonic objected to performing new works by a young Czech composer in two successive seasons. If these suggestions are shocking, they also shed light on the ironies of musical nationalism. The premiere of Dvořák’s Symphony No. 6 eventually took place in his native Czechoslovakia, performed by the Česká filharmonie (the Czech Philharmonic) at Prague’s cherished orchestral hall, the Rudolfinum. The date was March 25, 1881. WHAT TO LISTEN FOR

Musicologists point to structural similarities between Brahms’ symphonies and Dvořák’s, and there is no doubt that the younger composer closely studied the superb craftsmanship of his sponsor’s compositions.

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But concertgoers are hardly likely to confuse Dvořák for Brahms. The beautiful melodies that suffuse this symphony have a characteristically Bohemian sound and lilt. In part, that deeply forested sound, like sunlight filtered through trees, is due to the heavy reliance on woodwinds and horns rather than just strings. The first movement, marked allegro non tanto, opens in the symphony’s principal key of D major, and is constructed in traditional sonata form, with primary and secondary themes building responsively through the movement. It is followed by a lush adagio, hushed and nocturnal in mood, yet with a quality of yearning that mounts through the movement. This results from the movement’s rondo form, which successively introduces new themes, then returns to the main melody we heard in its opening. To resolve the movement, Dvořák restates this theme in a simpler and more valedictory form that winds down to a hushed woodwind choir. It is in the third movement, a scherzo, that Dvořák departs most radically from Brahmsian structure. He builds the movement around a Furiant, a traditional Czech dance in triple rhythm employed in many of the composer’s works. The entire movement, though duly symphonic, almost begs to be danced—a distinctive characteristic we hear throughout Dvořák’s music. In the fourth movement, marked finale, allegro con spirito, traditional sonata form returns, as does the symphony’s principal key. Here we feel we are listening to a traditional (albeit liltingly, richly Romantic) symphony finale. As the symphony begins its closing recapitulation, an exciting fugal passage brings us to dramatic unison statements in the brass section—and finally to a brilliant close mobilizing the entire orchestra. By Michael Clive

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Make It Your Masterpiece

Utah Symphony | Utah Opera’s 75th Anniversary Signature Sponsor, the George S. and Dolores Doré Eccles Foundation, has challenged us to raise an additional $500,000 this season, which they will match one-to-one. We invite you to “make it your masterpiece” by contributing to the Annual Fund to help us rise to this challenge. The Annual Fund supports the general operations of USUO, including our educational outreach. Together with our main-stage performances, these programs are at the core of our vision to connect the community through great live music: USUO visits each of Utah’s forty-two school districts on a three- to five-year rotation and reaches roughly 25% of the entire state’s K-12 student and teacher populations annually to supplement arts education. USUO also partners with schools, medical facilities, and families to provide performances to our neighbors, friends, and relatives with autism, vision impairments, memory loss, and other special needs, serving differently-abled individuals in our community who have fewer opportunities to attend cultural events. In addition, USUO musicians give more than 1,000 hours of instructional time annually to children, averaging almost three hours per day, every day. This makes USUO one of the largest providers of professional music education in the United States. To offer educational outreach programs free of charge, we rely on institutional support and donations by individuals like you. Please join our grassroots giving campaign by becoming a sustaining patron today: Pledge your support or document a planned gift, and make this season your masterpiece. Please visit usuo.org/support/grassroots-campaign or contact the USUO Development team at 801.869.9015. Your new or increased support will help us meet our goal to raise an additional $500,000 to support our mission of providing great live music to all Utahns.

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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THANK THANK YOU YOU THANK THANK YOU YOU THANK THANK YOU THANK THANK YOU THANK THANK YOU THANK THANK YOU THANK THANK YOU THANK THANK YOU THANK YOU THANK ONCE IS IS NOT NOT ENOUGH! ONCE Ourheartfelt heartfelt Thank Thank You to our Our Dedicated Volunteer Volunteer Network Dedicated These outstanding individuals have earned rave reviews for their performances in roles ranging These outstanding individuals have earned rave reviews for their performances in roles ranging from serving on our Board of Trustees, Life Trustees and committees, to ushering, handling from serving on our Board of Trustees, Life Trustees and committees, to ushering, handling administrative tasks, providing hospitality services, leading tours, assisting with VIP events, administrative tasks, providing hospitality services, leading tours, assisting with VIP events, running gift shops, fundraising, docents, teaching students, and helping Utah Symphony | Utah Opera running gift shops, fundraising, docents, teaching students, and helping Utah Symphony | Utah Opera run smoothly. For their unﬂagging commitment to this community’s cultural kaleidoscope, run smoothly. For their unﬂagging commitment to this community’s cultural kaleidoscope, we proudly give them a standing ovation. we proudly give them a standing ovation.

