American Memory: Commemoration, Nostalgia, and Revision Chapter 1: People and Identity | Mid-July Chapter 2: Activism and Terrorism | Mid-July Chapter 3: Responses and Revisions | Late September The narratives about the history of our young nation are often told from a single perspective. The experiences of women, people of color, and LGBTQI+ individuals (to use the current term) were rarely considered in the course of documenting historical events, and the incidents that impacted them most were frequently ignored, skewed, or outright erased. American Memory: Commemoration, Nostalgia, and Revision exposes this selective editing of history as it seeks to relate the true price of pursuing the American dream.
twenty prints, drawings, paintings, and photographs in American Memory are from the nineteenth and twentieth centuries and contemporary times and reveal a more complicated view of past events. The works are drawn from the Museum’s collection, directing a lens on the history of how certain works came to be at the Museum.
The exhibition is divided into three chapters, across three galleries: “People and Identity” explores the nature of portraiture; “Activism and Terrorism” studies the normalization of racist, violent imagery; and “Responses and Revisions” shows how a single image can shape our perception of history. The more than
top Kerry James Marshall, Memento, 1996–97. Gift in memory of Robert D. and Eleanore A. Hesselbrock by their children, M2000.5. Photo by John R. Glembin. © Kerry James Marshall right Max Pietschmann, Study of a Model, 1885. Purchase, with funds from Avis Martin Heller in honor of the Fine Arts Society, M2020.39. Photo courtesy Jack Kilgore & Co.
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