Miriam Malpartida - The Art of Architecture and Design by Miriam Malpartida

Miriam Jacobsen

Portfolio architecture + design Selected work 2010|2018

Cover. Horizon of a timeline

A W O C

RESUME

2020 As a designer, I find stimulation when my knowledge is Los Angeles, CA expanded through my exposure to different fields. 2020 GENSLER | Architectural Designer 1-818-461-4975 As a multi-cultural person, I can relate to • Initiated a research project titled “Global Sports as an Urban and adapt to almost any type of mimjacobsen@gmail.com Catalyst” to collaborate with leadership across different studios and firms. situation. I have shared tables • Mentored middle school students through Spark-LA for two years with a focus with NFL players, city mayors, Miriam Malpartida S. 2018 on community, homelessness, business, family and collaboration. influential professionals, Austin FC Stadium 2017 HKS | Achievements Austin FC Stadium - click for link travelers from around Tempe Event Center • Winning office remodel proposal. Austin, CA, USA the world as well as Oregon University Rowing Center • ACE mentor-ship coordinator and mentor. 27 acres, $260 million, Entertainment District with people from shanty towns and 2015 ARCHIPRIX| Selection and Participation 2019 WOODBURY UNIVERSITY | Architecture Thesis Adjunct Faculty remote villages. • World’s best graduation projects . • Co-taught degree project with another colleage. Involved in the design thinking and critical I consider every decision making of each student throughout their final studio design project. 2014 AIA HENRY ADAMS CERTIFICATE | Award person a teacher; • Certificate for excellence in the study of Architecture. a possibility that 2017 HKS ARCHITECTS | Architectural Designer FRANKEL DEGREE PROJECT | Award allows me to • Collaborated with design leaders at the LA and Dallas offices conceptualizing designs for venues in the U.S. and around the • Dean’s choice, best Degree Project. continue to world. Designed sports and entertainment venues, residential, mixed- use, and urban interventions. • Volunteered for ACE mentorship alongside other firms for Morningside high school students in Inglewood for two years. expand my JULIUS SHULMAN EMERGING TALENT | Award • Los Angeles Business Council. Winner team, 1st place. Sofi Stadium world-view. SoFi Stadium - click for link Sofi P. Venue & NFL Network Building Westfield Promenade 2035 Barcelona Stadium Jacksonville & Yankees W.B. Theme Park Facilities Wexford Research Lab

2014

Los Angeles, CA, USA

WOODBURY DWEL ON DESIGN | Exhibit

3.1 million sq ft, $5 billion, Entertainment District •

• Degree Project.

Developed exterior architecture sheets for construction documents in all design phases. Worked next to design leaders in regular client meetings to discuss and direct consultants.

THINKWELL GROUP | Showset Associate Designer

2012

• Publication and scholarship. 2011

2018

S 2014

ONE PACHA | Design trip Peru 6 month travel

1.65 million sq ft, $1 billion, Theme Park

SLO ARCHITECTURE | Summer Architectural Consultant

2018

2017

2013

WOODBURY UNIVERSITY | Tutor

2014

MAXI SPINA ARCHITECTS | Summer Research Assistant • Designed a publication for a fashion/architecture book. • Concept design for a terminal in Taiwan.

Revit Rhinoceros AutoCAD Sketchup 3DS Max Grasshopper Vray Photoshop Illustrator InDesign

Drawing Modeling Photography

2011

2018

2017

HKS | Fellowship Dallas, TX 3 month travel

Travel fellowship to work at other HKS locations.

WOODBURY UNIVERSITY | B.Arch. Los Angeles, CA Honors: Magna Cum Laude. GPA: 3.8

• Taught peers structures, physics, chemistry, calculus, algebra, drawing, 3D software, etc. 2012

FSA | Free School of Arch. Los Angeles, CA Free School of Architecture

• Concept design for Guggenheim Helsinki. Schematic design for an educational campus in Sacramento.

Self-initiated design travel

research conducted in Peru. Bio-construction, permaculture, textile and sculpture design, amongst others.

Warner Brothers Theme Park - click for link Yas Island, Abu Dhabi, UAE

AWA | Scholarship

• Women in Architecture.

• Worked together with theater designers, architects, and artists to develop 2D drawings and 3D visualization.

W.B. Theme Park

MAXINE FRANKEL AWARD | Scholarship

Poland Germany Netherlands

Argentina Mexico

Peru

V VIDEO

Click here

Study Abroad

UBA - Universidad de Buenos Aires URP - Universidad Ricardo Palma UNSAAC - Universidad de San Antonio Abad

El Salvador

Nicaragua

2010

VIII Mundaneum Encounter

GLENDALE COMMUNITY COLLEGE | General Studies Los Angeles, CA GPA: 4.0 2005

U.C.S.M.| Civil Engineering Arequipa, Peru GPA: 3.79

WORK EXPERIENCE

COMPETITIONS SCHOOL PROJECTS

Architectural Designer SoFi Stadium FC Barcelona Miscellaneous

4 8 10

Architectural Consultant Helsinki Guggenheim Competition

Research Assistant New Keelung Harbor Building Competition

2014

Julius Shulman Emerging Talent 1st Place Award Echo.Logic

2014

Degree Project - Best Degree Project, Archiprix Towards a Critical Globalism Germany Study Abroad Kultur.Ba(h)n Argentina Study Abroad - Submission Media.Cero - ACSA/AISC Steel competition Peru Study Abroad Reciprocal Layers Structures Studio Containing the Line Structures Studio Bifurcated Flow Program and Space Studio - Research grant Bi-polar Order Program and Space Studio - Research grant Archetypal Distortion

SELECTED HKS PROJECTS

2017

SELECTED SLO PROJECT

2014

SELECTED MSA PROJECT

2012

LOS ANGELES BUSINESS COUNCIL - GENSLER

SELECTED WOODBURY UNIVERSITY PROJECTS

2014 2013 2013 2012 2012 2011 2011

TRAVEL RESEARCH

Where I live

Los Angeles Where I was born

Peru

SELF-INITIATED DESIGN CREATIONS

2018

My Own Creations One Pacha - Design in travels

28 32 34 38 40 44 46 48

Los Angeles

Stadium at Hollywood Park WORK: HKS LOS ANGELES - DALLAS - ALL DESIGN PHASES 300 acres, $5 billion, Sport and Entertainment District

