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Master Bedroom 12'-2" x 20'-2"
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November/December 2017 Performances
CONTENTS
Purchase tickets at utahsymphony.org or call 801-533-6683
6 Welcome
NOVEMBER 3–4 | 7:30 PM
8 Utah Symphony
RACHMANINOFF’S SYMPHONIC DANCES
10 Board of Trustees 15 Music Director 16 Assistant Conductor 16 Symphony Chorus Director 18 Upcoming Performances 20 A Russian, a Michiganian and a Salt Lake Native
NOVEMBER 10–11 | 7:30 PM
MOZART’S GREAT MASS WITH BRAHMS’ SONGS
22 From Muggles to Outlaws 26 Social Snapshots
NOVEMBER 17–18 7:30 PM | NOV 17 10AM
30 Season Sponsors
RHAPSODY ON A THEME OF PAGANINI FEATURING JON KIMURA PARKER
31–38 Tonight’s Concert(s) 39 Support USUO 40 Thank You 51 Tanner & Crescendo Societies 52 Legacy Giving
NOVEMBER 25–26 | 7:30 PM
MESSIAH SING-IN
54 Administration 59 House Rules 63 Education
DECEMBER 1–2 | 7:30 PM
64 Acknowledgments
SAINT-SAËNS’ “ORGAN” SYMPHONY
Program notes and artist bios for upcoming and past performances are available on utahsymphony.org. @UtahSymphony
PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR / PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGNERS Ken Magleby Patrick Witmer
ADVERTISING REPRESENTATIVES Paula Bell Karen Malan Dan Miller Paul Nicholas OFFICE ASSISTANT Jessica Alder ADMINISTRATIVE ASSISTANT KellieAnn Halvorsen EDITOR Melissa Robison
DECEMBER 8–9 | 7:30 PM
LOUIS LORTIE PERFORMS SAINT-SAËNS’ PIANO CONCERTO NO. 2 DECEMBER 12 | 7:30 PM
HOLIDAY HITS WITH THE MIDTOWN MEN AND UTAH SYMPHONY DECEMBER 15–16 | 7:30 PM
A BROADWAY CHRISTMAS WITH BRIAN STOKES MITCHELL
DECEMBER 19 | 7:30 PM The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801-467-8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. © COPYRIGHT 2017
UTAHSYMPHONY.ORG
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LEANN RIMES: TODAY IS CHRISTMAS WITH THE UTAH SYMPHONY DECEMBER 21–23 | 7 PM
HARRY POTTER AND THE CHAMBER OF SECRETS™ IN CONCERT
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WELCOME
Paul Meecham
Thierry Fischer
Kem Gardner
President & CEO
Symphony Music Director
Chair, Board of Trustees
Welcome to Abravanel Hall and this performance of the Utah Symphony. We can think of no better way to enjoy the wonder of the holiday season and promise of the New Year than through the magic of great live music experienced together as a community. The range of concert experiences we’re offering in November and December promises satisfying options for every musical taste. Our Masterworks concerts feature native Utah artists of world-renown, violinist Will Hagen and soprano Celena Shafer, as well as three remarkable guest conductors Matthias Pintscher, Markus Stenz and Mark Wigglesworth who will inspire you and the musicians of the Utah Symphony with their approaches and artistic motivation. Iconic Broadway and Country artists Brian Stokes Mitchell, the Midtown Men, and LeAnn Rimes each join the Utah Symphony in special holiday programs. And we celebrate longstanding holiday traditions of our Messiah Sing-In and Here Comes Santa Claus family programs as well as our newer tradition of Films in Concert with our second year at Hogwarts and Harry Potter and the Chamber of Secrets™ in Concert.
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We also continue our Saint-Saëns festival including his symphonies which the prestigious Hyperion label is recording live at the concerts for future release. The orchestra’s newest CD release, Mahler’s 8th “Symphony of a Thousand” featuring the orchestra with music director Thierry Fischer and the Mormon Tabernacle Choir recorded live at the memorable Utah Symphony 75th anniversary performances in the Salt Lake Tabernacle, will be available November 17th. The perfect holiday gift! In honor of the holiday season, we’d like to express our deep appreciation to all of you for supporting our organization. Because of the generosity of friends like you, we are able to bring the gift of music year-round to our audiences throughout the state and region. Thank you for being our ambassadors and reminding your friends and family of the importance of the work we do. On behalf of all of the musicians, staff and board members at Utah Symphony | Utah Opera, we wish you the happiest of holiday seasons and a joyful 2018!
UTAH SYMPHONY
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UTAH SYMPHONY
Thierry Fischer, Music Director / The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Assistant Conductor
Roberta Zalkind# Associate Principal
OBOE James Hall Principal The Gerald B. & Barbara F. Stringfellow Chair
Peter Margulies Gabriel Slesinger††
Barlow Bradford Symphony Chorus Director
Elizabeth Beilman Acting Associate Principal
VIOLIN* Madeline Adkins Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton
Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Christopher McKellar Leslie Richards†† Whittney Thomas
Robert Stephenson Associate Principal
Sam Elliot Associate Principal
Lissa Stolz
BASS TROMBONE Graeme Mutchler† David Hagee††
Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair
CELLO* Rainer Eudeikis Principal The J. Ryan Selberg Memorial Chair
Ralph Matson Associate Concertmaster
Matthew Johnson Associate Principal
CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell
David Park Assistant Concertmaster
John Eckstein Walter Haman Andrew Larson Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang
Erin Svoboda Associate Principal
BASS* David Yavornitzky Principal
Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Evgenia Zharzhavskaya Assistant Principal Second Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Tina Johnson†† Amanda Kofoed†† Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian•• Lynnette Stewart Bonnie Terry• Julie Wunderle Karen Wyatt•• VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair
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Corbin Johnston Associate Principal James Allyn# Antonio Escobedo†† Benjamin Henderson†† Lee Philip†† Edward Merritt Jens Tenbroek Thomas Zera† HARP Louise Vickerman Principal FLUTE Mercedes Smith Principal The Val A. Browning Chair Lisa Byrnes Associate Principal Caitlyn Valovick Moore PICCOLO Caitlyn Valovick Moore
ENGLISH HORN Lissa Stolz
TROMBONE Mark Davidson Principal
TUBA Gary Ofenloch Principal TIMPANI George Brown Principal Eric Hopkins Associate Principal
Lee Livengood
PERCUSSION Keith Carrick Principal
BASS CLARINET Lee Livengood
Eric Hopkins Michael Pape
E-FLAT CLARINET Erin Svoboda
KEYBOARD Jason Hardink Principal
BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair Leon Chodos Associate Principal Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Edmund Rollett Acting Principal Alexander Love†† Acting Associate Principal Llewellyn B. Humphreys Brian Blanchard Stephen Proser TRUMPET Travis Peterson Principal Jeff Luke Associate Principal
LIBRARIANS Clovis Lark Principal Maureen Conroy† Katie Klich†† ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel Andrew Williams Orchestra Personnel Manager STAGE MANAGEMENT Chip Dance Production & Stage Manager Jeff Herbig Properties Manager & Assistant Stage Manager • First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member
UTAH SYMPHONY
Utah musicians in concert at the
Gallivan Center
Nathan Royal
7:30 PM Thursday nights
BOARD OF TRUSTEES ELECTED BOARD Kem C. Gardner* Chairman
Alex J. Dunn Brian Greeff Lynnette Hansen Matthew Holland Thomas N. Jacobson Mitra Kashanchi Thomas M. Love* Brad W. Merrill Theodore F. Newlin III* Dee O’Donnell Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Shari H. Quinney Brad Rencher Joanne F. Shiebler* Diane Stewart Naoma Tate Thomas Thatcher
David Utrilla Craig C. Wagstaff Bob Wheaton Kim R. Wilson Thomas Wright
Clark D. Jones Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen*
Patricia A. Richards Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder
Kristen Fletcher Burton L. Gordon Richard G. Horne Ronald W. Jibson
Warren K. McOmber E. Jeffrey Smith Barbara Tanner
Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson O. Don Ostler
Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith
Joanne F. Shiebler Chair (Utah)
Susan H. Carlyle (Texas)
Harold W. Milner (Nevada)
David L. Brown (S. California)
Robert Dibblee (Virginia)
Marcia Price (Utah)
Anthon S. Cannon, Jr. (S. California)
Senator Orrin G. Hatch (Washington, D.C.)
William H. Nelson* Vice Chairman Annette W. Jarvis* Secretary John D’Arcy* Treasurer Paul Meecham* President & CEO Jesselie B. Anderson* Doyle L. Arnold* Judith M. Billings Howard S. Clark Gary L. Crocker David Dee*
MUSICIAN REPRESENTATIVES
Mark Davidson* Lissa Stolz* EX OFFICIO
Margaret Sargent Utah Symphony Guild Dr. Robert Fudge Ogden Symphony Ballet Association Judith Vander Heide Ogden Opera Guild *Executive Committee Member
LIFETIME BOARD William C. Bailey Edwin B. Firmage Jon Huntsman, Sr. Jon Huntsman, Jr. G. Frank Joklik TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow John Bates HONORARY BOARD Ariel Bybee Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous Lisa Eccles NATIONAL ADVISORY COUNCIL
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UTAH SYMPHONY
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MUSIC DIRECTOR
Music Director of the Utah Symphony since 2009 and currently extended to 2022, Thierry Fischer has revitalized the orchestra with creative programming, critically acclaimed performances, and new recordings. Highlights of his tenure include a multi-season Haydn symphony cycle; Mahler, Beethoven, and Nielsen cycles; and a tour of Utah’s five national parks. In celebration of its 75th anniversary season, the orchestra appeared at Carnegie Hall in April 2016 to critical acclaim and released an album of newly commissioned works by Nico Muhly, Andrew Norman, and Augusta Read Thomas on Reference Recordings. Following a well-reviewed recording of Mahler’s 1st Symphony, they recorded Mahler’s 8th Symphony in Utah with the world-renowned Mormon Tabernacle Choir, due for release later this season.
Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation
In September 2016 Fischer was appointed Principal Guest Conductor of the Seoul Philharmonic Orchestra, starting January 2017 and running concurrently with his Utah position for an initial three years. He will visit Seoul at least four times a season and will play an important role in the artistic planning. In summer 2016, Fischer toured with the Chamber Orchestra of Europe, and debuted at the Mostly Mozart Festival in New York and at the Maggio Musicale Festival in Florence. Guesting in the past couple of years has also included the Boston, Atlanta, Cincinnati, and Detroit Symphonies, Oslo Philharmonic, Rotterdam Philharmonic, Salzburg Mozarteumorchester, Munich Chamber, Swedish Chamber, and the Orchestre de la Suisse Romande, as well as the BBC Symphony at the Barbican and the London Sinfonietta. In autumn 2016 he conducted the Sao Paulo Philharmonic—his first visit to South America. Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra 2001–06. He was Chief Conductor of the Nagoya Philharmonic 2008–11, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor.
UTAHSYMPHONY.ORG
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ASSISTANT CONDUCTOR / SYMPHONY CHORUS DIRECTOR Conner Gray Covington begins his position as Assistant Conductor of the Utah Symphony with the 2017–2018 season. He recently completed his tenure as the Rita E. Hauser Conducting Fellow at the Curtis Institute of Music in Philadelphia where he worked closely with the Curtis Symphony Orchestra and the Curtis Opera Theater while also being mentored by Yannick Nézet-Séguin. A twotime recipient of a Career Assistance Award from the Solti Foundation U.S. (2017 and 2014), Covington worked with the Nashville Symphony as a featured conductor in the 2016 Bruno Walter National Conductor Preview presented by the League of American Orchestras.
Conner Gray Covington Assistant Conductor
Dr. Barlow Bradford Symphony Chorus Director
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Covington has also worked with the St. Louis Symphony, Utah Symphony, and Virginia Symphony as a guest conductor and has served as a cover conductor for the Philadelphia Orchestra, Los Angeles Philharmonic, Atlanta Symphony, Kansas City Symphony, and The Florentine Opera Company (Milwaukee, WI). He has also participated in the 6th International David Zinman Conducting Masterclass with the Tonhalle Orchester Zürich. In 2014, Covington was selected by members of the Vienna Philharmonic to attend the Salzburg Festival as a recipient of the Ansbacher Fellowship for Young Conductors. Over the course of his musical career, Dr. Barlow Bradford has distinguished himself as a conductor, composer, arranger, pianist, organist, and teacher. As an orchestral and choral conductor, he co-founded the Utah Chamber Artists in 1991 and has led that organization to international acclaim for its impeccable, nuanced performances and award-winning recordings. Dr. Bradford’s focused, energetic conducting style led to his appointment as Music Director of the Orchestra at Temple Square in Salt Lake City and Associate Director of the Mormon Tabernacle Choir. Prior to that, he was Director of Orchestras at the University of Utah. Arrangements by Bradford have been performed/recorded by the Cleveland Orchestra, San Francisco Symphony, Dallas Symphony, Tucson Symphony Orchestra, New York Choral Artists, Seattle Pacific University, Baylor University, Mormon Tabernacle Choir/ Orchestra at Temple Square, Newfoundland Festival 500, and the San Francisco Gay Men’s Chorus, among others. In addition to his post as Director of the Utah Symphony Chorus, Dr. Bradford continues as Artistic Director of Utah Chamber Artists and serves as the Ellen Neilson Barnes Presidential Chair of Choral Studies at the University of Utah.
UTAH SYMPHONY
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upcoming UTAH SYM PH O NY | UTAH O PE R A performances
HIL ARY HAHN plays DVOŘ ÁK’S VIOLIN CONCERTO JANUARY 5 & 6
7:30 PM / ABRAVANEL HALL
REPERTOIRE
ARTISTS
HAYDN SYMPHONY NO. 8 “LE SOIR” DVOŘÁK SELECTIONS FROM SLAVONIC DANCES VIOLIN CONCERTO
THIERRY FISCHER CONDUCTOR HILARY HAHN VIOLIN
FISCHER conducts R ACHM ANINOFF & STR AVINSK Y JANUARY 12 & 13
7:30 PM / ABRAVANEL HALL
REPERTOIRE
ARTISTS
STRAVINSKY FUNERAL SONG RACHMANINOFF PIANO CONCERTO NO. 1 STRAVINSKY THE FIREBIRD
THIERRY FISCHER CONDUCTOR STEPHEN HOUGH PIANO
HE JAKE
E & GEN GGIE
SCHE
cast:
ER’S
j .q . lawson capitol theatre
JANUARY
20, 22, 24, 26 (7:30 pm) / 28 (2 pm) Since its debut in 2010, Jake Heggie and Gene Scheer’s opera adaptation of Melville’s classic novel has enraptured audiences with its innovative storytelling. Now, come experience this entirely new production created by and for Utah Opera. Don’t miss this incredible combination of astounding visuals and spellbinding music as Utah Opera sweeps you out to sea on a quest fueled by one man’s willingness to risk everything for revenge. Music by Jake Heggie; Libretto by Gene Scheer / Commissioned by The Dallas Opera Company
Kristine McIntyre director Joseph Mechavich conductor Erhard Rom Set Designer Jessica Jahn Costume Designer Joshua Dennis Greenhorn Roger Honeywell Captain Ahab David Adam Moore Starbuck Musa Ngqungwana Queequeg Jasmine Habersham Pip Craig Irvin Stubb Jesus Murillo Captain Gardiner UTAH OPERA CHORUS UTAH SYMPHONY
MOZ ART & HAYDN FEBRUARY 2 & 3
7:30 PM / ABRAVANEL HALL
REPERTOIRE
ARTISTS
MOZART OVERTURE TO COSÌ FAN TUTTE PIANO CONCERTO NO. 9 “JEUNEHOMME” EINE KLEINE NACHTMUSIK HAYDN SYMPHONY NO. 99
PATRICK DUPRÉ QUIGLEY CONDUCTOR RONALD BRAUTIGAM PIANO
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call 801-355–NOTE (6683) or visit
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MASTERWORKS
ENTERTAINMENT
FILMS IN CONCERT
DANCING & ROM ANCING FEBRUARY 9 & 10
7:30 PM / ABRAVANEL HALL
Andy Einhorn conductor / Joan Hess guest artist / Kirby Ward guest artist
The timeless elegance and romance of the golden age of Hollywood musicals will sweep you off your feet with song and dance standards inspired by Fred Astaire, Ginger Rogers, Gene Kelly and “the queen of tap dancing” herself, Eleanor Powell. You’ll be dancing cheek to cheek by the time the concert is over—just in time for Valentine’s Day.
HIGH NOON in Concert FEBRUARY 17
7 PM / ABRAVANEL HALL
Saddle up for the greatest showdown in the history of cinema! In his Oscar-winning role for best actor, Gary Cooper stars as a lawman who stands alone to defend his town against a gang of revenge-seeking outlaws. You’ll be on the edge of your seat as High Noon plays on the big screen while the Utah Symphony performs the intense music of Dimitri Tiomkin’s award-winning score live.
BERNSTEIN AT 100: SYMPHONY NO. 2 with CONR AD TAO FEBRUARY 23 & 24
7:30 PM / ABRAVANEL HALL
REPERTOIRE
ARTISTS
SAINT-SAËNS DANSE MACABRE SYMPHONY NO. 1 BERNSTEIN SYMPHONY NO. 2 “AGE OF ANXIETY”
THIERRY FISCHER CONDUCTOR CONRAD TAO PIANO
BERNSTEIN AT 100: CHICHESTER PSAL MS & DIVERTIMENTO MARCH 2 & 3
7:30 PM / ABRAVANEL HALL
REPERTOIRE
ARTISTS
SAINT-SAËNS SYMPHONY IN A MAJOR BERNSTEIN CHICHESTER PSALMS STRAVINSKY SYMPHONY OF PSALMS BERNSTEIN DIVERTIMENTO FOR ORCHESTRA
THIERRY FISCHER CONDUCTOR BARLOW BRADFORD CHORUS DIRECTOR BOY SOPRANO FROM THE MADELEINE CHOIR SCHOOL UNIVERSITY OF UTAH CHOIRS UTAH SYMPHONY CHORUS
SEASON SPONSOR
A Russian, a Michiganian and a Salt Lake Native By Renée Huang It sounds like the punchline for a joke but Utah Symphony’s three new violins really do hail from vastly different places. Director of Communications Renée Huang (who herself comes from Toronto, Canada) sat down with the newest members of the violin section to learn about the journeys that brought them to Salt Lake City.
Evgenia Zharzhavskaya, Assistant Principal Second Violin BACKGROUND I was born and spent most of my life in St. Petersburg, Russia. I started my musical education playing piano at a very early age and then switched to violin when I was six. I entered the Rimsky-Korsakov School of Music the same year and later continued my studies at the St. Petersburg state conservatory where I got my Bachelor of Music and Master of Music degrees. While still at the conservatory I won a position with the Mariinsky Theatre Orchestra under Valery Gergiev. I also took part in numerous music festivals including Schleswig-Holstein Music Festival in Germany, Verbier Festival in Switzerland, Gustav Mahler Academy in Italy, and Miyazaki Festival in Japan. I moved to Florida in 2010 to study with Elmar Oliveira at Lynn University Conservatory of Music. In 2014 I won a full-time substitute position with the Houston Symphony, where I played for three seasons, and in April of 2017 I won the Assistant Principal Second position with the Utah Symphony. WHY UTAH SYMPHONY? I was drawn to the distinguished sound of the orchestra, great community, and the beauty of Utah.
