The Music of Prokofiev by Mills Publishing Inc.

2016–17 UTAH SYMPHONY SEASON / NOV – DEC

COVER

THE SOUND of INSPIRATION

PREPRINT

SPEAK VOLUMES.

THE OUTSPOKEN NEW 2017 IS A powerful stance. A confident look. Undeniable style. Often the things we don’t say speak the loudest. Like the design of the 2017 Lexus IS F SPORT. Its bold lines, sleek profile and luxe interior make a statement, even before you start the engine. Send a signal in the new IS 350, IS AWD or IS Turbo. See more at sendthemasignal.tumblr.com. lexus.com/IS | #LexusIS

LARRY H. MILLER LEXUS OF LINDON 544 S. Lindon Park Drive, Lindon (801) 227-3200

BECAUSE TRUE WEALTH IS ABOUT SO MUCH MORE THAN MONEY.

Our Premier Wealth Management Group offers a full suite of services to help you make the most of what youâ&#x20AC;&#x2122;ve worked to earn. To schedule an appointment with a wealth management consultant, call 888-290-8488 or visit zionsbank.com/wealth.

A division of ZB, N.A.

Contents

November & December 2016 Performances Purchase tickets at utahsymphony.org or call 801-533-6683

NOVEMBER 4–5 | 7:30 PM

6 Welcome

DVOŘÁK’S “NEW WORLD” SYMPHONY

8 Utah Symphony 10 Board of Trustees 15 Music Director 16 Memorable Moments 20 Why do we Record?

NOVEMBER 11–12 | 7:30 PM

22 A Day in the Life of a Live Recording

BRAHMS & TCHAIKOVSKY

26 Spotlight: Louis-Philippe Robillard 29 Who we Are 33 Tagged & Hashtagged! NOVEMBER 18–19 | 7:30 PM

34 Season Sponsors

THE MUSIC OF PROKOFIEV

35–42 Today‘s Concert(s) 44 Support USUO 48 Season Honorees 50 Corporate & Foundation Donors

NOVEMBER 26–27 | 7:30 PM

52 Individual Donors

MESSIAH SING-IN

58 Tanner & Crescendo Societies 59 Legacy Giving 62 Administration DECEMBER 2–3 | 7:30 PM

67 House Rules 68 Utah Symphony Guild

DECEMBER 2 | 10 AM

71 Education

BEETHOVEN & RACHMANINOFF

72 Acknowledgments

DECEMBER 9–10 | 7:30 PM DECEMBER 10 | 11 AM

CIRQUE MUSICA HOLIDAY SPECTACULAR! Program notes and artist bios for upcoming and past performances are available on utahsymphony.org.

DECEMBER 23 | 7 PM DECEMBER 24 | 1 PM JANUARY 3 | 6:30 PM

HARRY POTTER AND THE SORCERER’S STONE IN CONCERT

@UtahSymphony

PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR /PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGNERS Leslie Hanna Ken Magleby Patrick Witmer UTAHSYMPHONY.ORG

ADVERTISING REPRESENTATIVES Paula Bell Karen Malan Dan Miller Paul Nicholas OFFICE ASSISTANT Jessica Alder ADMINISTRATIVE ASSISTANT Ruth Gainey EDITOR Melissa Robison

(801) 533-NOTE

The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801-467-8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. © COPYRIGHT 2016

Welcome

Photo Credit: Brandon Flint

On behalf of the board, musicians, and staff of Utah Symphony | Utah Opera, it is our pleasure to welcome you to Abravanel Hall and today’s Utah Symphony concert. By attending, you are living proof that Utahns are the nation’s premier arts lovers. A survey recently released by the National Endowment for the Arts confirms Utah as the state with the highest percentage of adults in the nation attending live performances. In 2015, nearly 32 percent of Americans attended at least one live music, theater, or dance performance. In Utah, that rate was 51 percent. Congratulations! Utah Symphony | Utah Opera is proud to be a long-standing contributor to the diverse and far-reaching cultural landscape of this state. From its beginning more than 75 years ago, the orchestra has relied on community activism. And because our community has been exceptionally generous in supporting an ambitious artistic vision, the orchestra has grown into one of America’s leading ensembles. Annually USUO performs more than 100 subscription concerts and operas at its home venues and 240 education concerts across

the state. Remarkably, nearly one third of our audience is comprised of students! We take seriously our responsibility for the next generation of Utahns, and believe that our history of instilling a love of great live music in young people throughout our state has contributed to placing Utah as the No. 1 for performing arts attendance. This organization is a state treasure as firmly woven into Utah’s fabric as its red rocks and snow-covered mountains. And like the natural beauty of the state, USUO enriches lives, elevates our community, and is worth cherishing for generations to come. Thank you for all you do to make possible this mission. Sincerely, Paul Meecham President & CEO

Thierry Fischer Symphony Music Director

David Petersen Chair, Board of Trustees

UTAH SYMPHONY

It’s not just a place to live. It’s a place to thrive.

THESE OFFERS ARE ALMOST AS SPECIAL AS THE COMMUNITY. Summit Vista is a safe and secure life plan retirement community coming soon to the heart of Salt Lake Valley. With a live-your-way lifestyle, close to the people and places that are important to you. At a price that’s surprisingly affordable.

Special introductory offers and incentives are available now through Dec. 1, 2016. To learn more, call us today at 801-882-2426. Or visit SummitVistaLife.com

It’s all within reach

Utah Symphony Thierry Fischer, Music Director / The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Rei Hotoda Associate Conductor Barlow Bradford Symphony Chorus Director VIOLIN* Madeline Adkins Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair Ralph Matson Associate Concertmaster David Park Assistant Concertmaster Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Karen Wyatt Acting Assistant Principal Second Leonard Braus• Associate Concertmaster Emeritus Jerry Chiu• Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Tina Johnson†† Paige Kossuth†† Veronica Kulig David Langr Melissa Thorley Lewis Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian Lynnette Stewart Julie Wunderle VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair Roberta Zalkind Associate Principal

Elizabeth Beilman Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Christopher McKellar Whittney Thomas CELLO* Rainer Eudeikis Principal The J. Ryan Selberg Memorial Chair Matthew Johnson Associate Principal John Eckstein Walter Haman Andrew Larson Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang BASS* David Yavornitzky Principal

ENGLISH HORN Lissa Stolz

BASS TROMBONE Graeme Mutchler

CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

TUBA Gary Ofenloch Principal

Erin Svoboda Associate Principal

Eric Hopkins Associate Principal

Lee Livengood BASS CLARINET Lee Livengood E-FLAT CLARINET Erin Svoboda BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair

TIMPANI George Brown Principal

PERCUSSION Keith Carrick Principal Eric Hopkins Michael Pape KEYBOARD Jason Hardink Principal LIBRARIANS Clovis Lark Principal

Corbin Johnston Associate Principal

Leon Chodos Associate Principal

James Allyn Benjamin Henderson†† Edward Merritt Claudia Norton Jens Tenbroek Thomas Zera#

CONTRABASSOON Leon Chodos

ORCHESTRA PERSONNEL Walter Zeschin Director of Orchestra Personnel

HORN Edmund Rollett Acting Principal

Nathan Lutz Orchestra Personnel Manager

HARP Louise Vickerman Principal FLUTE Mercedes Smith Principal The Val A. Browning Chair Lisa Byrnes Associate Principal Caitlyn Valovick Moore PICCOLO Caitlyn Valovick Moore OBOE Robert Stephenson Principal The Gerald B. & Barbara F. Stringfellow Chair James Hall Associate Principal

Jennifer Rhodes

Alexander Love†† Acting Associate Principal Llewellyn B. Humphreys Brian Blanchard Stephen Proser TRUMPET Travis Peterson Principal Jeff Luke Associate Principal Peter Margulies Nick Norton# TROMBONE Mark Davidson Principal

Maureen Conroy

STAGE MANAGEMENT Chip Dance Production & Stage Manager Mark Barraclough Assistant Stage & Properties Manager • First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member

Sam Elliot†† Acting Associate Principal

Lissa Stolz

UTAH SYMPHONY

Board of Trustees

ELECTED BOARD David A. Petersen* Chair

Naoma Tate Thomas Thatcher Bob Wheaton Kim R. Wilson Thomas Wright

Jesselie B. Anderson Doyle L. Arnold* Dr. J. Richard Baringer Judith M. Billings Howard S. Clark Gary L. Crocker David Dee*

Alex J. Dunn Kristen Fletcher Kem C. Gardner* Lynnette Hansen Matthew S. Holland Thomas N. Jacobson Ronald W. Jibson* Tyler Kruzich Thomas M. Love R. David McMillan Brad W. Merrill Theodore F. Newlin III* Dee O’Donnell Dr. Dinesh C. Patel Frank R. Pignanelli Shari H. Quinney Brad Rencher Bert Roberts Joanne F. Shiebler* Diane Stewart

LIFETIME BOARD William C. Bailey Edwin B. Firmage Jon Huntsman, Sr. Jon Huntsman, Jr. G. Frank Joklik

Clark D. Jones Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker Patricia A. Richards

Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder

TRUSTEES EMERITI Carolyn Abravanel Haven J. Barlow John Bates

Burton L. Gordon Richard G. Horne Warren K. McOmber

E. Jeffrey Smith Barbara Tanner

HONORARY BOARD Rodney H. Brady Ariel Bybee Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous Lisa Eccles

Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Marilyn H. Neilson O. Don Ostler Stanley B. Parrish Marcia Price

David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith Ardean Watts

NATIONAL ADVISORY COUNCIL Joanne F. Shiebler Chair (Utah)

Susan H. Carlyle (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington, D.C.)