Developed exterior architecture sheets for construction documents in all design phases. Worked on all VIP entries, concessions, ramps, and column design. Participated in required weekly coordination with structural and MEP engineers. Assisted lead designer in regular client meetings to discuss design changes with landscape, lightning, and interior architects. All images are property of HKS. LINK

Click here

40 41

4.5

40.5

40.1

3 4

4.9

39.9

5.1

39.5

5.5

CONCESSION/ BAR

6 39

S-04 STAIR 16

VENDOR DEPOT

F-04

P-11

BEVERAGE PANTRY

WOMEN

CLUB KITCHEN

WOMEN

FAMILY

EAST MAIN CONCOURSE CLUB

CLUB BAR AREA

CLUB CONCESSION

OFFICE OFFICE

KITCHEN

FIRE STORAGE COMMAND

TOILET

MEN

TOILET

TE SECURITY

TRASH

STORAGE WOMEN

CONCESS

FAM

EVENTS SERVICES

JAN

KEG COOLER

FOOD SERVICE

RICCA DESIGN STUDIO 5325 S. VALENTIA WAY GREENWOOD VILLAGE

8.5

WOMEN

FOOD OPS AND ST

HOWARD AND SERGI 30 BLUE HERON LAND HARWICH MA 02645

ADA CONSULTANT

VB H.2

MEN

ACCESS BY DESIGN 12720 HILLCREST PLAZ DALLAS TX 75230

EXTERIOR LIGHTIN

LAM PARTNERS INC 84 SHERMAN ST CAMBRIDGE MA 02140

INTERIOR LIGHTIN

KAPLAN GEHRING MCC 249 WEST 34th ST, SUI NEW YORK NY 10001

? RETAIL

35.5

DAVID EVANS AND ASS 145 S. SPRING STREET LOS ANGELES CA 9001

RWDI CONSULTING EN 650 WOODLAWN ROAD GUELPH ONTARIO CAN

STORAGE

HENDERSON ENGINEE 8345 LENEXA DR, SUIT LENEXA KS 66214

CIVIL ENGINEER

WIND LOADING / P

CONCESSION

CONCESS

WALTER P. MOORE 11900 WEST OLYMPIC LOS ANGELES CA 9006

MEP / FP / TECH / S

HOWE ENGINEERS, IN 101 LONGWATER CR, S NORWALL MA 02061

VENDOR DEPOT

J.2

WALTER P. MOORE 221 WEST 6TH ST, SUI AUSTIN TX 78701

STRUCTURAL ENG

CODE / FIRE / LIFE

STAIR 14

36.5

WALTER P. MOORE 1845 WOODALL ROGE DALLAS TX 75201

STRUCTURAL ENG

WRIGHTSON, JOHNSO 3424 MID-COURT RD, S CARROLLTON TX 7500

EVENTS

STOR

MECH SHAFT

HKS, INC 10880 WILSHIRE BLVD LOS ANGELES CA 9002

STRUCTURAL ENG

BOWL A/V / BROAD

MEN

HKS, INC 350 N. ST. PAUL ST, SU DALLAS TX 75201

ARCHITECT - SHEL

MIA LEHRER & ASSOC 185 S. MYERS STREET LOS ANGELES CA 9003

7.5

MEN

WOMEN

ARCHITECT - BOW

LANDSCAPE ARCH

FIRST AID

AV/DATA FAM

EMPLOYEE CHECK-IN

F-01

WOMEN

JAN

FAM

FIRE PROTECTION SERVICE ENTRY

GUEST SERVICES

CLUB KITCHEN

TAH

TOILET AV/DATA

FAMILY

VIP LOBBY

MEN

ELEC.

J.2

GUEST SERVICES LOBBY TICKET OFFICE

6.5

ELEC.

STAIR 01

S-01

37.5

P-02 VIP LOBBY

STAIR 15

CONCESS / BAR

P-01

P-12

JAN

AHU

BEVERAGE PANTRY

MECH

GUEST SERVICES

38.5

ELECTRICAL ROOF DISTRIBUTION

COAT

NOT FOR CONSTRUCTION

9.5

H.2

CONCOURSE

34.1

10.9 11

34 33.9

11.1

32 SPONSORED CONCOURSE

BAR

P-14 BAR BOH

INTERIM 31.5

13.5

CLOSED CONCESSION KITCHEN

These documents

are released for in

are not intended f

permit, or constru

SCO Architect: Arch. Reg. No.: AN

Date: 05/25/201

BW KEY PLAN

VA BN

30.5

C J.2

BAR

AV/DATA

WOMEN

D WOMEN

MEN

FAM

FAM MEN

ELECTRICAL ROOF DISTRIBUTION

WOMEN WOMEN

S-03

F-03

MEN

28.5

J.2

ELEC. P-07 AV/DATA

CLUB CONCESSION

CLUB BAR AREA

WEST MAIN CONCOURSE CLUB

16 ELEC. ELECTRICAL ROOF DISTRIBUTION

REFLECTED CEILING PLAN GENERAL NOTES

S-02

AV/DATA F-02

ELEVATOR LOBBY

16.5

STAIR 05

1. 2.

STAIR 06

P-06

H.8

BEV PANTRY

P-05

P-04

H.8

AHU'S

MEN

CLUB KITCHEN

FAMILY

NW VIP LOBBY ENTRY

TEMPLATE VERSION: 2.6.7.20140608

F CLUB CLUB KITCHEN CONCESSION

FAM

STAIR 11 STAIR 10

5/25/2016 9:01:22 AM

FIRST AID

WOMEN

AV JAN

TRASH

JAN STAIR 31

JAN

STORAGE

15.5

FAM

PLOT DATE:

H.8

4. 5.

