MILOS STOJIC SELECTED WORKS 2016-2019
CONTENTS
Children’s library
Concept Design, Competition 2017
Agricultural bank of China Concept Design, Competition 2nd place 2017
The book city
Concept Design, Competition 1st place 2018
BBMG Creative office park Concept Design, Competition 2st place 2017
BBMG Xingfa cement plant
Urban Design / Renovation, Competiton 1st place 2018
NIO House
Interior design / Renovation 2019
Chongming island villa Interior design / Renovation 2016
The Arcade Renovation 2017
Beyond the wall
Concept Design, Competition 2018
Children’s library Shanghai, China 2017
Stage / Concept design / Competition With / Schmidt Hammer Lassen Architects Design concept Libraries empower our society to experience new things, become involved in the world around us and to encourage us to innovate. The children’s library, however, can arguably be considered the one with the most ability to influence our society. As Albert Einstein once said, “If you want children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” When discussing a new Children’s Library, we must first look towards an understanding of child development. Development of children is a continuous process often with predictable sequence, yet having a unique course for every child. However, it always progresses from dependency through to increased autonomy and individuality. The library is organised into three distinct space types – own space, observation space and shared space. This follows a typical child development process of interaction and learning within their age group, to observing different age groups around them, to sharing and participating together as one collective group.
The discovery path (earlier described as the “observation space”) inside the atrium connects the five volumes together allowing for chance discovery and interactions through the different functions. Individual zones relating to pre-school, elementary and middle school children are arranged to the north. Connecting these spaces is a series of open red platforms that connect back to the dedicated zones yet allow observation towards the library central shared space and the land-scape and park beyond. The main space at ground level brings all library users together in one grand marketplace that integrates sharing, discovery and visual links to nature (water, trees and the sky).
Children’s library main entrance plaza
Children’s library as a space that blurs the line between the playground and classroom
1st floor plan (GF)
2nd floor plan
Own Space Observation Space
Shared Space
Roof
F4 阅读区/学龄前儿童 特藏阅览 阅读区/中学生 行政管理区
Reading Area/Preschool Children Special Collections Reading Area/Middle School Students Administration Area
F3 陈列展览 阅读区/学龄前儿童 特藏阅览 阅读区/中学生 视障阅览 学习对轮空间 业务区 行政管理区
Display and Exhibition Reading Area/Preschool Children Special Collections Reading Area/Middle School Students Visual Impairment Reading Learning and Discussion Space Business Area Administration Area
F2 知识创造 阅读区/学龄前儿童 阅读区/小学生 阅读区/中学生 学习对轮空间 业务区
Knowledge Creation Reading Area/Preschool Children Reading Area/Elementary School Students Reading Area/Middle School Students Learning and Discussion Space Business Area
F1 陈列展览 演艺厅/450席 咨询服务区 阅读区/学龄前儿童 学习对轮空间 阅读区/小学生 阅读区/中学生 读者服务 立体阅读 文化交流空间 新技术体验 业务区
Display and Exhibition Auditorium/450 seats Consultation Service Area Reading Area/Preschool Children Learning and Discussion Space Reading Area/Elementary School Students Reading Area/Middle School Students Reader Service 3D Reading Cultural Exchange Space New Technology Experience Business Area
B1 停车库/90车位 后勤保障区 配送中心/卸货 技术设备区 藏书区
Parking/90 Cars Logistical Area Delivery Zone Technical Equipment Room Collections Area
After studying childhood development, we have conceptualized the Children’s Library into 3 different areas to encourage learning and growth: (1) an “own space” to provide focused reading; (2) an “observation space” to allow for learning through mimicry; and (3) a “shared space” for collaboration and group learning. In our proposal, we have dedicated the “own space” as the reading areas for each age group. In the large “shared space,” for collaboration and engagement, 3 spatial objects allow for observation areas. The three areas provide a diversity of spaces for learning activities.
Facade and roof details
The final physical model - view from the pond
Expressive roofscape of the library as a homage to the industrial site history
1 Atrium/Reading Area 2 Display and Exhibition 3 Knowledge Creation 4 Auditorium/450 seats 5 Parking/90 cars 6 Administration Area 7 Business Area 8 Collections Area
Expressive roofscape This painting depicts the matchbox factory and the surrounding industrial buildings along the Suzhou Creek in the early part of the 20th Century. We believe that it is important to connect with this past heritage. By creating an expressive roofscape of the library, we wish to pay homage to the industrial urban landscape of the pitched and sawtooth roofs on buildings which had occupied this area.