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HOBBIES I like nature very much so I am very happy to have an excellent opportunity to explore the unbelievable beauty of Utah. I like baking, biking, hiking, reading, dancing salsa, learning self-defense with Krav Maga, and spending time with my dear husband and friends. Bonnie Terry, Section First Violin BACKGROUND I was born and raised here in Salt Lake City. I started violin when I was six and studied with Kris Palmer and Hiroko Primrose. When I was ten, I had the opportunity to solo with the Utah Symphony under the direction of Joseph Silverstein on the annual Salute to Youth Concert. I left home at age 12 to study violin at the Preucil School of Music in Iowa City and then attended high school in Michigan where I graduated from the Interlochen Arts Academy. I did, however, spend one year of high school here at West High (Go Panthers!) where I sang in the Chorale and A Capella, and studied violin with Gerald Elias, then associate concertmaster of the Utah Symphony. I received my bachelor’s degree and performer’s certificate from the Eastman School of Music in Rochester, NY where I studied with William Preucil (concertmaster of the Cleveland Orchestra and a former concertmaster of the Utah Symphony), and master’s degree from the Cleveland Institute
UTAH SYMPHONY
A Russian, a Michiganian and a Salt Lake Native
of Music where I was also a Preucil student. Following grad school I spent a year as a fellow with the New World Symphony in Florida. From there I moved to Tucson, Arizona for three years where I was the concertmaster of the Tucson Symphony Orchestra and taught violin at the University of Arizona. I also spent a year in Charlottesville, VA teaching at the University of Virginia. For the last ten years I have lived in San Antonio, TX as the Associate Concertmaster of the San Antonio Symphony. I have spent the last fourteen summers in Chicago playing with the Grant Park Music Festival Orchestra. WHY UTAH SYMPHONY? I moved here to be closer to my family and because I grew up watching the Utah Symphony play! I couldn’t be happier to be back in the Motherland! My parents, older brother, and younger sister also live and grew up here. My sister plays the violin and is a dance teacher, and my brother plays piano and trumpet. HOBBIES I love to sing, dance (danced as a member of the Children’s Dance Theater from age 4–17), attend SLAC plays, RDT and Ririe Woodbury performances, and hang out with friends and family.
Hannah Linz, Section Second Violin BACKGROUND I grew up in a musical family as the youngest of four children in Okemos, Michigan. I began playing the violin at age three and the piano at age five. After having won competitions for solo playing and chamber music, as well as attending summer music programs, I went on to pursue a degree in violin performance at Indiana University Jacobs School of Music, studying privately with Ik-Hwan Bae, Jorja Fleezanis, and Alexander Kerr. WHY UTAH SYMPHONY? I am joining the Utah Symphony after having performed with the Dallas Symphony for two seasons as a Jaap van Zweden Scholar, and as a substitute member of The Philadelphia Orchestra. I am thrilled to join the Utah Symphony not only because it is a great orchestra with a fantastic music director, but I also enjoy the incredible natural beauty that this state has to offer. I am excited to get to know Utah and explore this gorgeous state. HOBBIES In my free time, I enjoy cooking, reading, and watching movies. Renée Huang is the Director of Communications and Digital Media.
UTAHSYMPHONY.ORG
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From Muggles to Outlaws Utah Symphony’s new “Films in Concert” series unites unlikely heroes. Some of the most beloved tales in cinematic history play out on the big screen as the orchestra performs the gripping soundtracks live. Director of Communications Renée Huang explores what else makes the experience captivating for audiences of all ages. Building upon the audience excitement for film screenings coupled with live orchestra playing the soundtrack, the Utah Symphony proudly announced the creation of a Films in Concert series on its 2017–18 season featuring four orchestra presentations paired with motion pictures on the big screen at Abravanel Hall. Just in time for the holidays, the second film in the Harry Potter Film Concert Series takes to the Abravanel Hall stage in three performance dates, December 21, 22 and 23. In Harry Potter and the Chamber of Secrets™, cars fly, trees fight back and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when writing on the wall announces: The Chamber of Secrets has been opened. “This film series shows our commitment to creating exciting programming that inspires a whole new generation of symphony goers,” said Utah Symphony | Utah Opera President and CEO Paul Meecham. “There is nothing quite like the immersive experience of watching a feature film on the giant screen while the soundtrack is played by a live orchestra.” The Utah Symphony’s 2017–18 season opened in September with Raiders of the Lost Ark, the first in the epic adventure chronicles of Indiana Jones. Tim Burton’s delightful animated film, The Nightmare Before Christmas, screened before Halloween. Utah Symphony’s Films in Concert series concludes on February 17, 2018 with a world-premiere screening of award-winning Western classic, High Noon, with live orchestra playing the soundtrack. In his Oscar-winning role for best actor, Gary Cooper stars as a lawman who stands alone to defend his town against a gang of revenge-seeking outlaws. Continued on page 25…
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UTAH SYMPHONY
Whether you travel through the magical window stroll or enjoy whimsical shopping, The Grand presents an unforgettable holiday experience. GRANDAMERICA.COM
From Muggles to Outlaws Enjoy this gripping, award-winning classic with an added sense of suspense as the Utah Symphony performs live the critically-acclaimed score by Dimitri Tiomkin. This film presentation is in collaboration with Go West! Art of the American Frontier, a festival focused on Western art from the Buffalo Bill Center of the West, December 3, 2017– March 11, 2018, at the Utah Museum of Fine Arts (UMFA). Go West! Art of the American Frontier presents a century of art from an extraordinary era of exploration. Featuring 90 works by artist-explorers and Plains Indian tribes, it chronicles a pivotal period from 1830–1930 in which cultures were merging, clashing, and finding fortune or hardship in a changing American landscape. Paintings and sculptures by George Catlin, Albert Bierstadt, Frederic Remington, Charles Russell, and N.C. Wyeth document the journeys that would solidify our popular understanding of the American West. Objects made by Sioux, Cheyenne, and other Native American tribes reflect the rich cultural heritage of the Native peoples who struggled against encroachment into their lands. The diversity of works presented demonstrates how artists took part in shaping contemporary views of this layered and complex history. This exhibition is organized by the Buffalo Bill Center of the West, in Cody Wyoming. For more information on the festival, visit umfa.utah.edu.
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Social Snapshots Help us tell the story of your Utah Symphony experience. Take out your phone and snap a quick selfie before tonight’s performance and post your photos with #UtahSymphony to join the conversation.
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♥ @abe_alonzo Celebrating with the utahopera 40th #anniversary season with #reneefleming and the #utahsymphony at Abravanel Hall. @utahopera #opera #saltlakecity #gala
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♥ @lizzypalmatier Jake’s first Utah Symphony concert! We watched Indiana Jones while the Utah Symphony played the soundtrack through the entire movie. (Shout out to @tuba_matt who performed the Tuba part) So much fun! #UtahSymphony #IndianaJones
♥ @elise_gubler Renée Fleming with the Utah Symphony! My heart, head, and ears were in heaven. It was amazing. So beautiful. Sad for him, lucky for me, Melissa’s husband was out of town and I got to take his ticket tonight and join this lovely friend of mine. It is also the 40th Anniversary of the Utah Opera so it was the night for a fancy fundraising gala. No, we did not attend, but it was fun to see all the people gussied up.