W2 27.5

17.5

27.1

17.9 26.9

26.5

18.5

26 25

WC WB

05 WA

W15

20 WA

W16

REVISION NO. DESCRIP

MEN

29.5

AHU

STO

CONCOURSE

FAM

CONCESS

STAIR 12 JAN

10 14.5

18.1 18

7. 8. 9. 10. 11. 12. 13. 14. 15.

ALL CEILINGS SHALL BE 9' - 0" ABOVE FINISH FLOOR, U.N.O. (COORDINATE WITH OWNERFURNISHED VENDOR DRAWINGS AND EQUIPMENT. IN THE CASE OF MINOR DISCREPANCIES BETWEEN MEP AND ARCHITECTURAL DOCUMENTS IN THE LOCATION OF CEILING MOUNTED COMPONENTS, THE ARCHITECTURAL REFLECTED CEILING PLAN SHALL GOVERN. IN THE CASE OF MAJOR DISCREPANCIES, THE ARCHITECT SHALL BE NOTIFIED AS SOON AS THE DISCREPANCY IS DISCOVERED PRIOR TO PROCEEDING WITH THE WORK. REFERENCE MECHANICAL AND ELECTRICAL DRAWINGS FOR MOUNTING LOCATIONS OF ITEMS WHERE NO CEILING IS REQUIRED OR INDICATED. LIGHTS, DIFFUSERS, EXIT SIGNS, SMOKE DETECTORS, SPEAKERS, STROBES AND MISCELLANEOUS DEVICES SHALL BE CENTERED IN THE CEILING TILE IN WHICH THEY OCCUR, U.N.O. ALL CORRIDOR SPRINKLER HEADS SHALL BE ALIGNED IN THE SAME LOCATION PARALLEL TO THE WALL WITHIN EACH SPECIFIC CEILING CONSTRUCTION. SPRINKLER HEADS SHOWN ON THIS SHEET ARE WHERE ARCHITECTURALLY SIGNIFICANT AND FOR DESIGN INTENT ONLY. ACCESS DOOR LOCATIONS IN GYPSUM BOARD CEILINGS ARE INDICATED ON RCP'S ONLY WHERE ARCHITECTURALLY SIGNIFICANT. REFERENCE SPECIFICATIONS AND MEP DRAWINGS FOR OTHER ACCESS DOOR LOCATIONS. EXIT SIGNS ARE SHOWN ON REFLECTED CEILING PLAN ONLY WHERE LOCATION IS ARCHITECTURALLY SIGNIFICANT. DIMENSIONS AT CUBICLE CURTAIN TRACKS ARE TO CENTER OF TRACK, TYP. ALL CUBICLE CURTAIN TRACKS MUST CLEAR DOOR SWINGS BY 3' MINIMUM. REFERENCE A0.10 FOR CEILING SYMBOL LEGEND. REFERENCE A3.03 FOR CONTROL JOINT DETAILS. REFERENCE A3.06 FOR EXPANSION JOINT TYPES AND DETAILS. REFERENCE A3.08 & A3.09 FOR METAL FABRICATION DETAILS. REFERENCE A8.300 SERIES FOR ELEVATOR CAB REFLECTED CEILING PLANS. REFERENCE A4.8001 & A4.8002 FOR TYPICAL CEILING DETAILS.

01 OVERALL MAIN CONCOURSE LEVEL RCP 1/32" = 1'-0"

W14

W6 WB W7

W13

HKS PROJECT NUM

18300.00 DATE

MAY 25, ISSUE

65% CON DOCUME SHEET TITLE

MAIN CO LEVEL SHEET NO.

A4.0

WA W12

3/4" THICK TEMPERED GLASS GUARDRAIL4' LONG SEGMENTS

1/4" DIAM. STAINLESS STEEL CABLE; 3" SPACING AT TOP AND INCREMENTALLY DECREASING SPACING TO 1" AT BOTTOM- SEE 5/ A6.921

ARCHITECT - SHELL / ROOF HKS, INC 10880 WILSHIRE BLVD, SUITE 1850 LOS ANGELES CA 90024

STRUCTURAL ENGINEER - BOWL WALTER P. MOORE 1845 WOODALL ROGERS FWY, SUITE 1650 DALLAS TX 75201

STRUCTURAL ENGINEER - FACADE

FASCIA MOUNTED ALUMINUM GLASS GUARDRAIL SHOE- 4' LONG SEGMENTS

5/8

HENDERSON ENGINEERS INC. 8345 LENEXA DR, SUITE 300 LENEXA KS 66214

A6.921/ 05

CONTINUOUS LIFELINE FALL PROTECTION SYSTEM- SEE 02/ A6.951

1/2" X 6" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE

WALTER P. MOORE 11900 WEST OLYMPIC, SUITE 750 LOS ANGELES CA 90064

MEP / FP / TECH / SECURITY

1/2" X APPROX/ 4" CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED AT 4' INTERVALS. DOUBLE POST EVERY 50' AT STEEL CABLE TERMINATION 3' - 6"

CONCOURSE EDGE STEEL ANGLE PER STRUCTURESEGMENTED IN PLAN IN 4' GLASS GUARDRAIL SHOE INCREMENTS

WALTER P. MOORE 221 WEST 6TH ST, SUITE 800 AUSTIN TX 78701

3' - 6"

STRUCTURAL ENGINEER - SHELL

PLANTER IRRIGATION- SEE LANDSCAPE 1/4"

CIVIL ENGINEER

CORE AND GROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR TO MATCH CONCRETE

2-TIERED PLANTER DRAIN- SEE MEP

10 1/2"

4" TALL X 10 1/2" WIDE CONCRETE CURB WITH CHAMFER CORNERS.