Masterplan Design Shanghai Children’s Library is formed around people and place. “People” being the Children it will welcome through its doors, and “place” meaning a reflection of the past, present and future of its privileged location adjacent Changfeng Park and along Suzhou Creek. The masterplan is based on the introduction of a “knowledge loop” which is designed to unify “green lot 1” and green lot 2” to create the Children’s Library Park. This loop is a pathway with high and low areas, which provide different vantage points and different landscape environments. Along the “knowledge loop,” 8 small pavilions will foster learning activities that complement the library including spaces for performance, play, and exhibitions and learning about heritage. Moreover, five landscape environments, including a lakefront area, riverfront area, yacht club area, plaza area, and play area, highlight distinct activities that foster interaction and contempla-tion. Together, these elements reinforce the library’s mission to educate through collaborate, sharing and creating. This provides a unique identity, which will differentiate the park from the adjacent Changfeng Park. Suzhou Creek and Changfeng park panorama together with Children’s library
Children’s library as a part of continous loop system around Changfeng park
The knowledge loop as pathways with different vantage points and landscape atmospheres.
The final physical model
Agricultural bank of China Ningbo, China 2017
Stage / Concept design / Competition, 2nd place With / Schmidt Hammer Lassen Architects Design concept With the development of mobile Internet technology, the traditional network of the bank service model has been effected enormously. New intelligent networks will promote the bank into the 3.0 upgrade era. In the face of the background of science and technology, as the bank’s business hall and service need to be upgraded, the bank will not only be a place for financial business, but also can become an important public space, a place to build a relationship. Flexible and diverse internal space will bring a positive attitude to the office, and also encourage staff to have innovative thinking to face the ever-changing financial markets. The architectural appearance of the building with a carefully selected stone facade, and the detail treatment will reflect an image of high quality, integrity and longevity. This orderly and steady facade aims to express the Agricultural bank’s core values.
The Phase I and Phase II buildings together form an inner courtyard space, with pedestrians entries in all directions facing the city. Especially the east-west entrance of the courtyard connected with the east plaza of the Ningbo Daily Building and the entry of the west side office building. These connections form a corresponding relationship, which makes the building a better integrated with the surrounding urban environment. At the ground level, the bank business hall, private bank, ABC University and the large conference hall have their own independent entrances and exits. This bank building is designed to keep its high security but with an open and friendly gesture to the public.
ABC headquarters as a complement to the surrounding context
1st Floor plan (GF)
2
1
3
4
1 Private Bank 2 Auditorium 3 City Branch Operations 4 Management Office
3rd Floor plan
2
1
3 5
4
1 ABC University 2 Office 3 Security Center 4 City Branch Operations 5 Archive
9th Floor plan
1
2 3
4
1 Home of Staff 2 Governor Meeting Area 3 Institutional Business 4 Department Operations
The final physical model
Secondary entrance that leads into an inner courtyard
Section through the inner gardens connecting different bank departments
An inner water garden provides a contemplation space
Anodised aluminium mullion Silver gray Phyllite stone panel Silver gray Phyllite stone cladding Back painted spandrel panel Fire rated double glazed glass
A new Headquarters of the Agricultural Bank of China has been designed to evoke the core values of the Bank, reflecting the sound, solid, quality and long-lasting image. The office has a standard module of the grid, when the green courtyard locate, it will have more transparent expression. And a solid facade will happen where the server room or facility room locates. The choice of grey green stone facade gives a reliable, noble feeling. The facade is the combination of stone frames and glass curtain wall, classical yet modern. It is the language of classic modern architecture.
The division of the facade presents a different rhythm depending on the internal function
Green Copper cladding
Travertine floor/columns
Velvet curtain
Gray Phyllite Cladding
Green Marble
Anodized Aluminum mullions
The material palette is selected to complement and relate to the “green identity” of the corporate logo and convey a sense of permenence and stability.
The final physical model
The Book City Shenzhen, China 2018
Phase / Concept design / Competition, 1st place With / Schmidt Hammer Lassen Architects with SLA Design concept The generic Book City as a building typology started as a book store offering a wide selection of books. Within a few years, it has become a place that not only provides various books, but also encourages other ways of enjoying and interacting with books, as reading, buying, collecting, and numbers of other activities around its motif. During the years of its evolution, the Book City be-came the quintessence of customers’ demands and developed to create a totally new platform for the book industry.