Alvin Richer (Arizona)

William H. Nelson* Vice Chair Annette W. Jarvis* Secretary John D’Arcy* Treasurer Paul Meecham* President & CEO

MUSICIAN REPRESENTATIVES

Mark Davidson* Lissa Stolz* EX OFFICIO

Carol Radinger Utah Symphony Guild Paul C. Kunz Ogden Symphony Ballet Association Judith Vander Heide Ogden Opera Guild *Executive Committee Member

UTAH SYMPHONY

STAGE ARTS

Start Early. Start Right. Challenger School offers uniquely fun and academic classes for preschool to eighth grade students. Our students learn to think for themselves and to value independence. The results are unmatched at any price! Come see for yourself. Observe our classrooms any time—no appointment needed.

Inspiring Children to Achieve Since 1963 An independent private school offering preschool through eighth grade © 2016, Challenger Schools • Challenger School admits students of any race, color, and national or ethnic origin.

A WORLD-CLASS EXPERIENCE STAGE ARTS

TRAVEL WITH THE UNIVERSITY OF UTAH Take your education a little further with University of Utah’s Go Learn, the state’s premier program that combines education with a vacation. Our unique edu-vacations allow you to explore the world with hand-selected U of U faculty, who are experts at bringing local and

international destinations to life. The Go Learn experience is so rewarding, you’ll never again want to travel in any other way. Trips scheduled to Cuba, So.Utah, Guatemala, Scotland, London, and Greece.

For more information and to see upcoming destinations, visit arts.ucangolearn.com

NOTHING LIK E I TARTS ANYWHERE. STAGE

Experience Salt Lake like never before with City Creek Living. At the center of Utah’s cultural heart, this internationally acclaimed neighborhood puts you just moments away from mountains, music, memories and more.

99 WEST

•

RICHARDS COURT

•

THE REGENT

CityCreekLiving.com | 801.240.8600

Get a frontSTAGE rowARTS seat to nature. nature.org/utah

PHOTO © IAN SHIVE

“Please, sir,” replied Oliver, “I want to open a University Credit Union savings account.”

UcreditU.com Federally Insured by NCUA

Music Director

Music Director of the Utah Symphony since 2009 and currently extended to 2019, Thierry Fischer has revitalized the orchestra with creative programming, critically acclaimed performances, and new recordings. Highlights of his tenure include a multi-season Haydn symphony cycle; Mahler, Beethoven and Nielsen cycles; and a tour of Utah’s five national parks. In celebration of its 75th anniversary season, the orchestra appeared at Carnegie Hall in April 2016 to critical acclaim and released an album of newly commissioned works by Nico Muhly, Andrew Norman, and Augusta Read Thomas on Reference Recordings. Following a well-reviewed Mahler 1 CD, they recorded Mahler’s 8th Symphony in Utah with the world-renowned Mormon Tabernacle Choir, due for release later this season.

Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

In September 2016 Fischer was appointed Principal Guest Conductor of the Seoul Philharmonic Orchestra, starting January 2017 and running concurrently with his Utah position for an initial 3 years. He will visit Seoul at least 4 times a season and will play an important role in the artistic planning. In Summer 2016 Fischer toured with the Chamber Orchestra of Europe, and debuted at the Mostly Mozart Festival in New York and at the Maggio Musicale Festival in Florence. Guesting in the past couple of years has also included Boston Symphony, Atlanta, Cincinnati and Detroit Symphonies, Oslo Philharmonic, Rotterdam Philharmonic, Salzburg Mozarteumorchester, Munich Chamber, Swedish Chamber and the Orchestre de la Suisse Romande, as well as the BBC Symphony at the Barbican and the London Sinfonietta. In Autumn 2016 he conducts the Sao Paulo Philharmonic—his first visit to South America. Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–06. He was Chief Conductor of the Nagoya Philharmonic 2008–11, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.

UTAHSYMPHONY.ORG

(801) 533-NOTE

Memorable Moments at Abravanel Hall CHARLES IVES SYMPHONY CYCLE Explore the symphonic world of American composer (and life insurance salesman) Charles Ives (1874–1954) who is known for synthesizing ideas from American popular music with European religious and art music. Thierry Fischer conducts all four of his symphonies this season, beginning with his Symphony No. 1 on November 4–5 and Symphony No. 3 on November 11–12. Symphony No. 1 combines ideas from famous composers including Tchaikovsky, Schubert, and Dvořák, while you’ll hear many nineteenth-century American hymns in Symphony No. 3. Ives’ remaining symphonies will be performed on January 6–7 (No. 2) and February 17–18 (No. 4)

CONCERTO DEBUT OF CONCERTMASTER MADELINE ADKINS Madeline Adkins recently made her debut as the Utah Symphony’s new concertmaster in September 2016, and she makes her concerto debut with the Utah Symphony on November 18–19 with a performance of Prokofiev’s Violin Concerto No. 2. Experience this lyric and virtuosic work with touches of Russian folk music and imaginative combinations of instruments, including castanets which elicit memories of its 1935 premiere in Madrid.

LIVE RECORDING OF PROKOFIEV’S FILM MUSIC The Utah Symphony recently released live recordings of Mahler’s Symphony No. 1 and Dawn to Dust, which featured three world premieres by the Utah Symphony at Abravanel Hall. Next spring Mahler’s Symphony No. 8 with the Mormon Tabernacle Choir will be released on Reference Recordings, but first Thierry Fischer, the Utah Symphony Orchestra and Chorus, the University of Utah choirs, and mezzosoprano Alisa Kolosova record a live performance featuring Prokofiev's music from the films Lieutenant Kijé and Alexander Nevsky on November 18–19.

Purchase tickets at utahsymphony.org or call 801-533-6683 16

UTAH SYMPHONY

“We Care For You & All Of Your Eye Care Needs”

C O U N T R Y

H I L L S

EYE CENTER

Proudly Serving the Community for over 19 years!

801-399-1149

875 Country Hills Drive • Ogden Utah BOARD CERTIFIED

EYE PHYSICIANS & SURGEONS

Jackson F. Lever, MD

David E. Brodstein, MD

• Anterior Segment Cancer Treatment • Blepharoplasty • Botox • Cataract Surgery –No Shot –No Stitch –No Patch

• Contacts & Eyeglasses

Jonathan B. Gunther, MD

Bradley W. Richards, MD

• Corneal Transplants –State of the Art Partial Thickness Transplants

B. Travis Dastrup, MD

• LASIK • Laser Cataract Surgery

• Diabetic Exams & Treatments

• Low Vision Care

• Eyelid & Reconstructive Surgery

• Medical Retina

• General Ophthalmology • Glaucoma –Laser Treatment –iStent

• ICL

www.checdocs.org

• Macular Degeneration

• Pediatric & Neuro-Ophthalmology • Tear Drainage & Orbital Surgery

[ 20% off ] any pair of frames

BAKER - HICKORY CHAIR - HANCOCK & MOORE - LILLIAN AUGUST - LEXINGTON

E L D R E D G E Fine Furniture - Complimentary Design Services 4750 SOUTH 900 EAST, SALT LAKE CITY 801.261.1414 LOCATED IN IVY PLACE-ON THE CORNER OF VAN WINKLE & 9TH. ENTER FROM 9TH EAST.

www.eldredgefurniture.com

Memorable Moments at Abravanel Hall DECK THE HALLS AT ABRAVANEL HALL Few places are more magical than downtown Salt Lake City and Abravanel Hall during the holidays. The Utah Symphony’s holiday season begins the weekend after Thanksgiving with the annual Messiah Sing-in on November 26–27 and continues with an unforgettable combination of cirque skill and live symphonic music with Cirque Musica Holiday Spectacular on December 9–10. We also continue our annual Saturday morning family concert tradition of Here Comes Santa Claus! on December 17 while starting a new holiday tradition by featuring the first of eight Harry Potter™ films in concert on December 23–24. Also, Celtic Woman makes an appearance on December 21 with the Utah Symphony as part of their “Home for Christmas” holiday tour. BEETHOVEN PIANO CONCERTO CYCLE CONTINUES Audiences have been buzzing about September’s unforgettable opening performances from the Beethoven Piano Concerto Cycle with Jonathan Biss performing Piano Concerto No. 1 and Emanuel Ax performing Piano Concerto No. 5. Next up is Jeffrey Kahane’s performance of Piano Concerto No. 2 on December 2–3 with conductor Hans Graf.

