ARCHITECTURE
PORTFOLIO 2015-2020 MILONI PATEL
Homo sapiens or Homo stultus!
We evolved, From men to able men, To upright men and then to wise men, But our brains dissolved, From walnut to peanut. We sow seeds, Just to owe the lush greens, From the unseen world, Where the dirty browns lie, Nurturing these greens, Which reach those impeccable heights.
We men, Crave for all positives, Waving off the negatives, Once inhabited by the cave men, On which we build our cities of today. For them nature was their home, For us homes are built in nature, Who do you think should be labelled homo sapiens? Because those are the wise men, Who credence the roots, And ascend holding it.
Our buildings are touching the sky, Piercing into the heart of the earth, Nearly killing it! We still stand a chance to protect our nature. Enough have we tortured nature for it’s secrets, But now we need to nurture it, By mimicking it, Not gimmicking it. From cave men to great inventors, All looked into the eyes of nature, And so can we, Solve the labyrinthine nature, For it has all the solutions hidden in it. We heat, beat, treat, To raise the monsters, Now it’s time to retreat, And revolutionize our ways, For we must live ‘with’ the nature.
MILONI PATEL I, as an individual, have a very firm vision and aim for my personal growth in life. I look forward to opportunities which would help me improve my skills and set higher standards of performance for myself. I tend to think differently than others which makes me creative and innovative. Detailing and perfection are the two things very important to me when I work on my projects. Challenging work makes me highly engaged and determined to attain success. I believe in simple and bold designs and that architecture has no boundaries. Ever since I entered this colossal painting of architecture painted in plethora of colors with naiveness, the journey through it had made me feel blissful and at times harsh but my Gurus were always present at every junction of this painting and made me understand the tectonics that holds this painting together so beautifully. These sources of optimism made me look at the entities of this painting through different frames with impalpability making the journey interesting at every other moment. There were times when I lost myself in this edgy and serpentinous painting making me wonder where it’s leading me to and my Gurus made me believe that it’s more about the journey than the destination. Now when I am standing somewhere in the middle of this painting with some wisdom achieved through this journey, I would like to continue this journey with a progressive and highly creative architectural firm, which will help me develop my skills and moreover extract my creativity and knowledge as an architect; in turn providing the firm with my fresh ideas and help the firm to progress in a new successful direction.
DOB 18th April 1997 ADDRESS 40/B, E-road, besides Shubechha hospital, Shrinagar society, nr. Urmi crossing, Akota, Vadodara. EMAIL milonipatel1804@gmail.com CONTACT 9978811894
EDUCATION School Delhi public school, Vadodara Till S.S.C in C.B.S.E - 2013 Gujarat Public School, Vdodara H.S.C in C.B.S.E. - 2015 College SEDA, Navrachana University Bachelor of Architecture - 2020.
HOBBIES Playing sports (Golf, Lawn tennis and swimming) Gyming LANGUAGE
STUDY PROJECTS
English Hindi Gujarati
Mahabat maqbara (Junagadh)
SOFTWARE SKILLS
Vernacular houses of Bhutan (Paro and Thimphu) COMPETITIONS Amber trekking cabin - 2017 (Organised by Bee breeders) Lisbon site memorial - 2018 (Organised by ARKxSITE)
Autocad Rhino Photoshop Sketchup Coreldraw Indesign Illustrator Keyshot MS Office
Jurassic camp house - 2020 (Organised by Archasm)
OTHER SKILLS
EXPERIENCES IN ARCHITECTURE
Physical model making Conceptual sketching Hand rendering
Laurie Baker workshop - 2016
Singing Writing literature (poems and articles) Reading Fiction - Science fiction, Mystery, suspense, political thriller. Non-fiction - Art/ architecture, Autobiography, biography, Busines, Self help, religion and spirituality.
INTERNATIONAL TRAVEL
Architecture imagination (certifies course by Harvard University)
Southeast asia (Singapore, Malaysia, Thailand)
Gained some experience at Anand Patel and Associates (firm based in Ahmedabad) in 3rd year of architecture. Interned at SRDA (Samira Rathod Design Associates), firm based in Bombay.
Art works (linocut, painting and sketching)
Africa (Kenya, Cape town, Johannesburg) ACHIEVEMENTS IN ARCHITECTURE Exhibited studio work at CEPT exhibition, 2016 Exhibited studio work at SEDA exhibition 2016, 2017 and 2018
Europe (France, Italy, Germany, Unted Kingdom, Belgium, Netherlands, Switzerland) China (Shenzhen, Hong Kong, Shanghai, Xian, Xiamen, Beijing) Japan (Tokyo, Nagoya, Hiroshima, Kurashiki, Osaka, Kyoto, Nara) Bhutan (Paro and thimphu)
TABLE OF DESIGN STUDIO
HISTORY STUDIO
CONSTRUCTION STUDIO
1
7
10
2
8
11
3
9
12
4
5
6
CONTENTS DOCUMENTATION WORK
COMPETITION
INTERNSHIP WORK
13
15
18
14
16
19
17
20
DESIGN S
STUDIO
1. AN ABODE FOR JUVE
(DESIGN T
Since the conception of young people’s d in India, efforts have been made to put offending through research and communi be unsuccessful. Consequently young off up in correctional facilities which are pr environments. The creation of Juvenil rehabilitation and protection of young offe However noble these intentions are, it has India are dehumanizing and are not cond increase in recidivism rate and adult crimin in their youth.
Today Juvenile Homes are being built as offenders rejected by our society. This i hospitals for the sick rather than preventi requires more meaningful and effective s through architecture.
As most of the crimes in our society are com or unaccompanied and are without the should be a response to solving these root should have a similar program and structu and vocational training school which give care, education to homeless and the mea training to the children respectively.
ENILE DELINQUENTS
THESIS)
deviant behaviour as a social problem t measures in place to reduce young ity prevention programs which seem to ffenders exist in alarming rate and end roblematic institutions with inhumane le Detention Centres was aimed at ffenders from adult offender’s influence. s become worrying that these centres in ducive for rehabilitation thus leading to nals having a history of being offenders
s buildings which are merely dens for is similar to building more and more ting the disease itself. A juvenile home structuring of the physical environment
mmitted by individuals who are orphans means of subsistence, juvenile homes t causes of juvenile delinquency. Thus, it ure to that of an orphanage, monastery es shelter to children who lack parental ans to self-sustain by giving vocational
CONCEPT Most of us have been to schools and have led a normal life in our childhood. The closest memories that we hold dear are not of the significant events but of the insignificant ones. Of losing oneself to wonderment, to wander under the skies, to re-live in our vivid imaginations of the make-believe and many more phrases that make the song of our lives.
Path that might be taken by adults.
As this institution is a place where a child is going to spend few months to few years, the design should evolve as a quilt of many small events, of small spaces and places, to hide, to collide, climb, roll, run into and out of, to satiate curiosities of a forming mind, allowing its idyllic imagination and wonder. Making the insignificant significant. Significance includes all the activities and work that the children have to do in this competitive world irrespective of their liking it or not and insignificance includes the journeys between these two destinations of activities wherein a child has the freedom to explore. There is an importance of both these significant and insignificant events which happen in a child’s life but the way these juvenile homes are built today include a singular block in which all the activities are accomodated because of which the idea of commuting from place to place goes away making them feel in a world different from the outside world.
Path that might be taken by kids.
Insignificance of the journey of kids.
The concept is to give these juvenile delinquents a life wherein they start their day with a commute along various journeys, mimicking the life of the children living in the outside world. The juvenile home should be a city in itself.