The accumulation of functions within the Book City, and its progress, represents the growing quality of cultural life in Shenzhen. One of the main goals, always fol-lowed by the Book City agenda, was to focus on humanistic care and its integration to regional culture. All these social lessons taken from the past experience evolved into a completely new public centre dominated by reading and leisure needs of the residents. Reading has become an indispensable part of the cultural life in Shenzhen, which helped shaping not just the spirit of the city and its people, but also determined the space of where and how to read. The green corridor where the site is located creates an unusual open playground to create an innovative model of learning, experiencing, but also entertainment and retail. It is a place where nature meets architecture. It is the 5th generation of the Book City which follows its own ‘Nature Agenda’ - implementation of nature. Main points of Nature Agenda : - Providing civic and leisure Life - Building natural identity of the Book City - Comfortable atmosphere and sustainable environment - Building natural culture experience
The Book city as a contemporary Chinese garden - the final physical model
The ‘Public Loop’, a continuous stair system with platforms, allows visitors to discover different functions of Book City and to observe, connect and get closer to nature.
Evolution of tipology and a 5th generation Book City concept
Retail strategy diagram
Aerial view
1st Floor plan (GF)
Long section
The Book City program is rationally distributed on three underground levels and partially on the ground floor on an 8.4 m grid. The three floors are organized with the following primary programs: B3 – parking lots; B2 – small and midsized retail; B1 – book mall and entertainment; F1 – public and retail program. Spatial configuration of the landscape design is based strictly on the observation of the Chinese gardens. They were the most common places for people to maintain outdoor activities, socialize, and gain knowledge. Landscape composition represents different elements from fast routes that satisfy the needs of the on-site traffic, to meandering paths and resting spaces creating various space zones, and finally an extension of the water and a lifted surrounding wall of contours and landscape. The program areas are subdivided into zones, each representing an activity. From reading spaces to amphitheatres, they are placed according to their immediate context, keeping in consideration noise and viability.
Interior reading space overlooking an inner garden
B1 Floor plan
Cross section
Facade section detail
Sunken garden inspired by Yadong earthen dwellings
The Book City building is strictly organized around people. It is designed for them with the utter-most care about their needs. The main reference for the underground structure of the Book City comes from Chinese culture. Yaodong, a form of sunken earth dwellings, where the soil surrounds internal courtyard was the inspiration for the book mall. In our proposal, sunken courtyards are accessed by the ramps that stream all the pedestrian links around the site down to the mall. “House cave” or Yaodong is a particular form of earth shelter dwelling. The earth that surrounds the indoor space serves as an effective insulator keeping the inside of the structure warm in cold season and cool in hot seasons.
Yaodong sunken earth dwellings
Bookshelf
City Bookshelf
The new Shenzhen Bao’an Book City is the future and next generation for the Book City typology. With nature as a starting point, a new Chinese inspired parkland opens up to create a driect link to both nature and open light filled spaces for the users of the Book city. To announce it’s presence to the city, two large city scale book shelves containing retail, art space and viewing platforms become a marker for this new knowledge park and book city experience – whilst acknowledging and complementing the existing Bao’an District Library and Youth Palace. Shenzhen + Nature + Culture = The new Book City The City Bookshelf functions refer to its surrounding
Two large city scale book shelves become a marker for new knowledge park and book city experience
The green corridor where the site is located creates an unusual open playground to create an innovative model of learning, experiencing culture, but also entertainment and retail. It is a place where nature meets architecture. It is the 5th generation of the Book City which follows its own ‘Nature Agenda’ implementation of nature.
BBMG Creative office park Beijing, China 2017
Phase / Concept design / Competition, 2st place With / Schmidt Hammer Lassen Architects Design concept An unattractive industrial site on the outskirts of Beijing has been calling for the design which will attract young companies and employees to rent an office space and invest here. According to that, brief has required a Creative office park project with an recognizable and iconic skyline, contemporary working environment and a role model for a future development. The analysis of the 20th century office space development has brought us to conclusion that it struggled to reach an optimal working and humane conditions. Driven by the economic constrains at that time, office buildings were usually characterized by deep floor slabs. As a consequence, the working spaces were having a deficiency in daylight and overall user contact with nature thus resulting in lack of motivation and productivity. We believe that a healthy working environment can significantly improve an overall employee satisfaction and communication which could result in greater productivity and efficiency.
By learning from the past, we came to an idea to create a thin floor slabs that provides with an optimal daylight. By using an advantage of given constrains (high FAR + hight limit 13 floors), we have provided a solution which maximizes landscape and public areas for socializing, spontaneous meeting and networking. The nature as a missing link within a contemporary office park tipology.