HARRY POTTER AND THE SORCERER’S STONE™

IN CONCERT In September the Utah Symphony announced that the Harry Potter™ Film Concert Series would be coming to Abravanel Hall with the Utah Symphony performing every note from the scores of all eight Harry Potter™ films live while the film plays in high-definition above the orchestra. Both performances of Harry Potter and the Sorcerer’s Stone™ in Concert sold out in record time, signaling that this new annual tradition is one that is not to be missed! An additional performance has been added for January 3. Read ahead about our upcoming performances. Program notes and artist biographies for upcoming concerts are available online at www.utahsymphony.org. UTAHSYMPHONY.ORG

(801) 533-NOTE

Why do we Record? By Jeff Counts

On November 18 and 19, Utah Symphony will embark on its fourth live recording in three years, this time featuring two iconic film scores by Prokofiev, “Lieutenant Kijé” and “Alexander Nevsky.” These performances will be captured by Sound Mirror and Reference Recordings, who recorded and released Thierry Fischer’s first CDs as Music Director of Utah Symphony, Mahler Symphony No. 1 “Titan” and “Dawn to Dust,” featuring world premiere commissions by American composers Augusta Read Thomas, Nico Muhly and Andrew Norman. Mahler’s Symphony No. 8 will be released next spring. One question remains in the hearts and minds of audiences upon which I hope to shed some light. Every orchestra has a personality, a set of traits that makes it unique and identifiable to even a novice listener. Dynamic rather than static, these traits are developed and polished over years, many years, during which an orchestra’s ‘sound’ evolves in subtle but meaningful ways. Several obvious factors contribute to this process—periodic changes in leadership and personnel, the building of a new hall, etc.—but quietly important among them is the willingness of an orchestra to embrace certain extracurricular activities. Commissioning, touring and recording can all raise the collective level of an ensemble significantly. The making of recordings, in particular, requires an orchestra to make music in a manner that sharpens the artistic intent of everyone involved, and this very positive surge of energy resonates long after the sessions themselves are over. Orchestras grow noticeably when they record,

and their recordings have the potential distinction of being both the impetus for increased excellence and the lasting proof of it. Put simply, recordings allow an orchestra, normally confined to the ephemerality of live performance, to create something that preserves and celebrates its distinct character for all time. Recordings can also confirm an orchestra’s place in a great international interpretive debate that would not be possible without them. Whose version of Mahler 1 is most convincing? Which version of the Lieutenant Kijé Suite has the most wit and charm? Only orchestras with recordings get to participate in this game because those are the orchestras that have chosen to offer up their work as part of the historical record. Recordings are about taking risks. Recordings are about challenging expectations. Recordings are about crafting a legacy.

UTAH SYMPHONY

2016/17 CULTURAL FESTIVAL

ARTS IN SERVICE TO THE MILITARY

Our 2016â&#x20AC;&#x201C;17 cultural festival shines a spotlight on veterans and current military, focusing on ways our arts community can appreciate and support them. As part of this festival, many local arts organizations will present events on military themes and will also provide access for active and separated military personnel to a variety of arts performances. We will also draw attention to veteransâ&#x20AC;&#x2122; active art-making as a means of self-expression. FESTIVAL HIGHLIGHTS INCLUDE:

The Western US Premiere of The Long Walk by Utah Opera Guest writer events with Brian Castner, author of the memoir The Long Walk Performances and events based on military experiences, produced by Salt Lake Acting Company, Art Access, Ballet West, U of U Creative Writing, and more Annual Veterans Creative Arts Festival at the VA SLC Medical Center Free/discounted tickets to performances and other events for veterans and current military FOR MORE INFORMATION, VISIT

USUO.ORG/FESTIVAL

A Day In The Life Of A Live Recording By Alex Martin

Mahler Symphony No. 8 patch session at the Tabernacle, photo credit Karen Wyatt

The day begins much like any concert weekend. I arrive at the hall around 9 AM for the dress rehearsal which starts at 9:30. After a few minutes of sipping coffee and chatting with colleagues, I get my violin out and warm up with what I’ve decided are the most difficult parts of the concert. The rehearsal is run like most dress rehearsals in that we try to hammer out the last remaining details without tiring ourselves out too much. There have been microphones set up all over the stage for the entire week; an exciting but at times nerve-wracking reminder that this weekend’s performances will become a part of our orchestra’s history and legacy. Once rehearsal has ended, I head home for a light lunch and hopefully a quick nap in anticipation of a late night. After napping

I practice for a bit, but not necessarily that night’s music. I may begin looking at next week’s music or work on music for a project outside of the symphony. Around 5 PM it’s time to eat a light dinner and relax for a bit. If baseball—one of my non-musical passions and a useful calming force—is still being played, I’ll watch a game until it’s time to head to the hall. I try to be dressed and ready by 7 PM for a 7:30 concert. On stage I go over those same tricky parts that I used to warm up for the rehearsal while at the same time conserving precious energy. At times during the concert I forget that we’re being recorded only to be reminded periodically by an ill-timed sneeze or cough that every imperfection, even if not the orchestra’s fault, is being documented. Continued on page 25.

UTAH SYMPHONY

Distinctive Accommodations In The Heart of Downtown

From weekend escapes to family getaways, Little America Hotelâ&#x20AC;&#x2122;s tradition of excellence offers impeccable surroundings and heartfelt hospitality.

888.594.2261

s a lt l a k e . l i t t l e a m e r i c a . c o m

s a lt l a k e c i t y

Nature created the setting. The storyline is up to you.

A Day in the Life of a Live Recording Continued from page 22.

Mahler Symphony No. 8 patch session at the Tabernacle, photo credit Karen Wyatt

Once the concert has ended around 9:30 PM, we all head upstairs for a much-needed, hourlong break. I change out of my tuxedo and into something more comfortable. On a normal weekend, our work night would be over, but on this particular night it is critical that we stay in concentration mode. I do this by continuing to converse with colleagues and munching on the pizza that is often provided to keep us all from fading.

concert (we’re not robots!). But often there are also things out of our control that we have to record again. One of those ill-timed audience coughs may be reason enough to re-record a part of the music. If applause in the concert started before the last note had completely faded out (this is a fairly common occurrence), we will re-record the very end to capture that perfect fade of the last note into silence.

Once back on stage, we have exactly forty minutes to patch things up. It can be tricky to fix everything we have to in that short amount of time. These patches include things that may not have been pristine in the

Finally, shortly after 11 PM, we’ve run out of patch time and our day has ended. We’ve exhausted ourselves doing everything we can and now our product is in the hands of the recording engineers…

UTAHSYMPHONY.ORG

(801) 533-NOTE

Spotlight: Louis-Philippe Robillard The Utah Symphony | Utah Opera is delighted to introduce Louis-Philippe Robillard, the newest member of the Utah Symphony. Louis is a cellist, joining us after eight seasons with the Fort Worth Symphony and three years with the New World Symphony following his musical education at the Conservatoire de Musique de Montréal, Canada and at the Mannes School of Music in Manhattan, New York.

Louis-Philippe Robillard Cello

Louis is the youngest in his family and grew up in Canada near Montreal. He comes from a music-loving household though he is the only musician in his family. He remembers hearing the cello for the very first time when he was five years old on his family LP player. He recalls going to kindergarten that day and drawing a picture of the cello that he saw on the LP record and later showing it to his parents saying, “I want to play that.” He started playing and soon discovered his favorite work: Bach’s Cello Suites. “I never get tired of listening to it,” he says. “There is a spiritual, meditative quality to it. Also, as a player, there are so many different ways of interpreting it convincingly.” Louis’s enthusiasm and passion for music, which began with the LP player, is what he says he hopes to bring to the Utah Symphony. Upon joining the Utah Symphony he says that he greatly enjoys working with Thierry Fischer because he finds the energy and passion with which Fischer conducts “inspiring.” Robillard is also an outdoorsman and enjoys the beautiful Utah mountains near his new home in Salt Lake City: “It’s like a dream. I can just get out and 30 minutes later I’m skiing or on the trails.”

Arrive early and enjoy a fun, behind the music lecture for each of our Masterworks concerts. 6:45 PM in the First Tier Room, Abravanel Hall

UTAH SYMPHONY

456 Trolley Square Salt Lake City, Utah 84102 801.359.2020 www.thespectacle.com

Photo courtesy of: GEP Utah | Photography by: Christy Powell Photography

grand moments. Grand memories.

Celebrate the season with our Grand Choice Package and receive a $100 credit to enjoy during your stay. 800-304-8696 | GRANDAMERICA.COM

Who we Are

Founded during the Great Depression as a Works Progress Administration orchestra under Roosevelt’s New Deal, the Utah Symphony today is the premier provider of symphonic music in the Intermountain West and one of only 15 year-round orchestras in the nation. Recognized as a leading American ensemble largely because of the efforts of Maurice Abravanel (Music Director 1947–1979), the Utah Symphony released over 100 recordings during his tenure, including the first complete recording of all of Gustav Mahler’s symphonies by an American orchestra. Named the orchestra’s seventh music director in 2009, Thierry Fischer renewed the orchestra’s commitment to Abravanel’s legacy of artistic excellence and an active recording schedule, as evidenced by the recent, live recording of Mahler’s Symphony No. 1 “Titan” (2015) and the release of three Utah Symphony commissions by American composers Andrew Norman, Nico Muhly, and Augusta Read Thomas (2016). Building on a history of seven international tours, Maestro Fischer and the Utah Symphony performed the nationally covered Mighty 5® Tour in 2014, visiting all five national parks UTAHSYMPHONY.ORG

(801) 533-NOTE

in Utah and, in 2016, impressed audiences at New York City’s esteemed Carnegie Hall. Under Maestro Fischer’s inspiring leadership, the Utah Symphony features leading musicians and internationally recognized soloists through refreshed and ambitious programming; as a result, the orchestra is attracting increased audiences and unprecedented community support. In addition to more than 65 subscription concerts in its home venue, Abravanel Hall in Salt Lake City, the Utah Symphony plays for Utah Opera’s four annual productions for 20 opera performances; presents the six-week Deer Valley® Music Festival each summer in Park City, Utah; and performs numerous outreach concerts throughout the state, drawing an audience of over 350,000 each year. The 40+ education outreach programs developed by Utah Symphony | Utah Opera (USUO), the orchestra’s parent organization, reach approximately 70,000 students annually from all Utah school districts in more than 240 educational outreach concerts and activities. With its many subscription, education, and outreach concerts and tours, the Utah Symphony is one of the most engaged orchestras in the nation. 29

/upcoming concerts Tchaikovsky’s Violin Concerto January 6 & 7, 2017 / 7:30 PM / ABRAVANEL HALL Thierry Fischer, conductor Noah Bendix-Balgley, violin

IVES WEBERN TCHAIKOVSKY

Utah Symphony Orchestra

Symphony No. 2 Variations for Orchestra Violin Concerto

Underappreciated in its time, this piece is now an irrefutable star of the violin concerto repertoire. Get lost in the dichotomy of a performance both fierce and emotional, yet supremely under control.