PERP ETUA L motion

CAMPAIGN LEADERSHIP Campaign Co-Chairs Scott and Jesselie Anderson Lisa Eccles Kem and Carolyn Gardner Gail Miller and Kim Wilson Bill and Joanne Shiebler

Honorary Co-Chairs

UTAH SYMPHONY | UTAH OPERA IN PERPETUAL MOTION

Spencer F. Eccles Jon M. Huntsman The Right Reverend Carolyn Tanner Irish

The 2015–16 season has truly been 75 years in the making. We are grateful for the visionary audacity of our founders, the temerity of our community, and the opportunity to celebrate the legacy given to us today. The momentum and impact of The Campaign for Perpetual Motion, a $20 million public campaign to support special projects and our core priorities in our orchestra, artists, and youth, have set the stage for this celebration and allow us to look forward to the next 75 years. The campaign began with a remarkable $5 million lead gift from the George S. and Dolores Doré Eccles Foundation, whose tradition of support totaling more than $32 million spans three decades. This lead gift was made in addition to a $1 million gift from the Foundation to our Leadership Campaign, which during 2011 and 2012 prepared a solid foundation for the public fundraising effort. The Foundation has pledged an additional $1 million during our 75th anniversary season, along with a challenge to us to raise an additional $500,000 in new and increased gifts, which they will match dollar for dollar. More than 35 individuals, corporations, and foundations contributed to the Leadership Campaign, including an extraordinary $4.6 million capstone gift from O.C. Tanner Company. O.C. Tanner also committed an additional $500,000 to our Anniversary season efforts, bringing their total campaign giving to $5.1 million.

Now you can join the momentum and contribute to our 75th anniversary celebrations, as well as the future well-being of USUO, by participating in our grassroots campaign. As Utah’s flagship arts group, Utah Symphony | Utah Opera belongs to the people of Utah. Our patrons and donors have allowed us to reach new heights in artistic excellence over the past 75 years. By becoming a sustaining patron you will help us achieve even more. Find out more at usuo.org/support/grassroots-campaign UTAHSYMPHONY.ORG

(801) 533-NOTE

P E RP ET UAL motion

We are forever grateful to the following leaders whose visionary support secured the permanence of Utah Symphony | Utah Opera through our Leadership Campaign in 2011 and 2012, and who are setting the stage for its bright future as lead supporters of The Campaign for Perpetual Motion. FOUNDING CAMPAIGN DONORS George S. and Dolores Doré Eccles Foundation ($7 Million) O.C. Tanner Company ($5.1 Million) PRINCIPAL GIVING ($1 Million & above) Gael Benson The Church of Jesus Christ of Latter-day Saints Foundation Lawrence T. & Janet T. Dee Foundation Kem & Carolyn Gardner Larry H. & Gail Miller Family Foundation Mark & Dianne Prothro Questar® Corporation Patricia A. Richards & William K. Nichols Shiebler Family Foundation Sorenson Legacy Foundation Zions Bank LEADERSHIP GIVING (up to $1 Million) Anonymous (3) Anthony & Renee Marlon Scott & Jesselie Anderson Carol & Anthony W. Middleton, Jr., M.D. Doyle Arnold & Anne Glarner Edward & Barbara Moreton Edward Ashwood & Candice Johnson William H. & Christine Nelson Mr. & Mrs. William C. Bailey Carol & Ted Newlin Dr. J. R. Baringer & Dr. Jeanette J. Townsend James A. & Marilyn Parke Thomas Billings & Judge Judith Billings Scott & Sydne Parker R. Harold Burton Foundation Dr. Dinesh & Kalpana Patel Howard & Betty Clark Frank R. Pignanelli & D’Arcy Dixon Thomas D. Dee III & Dr. Candace Dee John & Marcia Price Family Foundation Deer Valley Resort Dr. Wallace Ring E.R. (Zeke) & Katherine W.† Dumke Bert Roberts Burton & Elaine Gordon Theodore Schmidt Mr. & Mrs. Martin Greenberg The Sam & Diane Stewart Family Foundation Douglas & Connie Hayes Norman C.† & Barbara Tanner Roger & Susan Horn The Right Reverend Carolyn Tanner Irish Ronald & Janet Jibson Naoma Tate & the Family of Hal Tate Frederick Q. Lawson Foundation M. Walker & Sue Wallace Wells Fargo 48

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Introducing the Newest Benefit of KUED Membership

Enjoy extended on-demand access to quality PBS programs. KUED Passport offers extended access to a rich library of on-demand public television programs including independent films, drama, arts, history, science, and more. Available at the $60 annual level. ($5 a month as a Sustaining Member) Go to KUED.org/Passport for more information.

Tanner & Crescendo Societies Utah Symphony | Utah Opera thanks the members of our Tanner and Crescendo Societies, patrons who have included USUO in their financial and estate planning. Membership is open to all those who express their commitment through a planned gift at any level. Please contact Kate Throneburg at kthroneburg@usuo.org or 801-869-9028 for more information, or visit our website at usuo.giftplans.org.

Tanner Society of Utah Symphony Beethoven Circle gifts valued at more than $100,000 Anonymous (3) Dr. J. Richard Baringer Haven J. Barlow Alexander Bodi† Edward† & Edith Brinn Captain Raymond & Diana Compton Elizabeth W. Colton† Anne C. Ewers Grace Higson†

Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Joyce Merritt† Anthony & Carol W. Middleton, Jr., M.D. Robert & Dianne Miner Glenn Prestwich & Barbara Bentley Kenneth A.† & Jeraldine S. Randall Robert L.† & Joyce Rice

Mr. & Mrs. Alvin Richer Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffrey & Joyce Smith G. B. & B. F. Stringfellow Norman† & Barbara Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Mrs. Helen F. Lloyd† Gaye Herman Marrash Ms. Wilma F. Marcus† Dr. & Mrs. Louis A. Moench Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Pauline C. Pace† Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn

