Dvořák Serenade for Strings / Audra McDonald / Whole Lotta Shakin'

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UTAH SYMPHONY SEASON / MAR – APR

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March/April 2018 Performances

CONTENTS

Purchase tickets at utahsymphony.org or call 801-533-6683

6 Welcome

MARCH 2–3 | 7:30 PM

8 Utah Symphony

BERNSTEIN AT 100: CHICHESTER PSALMS & DIVERTIMENTO

10 Board of Trustees 15 Music Director 16 Preconcert Rituals 21 DVMF Celebrates 15 Years 24 Getting to Know you our Volunteers 30 Season Sponsors 31–38 Tonight‘s Concert

MARCH 16 | 7:30 PM

DVOŘÁK’S SERENADE FOR STRINGS

39 Support USUO 40 Thank You 41 Young Musicians in Concert 51 Tanner & Crescendo Societies 52 Legacy Giving 53 Utah Symphony Guild

MARCH 23–24 | 7:30 PM

AUDRA MCDONALD WITH THE UTAH SYMPHONY

54 Administration 59 House Rules 61 A Ghost Light Podcast Extra! 64 Acknowledgments Program notes and artist bios for upcoming and past performances are available on utahsymphony.org. @UtahSymphony

PUBLISHER Mills Publishing, Inc. PRESIDENT Dan Miller OFFICE ADMINISTRATOR Cynthia Bell Snow ART DIRECTOR / PRODUCTION MANAGER Jackie Medina GRAPHIC DESIGNERS Ken Magleby Patrick Witmer

ADVERTISING REPRESENTATIVES Paula Bell Karen Malan Dan Miller Paul Nicholas OFFICE ASSISTANT Jessica Alder ADMINISTRATIVE ASSISTANT KellieAnn Halvorsen EDITOR Melissa Robison

The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801-467-8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities.

APRIL 6 | 10 AM APRIL 6–7 | 7:30 PM

TCHAIKOVSKY’S “LITTLE RUSSIAN” & PROKOFIEV WITH CONRAD TAO

APRIL 13–14 | 7:30 PM

WHOLE LOTTA SHAKIN’ FROM SWING TO ROCK

APRIL 20–21 | 7:30 PM

GRIEG’S PIANO CONCERTO WITH ALEXANDRA DARIESCU

APRIL 27–28 | 7:30 PM

FISCHER CONDUCTS SHOSTAKOVICH

© COPYRIGHT 2018

UTAHSYMPHONY.ORG

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WELCOME

Paul Meecham

Thierry Fischer

Kem Gardner

President & CEO

Symphony Music Director

Chair, Board of Trustees

Welcome to Abravanel Hall and this performance of the Utah Symphony! We believe in the power of music to bring people closer through a shared experience and have recently taken steps to make it easier for families to experience our concerts together. With our new Family Pass, a family of four can attend a performance—and sit in the best seats available—for a total of just $30, and additional youth tickets are only $5 each! While children 5 and older may enjoy any of our concerts, we have two performances in March and April specifically targeted for family enjoyment that include actors and visuals to enhance the musical experience. Dr. Seuss’ Green Eggs and Ham will be presented on March 17 and Enchantment Theatre Company Presents Scheherazade on April 14, both with live music by the Utah Symphony musicians. Our Masterworks and Entertainment series concerts in March and April embrace a wide range of music to enjoy with classical

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masterpieces from Bernstein to Shostakovich and lighter favorites from Broadway to Elvis and Johnny Cash. We’re thrilled to present debuts by conductor Karina Canellakis and pianists Alexandra Dariescu and Boris Giltburg, as well as the return of conductor Kazuki Yamada, pianist Conrad Tao, and Broadway star Audra McDonald! When our musicians are not in Abravanel Hall in March and April, they will be performing for youth in schools throughout the state and beyond. And, for the second year, 17 members of the Utah Symphony and music director Thierry Fischer will be travelling to Haiti during their week off at the end of March to provide much-valued instruction and mentorship to 100 young Haitian instrumentalists. On behalf of the musicians, staff, and board members at Utah Symphony | Utah Opera, thank you for helping us bring people together through the shared experience of great live music!

UTAH SYMPHONY


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UTAH SYMPHONY

Thierry Fischer, Music Director / The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Conner Gray Covington Assistant Conductor

Roberta Zalkind Associate Principal

Robert Stephenson Associate Principal

Sam Elliot Associate Principal

Barlow Bradford Symphony Chorus Director

Elizabeth Beilman Julie Edwards Joel Gibbs Carl Johansen Scott Lewis Christopher McKellar Whittney Thomas

Lissa Stolz

BASS TROMBONE Graeme Mutchler† David Hagee††

VIOLIN* Madeline Adkins Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton Kathryn Eberle Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair Ralph Matson Associate Concertmaster David Park Assistant Concertmaster Claude Halter Principal Second Wen Yuan Gu Associate Principal Second Evgenia Zharzhavskaya Assistant Principal Second Karen Wyatt•• Joseph Evans LoiAnne Eyring Lun Jiang Rebekah Johnson Tina Johnson†† Amanda Kofoed†† Veronica Kulig David Langr Melissa Thorley Lewis Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer• David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• M. Judd Sheranian•• Lynnette Stewart Bonnie Terry• Julie Wunderle VIOLA* Brant Bayless Principal The Sue & Walker Wallace Chair

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ENGLISH HORN Lissa Stolz

TUBA Gary Ofenloch Principal

CELLO* Rainer Eudeikis Principal The J. Ryan Selberg Memorial Chair

CLARINET Tad Calcara Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

Matthew Johnson Associate Principal

Erin Svoboda Associate Principal

John Eckstein Walter Haman Andrew Larson Anne Lee Louis-Philippe Robillard Kevin Shumway Pegsoon Whang

Lee Livengood

PERCUSSION Keith Carrick Principal

BASS CLARINET Lee Livengood

Eric Hopkins Michael Pape

E-FLAT CLARINET Erin Svoboda

BASS* David Yavornitzky Principal

BASSOON Lori Wike Principal The Edward & Barbara Moreton Chair

KEYBOARD Jason Hardink Principal

Corbin Johnston Associate Principal James Allyn Benjamin Henderson†† Lee Philip†† Edward Merritt Jens Tenbroek Thomas Zera†

Leon Chodos Associate Principal Jennifer Rhodes CONTRABASSOON Leon Chodos

HARP Louise Vickerman Principal

HORN Edmund Rollett Acting Principal

FLUTE Mercedes Smith Principal The Val A. Browning Chair

Alexander Love†† Acting Associate Principal

Lisa Byrnes Associate Principal Caitlyn Valovick Moore PICCOLO Caitlyn Valovick Moore OBOE James Hall Principal The Gerald B. & Barbara F. Stringfellow Chair

Llewellyn B. Humphreys Brian Blanchard Stephen Proser TRUMPET Travis Peterson Principal Jeff Luke Associate Principal

TIMPANI George Brown Principal Eric Hopkins Associate Principal

LIBRARIANS Clovis Lark Principal Maureen Conroy† Katie Klich†† ORCHESTRA PERSONNEL Walt Zeschin Director of Orchestra Personnel Andrew Williams Orchestra Personnel Manager STAGE MANAGEMENT Chip Dance Production & Stage Manager Jeff Herbig Properties Manager & Assistant Stage Manager • First Violin •• Second Violin * String Seating Rotates † Leave of Absence # Sabbatical †† Substitute Member

Peter Margulies Gabriel Slesinger†† TROMBONE Mark Davidson Principal

UTAH SYMPHONY


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BOARD OF TRUSTEES ELECTED BOARD Kem C. Gardner* Chairman

David Dee* Alex J. Dunn Brian Greeff Lynnette Hansen Matthew Holland Thomas N. Jacobson Mitra Kashanchi Thomas M. Love* Brad W. Merrill Theodore F. Newlin III* Dee O’Donnell Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Shari H. Quinney Brad Rencher Joanne F. Shiebler* Naoma Tate

Thomas Thatcher David Utrilla Craig C. Wagstaff Bob Wheaton Kim R. Wilson Thomas Wright

Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen* Patricia A. Richards

Harris Simmons Verl R. Topham M. Walker Wallace David B. Winder

Kristen Fletcher Burton L. Gordon Richard G. Horne Ronald W. Jibson

Warren K. McOmber E. Jeffrey Smith Barbara Tanner

Lisa Eccles Spencer F. Eccles The Right Reverend Carolyn Tanner Irish Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson

O. Don Ostler Stanley B. Parrish Marcia Price David E. Salisbury Jeffrey W. Shields, Esq. Diana Ellis Smith

Joanne F. Shiebler Chair (Utah)

Susan H. Carlyle (Texas)

Harold W. Milner (Nevada)

David L. Brown (S. California)

Robert Dibblee (Virginia)

Marcia Price (Utah)

Anthon S. Cannon, Jr. (S. California)

Senator Orrin G. Hatch (Washington, D.C.)