6" SOIL ON DRAINAGE MAT, INSULATION, AND WATERPROOF MEMBRANE- SIMILAR TO HYDROTECH EXTENSIVE GARDEN ROOF ASSEMBLY 2"

MIA LEHRER & ASSOCIATES 185 S. MYERS STREET LOS ANGELES CA 90033

A6.951/ 09 4"

BOWL A/V / BROADCAST

WRIGHTSON, JOHNSON, HADDON & WILLIAMS, INC. 3424 MID-COURT RD, SUITE 124 CARROLLTON TX 75006

A6.961/ 03

° 77

LANDSCAPE- SEE LANDSCAPE

DAVID EVANS AND ASSOCIATES, INC. 145 S. SPRING STREET, SUITE 120 LOS ANGELES CA 90012

LANDSCAPE ARCHITECT

07 MTL PANEL CEILING - SEE SHEET A4.500 FOR MORE INFORMATION

1/2" X 6" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE

HKS, INC 350 N. ST. PAUL ST, SUITE 100 DALLAS TX 75201

50°

TOP OF PARAPET, TOP OF GLASS, SOFFITS, SOFFIT HEIGHTS, SOFFIT DEPTHS, AND TOP AND BOTTOM OF PLASTER "PEELS" ARE CONTINUALLY SLOPING AND CHANGING IN ELEVATION. REFER TO 3D MODEL FOR DIMENSIONAL INFORMATION.

1/2" X 3/4" CONT. STAINLESS STEEL CAP

ARCHITECT - BOWL / INTERIOR / BRAND

1 1/2 "

METAL STUDS SHOWN ARE DIAGRAMMATIC. REFER TO METAL STUD FRAMING DWGS FOR ACTUAL STUD SIZE, GAUGE, AND LOCATION.

NOT FOR CONSTRUCTION

08 - UPPER CONCOURSE 238' - 3"

A6.933/ 03

CODE / FIRE / LIFE SAFETY HOWE ENGINEERS, INC 101 LONGWATER CR, SUITE 203 NORWALL MA 02061

A6.951/ 13

WIND LOADING / PATRON COMFORT RWDI CONSULTING ENGINEERS 650 WOODLAWN ROAD W GUELPH ONTARIO CANANDA N1K1B8

CUSTOM SHAPED METAL PANEL FASCIA PTD WHITE- REFERENCE 07 CEILING 3D DIGITAL MODEL

FOOD SERVICE

RICCA DESIGN STUDIOS 5325 S. VALENTIA WAY GREENWOOD VILLAGE CO 80111

A6.951/ 07

A6.951/ 13

FOOD OPS AND STRATEGY 07 - UPPER SUITE 220' - 8 1/2"

HOWARD AND SERGI 30 BLUE HERON LANDING HARWICH MA 02645

2 1/2" METAL STUD FRAMING TO SUPPORT METAL PANEL

1/4" DIAM. STAINLESS STEEL CABLE; 3" SPACING AT TOP AND INCREMENTALLY DECREASING SPACING TO 1" AT BOTTOM- SEE 5/ A6.921

ADA CONSULTANT

ACCESS BY DESIGN 12720 HILLCREST PLAZA DR, SUITE 580 DALLAS TX 75230

CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE STRUCTURE

EXTERIOR LIGHTING DESIGN LAM PARTNERS INC 84 SHERMAN ST CAMBRIDGE MA 02140

CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE STRUCTURE

2 1/2" METAL STUD FRAMING TO SUPPORT SHEATHING AND PLASTER 3"

A6.931/ 20

INTERIOR LIGHTING DESIGN

LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN PLAN

KAPLAN GEHRING MCCARROLL 249 WEST 34th ST, SUITE 707 NEW YORK NY 10001

NOTE: REFER TO LIME CONCRETE PLASTER SYSTEM COMPONENTS DETAIL FOR TYPICAL LIME CONCRETE PLASTER SYSTEM COMPONENTS.

LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN PLAN

04 CANYON GLASS GUARDRAIL AT PLANTER

GS01 SEE A6.96 SERIES SHEETS

02 08 CONCOURSE GUARDRAIL

1 1/2" = 1'-0"

A6.951/ 09

A6.951/ 13

1/2" X 3/4" CONT. STAINLESS STEEL CAP

1/2" X 6" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE

3/4" THICK TEMPERED GLASS GUARDRAIL4' LONG SEGMENTS

1/4" DIAM. STAINLESS STEEL CABLE; 3" SPACING AT TOP AND INCREMENTALLY DECREASING SPACING TO 1" AT BOTTOM- SEE 5/ A6.921

06 - MAIN CONCOURSE 207' - 2 1/2"

2 3/4"

1/2" X APPROX. 4" CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED AT 4' INTERVALS. DOUBLE POST EVERY 50' AT STEEL CABLE TERMINATION

A6.931/ 20

INTERIM REVIEW ONLY are released for interim review only and permit, or construction purposes. Architect: SCOTT HUNTER Arch. Reg. No.: C-27194

3' - 6"

2 1/2"

are not intended for regulatory approval,

1/2" X APPROX/ 4" CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED AT 4' INTERVALS. DOUBLE POST EVERY 50' AT STEEL CABLE TERMINATION

3' - 6"

These documents are incomplete, and

A6.921/ 05

Date: 05/25/2016

CORE AND GROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR TO MATCH CONCRETE

2 1/4"

KEY PLAN

4" TALL X 10 1/2" WIDE CONCRETE CURB WITH CHAMFER CORNERS.

10 1/2"

° 77

FASCIA MOUNTED ALUMINUM GLASS GUARDRAIL SHOE- 4' LONG SEGMENTS

1 3/4"

1/4" STEEL PLATE- VARYING WIDTHS- RECONCILES PLASTER CURVE WITH GLASS GUARDRAIL SEGMENTATION

CORE AND GROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR TO MATCH CONCRETE

2 1/2" METAL STUD FRAMING TO SUPPORT SHEATHING AND PLASTER 2 1/2" METAL STUD FRAMING TO SUPPORT METAL PANEL

1/8" 1"

4" TALL X 10" WIDE CONCRETE CURB WITH CHAMFER CORNERS.

18300.000

4 1/2"

HKS PROJECT NUMBER

LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN PLAN

DATE

MAY 25, 2016

NOTE: REFER TO LIME CONCRETE PLASTER SYSTEM COMPONENTS DETAIL FOR TYPICAL LIME CONCRETE PLASTER SYSTEM COMPONENTS.