Making a insifnificant journey of children significant.
Various random journ
neys that children are likely to take.
Form derived by overlapping all the journeys.
Form derived by subtracting some volumes along the journeys to get open spaces along with built which will enhance interaction as well as exploration.
Process of deriving form with the help of existing trees on site wherein trees in one axis become buffer areas between two different zones.
Process of deriving form with the help of contours of site and existing trees lying on the hydrology lines of the site wherein the form is developed in a wa lines and lets the water easily through it to the river.
ay that it does not block the hydrology
Overlapping the forms derived by trees and contour lines and deriving a set of volumes on site.
Marking the area around trees which can be encroached by built that does not touch the ground as a consequence of which the hydrology lines won’t be hindered.
Final form derived by marking the final set of built volumes with volumes that could be floating above the ground.
Form 1
Form 2
Form 3
Ground floor plan
Ground floor plan
Ground floor plan
First floor plan
First floor plan
First floor plan
Form transformation
Form 4
Form 5
Ground floor plan
Ground floor plan
First floor plan
First floor plan
13
13
8
8
14
8
12
8
9
8
9
8
8
12
8
12
12 6
12 6
7
11
10
10
Ground floor site plan
Legend: 1. Parking 2. Admin and residential block 3. Vocational training block 4. Kitchen and dining 5. Healthcare block 6. Educational block 7. Indoor recreation block 8. Housing (observation home and special home) 9. Housing (place of safety) 10. Area for organic farming 11. Area for flower beds 12. Fruit orchards 13. Garden for contemplation 14. Water body 14. Open ground 15. Watch tower
1
10
5
4
3
10
3
2
First floor site plan
1
13
8 9
9
8
14 12
9
14
8
9
8
12
12
12 6 7
7
11
10
11
10
5
4
5
4
3
2
Second floor site plan
1
2
Cluster 1 - Vocational training zone A B’
Legend: 1. Retail stores 2. Exhibition space 3. Children washroom 4. Visitor’s female washroom 5. Visitor’s male washroom 6. AV room 7. Workshop 8. Classroom 9. Kitchen 10. Outdoor cafe 11. Lounge area 12. Plaza 13. Garden
8 6
7
5 3
7
7
4
A’
2
12 1
13
B
A B’
Ground floor plan
6
Section AA’
6
7
7
7
7
7
A’
11
12
13
9
10
B
Key plan
First floor plan
Cluster 2 - Administrative zone with residential facility
B’
Legend: 1. Reception 2. Juvenile Justice Court 3. Staff room for officials 4. Child Welfare Committee 5. Meeting room 6. Finance room 3 A 7. Data/record room 8. Pantry 2 9. Store room 1 10. Visitor’s washroom 11. Staff washroom 12. Common living room 13. Bedroom for juveniles 14. Pantry 15. Bedroom for officials Ground floor plan 16. Bedroom for parents 17. Semi-open terrace 18. Semi-open space 19. Courtyard 20. Garden
Section BB’
14 13
4
5
19
6 8 9
7
12 18
13
19
11
20
0
10
20
20
10
B’
10
A’
13
13
0
B
Section AA’
16 16 18
A 19
Key plan
First floor plan
16
19
A’
17
15
15
B
20
Section BB’
30m
30m
Cluster 3 - Kitchen and Dining A
B’
15
3
4
2
5
1 13
6
9
A’
10 8
11
12
7
14
B
Ground floor plan Legend: 1. Storage space for farming equipments 2. Space for bakery item production 3. Space for dry eatery packets production 4. Ghanti 5. Semi-open space 6. Store room 7. Kichen 8. Chowk for washing utensils 9. Staff washroom 10. Children washroom 11. Hands washing area 12. Dining area for juveniles 13. Herb garden 14. Dining area for staff memeber 15. Area for organic farming
Section AA’
Key plan
Cluster 4 - Healthcare zone
B’
Legend: 1. Witing room 2. Reception 3. Medical store 4. Medical officer’s cabin 5. Counselor’s cabin 6. Psychologist’s cabin 7. General physician’s cabin 8. Laundry 9. Staff washroom 10. Pantry A 11. Store room 12. General check-up room 13. Emergency room 14. Caretaker’s bedroom 15. Ward room 16. Courtyard 17. Garden
Section BB’
15
15
15 14
15 16
13
1 3 17
12 2 4
5
6
10 11
7
9
A’
0
10
20
10
20
8
B
Ground floor plan
Section AA’
0
Key plan
Section BB’
30m
30m
Cluster 5 - Educational zone
B’
Legend: 1. Classroom (7-12 yrs kids)A 2. Children washroom 3. Staff room 4. Classroom (13-18 yrs kids) 5. AV room 6. Common activity room 7. Dance room 8. Music room 9. Theatre room 10. Liberary 11. Art and craft room 12. Computer lab 13. Landscaped space 14. Garden
A’ 4
2
4
4
4
4
4
5 6 13
3 1
14
1
2
1
1
B B’
Ground floor plan
A
A’ 10
2
13
11
13
12
7
Section AA’ 8 13
9 14
Key plan
B
First floor plan
Section BB’
Cluster 6 - Recreational zone B’
Legend: 1. Common hall 2. Board games (13-18 yrs) 3. Indoor sports (13-18 yrs) 4. Children washroom A 5. Board games (7-12 yrs) 6. Sand pit (7-12 yrs) 7. Gymnesium (13-18 yrs) 8. TV room 9. Play area (7-12 yrs) 10. Small Ground (7-12 yrs) 11. Garden
2
11
3
11
0
10
20
3
0
10
20
30
A’
4 4 1
6
10
5
B B’
Ground floor plan
7
11
8
11
A
6
10
Key plan
A’
4
First floor plan
B
Section AA’
9
Section BB’
30m
0m
Cluster 7 - Residential zone (Observation and Special Home) B’
Legend: 1. 2. 3. 4. 5. 6. 7. 8.
Living room (8 children) Study room (8 children) Dormitory (8 children) Children washroom Caretaker’s room Laundry Semi-open terrace A Courtyard
6 5 4
8 3
1 2
8
A’
Ground floor plan B B’ 7 4
8 3
1 2
8
Section AA’
A A’
Key plan
First floor plan
B
Section BB’
Cluster 8 - Residential zone (Place of Safety) Legend: 1. 2. 3. 4. 5. 6. 7.
A 4 3 2
Cell (1 individual) Living room (8 children) Caretaker’s room Laundry B Semi-open terrace Courtyard Garden
7
1 11 1
5 2 7
Key plan
First floor plan
B’
0
10
20
0
10
20
A’ A
Ground floor plan
B
1 1 1 1
6
1 1 1 1
6 1 11 1
A’
B’
Section AA’
Section BB’
30m
30m
2. STUDIO 4 : DIAGRAMMING PAVILION FOR INDIAN FABRICS
OBJECTIVE Designing a pavilion for Indian fabrics. CONCEPT Traditional Indian weaves have intricate and random looking designs made by the maker’s imagination but that weave always has an order behind it to form such a random design. The systematic order of the weave supports these arbitrary designs of Indian traditional weaves. The idea is to show how system in the structure coexists with randomness in the built form and space. DESIGN The pavilion is designed in a way that the order becomes the supporting structure for the random tubes that travel, converging and diverging through it. People who come to visit the pavilion at first seea series of portal frames (order) from a distance but as they approach the pavilion, they start looking at the order coexisitng with those serpentile tubes (randomness) in fragments. The space inside the pavilion makes the person go gradually up and down the ramps formed by the tubes and while their journey through the tubes they can look at the exhibited fabric on the curved walls and also feel the struggle that goes into making a handmade traditional indian fabric.