Helen Sandack† Mr. Grant Schettler Glenda & Robert† Shrader Dr. Robert G. Snow† Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† Kathleen Sargent† JoLynda Stillman Edwin & Joann Svikhart Frederic & Marilyn Wagner Jack R. & Mary Lois† Wheatley Afton B. Whitbeck† Edward J. & Marelynn Zipser

Mahler Circle Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Patricia Dougall Eager† Mr.† & Mrs.† Sid W. Foulger Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Mr. Ray Horrocks† Richard W. James† Estate Mrs. Avanelle Learned† Ms. Marilyn Lindsay Turid V. Lipman

Crescendo Society of Utah Opera Anonymous Mr. & Mrs. William C. Bailey Alexander Bodi† Berenice J. Bradshaw Estate Dr. Robert H. † & Marianne Harding Burgoyne Elizabeth W. Colton† Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean Henkels Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Constance Lundberg Gaye Herman Marrash Richard W. & Frances P. Muir Marilyn H. Neilson Carol & Ted Newlin

Pauline C. Pace† Stanley B. & Joyce Parrish Patricia A. Richards & William K. Nichols Mr. & Mrs. Alvin Richer Robert L.† & Joyce Rice Richard G. Sailer† Jeffrey W. Shields G. B. & B. F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Plan Big.

Maurice Abravanel planned big, imagining that Utah Symphony could become a year-round orchestra that reached into every corner of the state of Utah, all while maintaining the highest standard of musicianship. Today, Utah Symphony | Utah Opera is the premier arts organization of the Intermountain West, unmatched in the reach of our statewide education programs and excellence in both symphonic and operatic music. Imagine our future, with a national reputation on the rise, tours across the state and beyond, renowned recordings, and extraordinary music education programs for the children of Utah. All this while performing with the best voices and musicians in our homes of Abravanel Hall and Capitol Theatre, and on the road. By including USUO in your plans, your legacy will carry us forward, providing us with the support to build on our legacy. To learn more about how your estate planning can benefit USUO and you, please call Kate Throneburg at 801-869-9028, or visit us online at usuo.giftplans.org.

UTAHSYMPHONY.ORG

(801) 533-NOTE

Corporate & Foundation Donors We sincerely appreciate our annual contributors who have supported our programs throughout the last twelve months. For a listing of season honorees who have made gifts of $10,000 and above see pages 18–22. $5,000 to $9,999 Anonymous (2) Bambara Restaurant* Bourne-Spafford Foundation Diamond Rental* Discover Financial Services The Jarvis & Constance Doctorow Family Foundation The Dorsey & Whitney Foundation Spencer F. & Cleone P. Eccles Family Foundation EY Hilton Hotel* Hoak Foundation Intermountain Healthcare J. Wong’s Thai & Chinese Bistro* Jones Waldo Park City Macy’s Foundation Larry H. Miller Sandy Ford Lincoln Martine* McCarthey Family Foundaton New York LTD Ogden Opera Guild Louis Scowcroft Peery Charitable Foundation Ruth’s Chris Steak House, Salt Lake City* Salt Lake City Arts Council Sky Harbor Apartments* Union Pacific Foundation Vanguard Charitable Endowment Program Victory Ranch & Conservancy $1,000 to $4,999 Anonymous Advanced Retirement Consultants Bertin Family Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation Byrne Foundation Castle Foundation City Creek Center* Deseret Trust Company Durham Jones & Pinegar, P.C. Henry W. & Leslie M. Eskuche Charitable Foundation ExxonMobil Foundation Goldener Hirsch Inns*

Goldman Sachs Victor Herbert Foundation Homewood Suites by Hilton* Hotel Park City* Hyatt Place Hotel* Intermountain Healthcare Jones & Associates Kirton | McConkie Kura Door* Lewis A. Kingsley Foundation Marriott City Center* MedAssets Millcreek Cacao Roasters* Millcreek Coffee Roasters* George Q. Morris Foundation Nebeker Family Foundation Nordstrom Park City Foundation Park Hyatt New York* Prime Steakhouse Park City* The Prudential Foundation Ray, Quinney & Nebeker Foundation Snell & Wilmer L.L.P. Snow, Christensen & Martineau Foundation sPower Squatters Pub Brewery* Stoel Rives Strong & Hanni, PC Summerhays Music* Swire Coca-Cola USA* Bill & Connie Timmons Foundation UMA Financial Services Inc. United Jewish Community Endowment Trust Utah Families Foundation The George B. & Oma E. Wilcox & Gibbs M. & Catherine W. Smith Foundation $ 500 to $999 Council for Investment in Education EDC Utah Entrada Country Club* Utah Jazz* Valter’s Osteria*

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

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THE UTAH SYMPHONY GUILD CONGRATULATES THE UTAH SYMPHONY ON ITS 75TH ANNIVERSARY SEASON. THE GUILD IS PROUD TO CONTINUE SUPPORTING THE SYMPHONY FOR MEMBERSHIP INFORMATION, PLEASE VISIT THE GIFT SHOP LOCATED IN THE LOBBY OR ONLINE AT: WWW.UTAHSYMPHONYGUILD.ORG