TEMPLATE VERSION: 2.6.8.20141012

ISSUE

05 - MID-UPPER SUITE 185' - 0"

1/2" = 1'-0"

5/24/2016 2:14:11 PM

65% CONSTRUCTION DOCUMENTS

1' - 0"

SHEET TITLE

VIP - WALL SECTIONS 4"

2 1/2"

LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN PLAN

SHEET NO.

PLOT DATE:

WALL SECTION

CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE STRUCTURE

A6.931/ 11

3' - 3"

10 1/2"

° 77

1 1/4"

1 1/2"

LIME PLASTER SYSTEM ON MTL STUD

METAL PANEL FASCIA PAINTED WHITE

CONCOURSE EDGE STEEL ANGLE PER STRUCTURESEGMENTED IN PLAN IN 4' GLASS GUARDRAIL SHOE INCREMENTS

DATE

3' - 10"

REVISION NO. DESCRIPTION

A6.201 05 GUARDRAIL POST DETAIL AT CONCOURSE 6" = 1'-0"

03 CANYON GLASS GUARDRAIL 1 1/2" = 1'-0"

01 07 CONCOURSE GUARDRAIL 1 1/2" = 1'-0"

A5.203 / 04

A5.203 / 06

NOT FOR CONSTRUCTION

ELEVATIONS ARE FOR REFERENCE ONLY. SURFACES THAT APPEAR FLAT ON PAPER ARE CURVING AND SLOPING IN REALITY. REFER TO 3D DIGITAL MODEL FOR DIMENSIONAL INFORMATION. ALL SURFACES LIME CONCRETE PLASTER U.N.O.

ARCHITECT - BOWL / INTERIOR / BRAND HKS, INC 350 N. ST. PAUL ST, SUITE 100 DALLAS TX 75201

ARCHITECT - SHELL / ROOF HKS, INC 10880 WILSHIRE BLVD, SUITE 1850 LOS ANGELES CA 90024

STRUCTURAL ENGINEER - BOWL WALTER P. MOORE 1845 WOODALL ROGERS FWY, SUITE 1650 DALLAS TX 75201

STRUCTURAL ENGINEER - SHELL WALTER P. MOORE 221 WEST 6TH ST, SUITE 800 AUSTIN TX 78701

STRUCTURAL ENGINEER - FACADE WALTER P. MOORE 11900 WEST OLYMPIC, SUITE 750 LOS ANGELES CA 90064

MEP / FP / TECH / SECURITY HENDERSON ENGINEERS INC. 8345 LENEXA DR, SUITE 300 LENEXA KS 66214

CIVIL ENGINEER

DAVID EVANS AND ASSOCIATES, INC. 145 S. SPRING STREET, SUITE 120 LOS ANGELES CA 90012

LANDSCAPE ARCHITECT MIA LEHRER & ASSOCIATES 185 S. MYERS STREET LOS ANGELES CA 90033

BOWL A/V / BROADCAST

WRIGHTSON, JOHNSON, HADDON & WILLIAMS, INC. 3424 MID-COURT RD, SUITE 124 CARROLLTON TX 75006

A5.204 / 14

CODE / FIRE / LIFE SAFETY HOWE ENGINEERS, INC 101 LONGWATER CR, SUITE 203 NORWALL MA 02061

A5.204 / 08

A5.204 / 13

A5.203 / 07

WIND LOADING / PATRON COMFORT RWDI CONSULTING ENGINEERS 650 WOODLAWN ROAD W GUELPH ONTARIO CANANDA N1K1B8

FOOD SERVICE

A5.204 / 12

RICCA DESIGN STUDIOS 5325 S. VALENTIA WAY GREENWOOD VILLAGE CO 80111

A5.204 / 09

A5.204 / 08 A5.204 / 10

A5.204 / 11

09 SOUTHWEST VIP AXONOMETRIC

FOOD OPS AND STRATEGY HOWARD AND SERGI 30 BLUE HERON LANDING HARWICH MA 02645

ADA CONSULTANT

08 SOUTHWEST VIP AXONOMETRIC

ACCESS BY DESIGN 12720 HILLCREST PLAZA DR, SUITE 580 DALLAS TX 75230

EXTERIOR LIGHTING DESIGN LAM PARTNERS INC 84 SHERMAN ST CAMBRIDGE MA 02140

INTERIOR LIGHTING DESIGN KAPLAN GEHRING MCCARROLL 249 WEST 34th ST, SUITE 707 NEW YORK NY 10001

A6.201

A6.203

07 MTL PANEL CEILING - SEE SHEET A4.500 FOR MORE INFORMATION

07 - UPPER SUITE 220' - 8 1/2"

06 - MAIN CONCOURSE 207' - 2 1/2"

02 0307

INTERIM REVIEW ONLY These documents are incomplete, and are released for interim review only and are not intended for regulatory approval, permit, or construction purposes. Architect: SCOTT HUNTER Arch. Reg. No.: C-27194

05 - MID-UPPER SUITE 185' - 0"

Date: 05/25/2016

07 SOUTHWEST VIP 07

KEY PLAN

1/8" = 1'-0"

15.5

03 A6.203

02 0306

REVISION NO. DESCRIPTION

02 0304 06 - MAIN CONCOURSE 207' - 2 1/2"

DATE

06 - MAIN CONCOURSE 207' - 2 1/2"

06 SOUTHWEST VIP 06

04 SOUTHWEST VIP 04

1/8" = 1'-0"

A6.204

02 0303

02 0302

02 0301

PLOT DATE:

DATE

GUARDRAIL IN FRONT

MAY 25, 2016 ISSUE

05 - MID-UPPER SUITE 185' - 0"

65% CONSTRUCTION DOCUMENTS

05 - MID-UPPER SUITE 185' - 0"