Diagram depicting order of the weave.
Plan
Elevation
Plan
Elevation
All the services and recreational spaces like restaurants, lounge area and shops are planned in a building adjacent to the main pavilion building which is connected to it through bridges. Plan
Elevation
Process of making a diagram evolve into a space
D
Diagram depicting randomness in patterns of fabric.
Order co-exists with randomness.
Plan
Elevation
Plan
Elevation
Plan
Elevation
Different structural laye
Tubes with surfaces.
Curves of tubes without surfaces with p supoort.
Connecting the corners of every cross sectional frame with corners of the sectional frames adjacent to it, to derive a curve for structural tubes.
Structural tubes that will hold the the v
ers of the pavilion
points on it which will need structural
Introduction of cross sections at various intervals of the curves which would help generate structural support.
various cross sectional frames.
Adding structural plates at equal intervals to support the tubes within it.
Sections
Section 1
Section 2
Section 3
Plans
Ground level plan
First level plan
Second level plan
3D model views
Working drawings
Centerline of frames
Fabrication drawing of steel tubes
Centerline of frames
Fabrication drawing of steel tubes
Cladding detail of frames
Washroom plan
Se
ervice block staircase details
Washroom details
3. STUDIO 9 : FREE STUDIO
AYURVEDIC AND NATUROPATHY CENTRE OBJECTIVE Designing an Ayurvedic and Naturopathy Centre. LOCATION Vadodara, Gujarat CONCEPT The concept for this program is that people coming here for treatment should feel disconnected from the urban fabric of a city and should feel embedded in the nature. To cater to this concept, the program has porosity which are the green nodes within the built forms which blurs the edges of the built masses. Moreover, the idea of looking at building form as a landscaping element is also taken into consideration.
Conceptual sketches for making forms interactive with green nodes (trees).
DESIGN This Ayurvedic and Naturopathy Centre lies in the midst of an urban fabric so it is designed in a way that the centre itself gives people the feel of being within nature. Taking an inspiration from nature which is organic in the way it looks, the building designed is also made organic in a way that it has curves in plan as well as elevation. The form of the built is dynamic and has multiple green nodes to which the form gives response to. The roof of these forms merge with the ground forming a natural landscape wherein a person can climb the roofs of the built.
Conceptual models showing the transformation of a solid rectan of making it interactive with the green node (tree).
Conceptual sketches for resolving light and ventilation in such forms.
ngular block into a landscaped mass whose formation is a consequence
Dancing shadows formed by shadows of trees falling on such landscaped ground.
The hollow nodes in the volumes are formed by marking points of the intersection of hydrology lines on site and axis of nodes of trees surrounding the site. Conceptual model photos
Connecting the derived nodes on site d a consequence of which large open spa towards these open spaces.
due to its proximity with each other as aces are formed with volumes opening
Unification of small volumes was done to get bigger volumes for spatial planning in a particular zone.
8
7
3 4 7 8
8 5
6
7
7 8
Site plan
1
7
Legend :
1. Admin block 2. Services and staff quarters 3. Kitchen and Dining
12
4. Housing for public
10
5. Ayurvedic and naturopathy treatment block 6. Meditation area 7. Courtyard 8. Landscaped open green space 9. Farmland 10
10. Two-wheeler parking 11. Car parking 12. Entrance
11 2
7 8 9
Section AA’
Section BB’
Section CC’
倀䄀刀吀 䴀伀䐀䔀䰀 倀䠀伀吀伀匀 匀䌀䄀䰀䔀㨀ⴀ 㨀㈀
倀䄀刀吀 䴀伀䐀䔀䰀 倀䠀伀吀伀匀 匀䌀䄀䰀䔀㨀ⴀ 㨀㈀
C
C’
A
B’
B
A’
Key plan
4. STUDIO 6 : DECONSTRUCTION CAR MUSEUM
OBJECTIVE Car museum design SITE Hawa Mahal, Surendranagar CONCEPT Making the invisible visible. Hawa Mahal name itself suggests palace of wind wherein wind is manipulated through the openings so the cool air can be received inside the palace. The Mahal works on the principle of venturi effect in which wind travels through small openings and forms a low pressure zone at that point and releases into the space forming high pressure zone. The low pressure zone in this wind tunnel has wind travelling at a high velocity and as the wind releases into the space it’s velocity decreases. The force with which the wind travels through the openings and enters the Mahal is not visually evident, it can just be felt from other side of the opening. Hence, to express this force which is the basis of making this monument being called Hawa Mahal, land around the Hawa Mahal is taken as a medium and is disintegrated. The edgy disintegration happens in a radial course in which there is more disintegration near the point of force and less at point away from it. DESIGN Idea is of taking the building underground so that the building doesn’t overpower the Hawa Mahal. Shards formed due to the concept of disintegration of land becomes the roof of the building as well as elements that bring in light into the dark underground space where the cars will be exhibited. Also the light that enters into the space is manipulated in a way that it falls on the exhibited car like a spot light which makes the car feel like a precious piece of jewel. The roof of the building also becomes a piece of landscape on the ground wherein people can go up and down on it.
Model depicting venturi effect. The narrow parts in the model depicts the wind passing through the opening of Hawa Mahal as a consequence of which the intensity of wind increases making it a low pressue zone
Model depicting venturi effect. The depressions in the model depicts the wind passing through the opening of Hawa Mahal as a consequence of which the intensity of wind increases making it a low pressue zone
Reaction on land due to the force. In this model the surface around the depression is taken as a medium to depict the force generated by the wind in low pressure zone and hence, disintegration of land on both the sides happens.
Disintegration of land forming space under the ground. The disintegration allows for the imagination of space under the ground in a way that the shards on the ground become openings for light to enter into the underground space as a consequence of which the spatial quality could be achieved.
Light intake from the opening of the shard
Reaction on lower layer of the earth due to disinte gration of groud
Cross section of space formation
Sectional diagrams
Displacement of volume of earth.
Converting volume into space.
Formation of space below the ground.
Longitudinal section
Longitudinal section
Longitudinal section
Longitudinal section
Transverse section
Transverse section
Transverse section
Transverse section
Diagramatic section
Subtraction of walls for space formation
Light intake from north
Light intake from south
Shards for North side
e-
Shards as elements of circulation
Slit in slabs for light
Shards for Sorth side
Model showing space
Section AA’
Section BB’
Section CC’
Section DD’
A
B
C
D
A’
B’
C’
D’
Key plan
3D model views
5. STUDIO 5 : HOUSING
LOW-RISE HIGH-DENSITY HOUSING OBJECTIVE Designing low rise high density housing units for people of Bundi city in Rajasthan in order to give them a better and organised living. SITE Princely town of Bundi in the Hadoti region of Rajasthan. PROGRAM REQUIREMENTS Housing unites for 54 families : 18 units for 11 people family 18 units for 7 people family 18 units for 4 people family CONCEPT To overcome the issue of such a dense fabric deprived of proper ventilation and light. Hence, stacking of housing units is done in order to create more open space and have minimum footprint of the housing project. DESIGN The housing is designed in clusters with few housing units forming a common courtyard space among them which helps in improved ventilation and natural day light in housing units. There are some hosuing units above the streets due to which shaded areas are formed on the streets thus becoming a point of interaction for the people of Bundi. As there are more open spaces generated by stacking of houses , the issue of privacy is also solved which persists in the current scenario due to settlements very close to each other.