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Donna Smith | Guild President | 2015-2016 Season

www.utahsymphonyguild.org

Guild Programs include: Utah Symphony Youth Guild Outreach Violin Program School Docent Program Finishing Touches

utahsymphonyguild

Individual Donors We sincerely appreciate our annual contributors who have supported our programs throughout the last twelve months. For a listing of season honorees who have made gifts of $10,000 and above see pages 18–22. ABRAVANEL & PETERSON SOCIETY $5,000 to $9,999 Anonymous (4) Mr. & Mrs. Alan P. Agle Fred & Linda Babcock E. Wayne & Barbara Baumgardner Dr. & Mrs. Clisto Beaty Mr. & Mrs. Jim Blair Carol, Rete & Celine Browning Neill & Linda Brownstein Ken & Shelly Coburn* Amalia Cochran Marc & Kathryn Cohen Spencer & Cleone† Eccles J. I. “Chip” & Gayle Everest Jack & Marianne Ferraro John F. Foley, M.D. & Dorene Sambado, M.D.** Mr. Joseph F. Furlong III Jeffrey L. Giese, M.D. & Mary E. Gesicki David & SandyLee Griswold** Ray & Howard Grossman John & Dorothy Hancock Robert & Carolee Harmon Gary & Christine Hunter Mary P. Jacobs† & Jerald H. Jacobs Family Dale & Beverly Johnson Robert & Debra Kasirer Jeanne Kimball Roger & Sally Leslie Thomas & Jamie Love Mr. & Mrs. Charles McEvoy Elinor S. McLaren & George M. Klopfer Leslie Peterson & Kevin Higgins Rich & Cherie Meeboer Dr. Thomas Parks & Dr. Patricia Legant Brooks & Lenna Quinn Dr. Richard & Frances Reiser Mr. & Mrs. Robert Rollo Peggy & Ben Schapiro Mr. & Mrs. D. Brent Scott Stuart & Molly Silloway Dorotha Smart Melia & Mike Tourangeau Albert & Yvette Ungricht Kathleen Digre & Michael Varner

$3,000 to $4,999 Anonymous (3) Craig & Joanna Adamson Robert & Cherry Anderson Richard† & Alice Bass Charles Black Robert W. Brandt Larry & Judy Brownstein Jonathan & Julie Bullen Richard & Suzanne Burbidge Brian Burka & Dr. Jerry Hussong Lindsay & Carla Carlisle Robyn Carter Mark & Marcy Casp Dr. H. Sam & Kuiweon Cho Hal & Cecile Christiansen Edward & Carleen Clark Mr. & Mrs. Kenneth R. Cutler Gary & Debbi Cook Mike Deputy B. Gale† & Ann† Dick Midge & Tom Farkas Flynn Family Foundation Kenneth & Kate Handley Dr. & Mrs. Bradford D. Hare James & Penny Keras Hanko & Laura Kiessner Paul Lehman Herbert C. & Wilma S. Livsey Peter & Susan Loffler Daniel Lofgren David & Donna Lyon Mr. & Mrs. Wayne Lyski Mac & Ann MacQuoid David Mash Richard & Anne Mastain Daniel & Noemi P. Mattis Michael & Julie McFadden Hallie & Ted McFetridge Richard & Jayne Middleton Mr. & Mrs. Richard Mithoff Marilyn H. Neilson Christie Mullen Mr. & Mrs. Alvin Richer Gina Rieke Richard & Carmen Rogers William G. Schwartz & Joann Givan Elizabeth Solomon Marilyn Sorensen Verl & Joyce Topham Mr. & Mrs. Glen R. Traylor Dr. Ralph & Judith Vander Heide Susan & David† Wagstaff Ardean & Elna Watts

Suzanne Weaver Jeremy & Hila Wenokur David & Jerre Winder Gayle & Sam Youngblood $2,000 to $2,999 Anonymous (5) Fran Akita Drs. Wolfgang & Jeanne Baehr Dr. Melissa Bentley Anneli Bowen, M.D. & Glen M. Bowen M.D. Mr. & Mrs. John Brubaker Mr. & Mrs. William D. Callister, Jr. Luann & James Campbell Paul & Denise Christian Raymond & Diana Compton David & Sandra Cope** Dr. & Mrs. Thomas Coppin David & Karen Dee Margarita Donnelly Howard Edwards Robert Edwards Mr. & Mrs. Robert Ehrlich Neone F. Jones Family Robert S. Felt, M.D. William Fickling Mr. Peter Fillerup Blake & Linda Fisher Sarah Foshee Robert & Annie-Lewis Garda Heidi Gardner Mr. & Mrs. Eric Garen Diana George Susan Glassman & Richard Dudley Randin Graves The James S. Gulbrandsen, Sr. Family C. Chauncey & Emily Hall Dennis & Sarah Hancock John B. & Joan Hanna Geraldine Hanni Richard & Norma Herbert Sunny & Wes Howell Dixie & Robert Huefner Jay & Julie Jacobson Annette & Joseph Jarvis M. Craig & Rebecca Johns Bryce & Karen† Johnson Jill Johnson Pauline Weggeland-Johnson James R. Jones & Family Mr. & Mrs. Alan D. Kerschner Susan Keyes & Jim Sulat J. Allen & Charlene Kimball