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UTAH SYMPHONY
program
Messiah Sing-In
CONCERT SPONSOR
November 25–26 / 2017 / 7:30PM / ABRAVANEL HALL CONNER GRAY COVINGTON, conductor
CHRISTOPHER OGLESBY, tenor
CHRISTOPHER QUINN, chorus director
JESÚS VICENTE MURILLO, baritone
ABIGAIL RETHWISCH, soprano
WESTMINSTER COMMUNITY CHOIR
MELANIE ASHKAR mezzo-soprano
MEMBERS OF THE UTAH SYMPHONY CHORUS
PART I: PROPHECY AND FULFILLMENT Sinfonia Comfort ye, comfort ye my people Ev’ry valley shall be exalted And the Glory of the Lord ** And he shall Purify the sons of Levi** Behold, a virgin shall conceive O thou that tellest good tidings to Zion ** For behold, darkness shall cover the earth The people that walked in darkness For unto us a Child is Born ** Pifa “Pastoral symphony” There were shepherds abiding in the field And the angel said unto them And suddenly, there was with the angel Glory to God in the Highest ** Rejoice Greatly, O daughter of Zion Then shall the eyes of the blind He shall feed his flock…Come unto him His yoke is easy**
G. SCHIRMER
BAERENREITER
7 10 16 22 47 47 55 60 66
4 7 12 20 45 46 54 53 64
79 80 81 82 87 94 94 98
83 84 85 86 93 101 101 105
113 117 122 130 135 140 142 174 188 189 193 204 210 214 214 237
123 128 135 142 153 162 170 215 233 234 238 251 257 260 261 287
/ INTERMISSION / PART II: PASSION AND RESURRECTION Surely He hath borne our griefs ** And with his stripes we are healed ** All we like sheep, have gone astray ** Behold, and see if there be any sorrow He was cut off But thou didst not leave His soul in hell The Lord gave the word ** Why do the nations so furiously rage He that dwelleth in Heaven Thou shalt break them with a rod of iron Hallelujah! ** I know that my Redeemer liveth Since by man came death ** Behold, I tell you a mystery The trumpet shall sound Worthy is the Lamb – Amen ** ** Chorus pieces
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Messiah Sing-In
artists’ profiles
See page 16 for Conner Gray Covington’s profile. Iowa native Abigail Rethwisch, soprano, stepped in on short notice in March 2017 to sing the title role of Lucia di Lammermoor for the entire run of Utah Opera’s production. Her 2017–18 season features include singing Adele in Die Fledermaus and performing with her husband, baritone Andrew Paulson, during the Utah Symphony’s Great American Road Trip. Past Utah Symphony | Utah Opera appearances include The Long Walk, Man of La Mancha, and Messiah. Abigail was a member of The Santa Fe Opera’s Apprentice Program for Singers this past summer, and has spent previous summers as apprentice with Chautauqua Opera, where she sang the role of Annina and covered Violetta in La traviata, and Des Moines Metro Opera. She has gained significant recognition in the Metropolitan Opera National Council Auditions, having been chosen as a regional finalist three times, most recently winning second place in the Great Lakes Region. She holds a Bachelor of Music degree in Music Education from Simpson College and a Master of Music degree in Vocal Performance from Florida State University. Lebanese-American mezzo-soprano Melanie Ashkar is known for the “rich texture” of her voice and her “delightfully expressive” stage presence. She has appeared across New York City as Earth (Los Elementos) with New York City Opera; Olga (Eugene Onegin) and Lucretia (The Rape of Lucretia) with Utopia Opera; Bradamante (Alcina) with OperaRox Productions; and Jo (Little Women), Older Woman (Flight), and La Zia Principessa/Zita (Suor Angelica/Gianni Schicchi) with Mannes Opera. Most recently she performed in Suor Angelica/ Gianni Schicchi with Martina Arroyo’s Prelude to Performance program. A Washington, DC native, Ms. Ashkar holds a Bachelor of Arts in Music and Linguistics from the University of Virginia, a Master of Science in Linguistics from Georgetown University, and an Master of Music in Voice Performance from Mannes College. This season for Utah Opera, she will appear in Gianni Schicchi and Die Fledermaus. Tenor Christopher Oglesby made his Utah Symphony debut in the An Evening with Renée Fleming gala, his Utah Opera debut as Parpignol in La bohème this season, and will have additional appearances in Moby-Dick, Gianni Schicchi, and Die Fledermaus. As an education artist with The Dallas Opera, he performed the role of Bastien in Mozart’s Bastien and Bastienne and Don Giovanni in Davies’ The Three Little Pigs. An active soloist, Mr. Oglesby recently appeared with the Abilene Philharmonic, the Dallas Puccini Society, and Opera Diversitá. Other recent credits include Tamino (Die Zauberflöte) with the Amalfi Coast Festival, Don Ottavio (Don Giovanni) with the University of North Texas Opera Theater, and Box (Sullivan’s Cox and Box) with Opera in Concert in Dallas. He holds bachelor degrees in both Vocal Performance and Music Education from Lee University and a Master of Music degree in Vocal Performance from the University of North Texas.
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UTAH SYMPHONY
artists’ profiles
Messiah Sing-In
Detroit native bass-baritone Jesús Vicente Murillo made his professional debut at the age of eighteen with Michigan Opera Theater as The Android in The Very Last Green Thing. In Utah Opera’s 2017–18 season, he will appear as Captain Gardiner in Moby-Dick, and Spinelloccio in Gianni Schicchi. Most recently Jesús performed the roles of Jose Castro (La fanciulla del West) and L’Inconnu (Cyrano) with Michigan Opera Theater. Jesús received his Master of Music degree in Opera and Voice from McGill University in Montréal and his Bachelor of Music degree in Vocal Performance at the University of Michigan. Westminster Community Choir Dr. Christopher Quinn, director Tyler Koefed, assistant-director Emily Williams, accompanist Elaine Anderson Michelle Anderson Natalie Bina Joan Bowles* Mary Burris Burt Clawson Nancy Coffeen Marisa Cooper Jon Crossley Corinne Cummings Monica Dain Cherisse Davis Paul Dixon* Cherie Duggar* Bailey Dunham Shan Farner Diane Forster-Burke Don Golladay Tim Gwilliam Cassie Hampton Merlyn Hanks* Jenn Hardwick Rodrigo Hernandez Asha Himmighoefer Elizabeth Hokanson* Kira Hoffelmeyer Andrea Hoffman Anna Hunter
Mike Hurst* Dawn Jackson Jenny Jensen Ky Johnson Carl Kibler Rachel Kibler Paul Kuhn Bob Knox Shirley Knox Tyler Kofoed Deborah Krebs Joan Kuntzman Michelle Leo-Cousins Duncan Livingston Edward Lopez John Lund Harriet McDonald Hannah Miller* Sydney Mogotsi Sadie Montgomery Janice Mosby Joe Muscolino Jeff Nichols Barbara Ogden Maria Oneida-Hardwick Jeanne Orza Rebecca Owen Jamie Oyler Alycia Parnell Julie Paxton David Pierce Candice Pitcher Nate Platt Lance Reeder
Ruth Rogers* Bev Ronnow Lorin Ronnow Kevin Rowe* Mia Schjelderup Myra Schjelderup Cathy Schreiber Sophie Schreiber Garrett Schoonover Summer Shumway Wayne Shutts Tamara Sleight Leslie Kay Smith Jayna Stark Eileen Stayner Chris Stockslager Caitlyn Stringham Sheri Tesseyman Autumn Thatcher Sam Thomas Mandi Titcomb Kimberly Tosti Dorothy Urbom Hongyue Wan Susan Wieck Kiah Williams Melodie Williams Letty Workman Jared Zitnay Gina Zivkovic *Utah Symphony Chorus Member/Alumnus
Thank you to the Mormon Tabernacle Choir for use of the harpsichord and portative organ.
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Messiah Sing-In
program notes
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Notes by Michael Clive
Handel
Messiah INSTRUMENTATION: 2 oboes, bassoon; 2 trombones; timpani; harpsichord; organ; strings.
WHAT TO LISTEN FOR
The drama and beauty of Messiah flow first from its beautiful melodies, which inspire us while capturing the revelatory emotions described in the text. But they also gain extraordinary intensity through the baroque compositional technique of “word painting,” in which the flow of notes in the music actually seems to replicate a shape or contour that the notes describe. One frequently cited example of word painting occurs early in Part I, in the tenor aria “Every valley shall be exalted.” Every valley shall be exalted And every mountain and hill made low The crooked, straight And the rough places plain. On the word “mountain,” the tenor’s voice rises to a high F#, creating a literal peak of sound; then it drops by an octave, showing how the mountain is made low. On “crooked,” the melodic line vacillates between the jagged C# and the straight B, coming to rest on the straight B. Similarly, the word “exalted” is raised up by an octave in its final syllable. Messiah teems with effects like these, which deepen our experience of the text with almost palpable realism. For example, slightly later in Part I, in the chorus “And He shall
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purify,” note the way the articulations on the word “purify” leap like the flames of the refiner’s fire in the text. The effect of word painting can even focus on a single syllable— as when, two choruses later in “O thou that tellest good tidings to Zion,” the alto soloist leaps up a fourth on the word up: “get thee up unto the high mountains.” For many listeners, a climactic and favorite painterly effect is the heavenly fluttering of wings when angels appear to the shepherds by night, as conveyed by arpeggios in the strings: “And suddenly there was with the angel a multitude of the heavenly host praising God, and saying…” This moment, which forms a dramatic climax about twothirds of the way through Part I, is as graphic and immediate as a movie; think of Handel’s score as the CGI of its day. For all of its vividness, Handel’s mastery of word painting accounts for just part of the dramatic impact of Messiah. It combines with his gift for melody and a sympathetic understanding of psychology that appeals to us in a way that is less literal, but more deeply human. When we hear the soprano soloist singing “Come unto Him, all ye that…are heavy laden,” who can fail to take comfort at the tenderness of her vocal line? Equally intense are the passages of joyful anticipation and of triumph, as in the prophecy expressed in “For unto Us” and in the glorious “Hallelujah” chorus, which so overwhelmed Handel’s contemporary audiences that, we are told, they spontaneously rose to their feet in awe—a tradition that persists to this day in many parts of the world.
UTAH SYMPHONY
program
Saint-Saëns’ “Organ” Symphony
Saint-Saëns’ “Organ” Symphony December 1–2 / 2017 / 7:30PM / ABRAVANEL HALL THIERRY FISCHER, conductor PAUL JACOBS, organ
SAINT-SAËNS
“Bacchanale” from Samson and Delilah
SAINT-SAËNS
Trois tableaux symphoniques d’après La foi / INTERMISSION /
SAINT-SAËNS
Symphony No. 3 in C minor, Op. 78 “Organ” I. Adagio - Allegro moderato - Poco adagio II. Allegro moderato - Presto - maestoso
C O N D U C TO R S P O N S O R
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Saint-Saëns’ “Organ” Symphony
artist’s profile / program notes
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See page 15 for Thierry Fischer’s profile. Paul Jacobs began his 2017–18 season with a concert at the Toledo Museum of Art performing in a centennial celebration of Lou Harrison, followed by Shanghai, China where he is President of the Jury of the first Shanghai International Organ Competition, an especially important milestone in the development of organ playing in Asia. He will also be presented in recital at the Oriental Arts Center. He is organ soloist in Saint-Saëns’ “Organ” Symphony with the Chicago Symphony and the Utah Symphony, and presents solo recitals in San Francisco at Davies Symphony Hall, as well as in Sacramento, Tampa, Houston, Baylor University, and Pittsburgh among others. Prodigiously talented from his earliest years, at 15 young Jacobs was appointed head organist of a parish of 3,500 in his hometown of Washington, Pennsylvania. Mr. Jacobs studied at the Curtis Institute of Music, double-majoring with John Weaver for organ and Lionel Party for harpsichord, and at Yale University with Thomas Murray. He joined the faculty of The Juilliard School in 2003, and was named chairman of the organ department in 2004, one of the youngest faculty appointees in the school’s history. He received Juilliard’s prestigious William Schuman Scholar’s Chair in 2007 and an honorary Doctor of Music from Washington and Jefferson College in 2017.
