Utah Opera 2014/15 Season by Mills Publishing Inc.

UTAHOPERA.ORG

Mozart’S

COSÌ FAN TUTTE

Mar 14–22

/2015

Christopher MCBeth / Artistic Director

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Contents PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR/ PRODUCTION MANAGER Jackie Medina PROGRAM DESIGNER Patrick Witmer GRAPHIC DESIGNERS Leslie Hanna Ken Magleby Patrick Witmer ADVERTISING REPRESENTATIVES Paula Bell Karen Malan Dan Miller Paul Nicholas OFFICE ASSISTANT Jessica Alder ADMINISTRATIVE ASSISTANT Kyrsten Holland EDITOR Melissa Robison

The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801/467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities.

Photo Credit: Kent Miles, 2005 Utah Opera production of Così fan tutte.

MOZART’S

Così fan tutte

6 Welcome 8 Testimonial 10 Board of Trustees 12 Season Honorees 13 Season Sponsor 18 Administration 23 Production Sponsors 26 Company 30 Synopsis 32 Composer & Librettist 34 Director’s Notes 36 “Disbelief, We Happily Suspend Thee” by Jeff Counts 43 “A Lesson for Lovers” by Paula Fowler 48 Utah Symphony 49 House Rules 50 Campaign for Perpetual Motion 54 Crescendo & Tanner Societies 55 Planned Giving 58 Corporate & Foundation Donors 60 Individual Donors 64 Classical 89 Broadcasts 66 Acknowledgments

Welcome

Welcome to Utah Opera’s performance of Mozart’s Così fan tutte. We’re so glad you’ve joined our community of people who value great live musical experiences. According to a survey conducted by OPERA America, Utah Opera boasts an audience with the youngest median age in the United States. We are proud of this statistic and hope you enjoy encountering the broad cross-section of Utahns and visitors to our state who come together in the Janet Quinney Lawson Capitol Theatre to be inspired by the music, sets, costumes, and amazing singer-actors bringing our performances to life. We are thrilled to feature the return of former Utah Opera Resident Artists Aaron Blake and Leah Wool to our stage as Ferrando and Dorabella. We are also proud to showcase

Dave Petersen USUO Board of Trustees Chair

current Resident Artist Abigail Levis as Despina. Our Resident Artist program is designed to offer training that helps young opera professionals further their careers; the program also provides opera outreach performances throughout the state of Utah. Participating artists tour the state between September and May each year, inspiring the people of Utah with age-appropriate educational programming in our schools and with community concerts in rural areas. Thank you for joining us today. When we see the excited faces of people entering and leaving our theatre, it is a wonderful reminder of how much our staff, artists, and trustees contribute to the rich cultural fabric of our community. Sincerely,

Melia Tourangeau USUO President & CEO

Christopher McBeth Utah Opera Artistic Director

UTAH OPERA COSÌ FAN TUTTE 2015

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Testimonial

Verl & Joyce Topham

Lifetime Board

Verl and Joyce Topham have devoted much of their lives and energy to supporting and sustaining the arts and education in Salt Lake City and beyond. Verl Topham had a long and successful career, first as a lawyer and later as the top executive with Utah Power and Light and PacifiCorp. Verl served on both the Utah Opera Board of Trustees, as Chairman, and the Utah Symphony Board before the two companies merged in 2002. He is currently a member of Utah Symphony | Utah Opera’s Lifetime Board. He has served on numerous other community boards, including Westminster College, Economic Development Corporation of Utah, and Utah Athletic Foundation, and he was Chair of the Board of Trustees of the Utah Shakespeare Festival. In 2000, Verl was honored by the Salt Lake Chamber as a Giant in Our City, an award that was created to recognize exceptional and distinguished public service and extraordinary professional achievement. Joyce is a multimedia visual artist. She is also a soprano and a longtime lover of opera and music. Verl and Joyce are both firm believers in a liberal arts education and are delighted that USUO artists share their musicianship with future generations. They support USUO so that not only will audiences throughout the state enjoy a world-class symphony and opera, but that the talent and passion for those art forms will endure.

PRELUDE LECTURES Prelude lectures by principal coach Carol Anderson oﬀer insights before each Utah Opera production. This introduction includes historical context, musical highlights, and a behind-the-scenes perspective. Preludes are free with your opera ticket and begin one hour before curtain in the Capitol Room.

UTAH OPERA COSÌ FAN TUTTE 2015

ESCAPE INTO THE MUSIC

Smokey RobinSon with the utah symphony July 11, 2015 (Sat) | 7:30 pm | Deer Valley Resort Jerry Steichen, Conductor

DiSneyâ&#x20AC;&#x2122;S FantaSia: Live in ConCeRt with the utah symphony

July 17, 2015 (Fri) | 7:30 pm | Deer Valley Resort Richard Kaufman, Conductor

FRank SinatRa, JR. with the utah symphony July 25, 2015 (Sat) | 7:30 pm | Deer Valley Resort Vince Mendoza, Conductor

ozomatLi with the utah symphony august 1, 2015 (Sat) | 7:30 pm | Deer Valley Resort Jerry Steichen, Conductor

kRiStin Chenoweth with the utah symphony august 8, 2015 (Sat) | 7:30 pm | Deer Valley Resort Jerry Steichen, Conductor

Diana kRaLL with the utah symphony august 14, 2015 (Fri) | 7:30 pm | Deer Valley Resort Jerry Steichen, Conductor

Visit deervalleymusicfestival.org or call 801-533-6683 aLSo thiS SummeR:

Patriotic Pops with Bravo Broadway, Mozart & Mendelssohn, Big Bad Voodoo Daddy, Classical Mystery Tour, Muir String Quartet, Country Legends, Semiosis & Novo String Quartets, Bach & Vivaldi, 1812 Overture!, Mendelssohn, Bruch & Haydn, Hollywood Under the Stars. SPeCiaL thankS to ouR vaLueD SPonSoRS:

Summer Symphony Sponsor

Summer Entertainment Sponsor

Board of Trustees ELECTED BOARD David A. Petersen* Chair

Alex J. Dunn Kristen Fletcher* Kem C. Gardner* David Golden Gregory L. Hardy Thomas N. Jacobson Ronald W. Jibson* Laura S. Kaiser Thomas M. Love R. David McMillan Brad W. Merrill Greg Miller Edward B. Moreton Theodore F. Newlin III* Dr. Dinesh C. Patel Frank R. Pignanelli Mark H. Prothro Brad Rencher Bert Roberts Joanne F. Shiebler* Diane Stewart Naoma Tate

Thomas Thatcher Bob Wheaton John W. Williams

LIFETIME BOARD William C. Bailey Deedee M. Corradini Edwin B. Firmage Jon M. Huntsman Jon Huntsman, Jr.

G. Frank Joklik Clark D. Jones Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker

Patricia A. Richards* Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder

TRUSTEES EMERITI Carolyn Abravanel Haven J. Barlow John Bates

Burton L. Gordon Richard G. Horne Warren K. McOmber

Mardean Peterson E. Jeffery Smith Barbara Tanner

HONORARY BOARD Senator Robert F. Bennett Rodney H. Brady Kim H. Briggs Ariel Bybee Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano

Geralyn Dreyfous Lisa Eccles Spencer F. Eccles Howard Edwards The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Marilyn H. Neilson

O. Don Ostler Joseph J. Palmer Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith Ardean Watts

William H. Nelson* Vice Chair Annette W. Jarvis* Secretary John D’Arcy* Treasurer Melia P. Tourangeau* President & CEO Jesselie B. Anderson Doyle L. Arnold Edward R. Ashwood Dr. J. Richard Baringer Kirk A. Benson Judith M. Billings Howard S. Clark Gary L. Crocker David L. Dee*

MUSICIAN REPRESENTATIVES

John Eckstein* Travis Peterson* EX OFFICIO

Ann Petersen Utah Symphony Guild Genette Biddulph Ogden Symphony Ballet Association Jennifer Streiff Vivace Judith Vander Heide Ogden Opera Guild *Executive Committee

NATIONAL ADVISORY COUNCIL Joanne F. Shiebler Susan H. Carlyle Chair (Utah) (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington, D.C.)

Alvin Richer (Arizona)

UTAH OPERA COSÌ FAN TUTTE 2015

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Season Honorees Utah Symphony | Utah Opera is grateful to our generous donors who through annual cash gifts and multi-year commitments make our programs possible. The following listing reflects contributions and multi-year commitments received between 1/15/2014 and 1/15/2015.

M I L L EN I U M $250,0 0 0 & A BOV E

EDWARD R. ASHWOOD & CANDICE A. JOHNSON

GAEL BENSON

DIANE & HAL BRIERLEY

LAWRENCE T. & JANET T. DEE FOUNDATION

E.R. (ZEKE) & KATHERINE W.† DUMKE

KEM & CAROLYN GARDNER

MR. & MRS. MARTIN GREENBERG

ANTHONY & RENEE MARLON

CAROL & TED NEWLIN

PATRICIA A. RICHARDS & WILLIAM K. NICHOLS

MARK & DIANNE PROTHRO CORPORATION

THEODORE SCHMIDT

UTAH STATE LEGISLATURE/ UTAH STATE OFFICE OF EDUCATION 12

SHIEBLER FAMILY FOUNDATION

NAOMA TATE & THE FAMILY OF HAL TATE

JACQUELYN WENTZ

UTAH OPERA COSÌ FAN TUTTE 2015

Utah Symphony | Utah Opera 2014-15 Season Sponsor

George S. and Dolores Doré Eccles

Eccles Foundation Board of Directors Robert M. Graham • Spencer F. Eccles • Lisa Eccles

The Tradition Continues

or more than 30 years, unwavering support from the George S. and

Dolores Doré Eccles Foundation has been integral to the success of Utah Symphony | Utah Opera. It remains so today!