William H. Nelson* Vice Chairman Annette W. Jarvis* Secretary John D’Arcy* Treasurer Paul Meecham* President & CEO Jesselie B. Anderson* Doyle L. Arnold* Judith M. Billings Howard S. Clark Gary L. Crocker

MUSICIAN REPRESENTATIVES

Elizabeth Beilman* Mark Davidson* EX OFFICIO

Margaret Sargent Utah Symphony Guild Dr. Robert Fudge Ogden Symphony Ballet Association *Executive Committee Member

LIFETIME BOARD William C. Bailey Edwin B. Firmage Jon Huntsman, Jr. G. Frank Joklik Clark D. Jones TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow John Bates HONORARY BOARD Ariel Bybee Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous NATIONAL ADVISORY COUNCIL

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UTAH SYMPHONY


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MUSIC DIRECTOR

Thierry Fischer has been Music Director of the Utah Symphony since 2009 and Principal Guest Conductor of the Seoul Philharmonic since January 2017. During his tenure in Utah he has revitalized the orchestra, and his contract has been extended to 2022. He has led the orchestra in annual composer cycles including Mahler, Ives, and Nielsen; has toured to Utah’s five national parks; and has forged outreach links in Haiti. In celebration of its 75th anniversary season in 2016, the orchestra appeared at Carnegie Hall to critical acclaim and released an album of newly commissioned works by Nico Muhly, Andrew Norman, and Augusta Read Thomas on Reference Recordings. Following a well-reviewed recording of Mahler’s 1st Symphony, the Utah Symphony recorded Mahler’s 8th Symphony in Utah with the worldrenowned Mormon Tabernacle Choir, recently released in Autumn 2017. Thierry Fischer Music Director The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation

Maestro Fischer has guested with many leading orchestras, most recently the Boston, Atlanta, Cincinnati, and Detroit Symphonies; the Mostly Mozart Festival Orchestra (New York); London Philharmonic; BBC Symphony; Oslo Philharmonic; Bergen Philharmonic; Rotterdam Philharmonic; Maggio Musicale Firenze; Salzburg Mozarteumorchester; and the Orchestre de la Suisse Romande. In Autumn 2016, he visited South America for the first time to conduct the Sao Paulo Philharmonic. In recent years, he has also conducted the Scottish, Swedish, and Munich Chamber Orchestras; London Sinfonietta; and Chamber Orchestra of Europe. He is committed to contemporary music and has performed and commissioned many world premieres, and this season he conducts the Ensemble Intercontemporain for the first time. Maestro Fischer started out as Principal Flute in Hamburg and at the Zurich Opera. His conducting career began in his 30s when he replaced an ailing colleague, subsequently directing his first few concerts with the Chamber Orchestra of Europe where he was Principal Flute under Claudio Abbado. He spent his apprentice years in Holland, and became Principal Conductor and Artistic Advisor of the Ulster Orchestra from 2001–2006. He was Chief Conductor of the Nagoya Philharmonic from 2008–2011, making his Suntory Hall debut in Tokyo in May 2010, and is now Honorary Guest Conductor. Thierry Fischer is represented by Intermusica.

UTAHSYMPHONY.ORG

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Preconcert Rituals By Renée Huang, Director of Communications

Professional musicians often spend much of their lives on the road performing in concert venues around the globe. Amid the hectic travel schedules, rehearsals, practice time, and adjustments to a different time zone, culture, and climate, regular routine is sacrificed. We asked two of our guest artists to share what pre-concert rituals help keep them grounded.

It would be so cool to have a formula that would guarantee you a good performance! No stress, no worries, just do a, b, c, and d and you’re fresh and in top shape, every single time. (That might sound a little boring, but, oh, it would be such a hard thing to refuse). Unfortunately, despite dreaming of such a formula for years and thinking, multiple times, that I’ve stumbled on it, I haven’t really. The closest I came is finding that there is—perhaps!—a formula, one that would work for one specific day and one specific performance. But how to find it, without the help of hindsight or a personal coach?

Boris Giltburg piano

An afternoon nap is good—unless you wake up with a heavy head. A relaxing walk to take your mind off the performance is good—unless you’re so excited that your brain seems to contain ten Energizer bunnies who won't stay quiet. Even the bowl of pasta you always swear by (“slowburn energy!”) may find itself sitting uneasily in your stomach next to the superfluous panna cotta, both not quite helping concentration. Or you may be in a country where no serious food is to be found at all between 2:30 PM (when you’re still rehearsing) and 7 PM (by which time you’re already warming up backstage, your heart so thumping with adrenaline that no thought of even a sandwich would dare to encroach). Even practicing—the most obvious thing to do—can sometimes reach a point at which it’s more beneficial to close the lid of the piano and go outside for some fresh air. So, a concert day might be a combination of some (or all) of the above—but the moment of going onstage and playing for the audience is the highest point of the day, guaranteed, and with no formula needed.

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Preconcert Rituals By Renée Huang, Director of Communications

Professional musicians often spend much of their lives on the road performing in concert venues around the globe. Amid the hectic travel schedules, rehearsals, practice time, and adjustments to a different time zone, culture, and climate, regular routine is sacrificed. We asked two of our guest artists to share what pre-concert rituals help keep them grounded.

Alexandra Dariescu piano

UTAHSYMPHONY.ORG

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My ritual starts in the morning with a positive attitude. You never know what can go wrong on the day of a concert (flights canceled, trains running late, piano missing…) so an optimistic outlook is incredibly helpful. I like to practice slowly in the morning, on the score, looking at every detail and refreshing the memory. If there’s a rehearsal with an orchestra, I usually save energy for the evening performance. Lunch consists of fish, rice, and lots of veggies. A nap is always welcome but if I can’t fall asleep, I lie down and breathe three in seven out, a ritual I’ve had for years. I also visualize the hall, coming in and feeling free. Freedom, inspiration, and being in the moment are my essentials for a great performance. As musicians, we always practice for tomorrow’s concert, think about what we’ll play in two year’s time. But when the spotlight is on, “now” is the most important! Forget anything else and live in the moment, think only about the music and then the magic happens! I like a good cup of coffee and chocolate about an hour before the concert, followed by warming up (Grindea technique), and the 30 minutes prior to the performance I spend alone, no talking, no phone, just thinking about the music, what I want to communicate to the audience. Every concert is a blessing and I sincerely feel grateful for every opportunity I have to perform, to do what I love!

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DVMF Celebrates 15 Years By Renée Huang, Director of Communications

As a resident of Park City, Director of Communications Renée Huang first fell in love with summer in the mountains while attending Deer Valley® Music Festival outdoor orchestra concerts. As the festival celebrates its 15th season in 2018, she takes a look at the growth and impact it’s had on the local economy.

During the summer months when Abravanel Hall lies quiet to the reverberating sounds of classical music, the hills surrounding Park City come to life as the Utah Symphony retreats to its home in Deer Valley. Founded in 2004, the vision of the Deer Valley® Music Festival is to deliver a high quality and musically diverse experience in casual settings of unparalleled natural beauty. The 6-week festival provides as many as 18 chamber music, classical, and pops concerts in several venues throughout Park City: the Deer Valley® Resort Snow Park Outdoor Amphitheater, St. Mary’s Church, and salon events in private homes in the Park City area.

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Over the years, the festival has featured bigname stars including Earth, Wind and Fire, Tony Bennett, Steve Martin and the Steep Canyon Rangers, the Beach Boys, Jewel, and Broadway legends such as Idina Menzel, Kristin Chenoweth, Matthew Morrison, and Leslie Odom Jr. As part of the educational outreach mission of Utah Symphony | Utah Opera, the festival education events offered 3 sessions of Pro-Am clinics, in which Utah Symphony members coached 49 area community orchestra musicians and music students from Park City High School in strings, woodwinds, and brass sections. Over the course of the

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DVMF Celebrates 15 Years

2016–17 academic year, Summit County school participation in Utah Symphony | Utah Opera education programs totaled 1,710 students and 85 teachers from 9 schools. Beyond educational outreach, the popularity of the festival has grown exponentially, seeing an 80 percent increase in audience numbers since the festival's inception, and a 25 percent increase in attendance in 2017 from the previous year. What does the continued growth trajectory and exciting future mean for the 15th anniversary of the festival? A hootenanny “Barn Bash” of epic proportions is being planned at High West Distillery’s Blue Sky Ranch in celebration of 15 years of summer music in the mountains. The Western-themed fundraiser will feature a musical performance by American country group Asleep at the Wheel. For more information or to purchase a ticket, please contact Heather Weinstock at 801.869.9011 or vipevents@usuo.org. For more information, visit deervalleymusicfestival.org

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Getting to know you our Volunteers… By Melissa Robison

We have over 600 volunteers each year that work as hosts, gift shop volunteers, light walkers, supernumeraries, and docents, as well as for our special events, Guild and Youth Guild, and our galas. We couldn’t function without the endless hours they dedicate to Utah Symphony | Utah Opera. Enjoy getting to know two of our wonderful volunteers and join us by emailing volunteers@usuo.org.

Anne Polinsky is a Utah native and has lived here and in Idaho. She graduated from the University of Utah with a degree in accounting, but is now retired. She also volunteers for several other local organizations, including Sundance Film Festival and Park City Kimball Arts Festival. How long have you been a USUO volunteer and what do you love most about volunteering here? Carolyn Holloway was the

person who first got me involved and we think it was about 2006, so just over a decade! I enjoy working with the other volunteers and the patrons. It’s nice to see the outreach that USUO does, and the younger people from Youth Guild and students attending performances.

Would you share any memorable moments or favorite concerts?