Paul Jacobs organ
Notes by Michael Clive
Camille Saint-Saëns (1835–1921)
“Bacchanale” from Samson and Delilah INSTRUMENTATION: 2 flutes, piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 4 trumpets, 3 trombones, tuba; percussion; harp; strings. PERFOMANCE TIME:
7 minutes.
WHAT TO LISTEN FOR
This graphic example of musical narrative is probably the raciest example of Saint-Saëns’ facility for musical drama and scene-painting,
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which has never really been surpassed. The Bacchanale from Samson and Delilah is perhaps even more shocking when it is heard without staging, since it is then that the scene’s goings-on are left to our imaginations. An interval of ballet had always been an integral part of the French operatic tradition, and in Samson and Delilah Saint-Saëns uses the dance scene to represent the corruption of Samson’s Philistine captors. Its serpentine, highly modal theme is punctuated by percussion. As the musical elements build in intensity, menace and allure are intermixed. The music seems to writhe with escalating physical tension, then relax into a lyrical second theme that suggests voluptuous lolling and Delilah’s feminine beauty. With our blood pressure rising as we listen, the music soon becomes a graphic
UTAH SYMPHONY
Saint-Saëns’ “Organ” Symphony
program notes
musical representation of an orgy. The themes alternate suggestively, rising to a final, almost violent climax. It’s probably impossible to listen to this music without envisioning a tangle of writhing bodies. The opera gained popularity in the 1890s, an era when such music was often called a “Cooch dance,” choreographed with sinuous movements. One notorious example from that era was “Fatima’s Famous Cooch Dance” at the Chicago World’s Fair in 1894, but Saint-Saëns’ aural interpretation surely outdoes Fatima’s, taking the genre to an extreme. Hearing it proves that you don’t have to take your clothes off to enjoy an orgy. Camille Saint-Saëns (1835–1921)
Trois tableaux symphoniques d’après La foi INSTRUMENTATION: 3 flutes, 3rd doubling piccolo, 2 oboes, 2nd doubling English horn, 2 clarinets, 2 bassoons; 4 horns, 3 trumpets, 3 trombones; percussion; 2 harps; harmonium; strings. PERFOMANCE TIME:
16 minutes.
WHAT TO LISTEN FOR
The sound of Trois tableaux is remarkable for what it is not, as well as for what it is. In the second half of the 19th century, “exoticism” captivated European composers. Delibes’ Lakme and Bizet’s The Pearl Fishers are set in India and Ceylon, respectively; the ancient Egypt of Verdi’s Aida might just as well be that of Brieux’s La foi. These settings gave composers a chance to introduce novel textures and musical effects. Listeners relished these effects, and knew what
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to expect in them: plenty of chromaticism, tinkling instrumentation, sinuous melodies and the use of unfamiliar modes. These conventions give Saint-Saëns’ opera Samson and Delilah much of its ancient, Middle-Eastern atmosphere. But in the Trois tableaux he confounds listeners’ traditional expectation of exoticism. Instead, the music has a shimmering quality and seems suffused with a kind of inner radiance. Saint-Saëns was a master of musical narration and dramatic effect, and in the five acts of La foi he had plenty of episodic material to work with. But he rejected this approach entirely, opting instead for a more introspective through line. The music has an overriding sense of serenity, creating tension that is abstract rather than dramatic through the alternation of darkness and light. As with many of Beethoven’s most profound, late compositions— the late quartets and piano sonatas—Trois tableaux is a deeply personal statement that invites us to look within ourselves. In three movements, beginning with glowingly hopeful opening bars, it leads us to triumph. The inspired inclusion of the harmonium unites East and West in a statement of universal faith. Camille Saint-Saëns (1835–1921)
Symphony No. 3 in C minor, Op. 78 “Organ” INSTRUMENTATION: 3 flutes, 3rd doubling piccolo, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon; 4 horns, 3 trumpets, 3 trombones, tuba; percussion; organ; piano; strings. PERFOMANCE TIME:
34 minutes.
WHAT TO LISTEN FOR
In the “Organ” Symphony, Saint-Saëns combines his facility for sonic dazzle with
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Saint-Saëns’ “Organ” Symphony
program notes
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rigorously trained organists, the symphony’s third larger ambitions. In an introductory note for movement must have seemed to increase the the symphony, which was commissioned (like probability that Saint-Saëns, a famously virtuosic Beethoven’s Ninth) by the Royal Philharmonic organist, was toying with their expectations Society and premiered in London, the composer notes that “This symphony is divided of a spectacular orchestral utterance by the into two parts… Nevertheless, it embraces in “king of instruments.” Here, after the beautiful non-thunder of the second movement resolves principle the four traditional movements, but into serenity an Allegro moderato takes care the first is altered in its development to serve of business by presenting a conventional, as the introduction to the poco adagio, and string-dominated sound. In character, the third the scherzo is connected by the same process movement sounds like the kind of scherzo that to the finale.” More simply stated, the work’s might be typical of a traditional symphony, movements are paired, so that it seems to be with no hint of another organ entrance on the divided in halves rather than fourths. Beyond horizon. But then, in the reprise, a new theme that, the development is cyclical, with thematic boldly announces its presence. Tension mounts, material evolving throughout the symphony. new possibilities arise, and we are reminded of In this regard Saint-Saëns took his cue from the organ’s slumbering presence. Liszt, combining the traditional sonata-allegro scheme of thematic development in individual For organ enthusiasts, the fourth movement movements with a larger template that transforms his materials in a larger musical arc. of this symphony offers the one of the great climactic moments in music: an organ chord in C Major spanning three and a half octaves. The symphony opens with an introductory The marking is single-forte, but the effect is as theme comprised of a rising four-note figure. It huge as a mighty fortissimo, and soloists are is short, slow (marked Adagio), and haunting in quality; no sooner does it appear than it begins within their discretion to blast it as loud as they deem fit, depending on the venue and to evolve in an Allegro development. Formally the collaboration of the day. The point is not constructed, the movement seems to build tension with its large orchestral forces mounting mere aural spectacle, but, as the composer wrote, “the defeat of the restless, diabolical in waves, only to let them subside. Eventually element” leading to “the blue of a clear sky”—a the development resolves into a serene solemn, majestic musical utterance, distinctly conclusion that almost whispers, without even a liturgical in character. The eruptive force of the suggestion of the organ’s presence. Has Saintorgan is balanced by the sparkle of the piano, Saëns been teasing us with the expectation of and its sepulchral weight is focused in a stately a thundering organ? rhythm, all blending seamlessly with the colors of the orchestral choir. Saint-Saëns dedicated This opening is followed by a calm Adagio this symphony to Franz Liszt, who had admired that introduces the organ not in thunder, but the score but never heard it; having withdrawn tranquility: with subtle, pianissimo pedal from his rock-star lifestyle to live in religious points. It combines with a lush melody in contemplation, he died visiting Bayreuth only the strings that demonstrates not the typical months after its premiere. The dedication seems Romantic struggle between contending forces, especially appropriate to a work that reconciles but a coexistence that seems to express a spectacularly contrasting forces with a sense of harmonious view of the natural world. inner unity. It seems likely that only Saint-Saëns To the contemporary London audience and could have brought it off. especially to the French, who venerated their
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Susan & Tom Hodgson The Right Reverend Carolyn Tanner Irish G. Frank & Pamela Joklik Robert & Debra Kasirer Bill Ligety & Cyndi Sharp Estate of Gaye Herman Marrash Mr. & Mrs. Charles McEvoy Harold W. & Lois Milner Terrell & Leah Nagata William & Christine Nelson Norman C. & Barbara L. Tanner Trusts Dr. Dinesh & Kalpana Patel Leslie Peterson & Kevin Higgins Frank R. Pignanelli & D’Arcy Dixon
Alice & Frank Puleo Stephen & Cydney Quinn David & Shari Quinney Brad & Sara Rencher Richard & Carmen Rogers Lori & Theodore Samuels Mr. & Mrs. D. Brent Scott George & Tamie† Speciale Jennifer Speers Mr. & Mrs. G. B. Stringfellow Thomas & Marilyn Sutton James R. & Susan Swartz Jonathan & Anne Symonds Thomas & Caroline Tucker Kathleen Digre & Michael Varner
Mr. Joseph F. Furlong III Mr. & Mrs. Eric Garen David & Lisa Genecov Andrea Golding Ray & Howard Grossman Dennis & Sarah Hancock Julie & Dave Hirz Chuck & Kathie Horman Jon & Karen Huntsman Jon & Mary Kaye Huntsman Mary P. Jacobs & Jerald H. Jacobs Family Mr. James Keras & Mrs. Penny Keras Jeanne Kimball Mr. & Mrs. Christopher J. Lansing Elizabeth & Michael Liess Mr. & Mrs. Wayne Lyski David & Nickie McDowell Paul Meecham & Laura Leach Carol & Anthony W. Middleton, Jr., M.D.