Season Honorees EN CO R E $10 0,0 0 0 & A BOV E

** DR. J. R. BARINGER & DR. JEANNETTE J. TOWNSEND

R. HAROLD BURTON FOUNDATION

ROGER & SUSAN HORN

THE RIGHT REVEREND CAROLYN TANNER IRISH

EMMA ECCLES JONES FOUNDATION

FREDERICK Q. LAWSON FOUNDATION

EDWARD & BARBARA MORETON

GIB & SUSAN MYERS

WILLIAM H. & CHRISTINE NELSON

DR. DINESH AND KALPANA PATEL

DELL LOY & LYNNETTE HANSEN

RESTAURANT TAX RAP TAX

B R AVO $50,0 0 0 & A BOV E

Anonymous Scott & Jesselie Anderson Thomas Billings & Judge Judith Billings Patricia Dougall Eager† Marriner S. Eccles Foundation The Florence J. Gillmor Foundation Elaine & Burton L. Gordon Grand & Little America Hotels* Janet Q. Lawson Foundation

Montage Deer Valley** Scott & Sydne Parker Frank R. Pignanelli & D’Arcy Dixon Albert J. Roberts IV St. Regis Deer Valley** Stein Eriksen Lodge** Wells Fargo Lois A. Zambo

UTAH OPERA COSÌ FAN TUTTE 2015

Season Honorees OV ER T U R E $25,0 0 0 & A BOV E

Mr. & Mrs. William C. Bailey BMW of Murray

Richard K. & Shirley S. Hemingway Foundation

BMW of Pleasant Grove

Jack & Jan Massimino

Chevron Corporation

Carol & Anthony W. Middleton,

C. Comstock Clayton Foundation Thomas D. Dee III & Dr. Candace Dee John H. & Joan B. Firmage

Jr., M.D.

Harris H. & Amanda Simmons The Sam & Diane Stewart Family Foundation Norman C. & Barbara Tanner Nora Eccles Treadwell Foundation

James A. Parke

Vivint

Charles Maxfield & Gloria F. Parrish

M. Walker & Sue Wallace

Foundation

Jack Wheatley

Thierry & Catherine Fischer**

Alice & Frank Puleo

John W. Williams

Kristen Fletcher & Dan McPhun

S. J. & Jessie E. Quinney Foundation

Workers Compensation Fund

Holland & Hart**

Simmons Family Foundation

Edward & Marelynn Zipser

M A E S T RO $10,0 0 0 & A BOV E

Adobe Scott & Kathie Amann American Express Anonymous Arnold Machinery Ballard Spahr, LLP** Bambara Restaurant* Haven J. Barlow Family B. W. Bastian Foundation David & Sylvia Batchelder Brent & Bonnie Jean Beesley Foundation Berenice J. Bradshaw Charitable Trust Judy Brady & Drew W. Browning Caffe Molise* Marie Eccles Caine FoundationRussell Family CenturyLink Rebecca Marriott Champion Howard & Betty Clark Daynes Music* Skip Daynes* Delta Air Lines* Dorsey & Whitney LLP The Katherine W. Dumke & Ezekiel R. Dumke, Jr. Foundation Sue Ellis Ferguson Bath, Kitchen & Lighting Gallery Mr. Joseph F. Furlong III

Gastronomy, Inc.* GE Foundation Ann & Gordon Getty Foundation Douglas & Connie Hayes Susan & Tom Hodgson Hotel Monaco* Hyatt Escala Lodge at Park City** Tom & Lorie Jacobson Jones Waldo** Katharine Lamb Mr. & Mrs. Charles McEvoy Elinor S. McLaren & George M. Klopfer Harold W. & Lois Milner Rayna & Glen Mintz Moreton Family Foundation Fred & Lucy Moreton Mount Olympus Waters* Mountain Dentistry Sally Boynton Murray Trust National Endowment for the Arts Terrell & Leah Nagata New York Ltd. Ogden Opera Guild Park City Chamber/Bureau Mr. David A. Petersen Promontory Foundation ProTel Networks* David & Shari Quinney Residence Inn*

Dr. Clifford Reusch The Joseph & Evelyn Rosenblatt Charitable Fund Salt Lake City Arts Council Lori & Theodore Samuels Peggy & Ben Schapiro Sky Harbor Apartments* Marilyn Sorensen Thomas & Marilyn Sutton The Swartz Foundation Jonathan & Anne Symonds Zibby & Jim Tozer Thomas & Caroline Tucker Utah Food Services* Utah Hispanic Chamber Of Commerce* Utah Symphony Guild John & Marva Warnock Wheeler Foundation John Williams

See pages 58–62 for an additional listing of our generous donors whose support has made this season possible. * In-Kind Gift ** In-Kind & Cash Gift † Deceased

UTAH OPERA COSÌ FAN TUTTE 2015

100 dEcibElS of dEcEPTiON AdvEnTURE

Stravinsky’s Bizet’s

THE RAKE’S PEARl FiSHERS PROGRESS January 17,13, 19,15 21,(7:30 23pm) (7:30/ pm) May 9, 11, May/ January 17 (2 pm) 25 (2 pm) Janet Quinney Lawson CapitoL theatre Carlos izcaray, thierry Fischer,conductor ConduCtor

andrea Carroll, LeïLa Derrick parker, nourabad Joélle harvey, anne trulove

Kristine normanMcintyre, reinhardt,director tom rakewell philippe talbot, nadir Mark schnaible, niCk Shadow

Tom Rakewell is deTeRmined live by his wiTs and Bizet’s trust toThe luck, Written ten years before hisTo blockbuster Carmen, Pearl but he’stransports quickly deceived andexotic led toshores a series misadventures and a Fishers you to the of of India. Two men test the life of debauchery by the devil. Fate and a game of cards willan decide strength of their friendship when a beautiful woman stirs up old rivalry whether Tom is saved his true love or condemned to everlasting and a dangerous love by triangle. Desire and deception build and threaten hell. Stravinsky’s beautiful and daring will come totrust life with David to separate the friends forever, leavingopera compassion and as the lovers’ Hockney’s striking sets and Thierry Fischer’s eagerly anticipated Utah only path for survival. Opera conducting debut. Season Sponsor:

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Administration ADMINISTRATION Melia P. Tourangeau President & CEO David Green Senior Vice President & COO Julie McBeth Executive Assistant to the CEO Marsha Bolton Executive Assistant to the Music Director and the Senior VP & COO Heather Weinstock Office Manager 0PERA ARTISTIC Christopher McBeth Opera Artistic Director Caleb Harris Opera Chorus Master Carol Anderson Principal Coach Michelle Peterson Opera Company Manager Shaun Tritchler Production Coordinator OPERA TECHNICAL Jared Porter Opera Technical Director Jay Morris Assistant Technical Director Kelly Nickle Properties Master Lane Latimer Assistant Props Keith Ladanye Production Carpenter John Cook Scene Shop Manager & Scenic Artist Lindsay Woodward Will Tvrdik Supertitle Musicians COSTUMES Verona Green Costume Director Melonie Fitch Assistant Rentals Supervisor Kierstin Gibbs LisaAnn DeLapp Rentals Assistants Vicki Raincrow Wardrobe Supervisor Milivoj Poletan Tailor Tara DeGray Cutter/Draper Anna Marie Coronado Milliner & Crafts Artisan Chris Hamberg Monica Hansen Yoojean Song Connie Warner Stitchers Yancey J. Quick Wigs/Make-up Designer

Christopher McBeth, Artistic Director

Shelley Carpenter Tanner Crawford Daniel Hill Michelle Laino Wigs/Make-up Crew SYMPHONY ARTISTIC Thierry Fischer Symphony Music Director Anthony Tolokan Vice President of Symphony Artistic Planning Jerry Steichen Principal Pops Conductor Vladimir Kulenovic Associate Conductor Barlow Bradford Symphony Chorus Director Eric V. Johnson Director of Orchestra Personnel Myroslava Hagen Orchestra Personnel Manager SYMPHONY OPERATIONS Jeff Counts Vice President of Operations & General Manager Charlotte Craff Manager of Artistic Operations Cassandra Dozet Operations Manager Chip Dance Production & Stage Manager Mark Barraclough Assistant Stage & Properties Manager Melissa Robison Program Publication & Front of House Manager DEVELOPMENT Leslie Peterson Vice President of Development Hillary Hahn Director of Foundation & Government Gifts Ashley Magnus Director of Corporate Partnerships Natalie Cope Director of Special Events Melanie Steiner-Sherwood Annual Giving Manager Lisa Poppleton Grants Manager Kate Throneburg Development Manager Conor Bentley Development Coordinator MARKETING & COMMUNICATIONS Jon Miles Vice President of Marketing & Public Relations Renée Huang Director of Public Relations Chad Call Marketing Manager Aaron Sain Graphic Design & Branding Manager