SHEET TITLE

SOUTHWEST VIP ENTRY- ELEVATIONS

5/24/2016 12:22:55 PM

South West VIP entry

TEMPLATE VERSION: 2.6.8.20141012

HKS PROJECT NUMBER

18300.000

02 0305

05 SOUTHWEST VIP 05

03 SOUTHWEST VIP 03

1/8" = 1'-0"

01 SOUTHWEST VIP 01

02 SOUTHWEST VIP 02

1/8" = 1'-0"

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NOT FOR CONSTRUCTION

ARCHITECT - BOWL / INTERIOR / BRAND HKS, INC 350 N. ST. PAUL ST, SUITE 100 DALLAS TX 75201

ARCHITECT - SHELL / ROOF HKS, INC 10880 WILSHIRE BLVD, SUITE 1850 LOS ANGELES CA 90024

STRUCTURAL ENGINEER - BOWL WALTER P. MOORE 1845 WOODALL ROGERS FWY, SUITE 1650 DALLAS TX 75201

STRUCTURAL ENGINEER - SHELL WALTER P. MOORE 221 WEST 6TH ST, SUITE 800 AUSTIN TX 78701

STRUCTURAL ENGINEER - FACADE WALTER P. MOORE 11900 WEST OLYMPIC, SUITE 750 LOS ANGELES CA 90064

MEP / FP / TECH / SECURITY HENDERSON ENGINEERS INC. 8345 LENEXA DR, SUITE 300 LENEXA KS 66214

CIVIL ENGINEER

DAVID EVANS AND ASSOCIATES, INC. 145 S. SPRING STREET, SUITE 120 LOS ANGELES CA 90012

LANDSCAPE ARCHITECT MIA LEHRER & ASSOCIATES 185 S. MYERS STREET LOS ANGELES CA 90033

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BOWL A/V / BROADCAST

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WRIGHTSON, JOHNSON, HADDON & WILLIAMS, INC. 3424 MID-COURT RD, SUITE 124 CARROLLTON TX 75006

06 - MAIN CONCOURSE 207' - 2 1/2"

CODE / FIRE / LIFE SAFETY HOWE ENGINEERS, INC 101 LONGWATER CR, SUITE 203 NORWALL MA 02061

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WIND LOADING / PATRON COMFORT

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RWDI CONSULTING ENGINEERS 650 WOODLAWN ROAD W GUELPH ONTARIO CANANDA N1K1B8

FOOD SERVICE

RICCA DESIGN STUDIOS 5325 S. VALENTIA WAY GREENWOOD VILLAGE CO 80111

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FOOD OPS AND STRATEGY HOWARD AND SERGI 30 BLUE HERON LANDING HARWICH MA 02645

ADA CONSULTANT

SIM

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ACCESS BY DESIGN 12720 HILLCREST PLAZA DR, SUITE 580 DALLAS TX 75230

EXTERIOR LIGHTING DESIGN LAM PARTNERS INC 84 SHERMAN ST CAMBRIDGE MA 02140

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INTERIOR LIGHTING DESIGN KAPLAN GEHRING MCCARROLL 249 WEST 34th ST, SUITE 707 NEW YORK NY 10001

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A6.203

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A6.202 07 MTL PANEL CEILING - SEE SHEET A4.500 FOR MORE INFORMATION

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02 0104

02 0105

GLASS GUARDRAIL (REMOVED FOR CLARITY)

INTERIM REVIEW ONLY These documents are incomplete, and

06 - MAIN CONCOURSE 207' - 2 1/2"

are released for interim review only and are not intended for regulatory approval, permit, or construction purposes. Architect: SCOTT HUNTER Arch. Reg. No.: C-27194 Date: 05/25/2016

RETAINING WALL FOR SEISMIC SEPARATION REFER TO STRUCTURAL DWGS.

KEY PLAN

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REVISION NO. DESCRIPTION

DATE

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PLOT DATE:

5/24/2016 12:22:21 PM

TEMPLATE VERSION: 2.6.8.20141012

North east VIP entries

07 - UPPER SUITE 220' - 8 1/2"

06 - MAIN CONCOURSE 207' - 2 1/2"

HKS PROJECT NUMBER

18300.000 DATE

MAY 25, 2016 ISSUE

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65% CONSTRUCTION DOCUMENTS SHEET TITLE

NORTHEAST VIP ENTRY- ELEVATIONS SHEET NO.

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FC Barcelona

Stadium Competition WORK: HKS LOS ANGELES - DALLAS - LONDON 2ND PLACE

Worked on a concept proposal for the renovation of the FC Barcelona Stadium together with designers and architects from different HKS offices.

1. Ameba Concept

AMEBA CONCEPT

Ameba concept as a dichotomy to the circumscribed nature of the circle. Overreaches, uncircumscribed.

2. Ameba on site

3. Ameba responding to context

4. Ameba as dynamic element 8

Main design tasks were to focus on the proposed elevated plinth, which contained a tower museum as well as all the other support program for the renovated stadium.

Museum tower

Elevated plinth

Miscellaneous Physical models

A A - LASED stadium concesion study

NFL Network concept design

B - Jacksonville stadium addition study

C - Jacksonville stadium addition study

LASED Performance venue concept design

Exterior for a lobby renovation in Beverly Hills

Westfield Promenade 2035

Proposal for an office renovation in Beverly Hills

This spread shows some other design examples done at HKS. From "Sports and Entertainment", to "Corporate". Different techniques and methods of exploring and representation were embedded in the design process, from concept diagramming to physical modelling and rendering.

FROM CONCEPT PROPOSALS... I got to develop and present many concept proposals. The scale of the proposals varied from the renovation of the interior of our LA office to massive developments for Amazon and Westfield.

Concept sketch for Amazon Headquarters in Dallas

Concept sketch of office addition in LA

LA office design charrette

Concept sketch for modular container housing in Dallas

Concept sketch for a multi-use development in LA 13

...TO URBAN SCALE EXPLORATIONS Most projects required urban studies in order to respond to site forces. Due to the scale of some of the Sports and Entertainment projects, movement and programming diagrams helped the project pieces fall into place, thus estimating behaviour for day and night-time use as well as game day and non-game day use.