James & Ann Neal James & Marianne Nelson Charles & Amy Newhall Howard & Nancy Parker Dr. Thomas Parks & Dr. Patricia Legant Brooks & Lenna Quinn Dr. & Mrs. Marvin L. Rallison Patricia A. Richards & William K. Nichols James & Gail Riepe Dr. Wallace Ring Peggy & Ben Schapiro Dewelynn Selberg Stuart & Molly Silloway Tim Terrell Thomas & Kathy Thatcher Albert & Yvette Ungricht E. Woolston & Connie Jo Hepworth-Woolston Chris & Lisa Young
ALLEGRO $5,000 to $9,999 Anonymous (3) Mr. & Mrs. Alan P. Agle Ross Anderson Edward Ashwood & Candice Johnson Mr. & Mrs. William C. Bailey Dr. & Mrs. Clisto Beaty Carol, Rete & Celine Browning Judy & Larry Brownstein Mr. & Mrs. Neill Brownstein Chris & Lois Canale Thomas Christofferson Joseph Cleary Amalia Cochran Marc & Kathryn Cohen Mr. & Mrs. Kenneth R. Cutler Spencer & Cleone Eccles Midge Farkas Jack & Marianne Ferraro Robert & Elisha Finney Susan F. Fleming
Donations received as of September 20, 2017
UTAHSYMPHONY.ORG
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Thank You ABRAVANEL & PETERSON SOCIETY $4,000 to $4,999 Members of the Maurice Abravanel & Glade Peterson Societies pay tribute to our founders through an annual financial commitment of $4,000 or more, while enjoying benefits throughout the season. For more information, please call 801-869-9028. Anonymous Debbie & Gary Cook Michael & Sheila Deputy Mr. & Mrs. Robert Ehrlich Dr. & Mrs. Bradford D. Hare Annette & Joseph Jarvis Ronald & Janet Jibson
Laura Kiessner Allison Kitching Harrison & Elaine Levy Thomas & Jamie Love Keith & Vicki Maio Michael & Julie McFadden Stephen & Mary Nichols
Thomas & Gayle Sherry Diana & Paul Smith Verl & Joyce Topham Karen Urankar Dr. Ralph & Judith Vander Heide Ardean† & Elna Watts
ABRAVANEL OR PETERSON SOCIETY $2,500 to $3,999 Members of the Maurice Abravanel or Glade Peterson Society support the symphony or opera through annual gifts of $2,500 or more and enjoy symphony or opera benefits throughout the season. For more information, please call 801-869-9028. Anonymous (5) Craig & Joanna Adamson Fran Akita Robert & Cherry Anderson Robert Baker E. Wayne & Barbara Baumgardner Melissa J. Bentley, M.D. Mr. & Mrs. William Bierer Robert W. Brandt† David Brown Mr. & Mrs. John Brubaker Richard & Suzanne Burbidge Kelly Burt Mark & Marcy Casp Hal & Cecile Christiansen Edward & Carleen Clark Raymond & Diana Compton Sandra & David Cope Dr. & Mrs. Thomas Coppin
Ruth Davidson Graeme Dayton David & Karen Gardner Dee Thomas D. Dee III & Dr. Candace Dee Margarita Donnelly Carol & Greg Easton Janet Ellison Neone F. Jones Family Blake & Linda Fisher Laura Forsgren Drs. Fran & Cliff Foster Robert & Annie-Lewis Garda Diana George Jeffrey L. Giese, M.D. & Mary E. Gesicki The James S. Gulbrandsen, Sr. Family C. Chauncey & Emily Hall Kenneth & Kate Handley
David & Judi Harris Lisanne & Don Hendricks Debbie Horton Sunny & Wes Howell Dixie & Robert Huefner Mr. & Mrs. Jerry Huffman Sherry & Jim Hulse Scott Huntsman M. Craig & Rebecca Johns Bryce & Karen† Johnson Jill Johnson Maxine & Bruce Johnson Catherine Kanter Susan Keyes Merele & Howard Kosowky Donald L. & Alice A. Lappe Victoria McNeil Le Vine Herbert C. & Wilma S. Livsey Patricia & Mark Lucas Milt & Carol Lynnes Donations received as of September 20, 2017
44
UTAH SYMPHONY
Thank You ABRAVANEL OR PETERSON SOCIETY $2,500 to $3,999 Anonymous David & Donna Lyon Jed & Kathryn Marti Zelda Marzec Christopher & Julie McBeth George & Nancy Melling Dr. Jean H. & Dr. Richard R. Miller Mr. & Mrs. Richard Mithoff Dr. Louis A. Moench & Deborah Moench Marilyn & Rulon Neilson Thomas & Barbara O’Byrne O. Don & Barbara Ostler Dr. S. Keith & Barbara Petersen
Dan & June Ragan W. E. & Harriet R. Rasmussen Dr. Richard & Frances Reiser Joyce Rice Kenneth Roach & Cindy Powell Lousje & Keith Rooker Thomas Safran Mark & Loulu Saltzman John F. Foley, M.D. & Dorene Sambado, M.D. Margaret P. Sargent Shirley & Eric Schoenholz Barbara & Paul Schwartz William G. Schwartz & Joann Givan
Christine St. Andre Dawn & Mitch Taubin Richard & Janet Thompson Mr. & Mrs. Glen R. Traylor Susan & David† Wagstaff John & Susan Walker Bryan & Diana Watabe Suzanne Weaver & Charles Boynton David & Jerre Winder Catherine Wong Gayle & Sam Youngblood
Dr. & Mrs. Michael A. Kalm Carl & Gillean Kjeldsberg Val Lambson Guttorm & Claudia Landro Anne Lee & Claude Halter Dr. Vivan S. Lee & Mr. Benedict Kingsbury James Lether Lisa & James Levy Ronald W. Tharp & Kate F. Little Dennis & Pat Lombardi Ross & Kathleen Matthews Daniel & Noemi P. Mattis George & Lina Mendelson Brad & Trish Merrill Dr. Nicole L. Mihalopoulos & Joshua Scoville David Mortensen & RoseMarie Brittner Mahyera
Dan & Janet Myers Michael & Leslie O’Malley Robert & Catherine Pedersen Mr. David A. Petersen Victor & Elizabeth Pollak Jana Ramacher Gina Rieke Grant Schettler Gibbs & Catherine W. Smith Payam Tristani Rachel Varat-Navarro Susan Warshaw Erik & Linda Watts Dan & Amy Wilcox Norman & Kathy Younker Laurie Zeller Michael & Olga Zhdanov
PATRON $1,500 to $2,449 Anonymous (2) Barry Bergquist Shauna Bona Mr. & Mrs. Lee Forrest Carter David & Carol Coulter Kathleen & Frank Dougherty Katherine W.† & E. R. Dumke, Jr. Robert S. Felt, M.D. William Fickling Heidi Gardner The George B. & Oma E. Wilcox & Gibbs M. & Catherine W. Smith Fdn. Ronald & Kaye Gunnell Arlen Hale Drs. Carolyn & Joshua Hickman Caroline & David Hundley James Hynes Drs. Randy & Elizabeth Jensen
Donations received as of September 20, 2017
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Thank You FRIEND $1,000 to $1,499 Anonymous (5) Carolyn Abravanel Madeline Adkins & John Forrest Christine A. Allred Drs. Crystal & Dustin Armstrong Curtis Atkisson, Jr. Diane Banks & Dr. Mark Bromberg Roger & Karen Blaylock Dana Carroll & Jeannine Marlowe Michael & Beth Chardack William J. Coles & Dr. Joan L. Coles Dr. & Mrs. David Coppin Denise Corr Dorothy B. Cromer† James & Rula Dickson Margaret Dreyfous Alice Edvalson Naomi K. Feigal Ralph & Rose Gochnour Dr. & Mrs. John Greenlee Geraldine Hanni
John Edward Henderson Connie C. Holbrook Todd & Tatiana James Dale & Beverly Johnson Jocelyn Johnson Chester & Marilyn Johnson Robert & Karla Knox Greg Larson Sheryl Laukat Tiffany & Mark Lemons Peter Margulies & Louis Vickerman Edward & Grace McDonough Clifton & Terri McIntosh Mr. & Mrs. Michael Mealey Lex Hemphill & Nancy Melich Hal & JeNeal Miller Mary Muir Oren & Liz Nelson Timothy F. Buehner Richard O’Brien Mary Jane O’Connor Ruth & William Ohlsen Linda S. Pembroke
Rori & Nancy Piggott David Porter Keith & Nancy Rattie David & Lois Salisbury Janet Schaap James Schnitz Mr. August L. Schultz Annabelle & Dennis Shrieve Barbara Slaymaker Dorotha Smart Dr. & Mrs. Michael H. Stevens Amy Sullivan & Alex Bocock Douglas & Susan Terry Craig & Christy Wagstaff M. Walker & Sue Wallace Gerard & Sheila Walsh Judith Warner Mary & Scott Wieler Margaret & Gary Wirth Marsha & Richard Workman John & Jean Yablonski Kathie & Hugh Zumbro
Donations received as of September 20, 2017
Arrive early and enjoy a fun, behind the music lecture for each of our Masterworks concerts. 6:45 PM in the First Tier Room, Abravanel Hall
46
UTAH SYMPHONY
Thank You CORPORATE, FOUNDATION, AND PUBLIC SUPPORT
Annual Fund
Utah Symphony | Utah Opera is grateful to the corporations, foundations & public institutions that sustain our mission and to those who have pledged multi-year gifts (recognized in bold). For more information, please call 801-869-9013.