Mike Call Website Manager Ginamarie Marsala Marketing Communications Manager Crystal Young-Otterstrom Vivace & Cadenza Coordinator PATRON SERVICES Nina Richards Director of Ticket Sales & Patron Services Natalie Thorpe Patron Services Manager Shawn Fry Group & Corporate Sales Manager Faith Myers Sales Manager Andrew J. Wilson Patron Services Assistant Ellesse Hargreaves Account Coordinator Kati Garcia Ben Ordaz Jackie Seethaler Powell Smith Robb Trujillo Sales Associates Nick Barker Emily O’Connor Aubrey Shirts Steven Finkelstein Hilary Hancock Ticket Agents ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan Vice President of Finance & CFO Mike Lund Director of Information Technologies SaraLyn Pitts Controller Alison Mockli Payroll & Benefits Manager Jared Mollenkopf Patron Information Systems Manager Julie Cameron Accounts Payable Clerk EDUCATION Paula Fowler Director of Education & Community Outreach Beverly Hawkins Symphony Education Manager Tracy Hansford Education Coordinator Brooke Adams Education Fellow Jessica Jones Abigail Levis Tyson Miller Will Tvrdik Lindsay Woodward Resident Artists We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera. UTAH OPERA COSÌ FAN TUTTE 2015

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OUR AMERICA

FebruAry 6–MAy 17, 2015

THE LATINO PRESENCE IN AMERICAN ART From the collections of the Smithsonian American Art Museum

PRESENTING SPONSOR: SPONSORS: S. J. and Jessie E. Quinney Foundation Ray, Quinney & Nebeker Foundation MARCIA AND JOHN PRICE MUSEUM BUILDING umfa.utah.edu Olga Albizu, Radiante, 1967, oil, Smithsonian American Art Museum. Gift of JPMorgan Chase. Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez; Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Così fan tutte

production sponsors PRODUCTION SPONSOR

OPERA DIRECTOR SPONSOR

S.J. & JESSIE E. QUINNEY FOUNDATION / RAY, QUINNEY & NEBEKER FOUNDATION LEADING L ADY SPONSOR

JOANNE SHIEBLER GUEST ARTIST FUND

OPENING PERFORMANCE

C. COMSTOCK CLAYTON FOUNDATION

WEDNESDAY PERFORMANCE

CAST PART Y SPONSORS

Photo credit: Kent Miles. George Dyer as Ferrando in Utah Opera’s 2005 production of Così fan tutte.

UTAH OPERA COSÌ FAN TUTTE 2015

taste is grand

Così fan tutte

program

Così fan tutte Mar 14, 16, 18, 20 | 7:30 pm Mar 22 | 2 pm Janet Quinney Lawson Capitol Theatre By Wolfgang Amadeus Mozart Libretto by Lorenzo da Ponte Sung in Italian with English supertitles Supertitles translated by Thomas Getty World Premiere: Burgtheater, Vienna in 1790 Previously performed at Utah Opera in 2005 and 1991

CAST (in order of appearance) Ferrando . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aaron Blake** Guglielmo . . . . . . . . . . . . . . . . . . . . . . . . . . David Adam Moore Don Alfonso . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Burns Fiordiligi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Karin Wolverton Dorabella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leah Wool** Despina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abigail Levis*

ARTISTIC STAFF Conductor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Will Crutchfield Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Crystal Manich Costume Designer . . . . . . . . . . . . . . . . Susan Memmott-Allred Lighting Designer . . . . . . . . . . . . . . . . . . . . Nicholas Cavallaro Chorus Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Caleb Harris Wigs / Make-up Designer . . . . . . . . . . . . . . . . . Yancey J. Quick Principal Coach / Continuo . . . . . . . . . . . . . . . Carol Anderson Guest Coach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grant Loehnig Chorus / Rehearsal Pianist . . . . . . . . . . . . Lindsay Woodward* Stage Manager . . . . . . . . . . . . . . . . . . . . . . Jayme Marrs Castle Assistant Stage Manager . . . . . . . . . . . . . . . . . . Sarah Johnson * Utah Opera Resident Artist ** Former Utah Opera Resident Artist The performance will last approximately 2 hours 50 minutes with one intermission. Scenery and Props designed by Riccardo Hernandez. Scenery and Props for this production are owned by Arizona Opera and were constructed by Arizona Opera Scenic Shop. Thank you to The Church of Jesus Christ of Latter Day Saints for the use of a harpsichord for this production. Costumes constructed by Utah Opera Costume Shop. UTAH OPERA COSÌ FAN TUTTE 2015

Così fan tutte

company Aaron Blake (California) Ferrando

Most Recently at Utah Opera, The Elixir of Love Recently:

Everest, The Dallas Opera; La Calisto, The Cincinnati Opera; Die Zauberflöte, The Minnesota Opera Upcoming:

Maria Stuarda, The Astoria Music Festival; Of Mice and Men, The Phoenicia Festival David Adam Moore (Texas) Guglielmo

Most Recently at Utah Opera, Roméo et Juliette Recently:

Eugene Onegin, Arizona Opera; Eötvös’ Paradise Reloaded (world premiere), Neue Oper Wien; Dead Man Walking, Des Moines Metro Opera Upcoming:

World premiere opera, Salzburger Festspiele, Metropolitan Opera; Falstaff, Arizona Opera Matthew Burns (New York City) Don Alfonso

Most Recently at Utah Opera, Of Mice and Men Recently:

Wuthering Heights, Florentine Opera; Merry Wives of Windsor, Fargo Moorehead Opera; Don Giovanni, Opera Memphis Upcoming:

La Rondine, Mr. Maguire, Opera Theatre of Saint Louis; Karin Wolverton (Minnesota) Fiordiligi

Most Recently at Utah Opera, The Grapes of Wrath Recently:

Carmen, Tulsa Opera; Silent Night, Minnesota Opera; Don Giovanni, Opera Omaha Upcoming:

Don Giovanni, Austin Opera; La Bohème, Tulsa Opera

UTAH OPERA COSÌ FAN TUTTE 2015

Così fan tutte

company / artistic staff Leah Wool (New York) Dorabella

Most Recently at Utah Opera, Hansel and Gretel Recently:

Il Ritorno d’Ulisse in Patria, Boston Baroque; La Cenerentola, Nashville Opera; Messiah, San Francisco Symphony Upcoming:

Juditha Triumphans, Boston Baroque; Mozart Requiem, Nashville Symphony Abigail Levis (Maine) Despina

Most Recently at Utah Opera, Madame Butterfly Recently:

Current Utah Opera Resident Artist; Des Knaben Wunderhorn, Flint Symphony; L’Incoronazione di Poppea, Aldeburgh Music Festival; Susannah, Ars Lyrica Houston Upcoming:

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Così fan tutte

artistic staff // chorus // dancers // supernumeraries

Susan Memmott-Allred (Utah) Costume Designer

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Resident Designer, Utah Opera, 1979–2011; Mormon Tabernacle Choir Christmas Concerts; Mormon Miracle Pageant; University of Utah Pioneer Memorial Theatre; Utah Shakespeare Festival; Southern Utah University Caleb Harris (Texas) Opera Chorus Master

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2014–15 Utah Opera Chorus Master; Der Freischütz, Opera Classica Europa; Hansel and Gretel, Emerald City Opera; Die Zauberflöte, Opera Classica Europa Yancey J. Quick (Utah) Wig and Makeup Designer

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CHORUS

Benjamin Bird Russel Brown Anadine Burrell Michael G. Cram Devon Durkee Merrill Flint Jennifer Hancock Melissa James

Phillip A. Lammi Heather R. Madsen Bryn McDougal Michael Moyes Gonzalo A. Peña Tony Porter Alyssa Powers Ruth Rogers

Jon Schild Sue Sohm Jenny Spencer Scott Tarbet Dawn Veree Brooke Yadon

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Così fan tutte

synopsis

By Judy Vander Heide ACT I—The scene is the seaside of the Bay of Naples

in the late 18th century. Two handsome young officers, Guglielmo and Ferrando, brag about the fidelity and beauty of their fiancées, Fiordiligi and Dorabella. Their caustic older friend, Don Alfonso, ridicules the idea that women can be faithful and proposes a wager to prove his assertions. The officers must do as he demands during the course of one day, and he will prove the sisters to be untrustworthy—like all women he claims. As the sisters are comparing pictures of their betrothed, the men arrive with the news that they are off to war. Don Alfonso’s plan has been set into motion.

The sisters’ maid, Despina, who is an ally of Don Alfonso, encourages the girls to be of better cheer and to seek new lovers, since all men lack constancy. Disguised as mustachioed Albanians, Guglielmo and Ferrando enter and each courts the other’s girlfriend. Even though tempted, the sisters initially resist the Albanians’ overtures. The officers rejoice in the loyalty of their fiancées, but Don Alfonso reminds them that the bet is still on and the day is not yet over. The Albanians return to the garden, moaning that, lovesick, they have taken poison. Despina, who has been sent for help, returns disguised as a doctor and endeavors to heal the young men by waving a magnet over them. The Albanians insist upon kisses to aid in their cure, which the sisters refuse despite encouragement from Despina and Don Alfonso.