Site models
Study o
HOUSE 1
HAVELI
TEMPLE
HOUSE 2
TEMPLE
TEMPLE
SCHOOL
ROOM
TERRACE
ROOM
SERVICE\ BLOC
SERVICE\ BLOC
ROOM\
COURTYARD
UP
KITCHEN\
ROOM\
UP
ROOM\
KITCHEN\
STORE
ROOM\
ROOM\
ENTRANCE
HOUSE SIZES :
CONNECTIVITY:
of a cluster
GRID :
CLOSED
FOYER
COURTYARD
MALE
SEMI OPEN
SERVICES
KITCHEN
KID
OPEN
TRANSITION SPACE
ROOMS
FEMALE
Conceptual diagrams showing clustering of units
Ground floor plan of cluster 1
First floor plan of cluster 1 and 2 Cluster model photos
Ground floor plan of cluster 2
Second floor plan of cluster 1 and 2
Site model photos
Cluster section
Site section
Ground floor site plan
First floor site plan
6. STUDIO 3 : MATRIX ECOTOURISM CENTRE
OBJECTIVE To propose a ecotourism setting in the midst of nature. SITE Zarwani waterfalls, Narmada, Vadodara CONCEPT Analyzing the site conditions identifying site specifice issues sunlight, water, natural ventilation light and designing accoeding to same.
and like and the
Conceptual diagrams
DESIGN The design process involves finding issues and for the same a matrix of of diagrams with solutions is made. Prioritization of issues such as heat, wind, water, views etc. is done and then overlapping layers of diagrams in the chosen order of priority provides with a design suitable for site.
Plan
Model photos
CONSTRUCT
TION STUDIO
7. PRECAST
MARKET PLACE
The project focuses on using precast concrete as a method of construction for a market place. The design process started with sketching diagrams for a market place which includes a closed and a semi-open space and then construction details were added to the design drawing. To learn the precast construction method we started with making moulds for the precast elements of the design followed by making elemtents out of white cement batter and placing these dried white cement precast pieces on a base to form a market place.
Designing and resolving the structural details.
Process of making mould for a gutter and casting it to get a precast gutter.
Proc casti
cess of making mould for a structural member and ting it to get a pecast member.
Assembling the gutter and the member to get a final product.
8. PRECAST
Abstracted model of movement
PETROL PUMP SHADE The project focuses on taking nature as a design inspiration as nature is the best architect. The design involves taking inspiration from flamingo bird and making a petrol pump shade which has an essence of the bird. The design process started with observing the movement and postures of a flamingo followed by abstracting it’s movement in the most minimalistic way and making diagrams and models out of the same. Later on, a structural layer was added to make the design practical.
Abstracted model of movement
Resolved element with construc
t of flamingo.
Process of making a pavilion with various elements.
t of flamingo.
ction details.
Pavilion made out of various elements with varying angles which imitate the different movements of a flamingo.
9. ADVANCED CONSTRUCTION FURNICULAR DOME
The project focuses on learning the construction process of making a furnicular dome. The construction of a furnicular dome involved the process of deriving a catenary arch by using a chain and a GI rod with the help of which a dome was designed and modelled using chains. After the inverted model was made with chains, the same model was mimicked on the other side of the base using GI rods to make a formwork of the dome. Then this formwork was to be cladded with some bricks for which we made pop tiles. Pop tiles were made in PVC moulds which were then removed and dried using blow torch. After the bricks were ready to be layed on the formwork, mortar (mixture of cement and sand) was prepared and used as a bonding agent between the bricks while laying the bricks on the formwork. At the end, when all the bricks were layed, a layer of mortar was used as a coating of the shell made of
Imitating the chain model with the help of GI rod to get the formwork of a furnicular dome.
Matching the catenary arch derived from chain with the
Casting POP tiles and drying it with a blow torch to clad it on the formwork.
Process of c
e 3mm GI rod.
cladding the formwork.
Applying a layer of mortar on the furnicular dome made up of POP tiles to get a finished product.
HISTORY
Y STUDIO
10. MIDDLE AGES HISTORY The exercise focuses on studying Amiens Cathedral which is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France. The cathedral was built almost entirely between 1220 and c. 1270.It is a classic example of the High Gothic style of Gothic architecture. In this exercise Amiens cathedral was analysed on the basis of its form, structure and construction and for the same models were made to understand
Form model
Structur
re model
Construction model
·
·· plan Basement Basement floor floor plan plan Ground floor
·
Third floor p
·
Forth floor p
· ·
Forth floor p Forth floor p
11. POSTMODERN HISTORY
This exercise focuses on studying and analysing Social Science Center in Berlin Concept project: whichof was made by James Stirling. ·
The connection of geometric buildings noth using The institution is composed corridors but in their simple collision. of various
geometric
shaped
buildings
whose
science research center loopand andred connects them with each other. ontal circulation one is vertical · First floor plan Process: science research center science research center ·
To simple achievecollision communal vitality in terms of space and forms a closed circulation circulation.
ontal circulation and red one is vertical ontal circulation and red one is vertical
· ·
First floor plan First floor plan··
Basement floor plan Ground Ground floor floor plan plan
Third
Analysis of science research center · Second floor plan · Fifth floor p an ellow loop is horizontal circulation and red one is vertical · First floor plan The process shows how the different geometric parts intersect with each other centrifugally to form a circulation loop with Analysis of science research center irculation
· Second floor plan Ground floor plan evey two parts. an · is vertical Second floor·plan ellow loop is horizontal circulation and red one First floor plan an Influences: irculation
· ·
Fourth Fifth floor p Fifth floor p
First floor plan
·
Sixth floor p
Second floor plan
· ·
Sixth floor p Sixth floor p
Project name: Motherhouse for the dominican sisters
Architect: Louis Kahn
·
Third floor plan · the Second floor plan ersect with each other centrifugally to form a circulation loop within building by achieving connection between Basement floor plan
Basement floor plan
· ·
· Third floor plan Third floor plan
Second floor plan
within the building by achieving connection between parts Process showing collison of geometric
Fifth fl
Sixth fl
to form a closed circulation loop. Ground floor plan
·
Yellow loops are horizontal circulation and red cores Third floor plan
Ground floor plan
·
Third floor plan
plan
plan
floor plan
plan plan
plan
h floor plan plan plan
floor plan
plan
plan plan
floor plan are vertical circulation
¡
Sixth floor plan
12. URBAN HISTORY LOCATION Milan is the capital of the Northern Italian region of Lombardyand is located on the Po plain, between the Alps and the Apennines Mountains, closs to the Swiss border. SETTLEMENT PATTERN The city has a radial pattern of settlement. The part of the city within the first ring road has an unorganised pattern with buildings of different grain sizes and the part of the city beyond the first ring road had building of similar grain sizes and has an organised settlement. STREET NETWORK The streets are either radiating from the duomo or they are circling it. There is a good connectivity in the city due to many nodes and junctions. Long linear roads in the outer part connect Milan to other towns. URBAN FORM AND SPACE Filarete tower is the central tower of Sforzesco castle. The tower owes its name to the architect Antonio Averulino. The tower also has a clock embedded in it in the upper cubical section.