I think one of my favorite concerts (among many) is the first time I saw Pink Martini at Deer Valley and how the audience reacted to their talent. Why is it important to have classical music and opera in your life? I made a New Year’s resolution a couple of years ago

to have more music in my life and this was a perfect way to do it. It not only helps with relaxation, but I’ve read that it also keeps one’s brain from deteriorating, and who doesn’t love that?

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Getting to know you our Volunteers… Whit Wirsing was born in Roanoke, Virginia. He has a degree in philosophy from Virginia Tech and a degree in Spanish from the University of Utah. He teaches English as a second language for the Granite District and Continuing Education department at the University of Utah and Lumos School. He is the author of the Ultimate Spanish Phrase Finder published by McGraw-Hill in 2009. Whit is most often seen at the symphony intermission receptions acting as the head “sommelier.” His beautiful origami cranes add a bright spot to the tables. How long have you been a USUO volunteer and what do you love most about volunteering here? I’ve been volunteering since

September 2011. I enjoy several things about volunteering. I want people to enjoy the experience of coming to the symphony, to have a good time, and want to come back. Second, I like the people that I work with. Would you share any memorable moments or favorite concerts?

I remember the night of a post-concert reception when the whole orchestra, the staff, and the board were in attendance. The champagne was flowing, and everyone was in high spirits. Another night that was memorable was about three years ago when it was a Latino night. I loved that because I speak Spanish, and the Latino community that likes classical music fits like glove with the rest of the music-loving community. Why is it important to have classical music and opera in your life? My grandmother was a concert pianist. She mostly

played with symphonies in the Roanoke and southwest Virginia area, but once she played César Franck’s Symphonic Variations. I have a CD of it, and my CD is no better than what my grandmother played that night. My mother also played the piano (she died when I was 12), and both my aunts played. So it’s in the blood. I can’t imagine life without it. And we are the organization for people whose love of music is in their blood. Melissa Robison is our Front of House and Publication Manager who also managers our Volunteer Network and has the pleasure of working with over 600 volunteers each season.

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FISCHER CONDUCTS SHOSTAKOVICH April 27 & 28

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Dvorˇ ák’s Serenade for Strings

program

Dvořák’s Serenade for Strings March 16 / 2018 / 7:30PM / ST. MARY’S CHURCH (PARK CITY, UTAH) MADELINE ADKINS, concertmaster and leader MUSICIANS OF THE UTAH SYMPHONY

PURCELL

Suite from The Fairy Queen I. II. III. IV. V. VI. VII.

MENDELSSOHN

String Sinfonia No. 10 I. II.

WARLOCK

Overture Prelude Hornpipe Rondeau Dance for the Followers of Night Dance for the Fairies Chaconne Adagio Allegro

Capriol Suite I. II. III. IV. V. VI.

Basse-Dance Pavane Tordion Bransles Pieds-en-l’air Mattachins

/ INTERMISSION / DVOŘÁK

Serenade for Strings in E Major, Op. 22 I. II. III. IV. V.

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Moderato Tempo di valse Scherzo: Vivace Larghetto Finale: Allegro vivace

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Dvorˇ ák’s Serenade for Strings

artist’s profile

Madeline Adkins joined the Utah Symphony as Concertmaster in 2016. She previously served as Associate Concertmaster of the Baltimore Symphony for 11 years, as well as Concertmaster of the Baltimore Chamber Orchestra from 2008–2016. Adkins has performed as a soloist in Europe, Asia, Africa, and 20 U.S. states. She has served as guest concertmaster of the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, and the Grant Park Symphony Orchestra. She has also been a guest artist at numerous summer festivals including the Stellenbosch International Chamber Music Festival in South Africa, the Sarasota Music Festival, Music in the Mountains, the Grand Teton Music Festival, and the Sewanee Summer Music Festival, and she has been a faculty member at the National Orchestral Institute and the National Youth Orchestra at Carnegie Hall. Madeline Adkins concertmaster and leader

She performs on the “ex-Chardon” Guadagnini of 1782, graciously loaned by Gabrielle Israelievitch to perpetuate the legacy of her late husband, former Toronto Symphony Concertmaster Jacques Israelievitch. Adkins’ CD of the complete works for violin and piano by Felix Mendelssohn with pianist Luis Magalhães was released in 2016. Adkins has been active in early music since the age of 11, performing with Handel and Haydn Society and Boston Baroque, among others. In the 2018–19 season, she will serve as Music Director of the NOVA Chamber Music Series. The daughter of noted musicologists, Adkins is the youngest of eight children, six of whom are professional musicians. Adkins received her bachelor’s degree summa cum laude from the University of North Texas and her master’s degree from the New England Conservatory where she studied with James Buswell.

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Dvorˇ ák’s Serenade for Strings

program notes

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Notes by Michael Clive

Henry Purcell (1659–1695)

Suite from The Fairy Queen England’s musical history is an odd combination of wealth and poverty: Though London has been a global capital of music and culture for centuries, England had few native-born composers of greatness in the Baroque and Classical eras. Henry Purcell, one of the few, demonstrated brilliance and originality in his tragically short life. The son of a chorister at the Chapel Royal, Purcell was an inspired creator of musical narrative. After the cultural austerity of the Puritan Revolution and Commonwealth era in England, Purcell took advantage of the renewed interest in drama during the Restoration of the Monarchy to craft not-quite-operas and incidental stage music, as well as harpsichord suites and trio sonatas. His compositions were central to London’s revivified musical life during the Restoration. He died ten years before the birth of George Frideric Handel, who settled in London in 1712, extending the glories of the English Baroque with only a short gap. Why “not-quite-operas”? Because England had not yet adopted the relatively new style of staged musical drama that included continuous singing. Purcell’s instrumental music for The Fairy Queen, based on Shakespeare’s A Midsummer Night’s Dream, is sustained through musical episodes—mainly dance movements—suggestive of stage action. You’ll recognize the romantic mood, the ethereality of the fairy realm, and the fairy queen

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herself—Titania. Felix Mendelssohn (1809–1847)

String Sinfonia No. 10 Felix Mendelssohn’s early years as a musical prodigy are so dazzling that a couple of high points have become shorthand reminders of his greatness—for example, his Octet for Strings (composed at age 16) and his incidental music for A Midsummer Night’s Dream (age 17) are both acknowledged as masterpieces of the standard concert repertory. It’s fortunate for us that he made an early start and continued to work productively, because, like Purcell, he died tragically young. Many critics contend that Mendelssohn’s early compositions are even more mature than Mozart’s were at a comparable age, and this is certainly true of his symphonies for string orchestra, which allowed him to explore the symphonic form without scoring for full orchestra. He composed his 10th such symphony at age 14. It’s unclear whether he intended it as a multi-movement work—only one movement has survived—but it combines his own inspiration with a strong sense of the past, particularly in the influences of composers C.P.E. Bach and Joseph Haydn. Peter Warlock (1894–1930)

Capriol Suite It’s only a slight exaggeration to say that the British composer Peter Warlock led a double life. He was born Philip Arnold Heseltine,

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Dvorˇ ák’s Serenade for Strings

program notes

and under that name was a respected scholar and music critic whose study of English folk song and Elizabethan music led to important contributions in that field. He adopted the pseudonym Peter Warlock because of its association with witchcraft and the occult, a subject of intense interest for him. He reserved this name for his original compositions—mainly vocal music in a style that reflects his close friendship with the British composer Frederick Delius as well as his especially impactful meeting with the Dutch composer Bernard van Dieren in 1916. The Capriol Suite, comprised of six dance movements, is one of Warlock’s most popular compositions. He originally scored it as a piano duet, later arranging it in versions for full orchestra and string orchestra. Though it does not contain vocal parts, it does embody key elements of Warlock’s style, showing the influences of Delius’ English lyric style with Warlock’s unique affinity for Elizabethan antiquity. Warlock described the suite as based on musical sources from Orchésographie, a text on dance music by the 16th-century French cleric Thoinot Arbeau. But critics including his biographer Cecil Gray have said it is essentially an original composition. It is dedicated to Paul Ladmirault (1877–1944), a French composer whose style reflects one of Warlock’s particular interests: the Breton cultural heritage of the Brittany region of France.

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Antonin Dvorˇák (1841–1904)

Serenade for Strings The sheer pleasure of listening to Dvořák’s Serenade for Strings suggests the relaxed enjoyment of a divertimento such as Mozart’s Eine kleine Nachtmusik—not only in its loose structure, but also in the feeling of a glowing twilight that suffuses the music. Dvořák composed this five-movement suite in 1875, a productive and happy year for him: his marriage was new, his first son was born, and he was finally enjoying financial selfsufficiency as a composer of high repute. The sense of relaxation in the Serenade was seemingly reflected in its ease of composition, which reportedly took less than two weeks for all five movements. From the opening moderato movement, which overlays a serene yet expectant theme over pulsing eighth notes, each movement until the finale is presented in a simple ABA pattern: an expressive melody leading to the development of a second theme, leading back to the original theme. In the final movement, a brisk allegro vivace, the development is more complex, hewing more closely to the Classical sonata allegro form and to Dvořák’s beloved Bohemian dance rhythms. (Dvořák’s music never really strays far from dancing.) The suite ends in a swirl of presto energy and three final chords in emphatic E Major. Dvořák’s music is known for its rhythmic and narrative intensity—for drama and swing. Here, it can be said, we hear his characteristic swing, but not drama…just relaxed pleasure in the playing and the listening.