Mr. Darryl Korn & Ms. Jeannie Sias Val Lambson Mr. & Mrs. Christopher J. Lansing Donald L. & Alice A. Lappe James Lether Harrison & Elaine Levy Elizabeth & Michael Liess Bill Ligety & Cyndi Sharp Mr. & Mrs. Kit Lokey Jed & Kathryn Marti David & Nickie McDowell Mike & Jennifer McKee Warren K. & Virginia G. McOmber Mr. & Mrs. Michael Mealey George & Nancy Melling George & Linda Mendelson Matt & Andrea Mitton Dr. Louis A. Moench & Deborah Moench Barry & Kathy Mower Mary Muir Mr. & Mrs. Ralph Muller Dan & Janet Myers James & Ann Neal Rachel L. Oberg Dr. & Mrs. Richard T. O’Brien Thomas & Barbara O’Byrne Bradley Olch Jason Olsen & Tim Thorpe O. Don & Barbara B. Ostler Linda S. Pembroke Joel & Diana Peterson Dr. & Mrs. S. Keith Petersen Jon Poesch Victor & Elizabeth Pollak Steven Price Dan & June Ragan Dr. & Mrs. Marvin L. Rallison Dr. Barbara S. Reid Joyce Rice Kenneth Roach & Cindy Powell James & Anna Romano Thomas Safran Mark & Loulu Saltzman Margaret P. Sargent Shirley & Eric Schoenholz K. Gary & Lynda Shields Gibbs & Catherine W. Smith Christine St. Andre & Cliff Hardesty Larry R. & Sheila F. Stevens Gerald & Barbara Stringfellow Karen Urankar

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Individual Donors

William & Donna R. Vogel John & Susan Walker Gerard & Sheila Walsh Susan Warshaw Bryan & Diana Watabe E. Art Woolston & Connie Jo Hepworth-Woolston $1,000 to $1,999 Anonymous (3) Carolyn Abravanel Christine A. Allred Patricia Andersen Joseph & Margaret Anderson Drs. Crystal & Dustin Armstrong Gaylen Atkinson Graham & Janet Baker David & Rebecca Bateman Barry Bergquist C. Kim & Jane Blair Rodney & Carolyn Brady Timothy F. Buehner Foundation Mr. & Mrs. Lee Forrest Carter Michael & Beth Chardack William J. Coles & Dr. Joan L. Coles Dr. & Mrs. David Coppin Carol Coulter James & Rula Dickson Margaret Dreyfous Dr. Richard J. & Barbara N. Eliason Naomi K. Feigal Mark Gavre & Gudrun Mirin Michael & Catherine Geary Ralph & Rose Gochnour

Robert & Joyce† Graham Dr. & Mrs. John E. Greenlee Hillary Hahn & Jeff Counts Alan & Jeanne Hall Foundation Robert & Marcia Harris Dr. Alan B. Hayes Lex Hemphill & Nancy Melich John Edward Henderson Mr. John P. Hill, Esq. Steve Hogan & Michelle Wright Connie C. Holbrook The Steven Horton Family Kay Howells Mr. & Mrs. Jerry Huffman David & Caroline Hundley Todd & Tatiana James Drs. Randy & Elizabeth Jensen Maxine & Bruce Johnson Chester & Marilyn Johnson Mr. & Mrs. Clark D. Jones Dr. & Mrs. Michael A. Kalm Umur Kavlakoglu Travis & Erin Kester Carl & Gillean Kjeldsberg Robert & Karla Knox Julie Korenberg, Ph.D, M.D. & Stefan Pulst, M.D. Tim & Angela Laros Dr. Vivian Lee Mr. & Mrs. Melvyn L. Lefkowitz Lisa & James Levy Peter Margulies Christopher & Julie McBeth Nicole Mihalopoulos & Joshua Scoville John & Mary Ann Nelson

Oren & Liz Nelson Stephen & Mary Nichols Mary Jane O’Connor Ruth & William Ohlsen Whitney Olch Barbara Patterson Rori & Nancy Piggott W. E. & Harriet R. Rasmussen Keith & Nancy Rattie Mr. Bill Reagan Debra Saunders Bertram H. & Janet Schaap Ralph & Gwen Schamel Grant Schettler Deborah Schiller Mr. August L. Schultz Bradley Senet Angela Shaeffer Karen Shepherd Margot L. Shott† Dennis & Annabelle Shrieve Barbara Slaymaker Otto Smith Phillip & Jill Smith Elizabeth Sullentrop Amy Sullivan & Alex Bocock Douglas & Susan Terry Carol A. Thomas Pat & Jack Thomas Mr. & Mrs. Vincent Trotta Robb Trujillo Rachel Varat-Navarro Mr. & Mrs. Brad E. Walton Pam & Jonathan Weisberg Michael & Judy Wolfe Marsha & Richard Workman Norman & Kathy Younker* Michael & Olga Zhdanov Mr. & Mrs. Hugh Zumbro

$500 to $999

Anonymous (7) Ronald I. Apfelbaum, M.D. & Kathleen A. Murray, M.D. Mr. Dennis D. Austin & Dr. Ann Berghout-Austin Robert Baker Kyle & Melissa Barnett C. Kim & Jane Blair Roger & Karen Blaylock Nina Boguslavsky Rodney & Carolyn Brady Shane Brogan John & Kathryn Burnham Dana Carroll & Jeannine Marlowe Mr. & Mrs. Fred L. Carter, Jr. Catherine Kanter Jay D. Clark & Janine Miner Dr. & Mrs. Hal S. Cole Michael Collins, M.D. Denise Corr Dorothy B. Cromer Dave & Ariane Dansie Mike Deasy Drs. Pilar & Christopher Dechet Ashby & Anne Cullimore Decker Dr. Kent C. DiFiore & Dr. Martha R. Humphrey Mary Dillon Josephine Divver Mr. & Mrs. James E. Duane Alice Edvalson Eric & Shellie Eide Carolyn C. Fredin Ernst Friedrich, M.D. & Marianne Friedrich, Ph.D.