DOCUMENTA
TATION WORK
13. DOCUMENTATION OF MAHABAT MAQBARA (JUNAGADH)
Site plan
Sec Ground floor plan
Roof plan
Minaret plans
Minaret section
Roof plan
Ele
ction
evation
14. DOCUMENTATION OF VERNACULAR HOUSES OF BHUTAN (PARO AND THIMP
Ground floor plan
Section 1
First floor plan
Second floor plan
Section 2
PHU)
Wall section
COMPE
ETITION
15. JURASSIC CAMP HOUSE ‘’Find me’’, a sculpture in itself lies in the heart of The Wave which becomes a visual symbol of connection between the three mounds surrounding it. Millions of years ago these three mounds would have been a single huge sand dune which eventually turned into a solid stone and later it would have been carved out by the force of river forming valley between these three towering cliffs of Navajo Sandstone making The Wave an iconic location with splendid vistas. The free-standing camping structure is made in a way that it remains ironically absent while it’s present in the midst of the three mounds by creating illusions through phenomenon of reflection such that a person approaching towards it would only see the landscape and eventually he will feel the presence of it as his illusion will break. Moreover, the internal tubes of the camping structure are facing the most iconic and photographed frames by the hikers which are The Wave Slot Canyon in the Southwest, Eye of The Wave in the Southeast and an exterior view from The Wave in the North.
16. LISBON SITE MEMORIAL
This project This project towards the c This project towards visitor a the gazec towards visitor a the gazec The journey visitor a gaze The journey frame individ The journey frame river toindivid rema frame individ river to rema city, to eventu riverto toeventu rema city, city, to eventu
1
1
1
This project understands the ‘memorial’ as the act of citizens going far and then turning back and being re-oriented towards the city. By taking the visitor away from the city, the visitor is allowed to view the city from a distance granting the visitor a gaze, a kind of gaze which has now become absent in the city, but is possible because of the open-ness of the river. The journey to the look out point on the upper level is through a dark tube, which has specifically designed punctures that frame individual buildings and show the city in fragments. The water body on the top level allows for the experience of the river to remain seamless. The people standing at the look out point see the people diminsh in scale as hey walk LEGEND towards the city, to eventually become so small that they merge with the city and disappear.
2
2
2
4
4
3
1.ENTRANCE
95m2
2.DISPLAY AREA
1450m2
3.SERVICE AREA
TOILETS
WATER DISPENSER CONTROL ROOM STORAGE SPACE
32m2 18m2 11m2 83m2
4.LOOK-OUT POINT 47m2 WATER BODY
LOWER LEVEL PLAN
UPPER LEVEL PLAN LEGEND
LEGEND LEGEND 1.ENTRANCE
95m2
LEGEND 2.DISPLAY AREA 1.ENTRANCE
2 1450m 95m2
3 0
10
4
1.ENTRANCE
95m2
2.DISPLAY AREA
1450m2
3.SERVICE AREA TOILETS WATER DISPENSER CONTROL ROOM
3.SERVICE AREA 2.DISPLAY AREA 1.ENTRANCE TOILETS
2 1450m 95m22 32m 18m2 2 2 1450m 11m2 TOILETS 32m STORAGE SPACE 83m2 WATER DISPENSER 18m2 3.SERVICE AREA 2 CONTROL ROOM 11m TOILETS 32m22 4.LOOK-OUT POINT 47m STORAGE SPACE 83m22 WATER DISPENSER 18m
STORAGE SPACE
32m2 18m2 11m2 83m2
4.LOOK-OUT POINT 47m2
WATER DISPENSER
3.SERVICE AREA 2.DISPLAY CONTROL ROOMAREA
CONTROL ROOM
WATER BODY
4.LOOK-OUT STORAGE SPACE
WATER BODY
LOWER LEVEL PLAN
11m2 2 1388m 2 POINT 47m 83m2
0
WATER BODY
LEGEND
10
3
2 4.LOOK-OUT POINT 1388m 47m2
WATER BODY
1388m2
UPPER LEVEL PLAN
1388m2
1.ENTRANCE
95m2
2.DISPLAY AREA
1450m2
3.SERVICE AREA TOILETS WATER DISPENSER CONTROL ROOM STORAGE SPACE
32m2 18m2 11m2 83m2
4.LOOK-OUT POINT 47m2 WATER BODY
LOWER LEVEL PLAN
0
10
UPPER LEVEL PLAN
1388m2
1388m2
understands the ‘memorial’ as the act of the citizens going far and then turning back and being re-oriented understands as from the act thethe citizens far and then the turning backaand beinggranting re-oriented city. By takingthe the‘memorial’ visitor away theofcity visitorgoing is allowed to view city from distance the understands the ‘memorial’ as from the act thethe citizens farisand then because turning back and beinggranting re-oriented By taking the visitorhas away theofcity visitor is allowed to view the city from distance the e.city. A kind of gaze which now become absent in the going city, but possible of theaopen-ness of the river. By look taking visitor away from the city the in visitor is allowed to view the city from aopen-ness distance granting the e.city. A the kind of gaze which now become absent the city, but iswhich possible of the of the river. till outthe point onhas the upper level is through a dark tube, hasbecause specifically designed punctures that e.dual A kind of gaze which has now become absent in the city, but is possible because of the open-ness of the river. till the look outand point on the the city upper level is through a darkbody tube,on which haslevel specifically designed punctures buildings show in fragments. The water the top allows for the experience ofthat the tillseamless. the look out point onstanding the city upper level is through a dark tube, which haslevel specifically designed punctures dual buildings and show the in water on thediminish top the experience ofthat ain The people at fragments. the look outThe point see body the people inallows scale for as they walk towards the This project understands the ‘memorial’ as the act of the citizens going far and then turning back and being re-oriented dual buildings and show thethey citycity. in The water body onthethe topislevel thefrom experience of the the ain seamless. people standing atByfragments. the look out point see the diminish inallows scale as walk towards tually becomeThe so small that merge with city and disappear. towards the taking thethe visitor away from the people city visitor allowed to viewfor thethey city a distance granting ain seamless. people standing theofwith look outcity point see the people scale as theyofwalk towards theriver. visitor a gaze.merge Aatkind gaze which has and now become absent indiminish the city, but in is possible because the open-ness of the tually becomeThe so small that they the disappear. the look out point on theand upper level is through a dark tube, which has specifically designed punctures that tually become so small The thatjourney they till merge with the city disappear. frame individual buildings and show the city in fragments. The water body on the top level allows for the experience of the river to remain seamless. The people standing at the look out point see the people diminish in scale as they walk towards the city, to eventually become so small that they merge with the city and disappear.
This project understands the ‘memorial’ as the act of the citizens going far and then turning back and being re-oriented towards the city. By taking the visitor away from the city the visitor is allowed to view the city from a distance granting the visitor a gaze. A kind of gaze which has now become absent in the city, but is possible because of the open-ness of the river. The journey till the look out point on the upper level is through a dark tube, which has specifically designed punctures that frame individual buildings and show the city in fragments. The water body on the top level allows for the experience of the river to remain seamless. The people standing at the look out point see the people diminish in scale as they walk towards the city, to eventually become so small that they merge with the city and disappear.
17. LATVIA TREKKING CABIN
INTERNSHI
IP WORK
18. RE-ENERGIZING BHADRAN This is a restoration and revival project for a town named Bhadran which has an area of 5 sq km.Bhadran is a town which lies in between Vadodara on the East and Borsad to the North. The project focuses on studying this abandoned town and choosing an area of the town which can be made active by using prothetics. The study includes looking at the town from macro level to micro level in order to select an appropriate site for intervention.