A contemporary working environment
The nature as a missing link within a contemporary office park tipology
The masterplan idea based on introduction of central spine that connects surrounding neighbourhoods
The masterplan idea based on introduction of cetral green axis - park as a meeting point
Facade design inspired by industrial past of the site and the idea of standardization and repetition
An elevated green belt brings nature into the building and activates another dimension of perceiving the space
The final physical model
BBMG Xingfa cement plant Beijing, China 2018
Phase / Urban design / Competition, 1st place Status / Under construction With / Schmidt Hammer Lassen Architects + SLA Design concept The transformation of the Xingfa Cement Factory site should make use of the qualities and potentials already inherent to the site to create a unique new neighbourhood that evokes a strong sense of place. The landscape design takes its cues from the layered history and context of the site and integrate heritage, history and natural qualities into the masterplan. The masterplan aims to connect and integrate the three separated program area given in the masterplan: creative culture, convention exhibition and scientific research. By encouraging sharing spaces and facilities among different program area, a synergy will be generated to help grow a mixed and dynamic campus. Based on the existing railway track, the central area of site will be developed into an open shared outdoor area with diversity and flexibility. We select multiple preservation buildings from the cement production process for renovation. These buildings become focus of memory dispersed around the central outdoor area.
We borrow the principles of adaptability and complementarity from the adjacent Geat Wall, and apply them to the site to stitch together the industrial heritage and the local ecologies, and to strengthen the tie between the grown and the built environment. The surrounding natural environment, both wild and cultivated, is reintegrated into the site, creating a new natural expression and an attractive green back bone that connects the places and people of the new Xingfa neighbouthood.
Cement plant revitalization as a palimpsest of natural, historical and cultural layers
The main plaza in the heart of the site and in front of the 6-silo hotel.
Preserved industrial heritage
Existing railway
New buildings
LAYERING: Design approach draws on existing qualities as the basis for the development of the site. Understanding the different layers of the site allows us to add new ones in a way that ensures a coherent design with identity and depth.
Paving zones / cement process
Green strategy
Preserved buildings 11 Mixing storage 17 Train storage 30 Raw material mill 64 18 silos 73 Clinker storage (tent) 79 1st cement mill 79-2 3rd cement mill 89 Cement silos 100 Train loading platform 156 Workers’club 48 Preheat tower 34 Limestone silo & conveyor 96 Raw ore workshop
New buildings 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
Art studio/gallery Art studio/gallery Art studio/gallery Art studio/gallery Art studio/gallery Creative Office Creative Office Creative Office Creative Office Creative Office Commercial Exhibition Exhibition Business Hotel 3-story research 2-story research 1-story research
For industrial heritage buildings, we identify and keep the industrial quality and atmosphere of the building facades and spaces to the largest extent, and use contemporary design element to further emphasize these qualities. The juxtaposition of old and new creates unique architectural effect and sense of place.
The principles of adaptability and complementarity from the adjacent Great Wall, are applied to the site to stitch together the industrial heritage and the local ecologies, and to strengthen the tie between the grown and the built environment. The surrounding natural environment, both wild and cultivated, is reintegrated into the site, creating a new natural expression and an attractive green back bone that connects the places and people of the new Xingfa neighbouthood.
NIO House Zhengzhou, China 2019
Phase / CD, SD, DD Status / Completed 2020 With / Schmidt Hammer Lassen Architects Design concept The strong historical background is a driving force of present culture and society in the city of Zhengzhou. Its a place is known for invention and innovation thus sharing similar values as NIO brand. The interior design will take inspiration from the local identity of the place.
The sacred Songshan Mountain has been an inspiration for all generations of Zhengzhou people. With a simple monolithic gesture, the flagship can be transformed into an image that evokes the brand’s meaning and reflects the contextual inspiration of Songshan mountain. The rock formation of Songshan mountain are powerful image for the brand and for the flagship. In that respect, these ideas are incorporated and materialized in the form of central atrium wall. The material options are selected to evoke the impression of monolithic, spriped rock formations.
The image of the store takes inspiration from the simple dichotomy of sky and mountain. Inspired by the image of the future and the unknown, NIO Zhengzhou focusses around a grand road (atrium wall) leading up into the sky and into infinity. While facing the bottom of the mountain, the most important is ability to see yourself at the top. When standing outside of the store, the grand road hanging within the atrium space is inviting people to discover the store. An idea of experience driven shopping within 21st century.
Standing outside the building, a grand road hanging on the atrium attracts people to explore in.
NIO House Zhengzhou is a part of larger commercial development yet maintaining its own identity
Main entrance leading to the central atrium space
The central atrium which reflects the contextual inspiration of Songshan mountain
The materialization idea of the atrium wall is inspired by Songshan mountain striped rock formations.