Tristan and Isolde January 13 & 14, 2017 / 7:30 PM / ABRAVANEL HALL Mark Wigglesworth, conductor Francesco Piemontesi, piano

Utah Symphony Orchestra

MOZART Piano Concerto No. 27 WAGNER Tristan and Isolde, an orchestral passion (ARR. HENK DE VLIEGER) The music that drives Wagner’s epic opera of love and tragedy is powerful. Join the Utah Symphony as they perform orchestral excerpts from the score that is often cited as a major influence on the direction of 20th century composition.

Leigh’s Man of La Mancha January 21, 23, 25, 27, 2017 / 7:30 PM January 29, 2017 / 2 PM JANET QUINNEY LAWSON CAPITOL THEATRE

Some call Don Quixote a fool. Others call him a lunatic. But in Man of La Mancha, you might end up calling him an inspiration as you follow the unlikely journey of a man who dreams the impossible dream of a better world all around him. Believe in his dream with this rousing performance by Utah Opera.

Brahms’ Symphony No. 2 February 3 & 4, 2017 / 7:30 PM / ABRAVANEL HALL Thierry Fischer, conductor Narek Hakhnazaryan, cello

BRAHMS SHOSTAKOVICH BRAHMS

Utah Symphony Orchestra

Academic Festival Overture Cello Concerto No. 1 Symphony No. 2

Brahms’ masterful compositions will transport you into a state of rustic bliss.

MASTERWORKS

FAMILY

ENTERTAINMENT

SPECIAL

OPERA

Jerry Herman: The Broadway Legacy Concert February 10 & 11, 2017 / 7:30 PM / ABRAVANEL HALL Randall Craig Fleischer, conductor Debbie Gravitte, Klea Blackhurst, Ron Raines, Jason Graae, Scott Coulter, John Boswell, vocalists

From Hello, Dolly! and Mame to Mack and Mabel and La Cage aux Folles, Jerry Herman’s songs have lit up Broadway for decades with toe-tapping, soul-stirring musical showstoppers. Now we’re sharing his great musical legacy with a new generation of music lovers.

Mozart’s Requiem February 17 & 18, 2017 / 7:30 PM / ABRAVANEL HALL Thierry Fischer, conductor Barlow Bradford, chorus director Joélle Harvey, soprano Sarah Coit, mezzo-soprano

MOZART IVES

Benjamin Butterfield, tenor Derrick Parker, bass-baritone University of Utah Choirs Utah Symphony Chorus Utah Symphony Orchestra

Requiem Symphony No. 4

Mozart‘s weighty masterpiece, famously left unfinished at his death, invites you to explore grief, remembrance, and reconciliation.

Brahms’ Symphony No. 4 February 24 & 25, 2017 / 7:30 PM / ABRAVANEL HALL Thierry Fischer, conductor François Leleux, oboe

HUMMEL MICHAEL JARRELL BRAHMS

Utah Symphony Orchestra

Introduction, Theme, and Variations for Oboe and Orchestra Aquateinte (Utah Symphony commission) Symphony No. 4

Experience this powerful performance, which draws from the rich history of classical music while pushing the form to exciting new heights.

Pokémon: Symphonic Evolutions March 4, 2017 / 7:30 PM / ABRAVANEL HALL Jeron Moore, lead creative Chad Seiter, composer

Susie Benchasil Seiter, conductor Utah Symphony Orchestra

Executive Producer: Princeton Entertainment Organization/Ed Kasses.

Take a symphonic journey with all the sights and sounds of Pokémon! Experience the evolution of Pokémon on giant video screens with the Utah Symphony playing your favorite themes live. Don’t miss this chance to meet-up with fans of all ages.

CHOOSE ANY 4+ PERFORMANCES AND SAVE 20% RESERVE YOUR SEATS TODAY AT UTAHSYMPHONY.ORG OR CALL 801-533-NOTE (6683)

2016/17 UTAH SYMPHONY SEASON

December 21, 2016 / 7:30 PM / ABRAVANEL HALL UTAH SYMPHONY ORCHESTRA SUSAN MCFADDEN, MÁIRÉAD CARLIN, ÉAHBHA MCMAHON, TARA MCNEILL guest artist

Celebrate this holiday season with the celestial voices of multi-platinum Irish singing sensation Celtic Woman as they present Home for Christmas with the Utah Symphony. Tickets start at $40 / (801) 533-NOTE (6683) / UTAHSYMPHONY.ORG

UTAH SYMPHONY SE A SON SPONSOR

Tagged & Hashtagged! We loved seeing your photos from the opening concerts of our 2016–17 season!

@joshysoul looking #dapper on the red carpet for the 2016–17 season gala.

Friends that music-nerd together, stick together. Lookin’ good @katierosebastian

@abreadanielle and Justin enjoyed “Emperor,” their favorite concerto, performed by Emanuel Ax.

@the_sinsel 10/10 would watch Tchaik’s 5th again. Who could argue?

@jonathanorjack captured the #AbravanelHall stage beautifully during the Soul Unlimited concert.

He insisted on seeing Emanuel Ax. How could @laundryhater refuse?

#utahsymphony. Follow and tag us on your favorite social media channels. Want to be featured on this page? Send your photos to connect@usuo.org.

Season Sponsors

SYMPHONY SEASON SPONSOR

MASTERWORKS SERIES SPONSOR

ENTERTAINMENT SERIES SPONSOR

FAMILY SERIES SPONSOR

KEM & CAROLYN GARDNER BEETHOVEN CONCERTO CYCLE SPONSOR

GUEST CONDUCTOR SPONSOR

JOANNE SHIEBLER GUEST ARTIST FUND

UTAH SYMPHONY

The Music of Prokoﬁev

program

The Music of Prokoﬁev November 18–19 / 2016 / 7:30PM / ABRAVANEL HALL THIERRY FISCHER, Conductor BARLOW BRADFORD, Chorus director MADELINE ADKINS, Violin ALISA KOLOSOVA, M ezzo-soprano UTAH SYMPHONY CHORUS UNIVERSITY OF UTAH A CAPPELLA CHOIR UNIVERSITY OF UTAH CHAMBER CHOIR

PROKOFIEV

Suite from Lieutenant Kijé, Opus 60 I. II. III. IV. V.

PROKOFIEV

The Birth of Kijé Romance Kijé’s Wedding Troika The Burial of Kijé

Concerto No. 2 in G minor for Violin and Orchestra, Opus 63 I. II. III.

Allegro moderato Andante assai Allegro, ben marcato

MADELINE ADKINS, Violin

/ INTERMISSION /

PROKOFIEV

Alexander Nevsky, Opus 78 (Cantata for Chorus & Orchestra) I. II. III. IV. V. VI. VII.

Russia Under The Mongolian Yoke Song about Alexander Nevsky The Crusaders in Pskov Arise, Ye Russian People The Battle on the Ice The Field of the Dead Alexander’s Entry into Pskov

C O N D U C TO R S P O N S O R

MASTERWORKS

The Music of Prokoﬁev

Madeline Adkins Violin

Alisa Kolosova Mezzo-soprano

artists’ proﬁles In September 2016, Madeline Adkins assumed her new post as Concertmaster of the Utah Symphony under Maestro Thierry Fischer. She was appointed to the position of Associate Concertmaster of the Baltimore Symphony Orchestra by Maestro Yuri Temirkanov in 2005, after joining the orchestra as Assistant Concertmaster in 2000. During her time at the BSO, Adkins appeared semi-annually as soloist, and has performed over 25 works with the orchestra. She has also been the concertmaster of the Baltimore Chamber Orchestra since 2008. Adkins received her Bachelor’s summa cum laude from the University of North Texas and her Master’s degree from the New England Conservatory where she studied with James Buswell. While a student, she served as concertmaster of the Tanglewood Music Center Orchestra under Seiji Ozawa and won first prize in a number of competitions, including the Stulberg International String Competition, the ASTA National Solo Competition, and the New England Conservatory Concerto Competition. Adkins performs on a 1753 Guadagnini graciously loaned to her by conductor Marin Alsop, as well as a violin crafted in 1987 by Brooklyn maker Samuel Zygmuntowicz. Russian mezzo-soprano Alisa Kolosova opened her 2016–17 season with her debut at the BBC Proms, performing Verdi’s Requiem with Marin Alsop and the Orchestra of the Age of Enlightenment. Further highlights this season include Olga in Eugene Onegin for Chicago Lyric Opera and Polish National Opera, Verdi’s Requiem with the Orchestra National de Paris and Jérémie Rhoer, Ravel’s Shéhérazade with the Orchestre Philharmonique de Radio France and Mikko Franck. Kolosova has appeared to great acclaim at many of the most prestigious theatres throughout the world, including the Opéra National de Paris, Bayerische Staatsoper, Salzburg Festival, Wiener Staatsoper, and Glyndebourne Festival Opera, and has performed at venues including the Concertgebouw Amsterdam, Kennedy Center and Carnegie Hall. Recent highlights include the role of Isoletta in a critically acclaimed production of La Straniera at the Concertgebouw Amsterdam, her debut as Dalila in SaintSaëns’ Samson et Dalila in Basel, Maddalena in Rigoletto at the Bayerische Staatsoper as well as Rome Opera, her debut for Dutch National Opera in a new production of Berlioz’s Romeo et Juliette, The Glagolitic Mass with Sir John Eliot Gardiner at the Tonhalle in Zurich, and Foreign Princess in Rusalka at the Opéra National de Paris and at the Glyndebourne Festival Opera under the baton of Sir Andrew Davis.