LAND USE
ROAD NETWORK
Houses
Road
Shops + Houses
Two wheeler parking
Aashram
Truck parking
Temple Gate & Clubhouse
OPEN SPACE
Open space
EXISTING TREES
List of existing trees : 1. Limda 2. Peepal
STREET ELEVATION 1
STREET ELEVATION 2
Key plan
Houses Shops + Houses Aashram Town Gate
Ground floor plan
First floor plan
Sections
19. SCHOOL OF THE DEAF This is an ongoing project for Dhwani Badhir School, Bharuch. With an area of 12000 sq.ft; the school is being designed sesitively to cater to the needs of the deaf. It also aims at creating a sustainable design for the hot and dry climate in Bharuch. The form of the design was made by taking inspiration from the form of the ear which has scalloped surfaces. This curvy form of the ear is imitated in the shape of the walls hence making it organic in nature. These curved walls at the corners helps the deaf children by providing them with an easy circulation as it gives clear vision of the junction which avoids collision among children. As deaf people can’t hear, their vision needs to be stronger in order to protect them.
Design sketch
Site p
Cros
3d sketch
Long
plan
ss section
gitudinal section
3d model views
20. BHARUCH HOUSE This is an ongoing residential project for client Tushar Shah in Bharuch with an area of 9864 sq ft. This residential project is a collection of various masses which come from the learning of the Bharuch terrain (farmlands). These masses have creeks and crevices between them to bring in light. This house is a collection of various individual forms since the brief being of specific kind wherein every requirement is looked at as space that is carved and given form. The floorings in this house make a plan look like a painting with various colours which come together to form a living space.
Ground floor plan
First floor plan
Second floor plan
Working drawings NOTES THIS DEVELOPMENT HAVE BEEN CONCEIVED,DESIGNED AND DRAFTED ON THE BASIS OF THE FOLLOWING PARAMETERS: 1. ALL LEVELS ARE WITH REFERENCE FROM BENCH MARK LEVEL ± 0.00 M (MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PAR SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT. 10. ALL DIMENSIONS ARE GIVEN FROM UNFINISHED TO UNFINISHED LEVEL.
STAFF QUARTERS 1 2
4
LEGEND
1
Otla finished in cheap marble
1
110 MM THK. WALL
BM 15 (230X750)
150 MM THK. WALL
Plaster
230 MM THK. WALL
Plaster 155
FFL + 0.80 SL + 0.75
300 MM THK. WALL
START
300
160
300
START
Dado tile to be 600X300
600
3
Flooring tile (600X300)
600
D2
3
Dado tile to be 600X300
KEYPLAN
START
START
D1 SERVO STABILIZER
DG SET
TO BE CONSTRUCTED IN M.S. - DETAIL TO BE FOLLOWED
W39 T2
UNDER GROUND TANK RAW WATER (10'-0" X 7'-0" X 6'-0") 12,000 LITTER
SLOPE
UNDER GROUND TANK SOFT WATER (7'-6" X 7'-0" X 6'-0") 9,000 LITTER
SLOPE
UP
V1
VENTILATOR
SPACE FOR CAR PARK
STORE ROOM
FFL + 0.80 SL + 0.75
D1
BM 28 (300X450)
PLAN
2
4
SLOPE
BM 45 (300X450)
D2
STAFF QUARTERS - 02
D1
ELEVATION 2
W39
D5
T4 D1 CAR EQUIPMENT SHOWER
T3 W5
D6
AC - VRV MACHINE POSITION
ELEVATION 1
PASSAGE
D7
01
D1
UP
V2
1054.50PANTRY
FRIDGE
D2
FFL + 0.80 SL + 0.75
STAFF QUARTERS - 01
D1 TOILET
W39 T2
GYM ROOM
W4
W1-a
FFL + 0.80 SL + 0.75
03
02
01
ENTRANCE LOBBY
FFL + 0.80 SL + 0.75
TREADS: 300 MM RISERS: 150 MM
UP
D4
AUTOMATION RACK
D2
SHOWER AREA T1
D1
D1
D6
DB LOCATION 6" CUT OUT IN THE FIRST SLAB
ELECTRICAL ROOM
LIFT SHAFT
W39
W6
SECTION T
Plaster
19 18
D1
17 D8-a
TREADS: 300 MM WIDE 19 RISERS @ 170 MM
16
UP
15
W39
FORMAL LIVING ROOM
Plaster
187 START
14
01
13
02
FFL + 0.80 SL + 0.75
12
03
11
04
10
05
09
300
282
W3
D1-a
300
06
D13
W2
FFL + 1.82 SL + 1.77
W2
SERVICE DUCT CARRYING PLUMBING AND HVAC PIPES
Dado tile to be 600X300
600
D2
07
FFL + 2.33 SL + 2.28
EXTERNAL WALLS TO BE CLADDED IN 4" THK BRICKS / STONE
START
Dado tile to be 600X300
600
D2
08
SLOPE
SEPTIC TANK
REVISION
SR. NO. BM 45 (300X450)
ELEVATION 3
DATE
DESCRIPTION
BM 28 (300X450)
ELEVATION 4
STAFF QUARTER 1- BATHROOM
OTHER CONSULTANTS
SR. NO.
START
4
2
2
1
1
3
Dado tile to be 600X300
600
Plumbing
3
Electrical HVAC
5
600
Dado tile to be 600X300
PMC
Dado tile to be 600X300
300
300
300
Dado tile to be 600X300
START
CONSULTANT
2 4
600
600 D1
C10
900X230
300
3
START
START
Structural
D1
THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT
BM 11 (230X750) START
D2
1
ARCHITECTURAL CONSULTANTS SAMIRA RATHOD DESIGN ASSOCIATES
4
BM 11 (300X450)
BM 37 (300X450)
BM 37 (300X450)
BM 11 (300X450)
ELECTRICAL - GROUND FLOOR PROJECT PHASE: 1
PROJECT CODE:
STATUS
STAGE: WORKING DRAWING ARCHITECTURE DESIGN
N N
STAMP & SIGN
NOTES THIS DEVELOPMENT HAVE BEEN CONCEIVED,DESIGNED AND DRAFTED ON THE BASIS OF THE FOLLOWING PARAMETERS: 1. ALL LEVELS ARE WITH REFERENCE FROM BENCH MARK LEVEL ± 0.00 M (MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PAR SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT. 10. ALL DIMENSIONS ARE GIVEN FROM UNFINISHED TO UNFINISHED LEVEL.