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D o w n to w n

60 West Market street (350 south) 801-363-0166 www.newyorkerslc.com

UTAHSYMPHONY.ORG

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Individual Donors

Jussi Galbraith Dave Garside & Audrey Miner Scott & Robin Gochnour Mr. & Mrs. Theodore Gurney, Jr. Frederick Gurney Gary Hamel Jonathan Hart Dr. Alan B. Hayes Gregory & Barbara Heinrich Bob & Ursula Hoshaw Jesse N. Hunsaker, M.D. Nancy Huntsman Gordon Irving Dr. Brent James James & Jeanne Jardine Eldon Jenkins & Amy Calara Jeff & Rachel Jensen David & Donna Johnson Peter & Jean Jorgensen Thomas H. Klassen & Carolyn Talboys-Klassen Guttorm & Claudia Landro Richard Lane & Andrea Martin Marilee Latta Mel & Wendy Lavitt Jeffery Lee Katherine P. Liddle Herbert & Helga Lloyd Uri Loewenstein & Elizabeth Tashjian Nicola Longo John & Julie Lund Susan R. Marquardt Thomas J. Martin Jerilyn McIntyre & David Smith Johanna & Jack McManemin Brad & Trish Merrill Dr. Jean H. & Dr. Richard R. Miller Edith Miller Hal & JeNeal Miller Janet O. Minden Robert & Dianne Miner Dr. Michaela S. Mohr Ms. Nancy Moore Sue Morgan John Mulderig Harlan & Faye Muntz Andrew Newberry Mrs. Paula S. Paterson John & Barbara Patrick Dr. Anne M. Pendo & Duncan Edwards Barbara Perry

Joan C. Peterson Normand L. Peterson Marilyn & Ray Phillips Troy Piantes Laszlo & Sandra Preysz Delia & Craig Reece Sydney Dunn & Harry† Reed Rick & Mary Robins Patricia Curtis Rothwell Don & Noreen Rouillard Catherine Rowan Dr. S. Brent Scharman Sandefur Schmidt James Schnitz Darrell Schrick David & Claudia Seiter Deborah Simmons Val & Barbara† Singleton Stefanie Snow Susan Chausow Southam Diana Major Spencer Mrs. Gaylia Tanner Fred Tripp Sarah & Alexander Uhle Mr. & Mrs. Veloy Varner Jodi Wagner Dr. James C. Warenski Judith Warner Werner & Dorothy Weixler Charles & Ellen Wells Doris Woodward Marsha & Richard Workman John & Jean Yablonski Frank & Betty Yanowitz Kent Young

$150–$499

Anonymous (26) Robyn Airmet Dr. Jay & Susan Aldous Craig W. & Joan R. Anderson Marco & Christine Andrei Mr. & Mrs. Robert Archuleta Jayne V. Arellano Mr. & Mrs. William P. Armstrong Thomas & Beth Arnett Curtis Atkisson, Jr. Dr. & Mrs. Phillip Bach Lewis & Nancy Baker John Bankhead Benjamin Baranko & Linda Cise Almina Barksdale Lynn & Diane Barnett Mr. & Mrs. F. Reid Barton, Jr. Govert Bassett

Neil R. Bastian, Ph.D. Melanie & Trip Bates Randy Bathemess John & Marla Bayens Leroy & Barbara Bearnson Thomas Beggs Charles & Mary Behrens Michael Behring & Debra Marin Bruce & Judy Bell Streghina & Bobó Bell Barbara Belnap Bill & Debbie Beninati Gordon & Marilyn Bennett Michael & Janet Bennett Thomas G. Bennett Francine R. Bennion Reed & Jeanne Benson Dr. & Mrs. Joseph C. Bentley Malcolm M. Berenson Robert & Charlene Bereskin Dan Bethel Milla Bilbrey Eric & Tanya Blake Shari & Keith Bloom Jed Boal Dr. & Mrs. Robert E. Bond Josephine Boswell Thomas Bowen & Martha Brace Elise Bowers Allan Bradley Patricia Bragg Mark Briesacher W. Robert & Connie P. Brinton Mark & Diane Bromberg Carol Ann Brown Susan Brown Barbara Brunker Matthew Bryan & Jason Taylor Susan Burdett Robert H. Burgoyne, MD Janice Burk Fred Burr Thomas H. & Mary Ellen B. Caine Scott & Jean Calder Christie E. Canfield Dr. & Mrs. W. Ivan Cendese Po & Beatrice Chang Margaret & Dale Chapman Harla Macqueen Douglas & Laraine Christensen Edward & Claudia Christensen Mr. & Mrs. Ray R. Christensen