INTERMISSION ACT II—The maid Despina exhorts her

mistresses to pick their favorite Albanian, for all agree a little flirting is harmless. The sisters choose each other’s suitors, and Guglielmo quickly entices Dorabella into accepting the gift of a locket and his affections. Fiordiligi is less enamored with Ferrando, but he begins to win her over, despite her feelings of guilt for betraying Guglielmo. Ferrando is dismayed that Dorabella has been charmed so easily, and Guglielmo cannot help but be self-satisfied. All is progressing according to Don Alfonso’s plan. Both young officers are distressed that their fiancées are so fickle and acknowledge that Don Alfonso has won the bet. The older man now proceeds to plan a double wedding. Despina is disguised as a notary and the marriage contracts are signed. In the background regimental music is heard and the panicked sisters attempt to hide their Albanian bridegrooms—who quickly return, having exchanged their disguises for officers’ uniforms. Don Alfonso discloses the marriage contracts to the officers, who are enraged at the perfidy of their sweethearts. The officers withdraw and return partially wearing their Albanian costumes. Despina is revealed to be the notary, and the chastened sisters are filled with remorse and ask forgiveness. The wager is disclosed and Don Alfonso urges pardon from all. The young people agree that reason should prevail and this is just a part of life’s ups and downs.

Judy Vander Heide is the president of the Ogden Opera Guild, which supports Utah Opera. She also serves on the boards of Utah Symphony | Utah Opera and Opera Volunteers, International and is a proud member of the Crescendo Society of Utah Opera.

UTAH OPERA COSÌ FAN TUTTE 2015

Così fan tutte

composer & librettist

Wolfang Amadeus Mozart was born in Salzburg on January 27, 1756 into a family of musicians. He began composing at age five and played before the Bavarian elector and Austrian Empress at age six. A child prodigy, Mozart had composed two operas and several symphonies and string quartets before he turned twenty.

Wolfgang Amadeus Mozart

Composer

Although a gifted composer and performer, Mozart’s adult life was spent in constant pursuit of positions as a court composer. Mozart resigned a position in Vienna in 1781 over a conflict with his employer, the Prince-Archbishop of the Salzburg court. He spent the next few years working freelance. He taught, published his music, played at patrons’ houses, and composed by commission in order to support himself. During this period, he married Constanze Weber. She was the younger sister of Aloysia Weber, with whom Mozart had fallen in love several years earlier. In 1786, Mozart collaborated with the librettist Lorenzo da Ponte on the first of his three comic operas, Le Nozze di Figaro (The Marriage of Figaro), based on a play by Pierre Beaumarchais. The librettist-composer team followed The Marriage of Figaro with Don Giovanni (1787) and Così fan tutte (1790).

Lorenzo da Ponte (Emanuele Conegliano), a Venetian Jew, was born on March 10, 1749. His mother died in childbirth in 1754. When he was fourteen, his father, Geremia Conegliano, fell in love with a Roman Catholic woman. Geremia had himself, Emanuele, and the boy’s two brothers converted in order to marry, and Emanuele took the name Lorenzo da Ponte, the name of the bishop who administered his baptism.

Lorenzo da Ponte

Librettist

Da Ponte traveled to Austria, where he was appointed Poet to the Italian Theatre. He wrote libretti for Antonio Salieri as well as Wolfgang Amadeus Mozart and Vicente Martín y Soler. As a librettist, he composed works in French, German, Italian, and Spanish. His collaborations with Mozart for Così fan tutte, The Marriage of Figaro (adapted from a play by Pierre Beaumarchais) and Don Giovanni are his best-known accomplishments. He married Ann Celestine Grahl around 1792, and together they had four children. Da Ponte died in 1838 in New York City, and was buried in Greenwood Cemetery in Brooklyn.

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Così fan tutte

director’s notes

Così fan tutte: a fresh classic By Crystal Manich Any musical comedy worth staging for more than two centuries must contain enough material that can be interpreted in a myriad of ways in order for it to live as an iconic piece of work. But Mozart’s ingenious opera Così fan tutte (All women are like that) has the stigma of being not only a difficult opera to stage, but also of being sexist. The primary challenge of the piece is how to handle the lovers in terms of defining why they do what they do. Is it all merely a treatise on proving that women cannot be faithful (as the title implies)? That seems to be a rather trite outlook for an opera that peels off layer after layer of satire, drama and excess. Così asks us to question the validity of fidelity as considered by both sexes and through the character of Fiordiligi the thesis of the opera is exposed: “How can one’s heart change in just a single day?” When our two mischievous boys Guglielmo and Ferrando appear in disguise as “Albanians” (a reference to 18th century clichés having to do with virility), we are immersed in a clown show. After all, as Act II unfurls and the drama overtakes the comedy,

we see the men suffering the consequences of their actions, and they are forced to look at themselves in a proverbial mirror. This production for Utah Opera puts us into the gaudy 1920s to highlight the changing ideas about love and marriage in that period, in addition to exploiting the context of Gatsbylike excesses. Dorabella and Fiordiligi begin as conservative prudes only to let go little by little and eventually succumb to the stylish clothing, charm and lavishness of the period, provided to them by their “new” Albanian lovers. Most difficult to interpret in any production, however, is the final ensemble of the opera. Mozart gives no clear stage direction as to whether the girls are happy to be reunited with their rightful lovers, if the lovers return to the way they were, if the lovers have changed partners, or even if Guglielmo and Ferrando will continue to be friends. This kind of open-endedness on paper has allowed Così to evolve over the centuries, making it possible to have various approaches to its interpretation. It is an assault on humanity at large, not on women alone.

UTAH OPERA COSÌ FAN TUTTE 2015

Così fan tutte

Disbelief…

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Disbelief, We Happily Suspend Thee By Jeff Counts Many of the artistic entertainments we regularly consume—books, movies, stage dramas, etc.—require us to lay aside our conventional understanding of “reality” and, in some cases, even “plausibility.” Aliens, superheroes and demons of every sort fill our minds with worlds both distant and eerily close to our own. We love it, we need it, and, in all but the most preposterous scenarios, we blissfully accept it. The preposterousness, in the rare instances when we don’t buy in, is often more the fault of execution than subject matter. Well-wrought, transportive artworks seem able to redeem even the most ardent cynics among us, no matter how far afield the various conceits go. If the art is good enough, we can be led just about anywhere. Just about. Where is that line then, the one beyond which a single step undoes the entire construction? The location of the line probably differs for each art form and certainly for each reader/viewer but, in all the great variety of human creativity, opera appears to tread closest and most often. Consider the story of Così fan tutte. Così was Mozart’s last collaboration with his celebrated artistic partner Lorenzo da Ponte. Da Ponte’s “original” libretto (quotes supplied by this author in recognition of recent scholarship that casts doubt on the provenance of the material; certainly the central theme of the libretto had been addressed in the earlier work of other writers) tells a tale of female fidelity put to the ultimate test. Two soldiers, good friends, are betrothed to a pair of sisters and, at the urging of a third party, the young men decide to interrogate the loyalty of their brides-to-be. The soldiers set the stage by 36

claiming they have been unexpectedly called off to war and then quickly reappearing in disguise. They then proceed to woo the other’s fiancée, both eventually convincing the ladies to stray. This necessitates a rather awkward double marriage, but the wrong-way debacle mercifully ends before it starts when the trick is revealed and all is forgiven. An amiable group-shrug, chuckles all around and the consolation of an important lesson learned are apparently enough to smooth over the lies, coerced affairs and generally disturbing behavior. As the title itself states (translated loosely), “Thus do all women.” It goes without saying that the above scenario should not be “accepted” by anyone, ever. It simply goes too far, stretches our credibility (not to mention sensibility) too much. But the opera did very well when it premiered in 1790, and it is still regularly, and lovingly, performed today. This is no doubt due to the undisputed greatness of the music, which may in turn prove the notion that operas get to raise the absurdity bar higher than any other kind of art, thanks to the potential genius of composition. This is no great leap really. As a cultured and devoted audience we absorb an incredible amount of silliness in our operatic masterpieces, and the peanut butter that hides the pill is always the music. Okay, then. In the interest of determining where that aforementioned line of preposterousness actually is, let’s play a little game called “Opera or Not?” The following stripped-down plot descriptions may or may not be reflective of actual opera libretti. For the sake of fairness, no supernatural phenomenon will be put into play UTAH OPERA COSÌ FAN TUTTE 2015

Così fan tutte

Disbelief…

here and the names and other pertinent details have been removed to protect the guilty and make things less easy for the more dedicated fans among you. So read below, and make your guesses. Answers are at the bottom of the article (don’t cheat). 1. A woman dresses as a man to gain access to her wrongfully imprisoned husband. Her disguise is good enough that she attracts the amorous admiration of another young woman and the enmity of the young man who yearns for her. When the disguised woman finally gets to her husband, he doesn’t recognize her either, and she is forced to reveal herself to save him from murder by his jailer. Deus ex machina ensues and all are saved. Opera or Not? 2. A comedian makes powerful enemies by mocking their misfortunes. When his own daughter is caught in the web of one such

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nobleman, the comedian hires an assassin to kill him. The assassin’s sister is also involved with the nobleman and she convinces her brother to let him live. The assassin agrees and promises to kill instead the next man to cross his path. The comedian’s daughter loves the nobleman too, however and, dressed as a man, she willingly goes to the assassin and is killed in her lover’s stead. The comedian receives the agreed-upon death sack but finds there not the body of the nobleman but rather that of his daughter. Opera or Not? 3. An important woman conspires with her young lover to kill her equally important husband. Her son, somehow unknown to her, arrives later and catches her eye. She falls for him and declares him her new lover and holder of her husband’s former title. Son and previous lover come to blows in the tomb of the dead husband and the son accidentally kills the mother while trying to slay the