01 ATRIUM WALL MODULES/ 中庭石灰岩墙面板块 1：5
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钢架与车底板固定 结构需要由施工图单位深化
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Limestone 石灰岩
EP9 模型
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01 ATRIUM WALL MODULES/ 中庭石灰岩墙面板块 1：5
01 ATRIUM WALL SECTION/ 中庭车模悬挂示意图 1：30
日期 评
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郑州蔚来用户
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上海蔚来总公
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中庭墙
ZHENG 郑州蔚
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Section showing atrium wall structure and possibility to hang the car
当地设计院
Diverse wall pattern contains six different pieces of marble
EXIT
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EXIT ST
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Limestone 石灰岩
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EP9 模型
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Limestone 石灰岩
墙面板块 1：5
EP9 模型
EXIT
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钢架与车底板固定 结构需要由施工图单位深化
5
示意图 1：30
日期 评论
注：
绘制 格式
批准
本图纸不可测量 所有尺寸由承包商在现场检查。 对建筑师汇报所有错误，遗漏，不符之处。 建筑图纸为近似尺寸。对于具体的施工尺寸和位置，请参阅工 程图纸。
STAGE_DD 100%
版本
初步设计
r
01 ATRIUM WALL ELEVATION/ 中庭石灰岩墙面立面 1：30
5
01 ATRIUM WALL ELEVATION/ 中庭石灰岩墙面立面 1：30
Atrium wall - the way leading up into the sky and into infinity
3
4
5
6
7
F
RACKS 储藏货架
Storage 储藏间 DISTRIBUTION BOX 配电箱
CABINET 文件柜
Storage 储藏间
Accounting Office 财务室
Open Office 开放办公 LOW CABINET 矮柜
E
UP 上
SHOE CABINET 鞋柜
Cleaning & Lounge 清洁间与休息室
Staff Locker Room 员工更衣室
Members Welcome 会员入口
1
LOCKER 更衣柜
WHEELS 轮毂
CHANGING 换衣间
SLIDING DOOR 带门禁移门
MOP POOL 拖把池
FLOOR SCRUBBER 扫地机
FIRE HYDRANT 消火栓
FIRE HYDRANT 消火栓
WALL CABINET 吊柜
GIFT SHOP DISPLAY 精品陈列区
TV65"
CONFIGURATORS 汽车配置屏
ESCAPE DOOR 疏散门
ES8
CONFIGURATORS 汽车配置屏
TV65"
ES6 SUPER NIO POWER 超级充电桩
NIO POWER 充电桩
ES8
D ES6
Gallery 展厅
MAIN ENTRANCE SLIDING DOOR 主入口自动移门
DOOR CONTROL 门禁系统
SECONDARY ENTRANCE DOOR 次入口
3
4
5
6
3
4
5
6
1st Floor plan
7
F Electricity 强电间
Cleaning 清洁间
Fire Escape 疏散走道
Baby Care 母婴室
Family Toilet 家庭卫生间
Fitting Room 试衣间
UGC
Fire Escape 疏散走道
GREEN WALL 绿植墙
Reception & Locker 接待及衣柜
Storage 储藏间
Storage 储藏间
E
IT Room 弱电机房
UP 上
Shoe Changing Area 换鞋区
SERVERS 弱电机柜
Merchandise 精选产品区 DOWN 下
气体灭火设备 磨豆机
EP9
手冲壶
滴水盘 带上水
虹吸壶 虹吸壶
咖啡打印机
磨豆机 敲打孔 135*240
咖啡机
Cafe Bar 咖啡区
杯架 糖浆架
Joy Camp 儿童区
两槽水池
调味架
出品
消毒柜 425*370*615 开水机 180*430*510
TV65"
冰沙机 457*216*272 制冰机 500*595*770
蛋糕柜 1200*750mm
柜子
垃圾桶 300*500*600
D
Storage 储藏间
单星水槽
Living Room 城市客厅
3
4
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6
电话
2nd Floor plan 上海市四平路2500号金岛大厦8楼
电话
3
4
5
6
7
F Electricity 强电间
Cleaning 清洁间
Fire Escape 疏散走道
Men's Room 男卫生间
Women's Room 女卫生间 Storage 储藏间
WATERBAR DRINKING FRIDGE 水吧 饮水机 冰箱
UGC
Fire Escape 疏散走道
Printing Area 打印区
Storage 储藏间
E
LOCKER 储物柜
BOOKSHELF 书架
SHREDDER 碎纸机
TV98"
TV65
TV65"
BOOKSHELF 书架
NIO LAB 共享工作室
Staff Room 员工室
PRINTING MACHINE 打印机
DOWN 下
注： 本图纸不可测量 所有尺寸由承包商在现场检查。 对建筑师汇报所有错误，遗漏，不符之处。 建筑图纸为近似尺寸。对于具体的施工尺寸和位置，请参阅工 程图纸。
Phonebooth 电话间
STAGE_DD 100%
Meeting Room 洽谈室
初步设计 日期
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TV65"
版本
NIO Forum 蔚来论坛
D
Library 阅览区
BOOKSHELF 书架
ZHENGZHOU NIO HOUSE 郑州蔚来用户中心 项目