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Audra McDonald with the Utah Symphony

program

Audra McDonald with the Utah Symphony March 23–24 / 2018 / 7:30PM / ABRAVANEL HALL ANDY EINHORN, conductor AUDRA MCDONALD, vocalist

Program to be announced from the stage.

The photographing or audio recording of this concert or possession of any device for such photographing or audio recording is prohibited.

CONCERT SPONSOR

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Audra McDonald with the Utah Symphony

artists’ profiles

Leading Broadway music director and conductor Andy Einhorn leads concerts in the 2017–18 season with the Utah Symphony, Detroit Symphony Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the New Jersey Symphony. He’s currently the Music Supervisor and Musical Director for the new Broadway production of Hello Dolly! starring Bette Midler. Einhorn’s Broadway credits include Holiday Inn, Woody Allen’s Bullets over Broadway, Rodgers and Hammerstein’s Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as Music Director and conductor for the Châtelet Theatre’s production of Sondheim’s Passion in Paris and made his New York Philharmonic debut with worldrenowned trumpeter Chris Botti.

Andy Einhorn conductor

Audra McDonald vocalist GUEST ARTIST SPONSOR

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Audra McDonald is unparalleled in the breadth and versatility of her artistry as both a singer and an actress. The winner of a record-breaking six Tony Awards, two GRAMMY Awards, and an Emmy Award, she received a 2015 National Medal of Arts from President Barack Obama and was also named one of Time Magazine’s 100 most influential people that year. Tony-winning performances include Carousel, Master Class, Ragtime, A Raisin in the Sun, The Gershwins’ Porgy and Bess, and Lady Day at Emerson’s Bar and Grill— which served as the vehicle for her 2017 debut on London’s West End. On television, McDonald is known for her roles in ABC’s Private Practice and NBC’s The Sound of Music Live!, and she won an Emmy as the official host of PBS’s Live from Lincoln Center. In 2018, she joins the cast of The Good Fight on CBS All Access. Recent film credits include Ricki and the Flash, Disney’s live-action Beauty and the Beast, and movie-musical Hello Again. The Juilliard-trained soprano also maintains a major career as a concert artist. Of all her many roles, her favorites are the ones performed offstage: passionate advocate for equal rights and homeless youth, wife to actor Will Swenson, and mother.

UTAH SYMPHONY


program

Whole Lotta Shakin’ From Swing to Rock

Whole Lotta Shakin’ From Swing to Rock April 13–14 / 2018 / 7:30PM / ABRAVANEL HALL MICHAEL KRAJEWSKI, conductor DAVE BENNETT, guest artist

Program to be announced from the stage.

A number of US Veterans are special guests of Utah Symphony tonight, as part of annual outreach to veterans in our community. Free tickets to select symphony concerts are available to veterans through VetTix.org.

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Whole Lotta Shakin’ From Swing to Rock

Michael Krajewski conductor

artists’ profiles Known for his entertaining programs and clever humor, Michael Krajewski is a much sought-after conductor of symphonic pops. He is Music Director of the Philly Pops and Principal Pops Conductor of the Atlanta and Jacksonville Symphonies. Previously, he was Principal Pops Conductor of the Houston Symphony for 16 seasons. As a guest conductor Michael has performed with the Cleveland and Philadelphia Orchestras; the Boston and Cincinnati Pops; the San Francisco, Baltimore, Detroit, Indianapolis, Seattle, Dallas, St. Louis, Pittsburgh, and National Symphonies; and numerous other orchestras across the United States. In Canada he has led Ottawa’s National Arts Centre Orchestra, the Toronto Symphony Orchestra, Calgary Philharmonic Orchestra, and the Edmonton, Winnipeg, and Kitchener-Waterloo Symphonies. Other international appearances include performances in Dublin and Belfast with the Ulster Orchestra as well as performances with the Hong Kong Philharmonic, Malaysian Philharmonic Orchestra, the Iceland Symphony Orchestra, and Spain’s Bilbao Symphony Orchestra.

Dave Bennett doesn’t fit the mold. For starters, you don’t find many jazz clarinet players who name Alice Cooper, Stevie Ray Vaughan, and Chris Isaak among their influences. You also won’t find many musicians who are equally conversant with the music of Benny Goodman (the “King of Swing”) and Roy Orbison (“The Soul of Rock and Roll”).

Dave Bennett

Bennett is a clarinet virtuoso who plays electric guitar, piano, drums, and vocalizes. He is one of the only artists saluting swing to rock, covering music from the swing era to early rockabilly and country, to Elvis Presley and more. Leading his tribute to Benny Goodman, Dave has been a featured soloist at Carnegie Hall with The New York Pops (2013) and has played the show with 35 other U.S. and Canadian orchestras including Nashville, Detroit, Rochester, Omaha, Toronto, Vancouver, Orlando, San Antonio, Jacksonville, Portland, O.R., Portland, M.E., and Houston. Fifty performing arts centers across the USA have had success with his presentations.

guest artist

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“Thank you for playing such beautiful music last week. Thank you for spending so much of your time and energy to put a smile on my face.” S T U D E N T, J O R D A N S C H O O L D I S T R I C T

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Make a gift to Utah Symphony | Utah Opera, a 501(c)(3) non-profit organization, and your support will go twice as far thanks to a $100,000 challenge grant from Elizabeth Solomon. Support like this combined with yours helps us take artistically rewarding performances and extensive education and community outreach programs to young people across the state. VISIT OUR WEBSITE

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Thank You MILLENNIUM DONORS $250,000 & above We are grateful to those individuals, corporations, foundations, and public institutions who have given $250,000 or more as a one-time gift or as a multi-year pledge during the past five years to either the annual fund or to a combination of annual fund and endowment. Their generous support sustains and enhances our artistic excellence. Thank you.

INDIVIDUALS Gael Benson

Kem & Carolyn Gardner

Theodore Schmidt

Diane & Hal Brierley

Anthony & Renee Marlon

E.R. & Katherine† W. Dumke

James A. & Marilyn Parke

Naoma Tate & the Family of Hal Tate

The Right Reverend Carolyn Tanner Irish

Patricia A. Richards & William K. Nichols

Jacquelyn Wentz

CORPORATIONS, FOUNDATIONS & PUBLIC SUPPORT The Church of Jesus Christ of O.C. Tanner Latter-day Saints Foundation Perkins-Prothro Foundation Lawrence T. & Janet T. Dee John & Marcia Price Foundation Foundation Dominion Energy Salt Lake County George S. & Dolores Doré Salt Lake County Zoo, Arts & Eccles Foundation Parks Larry H. & Gail Miller Family Shiebler Family Foundation Foundation

Sam & Diane Stewart Family Foundation Utah State Legislature / Utah State Board of Education Zions Bank

Donations received as of January 12, 2018

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UTAH SYMPHONY


UTAH SYMPHONY S E ASO N

We are proud of the incredible talent of Utah’s youth musicians, and we’re excited to share their performances with you. Two opportunities for you to hear outstanding young musicians in concert are coming up soon. Utah Symphony Youth Guild Recital Saturday, April 14

| 7 pm

Utah Symphony All-Star Evening Tuesday, May 22

| 7 pm

T H E WAT E R F O R D S C H O O L C O N C E R T H A L L

ABRAVANEL HALL

Youth Guild members prepared for months in dedicated practice. Auditions in March selected a wonderful array of talents and repertoire for you to enjoy. Join us for the Youth Guild Recital, which is free and open to the public.

High schooler Jarom Martineau from Provo, Utah solos with the Utah Symphony playing Rachmaninoff’s Piano Concerto No. 1. In the second half of the program students from 11 different youth orchestras sit side-by-side with the musicians of the Utah Symphony. Conner Gray Covington conducts the concert. For tickets, visit utahsymphony.org or call 801-533-6683

TH E 2018–19 SALUTE TO YOUTH

concert in September 2018 will be the 59th year for this concert. Audition repertoire is available at www.usuoeducation.org. Information about auditions for next season will be available by mid-April.

SE A SON SPONSOR:


Thank You INDIVIDUAL GIVING Annual Fund Utah Symphony | Utah Opera is grateful to the individuals who support our mission with annual gifts and those who have pledged multi-year gifts (recognized in bold) to the annual fund.