ENCORE $100,000 & ABOVE The Church of Jesus Christ of Latter-day Saints Dominion Energy Emma Eccles Jones Foundation The Florence J. Gillmor Foundation George S. & Dolores Doré Eccles Foundation Janet Q. Lawson Foundation
Larry H. & Gail Miller Family Foundation John & Marcia Price Foundation Marriner S. Eccles Foundation O.C. Tanner Utah State Legislature / Utah State Board of Education Salt Lake County Shiebler Family Foundation
Sorenson Legacy Foundation State of Utah Summit County Restaurant Tax/ RAP Tax The Tony & Renee Marlon Charitable Foundation Utah Division of Arts & Museums Zions Bank
Lawrence T. & Janet T. Dee Foundation
Grand & Little America Hotels* Sinclair Oil Corporation
BRAVO $50,000 to $99,999 Carol Franc Buck Foundation Chevron Corporation
OVERTURE $25,000 to $49,999 Anonymous Arnold Machinery B.M.W. of Murray C. Comstock Clayton Foundation Charles Maxfield & Gloria F. Parrish Foundation Deer Valley Resort** FJ Management, Inc. The Beesley Family Foundation
Montage Deer Valley** Harris H. & Amanda P. Simmons Foundation Nora Eccles Treadwell Foundation R. Harold Burton Foundation S. J. & Jessie E. Quinney Foundation The Sam & Diane Stewart Family Foundation
Simmons Family Foundation Stein Eriksen Lodge** Summit Sotheby’s Vivint.SmartHome Wells Fargo Advisors, LLC Wells Fargo Foundation Workers Compensation Fund
Donations received as of September 20, 2017
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Thank You CORPORATE, FOUNDATION, AND PUBLIC SUPPORT
MAESTRO $10,000 to $24,999 Adobe Ann & Gordon Getty Foundation B. W. Bastian Foundation Brent & Bonnie Jean Beesley Foundation Caffé Molise* CenturyLink Community Foundation of the Lowcountry Haven J. Barlow Family
Hyatt Centric Park City** Marie Eccles Caine FoundationRussell Family Marriott International, Inc. McCarthey Family Foundaton Merrill Lynch Wealth Management Merrill Lynch Coast Access LLC The New Yorker Opera America
Park City Chamber Bureau Promontory Foundation Richard K. & Shirley S. Hemingway Foundation Salt Lake City Arts Council The Swartz Foundation U.S. Bancorp Foundation Union Pacific Foundation University of Utah Health
The Dorsey & Whitney Foundation Flynn Family Foundation Holland & Hart Huntsman International LLC J. Wong’s Thai & Chinese Bistro* Jones Waldo Park City Macy’s Martine* Patricia Dougall Eager Trust Pro Helvetia, The Swiss Arts Council
Raymond James & Associates Resorts West by Natural Retreats* Spencer F. & Cleone P. Eccles Family Foundation St. Regis/Deer Crest Club Utah Autism Foundation Utah Office of Tourism The Val A. Green & Edith D. Green Foundation Victory Ranch & Conservancy
Graystone Consulting Henry W. & Leslie M. Eskuche Charitable Foundation Jones & Associates Love Communications Millcreek Coffee Roasters* Nebeker Family Foundation Park City Foundation Peczuh Printing Ray, Quinney & Nebeker Foundation Robert S. Carter Foundation
Rodney H. & Carolyn Hansen Brady Charitable Foundation Snell & Wilmer LLP Snow, Christensen & Martineau Foundation Squatters Pub* Stay Park City Stoel Rives TraskBritt P.C. Wells Fargo Zuvii*
PATRON $5,000 to $9,999 Anonymous (2) The Aaron Copland Fund for Music, Inc. Bambara* Bessemer Trust Berenice J. Bradshaw Trust The Capital Group The Foundation for Jewish Philanthropy Deluxe Corporation Foundation Discover Financial Services
FRIEND $2,500 & ABOVE Anonymous Art Works for Kids! Bertin Family Foundation Boeing Employees Community Fund Castle Foundation Chevron Matching Employee Fund Cope & Cope Investments, LLC D’Addario Foundation Diamond Rental ExxonMobil Foundation Fanwood Foundation George Q. Morris Foundation * In-kind donation only ** In-kind and cash donation
UTAHSYMPHONY.ORG
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Donations received as of September 20, 2017
49
Thank You DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps ensure the long-term wellbeing and stability of USUO, and through its annual earnings, supports our Annual Fund. For further information, please contact 801-869-9028. Anonymous Gael Benson Edward Ashwood & Candice Johnson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation
Thomas & Candace Dee Hearst Foundation Roger & Susan Horn The Right Reverend Carolyn Tanner Irish & Frederick Quinn Edward & Barbara Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation
Kenneth†& Jerrie Randall The Evelyn Rosenblatt Young Artist Award Norman C. Tanner & Barbara L. Tanner Trust O.C. Tanner M. Walker & Sue Wallace
GIFTS MADE IN HONOR OF Dr. J. R. Baringer & Dr. Jeannette J. Townsend Neill & Linda Brownstein
Herond & Gaylen Hoyt Pamela Robinson-Harris & Jeff Harris
The Right Reverend Carolyn Tanner Irish
GIFTS MADE IN MEMORY OF Jay T. Ball Janet Bennett Robert H. Burgoyne, M.D. Jeffrey L. Chaney Kathie Dalton Charles Dean Dean E. Eggertsen Loraine L. Felton Rosalie Frost Ursula Gleason Joanne Johnson Muriel Lindquist Panos Johnson
Joseph S. Kowlton Valice M. Laramee Sonja Margulies Frank & Maxine McIntyre Bill Peters Mardean Peterson John A. Reinertsen Alvin Richer Kathryn Romney J. Ryan Selberg Bert Schaap Aurelia H. Schettler
Catharine Schettler Ben Schippen Claudia Silver-Huff Hope B. Stevens Patrick L. Wade Robert Van Wagenen Nadine Ward Ardean Watts John W. Williams Lawrence Young Martin Zwick
Donations received as of September 20, 2017
50
UTAH SYMPHONY
TANNER & CRESCENDO SOCIETIES
“You are the music while the music lasts.” ~T.S. Eliot
Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning. Please contact Kate Throneburg at kthroneburg@usuo.org or 801-869-9028 for more information, or visit our website at usuo.giftplans.org.
TANNER SOCIETY OF UTAH SYMPHONY Beethoven Circle gifts valued at more than $100,000 Anonymous (3) Doyle Arnold & Anne Glarner Dr. J. Richard Baringer Haven J. Barlow Edward† & Edith† Brinn Shelly Coburn Captain Raymond & Diana Compton Anne C. Ewers Flemming & Lana Jensen
James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Dianne Miner Glenn Prestwich & Barbara Bentley Kenneth A.† & Jeraldine S. Randall Mr.† & Mrs. Alvin Richer
Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara Tanner Mr. & Mrs. M. Walker Wallace
Dianne May Dr. & Mrs. Louis A Moench Jerry & Marcia McClain Jim& Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn
Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin JoLynda Stillman Edwin & Joann Svikhart Frederic & Marilyn Wagner Jack R. & Mary Lois† Wheatley Edward J. & Marelynn Zipser
Mahler Circle Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Ms. Marilyn Lindsay Turid V. Lipman Herbert C. & Wilma Livsey
CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage
Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean Henkels Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Constance Lundberg Richard W. & Frances P. Muir Marilyn H. Neilson Carol & Ted Newlin
Stanley B. & Joyce Parrish Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser
†Deceased
UTAHSYMPHONY.ORG
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LEGACY GIVING
Leave a lasting legacy of excellent music. When you make a gift through your estate, either now or at the end of your life, you provide invaluable support to Utah Symphony | Utah Opera. Your financial advisor or estate planning attorney can help you build a gift that can meet goals for you or your heirs, and provide USUO with the resources that create incredible music. Help USUO preserve our future of performing favorite symphonic and operatic works and new works for years to come. To learn more about how estate planning can benefit both you and USUO, please call Kate Throneburg at 801-869-9028 or visit us online at usuo. giftplans.org.