郑州蔚来用户中心 项目编号
客户
上海蔚来总公司
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三层平面布局图 东面
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批准 建筑师
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3rd Floor plan
世函盛建筑设计咨询（上海）有限公司 上海徐汇区宝庆路10号2号楼5楼 200031
当地设计院
上海颐景建筑设计有限公司/ 上海市四平路2500号金岛大厦8楼
电话
Section A-A through the atrium wall
Section B-B facing the atrium wall
软膜吸音吊顶/
FB
01
背板
白橡木地板上墙，密拼 （16mm厚,白橡木表面3mm，表面UV漆处理）
FB
01
01 3.2.12
实木嵌条/ 结构/
LED灯带/
FB
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03 3.2.12
01 F2 KIDS AREA SECTION/二楼儿童区剖面图 1：10
Section through the exploration cave composed of mobile elements
结构/
软膜吸音吊顶/
IDS AREA DETAIL/二楼儿童区细节 1：5 软膜吸音吊顶/
背板
实木嵌条/
注： LED灯带/
本图纸不可测量 所有尺寸由承包商在现场检查。 对建筑师汇报所有错误，遗漏，不符之处。 建筑图纸为近似尺寸。对于具体的施工尺寸和位置，请参阅工 程图纸。
结构/
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背板
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软膜吸音吊顶/ 版本
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KIDS AREA DETAIL/二楼儿童区细节 1：5 软膜吸音吊顶/
背板 结构/
软膜吸音吊顶/
背板
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郑州蔚来用户中心 项目编号
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上海蔚来总公司
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固定家具大样08 东面
西面
KIDS AREA DETAIL/二楼儿童区细节 1：5
ZHENGZHOU NIO HOUSE 郑州蔚来用户中心
项目编号 日期 比例
南面
阶段 文件 绘制 批准 建筑师
电话 世函盛建筑设计咨询（上海）有限公司 上海徐汇区宝庆路10号2号楼5楼 200031 电话
当地设计院 上海颐景建筑设计有限公司/ 上海市四平路2500号金岛大厦8楼
Joy camp, an area dedicated to kids, is the space that fosters exploration and imagination. Spatial concept takes inspiration from local culture, Longman caves and Shaolin monastery pagodas, thus acts as an educational tool as well.
Library and central staircase
Lounge area
Chongming island villa Chongming island, China 2016
Phase / CD / SD / DD /CD Status / Completed 2018 With / Four O Nine (Atelier Zerebecky)
Design concept The project scope was a family weekend house renovation, located at Chongming island, east of Shanghai. The client demanded a comfortable space that will serve to family and friends gatherings over the weekends, as an escape from a busy and vibrant city of Shanghai. As he precisely described, the design should be 80% contemporary and 20% traditional Chinese. Apart from carefully finding the answer to that request and be creative within given constrains, our biggest challenge was dealing with existing structure and functional layout. The idea was to create the interior spatial intervention, rather than just interior decoration.
By transforming small spaces into larger, we have gained a flexible open spaces with intimate zones, able to serve different needs. Embracing an existing concrete staircase by a sculptural envelope, we have reached a unique spatial experience. Suspended ceilings are designed to evoke the spirit of Chinese traditional roof curvature. Materialization is expressed through an idea of creating a contemporary interior space with a scent of local culture. The subtle combination of walnut wood and marble stone details, although in contrast and eternal battle, is providing the warm home feeling.
Although in contrast and eternal battle, the subtle combination of walnut wood and marble stone details is providing a warm home feeling.