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Così fan tutte

Disbelief…

former lover. With the original murder plot now known to all, the son gains the aforementioned titles officially. Opera or Not? 4. A powerful man murders his second in command with a rare poison to secure his societal position and make a play for the second in command’s attractive lover. The young lady soon reveals that she has an identical twin and challenges the powerful man to accurately differentiate her from her sister. Only when he agrees to the test do the women admit that they have given him the same poison he used to kill his lieutenant and that only the correct twin has the antidote on her lips. He makes his choice and takes his kiss, only to taste more poison there. There was no antidote and all three die on the spot. Opera or Not? 5. A reclusive lady will only marry the man who can answer her three riddles. Any man who tries and fails gets killed and this happens a lot, apparently. One man comes along and does manage to answer all three but offers her the counter puzzle of figuring out his real name. This gives her a potential way out of the commitment and would allow the man to notice the slave girl who really

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loves him. The slave girl dies so she can’t be forced to reveal his name, and the man and the reclusive lady unite in love over the dead girl’s body. Opera or Not? Whether the game above is won or lost or even attempted at all is of no import. Each item is outrageous in its own way. As evidence for a thesis, though, they support the idea that we humans, as a truly heart-first-head-second collection of beings, are capable of amazing literary forgiveness when confronted with an effective totality of artistic inspiration. Great music + ridiculous story = great experience. We don’t know why this is so, only that it is and this simple math withstands even the most earnest attempts to discredit it. In the end, Così just works. Don’t overthink it. (Answers: 1. Opera—Fidelio; 2. Opera— Rigoletto; 3. Opera—Semiramide; 4. Not—But it should be; 5. Opera—Turandot) Jeff Counts is Vice President of Operations and General Manager of Utah Symphony. He was program annotator for Utah Symphony from 2010 to 2014 and has been writing articles for Utah Opera for five years.

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Così fan tutte

A Lesson for Lovers

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A Lesson for Lovers: Let Reason Be Your Guide By Paula Fowler

Happy is he who in all situations lets himself be guided by reason. What makes others weep will bring him laughter, and in the world he will find lovely calm. [final text of Così fan tutte]

The comic opera Così fan tutte, with libretto by Lorenzo da Ponte and music by Wolfgang Mozart, premiered in Vienna in 1790 and then disappeared from stages until early in the 20th century. The 19th century had little interest in this, the third of the da Ponte-Mozart operas. Its hundred years’ absence wasn’t due to comic operas’ lack of appeal for Europeans during the Romantic century. Rossini’s comedies, for instance, were popular all over the continent, and Così, like typical Rossini fare, features romantic couples, disguises no one sees through, and a wager made and lost—all reliable set-ups for comedy. The 19th century’s discomfort with the piece wasn’t musical either: Mozart’s music for Così is sublime; the arias, the ensembles in every combination of characters, the amazing segmented finales—they are all sensuous and beautiful. It was Così’s story that 19th century Europeans found troubling. In it, two men motivated by personal honor agree to a contest that ends with their fiancées accepting the advances of other suitors. Romantics preferred to idealize women and to regard individual passion (not reason) as the greatest source of truth. Così fan tutte shows women as fallible, and the play urges us to distrust what our passions suggest. Romantics saw that message as disgusting, so the opera didn’t get produced. We carry enough of that Romanticism in us today, as well as a modern sense of equal UTAH OPERA COSÌ FAN TUTTE 2015

treatment for women, to be disturbed by the conclusion drawn by the philosopher, Don Alfonso, who guides the young men in their experiment in love. In a dramatic moment, he makes them repeat after him “Così fan tutte,” or “Thus do all women.” The line, borrowed from Don Basilio of the earlier The Marriage of Figaro, avers that all women are inconstant, unfaithful, not to be trusted. Mozart emphasized Alfonso’s line by making it the title of the piece, moving the working title, The School for Lovers, to its present secondary position. Mozart’s wife, Constanze, didn’t like the story either, but for different reasons than those of later women. You may recall that Mozart fell in love with the soprano Aloysia Weber, and when she married someone else, he transferred his emotions to Aloysia’s younger sister Constanze. The story of redirecting one’s passions had a personal parallel in Mozart’s own life. Still…that title…that hurtful sweeping generalization from Alfonso…it’s tempting to let it ruin the entire opera experience of Così. I remind myself that that line seems set up to be the moral of the story, but it isn’t the final message. The moral of the tale is delivered, rather, in the usual opera buffa fashion, in the concluding ensemble, which is often sung outside of the context of the opera, by all principal singers lined up on the edge of the stage. The text for that number in Così urges us 43

Così fan tutte

A Lesson for Lovers

to let reason be our guide in life, that and a sense of humor. That final quatrain captures all of the lovers’ lessons learned in the process of the opera, while the phrase “Thus do all women” does not. Da Ponte and Mozart show us—by means of the opening duets and arias—that at the beginning of the opera, all four of the young lovers are guilty of romantic excess, and all need to learn to temper their passions with realism. The men learn that their women can be seduced away (by insistent rivals who use every tool of seduction). The women learn that their own passionate natures can trick them; they also learn that their men are capable of extended dissembling, and are not to be naively trusted. Don Alfonso and the worldly-wise maid Despina become schoolmasters for all of them. Da Ponte and Mozart’s other two opera creations, The Marriage of Figaro of 1786 and Don Giovanni of 1787, are also concerned with fidelity and human frailty. In Figaro, the Count is unfaithful to his vows; he is brought to account finally by his noble, ever-constant and forgiving Countess with the help of a pair of clever servants. One of those servants, Figaro, fears himself betrayed in love but finds himself quickly forgiven for this mistake by his faithful Susanna. The title character of Don Giovanni is worse than inconstant; the women seeking

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vengeance on him are stuck pursuing him because—unlike Così’s women—they can’t get their hearts to change. The Don is also brought to justice, in his case by supernatural powers. Also worth considering in this exploration of operas outside Così is Mozart’s final opera, Die Zauberflöte. This was not a collaboration with da Ponte, but also presents characters on an educational journey. The story follows the hero quest of Prince Tamino, and Mozart’s Pamina joins him in his heroic endeavors, even taking the lead as they take tests of water and fire. They have a kind and wise mentor in the high priest Sarastro, and I wonder whether it might be possible to envision Don Alfonso, who is master of the experiment in morality at the center of Così fan tutte, as a similarly Enlightened leader. Is Alfonso a cynical older man who has been much disappointed in love? Or could he be a patient schoolmaster who guides the young people through their trial, and helps them understand what it means? His titular truth—“thus do all women”—is harsh, but he softens the blow by laughing and saying he forgives them, even loves them for their changeability. He calls his attitude a “necessity of heart.” Our take on the opera and our opinion of its theme will especially be affected by our stage director’s choices for Don Alfonso’s character and especially for activity during the final

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Così fan tutte

scenes. The ending of Così’s libretto is famously ambiguous, and the music doesn’t direct us definitively either. What do the women do, once all is revealed? Do they return to their original lovers (the script says the men claim them—but do the women stay?), or consider staying with the love more resisted and harder won? Maybe they don’t make a match at all. I look forward to seeing the solution to this problem opera as presented by this stage director and this cast. I recently viewed a variety of productions available on DVD. In a 1989 traditional production from Milan (white powdered wigs on the men), the humiliated women reunite with their not-so-happy fiancés. Peter Sellars, directing a version for Vienna in 2005, set the opera in an American seaside diner owned by Despina; during the final number, his characters spin around in individual chaos. Another production in modern setting, this time from Madrid in 2013, has the singers in a tug-of-war until the curtain falls. One more, from Zurich in 2009, has a modern setting but 18th century costuming; in its ending, Don Alfonso gathers the unhappy lovers and makes them sing the moral from a songbook, at the end of which Fiordiligi falls to the ground, poisoned! Utah Opera’s production of 2005 ended with the singers circling around each other, uncommitted. Bring on the school for lovers! I will aim to quell my emotional response to Don Alfonso’s “Così fan tutte,” and let reason (and our stage director) be my guide to sorting out what this opera means. I hope you can do that too. Paula Fowler is USUO’s Director of Education & Community Outreach. She has been writing opera commentaries for Utah Opera for more than 15 years.

UTAH OPERA COSÌ FAN TUTTE 2015

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UTAH OPERA COSÌ FAN TUTTE 2015

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audience members, please ensure that children at performances are not disruptive during the show. Babes-in-arms are not allowed in the theatre during performances unless specifically indicated.

QUIET PLEASE: As a courtesy to performers

on stage and to other audience members, please turn off cell phones, pagers, beeping watches, or any other noisemaking device. Also, please refrain from allowing concession items such as candy wrappers and water bottles to become noisy during the performance.

CLEANLINESS: Thank you for placing all refuse

in trash receptacles as you exit the theatre.

with copyright laws, it is strictly prohibited to take any photographs or any audio or video recordings of the performance. NEED EXTRA LEG ROOM? Let us know when

making reservations; we can help.

NO OUTSIDE FOOD OR DRINK EMERGENCY INFORMATION: In the event of an emergency, please remain seated and wait for instructions. Emergency exits are located on both sides of the house. Please identify the exit closest to your location.

T H e a r T o f g o o d e aT i n g .

D o w n to w n

60 West Market street (350 south) 801-363-0166 www.newyorkerslc.com

UTAH OPERA COSĂ&#x152; FAN TUTTE 2015

P E RP ET UAL motion

PERP ET UA L motion

CAMPAIGN LEADERSHIP

UTAH SYMPHONY | UTAH OPERA IN PERPETUAL MOTION

Campaign Co-Chairs

We are grateful for the momentum of The Campaign for Perpetual Motion, a $20 million public campaign to celebrate Utah Symphony’s 75th Anniversary in 2015–16. We have exciting plans leading up to this anniversary—including recording, broadcasting, and touring at the state and national levels.