Barbara Christensen Clark & Gwen Christian Michael Clark Kathleen Clawson Orson C. & Dianne Clay Fred & Martha Clayson Linda Cochran Boyd & Beth Cole William Coles Alene Cook Sandra Covey Julie Crittenden A.J. Cummins Ronald & Carole Cutler Jeffery Dalebout Kevin Damon Mr. & Mrs. Merrill Day Patrick & Lynn De Freitas Robert & Gaye DeLange Ali DeSano & Monte Blunk Charles Desantis Linda & John Des Barres Julianne Earl Frank M. Edmunds John & Arlene Edwards Kathryn S. Egan Edward & Tessa Epstein Lea Erickson Mr. & Mrs. Steven Ericson Alyson Farmer Melanie Feeney Dr. Samuel Finlayson Omni Flux Dr. Elizabeth L. Frank Harry Franta Aileen Freckleton John & Cathey Frederick Al Galik Mr. & Mrs. B. Delworth Gardner Quinn & Julie Gardner Richard Garrick Martin & Sheila Gelman David & Ann George Gordon & Andree George Marcus Gerhardt Catherine Gerwels Raymond & Harriett Gesteland Joseph & Kristi Gilbert Kerry & V.A. Gill Elizabeth Gilmour Joseph Giovale William L. Glad David & Natalie Glass Jeffrey & Laura Gliedman Judy Goddard Ellie Goldberg

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

Individual Donors Lawrence & Suzanne Goldsmith Joe & Panna Goott Douglas Gould Melvin & Diane Gourdin Dr. & Mrs. William R. Gray Mr. & Mrs. Lawrence Green Paul & Janet Griffin Elle Griffin John & Ilauna Gurr Maxine Haggerty Blake & Melony Hamilton Peter & Beth Hanlon Karen E. Hannahs Lauri Hansen Phillip Hansen Dixie L. Harris Dr. & Mrs. Michael Harris, DDS Virginia Harris Alene Harrison Rob Harter Linda Haslam Doug Hattery Jeff Hawkes Susan Hendry Richard & Ruth Ann Hills Lew Hitchner Laura Hodo Lee & Audrey Hollaar Michael & Kristen Holm Mr. & Mrs. John W. Holt David Hood Richard G. Horne Donald & Judy Horwitz Dr. & Mrs. John Howarth Robert & Virginia Huber Dean & Kathleen Hughes Randy & Nikki Huizenga Gil & Thelma Iker Rachael & Eric Jacoby Dr. Richard & Helene Jaffe Gene Jenner James & Anne Johnson Drs. Owen & Joyce Johnson Robert & Mary Johnson Rodney Johnson Dorothy T. Jonas Mike & Joanne Kaeske Mr. & Mrs. Alan Kantrowitz Dr. Siegfried & Ellen Karsten James & Lucille Kastanis Kristen Keefe & Herbert Hayashi Jeffrey & Jemina Keller Richard H. & Sally P. Keller Scott & Susan Kenney Dr. & Mrs. Gordon Kimball Ellen King Matthew & Caroline Klein Marcia Knott Pat Koch

James & Karen Kromer Arthur B. Laffer David & Sandra Lamb Bruce & Margaret Landesman David Langlie Clarann Larsen Gary & Suzanne Larsen Lennox A. Larson Lou Ann Larson Claudia Laycock Dennis & Nelean Layne Don & Beverly Lefavor Gina Lewis Karl & Susan Lind Lisa & Sean Lindberg Gene & Carol Linder Bill & Sally Lindsay Gary & Sandra K. Lindstrom Frederick Liu Laurence & Nomi Loeb Marilyn Lott Mr. Jim Lowrie T. James & Wanda Lowther Patricia & Mark Lucas Earl & Saundra Maeser Tom & Joyce Man Dr. & Mrs. Ned L. Mangelson Nicholas Manning Mike & Gerri Margetts Boaz Markewitz John D. Marks Rich & Susan Martini Harriet B. Mazer Michael & Charlene McCallister Charles McClone Diane McComb Ralph & Peggy McElvain Clifton & Terri McIntosh Dan McKnight & Deanna Donaldson Jack & Patsy McNamara Vanene Mcshane Sanford Meek Mr. & Mrs. Reed W. Merrell Ron & Tamara Meyers Paula Michniewicz Rose Ann Milano Dr. Bob Miller Richard & Anita Miner Dr. & Mrs. George Mitchell Cyndee Miya Dr. Michaela Mohr David & Suzanne Moore Bill & Jane Moore William Moore Susan Morrow Mitchell Mounteer Dan & Janet Myers Sara Lee Neill Marie Nelson Bennett

James Nelson Marvy Neuman Cynthia New Dr. & Mrs. John H. Newton Ferron & Donna Lee Olson Ilene Olson Maura & Serge Olszanskyj Ellen Opprecht Dara O’Reilly Lee K. Osborne Steven Ott Timothy & Debbie Overton Blaine & Shari Palmer Dr. Cheryl Ann & Mr. Michael Palmer Mr. & Mrs. Donald M. Pantone Clarence & Elaine Patnode Sonja Penttila & Lewis Boynton Van & Betsy Pilkington Nancy G. Pitstick Keith & Linda Poelman Harrison Powley Matthew & Maria Proser The Purjes Foundation Thomas Quam James Quan Arthur & Susan Ralph Don Ralphs Jana Ramacher Randy Rasmussen Thomas & Ginger Reeve Ronald Rencher Daniel & Thelma Rich Lyle Rich Drs. John & Gayle Richards Richard F. Riesenfeld & Elaine Cohen Keith & Vera Ritchie Jim & Bonita Robertson Gary Rodgers John Rohrbaugh Dr. & Mrs. Walter A. Romney Rebecca Roof Lousje & Keith Rooker Dr. John W. Rose & Ms. Carolyn A. Pedone Thomas & Shirley Rossa Gerry & Ginny Rothstein Walter B. & Marilyn Rudolph Gail T. Rushing Mr. & Mrs. Leonard Russon Edwin Rutan Ellen Rye Rachel Sabin Natalie & Karl Sanders Margaret P. Sargent Peggy J. Saunders Max & Teri Savage Joan Scanlon Kristina Schmidt