1
1st Floor plan (GF)
2nd Floor plan
1
A/C 200x450x1300
3230 AFF
3230 AFF
450
450
3170 AFF
330
A
2780 AFF PT- 01
220 150
PT - 02
370
1250
580
1200
625
250
820
2780 AFF
PT - 01
ST- 01
ST- 01
580
700
375
400
PT - 01
580
3180
2190
820
820
1760
1210
3830
300
2970
Section through the main living zone
12 mm flat gypsum boards
A/C 200x450x1300
空� 200x450x1300
50 mm aluminium channel hanging pole
3230 AFF
450
3170 AFF PT - 01
2780 AFF
2780 AFF PT - 01
330
150 220
250
580
370
625
3230 AFF
A/C 200x450x1300
3280 AFF
3240 AFF
3170 AFF
250
250
250
300
270
600
1200
460
250
25 mm wooden ribs
2780 AFF
25 x 25 mm wooden battens at 250 mm
330 PT - 02
375
2 x 6 mm curved gypsum boards 12 mm flat gypsum boards
580
PT - 01
Suspended ceiling detail of the main living zone 300 180
2600
480
2 x 6 mm curved gypsum boards
570
25 x 25 mm wooden battens at 250 mm
3260
2400
570
580
580
2600
3540
580
250
NOTES
(1) THIS DRAWING IS NOT T - ONLY THE DIMENSIONS N
REVISIONS x DATE
3180
DESC
SE
aluminium joist hangers
剖
25 mm wooden ribs
SC
3400 AFF
12 mm flat gypsum boards
620
hight varies, refer to section
50
470
470
470
470
470
470
470
470
470
470
2780 AFF
PT - 02
3170 AFF
A/C 200x450x1300
hanging pole 50 mm aluminium channel
25 mm wooden rib - structure
12 mm flat gypsum boards
25 x 25 mm wooden battens at 250 mm
CHONGMING ISLA
PROJECT CO
2 x 6 mm curved gypsum boards
COORDINA 12 mm flat gypsum boards
CONTRACT
TENDER DR
CONSTRUC
Suspended ceilings are designed to evoke the spirit of Chinese traditional roof curvature
All dimensions SCALE DATE:
CEILING DET ISOMETRIC V
5mm steel structure ring fastened to beam
20 mm aluminium structure stabilizers
50 x 50 mm wooden structure
corian handrail detail
2 x 6 mm curved gypsum boards
50 x 50 mm wooden structure
corian handrail detail
2 x 6 mm curved gypsum boards
Construction scheme of reshaping existing concrete staircase
(1) THIS DRAWING IS NOT TO BE SCALED - ONLY THE DIMENSIONS NOTED TO BE FOLLOW
REVISIONS x DATE
DESCRIPTION
aluminium profiles fastened to steel profile and resting on the stairs
2 x 6 mm curved gypsum boards
aluminium profiles fastened to steel structure and resting on the stairs
5mm steel structure ring fastened to beam
aluminium profiles fastened to steel structure and resting on the stairs 25 mm wooden framing fastened to the stringers
5mm steel structure ring fastened to beam 25 mm wooden stringers fastened to the bottom face of the stairs
2 x 6 mm curved gypsum boards
CHONGMING ISLAND
PROJECT CODE:
COORDINATION DRAWI
CONTRACT DRAWINGS TENDER DRAWINGS 25 mm wooden framing fastened to the stringers
CONSTRUCTION DRAW
All dimensions in mm 25 mm wooden stringers fastened to the bottom face of the stairs 2 x 6 mm curved gypsum boards
SCALE -
DRAWN
DATE:
CHECKE
STAIRCASE DETAILS ISOMETRIC VIEW
A-330
100
100
1st Floor staircase plan
1192 1280 stairscase 楼梯
100
100
1 74
74
1292
12mm �化玻璃扶手
12 mm tempered gla
wooden framing for handrail fastened to the top of concrete staircase
STAIRCASE DETAILS - 1st FLOOR PLAN
STAIRCASE DETAILS - 2nd FLOOR PLAN
楼梯�构�� - 一楼平面�
A3 stringer
楼梯�构�� - 二楼平面�
1:30
1:30
PT - 01
PT - 01 corian handrail
PT - 02
PT - 02
PT - 02
A1 stringer PT - 02
20 mm aluminium structure stabilizers
PT - 01
ST - 01
central core structure of aluminium channels
ST - 01 A2 stringer
NOTES
1st Floor staircase elevation (1) THIS DRAWING IS NOT TO BE SCALED - ONLY THE DIMENSIONS NOTED TO BE FOLLOWED.
REVISIONS x DATE
DESCRIPTION
wooden framing for handrail fastened to the top of concrete staircase A3 stringer
PT - 01
- 01
- 02
PT - 02
PT - 02
A4 stringer A1 stringer 20 mm aluminium structure stabilizers
PT - 01
PT - 01
central core structure of aluminium channels
ST - 01 A2 stringer
1st Floor staircase sub-structure CHONGMING ISLAND
PROJECT CODE:
COORDINATION DRAWINGS CONTRACT DRAWINGS TENDER DRAWINGS CONSTRUCTION DRAWINGS
RECOMMENDATION ONLY.
RECOMMENDATION ONLY.
�注：
�注：
三楼空�不再��范�之内， 只作�建�参考
三楼空�不再��范�之内， 只作�建�参考
Staircase section with gypsum board envelope
Staircase section showing the sub-structure
STAIRCASE DETAILS - SECTION STAIRCASE 3 DETAILS - SECTION 3
AIRCASE DETAILS - SECTION STAIRCASE 2 DETAILS - SECTION 2
梯�构�� - 剖面�2
楼梯�构�� - 剖面�2 1:50
1:50
楼梯�构�� - 剖面�3
(1) THIS DRAWING IS NOT TO BE SCALED - ONLY THE DIMENSIONS NOTED TO BE FOLLOWED.