Scott and Jesselie Anderson Lisa Eccles Kem and Carolyn Gardner Gail Miller and Kim Wilson Bill and Joanne Shiebler

Honorary Co-Chairs Spencer F. Eccles Jon M. Huntsman The Right Reverend Carolyn Tanner Irish

We launched these plans with our unprecedented tour to Southern Utah last August providing a once-in-a-lifetime musical experience to visitors and citizens of those communities against the backdrop of Utah’s Mighty 5® National Parks. If you weren’t able to join us on this historic tour, we hope you observed with pride the national attention it received in the press and classical music world. The Campaign began with a remarkable $5 million lead gift from the George S. and Dolores Doré Eccles Foundation, whose tradition of support totaling more than $32 million spans three decades. This lead gift was made in addition to a w$1 million gift from the Foundation to our Leadership Campaign, which during 2011 and 2012 prepared a solid foundation for the public fundraising effort. More than 35 individuals, corporations, and foundations contributed to the Leadership Campaign, including an extraordinary $4.6 million capstone gift from O.C. Tanner Company. Stay tuned for more—we know you will continue to be proud of our plans to build and showcase your world-class symphony and opera throughout Utah and beyond. Find out more at usuo.org/support.

UTAH OPERA COSÌ FAN TUTTE 2015

P E RP ET UAL motion

We are forever grateful to the following leaders whose visionary support secured the permanence of Utah Symphony | Utah Opera through our Leadership Campaign in 2011 and 2012, and who are setting the stage for its bright future as lead supporters of The Campaign for Perpetual Motion.

FOUNDING CAMPAIGN DONORS George S. and Dolores Doré Eccles Foundation ($6 Million) O.C. Tanner Company ($4.6 Million) PRINCIPAL GIVING ($1 Million & above) Gael Benson The Church of Jesus Christ of Latter-day Saints Foundation Lawrence T. & Janet T. Dee Foundation Kem & Carolyn Gardner Larry H. & Gail Miller Family Foundation Mark & Dianne Prothro Questar® Corporation Patricia A. Richards & William K. Nichols Shiebler Family Foundation Sorenson Legacy Foundation Zions Bank LEADERSHIP GIVING (up to $1 Million) Anonymous (2) Scott & Jesselie Anderson Edward R. Ashwood & Candice A. Johnson Mr. & Mrs. William C. Bailey Dr. J. R. Baringer & Dr. Jeanette J. Townsend Thomas Billings & Judge Judith Billings R. Harold Burton Foundation Howard & Betty Clark Thomas D. Dee III & Dr. Candace Dee Deer Valley Resort E.R. (Zeke) & Katherine W.† Dumke Burton & Elaine Gordon Mr. & Mrs. Martin Greenberg Dell Loy & Lynette Hansen Roger & Susan Horn Frederick Q. Lawson Foundation

Anthony & Renee Marlon Carol & Anthony W. Middleton, Jr., M.D. Edward & Barbara Moreton William H. & Christine Nelson Carol & Ted Newlin Scott & Sydne Parker Dr. Dinesh & Kalpana Patel Frank R. Pignanelli & D’Arcy Dixon John & Marcia Price Family Foundation Bert Roberts Theodore Schmidt Norman C. & Barbara Tanner The Right Reverend Carolyn Tanner Irish Naoma Tate & the Family of Hal Tate M. Walker & Sue Wallace Wells Fargo

UTAH OPERA COSÌ FAN TUTTE 2015

A DOWNTOWN CLASSIC JUST GOT CLASSIER.

8 01 - 5 9 6 - 57 0 8 | S A LT L A K E . L I T T L E A M E R I C A . C O M

Tanner & Crescendo Societies Utah Symphony | Utah Opera thanks the members of our Tanner and Crescendo Societies, patrons who have included USUO in their financial and estate planning. Membership is open to all those who express their commitment through a planned gift at any level. Please contact Leslie Peterson at lpeterson@usuo.org or 801.869.9012 for more information.

Crescendo Society of Utah Opera Anonymous Mr. & Mrs. William C. Bailey Alexander Bodi† Berenice J. Bradshaw Estate Dr. Robert H. † & Marianne Harding Burgoyne Elizabeth W. Colton† Dr. Richard J. & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean Henkels Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Constance Lundberg Gaye Herman Marrash Richard W. & Frances P. Muir Marilyn H. Neilson Carol & Ted Newlin

Pauline C. Pace† Stanley B. & Joyce Parrish Patricia A. Richards Mr. & Mrs. Alvin Richer Robert L.† & Joyce Rice Richard G. Sailer† Jeffrey W. Shields G. B. & B. F. Stringfellow Norman & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser

Tanner Society of Utah Symphony Beethoven Circle gifts valued at more than $100,000 Anonymous (3) Dr. J. Richard Baringer Haven J. Barlow Alexander Bodi† Edward† & Edith Brinn Captain Raymond & Diana Compton Elizabeth W. Colton† Anne C. Ewers Flemming & Lana Jensen

James Read Lether Daniel & Noemi P. Mattis Joyce Merritt† Anthony & Carol W. Middleton, Jr., M.D. Robert & Dianne Miner Glenn Prestwich & Barbara Bentley Kenneth A. & Jeraldine S. Randall

Robert L.† & Joyce Rice Mr. & Mrs. Alvin Richer Patricia A. Richards Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffrey & Joyce Smith G. B. & B. F. Stringfellow Mr. & Mrs. Norman C. Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Mrs. Helen F. Lloyd† Gaye Herman Marrash Ms. Wilma F. Marcus† Dr. & Mrs. Louis A. Moench Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Pauline C. Pace† Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn

Helen Sandack† Mr. Grant Schettler Glenda & Robert† Shrader Dr. Robert G. Snow† Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† Kathleen Sargent† JoLynda Stillman Edwin & Joann Svikhart Frederic & Marilyn Wagner Jack R. & Mary Lois† Wheatley Afton B. Whitbeck† Edward J. & Marelynn Zipser

Mahler Circle Anonymous (3) Eva Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Patricia Dougall Eager† Mr. & Mrs.† Sid W. Foulger Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Mr. Ray Horrocks† Richard W. James† Estate Mrs. Avanelle Learned† Ms. Marilyn Lindsay Turid V. Lipman 54

UTAH OPERA COSÌ FAN TUTTE 2015

Planned Giving Dr. Ralph and Judith H. Vander Heide have a long history of supporting the arts in Utah. A past president of the Ogden Symphony and Ballet Association, Judy has served as president of the Ogden Opera Guild for the past seven years, which she has represented on Utah Symphony | Utah Opera’s Board of Trustees. Judy also serves as a board member of Opera Volunteers International. Ralph, a retired professor of foreign languages, began his college studies as a voice major where he developed great appreciation for the energy, training, devotion, and skill which singing requires. In addition to being active members of their Ogden community, Ralph and Judy are enthusiastic supporters of Utah Opera’s commitment to share the joy of live music and theater with audiences across the state.

Dr. Ralph & Judith H. Vander Heide

“Ogden has a long history of supporting opera, welcoming opera companies from the turn of the twentieth century,” says Judy. “Ralph and I know the joy we experience through music is due to the performances of some of the greats, and to experience that we have a commitment to help meet the ever-present time, energy, and financial requirements that make the existence of our first class opera and symphony possible. We want to help ensure that USUO continues to be the premier arts organization in the state, and we are champions of supporting the organization in proportion to ability. Making Utah Opera the beneficiary of a legacy will help make certain the continued existence of the art form in Utah.” To continue their volunteerism and support for USUO Ralph and Judy have proudly joined others in the community to safeguard Utah Opera’s legacy in the Intermountain West. Ralph and Judy’s committed bequest will support an endowment fund for Utah Opera, helping to ensure that great operatic performances will go on across Utah for years to come. Thanks to the planning of generous patrons and volunteers like the Vander Heides, Utah Opera will continue to engage and inspire current and future audiences in Salt Lake City, Ogden, and throughout the state. To learn how you, too, can include Utah Opera in your plans, contact Leslie Peterson at 801-869-9012 or lpeterson@usuo.org, or visit us online at usuo.org/support.

UTAH OPERA COSÌ FAN TUTTE 2015

Utah Symphony | Utah operaâ&#x20AC;&#x2122;S CUltUral FeStival 2014/15

The artistic movement we call Romanticism swept through Western civilization at the beginning of the 1800s. Its practitioners rebelled against the structure and order cherished by previous generations, and regarded the free expression of individual feelings and experiences as more reliable sources of truth than rational thought. In the 2014â&#x20AC;&#x201C;15 season, Utah Symphony | Utah Opera celebrates the Romantics of the 19th century. We will explore art, dance, food, film, and music inspired by Romantic ideals.