FROM GRAPHIC DESIGN... Re-branding exercise. Marketing exercise through proposal for business cards.

...TO ACE MENTORSHIP Teaching high school students from Morningside Inglewood for two years in a row, reinforced my love for teaching. To discover young talent while exposing students to high-class design was one of the most rewarding experiences I had at HKS. My time at HKS allowed me to reach my highest potential as a designer and professional. I didn't only acquired new skills, but the ones I already had got potentiated. ACE 2016. Linking the Village

ACE 2017. Mapping the future

Cover of the final book. Mapping The Future

LI WEN - GENSLER, LEE PASTERIS - GENSLER

WINNER TEAM

V VIDEO

Click here

The time I spent in school

LINK

Click here

Self-initiated travel research and design

One Pacha

Design in travels

BIO-CONSTRUCTION, PERMACULTURE, ARCHITECTURE, TEXTILE DESIGN, CLOTHING DESIGN, SCULPTURE DESIGN, FABRIC DESIGN.

List of visited places Arequipa Ayacucho Cajamarca Chavin Chiclayo Cuzco Huanchaco Huaraz Ica Lunahuana Pisco Trujillo San Andres Socota

A day in class. Lunahuana

The Quechua word â&#x20AC;&#x153;pachaâ&#x20AC;? doesnâ&#x20AC;&#x2122;t have a direct translation to English, it is instead a bringing together of three of our concepts, an integration of space, time, and consciousness. One Pacha is a self-initiated research project which pushed me to travel to the country where I was born in, Peru. I spent some time in familiar places as most of my time was spent in places I had never been to before. Being embedded in the culture were I was born after 11 years of distance, didn't only allow many aspects of myself which were forgotten to flourish again, it also allowed me to experience life from a different perspective and potentiate my skills as a designer and creator. During my stay in different regions of Peru I got to learn bio-construction, permaculture, and diverse design techniques. I also proposed building designs to people from different regions, and got to work with many artisans to create textiles, clothing, sculptures and fabric patterns. One Pacha is the places I visited, the time I spent in each of those places, the people I met, and all my creations documented for everyone to see.

Parking Concept drivers

Stable

Outdoor School

Hanging Bridge Restaurant

Planting Area

Admin - Storage

Orchard Volunteerâ&#x20AC;&#x2122;s House

Bike trail Food Forest Private Bungalows

Mixing Pond Classroom

Rock Climbing Area

Camping Area

AREQUIPA | BIO-CONSTRUCTION

"When your laptop breaks down... My trip began with a surprise - my laptop broke down. At first, I was disappointed as I thought to have my laptop was critical. At the moment my set of creative tools consisted of two sketchbooks and a few pens, to which I added colour pencils. I got involved in a 20 hectares mixed-use bio-construction project. Bio-construction aims to use materials found in nature, such as adobe, stone, wood, cane, willow, earth and roots. In Peru, almost half of the houses are built with adobe, these are mainly in rural areas. I volunteered for a part of the shower area construction, learned about different types of bamboo weaving, how to pour foundations, and came up with a concept proposal for the whole site. The river dissects the site in two halves, allowing for different activities and types of tourism to occur throughout. The river, as circulation and a mass element, behaves as an artery. The bike trail as the main organizational artery on the site, organizes program and activities around it. Opposite page. River as an artery. Colour pencils and pen. 55

Camping Area

Adobe House

Orchard Golpa Garden

Camping Area

Aviary

Recreation Room

Room Room 56

Dining Room Kitchen

LUNAHUANA | SOCIAL PERMACULTURE

...you can mix adobe and plant food" The opportunity presented itself to go Tierra Langla, an ecological village in Lunahuana, to take a Social Permaculture certification course. Lunahuana is located 2 hours from Lima, Peru, city were I was born in, and it is known for its adventure sports attracting many travellers year-round. I learned about what it implies to run a community which aims to be autonomous through permaculture design systems, principles inspired in the patterns found in natural ecosystems. Tierra Langla allowed me to see how differently people decide to live their lifes. I planted vegetables in the orchard, mixed adobe, and met many new friends. The connection I had to the earth was a reminder of the hours I spent playing with the mud as a child, building mini-cities and mini-houses for bugs to be in; my first attempt at being an architect.

Opposite page. Luna memory. Colour pencils and pen. 57

SOCOTA | MEMORY OF A PLACE

...you can draw a feeling" Socota is a high-jungle small town in the Cajamarca province, north of Peru. To arrive to the town one must pass through Cutervo, a highland town, on a 40-minute dirt road drive. Once a year its people hold the Candelaria fair, a week-long celebration showcasing their traditions and culture. All of town and people from around gather for the occasion. Spaniard conquistadors didn't only impose Spanish as the main language in Peru back in the 16th century. Bullfighting, a main event of the fair, is an imposed tradition which inhabitants have made their own over the years. The San Antonio mountain is regarded by the locals as the apu who takes care of its people. Apu is the quechua word for â&#x20AC;&#x153;mountain godâ&#x20AC;?, and as the caretaker of the town, it sees it all. San Antonio's tears bring life to the town during the event, yet it hurts. Its tears are a reminder of inherited traditions yearning to evolve, and of place juxtaposing culture. The sky joins the mountain god with grey clouds. Opposite page. Place juxtaposes culture. Colour pencils and pen. 59

Pilco Ecolodge Plan

Events Kitchen Suites

Cafeteria Bridge Pucquio Hotel Entry

Recreation Room

Section

Cabins 60

SOCOTA | THREADS

...you can learn about almost forgotten techniques" After spending a couple of weeks in Socota socializing with the locals, I designed a textile with Lindomira, a farmer from a close by village called Pucquio, quechua for “water eye”, using a preinca weaving technique called callua. This ancient technology allows women to create ponchos and blankets, amongst others, to dress and warm their families. Lindomira's weavers generation is probably the last one to use this method as most children and teenagers are migrating to Lima for professional studies and to find better opportunities to support their families. From textiles to architecture, I was concurrently working with the family I stayed with in developing a concept for an eco-hotel, cafeteria, restaurant, and bakery. The project threads a major attraction in the area, Pilco waterfalls, with the Pucquio town through the use of water. Adapted to culture and context, inspired in colours and experiences; Pilco Ecolodge threads the town’s character into itself, for its guests, and for the rest of the town. Opposite page. Pucquio is life. Colour pencils and pen. 61