25 mm aluminium splitter existing concrete slab 33 mm screed
2 x 6 mm curved gypsum boards
REVISIONS x DATE
DESCRIPTION
50 x 50 mm wood structure fastened into concrete with steel "L" bracket 2 x 6 mm curved gypsum boards
17 mm stone finsh
steel "L" bracket fastened into concrete
steel "L" bracket fastened into concrete
25 mm wooden stringer fastened to the bottom face of the stairs dimension varies refer to drawing: A-333, A-334
2 x 6 mm curved gypsum boards
CHONGMING ISLAND aluminium trim (to be plastered and sanded smooth)
PROJECT CODE:
COORDINATION DRAWINGS PT - 02
CONTRACT DRAWINGS TENDER DRAWINGS CONSTRUCTION DRAWINGS
All dimensions in mm
Staircase detail
楼梯�构�� - 剖面�3 1:50
NOTES
SCALE -
DRAWN BY:
DATE:
CHECKED BY:
Staircase after construction STAIRCASE DETAILS
A-331
1:50
The Arcade Shanghai, China 2016
Phase / Concept design / Schematic design Status / Completed 2018 With / Four O Nine (Atelier Zerebecky)
Design concept Set within the vibrant and fast developing area of Shanghai, this renovation project aimed to revitalize an old community building and bring a new identity to the neighbourhood. Its new function, an office space for start-up companies, has required an innovative yet rational and economical approach.
The facade design is a unique form of palimpsest, a process of layering at which intersection the past meets the future. The ceramic tiles which characterize Shanghainese 80’s residential construction have been chiseled out while a new layer of policarbonate facade has been added to embrace an existing structure. The facade fenestration has been kept yet its rhythm has been decomposed by the new intervention. A single guesture that creates a unique spatial atmosphere and experience thus awakening a dormant street corner. A project name “The Arcade” comes from the previous function of the interior space which was run as a gaming center. The design itself can be also associated to one of the first arcade games ever made - Space invaders. At ceirtain point, the new building outlook is silently invading a surrounding space by providing a glowing backdrop or simply being a “stage of life”.
The project aimed to revitalize an old community building and bring a new identity to the neighbourhood
Before intervention
Proposed intervention
A single guesture that creates a unique spatial atmosphere and experience thus awakening a dormant street corner
Beyond the wall Baleal, Portugal 2018
Phase / Concept design / Competition With / Aleksandar Gusic and Danilo Vukosavljevic Design concept The design strategy of placing the theatre is inclined and depended on micro and macro context. Historical background of the environment is themed by the Baleal Fortress as a significant landmark. The linear layout of the new spatial intervention is situated along North-South axis directly related to main fortress entrance. Juxtaposing new architectural element and archeological remains results in creating timeless space in-between as an introduction to the new mental spatial journey. By exaggerating overall spatial proportions and monolithic volume we are achieving dramatic expression that pretends to involve all human senses. The Monolith is seen as the theater scene itself. Its spatial interpretation is based on three levels of meditation: concentration, contemplation and transcendence.
The first level in the form of entrance zone, is the space inbetween where visitor/pilgrim is preparing for its journey. The second level of experience leads visitor through the repetitive process of serial motion towards the top of the stairs. This inner sanctum between the two walls is where the transformation of human thoughts is taking place. The zenith of transcendental experience is happening at the moment of arrival to the top platform which provides contact to the end of the continent. The described thought-cleansing process is resulting in completely new spatial experience and environment impressions. Although in strong contrast, landscape and the Monolith are creating perfect balance through connecting physical and metaphysical, non-place.
Site theatre ground plan
Erecting the building in height equal to the fortress remains width is forming the viewpoint which provides unique 360 degree panorama experience. It becames strong contextual landmark itself. The building is functional wall which contains all necessary service and servant spaces located underneath the monumental stairs. This functional organization is leaving all public areas free for motion and discovery. Materialization is expressed through the philosophical concept of duality. Eternal game between stone and water, waves and rocks, rustic and smooth, fluid and static. The form of tectonic rock formations on site is transferred to the building itself. Its represented as a raw stone facade cladding over massive concrete structure. This material contrast is additional relationship with context and surrounding scenery.
By exaggerating overall spatial proportions and monolithic volume we are achieving dramatic expression that pretends to involve all human senses. The Monolith is seen as the theater scene itself.
The zenith of transcendental experience is happening at the moment of arrival to the top platform which provides contact to the end of the continent.
Although in strong contrast, landscape and the Monolith are creating perfect balance through connecting physical and metaphysical, non-place.