MASTERWORKS

The Music of Prokoﬁev

artists’ proﬁles

See page 15 for Thierry Fischer’s artist profile.

Barlow Bradford Chorus Director

MASTERWORKS

Utah Symphony Chorus Director Dr. Barlow Bradford has distinguished himself as a conductor, composer, arranger, pianist, organist, and teacher. As an orchestral and choral conductor, Dr. Bradford co-founded the Utah Chamber Artists in 1991 and has led that organization to international acclaim for its impeccable, nuanced performances and award-winning recordings. Dr. Bradford’s focused, energetic conducting style led to his appointment as Music Director of the Orchestra at Temple Square in Salt Lake City and Associate Director of the Mormon Tabernacle Choir. Prior to that, he was Director of Orchestras at the University of Utah. His compositions and arrangements have garnered much attention for their innovation and dramatic scope, from delicate, transparent intimacy to epic grandeur. Arrangements by Bradford have been performed and recorded by the Cleveland Orchestra, San Francisco Symphony, Dallas Symphony, Tucson Symphony Orchestra, New York Choral Artists, Seattle Pacific University, Baylor University, Mormon Tabernacle Choir/Orchestra at Temple Square, Newfoundland Festival 500, and the San Francisco Gay Men’s Chorus, among others. In addition to his post as Symphony Chorus Director, Dr. Bradford currently serves as the Ellen Nielsen Barnes Presidential Chair of Choral Studies at the University of Utah, where his work with the Chamber Choir lead to the Grand Prix in the Florilège International Competition for Choral Singing in 2014 and the European Grand Prix for Choral Singing in 2015. He also continues as Music Director of Utah Chamber Artists.

The Music of Prokoﬁev

artists’ proﬁles

UTAH SYMPHONY CHORUS Soprano Alto Julie Barker Kahli Dalbow Courtney Bergen Dacia Gray Anadine Burrell Cherie Hall Sarah Hansen Becca Hardman Leslie Jenkins Misti Moberly Chelsie Kindred Rebecca Nelson Julie Petersen Liberty Pierce Melissa Stettler Melissa Swingle Stephanie Stiles Brooke Yadon Brandy Stubbs UNIVERSITY OF UTAH CHAMBER CHOIR Soprano Alto Kiersten Erickson Emily Bolman Lily Graham Caroline Campbell Mika Holbrook Kyra Furman Jacquelyn Musig Dana Higa Cadie Payne Alla Keoppel Bethany Pehrson Emily Landon Yesenia Ruelas Jessica Mella Julia Thomas Christina Phillips Jordyn Updyke Talia Stivender UNIVERSITY OF UTAH A CAPPELLA CHOIR Soprano Alto Whitney Bracho Valarie Beer Brooke Cooper Alexis Epling Mary Culbertson Gabriella Gonzales Amanda Fox Maggie Hale Jessica Gordon Tina Hayward Abigail Grow Malone Jacoway Gabrielle Nicholson Haylee Markham Bella Paolucci Lexi McCann Emma Peterson Ellen Moffatt Rebekah Peterson Sky Nelson Ashley Sheets Katarina Olsen Zoe Smoot Thulasi Seshan Ina Stewart Lorilie Spegar Julie Taylor McCalle Tobler Sarah Terry Emily Voorhees Alexandra Utrilla Jayden Weekes Megan Watts Vanessa Wijaya

Tenor Logan Bradford David Hansen Jon Hansen John Hayward David Layton Chad Millar Nathan Moulton Kevin Rowe Connor Thompson Dan White

Bass John Bergquist Bradley Clark Nathan Curtis Brett Finlay Ben Lobrot Hal Mauchley Matthew D. Nielsen Ryan Oldroyd Jared Pierce Matthew Robertson Austin Thorpe

Tenor Alexander Beck Tanner Dehann Mark Hayward Mason McDermaid Garrett Medlock Cory Mendenhall Dayne Romero Kort Zarbock

Bass John Bergquist Skyler Bluemel Zachary Earl Joseph Hutchins Brett Rasmussen Michael Ropp Cody Weaver-Carlson Michael Zurligen

Tenor Esteban Acosta Whit Adams Keanu Aiono-Netzler Mitchell Atencio Ethan Barrus Spencer Ericksen Collin Hopkins Cory Mendenhall Taylor Shumway Josh Steed Sean Thomson Joshua Zhang

Bass Ethan Anderl Alec Arbabi John Bergquist John Finley JD Hansen Carter Holt Lloyd Livengood Alexander Norton III Brett Rasmussen Alvaro Varas Austin Weekes James Westervelt Jacob Young

MASTERWORKS

The Music of Prokoﬁev

alexander nevsky english translation

NO. 2: SONG ABOUT ALEXANDER NEVSKY This all happened on the Neva River on the great water. There we battled the wicked army, the Swedish army. Oh, how we fought, how we slashed the foe! How we hacked their ships into splinters! Our life-blood we did not spare for the great Russian land. Where the axe fell, a street formed, where the spear ﬂew, a lane opened. We slew the Swedes, those foreigners, like roadside weeds upon dry earth. We will not yield the Russian land. Whoever comes against it, shall be slain to death. Russia has arisen against the enemy; rise up to battle, glorious Novgorod! NO. 3: THE CRUSADERS IN PSKOV Peregrinus, expectavi, pedes meos in cymbalis. (Broken Latin chant of the Teutonic Knights) NO. 4: ARISE, YE RUSSIAN PEOPLE Arise, O Russian folk, to a glorious fight, to a deadly fight, arise, O freedom loving folk, on behalf of our great land! To the surviving warriors – esteem and honor, and to the slain ones – eternal glory! For our fatherland, for the Russian land, arise, O Russian folk! No enemy shall walk upon our dear, great Russia. Rise up, dear Mother Russia! The enemy shall not come against Russia, their regiments they shall not lead there, they shall not find the way to Russia, the Russian fields they shall not trample.

MASTERWORKS

NO. 5: THE BATTLE ON THE ICE Peregrinus expectavi pedes meos in cymbalis – est! Vincant arma crucifera! Hostis pereat! (Broken Latin chant of the Teutonic Knights) NO. 6: THE FIELD OF THE DEAD I shall walk along the snow-covered field, I shall ﬂy above the death-field of battle, I shall search there for the glorious falcons, For my bridegrooms, fine fellows all. Some lie slashed with swords, others lie wounded with arrows, with their crimson blood they sated the honorable land, the Russian land. Him who died a noble death for Russia I shall kiss upon his dead eyelids, and to that brave lad who remained alive I shall be a faithful wife and sweetheart. I shall not marry the one who has good looks: earthly beauty passes away. But I shall marry the one who showed valor. Answer my call, O valiant falcons! NO. 7: ALEXANDER’S ENTRY INTO PSKOV To a great battle did Russia come out, a wicked foe did Russia defeat. No enemy shall walk upon our native land. Whoever comes against us shall be slain to death! Rejoice and sing, dear Mother Russia! No enemy shall come against our dear Russia, our Russian villages he shall not see! For a great celebration has Russia assembled. Rejoice, Russia! Rejoice, dear Mother Russia!

The Music of Prokoﬁev

program notes

1/3

Notes by Michael Clive

Sergei Prokofiev (1891–1953) Prokofiev seemed to announce his own brilliance with an early composition: his first symphony. About the last thing the musical community expected from him was a symphony so drenched in traditional symphonic techniques and so full of delectable humor that it could make listeners laugh out loud. But by the time he composed it, Prokofiev was already 26 and had established his reputation as a rising young composer and a musical intellect who had already survived resistance in the face of modernism. His music was heard as highly percussive, occasionally abrasive and often noisy. The year was 1917, with the horrors of World War I drawing to a close and the Bolshevik Revolution about to shake Russian and world history. Prokofiev and had established his reputation as a rising young composer and a musical intellect who had already survived resistance in the face of modernism. His music was heard as highly percussive, occasionally abrasive and often noisy. The year was 1917, with the horrors of World War I drawing to

a close and the Bolshevik Revolution about to shake Russian and World history. His position in the forefront of modern music conferred prestige on the Soviet Union, and he was allowed to live abroad (mainly in Paris), but the government’s feelings about his reputation were not unmixed. After completing the first symphony he traveled extensively in the West and lived as an expatriate from 1918 through the mid 1930s. This kind of cosmopolitanism was always suspicious to Soviet authorities. Some densely difficult compositions that missed the mark critically, most notably his second symphony and violin concerto, extended his reputation as a bad boy of the avant garde and his own self-doubts as a composer. Though the Symphony No. 1 was not written as a gesture toward his critics, it showed that the disaffection was actually on the side of his elders, and not his own. For all its good cheer and energy, the symphony is the product of great discipline and of reverence for the past—and, in particular, for Classical form. As Stravinsky would decades later, Prokofiev turned for inspiration to a great master of Classical form, Franz Joseph Haydn.