Pilco Ecolodge

SOCOTA | TURNING POINT

...you can capture a city's soul" Pilco Ecolodge was the perfect excuse for me to capture in a drawing some of the everyday moments of the place that became my home for over a month. Mototaxis playing loud music, kids playing on the street, alive chicken transactions at your doorstep, farmers discussing their harvest, that 5:00pm every-day bakery smell; my time in Socota was coming to an end. The Virgen de la Candelaria celebration marked the beginning of my time in Socota, and while I had planned on staying in town for only a week, I ended up staying for a month. Chalin and his family made my time the most enjoyable, I cannot thank them enough for showing me a part of the world which has been forgotten yet has much to offer. I left with many friends, fantastic learning experiences, and breathtaking landscapes.

Opposite page. Home. Colour pencils and pen. 63

CAJAMARCA | SCULPTURE DESIGN

...you can create something you never thought you would" Some time spent in Cajamarcaâ&#x20AC;&#x2122;s carnival began to shift the focus of my creations. Inspired by the celebration, I started designing sculptures, as well as plates and utensils. I kept finding so much richness in what the locals knew about their land and what it gives them. At the same time, I got concerned with the fact that much of that knowledge is getting lost through generations. Huambocancha, also known as the Flintstones town, has gained its name because of Rodolfo and his family. Rodolfo, 72 years-old, has been a stone sculptor since he was 7 years-old; his father taught him everything he knows. Rodolfo was kind enough to invite me to stay with him. One day, I was helping his wife harvest potatoes; as I looked at her, she reminded me of a conversation I had with a farmer about how they meditate while sowing seeds, "productive meditation," he said. I knew what I had to do, I asked Rodolfo to help me create something not done before, a native Peruvian woman meditating following eastern models. The sculpture is the merging of two worlds into one. It is access to information and knowledge, it is the meeting of tradition and technology. Opposite page. West meets East. Colour pencils and pen. 65

LIMA | APUNCHOS

...you can translate drawings into clothing" I had never met a woman with skills as Teresa had. She can crochet without even looking, her hands have memorized the movements as she has been crocheting her whole life, since she was a child. Due to life circumstances, she had to stop studying - what once was a hobby is now her career. So far, I had learned some fundamentals about Andean Cosmovision which emphasizes placing nature at the centre of decision making and life; a concept I was learning through my everyday experience. My love for the mountains together with an understanding of the apu concept, inspired me to create Apunchos. Apus turned into ponchos, ourselves as the mountain eye, ourselves in the mountain. Apunchos are both a poncho and a blanket. So far I've designed 4 ponchos featuring 2 different kinds and techniques for each. San Antonio, Socota's apu, and Misti - the main volcano in Arequipa. Opposite page. San Antonio meets Misti. Colour pencils and pen. 67

AYACUCHO | CREATING CONTRASTS

...you can draw with chalk" After seeing the north coast and arriving back to Lima, I went to a photograph exhibit about the place which birthed terrorism in the 80's, Ayacucho. The images were very raw and real; I wondered, how is it possible that I was never fully educated in the matter? I had to go. I arrived to Huamanga - Ayacucho in Holy Week, the biggest Holiday of the city, and ended up staying for a month over at Ciriaco's and Victoria; a couple of well-known artisans from the area who use ancient weaving techniques as well as natural dye in their fabrics. Ayacucho is not only known for its dark past, but it's also known for having the most artisans in the country. The contrast between its past and desired future, its sunsets and architecture, its people and place, inspired me to design abstract drawings which talk about such dichotomies. The drawings were used as a guide for local embroiderers to bring to life. The different designs later became a part of a national exhibition of artisans in which Ciriaco participated in. Opposite page. Embroidered dichotomies. Photograph. 69

HUARAZ | NEW DIRECTION

...you can link with people" Huaraz was the last destination in Peru. So far, I had worked with traditional Peruvian artisans, but Huaraz allowed me to work with and share with contemporary traveller artisans. Travelers from different countries of South America are drawn to Peru for its rich culture and welcoming people, while on the road, they get inspired by everything they encounter turning it into art. Two hours away from Huaraz lies Chavin, an ancient pre-inca town considered to be the most important spiritual centre of its era. The energy of the town is very particular, as if it is frozen in time. Different types of alternative medicine are explored in the area by foreign therapists who are opening up treatment spaces in town. While in Chavin, I worked for a proposal of an Introspection Centre for a local land-owner inspired in the cactuses found in the landscape. The cactus was considered to be sacred medicine, a spiritual bridge to other dimensions. The cactus now becomes a link between the physical and the spiritual, between the times, creating space to reflect. Opposite page. Reflection. Colour pencils and pen. 71

DrawARY "Water and earth as a common thread, defining my path along the way. Eyes embedded in my creations, it was only a reflection of my selfobservation." I embarked on this trip not fully anticipating all the knowledge it would bring. What I perceived as a misfortune at first (my laptop breaking), ended up being a fantastic catalyst for an exploration of all kinds. Fully relying on drawing and documenting my trip by hand, felt strange but right at the same time. My main canvas, an accordiontype sketchbook, allowed me to thread living experiences in my "drawary" - drawing as a diary. All the designs I created while on this trip were fully self-initiated. Introspection centres, textiles, sculptures, etc; all of it enhanced my outlook on the world as well as that of myself, as a person and designer. This trip put me completely out of my comfort zone, it taught me how to start projects, how to relate to people from very different backgrounds, but most importantly to believe in myself. I want to thank all the people I met during and before my trip, it wouldn't have been possible without you. One Pacha will be alive as long as someone can be inspired from this experience, re-defining itself, open to growth, to questioning, to change.

Some of the artisans I met and worked with.