>> For additional information visit:

usuo.org/festival

OUT ON THE TOWN

dining guide THE NEW YORKER 60 West Market Street. SLC’s premier dining establishment. Modern American cuisine is featured in refined dishes and approachable comfort food. From classic to innovative, from contemporary seafood to Angus Beef steaks – the menu provides options for every taste. Served in a casually elegant setting with impeccable service. Private dining rooms for corporate and social events. Lunch & Dinner. No membership required. L, D, LL, AT, RR, CC, VS. 801.363.0166

Consistently Rated “Tops”–Zagat 60 W. Market Street • 801.363.0166

Salt Lake City’s #1

MARKET STREET GRILL DOWNTOWN 48

Most Popular Restaurant

West Market Street. Unanimous favorites for seafood dining, providing exceptional service and award winning. The contemporary menu features the highest quality available. Select from an abundant offering of fresh seafood flown in daily, Angus Beef steaks, and a variety of non-seafood dishes. Open 7 days a week serving breakfast, lunch, dinner, Sunday Brunch. B, L, D, C, AT, S, LL, CC, VS. 801.322.4668

MARTINE 22 East 100 South. Award winning ambience, located in a historic brownstone. Martine offers Salt Lake City a sophisticated dining experience kept simple. Locally sourced ingredients, pre-event $25 three course prix fixe. Extensive bar and wine service. martinecafe.com L, D, T, LL, RA, CC, VS. 801-363-9328

–Zagat

48 W. Market Street (340 South) 801.322.4668

• An intimate euro café • Free Valet Parking 22 East 100 South

Phone • 801.363.9328 www.martinecafe.com Top Photo: Image licensed by Ingram Image

B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections

THANK YOU TO OUR ADVERTISERS

Adib’s Rug Gallery

KUED

Sky Harbor Suites

Bambara

KUER

Tuacahn Amphitheater

Bank of Utah

Larry H. Miller Lexus

University of Utah Hospital

BMW of Murray

Little America Hotel

Utah Festival Opera

Caffè Molise

MAC

Utah Food Service

Challenger School

McCune Mansion

Utah Museum of Fine Arts

City Creek Living

Morris Murdock

Zions Bank

Country Hills Eye Center

New Yorker

Double Tree Suites

Pioneer Charter School

Every Blooming Thing

RC Willey

If you would like to place an ad

Fleming’s

Residence Inn

in this program, please contact

Grand America

Rowland Hall

Dan Miller at Mills Publishing, Inc.

Hyatt Place

Sagewood at Daybreak

801-467-8833

Corporate & Foundation Donors We sincerely appreciate our annual contributors who have supported our programs throughout the last year with gifts up to $10,000. The following listing reflects contributions received between 1/15/2014 and 1/15/2015. For a listing of our season honorees, who have made gifts of $10,000 and above, see pages 12–16.

$5,000 to $9,999 Anonymous (3) Bourne-Spafford Foundation Discover Financial Services Doubletree Suites* Durham Jones & Pinegar, P.C. The Jarvis & Constance Doctorow Family Foundation Spencer F. & Cleone P. Eccles Family Foundation EY Henry W. & Leslie M. Eskuche Charitable Foundation Hoak Foundation Hyatt Place Hotel* Every Blooming Thing* Fabian & Clendenin Fleming’s Prime Steakhouse & Wine Bar* Goldener Hirsch Inns* Macy’s Martine* Marriott City Center* McCarthey Family Foundation Rasmussen Landscapes* Ruth’s Chris Steak House* Selecthealth Stoel Rives Union Pacific Foundation The Private Client Reserve of U.S. Bank U. S. Bancorp Foundation Victory Ranch Club Wrona, Gordon & DuBois $1,000 to $4,999 Advanced Retirement Consultants Bertin Family Foundation Timothy F. Buehner Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation

Robert S. Carter Foundation Castle Foundation Chevron Humankind Matching Gift Fund City Creek Center Deseret Trust Company Epic Brewery* ExxonMobil Foundation Fidelity Charitable Gift Fund Goldman, Sachs & Co. Victor Herbert Foundation Hilton Hotel* Thomas A. & Lucille B. Horne Foundation Iasis Healthcare J. Wong’s Thai & Chinese Bistro* Jones & Associates Jones Waldo Park City Kirton | McConkie M Lazy M Foundation Millcreek Cacao Roasters* Millcreek Coffee Roasters* George Q. Morris Foundation Nebeker Family Foundation Nordstrom Park City Foundation The Prudential Foundation Ray, Quinney & Nebeker Foundation The Charles & Annaley Redd Foundation Shilo Inn* Snell & Wilmer L.L.P. Snow, Christensen & Martineau Foundation Squatters Pub Brewery* Strong & Hanni, PC Summit Sotheby’s Swire Coca-Cola, USA* Bill & Connie Timmons Foundation United Jewish Community Endowment Trust Utah Families Foundation Wasatch Advisors

UTAH OPERA COSÌ FAN TUTTE 2015

You'll find More than ever on KUED! Not only do you get Downton Abbey on Sundays at 8PM, but the classic The Jewel in the Crown Sundays at 6PM - PLUS 20 additional hours including Grantchester and Wolf Hall.

kued.org

KUED The University of Utah

Individual Donors We sincerely appreciate our annual contributors who have supported our programs throughout the last year with gifts up to $10,000. The following listing reflects contributions received between 1/15/2014 and 1/15/2015. For a listing of our season honorees, who have made gifts of $10,000 and above, see pages 12–16. ABRAVANEL & PETERSON SOCIETY $5,000 to $9,999 Doyle Arnold & Anne Glarner Mr. & Mrs. Michael Callen Mr. & Mrs. Chris Canale Hal M. † & Aileen H. Clyde Marc & Kathryn Cohen Dr. & Mrs. Ralph Earle Spencer & Cleone† Eccles Thomas & Lynn Fey John & Dorothy Hancock Gary & Christine Hunter Mary P. Jacobs & Jerald H. Jacobs Family G. Frank & Pamela Joklik Julie Koch John & Adrian McNamara Rich & Cherie Meeboer Brooks & Lenna Quinn James & Gail Riepe Stuart & Molly Silloway Janet Sloan Gibbs & Catherine W. Smith David & Susan Spafford George & Tamie Speciale Sam & Diane Stewart Dr. Paula M. Swaner Thomas & Kathy Thatcher Melia & Mike Tourangeau Albert & Yvette Ungricht Kathleen Digre & Michael Varner Tom & Wendy Wirth

$3,000 to $4,999

Anonymous (3) E. Wayne & Barbara Baumgardner Dr. & Mrs. Clisto Beaty Charles Black* Robert W. Brandt Brian Burka & Dr. J. Hussong Mr. & Mrs. Neill Brownstein Jonathan & Julie Bullen Mr. & Mrs. William D. Callister, Jr. Mark Casp Hal & Cecile Christiansen Edward & Carleen Clark Amalia Cochran Debbi & Gary Cook Mr. James Davidson B. Gale† & Ann Dick J. I. “Chip” & Gayle Everest Midge & Tom Farkas Jack & Marianne Ferraro Robert & Elisha Finney Drs. Fran & Cliff Foster Robert & Annie-Lewis Garda Mr. & Mrs. Eric Garen

Dr. Jeffrey L. Giese & Mary E. Gesicki Shari Gottlieb Ray & Howard Grossman Kenneth & Kate Handley Dr. & Mrs. Bradford D. Hare Annette & Joseph Jarvis Dale & Beverly Johnson Barbara & James R. Jones Mr. & Mrs. Kent Jones Robert & Debra Kasirer Hanko & Laura Kiessner Jeanne Kimball Elizabeth & Michael Liess Peter & Susan Loffler Mr. & Mrs. Wayne Lyski Daniel & Noemi P. Mattis Michael & Julie McFadden Jennifer & Mike McKee Richard & Jayne Middleton Mr. & Mrs. Richard Mithoff Marilyn H. Neilson Leslie Peterson & Kevin Higgins Dr. Glenn Prestwich & Dr. Barbara Bentley Mr. & Mrs. Alvin Richer Dr. Wallace Ring Richard & Carmen Rogers Mr. & Mrs. Robert Rollo Henry & Kathie Roenigk James Romano Estate of Kathy Lynn Sargent William G. Schwartz & Joann Givan Elizabeth Solomon Verl & Joyce Topham Dr. Jeannette J. Townsend Mr. & Mrs. Glen R. Traylor Mr. & Mrs. Vincent Trotta Dr. Ralph & Judith Vander Heide Ardean & Elna Watts Jeremy & Hila Wenokur Ms. Gayle Youngblood

$2,000 to $2,999

Anonymous (6) Craig & Joanna Adamson Robert & Cherry Anderson Drs. Wolfgang & Jeanne Baehr Mr. & Mrs. William Bierer Anneli Bowen, M.D. & Glen M. Bowen M.D. Richard & Suzanne Burbidge Lindsay & Carla Carlisle Robyn Carter Raymond & Diana Compton Mr. & Mrs. Kenneth R. Cutler Dr. & Mrs. J. Michael Dean James & Rula Dickson

Mr. & Mrs. Robert Ehrlich Heidi Gardner Stuart† & Diana George Randin Graves David & SandyLee Griswold* Dennis & Sarah Hancock John B. & Joan Hanna Kenneth & Geraldine Hanni Sunny & Wes Howell Dixie S. & Robert P. Huefner Jay & Julie Jacobson M. Craig & Rebecca Johns Bryce & Karen† Johnson Neone F. Jones Family J. Allen & Charlene Kimball Carl & Gillean Kjeldsberg Donald L. & Alice A. Lappe Paul Lehman Roger Leslie James Lether Harrison & Elaine Levy Bill Ligety & Cyndi Sharp Herbert C. & Wilma S. Livsey Daniel Lofgren Milt & Carol Lynnes David & Donna Lyon Jed & Kathryn Marti David Mash David & Nickie McDowell Warren K. & Virginia G. McOmber George & Nancy Melling Linda Mendelson Matt & Andrea Mitton Dr. Louis A. Moench & Deborah Moench Mr. & Mrs. Barry Mower Dan & Janet Myers Rachel L. Oberg Bradley Olch Joseph & Dorothy Ann Palmer Dr. Thomas Parks & Dr. Patricia Legant Linda S. Pembroke Chase† & Grethe Peterson Jon Poesch Victor & Elizabeth Pollak Dan & June Ragan Dr. & Mrs. Marvin L. Rallison Dr. Richard & Frances Reiser Gina Rieke Frank & Helen Risch David & Lois Salisbury Mark & Loulu Saltzman Margaret P. Sargent Bertram H. & Janet Schaap Deborah Schiller Mr. & Mrs. Eric Schoenholz K. Gary & Lynda Shields Gibbs & Catherine W. Smith

UTAH OPERA COSÌ FAN TUTTE 2015

reak away from the traditional hotel room… for a night or a lifetime! Sky Harbor’s quiet community is ideally positioned between the airport and downtown Salt Lake City. We know you are used to the conveniences and space of your own home, so our award winning studios, one or two bedroom suites are completely furnished.