Suite from Lieutenant Kijé, Opus 60 INSTRUMENTATION: 2 ﬂutes, piccolo, 2 oboes, 2 clarinets, tenor saxophone, 2 bassoons; 4 horns, 3 trumpets, 3 trombones, tuba; percussion, harp, piano, celeste; strings PERFORMANCE TIME: 19

minutes

MASTERWORKS

The Music of Prokoﬁev

program notes

When it comes to the rivalry between the Soviet Union and America during the Cold War, we think of Sputnik, the moon landing and the nuclear arms race. But the two empires’ respective film industries were engaged in an even more telling competition. Starting in the 1920s and continuing until the USSR came apart, the moviemakers of these two world-dominating empires were perfect opposites. Operating in a free-market economy, the Hollywood studios created a dream factory that spread American cinema and cultural values throughout the world. Meanwhile, Soviet filmmakers operated under government control, and no wonder: the state’s cultural apparatus recognized the new medium’s potential to shape opinion as well as to entertain. It was ideal for promoting government-approved artistic goals: highly accessible to the proletariat and utile to the state, promoting the advantages of approved collective ideals and the values of the revolution while demonstrating the traditional glories of Soviet culture. The 1934 film Lieutenant Kijé is a perfect example. Based on a novella by Yury Tynyanov, it’s a characteristically Russian picaresque tale of bureaucratic ineptitude and corruption among the top brass. The lieutenant in question is a question mark—a squiggle entered by mistake into a military ledger. Increasingly elaborate attempts to cover up this error result in the nonexistent soldier’s promotion up the ranks, trumpedup death, and posthumous demotion. The Soviet approach to filmmaking took the soundtrack seriously. Even so, Prokofiev, known as a sophisticated composer with

MASTERWORKS

2/3

a taste for dissonance, seemed like an improbable choice to compose the Kijé score, and he was at first reluctant to undertake it. But the idea captured him; convinced that he had discovered the ideal musical voice for the scenario, he grew eager to compose music that he described as simple and melodious. How right he was! In this suite, one of his most popular, we hear everything about Kijé in a deftly layered music that never condescends to its farcical subject; it is funny and engaging, but with a haunting strain of melancholy and echoes of fictional military exploits that somehow turn into realistic memories. The piquant texture of the instrumentation comes in part from Prokofiev’s use of the saxophone, inﬂuenced by Ravel’s Boléro. Few works in the repertory so successfully combine jauntiness and sadness. Music from this suite has been used in many other films, including the English classic The Horse’s Mouth with Alec Guinness.

Concerto No. 2 in G minor for Violin and Orchestra, Opus 63 INSTRUMENTATION: 2 ﬂutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns, 2 trumpets; percussion; strings PERFORMANCE TIME: 26

minutes

Though composed shortly after the score for Lieutenant Kijé, Prokofiev’s second violin concerto was considered—at least at the time of its premiere—to represent a very different style, more international and more starkly modern. In actuality, the concerto is

The Music of Prokoﬁev

program notes

traditional in its construction and opens with an appealing melody based on Russian folk tunes. This charming theme dominates the second movement, a graceful andante. In the third movement, an allegro, many listeners hear echoes of Spain. Still, its creation does reﬂect the peripatetic life that Prokofiev led in his forties. He composed in a glow of appreciation for the first performance of his Sonata for Two Violins by Robert Soetens and Samuel Dushkin; since Stravinsky had recently dedicated a concerto to Dushkin, Prokofiev did likewise for Soetens. The concerto won immediate acclaim at its premiere in Madrid in 1935, and a delegation of Spanish musicians was sent to thank and congratulate Prokofiev on its success. Looking back on the concerto’s creation, Prokofiev noted, “The number of places in which I wrote the Concerto shows the kind of nomadic concert-tour life I led then. The main theme of the [first] movement was written in Paris, the first theme of the [second] movement at Voronezh [Russia], the orchestration was finished in Baku [present-day Azerbaijan] and the premiere given in Madrid.”

Alexander Nevsky, Opus 78 (Cantata for Chorus & Orchestra) INSTRUMENTATION: 2 ﬂutes, piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, tenor saxophone, 2 bassoons, contrabassoon; 4 horns, 3 trumpets, 3 trombones, tuba; timpani, percussion, harp; strings

3/3

PERFORMANCE TIME: 37

minutes

In the Soviet film industry, as in other sectors of its state-controlled economy, demonstrating technical accomplishment was a high priority, and there is no question that the Russian film director Sergei Eisenstein was one of the greatest of all early film directors. His monumental 1938 film Alexander Nevsky, for which Prokofiev wrote the musical score, could not have been more different from the slightly earlier Lieutenant Kijé; it is a historical epic that depicts the 13th-century incursion of Livonian knights into the Novgorod Republic, and the subsequent rescue of the captured city of Rus by the heroic prince Alexander Nevsky. The Nevsky film score, Prokofiev’s third, put him in collaboration with an artist who, like the composer, was a master of dramatic narrative. With song texts written by the poet Vladimir Lugovskoy, the visual and aural narrative elements of the film work together to hair-raising effect. Prokofiev arranged the film’s music as a cantata in 1939. The challenging score encompasses orchestra, chorus and mezzosoprano soloist. Five years later Prokofiev would again join forces with Eisenstein and Lugovskoy on a historical film epic, Ivan the Terrible. While these films have special resonance for Russian viewers, they have achieved a permanent place in world cinema. Among concertgoers, Alexander Nevsky is one of the most renowned of all 20th-century cantatas, with a dramatic intensity that transcends the historical details of its story.

MASTERWORKS

Support USUO

Utah Symphony | Utah Opera’s Annual Fund supports our general operations, including our educational outreach. Together with our main-stage performances, these programs are at the core of our vision to connect the community through great live music. USUO visits each of Utah’s forty-one school districts on a three- to five-year rotation and reaches roughly 25% of the entire state’s K–12 student and teacher populations annually to supplement arts education. USUO also partners with schools, medical facilities, and families to provide performances to our neighbors, friends, and relatives with autism, vision impairments, memory loss, and other special needs, serving differently-abled individuals in our community who have fewer opportunities to attend cultural events. In addition, USUO musicians give more than 1,000 hours of instructional time annually to children, averaging almost three hours per day, every day. This makes USUO one of the largest providers of professional music education in the United States. To offer educational outreach programs free of charge, we rely on institutional support and donations by individuals like you. Please donate today by visiting usuo.org/give or contact the USUO Development team at 801.869.9015.

T H e a r T o f g o o d e aT i n g .

D o w n to w n

60 West Market street (350 south) 801-363-0166 www.newyorkerslc.com

UTAH SYMPHONY

PBS Arts

Fall Festival

Friday nights at 8PM Every Friday night the stars shine on KUED.

video.kued.org

UFS_SymphonyAd2012.pdf

12/8/11

11:12 AM

Season Honorees We applaud our generous donors, who through cash gifts and multi-year pledges make our programs possible. This list reflects commitments received as of September 20, 2016. Millenium $250,000 & above Edward Ashwood & Candice Johnson Gael Benson Diane & Hal Brierley The Church of Jesus Christ of Latter Day Saints Foundation Lawrence T. & Janet T. Dee Foundation E.R. & Katherine W. Dumke George S. & Dolores DorĂŠ Eccles Foundation Kem & Carolyn Gardner Mr. & Mrs. Martin Greenberg Anthony & Renee Marlon Larry H. & Gail Miller Family Foundation Carol & Ted Newlin O. C. Tanner Company Patricia A. Richards & William K. Nichols James A. & Marilyn Parke Perkins-Prothro Foundation John & Marcia Price Foundation Questar Corporation Salt Lake County Theodore Schmidt Shiebler Family Foundation Sorenson Legacy Foundation The Sam & Diane Stewart Family Foundation Sam & Diane Stewart Naoma Tate & the Family of Hal Tate Utah State Legislature Utah State Board of Education Jacquelyn Wentz ZAP Zions Bank Encore $100,000 & above Anonymous Doyle Arnold & Anne Glarner Dr. J. R. Baringer & Dr. Jeannette J. Townsend Thierry & Catherine Fischer** Roger & Susan Horn The Right Reverend Carolyn Tanner Irish** Emma Eccles Jones Foundation Ronald & Janet Jibson

Edward & Barbara Moreton Gib & Susan Myers William & Christine Nelson Dr. Dinesh & Kalpana Patel Summit County Restaurant Tax/Rap Tax Utah Division of Arts & Museums /NEA Bravo $50,000 & above Anonymous Scott & Jesselie Anderson Thomas Billings & Judge Judith Billings Deer Valley Resort** Marriner S. Eccles Foundation The Florence J. Gillmor Foundation Grand & Little America Hotels* Douglas & Connie Hayes Huntsman Corporation Jon M. & Karen Huntsman Family Frederick Q. Lawson Foundation Scott & Sydne Parker Frank R. Pignanelli & Dâ&#x20AC;&#x2122;Arcy Dixon Albert J. Roberts IV St. Regis Deer Valley** Sinclair Oil Company Gerald & Barbara Stringfellow Norman C. & Barbara L. Tanner Charitable Trust David Wall* Lois A. Zambo Overture $25,000 & above Anonymous in Honor of the March of Dimes Scott & Kathie Amann Arnold Machinery Mr. & Mrs. William C. Bailey BMW of Murray BMW of Pleasant Grove Judy Brady & Drew W. Browning R. Harold Burton Foundation Michael & Vickie Callen Chevron Corporation C. Comstock Clayton Foundation

UTAH SYMPHONY

Season Honorees John & Flora D’Arcy Thomas D. Dee III & Dr. Candace Dee John H. & Joan B. Firmage Kristen Fletcher & Dan McPhun Holland & Hart** Richard K. & Shirley S. Hemingway Foundation Carol Holding Tom & Lorie Jacobson Janet Q. Lawson Foundation Love Communications* Markosian Family Trust Microsoft Corporation* Carol & Anthony W. Middleton, Jr., M.D. Montage Deer Valley** OPERA America’s Getty Audience Building Program Charles Maxfield & Gloria F. Parrish Foundation Alice & Frank Puleo S. J. & Jessie E. Quinney Foundation Dr. Wallace Ring Simmons Family Foundation Harris H. & Amanda Simmons Stein Eriksen Lodge** Summit Sotheby’s Nora Eccles Treadwell Foundation Utah Symphony Guild Vivint M. Walker & Sue Wallace Wells Fargo Jack Wheatley John W. Williams† Workers Compensation Fund Edward & Marelynn Zipser Maestro $10,000 & above Anonymous Adobe American Express Ballard Spahr, LLP Haven J. Barlow Family B. W. Bastian Foundation H. Brent & Bonnie Jean Beesley Foundation Berenice J. Bradshaw Charitable Trust BTG Wine Bar*