ENCORE $100,000 & above Anonymous Estate of Edith C. Brinn Kem & Carolyn Gardner

Anthony & Renee Marlon Kenneth† & Jerrie Randall Elizabeth Solomon

Naoma Tate & the Family of Hal Tate Jacquelyn Wentz

Stephen C.† & Lynda M. Jacobsen Charles & Crystal Maggelet

James A. & Marilyn Parke Theodore Schmidt Jack Wheatley

BRAVO $50,000 to $99,999 Anonymous Diane & Hal Brierley Michael & Vickie Callen

OVERTURE $25,000 to $49,999 Scott & Kathie Amann A. Scott & Jesselie Anderson Doyle Arnold & Anne Glarner John & Flora D’Arcy Dean Eggertsen Thierry & Catherine Fischer

Kristen Fletcher & Dan McPhun Elaine & Burton L. Gordon Tom & Lorie Jacobson Rebecca Marriott Champion Edward & Barbara Moreton Fred & Lucy Moreton

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Arrive early and enjoy a fun, behind the music lecture for each of our Masterworks concerts. 6:45 PM in the First Tier Room, Abravanel Hall

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Thank You Members of Maestro and above support the symphony or opera through major gifts of $10,000 or more, and enjoy exclusive Utah Symphony | Utah Opera benefits throughout the season. For more information, please call 801-869-9010

MAESTRO $10,000 to $24,999 Dr. J. R. Baringer & Dr. Jeannette J. Townsend Haven J. Barlow Family Thomas Billings & Judge Judith Billings Mr. & Mrs. Jim Blair Judy Brady & Drew W. Browning Estate of Berenice Bradshaw Judy & Larry Brownstein Estate of Barbara Burnett Howard & Betty Clark Pat & Sherry Duncan Dr. & Mrs. Ralph Earle Sue Ellis J. I. “Chip” & Gayle Everest Martin & Jane Greenberg Douglas & Connie Hayes

Susan & Tom Hodgson The Right Reverend Carolyn Tanner Irish G. Frank & Pamela Joklik Robert & Debra Kasirer Bill Ligety & Cyndi Sharp Estate of Gay Herman Marrash Mr. & Mrs. Charles McEvoy Harold W. & Lois Milner Terrell & Leah Nagata William & Christine Nelson Patricia A. Richards & William K. Nichols Norman C. & Barbara L. Tanner Trusts Dr. Dinesh & Kalpana Patel Leslie Peterson & Kevin Higgins

Frank R. Pignanelli & D’Arcy Dixon Alice & Frank Puleo Stephen & Cydney Quinn Brad & Sara Rencher James & Gail Riepe Richard & Carmen Rogers Lori & Theodore Samuels Mr. & Mrs. D. Brent Scott George & Tami† Speciale Jennifer Speers Mr. & Mrs. G. B. Stringfellow Thomas & Marilyn Sutton James R. & Susan Swartz Jonathan & Anne Symonds Beth Thornton Thomas† & Caroline Tucker Kathleen Digre & Michael Varner

Andrea Golding Ray & Howard Grossman Dennis & Sarah Hancock Julie & Dave Hirz Chuck & Kathie Horman Jon & Karen Huntsman Jon & Mary Kaye Huntsman Mary P. Jacobs & Jerald H. Jacobs Family Mr. James Keras & Mrs. Penny Keras Jeanne Kimball Allison Kitching Katherine Lamb Mr. & Mrs. Christopher J. Lansing Elizabeth & Michael Liess Mr. & Mrs. Wayne Lyski David & Nickie McDowell Michael & Julie McFadden Paul Meecham & Laura Leach Carol & Anthony W. Middleton Jr., M.D.

Dr. Louis A Moench & Deborah Moench James & Anne Neal James & Marianne Nelson Howard & Nancy Parker Dr. Thomas Parks & Dr. Patricia Legant Brooks & Lenna Quinn David & Shari Quinney Dr. & Mrs. Marvin L. Rallison Dr. Wallace Ring Peggy & Ben Schapiro Dewelynn Selberg Brent & Lisa Shafer Stuart & Molly Silloway Tim Terrell Albert & Yvette Ungricht Dr. Ralph & Judith Vander Heide E. Woolston & Connie Jo Hepworth-Woolston Chris & Lisa Young

ALLEGRO $5,000 to $9,999 Anonymous (3) Mr. & Mrs. Alan P. Agle Ross Anderson Edward Ashwood & Candice Johnson Mr. & Mrs. William C. Bailey Dr. & Mrs. Clisto Beaty Carol, Rete, & Celine Browning Mr. & Mrs. Neill Brownstein** Chris & Lois Canale Thomas Christofferson Joseph Cleary Marc & Kathryn Cohen Mr. & Mrs. Kenneth R. Cutler Michael & Sheila Deputy Spencer & Cleone† Eccles Midge Farkas Jack & Marianne Ferraro Robert & Elisha Finney Susan F. Fleming Mr. Joseph F. Furlong III Mr. & Mrs. Eric Garen David & Lisa Genecov

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Thank You ABRAVANEL & PETERSON SOCIETY $2,500 to $4,999 Members of the Maurice Abravanel and/or Glade Peterson Societies pay tribute to our founders through annual gifts of $2,500 or more, while enjoying benefits throughout the season. For more information, please call 801-869-9028. Anonymous (7) Dr. & Mrs. Bradford D. Hare Dr. S. Keith & Barbara Petersen Craig & Joanna Adamson David & Judi Harris Victor & Elizabeth Pollak Fran Akita Jeff & Peggy Hatch Dan & June Ragan Robert & Cherry Anderson Lisanne & Don Hendricks W.E. & Harriet R. Rasmussen Robert Baker Debbie Horton Dr. Richard & Frances Reiser E. Wayne & Barbara Baumgardner Sunny & Wes Howell Joyce Rice Melissa J. Bentley, M.D. Dixie & Robert Huefner James & Anna Romano Mr. & Mrs. William Bierer Mr. & Mrs. Jerry Huffman Kenneth Roach & Cindy Powell Robert W. Brandt† Sherry & Jim Hulse Lousje & Keith Rooker David Brown Scott Huntsman Thomas Safran Mr. & Mrs. John Brubaker Annette & Joseph Jarvis Mark & Loulu Saltzman Richard & Suzanne Burbidge Ronald & Janet Jibson John F. Foley, M.D. & Dorene Kelly Burt M. Craig & Rebecca Johns Sambado, M.D. Mark & Marcy Casp Jill Johnson Margaret P. Sargent Hal & Cecile Christiansen Bryce & Karen† Johnson Shirley & Eric Schoenholz Edward & Carleen Clark Maxine & Bruce Johnson Barbara & Paul Schwartz Amalia Cochran Neone F. Jones William G. Schwartz & Joann Givan Raymond & Diana Compton Susan Keyes & Jim Sulat Dewelynn H. Selberg Debbi & Gary Cook Laura Kiessner Thomas & Gayle Sherry Sandra & David Cope Merele & Howard Kosowky Diana & Paul Smith Dr. Thomas D. & Joanne D. Coppin Val Lambson Gibbs† & Catherine W. Smith Ruth Davidson Donald L. & Alice A. Lappe Christine St. Andre & Cliff Hardesty Graeme Dayton Victoria McNeil Le Vine Richard & Janet Thompson David & Karen Gardner Dee Paul Lehman Verl & Joyce Topham Thomas D. Dee III & Dr. Candace Harrison & Elaine Levy Mr. & Mrs. Glen R. Traylor Dee Herbert C. & Wilma S. Livsey Karen Urankar Margarita Donnelly Thomas & Jamie Love Joseph Urban Carol & Greg Easton Patricia & Mark Lucas Susan & David† Wagstaff Mr. & Mrs. Robert Ehrlich Milt & Carol Lynnes John & Susan Walker Janet Ellison David & Donna Lyon Susan Warshaw Blake & Linda Fisher Keith & Vicki Maio Bryan & Diana Watabe Laura Forsgren Jed & Kathryn Marti Ardean† & Elna Watts Drs. Fran & Cliff Foster Zelda Marzec Suzanne Weaver & Charles Robert & Annie-Lewis Garda Daniel & Noemi P. Mattis Boynton Diana George Christopher & Julie McBeth David & Jerre Winder Jeffrey L. Giese, M.D. & Mary E George & Nancy Melling Catherine Wong Gesicki Dr. Jean H. & Dr. Richard R. Miller Gayle & Sam Youngblood David & SandyLee Griswold** Mr. & Mrs. Richard Mithoff The James S. Gulbrandsen, Sr. Marilyn H. Neilson Family Stephen & Mary Nichols C. Chauncey & Emily Hall Thomas & Barbara O’Byrne Kenneth & Kate Handley O. Don & Barbara Ostler Donations received as of January 12, 2018

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Thank You PATRON $1,500 to $2,449 Anonymous (2) Madeline Adkins & John Forrest Barry Bergquist Roger & Karen Blaylock Shauna Bona Mr. & Mrs. Lee Forrest Carter Dr. & Mrs. Thomas Coppin David & Carol Coulter Donald Dalton Kathleen & Frank Dougherty Ashby & Anne Cullimore Decker Katherine W.† & E.R. Dumke, Jr. Spencer & Cleone Eccles Donald Dalton Robert S. Felt, M.D. William Fickling Heidi Gardner Dr. & Mrs. John Greenlee Ronald & Kaye Gunnell Arlen Hale Drs. Carolyn & Joshua Hickman

Caroline & David Hundley James Hynes Drs. Randy & Elizabeth Jensen Dr. & Mrs. Michael A. Kalm Carl & Gillean Kjeldsberg Guttorm & Claudia Landro Tim & Angela Laros Gary & Suzanne Larsen Anne Lee & Claude Halter Dr. Vivian S. Lee & Mr. Benedict Kingsbury James Lether Lisa & James Levy Ronald W. Tharp & Kate F. Little Peter† & Susan Loffler Ross & Kathleen Matthews Warren K. & Virginia G. McOmber George & Linda Mendelson Brad & Trish Merrill