MASTER TOILET
LEGEND 0
110 MM THK. WALL
645 A.C [2'-2"]
480
r=
Shower
150 MM THK. WALL
8
69
9
56
0
22
TL1
r=
655 [2'-2"]
2708 [9']
28
225 [9"]
3
2858 [9'-6"]
230 MM THK. WALL
8
300 MM THK. WALL
56
15
0
r=
M.S
501
16
0
Wardrobe (16')
900
288
W10
MARBLE PARTITION
420 [1'-5"]
Master Bathroom 01
858 [2'-10"]
2
KEYPLAN
1205 [4']
2310 [7'-8"]
1
AL2
2600 [8'-8"]
UCL
2
1098 [3'-8"]
align
1
V2
W15
EXTERNAL WALLS TO BE CLADDED IN 4" THK BRICKS
2390 [8']
PREPPING W16
385 [1'-3"]
SHIFTED
KITCHEN
MICRO + OVEN
EXTERNAL WALLS TO BE FINISHED IN LIME PLASTER
COOKING
LADER
2178 [7'-3"]
270 W9 270 270 270 270 270 220
SERVING ISLAND
C1
C2
230x900
230x2100
[11"] [11"] [11"] [11"] [11"] [11"] [9"]
ST1
STORAGE + COUNTER
W14
D15
230x750
ST2
230x750
FRIDGE MORI BREAKFAST TABLE W17
W8
FRIDGE BENCH
D8
ELEVATION 1
ELEVATION 2
ELEVATION 3
D8
D1-b
UTILITY ROOM DUMB WAITER
WASHING + DRYER + IRONING
C4
C5
DUCT
230X900
D2
900X230
W18
EXTERNAL WALLS TO BE FINISHED IN LIME PLASTER
FC1
230X230
BENCH
3
Informal Living Area
D8-a
Dining Room
W13
D8
ST4
ST3
230x750
230x750 D10
C10
W21
900X230
D1
C8
Powder Room 01
230X900 T3 V4
MASTER TOILET -SHOWER 3
4
Niche for keeping toiletaries
Niche for keeping toiletaries
Niche for keeping toiletaries
Niche for keeping toiletaries
C13
1200X230
C11
C12
D12
1050X230
W40
230X900
W12
01
D2
22
MARBLE PARTITION
r= 56 16
0
0
Shower
EXTERNAL WALLS TO BE FINISHED IN LIME PLASTER
Guest Bedroom 01
04
14
05
13
06
12
11
07
11
C15
230X900
10
08 09
09
08
07 W20
W9
1150
1450
1450
C16
C18
DETAIL
900X230
DATE
DESCRIPTION
1000
1000
1000
CW
230X900
REVISION
SR. NO. 1000
W7
C17
900X230
Mirror
1098 [3'-8"]
2512 [8'-4"]
642 [2'-2"] 270 W9 270 270 270 270 270 220 [11"] [11"] [11"] [11"] [11"] [11"] [9"] W8
ELEVATION 1
ELEVATION 2
ELEVATION 3
ELEVATION 4
3
OTHER CONSULTANTS
SR. NO.
CONSULTANT
1
Structural
2
Plumbing
3
Electrical
4 5
HVAC PMC ARCHITECTURAL CONSULTANTS
SAMIRA RATHOD DESIGN ASSOCIATES unit no. 4 gr. floor, unique ind. est. veer savarkar marg, prabhadevi, mumbai- 400 025
PROJECT: DRAWING TITLE: ELECTRICAL - GROUND FLOOR PROJECT CODE: A-CV DATE: 11TH DECEMBER 2018 DRAWN BY:
PROJECT PHASE: 1
SHEET SIZE:A2
STAGE: WORKING DRAWING ARCHITECTURE DESIGN
SCALE: 1:125
N N
CHECKED BY: RAKSHITA
STAMP & SIGN
FOR STUDY
4
THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT
2178 [7'-3"]
306 [1']
385 [1'-3"]
1205 [4']
UCL 2310 [7'-8"]
2600 [8'-8"]
AL2
Master Bathroom 01
858 [2'-10"]
Niche for keeping toiletaries
Guest Bathroom 01 Toilet
230x600
15
12
10
DN UP
16
03
W8
2
15
1455
8
900
501
D9
T1
ST5
1800X150 17
02
Master Bathroom 01
EXTERNAL WALLS TO BE CLADDED IN 4" THK BRICKS
288
M.S
MARBLE PARTITION
420 [1'-5"]
18
01
STATUS
225 [9"]
A.C
1
UCL
0 28
0 r= 69
Shower
8
9
13
Wardrobe (16')
M.S
AL2
645 A.C [2'-2"]
480 22
TL1
56 r=
655 [2'-2"]
15 14
W10
W19
UP
D14
LW3
150X1400
LW2
19
18 17 16
2708 [9']
D2
LW1
TREADS: 300 MM WIDE 19 RISERS @ 170 MM
19
TL1
Wardrobe (16')
03
1800X150
1200X300Master 23 Bedroom 01
2858 [9'-6"]
Niche for keeping toiletaries
02
TREADS: 300 MM WIDE 03 RISERS @ 168 MM
C14
EXTERNAL WALLS TO BE CLADDED IN 4" THK BRICKS
21
W10
FC3
230X230
SC
200X100X8
DB LOCATION 6" CUT OUT IN THE SECOND SLAB
20
2
EXTERNAL WALLS TO BE FINISHED IN LIME PLASTER
RC1
1800 DIA
W11
1
FC6
230X450
D11
D11
W44
NOTES
STAFF QUARTERS 2
2
4
THIS DEVELOPMENT HAVE BEEN CONCEIVED,DESIGNED AND DRAFTED ON THE BASIS OF THE FOLLOWING PARAMETERS: 1. ALL LEVELS ARE WITH REFERENCE FROM BENCH MARK LEVEL ± 0.00 M (MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PAR SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT. 10. ALL DIMENSIONS ARE GIVEN FROM UNFINISHED TO UNFINISHED LEVEL.
LEGEND Plaster
150 MM THK. WALL 230 MM THK. WALL
START
300
300
Dado tile to be 600X300
110 MM THK. WALL
Plaster 411
START
600
Dado tile to be 600X300
Plaster 382
300
START
Dado tile to be 600X300
300 MM THK. WALL
Dado tile to be 600X300
600
411
300
START
600
3
Plaster 295
3
START
600
1
1
KEYPLAN SERVO STABILIZER
DG SET
TO BE CONSTRUCTED IN M.S. - DETAIL TO BE FOLLOWED
UNDER GROUND TANK RAW WATER (10'-0" X 7'-0" X 6'-0") 12,000 LITTER
SLOPE
UNDER GROUND TANK SOFT WATER (7'-6" X 7'-0" X 6'-0") 9,000 LITTER
SLOPE
UP
2
4
V1
VENTILATOR
SPACE FOR CAR PARK
STORE ROOM
FFL + 0.80 SL + 0.75
D1
SLOPE D2
STAFF QUARTERS - 02
D1
W39
D5
T4 D1 CAR EQUIPMENT SHOWER
T3 W5
D6
AC - VRV MACHINE POSITION
PASSAGE
D7
01
D1
UP
V2
1054.50
PANTRY
STAFF QUARTER 2- SHOWER
FRIDGE
D2 STAFF QUARTERS - 01
FFL + 0.80 SL + 0.75
D1 TOILET
W39 T2
GYM ROOM
W4
W1-a
FFL + 0.80 SL + 0.75
03
02
01
ENTRANCE LOBBY
FFL + 0.80 SL + 0.75
TREADS: 300 MM RISERS: 150 MM
UP
D4
AUTOMATION RACK
D2
SHOWER AREA T1
D1
START
START
BM 09 (230X750)
D1
D6
DB LOCATION 6" CUT OUT IN THE FIRST SLAB
ELECTRICAL ROOM
LIFT SHAFT
W39
W6
SECTION T
19 18
1200
D1
START
17 D8-a
TREADS: 300 MM WIDE 19 RISERS @ 170 MM
16
UP
15 FORMAL LIVING ROOM
FFL + 0.80 SL + 0.75
14
01
13
02
12
03
11
04
10
600
D1
D1
W3
Dado tile to be 600X300
08
07
06
FFL + 2.33 SL + 2.28
EXTERNAL WALLS TO BE CLADDED IN 4" THK BRICKS / STONE
600
Dado tile to be 600X300
300
D1
300
300
Dado tile to be 600X300
3025
START
600
4
3
05
09
D1-a
D13
W2
FFL + 1.82 SL + 1.77
W2
SERVICE DUCT CARRYING PLUMBING AND HVAC PIPES
SLOPE
SEPTIC TANK
REVISION 2
2
1
1
Kota stone
SR. NO. BM 29 (300X450)
BM 42A (300X450)
BM 6A (230X450)
BM 06 (300X450)
BM 06 (300X450)
DATE
4
3
STAFF QUARTER 2- WC
OTHER CONSULTANTS
SR. NO.