UTAHSYMPHONY.ORG

(801) 533-NOTE

Caffe Molise* Marie Eccles Caine Foundation-Russell Family Chris & Lois Canale Capital Group Howard & Betty Clark** Daynes Music* Skip Daynes* Delta Air Lines* The Katherine W. Dumke & Ezekiel R. Dumke, Jr. Foundation Dr. & Mrs. Ralph Earle Sue Ellis Chip & Gayle Everest Robert & Elisha Finney General Electric Foundation Ann & Gordon Getty Foundation Goldman Sachs Elaine & Burton L. Gordon Susan & Tom Hodgson Chuck & Kathie Horman Hyatt Centric Park City** Josh & Cherie James Robert & Debra Kasirer Katharine Lamb Marriott Residence Inn* McCarthey Family Foundaton Charles & Pat McEvoy Pete & Cathy Meldrum Harold W. & Lois Milner Moreton Family Foundation Fred & Lucy Moreton Terrell & Leah Nagata National Endowment for the Arts Ogden Opera Guild Park City Chamber/Bureau David A. Petersen Glenn D. Prestwich & Barbara Bentley Promontory Foundation David & Shari Quinney Radisson Hotel* Brad & Sara Rencher Dr. Clifford S. Reusch† Resorts West* The Joseph & Evelyn Rosenblatt Charitable Fund

Season Honorees / Corporate & Foundation Donors Lori & Theodore Samuels Ben & Peggy Schapiro Pauline Collins Sells Sounds of Science Commissioning Club George & Tamie† Speciale Thomas & Marilyn Sutton The Swartz Foundation Jonathan & Anne Symonds Zibby & Jim Tozer Tom & Caroline Tucker Utah Food Services* Utah Hispanic Chamber of Commerce* U.S. Bancorp Foundation *In-kind gift **In-kind & cash gift † Deceased CORPORATE & FOUNDATION DONORS

$5,000 to $9,999 Anonymous (2) Art Works for Kids! Bambara Restaurant* Bourne-Spafford Foundation The Aaron Copland Fund for Music Diamond Rental* Discover Financial Services The Jarvis & Constance Doctorow Family Foundation The Dorsey & Whitney Foundation Spencer F. & Cleone P. Eccles Family Foundation EY Finca* Intermountain Healthcare J. Wong’s Thai & Chinese Bistro* Jones Waldo Park City Macy’s Foundation Martine* Microsoft* Louis Scowcroft Peery Charitable Foundation Ruth’s Chris Steak House, Salt Lake City* Salt Lake City Arts Council Sky Harbor Apartments* Union Pacific Foundation Vanguard Charitable Endowment Program Victory Ranch & Conservancy

$1,000 to $4,999 Anonymous Advanced Retirement Consultants Rodney H. & Carolyn Hansen Brady Charitable Foundation Bertin Family Foundation Byrne Foundation Castle Foundation City Creek Center Deseret Trust Company Henry W. & Leslie M. Eskuche Charitable Foundation ExxonMobil Foundation FatPipe Networks Five Penny Floral* Victor Herbert Foundation Homewood Suites by Hilton* Hotel Park City* Intermountain Healthcare Jones & Associates Lewis A. Kingsley Foundation Marriott City Center* MedAssets Millcreek Cacao Roasters* Millcreek Coffee Roasters* George Q. Morris Foundation Nebeker Family Foundation Nordstrom Park City Foundation The Prudential Foundation Ray, Quinney & Nebeker Foundation Snell & Wilmer L.L.P. Snow, Christensen & Martineau Foundation sPower Squatters Pub Brewery* Strong & Hanni, PC Summerhays Music* Swire Coca-Cola USA* Bill & Connie Timmons Foundation UMA Financial Services Inc. United Jewish Community Endowment Trust The George B. & Oma E. Wilcox & Gibbs M. & Catherine W. Smith Foundation

UTAH SYMPHONY

Enriching excellence in the arts in Utah for more than half a century.

Utah Symphony Season Sponsor | 2016-17

Individual Donors

ABRAVANEL & PETERSON SOCIETY

$5,000 to $9,999 Anonymous (4) Fred & Linda Babcock Dr. & Mrs. Clisto Beaty Mr. & Mrs. Jim Blair Carol, Rete & Celine Browning Judy & Larry Brownstein Neill & Linda Brownstein Thomas Christofferson Amalia Cochran Marc & Kathryn Cohen David & Karen Dee Spencer & Cleone† Eccles Tom Farkas Jack & Marianne Ferraro John F. Foley, M.D. & Dorene Sambado, M.D.** Joseph & Dixie Furlong Jeffrey L. Giese, M.D. & Mary E. Gesicki David & SandyLee Griswold** Ray & Howard Grossman John & Dorothy Hancock Robert & Carolee Harmon Gary & Christine Hunter Mary P. Jacobs† & Jerald H. Jacobs Family Dale & Beverly Johnson G. Frank & Pamela Joklik Jeanne Kimball Thomas & Jamie Love Paul Meecham & Laura Leach Rayna & Glen Mintz Nathan & Karen B. Morgan Dr. Thomas Parks & Dr. Patricia Legant Leslie Peterson & Kevin Higgins Brooks & Lenna Quinn Dr. Richard & Frances Reiser James & Gail Riepe Robert & Kim Rollo Eric & Shirley Schoenholz Suzanne Scott

Stuart & Molly Silloway Lynn Suksdorf Alexander & Sarah Uhle Albert & Yvette Ungricht Kathleen Digre & Michael Varner $3,000 to $4,999 Anonymous (4) Craig & Joanna Adamson Robert W. Brandt Jonathan & Julie Bullen Richard & Suzanne Burbidge Lindsay & Carla Carlisle Mark & Marci Casp Rebecca Marriott Champion Paul & Denise Christian Edward & Carleen Clark Gary & Debbi Cook David & Sandra Cope** Mr. & Mrs. Kenneth R. Cutler Mike Deputy Carol & Greg Easton Mr. & Mrs. Robert Ehrlich Midge Farkas Peter Fillerup† Flynn Family Foundation C. Chauncey & Emily Hall Kenneth & Kate Handley Dr. & Mrs. Bradford D. Hare Mr. & Mrs. Jerry Huffman James & Penny Keras Hanko & Laura Kiessner Harrison & Elaine Levy Bill Ligety & Cyndi Sharp Herbert C. & Wilma S. Livsey Daniel & Noemi P. Mattis Michael & Julie McFadden Rich & Cherie Meeboer Richard & Jayne Middleton Richard & Ginni Mithoff Mr. & Mrs. Ralph Muller James & Ann Neal

UTAH SYMPHONY

www.darlingmeavenue.com

Individual Donors Marilyn H. Neilson Mr. & Mrs. Alvin Richer James & Anna Romano David & Lois Salisbury William G. Schwartz & Joann Givan Thomas & Gayle Sherry Gibbs & Catherine W. Smith Elizabeth Solomon Marilyn Sorensen Verl & Joyce Topham Mr. & Mrs. Vincent Trotta Dr. Ralph & Judith Vander Heide Susan & David† Wagstaff Ardean & Elna Watts Suzanne Weaver David & Jerre Winder E. Art Woolston & Connie Jo HepworthWoolston Chris & Lisa Young Gayle & Sam Youngblood $2,000 to $2,999 Anonymous (4) Robert & Cherry Anderson David & Rebecca Bateman E. Wayne & Barbara Baumgardner Dr. Melissa Bentley Anneli Bowen, M.D. & Glen M. Bowen M.D. Mr. & Mrs. John Brubaker Luann & James Campbell Chris & Lois Canale Coley & Jennifer Clark Shelly Coburn Raymond & Diana Compton Dr. & Mrs. Thomas Coppin David & Carol Coulter James & Rula Dickson Margarita Donnelly

Howard Edwards Neone F. Jones Family Thomas & Lynn Fey Robert & Annie-Lewis Garda Heidi Gardner Mr. & Mrs. Eric Garen Mark Gavre & Gudrun Mirin Diana George Susan Glassman & Richard Dudley Randin Graves Dennis & Sarah Hancock John B. & Joan Hanna Geraldine Hanni Richard Herbert Sunny & Wes Howell Dixie & Robert Huefner Jay & Julie Jacobson Annette & Joseph Jarvis Sharon Jenkins M. Craig & Rebecca Johns Bryce & Karen† Johnson Jill Johnson Pauline Weggeland-Johnson James R. Jones & Family J. Allen & Charlene Kimball Merele & Howard Kosowsky Val Lambson Donald L. & Alice A. Lappe Mr. & Mrs. Melvyn L. Lefkowitz Paul Lehman Roger Leslie James Lether Lisa & James Levy Elizabeth & Michael Liess Milt & Carol Lynnes David & Donna Lyon Mr. & Mrs. Wayne Lyski Lisa K. Mariano

Utah Symphony | Utah Opera is the proud recipient of Charity Navigator’s highest rating for sound fiscal management, commitment to accountability and transparency, and adherence to good governance and best practices—all of which allow us to execute our mission in a responsible way. 54