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ADMINISTRATION ADMINISTRATION Paul Meecham
Kate Throneburg
Mike Lund
David Green
Heather Weinstock
Manager of Special Events & DVMF Donor Relations
Jim Hadley
Senior Vice President & COO
Julie McBeth
Alina Osika
President & CEO
Executive Assistant to the CEO
Ali Snow
Executive Assistant to the COO & Office Manager
SYMPHONY ARTISTIC Thierry Fischer
Symphony Music Director
Anthony Tolokan
Vice President of Symphony Artistic Planning
Director of Individual Giving
Manager of Corporate Partnerships
Lisa Poppleton
Grants Manager
Chelsea Kauffman
Annual Fund Coordinator
Director of Information Technologies Controller
Alison Mockli
Payroll & Benefits Manager
Jared Mollenkopf
Patron Information Systems Manager
Julie Cameron
Accounts Payable Clerk
Development Coordinator
EDUCATION Paula Fowler
MARKETING & COMMUNICATIONS Jon Miles
Beverly Hawkins
Steven Finkelstein
Director of Education & Community Outreach
Conner Gray Covington
Vice President of Marketing & Public Relations
Symphony Education Manager
Barlow Bradford
RenĂŠe Huang
Symphony Education Assistant
Assistant Conductor
Symphony Chorus Director
Walt Zeschin
Director of Orchestra Personnel
Andrew Williams
Orchestra Personnel Manager
Lance Jensen
Executive Assistant to the Music Director and Symphony Chorus Manager
SYMPHONY OPERATIONS Jeff Counts
Vice President of Operations & General Manager
Cassandra Dozet
Director of Operations
Director of Communications & Digital Media
Chad Call
Marketing Manager - Audience Development
Mike Call
Website Manager
Aaron Sain
Director of Creative and Brand Strategy
Kathleen Sykes
Digital Content Producer
Tyler Bloomquist
Junior Graphic Designer
PATRON SERVICES Nina Starling
Chip Dance
Director of Patron Engagement
Jeff Herbig
Sales Manager
Production & Stage Manager Properties Manager & Assistant Stage Manager
Melissa Robison
Faith Myers
Andrew J. Wilson
Patron Services Manager
Robb Trujillo
Program Publication & Front of House Manager
Group Sales Associate
Erin Lunsford
Patron Services Assistant
Artist Logistics Coordinator
0PERA ARTISTIC Christopher McBeth
Opera Artistic Director
Carol Anderson Principal Coach
Michelle Peterson
Opera Company Manager
Mandi Titcomb
Opera Production Coordinator
DEVELOPMENT Leslie Peterson
Vice President of Development
Hillary Hahn
Senior Director of Institutional Gifts
Natalie Cope
Director of Major Gifts
Ellesse Hargreaves Rachel Campbell
Marketing Manager - Patron Loyalty
Kyleene Johnson Paul Hill
Opera Education Assistant
OPERA TECHNICAL Jared Porter
Senior Technical Director
Kyle Coyer
Technical Director
Kelly Nickle
Properties Master
Lane Latimer
Assistant Props
Keith Ladanye
Production Carpenter
Travis Stevens Carpenter
Dusty Terrell
Scenic Charge Artist
COSTUMES Verona Green
Costume Director
Melonie Fitch
Rentals Supervisor
Jessica Cetrone Kierstin Gibbs LisaAnn DeLapp
Sarah Pehrson Jackie Seethaler Powell Smith
Rentals Assistants
Nick Barker Mat Jagiello Mara Lefler Rhea Miller Pat Murnin Anthony Roberts Ananda Spike
Tailor
Sales Associates
Ticket Agents
ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan
Vice President of Finance & CFO
Amanda Reiser Meyer Wardrobe Supervisor
Milivoj Poletan Tiffany Lent
Cutter/Draper
Donna Thomas
Milliner & Crafts Artisan
Chris Chadwick Yoojean Song Connie Warner Stitchers
Yancey J. Quick Daniel Hill Michelle Laino
Wigs/Make-up Crew
We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.
54
UTAH SYMPHONY
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HOUSE RULES
ASSISTIVE LISTENING DEVICES Assistive Listening Devices are available free of charge at each performance on a first-come, first-served basis at Abravanel Hall. Ask at the Coat Check for details.
WHEELCHAIR SEATING Ample wheelchair seating is available. Please inform our ticket office representative when making your reservation that you require wheelchair space. Arrive 30 minutes before curtain time to obtain curbside assistance from the House Manager.
LATECOMERS In consideration of patrons already seated in the hall, reserved seating will be held until curtain, after which alternate seating will be used. During some productions late seating may not occur until an intermission after which time you may be seated by an usher in an alternate section. When traveling to performances, please allow ample time for traffic delays, road construction, and parking.
YOUNG CHILDREN Utah Symphony | Utah Opera welcomes children eight years of age and older. Some concerts, including Family Matinees and special programs, are open to children of all ages. Please call 801533-6683 for a list of these special performances.
UTAHSYMPHONY.ORG
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All children, regardless of age, must have their own tickets for all performances. No babes-in-arms are allowed unless specifically indicated.
QUIET PLEASE As a courtesy to performers on stage and to other audience members, please turn off cell phones, pagers, beeping watches, or any other noisemaking device. Also, please refrain from allowing concession items such as candy wrappers and water bottles to become noisy during the performance.
CLEANLINESS Thank you for placing all refuse in trash receptacles as you exit the theatre.
COPYRIGHT ADHERENCE In compliance with copyright laws, it is strictly prohibited to take any photographs or any audio or video recordings of the performance.
NEED EXTRA LEG ROOM? Let us know when making reservations; we can help.
EMERGENCY INFORMATION In the event of an emergency, please remain seated and wait for instructions. Emergency exits are located on both sides of the house. Please identify the exit closest to your location.
59
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2017/18 UTAH SYMPHONY SEASON
DO YOU LOVE MUSIC AND KIDS?
Volunteer with Utah Symphony to teach kids about symphony concerts or help run a kids’ music program. Two of Utah Symphony’s programs for youth need volunteers who would like to share their love of music with students. UTAH SYMPHONY 5TH GRADE CONCERTS are made more memorable because of the talents of our docents, who visit classrooms to prepare students for a concert in Abravanel Hall. We provide the materials and train docents in their use. Docents visit nearly every school that sends 5th grade students and teachers to our concerts at Abravanel Hall, serving schools in the Alpine, Canyons, Davis, Granite, Jordan, Salt Lake and Tooele school districts. To learn more, contact Beverly Hawkins at bhawkins@usuo.org.
“Love this program!” — Utah Symphony Docent
tools to look good and smart at our presentations.”
— Utah Symphony Docent
THE MUSIC OUTREACH PROGRAM
program in Rose Park. Volunteers help with set up, class organization and logistics. Ability to play the violin (even a little) is helpful but not necessary. Contact Doyle Clayburn at dcsunset13@gmail.com if you’re interested in helping with this program. All lives can be enriched by the arts. Share your love of music with our young people. Please support our Education and Community Outreach programs. By donating you help provide arts events for students, aid classroom teachers, invest in the future citizens of Utah, and support your Utah Symphony and Utah Opera. Donate today! Contact our Development Department at (801) 869-9015.
ACKNOWLEDGMENTS UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR
Melissa Robison PROGRAM NOTES ANNOTATOR
Michael Clive Cultural writer Michael Clive is program annotator for the Utah Symphony, the Louisiana Philharmonic Orchestra and the Pacific Symphony, and is editor-in-chief of The Santa Fe Opera.
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relax and enjoy our complimentary shuttle! The New Yorker is a Salt Lake City icon that set the stage for fine dining in Utah and has been providing fresh, innovative food and outstanding hospitality in a warm, inviting atmosphere for decades of diners. Enjoy delicious food, relax and ride our complimentary shuttle to Abravanel Hall, Capitol Theatre and the new Eccles Theatre. Ride back and enjoy dessert and a nightcap, a cozy way to end your evening out on the town!
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Redeemable at any Market Street Restaurant or Fish Market 64
UTAH SYMPHONY
OUT ON THE TOWN
dining guide THE NEW YORKER 60 West Market Street. SLC’s
255 South West Temple, SLC. SPENCER’S premier dining establishment. Modern American
Whether before in orrefined after the showand or an evening cuisine isit’s featured dishes approachable dinner with friends and family—enjoy handfrom cut steaks, comfort food. From classic to innovative, fresh seafood, locally-crafted beers, classically contemporary seafood to Angus Beef steaks – the inspired cocktails and anfor award wine list. menu provides options everywinning taste. Served in a L,D,ST,C,LL,RA,CC, VS. 801-238-4748 casually elegant setting with impeccable service. Private dining rooms for corporate and social events. Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166 SQUATTERS PUB BREWERY 147 West MARKETSLC. STREET GRILLand DOWNTOWN Broadway Join us before after the show 48 for West Market Unanimous favorites seafood eclectic dailyStreet. specials and traditional pubfor favorites dining, providing exceptional service and award winning. such as bacon topped meatloaf, pizzas and a delicious The contemporary highest quality array of burgers, all menu pairedfeatures with ourthe world-class beer available. Selectatmosphere. from an abundant offering of fresh and welcoming L, S, AT ,LL, D, CC, VS seafood flown in daily, Angus Beef steaks, and a variety 801-363-2739 of non-seafood dishes. Open 7 days a week serving breakfast, lunch, dinner, Sunday Brunch. B, L, D, C, AT, S, LL, CC, VS. 801.322.4668 MARTINE 22 East 100 South. Exceptional ambience, located in a historic Martine offers Salt MARTINE 22 Eastbrownstone. 100 South. Award winning ambience, Lake Cityinaasophisticated dining experience kept located historic brownstone. Martine offers Salt Lake simple. Convenientlydining located on First kept South around City a sophisticated experience simple. Locally the corner from the Eccles Theater. Extensive sourced ingredients, pre-event $25 three coursebar prixand fixe. wine service. martinecafe.com L, D, T, LL, RA, CC, VS. Extensive bar and wine service. martinecafe.com 801-363-9328 L, D, T, LL, RA, CC, VS. 801-363-9328
Consistently Rated “Tops”
COMPLIMENTARY VALET AND SELF-PARKING FOR–Zagat ALL GUESTS 255 S • WEST TEMPLE 60801.238.4748 W. Market Street 801.363.0166 RESERVATIONS AT OPENTABLE.COM
Salt Lake City’s #1 Most Popular Restaurant
–Zagat SINCE
1989 W. Market Salt Lake48• Airport • ParkStreet City (340 South) squatters.com 801.322.4668
Open until Midnight Sun-Thur Fri-Sat until 1:00 am
• An intimate euro café • Free Valet Parking • an american contemporary café • 22 East 100 South
Local, Independent Chef Owned Phone • 801.363.9328 www.martinecafe.com 22 East 100 South
Top Photo: Image licensed by Ingram Image Phone • 801.363.9328 www.martinecafe.com
B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take C-Children’s MenubySR-Senior Menu AT-After-Theatre Top Out Photo: Image licensed Ingram Image LL-Liquor Required Accepted CC-Credit Cards Selections B-BreakfastLicensee L-LunchRR-Reservations D-Dinner S-Open SundayRA-Reservations DL-Delivery T-Take Out C-Children’s MenuAccepted SR-SeniorVS-Vegetarian Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections
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