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NA LS.c o m /s k y s u it e s

1 8 7 6 W E S T N O RT H T E M P L E S A LT L A K E C I T Y, U TA H 8 4 1 1 6

. . .. . . ..

ELECTRIC RANGE AND MICROWAVE FULL-SIZE REFRIGERATOR DISHWASHER COFFEEMAKER HOUSEWARES AND LINENS CABLE TV WITH VCR/DVD PLAYER MAID SERVICE RESORT AMENITIES

Individual Donors Christine St. Andre & Cliff Hardesty Jerry Steichen Drs. Gerald B. & Nancy Ahlstrom Stephanz JoLynda Stillman Mr. & Mrs. G. B. Stringfellow Bill & Connie Timmons Foundation Ann Marie & William Thomas Frederic & Marilyn Wagner David J. † & Susan Wagstaff John & Susan Walker Gerard & Sheila Walsh Bryan & Diana Watabe Suzanne Weaver

$1,000 to $1,999

Anonymous (4) Fran Akita Christine A. Allred Alex Bocock & Amy Sullivan Joseph & Margaret Anderson Drs. Crystal & Dustin Armstrong Daniel & Sheila Barnett Richard & Alice Bass David Bateman Mr. Barry Bergquist James & Marilyn Brezovec Mr. & Mrs. Lee Forrest Carter William J. Coles & Dr. Joan L. Coles Dr. & Mrs. David Coppin Dr. & Mrs. Thomas Coppin Carol Coulter Margaret Dreyfous Alice Edvalson Dr. Richard J. & Barbara N. Eliason Naomi K. Feigal Edward B. & Deborah Felt Robert S. Felt, M.D. Robert & Elisha Finney Blake & Linda Fisher Mr. & Mrs. Richard R. Graham Robert & Joyce Graham Anabel Greenlee Geoffery Grinney C. Chauncey & Emily Hall Robert & Marcia Harris Lex Hemphill & Nancy Melich John Edward Henderson Connie C. Holbrook The Steven Horton Family Bob† & Ursula Hoshaw Kay Howells Mr. & Mrs. Jerry Huffman Ms. Caroline Hundley Scott Huntsman Todd & Tatiana James

Drs. Randy & Elizabeth Jensen Jill Johnson Chester & Marilyn Johnson Mr. & Mrs. Clark D. Jones Mr. & Mrs. Alan D. Kerschner Eunice Kronstadt Mr. & Mrs. Melvyn L. Lefkowitz Mac & Ann MacQuoid Rick Mastain Christopher & Julie McBeth Michael Geary Janet O. Minden Dr. Michaela S. Mohr Mary Muir Oren & Liz Nelson Stephen & Mary Nichols Dr. & Mrs. Richard T. O’Brien Mary Jane O’Connor Ann G. Petersen Rori & Nancy Piggot Eugene & Pamela Podsiadlo W. E. & Harriet R. Rasmussen Mr. & Mrs. William K. Reagan Dr. Barbara S. Reid Mr. August L. Schultz Mr. & Mrs. D. Brent Scott David & Claudia Seiter Karen Shepherd Margot L. Shott Barbara Slaymaker Dorotha Smart Dr. Otto F. Smith & Mrs. June Smith Brian & Deborah Smith Dr. & Mrs. Michael H. Stevens Douglas & Susan Terry Ann Jarcho Thomas Carol A. Thomas Robb Trujillo Mrs. Rachel J. Varat-Navarro William & Donna R. Vogel Mr. & Mrs. Brad E. Walton Susan Warshaw Pam & Jonathan Weisberg David & Jerre Winder Michael & Judy Wolfe Mr. & Mrs. E. A. Woolston Mr. & Mrs. Hugh Zumbro In Honor of Barbara & Steven Anderson H. Brent & Bonnie Jean Beesley Dr. & Mrs. Joseph C. Bentley Paula J. Fowler Mark & Dianne Prothro Patricia A. Richards Susan Schulman

Barbara Ann Scowcroft William & Joanne Shiebler Joe V. Siciliano Erin Svoboda Melia Tourangeau In Memory Of Gary & Connie Anderson Jay T. Ball Berry Banks David Wells Bennett Dr. Robert H. Burgoyne Stewart Collins Kathie Dalton John R. Dudley Carolyn Edwards Loraine L. Felton Neva Langley Fickling Calvin Gaddis Anton Gasca Patricia Glad Herold L. “Huck” Gregory Carolyn Harmon Duane Hatch Steve Horton Mary Louis Scanlan Humbert Howard Keen Robert Louis Beverly Love Clyde Meadows Jean Moseley Scott Pathakis Chase N. Peterson Klaus Rathke Kathy Sargent Shirley Sargent Ruth Schwager Ryan Selberg Dr. Ann O’Neill Shigeoka Robert P. Shrader David Bennett Smith John Henry “Jack” Totzke Roger Van Frank Rick Wallace Sandra Wilkins Rosemary Zidow

*In-kind gift **In-kind & cash gift Donations as received between 1/15/2014 & 1/15/2015

UTAH OPERA COSÌ FAN TUTTE 2015

Classical 89 Broadcasts

Mar 7 | 9:30 AM TCHAIKOVSKY Violin Concerto, Mvt. III Allegro vivacissimo Thierry Fischer, conductor Itamar Zorman, violin (recorded 2/15/14) Mar 14 | 9:30 AM DVOŘÁK Symphony No. 9, “From the New World,” Mvt. I Adagio-Allegro Thierry Fischer, conductor (recorded 3/8/14) Mar 21 | 9:30 AM NIELSEN Symphony No. 5 Thierry Fischer, conductor (recorded 4/12/14) Mar 28 | 9:30 AM TCHAIKOVSKY 1812 Overture Thierry Fischer, conductor (recorded 9/20/13)

classical89.org 89.1 & 89.5 fm

April 4 | 9:30 AM TCHAIKOVSKY Symphony No. 5, Mvt. I Thierry Fischer, conductor (recorded 4/12/13) April 11 | 9:30 AM TCHAIKOVSKY Symphony No. 5, Mvt. II Thierry Fischer, conductor (recorded 4/12/13) April 18 | 9:30 AM TCHAIKOVSKY Symphony No. 6, Mvt. I Thierry Fischer, conductor (recorded 4/12/13) April 25 | 9:30 AM TCHAIKOVSKY Symphony No. 6, Mvt. II Thierry Fischer, conductor (recorded 4/12/13)

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Acknowledgments

DoubleTree Suites by Hilton Hotel is located in the heart of Downtown Salt Lake City-just blocks from the Convention Center, Energy Solutions Arena, great shopping and Trax Station. The DoubleTree Suites by Hilton Hotel offers many of the comforts of home. Every Spacious Two-Room Suite Ev provides a private bedroom plus a separate living room and complimentary wireless high speed Internet. We have an indoor heated pool, sauna and whirlpool. Just seven miles from the airport, we also offer Hilton HHonors® Points & Miles®. We offer all of this for the price of an ordinary hotel room.

UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR

Melissa Robison HUDSON PRINTING COMPANY

www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY

Tanner, LLC LEGAL REPRESENTATION PROVIDED BY

Ballard Spahr Andrews & Ingersoll, LLP Dorsey & Whitney, LLP Holland & Hart, LLP Jones Waldo GOVERNMENTAL RELATIONS REPRESENTATIVE

Frank Pignanelli, Esq. NATIONAL PUBLIC RELATIONS

Shuman Associates, Inc. Utah Symphony | Utah Opera is funded by the Utah Arts Council, Professional Outreach Programs in the Schools (pops), Salt Lake City Arts Council, Salt Lake County Zoo, Arts, and Parks Tax (ZAP), Summit County Restaurant Tax, Summit County Recreation, Arts and Parks Tax (RAP), Park City Chamber Bureau, and the Utah Humanities Council. Utah Symphony | Utah Opera is an equal opportunity employer. Utah Symphony | Utah Opera policy prohibits unlawful discrimination based on race, color, creed, sex, marital status, sexual orientation, age, national origin, ancestry, handicap, disability, medical condition, or any other consideration made unlawful by federal, state, or local laws. Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts. By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same. *Hilton HHonors membership, earning of Points & Miles®, and redemption of points are subject to HHonors Terms and Conditions. ©2009 Hilton Hospitality, Inc. UTAH OPERA COSÌ FAN TUTTE 2015

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