Dr. Nicole L. Mihalopoulos & Joshua Scoville David Mortensen & RoseMarie Brittner Mahyera Michael & Leslie O’Malley Robert & Catherine Pedersen Mr. David A. Petersen Jana Ramacher Grant Schettler Jill & Richard Sheinberg Barbara Slaymaker Payam Tristani Ann & Steven Tyler Rachel Varat-Navarro Erik & Linda Watts Dan & Amy Wilcox Norman & Kathy Younker Laurie Zeller Michael & Olga Zhdanov Kathie & Hugh Zumbro

Donations received as of January 12, 2018

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Thank You FRIEND $1,000 to $1,499 Anonymous (5) Carolyn Abravanel Christine A. Allred Drs. Crystal & Dustin Armstrong Curtis Atkisson, Jr. Diane Banks & Dr. Mark Bromberg Mr. & Mrs. William D. Callister, Jr. Dana Carroll & Jeannine Marlowe Po & Beatrice Chang Michael & Beth Chardack William J. Coles & Dr. Joan L. Coles Gloria Comiskey Dr. & Mrs. David Coppin Denise Corr Dorothy B. Cromer James & Rula Dickson Margaret Dreyfous Alice Edvalson Eric & Shellie Eide Carolyn & Tom Fey Naomi K. Feigal Harry Franta† David & Ann George Robert & Mary Gilchrist Ralph & Rose Gochnour John Graham Mr. & Mrs. Richard R. Graham Geraldine Hanni John Edward Henderson Connie C. Holbrook

Jay & Julie Jacobson Todd & Tatiana James Dale & Beverly Johnson Jocelyn Johnson Chester & Marilyn Johnson Paulette Katzenbach Thomas H. Klassen & Carolyn Talboys-Klassen Robert & Karla Knox Greg Larson Sheryl Laukat Mr. & Mrs. Melvyn L. Lekowitz Tiffany & Mark Lemons Allan & Kay Lipman Dennis & Pat Lombardi John Lucas Julie & John Lund Yuki MacQueen Peter Margulies & Louis Vickerman Edward & Grace McDonough Clifton & Terri McIntosh Mr. & Mrs. Michael Mealey Lex Hemphill & Nancy Melich Hal & JeNeal Miller Harold & Dylan Miller Mary Muir Dan & Janet Myers Oren & Liz Nelson Charles & Amy Newhall Richard O’Brien Mary Jane O’Connor Ruth & William Ohlsen

Linda S. Pembroke Rori & Nancy Piggott David Porter Keith & Nancy Rattie Dr. Barbara S. Reid Gina Rieke Theodore Rokich Mr. & Mrs. Robert Rollo David & Louis Salisbury Janet Schaap James Schnitz Mr. August L. Schultz Frances & Ron Schwarz Annabelle & Dennis Shrieve Sandra Sigman Dorotha Smart Mercedes Smith Larry R. & Sheila F. Stevens Dr. & Mrs. Michael H. Stevens Hope Stevens Walter & Lorraine Stuecken Amy Sullivan & Alex Bocock Douglas & Susan Terry Gail Tomlinson Craig & Christy Wagstaff M. Walker & Sue Wallace Gerard & Sheila Walsh Mary & Scott Wieler Margaret & Gary Wirth Marsha & Richard Workman John & Jean Yablonski

Donations received as of January 12, 2018 * In-kind donation ** In-kind and cash donation

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Thank You CORPORATE, FOUNDATION, AND PUBLIC SUPPORT

Annual Fund

Utah Symphony | Utah Opera is grateful to the corporations, foundations, & public institutions that sustain our mission and to those who have pledged multi-year gifts (recognized in bold). For more information, please call 801-869-9013.

ENCORE $100,000 & ABOVE AHE/CI Trust The Church of Jesus Christ of Latter-day Saints Dominion Energy George S. & Dolores Doré Eccles Foundation The Florence J. Gillmor Foundation Emma Eccles Jones Foundation Janet Q. Lawson Foundation The Tony & Renee Marlon Charitable Foundation

Larry H. & Gail Miller Family Foundation O.C. Tanner Perkins-Prothro Foundation John & Marcia Price Foundation Salt Lake County Salt Lake County Zoo, Arts & Parks Shiebler Family Foundation Sorenson Legacy Foundation State of Utah

Summit County Restaurant Tax / RAP Tax Utah Division of Arts & Museums / National Endowment for the Arts Utah State Legislature / Utah State Board of Education Zions Bank

Lawrence T. & Janet T. Dee Foundation Marriner S. Eccles Foundation

FJ Management, Inc. Grand & Little America Hotels* Utah Symphony Guild

BRAVO $50,000 to $99,999 Carol Franc Buck Foundation Frederick Q. Lawson Foundation Huntsman Foundation

OVERTURE $25,000 to $49,999 Arnold Machinery B.M.W. of Murray | B.M.W. of Pleasant Grove The Brent & Bonnie Jean Beesley Foundation Chevron Corporation C. Comstock Clayton Foundation Deer Valley Resort** Moreton Family Foundation

Perkins-Prothro Foundation Montage Deer Valley** Charles Maxfield & Gloria F. Parrish Foundation S.J. & Jessie E. Quinney Foundation Simmons Family Foundation Harris H. & Amanda P. Simmons Foundation

Stein Eriksen Lodge** The Sam & Diane Stewart Family Foundation Summit Sotheby’s Nora Eccles Treadwell Foundation Vivint.SmartHome Wells Fargo Foundation

Donations received as of January 12, 2018

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Thank You CORPORATE, FOUNDATION, AND PUBLIC SUPPORT

MAESTRO $10,000 to $24,999 Adobe Bambara* Bank of Utah B.W. Bastian Foundation R. Harold Burton Foundation Caffé Molise* Marie Eccles Caine Foundation– Russell Family CenturyLink Community Foundation of the Lowcountry

The Katherine W. Dumke & Ezekiel R. Dumke, Jr. Foundation Every Blooming Thing* Gastronomy* Anne & Gordon Getty Foundation Richard K. & Shirley S. Hemingway Foundation Hyatt Centric Park City** McCarthey Family Foundation Merrill Lynch Wealth Management

National Endowment for the Arts Ogden Opera Guild Park City Chamber Bureau Promontory Foundation Salt Lake City Arts Council The Swartz Foundation Union Pacific Foundation University of Utah Health Utah Office of Tourism Workers Compensation Fund

Flynn Family Foundation The Val. A. Green & Edith D. Green Foundation Holland & Hart** Huntsman International LLC J. Wong’s Thai & Chinese Bistro* Jones Waldo Park City Macy’s Martine*

Pro Helvetia, The Swiss Arts Council Raymond James & Associates Resorts West by Natural Retreats* St. Regis / Deer Crest Club U.S. Bancorp Foundation Utah Autism Foundation Victory Ranch & Conservancy

Graystone Consulting LOVE Communications Millcreek Coffee Roasters* George Q. Morris Foundation Nebeker Family Foundation Park City Foundation Park City Community Foundation Peczuh Printing* Prime Steakhouse* Ray, Quinney & Nebeker Foundation Rocky Mountain Power Foundation

Sinclair Oil Corporation Snell & Wilmer Snow, Christensen & Martineau Foundation Squatters Pub* Stay Park City Stoel Rives Swire Coca-Cola, USA* TraskBritt P.C. The George B. & Oma E. Wilcox & Gibbs M. & Catherine W. Smith Fdn. Zuvii*

PATRON $5,000 to $9,999 Art Works for Kids! Bessemer Trust The Capital Group Deluxe Corporation Foundation Discover Financial Services The Dorsey & Whitney Foundation Patricia Dougall Eager Trust Spencer F. & Cleone P. Eccles Family Foundation

FRIEND $2,500 to $4,999 Bertin Family Foundation Rodney H. & Carolyn Hansen Brady Charitable Foundation Boeing Employees Community Fund Robert S. Carter Foundation Castle Foundation Cope & Cope Investments, LLC D’Addario Foundation Diamond Rental* Henry W. & Leslie M. Eskuche Charitable Foundation Fanwood Foundation * In-kind donation ** In-kind and cash donation

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Donations received as of January 12, 2018

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Thank You DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the long-term well-being and stability of USUO and, through its annual earnings, supports our Annual Fund. For further information, please contact 801-869-9028. Gael Benson Edward Ashwood & Candice Johnson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation

Thomas & Candace Dee Hearst Foundation Roger & Susan Horn The Right Reverend Carolyn Tanner Irish & Frederick Quinn Edward & Bambara Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation

Kenneth† & Jerrie Randall The Evelyn Rosenblatt Young Artist Award Norman C. Tanner & Barbara L. Tanner Trust O.C. Tanner M. Walker & Sue Wallace

GIFTS MADE IN HONOR OF Dr. J. R. Baringer & Dr. Jeannette J. Townsend Neill & Linda Brownstein

Herond & Gaylen Hoyt Pamela Robinson-Harris & Jeff Harris

Joanne & Bill Shiebler The Right Reverend Carolyn Tanner Irish

GIFTS MADE IN MEMORY OF Anita Alcabes Jay T. Ball Dr. Ray Beckham Janet Bennett Winifred Bradley Robert H. Burgoyne, M.D. Jeffrey L. Chaney Kathie Dalton Charles Dean Dean E. Eggertsen Loraine L. Felton Harry E. Franta Rosalie Frost Ursula Gleason Joanne Johnson Muriel Lindquist Panos Johnson

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Joseph S. Knowlton Valice M. Laramee Sonja Margulies Frank & Maxine McIntyre Bill Peters Glade & Mardean Peterson John A. Reinertsen Alvin Richer Kathryn Romney Frank & Shirley Russell Bert Schaap Aurelia H. Schettler Catherine Schettler Ben Schippen J. Ryan Selberg Ann O’Neill Shigeoka, M.D.