CONSULTANT
1
Structural
2
Plumbing
3
Electrical
4 3
DESCRIPTION
BM 6A (230X450)
START
4
START
HVAC
5
START
START
PMC
Dado tile to be 600X300
1
1
ARCHITECTURAL CONSULTANTS
600
600
300
2
W39
Dado tile to be 600X300
D1
D2
D1
THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT
300 2
Dado tile to be 600X300
300
300
600 600
Dado tile to be 600X300
SAMIRA RATHOD DESIGN ASSOCIATES
Kota stone
ELECTRICAL - GROUND FLOOR PROJECT PHASE: 1
PROJECT CODE: 4
STAGE: WORKING DRAWING ARCHITECTURE DESIGN STATUS
3
N N
STAMP & SIGN
NOTES
COPPER SCREEN DETAIL 'A'
2270
LEGEND
DETAIL TO BE PROVIDED
EXTERIOR CLADDING OPTION
3250
ALUMINIUM SHEET TO SUPPORT EXTERIOR CLADDING BOX SECTIONS FOR DIXING ALUMINIUM SHEET INSULATION MATERIAL (ROCK WOOL OR OTHER AS SUGGESTED BY VENDOR)
BM 44 (230X750)
X
BM 40 (230X750)
BOX SECTIONS FOR SUPPORTING INTERNAL CLADDING MATERIAL
PREPPING
W36
EXTERNAL - INTERNAL OPTIONS
KITCHEN COOKING
D1 SERVING IRELAND D15 W1-c
1. COPPER SCREEN (EXT) - CORTEN STEEL (INT) 2. CORTEN STEEL (EXT) - CORTEN STEEL (INT) 3. COPPER SCREEN (EXT) - ALUMINIUNM SCREEN (INT)
W35
1580
FRIDGE
W14 MORI
W17
BREAKFAST TABLE
FRIDGE
D8
1950
5mm THK COPPER SCREEN
FFL + 4.025 SL + 3.95
D8
D1-b
FFL + 4.025 SL + 3.95
UTILITY ROOM WASHING + DRYER + IRONING
2mm THK COPPER SCREEN
300
W16
FFL + 4.025 SL + 3.95 MICRO + OVEN
W36
9610
10210
W15
V2
LADER
W22
1800
KEYPLAN
X = 75 TO 100 MM AS PER DESIGN REQUIREMENTS
1950
7150
INTERNAL CLADDING OPTION
DETAIL TO BE PROVIDED
DETAIL TO BE PROVIDED
THIS DEVELOPMENT HAVE BEEN CONCEIVED,DESIGNED AND DRAFTED ON THE BASIS OF THE FOLLOWING PARAMETERS: 1. ALL LEVELS ARE WITH REFERENCE FROM BENCH MARK LEVEL ± 0.00 M (MAIN ROAD) 2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS OTHERWISE SPECIFIED. 3. DRAWING NOT TO BE SCALED. ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. 4. DRAWING MUST BE READ IN CONJUNCTION WITH STRUCTURAL & MEP DRAWINGS ANY DISCREPANCY SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY. 6. THE SIZES OF ALL THE STRUCTURAL MEMBERS TO BE REFEREED FROM DRAWINGS OF STRUCTURAL CONSULTANT. 7. ALL EXTERNAL WALLS 230 MM THICK BRICK WALLS EXCLUDING FINISHED - (NOTE: ON THE GROUND FLOOR EXTERNAL WALLS ARE 300 MM (AAC) BRICKS THICK 8.WALL DETAIL FOR OPENING SCHEDULE AS PAR SEPARATE DETAIL. 9. ANY AMBIGUITY SHALL BE IMMEDIATELY CLARIFIED WITH THE ARCHITECT. 10. ALL DIMENSIONS ARE GIVEN FROM UNFINISHED TO UNFINISHED LEVEL.
STEEL BM SB (200X100X8)
DUCT DUMB WAITER
D2
W18
Informal Living Area FFL + 4.025 SL + 3.95
Dining Room
W13
D17
D8-a
BOX SECTIONS GRID FOR SUPPORT
D10 W21
D1
Powder Room 01 T3
V4
REVISED
D11
W13
W12
1950
1950
SECTION BB1
D11
FFL + 4.025 SL + 3.95
DB LOCATION 6" CUT OUT IN THE SECOND SLAB W40
D12 W12 D2
UP
Master Bedroom 01
W19
D2
T1
300 300 300 300
19
300
300 300
10
300
300
11
03
300
300
12
Guest Bedroom 01
15 14
04
300
300
D9
W.C.
13
05
300
15 14 13
300
T2
12
06
11
07
10
08 09
D9
Shower
FFL + 4.535 SL + 4.46
16
02
300
D14
300
D14-a
300
Master Wardrobe 01
17 01
300
Master Bathroom 01
W10
18
UP
300
BM 44 (300X450)
DETAIL TO BE PROVIDED
Guest Bathroom 01 Toilet
19 DN
18 17 16
300
DETAIL TO BE PROVIDED
D9
D14
TREADS: 300 MM WIDE 19 RISERS @ 170 MM
22 21 20
FFL + 5.555 SL + 5.48
1200
5270
03
23
D8-b
W1
02
FFL + 4.025 SL + 3.95
FFL + 4.025 SL + 3.95
W11
DETAIL TO BE PROVIDED
01
TREADS: 300 MM WIDE 03 RISERS @ 168 MM
525
525
900
09
08
07 W20
FFL + 2.33 SL + 2.28
W9
W8
W7
W4
REVISION
GYM ROOM
W4
D2
SR. NO.
PART ELEVATION WITH BOX SECTION GRID
DATE
DESCRIPTION
PART SECTION OTHER CONSULTANTS
SR. NO. Structural
2
Plumbing
3
Electrical
4 5
DETAIL 'A'
CONSULTANT
1
HVAC PMC ARCHITECTURAL CONSULTANTS
SAMIRA RATHOD DESIGN ASSOCIATES unit no. 4 gr. floor, unique ind. est. veer savarkar marg, prabhadevi, mumbai- 400 025
2 MM THK COPPER SCREEN
THIS DRAWING IS THE PROPERTY OF SRDA AND IS NOT TO BE REPRODUCED, COPIED OR HANDOVER TO A THIRD PARTY OR USE FOR ANY OTHER PURPOSE OTHER THAN FO WHICH IT IS MEANT
BOX SECTIONS GRID FOR SUPPORT
5 MM THK COPPER SCREEN
PROJECT: W44
W12
DRAWING TITLE: COPPER SCREEN
FIRST FLOOR - PART PLAN
PROJECT PHASE: 1
PROJECT CODE: A-CV
VIEW 1
VIEW 2
DATE: 11TH DECEMBER 2018 DRAWN BY:
SHEET SIZE:A2
STAGE: WORKING DRAWING ARCHITECTURE DESIGN
SCALE: 1:125
STATUS
WOOD / PLY CLADDING
DETAIL TO BE PROVIDED
N N
CHECKED BY: RAKSHITA
STAMP & SIGN
FOR STUDY
'I' SECTION TO SUPPORT SCREEN 5 MM THK COPPER CLADDING
INTERNSHIP CERTIFICATE
ART WORK
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