UTAH SYMPHONY

Individual Donors Jed & Kathryn Marti Christopher & Julie McBeth Warren K. & Virginia G. McOmber George & Nancy Melling Dr. Louis A. & Deborah Moench Barry & Kathy Mower Daniel & Janet Myers Thomas & Barbara O’Byrne Jason Olsen & Tim Thorpe O. Don & Barbara Ostler Linda S. Pembroke Ann G. Petersen Dr. & Mrs. S. Keith Petersen Jon Poesch Victor & Elizabeth Pollak Dan & June Ragan Dr. & Mrs. Marvin L. Rallison W. E. & Harriet R. Rasmussen Dr. Barbara S. Reid Joyce Rice Kenneth Roach & Cindy Powell Tom & Jeanne Rueger Thomas Safran Mark & Loulu Saltzman K. Gary† & Lynda† Shields Deborah & Brian Smith Christine St. Andre Larry R. & Sheila F. Stevens Steve & Betty Sullentrop Mr. & Mrs. Glen R. Traylor John & Susan Walker Susan Warshaw Bryan & Diana Watabe Jeremy & Hila Wenokur Caroline & Thomas Wright PATRONS

$1,000 to $1,999 Anonymous (2) Carolyn Abravanel Fran Akita Christine A. Allred Patricia Andersen

UTAHSYMPHONY.ORG

(801) 533-NOTE

Drs. Crystal & Dustin Armstrong Graham & Janet Baker Mr. Barry Bergquist Mr. & Mrs. William Bierer Reverend James Blaine Shauna Bona Jim & Marilyn Brezovec Timothy F. Buehner Foundation Mr. & Mrs. William D. Callister, Jr. Bartell & Kathleen Cardon Mr. & Mrs. Lee Forrest Carter Michael & Beth Chardack William J. Coles & Dr. Joan L. Coles Dr. & Mrs. David Coppin Margaret Dreyfous Alice Edvalson Janet Ellison Naomi K. Feigal Robert S. Felt, M.D. Susan Gillett Rose & Ralph Gochnour Robert & Joyce† Graham Dr. & Mrs. John Greenlee Arlen Hale Dr. Elizabeth Hammond Lex Hemphill & Nancy Melich John Edward Henderson Steve Hogan & Michelle Wright Connie C. Holbrook Patricia Horton Kay Howells David & Caroline Hundley Todd & Tatiana James Drs. Randy & Elizabeth Jensen Maxine & Bruce Johnson Chester & Marilyn Johnson Dr. & Mrs. Michael A. Kalm Umur Kavlakoglu Susan Keyes Allison Kitching Carl & Gillean Kjeldsberg Robert & Karla Knox Julie Korenberg, Ph.D, M.D. & Stefan Pulst, M.D.

I’VE NEVER UNDERSTOOD WHY MY HUMAN WON’T LEAVE THE HOUSE WITHOUT HER LEASH. I THINK SHE’S AFRAlD OF GETTING LOST. BUT IT’S OK, I KIND OF LIKE SHOWING HER AROUND. — HARPER adopted 08-18-09

Individual Donors Tim & Angela Laros Gary & Suzanne Larsen Dr. Vivian Lee Dennis & Pat Lombardi Peter Margulies & Louise Vickerman Edward & Grace McDonough Clifton & Terri McIntosh Johanna & Jack McManemin David & Colleen Merrill Dr. Nicole L. Mihalopoulos & Joshua Scoville Dr. Jean H. & Dr. Richard R. Miller John & Mary Ann Nelson Oren & Liz Nelson Stephen & Mary Nichols Ruth & William Ohlsen Blaine & Shari Palmer Nancy & Rori Piggot Mr. Steven Price Keith & Nancy Rattie Richard C. & Margaret V. Romano Lousje & Keith Rooker Bertram H. & Janet Schaap Ralph & Gwen Schamel Mr. Grant Schettler Mr. August L. Schultz Daniel & Angela Shaeffer Dennis & Annabelle Shrieve Barbara Slaymaker Dr. Otto F. Smith & Mrs. June Smith Dr. & Mrs. Michael H. Stevens Amy Sullivan & Alex Bocock Douglas & Susan Terry Carol A. Thomas Mrs. Rachel J. Varat-Navarro Mr. & Mrs. Brad E. Walton Nadine Ward Charles & Ellen Wells Margaret & Gary Wirth Marsha & Richard Workman Norman & Kathy Younker* Michael & Olga Zhdanov Mr. & Mrs. Hugh Zumbro Donations as received as of 9/20/2015

UTAHSYMPHONY.ORG

(801) 533-NOTE

“Music is the art which is most nigh to tears and memory.” ~Oscar Wilde IN HONOR OF

Dr. J. R. Baringer & Dr. Jeannette J. Townsend George Brown Paula J. Fowler Abe & Arline Markosian David Park Mark & Dianne Prothro Clark T. Randt, Jr. Patricia A. Richards Bill & Joanne Shiebler Kevin Sohma IN MEMORY OF

Jay T. Ball Mikhail Boguslavsky Ann Dick Ed Epstein Loraine L. Felton Neva Langley Fickling Herold L. “Huck” & Mary E. Gregory Judith Ann Harris Roger Hock Marian Holbrook Steve Horton Winona Simonsen Jensen Eric Johnson Joan McEvoy Maxine & Frank McIntyre Dr. Walter Needham Russell Alan Peters Chase N. Peterson Mardean Peterson Kenneth Randall Dr. Clifford Reusch Ann O’Neill Shigeoka Maestro Joseph Silverstein Barbara Singleton Tamie Speciale Marjorie Whitney John W. Williams Merrill L. Wilson, M.D

Tanner & Crescendo Societies

“You are the music while the music lasts.” ~T.S. Eliot Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning. Please contact Kate Throneburg at kthroneburg@usuo.org or 801-869-9028 for more information, or visit our website at usuo.giftplans.org.

TANNER SOCIETY OF UTAH SYMPHONY Beethoven Circle gifts valued at more than $100,000 Anonymous (3) Doyle Arnold & Anne Glarner Dr. J. Richard Baringer Haven J. Barlow Alexander Bodi† Edward† & Edith Brinn Captain Raymond & Diana Compton Elizabeth W. Colton† Anne C. Ewers

Grace Higson† Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Joyce Merritt† Anthony & Carol W. Middleton, Jr., M.D. Robert & Dianne Miner Glenn Prestwich & Barbara Bentley Kenneth A.† & Jeraldine S. Randall

Robert L.† & Joyce Rice Mr. & Mrs. Alvin Richer Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffrey & Joyce Smith G. B. & B. F. Stringfellow Norman† & Barbara Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Mrs. Helen F. Lloyd† Gaye Herman Marrash Ms. Wilma F. Marcus† Dr. & Mrs. Louis A. Moench Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Pauline C. Pace† Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn

Helen Sandack† Mr. Grant Schettler Glenda & Robert† Shrader Dr. Robert G. Snow† Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† Kathleen Sargent† JoLynda Stillman Edwin & Joann Svikhart Frederic & Marilyn Wagner Jack R. & Mary Lois† Wheatley Afton B. Whitbeck† Edward J. & Marelynn Zipser

Mahler Circle Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Patricia Dougall Eager† Mr.† & Mrs.† Sid W. Foulger Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Mr. Ray Horrocks† Richard W. James† Estate Mrs. Avanelle Learned† Ms. Marilyn Lindsay Turid V. Lipman

CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Alexander Bodi† Berenice J. Bradshaw Estate Judy Brady & Drew W. Browning Dr. Robert H. † & Marianne Harding Burgoyne Elizabeth W. Colton† Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean Henkels Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Constance Lundberg Gaye Herman Marrash Richard W. & Frances P. Muir Marilyn H. Neilson Carol & Ted Newlin Pauline C. Pace†

Stanley B. & Joyce Parrish Patricia A. Richards & William K. Nichols Mr. & Mrs. Alvin Richer Robert L.† & Joyce Rice Richard G. Sailer† Jeffrey W. Shields G. B. & B. F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased

UTAH SYMPHONY

Legacy Giving

There are many ways to leave a legacy, and for those who would like their legacy to include a long-term gift to Utah Symphony | Utah Opera, there are many options to consider. From leaving a gift in your will to leaving part or all of your IRA to USUO, your financial advisor or estate planning attorney can help you build a gift that can meet your goals and benefit USUO for years to come. You have the ability to build a musical future for the state of Utah. When you leave a gift to USUO in your estate plans, you are building a proud legacy that will inspire tomorrowâ&#x20AC;&#x2122;s musicians and music lovers. For over 75 years, USUO has been a leader in music excellence and community education. Your gift will make a difference. To learn more about how your estate planning can benefit both you and USUO, please call Kate Throneburg at 801-869-9028, or visit us online at usuo.giftplans.org.

UTAHSYMPHONY.ORG

(801) 533-NOTE

Stream KUER’s Classical Station on your mobile device. Download the KUER app from the App Store or Google Play. Visit kuer.org/app for details

THREE DELICIOUS COURSES ONE INCREDIBLE EVENING

Prime Time EXPERIENCE OUR

DINNER MENU

offered nightly until 6:30pm 3 —COURSE MENU STARTING AT

$ 44. 95

OUT ON THE TOWN

dining guide THE NEW YORKER 60 West Market Street. SLC’s premier dining establishment. Modern American cuisine is featured in refined dishes and approachable comfort food. From classic to innovative, from contemporary seafood to Angus Beef steaks – the menu provides options for every taste. Served in a casually elegant setting with impeccable service. Private dining rooms for corporate and social events. Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166

Consistently Rated “Tops”–Zagat 60 W. Market Street • 801.363.0166

Salt Lake City’s #1

MARKET STREET GRILL DOWNTOWN 48