Susan Schulman John Schumacher Harry & Becky Senekjian Brent & Lisa Shafer David Sharette Mr. Jeffrey W. Shields & Ms. Mary Ross M. Tom & Junko Shimizu Margot L. Shott† Glenda & Robert† Shrader Aharon Shulimson & Julie Terry Mary Siciliano Marolyn Siddoway Sandra Sigman Sargent Stephanie Silas Dr. Robert & Denise Silver Bonne Simmons Mrs. Margaret M. Simmons Christopher Simon Allen & Karen Sims Val & Barbara† Singleton Stuart & Suzanne Slingerland Mr. & Mrs. J. Leon Sorenson Wayne Sowers Robert & Arita R. Sparks Kenneth A. & Claudia M. Sperling Elaine S. Sperry Michael Stahulak & Shannon Mullins Larry & Pamela Stevenson Leslie Stewart Edwina Stoll Ronald Strahan Annie & Cory Strupp Briant Summerhays Jeannette Swent Max Tanner Dr. & Mrs. Robert Tayler Lucy C. Taylor Isabella Tcaciuc Jon & Gail Tensfeldt Gail Tomlinson Roger Toone Neil Townsend & Ian Wolf Mr. & Mrs. Vincent Trotta William & Patricia Tueting Kenneth Uy Dr. Jennifer Van Horn Mr. & Mrs. Robert K. Vickery, Jr. Mr. Joseph S. Viland William & Heidi Vriens Clark & Vickie Waddoups Sharon Walkington Ms. Gwen Wallace Bonnie Walsh Neoma Walshaw Perry & Margie Walters Carl & Martha Wankier Farrell & Deanna Wankier

UTAH SYMPHONY 75 TH ANNIVERSARY SEASON

authentic

family & children’s portraiture Since 1973

701 E South Temple, SLC UT • (801)364.6645 • ww.busath.com

Individual Donors Bruce & Leigh Washburn Lauri Welch Roderick & Barbara Wendt Paul & Marilyn Whitehead Henry O. Whiteside Reatha Whiting Sheila Whitney Mr. John P. Wier Brian Wilkin Dr. George A. Williams Jody L. Williams E. McKay & Jean Willis Carol A. Withrow Michael Wolfe James & Carolyn Woodward Jeffrey E. Wright John & Martha Wunderli Marjorie Young Tolford Young Mrs. Sarah Young Robert & Diane Zarbock Kimberly Zarkin James Ziter Dean & Jean Zobell Birgit Zotta

In Honor of Barbara & Steven Anderson George Brown Paula J. Fowler Abe & Arline Markosian David Park Mark & Dianne Prothro Patricia A. Richards Susan Schulman Bill & Joanne Shiebler Kevin Sohma Erin Svoboda In Memory Of Gary & Connie Anderson Jay T. Ball Berry Banks David Wells Bennett Mikhail Boguslavsky Robert H. Burgoyne, M.D. Stewart Collins Kathie Dalton Ann Dick John R. Dudley Carolyn Edwards Ed Epstein Loraine L. Felton

Neva Langley Fickling Calvin Gaddis Anton Gasca Patricia Glad Gloris Goff Herold L. “Huck” & Mary E. Gregory Carolyn Harmon Judith Ann Harris Duane Hatch Steve Horton Mary Louis Scanlan Humbert Winona Simonsen Jensen Eric Johnson Howard Keen Tony Larimer Robert Louis Beverly Love Clyde Dennis Meadows Chester Memmott Jean Moseley Joseph Palmer Scott Pathakis Russell Alan Peters Chase N. Peterson Kenneth Randall Klaus Rathke

Dr. Clifford Reusch Kathy Sargent Shirley Sargent Ruth Schwager Ryan Selberg Dr. Ann O’Neill Shigeoka Robert P. Shrader Joseph Silverstein Barbara Singleton David Bennett Smith Tamie Speciale John Henry “Jack” Totzke Roger Van Frank David Wagstaff Rick Wallace Marjorie Whitney Sandra Wilkins Bruce Woodward Margene Yeates Rosemary Zidow *In-kind gift **In-kind & cash gift † Deceased Donations as received between 3/15/15 to 3/15/16

THREE DELICIOUS COURSES ONE INCREDIBLE EVENING

Prime Time EXPERIENCE OUR

DINNER MENU

offered nightly until 6:30pm 3 —COURSE MENU STARTING AT

$ 44. 95

OUT ON THE TOWN

dining guide THE NEW YORKER 60 West Market Street. SLC’s premier dining establishment. Modern American cuisine is featured in refined dishes and approachable comfort food. From classic to innovative, from contemporary seafood to Angus Beef steaks – the menu provides options for every taste. Served in a casually elegant setting with impeccable service. Private dining rooms for corporate and social events. Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166

Consistently Rated “Tops”–Zagat 60 W. Market Street • 801.363.0166

Salt Lake City’s #1

MARKET STREET GRILL DOWNTOWN 48