Claudia Silver-Huff Phyllis Sims Rebecca “Becky” Sharp Sorensen Hope B. Stevens Patrick L. Wade Robert Van Wagenen Nadine Ward Marie Watkins Ardean Watts John W. Williams Lawrence Young Dr. I. Zelitt Martin Zwick

Donations received as of January 12, 2018

UTAH SYMPHONY


TANNER & CRESCENDO SOCIETIES

“You are the music while the music lasts.” ~T.S. Eliot

Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning. Please contact Kate Throneburg at kthroneburg@usuo.org or 801-869-9028 for more information, or visit our website at usuo.giftplans.org.

TANNER SOCIETY OF UTAH SYMPHONY Beethoven Circle gifts valued at more than $100,000 Anonymous (3) Doyle Arnold & Anne Glarner Dr. J. Richard Baringer Haven J. Barlow Edward† & Edith† Brinn Shelly Coburn Captain Raymond & Diana Compton Anne C. Ewers Flemming & Lana Jensen

James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Dianne Miner Glenn Prestwich & Barbara Bentley Kenneth A.† & Jeraldine S. Randall Mr.† & Mrs. Alvin Richer

Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara Tanner Mr. & Mrs. M. Walker Wallace

Herbert C. & Wilma Livsey Dianne May Dr. & Mrs. Louis A Moench Jerry & Marcia McClain Jim& Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson Glenn H. & Karen F. Peterson

Thomas A. & Sally† Quinn Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin JoLynda Stillman Edwin & Joann Svikhart Frederic & Marilyn Wagner Jack R. & Mary Lois† Wheatley Edward J. & Marelynn Zipser

Mahler Circle Anonymous (3) Eva-Maria Adolphi Edward Ashwood & Candice Johnson Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Ms. Marilyn Lindsay Turid V. Lipman

CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J & Mrs. Barbara N. Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John & Jean Henkels Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Constance Lundberg Richard W. & Frances P. Muir Marilyn H. Neilson Carol & Ted Newlin

Stanley B. & Joyce Parrish Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn Zipser †Deceased

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LEGACY GIVING

Leave a lasting legacy of excellent music. When you make a gift through your estate, either now or at the end of your life, you provide invaluable support to Utah Symphony | Utah Opera. Your financial advisor or estate planning attorney can help you build a gift that can meet goals for you or your heirs, and provide USUO with the resources that create incredible music. Help USUO preserve our future of performing favorite symphonic and operatic works and new works for years to come.

To learn more about how estate planning can benefit both you and USUO, please call Kate Throneburg at 801-869-9028 or visit us online at usuo.giftplans.org.

Utah Arts Festival 2018

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ADMINISTRATION ADMINISTRATION Paul Meecham

Kate Throneburg

Mike Lund

David Green

Heather Weinstock

Manager of Special Events & DVMF Donor Relations

Joan Shiflett

Senior Vice President & COO

Julie McBeth

Alina Osika

Ali Snow

Lisa Poppleton

President & CEO

Executive Assistant to the CEO Executive Assistant to the COO & Office Manager

SYMPHONY ARTISTIC Thierry Fischer

Symphony Music Director

Anthony Tolokan

Vice President of Symphony Artistic Planning

Conner Gray Covington Assistant Conductor

Barlow Bradford

Symphony Chorus Director

Walt Zeschin

Director of Orchestra Personnel

Andrew Williams

Orchestra Personnel Manager

Director of Individual Giving

Manager of Corporate Partnerships Grants Manager

Chelsea Kauffman

Annual Fund Coordinator

Steven Finkelstein

Development Coordinator

MARKETING & COMMUNICATIONS Jon Miles

Director of Information Technologies Controller

Alison Mockli

Payroll & Benefits Manager

Jared Mollenkopf

Patron Information Systems Manager

EDUCATION Paula Fowler

Director of Education & Community Outreach

Beverly Hawkins

Symphony Education Manager

Kyleene Johnson

Vice President of Marketing & Public Relations

Symphony Education Assistant

RenĂŠe Huang

Opera Education Assistant

Director of Communications & Digital Media

Paul Hill

Aaron Sain

OPERA TECHNICAL Jared Porter

Chad Call

Kyle Coyer

Director of Creative and Brand Strategy

Senior Technical Director

Marketing Manager - Audience Development

Technical Director

Executive Assistant to the Music Director & Symphony Chorus Manager

Mike Call

Properties Master

SYMPHONY OPERATIONS Jeff Counts

Kathleen Sykes

Lance Jensen

Vice President of Operations & General Manager

Cassandra Dozet

Director of Operations

Melissa Robison

Program Publication & Front of House Director

Chip Dance

Production & Stage Manager

Jeff F. Herbig

Properties Manager & Assistant Stage Manager

Erin Lunsford

Website Manager Digital Content Producer

Steven Jerman

Junior Graphic Designer

PATRON SERVICES Nina Starling

Director of Patron Engagement

Faith Myers

Sales Manager

Andrew J. Wilson

Patron Services Manager

Robb Trujillo

Group Sales Associate

Ellesse Hargreaves

Artist Logistics Coordinator

Patron Services Assistant

0PERA ARTISTIC Christopher McBeth

Marketing Manager - Patron Loyalty

Opera Artistic Director

Carol Anderson Principal Coach

Michelle Peterson

Opera Company Manager

Michaella Calzaretta Opera Chorus Master

Mandi Titcomb

Opera Production Coordinator

DEVELOPMENT Leslie Peterson

Vice President of Development

Hillary Hahn

Kelly Nickle

Lane Latimer

Assistant Props

Keith Ladanye

Production Carpenter

Travis Stevens Carpenter

Dusty Terrell

Scenic Charge Artist

COSTUMES Verona Green

Costume Director

Melonie Fitch

Rentals Supervisor

Jessica Cetrone Kierstin Gibbs LisaAnn DeLapp

Rachel Campbell

Rentals Assistants

Genevieve Gannon Sarah Pehrson Jackie Seethaler Powell Smith

Wardrobe Supervisor

Nicholas Barker Mateusz Jagiello Ellen Lewis Rhea Miller Ananda Spike

Donna Thomas

Sales Associates

Ticket Agents

ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan

Vice President of Finance & CFO

Amanda Reiser Meyer Milivoj Poletan Tailor

Tiffany Lent

Cutter/Draper Milliner & Crafts Artisan

Chris Chadwick Yoojean Song Connie Warner Stitchers

Yancey J. Quick Daniel Hill Michelle Laino

Wigs/Make-up Crew

Senior Director of Institutional Gifts We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.

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UTAH SYMPHONY


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HOUSE RULES

ASSISTIVE LISTENING DEVICES Assistive Listening Devices are available free of charge at each performance on a first-come, first-served basis at Abravanel Hall. Ask at the Coat Check for details.

WHEELCHAIR SEATING Ample wheelchair seating is available. Please inform our ticket office representative when making your reservation that you require wheelchair space. Arrive 30 minutes before curtain time to obtain curbside assistance from the House Manager.

LATECOMERS In consideration of patrons already seated in the hall, reserved seating will be held until curtain, after which alternate seating will be used. During some productions late seating may not occur until an intermission after which time you may be seated by an usher in an alternate section. When traveling to performances, please allow ample time for traffic delays, road construction, and parking.

YOUNG CHILDREN Utah Symphony | Utah Opera welcomes children five years of age and older. Some concerts, including Family Matinees and special programs, are open to children of all ages. Please call 801-533-6683 for a list of these special performances. All children,

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(801) 533-NOTE

regardless of age, must have their own tickets for all performances. No babes-in-arms are allowed unless specifically indicated.

QUIET PLEASE As a courtesy to performers on stage and to other audience members, please turn off cell phones, pagers, beeping watches, or any other noisemaking device. Also, please refrain from allowing concession items such as candy wrappers and water bottles to become noisy during the performance.

CLEANLINESS Thank you for placing all refuse in trash receptacles as you exit the theatre.

COPYRIGHT ADHERENCE In compliance with copyright laws, it is strictly prohibited to take any photographs or any audio or video recordings of the performance.

NEED EXTRA LEG ROOM? Let us know when making reservations; we can help.

EMERGENCY INFORMATION In the event of an emergency, please remain seated and wait for instructions. Emergency exits are located on both sides of the house. Please identify the exit closest to your location.

59


KUED’s NEW LIFESTYLE CHANNEL

Now on Channel 7.4 and still on Comcast 393

Re-Scan your TV sets to make sure you get all of our channels.


A Ghost Light Podcast Extra! Host Jeff Counts interviews Concertmaster Madeline Adkins

Jeff: So, Madeline, tell us about this incredible instrument you’re playing now. Madeline: It’s really very exciting. As you know, for the past five years I was playing on Marin Alsop’s Guadagnini, which she graciously allowed me to bring to Utah for my first season. I took it into the shop of my friend, violin maker John Young, here in Salt Lake City to be cleaned up in preparation for its return and while discussing what I might possibly do next, he said “A friend of mine owns a beautiful Guad and may be looking to lend it to the right person.” Jeff: You’re kidding. That almost seems like fate. Madeline: I know! Turns out, John was a longtime friend of Jacques Israelievitch, the concertmaster of Toronto Symphony for 20 years and St. Louis before that. Sadly, Jacques died in 2015 from cancer at the quite young age of 67. His wife Gabrielle had been reluctant to loan the instrument at first, as she felt like this was the embodiment of Jacques and couldn’t bear to part with it. But she was thinking it’d be best for the instrument to be played. Jeff: What can you tell us about Jacques? Madeline: He came to the U.S. as a teenager when his family’s business in France was destroyed during a wave of anti-semitism. On the plane over he met Oistrakh, if you can believe it! Anyhow, he bought this Guadagnini (the “ex-Chardon”) when he got his first concertmaster job in St. Louis and, since he was the recipient of incredible generosity throughout his career and always maintained a commitment to teaching and mentoring the next generation of musicians, Gabrielle felt compelled to pay it forward. Jeff: Incredible. So, you went to meet Gabrielle. What is she like?

UTAHSYMPHONY.ORG

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(801) 533-NOTE

Madeline: Gabrielle Israelievitch is an acclaimed children’s book author, psychologist, and artist. A real Renaissance woman. She is truly an incredible spirit. We spent several hours speaking about Jacques and then it came time to play the instrument for the first time. It was right there in the living room, where Jacques had taught so many students over the years, and in fact only feet from where he had played the violin for the last time. The first notes I played were the slow movement of Bruch. Almost instantly, Gabrielle was in tears. “It sounds just like Jacques,” John (who was with me) said. Gabrielle used FaceTime with one of her sons so he could hear. The experience was incredibly emotional for all. Jeff: I can imagine that this moment will always be one of the highlights of your career. Madeline: Of my life! When I brought it back to Utah, that weekend was my first Scheherazade with the Utah Symphony. Although I only had played the violin for two days, that opening E of the piece was such a gorgeous note that I forged ahead and decided to make the switch immediately. So that weekend, only four days after playing the instrument for the first time, and on what would have been Jacques’ 69th birthday, I played Scheherazade. In my dressing room was a huge bouquet of flowers. The note read “Thank you from Jacques.” Jeff: What an honor for you and for the Utah Symphony. Madeline: It’s humbling. And also thrilling. I can’t wait to perform a concerto on this instrument! Jeff Counts is Vice President of Operations and General Manager of Utah Symphony. He hosts Utah Symphony's Ghost Light podcast, a behind the curtain look into the world of classical music and the artists who make it, available on Stitcher, iTunes, and www.utahsymphony.org.

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ACKNOWLEDGMENTS UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR

Melissa Robison PROGRAM NOTES ANNOTATOR

Michael Clive Cultural writer Michael Clive is program annotator for the Utah Symphony, the Louisiana Philharmonic Orchestra, and the Pacific Symphony, and is editor-in-chief of the Santa Fe Opera.

HUDSON PRINTING COMPANY www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY

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relax and enjoy our complimentary shuttle! The New Yorker is a Salt Lake City icon that set the stage for fine dining in Utah and has been providing fresh, innovative food and outstanding hospitality in a warm, inviting atmosphere for decades of diners. Enjoy delicious food, relax and ride our complimentary shuttle to Abravanel Hall, Capitol Theatre and the new Eccles Theatre. Ride back and enjoy dessert and a nightcap, a cozy way to end your evening out on the town!

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Provided by Love Communications, Salt Lake City The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief. Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts. By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.

Redeemable at any Market Street Restaurant or Fish Market 64

UTAH SYMPHONY


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dining dining guide guide dining guide THE THENEW NEWYORKER YORKER60 60West WestMarket MarketStreet. Street.SLC’s SLC’s premier premierdining diningestablishment. establishment.Modern ModernAmerican American MARTINE 22 100 South. Exceptional ambience, MARTINE 22East East 100 South. Exceptional ambience, cuisine cuisineisisfeatured featured ininrefined refined dishes dishes and andapproachable approachable located in aahistoric brownstone. Martine located infood. historic brownstone. Martineoffers offers Salt comfort comfortfood. From Fromclassic classictotoinnovative, innovative, from fromSalt Lake City experience kept Lake Cityaasophisticated sophisticated dining experience kept– simple. simple. contemporary contemporary seafood seafoodtodining to Angus Angus Beef Beefsteaks steaks –the the Conveniently located on First South around the Conveniently located onfor First South around thecorner corner menu menuprovides provides options options for every every taste. taste. Served Served in inaa from the Eccles Theater. Extensive bar wine from theelegant Eccles Theater. Extensive barand andservice. wineservice. service. casually casually elegant setting settingwith withimpeccable impeccable service. martinecafe.com L,L,D, T,T,corporate LL, RA, VS. 801-363-9328 martinecafe.com D, LL, RA,CC, CC,and VS. 801-363-9328 Private Privatedining diningrooms rooms for for corporate and social socialevents. events. Lunch Lunch&&Dinner. Dinner.No Nomembership membershiprequired. required.L,L,D,D,LL, LL,AT, AT, RR, RR,CC, CC,VS. VS.801.363.0166 801.363.0166

Consistently Rated Rated“Tops” “Tops”–Zagat –Zagat • anConsistently american contemporary café • 6060W.W.Independent Market MarketStreet Street• •801.363.0166 801.363.0166 Local, Chef Owned

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Whether it’s before or after service the showand or award an evening dining, dining,providing providing exceptional exceptional service and award winning. winning. dinner with friendsmenu and family—enjoy cutquality steaks, The Thecontemporary contemporary menu features featuresthe thehand highest highest quality fresh seafood, locally-crafted beers, classically available. available.Select Selectfrom froman anabundant abundantoffering offeringofoffresh fresh inspired cocktails and an award wine list. seafood seafoodflown flowninindaily, daily, Angus Angus Beef Beefwinning steaks, steaks,and andaa variety variety L,D,ST,C,LL,RA,CC, V S. 801-238-4748 ofofnon-seafood non-seafooddishes. dishes.Open Open7 7days daysaaweek weekserving serving breakfast, breakfast,lunch, lunch,dinner, dinner,Sunday SundayBrunch. Brunch.B,B,L,L,D,D,C,C,AT, AT,S,S, LL, LL,CC, CC,VS. VS.801.322.4668 801.322.4668

MARTINE MARTINE22 22East East 100 100BREWERY South. South.Award Awardwinning winning ambience, ambience, SQUATTERS PUB 147 West located locatedininaaSLC. historic historic brownstone. Martine Martine offers Salt Salt Lake Lake Broadway Joinbrownstone. us before and after offers the show for City Cityaasophisticated sophisticated dining dining experience experience kept simple.Locally Locally eclectic daily specials and traditionalkept pubsimple. favorites such sourced sourced ingredients, ingredients, pre-event pre-event $25 $25three three courseprix prix fixe. fixe. as bacon topped meatloaf, pizzas and acourse delicious array Extensive Extensive bar bar and wine wine service. service. martinecafe.com martinecafe.com of burgers, alland paired with our world-class beer and L,welcoming L,D,D,T,T,LL, LL,RA, RA, CC, CC,VS. VS.801-363-9328 801-363-9328 atmosphere. L, S, AT ,LL, D, CC, VS

Most MostPopular PopularRestaurant Restaurant –Zagat –Zagat

4848W.W.Market MarketStreet Street(340 (340South) South) COMPLIMENTARY VALET AND SELF-PARKING FOR ALL GUESTS 801.322.4668 801.322.4668 801.238.4748 255 S WEST TEMPLE RESERVATIONS AT OPENTABLE.COM

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Phone Phone• •801.363.9328 801.363.9328 www.martinecafe.com www.martinecafe.com Top TopPhoto: Photo:Image Imagelicensed licensedbybyIngram IngramImage Image

801-363-2739 B-Breakfast B-BreakfastL-Lunch L-LunchD-Dinner D-DinnerS-Open S-OpenSunday SundayDL-Delivery DL-DeliveryT-Take T-TakeOut OutC-Children’s C-Children’sMenu MenuSR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre

LL-Liquor LL-LiquorLicensee LicenseeRR-Reservations RR-ReservationsRequired RequiredRA-Reservations RA-ReservationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections Top Photo: Image licensed by Ingram Image

… u o Y k n a Th to our advertisers Bank of American Fork BMW of Murray | Pleasant Grove Caffè Molise Challenger School City Creek | Living Classical 89 Excellence Concert Series Five Wives Vodka The Grand America Hotel Hamilton Park Interiors Jerry Seiner Cadillac KUED KUER Larry H. Miller Lincoln Legacy Village Sugar House Little America Hotel

Martine My529 New Yorker OC Tanner Prestige Bath Works RC Willey Ruth’s Chris Steak House San Francisco Design The Spectacle Tuacahn Amphitheatre University Federal Credit Union Utah Arts Festival Utah Festival Opera Utah Food Services Zions Bank

If you would like to place an ad in this program, please contact Dan Miller at Mills Publishing, Inc. 801-467-8833


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