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This portfolio is dedicated to my family, mentors, students, and friends. Esteportfolioestadedicadoamifamilia,mentores,estudiantesyamistades.
Thank you. Gracias
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I have shared tables with NFL players, city mayors, influential professionals, travelers from around the world; as well as with people from shanty towns and remote villages. I consider every person a teacher; a possibility that allows me to continue to expand my world view as well as gratitude for life.
Los Angeles, miriam.malpart@gmail.comCA
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As a multi-cultural educator, I can relate to and adapt to almost any type of situation.
As a creator, I find growth when my knowledge is expanded through exposure to different fields and situations.
PART I DESIGN | Sports and Competitions.Entertainment.ArtandMusicSchoolCommercialandUrbanGuggenheimMuseumTerminalProposalMusicStudios. STRUERE: 2020. Los Angeles, CA. HKS: 2015 - 2017. Los Angeles, CA. SWIFT LEE: 2014. Los Angeles, CA. MAXI SPINA ARCHITECTS: 2012. Los Angeles, CA. MALPART Design: 2021 - Present. Los Angeles, CA. HKS: 2015 - 2017. Los Angeles, CA. GENSLER: 2018 - 2020. Los Angeles, CA.
SoFi StadiumLos Angeles All images are property of HKS Architects.
21 WORK: HKS LOS ANGELES - DALLAS SCHEMATIC DESIGN TO CONSTRUCTION DOCUMENTS 300 acres, $5 billion, Sports and Entertainment District Developed exterior architecture sheets for construction documents in all design phases. Worked on all VIP entries, concessions, ramps, and column design. Participated in required weekly coordination with structural and MEP engineers. Assisted lead designer in regular client meetings to discuss design changes with landscape, lightning, and interior architects. All images are property of HKS Inc. SoFi StadiumLos Angeles LINK Click here 10 5.5 43 42 41 38 39 13 14 15 16 17 24 25 26 33 30 29 28 7.5 8.5 17.5 16.5 15.5 14.5 27.5 28.5 29.5 30.5 39.5 38.5 37.5 36.5 4.940.139.940 18 18.1 17.9 26.927.127 33.934.1 18.54.540.526.5 10.911.113.59.531.535.5 BWBEBNBNAE BW EMPLOYEECHECK-IN VIP LOBBY CONCOURSE WOMEN MEN WEST CONCOURSEMAINCLUB EAST CONCOURSEMAINCLUB CONCESSION AV/DATA ELEC. AV/DATA ELEC. AV/DATAELEC. CONCOURSE CONCOURSESPONSORED ELEC. AV/DATA WOMEN MENWOMEN WOMEN MEN PROTECTIONFIRESERVICEENTRY LOBBY ELEVATORLOBBY MEN NW LOBBYVIPENTRY WOMEN CONCESSBAR CONCESSIONCLUB CLUBAREABAR KITCHENCLUB CLUBAREABAR TRASH KITCHENCLUB MEN WOMEN BEV PANTRY WOMEN MEN AV BEVERAGEPANTRY WOMENMEN KITCHENCLUBKITCHENCLUB CONCESS MECH CONCESS AV FAMILY BEVERAGEPANTRY DISTRIBUTIONELECTRICALROOF DISTRIBUTIONELECTRICALROOF DISTRIBUTIONELECTRICALROOF 040302 0506 0807 1516 121314110910 01 FIRST FAMCONCESSIONCONCESSIONCLUBCLUBCONCESSIONCLUB KITCHENCLOSEDAHU'STOILETAN AE AS AW AW AS VC V2 H.2 H.2 H.8 H.8 H.8 H.8 J.2 J.2 J.2 SECURITY OFFICECOMMANDFIRESTORAGETOILETOFFICE SERVICESGUESTLOBBYTICKETOFFICETOILET MEN WOMEN FAM MEN JAN STORAGE FAMILYWOMEN MEN FAMJANTRASH CONCESS JANSTORAGE FAMAHU VENDORDEPOT WOMEN VENDORDEPOT EVENTSSERVICESEVENTS KEG COOLER CONCESSION JANSERVICESGUEST W7 W12 W13 W14 W15 W16 WB WC WA W6 W5 W4 W3 W2 W1 WA WA WA WA WB WBWB WB WC WC T7 T8T1 T2 T5 T6 TAH KITCHEN STORJAN FAM STORAGE FAM SERVICESGUESTCOAT FAMILY RETAIL JAN AHU AV/DATA BARBARBOH CONCOURSE FAM STAIR STAIR STAIR STAIR STAIR STAIR 31 P-01 P-02 S-01 F-02F-01 P-04P-05 F-03 F-04 S-04 P-12P-11 P-14 S-02 STAIR 14 S-03 P-06P-07 STAIR STAIR JAN FAM FAM BAR MECH SHAFT FIRST STO CONCESSION/BAR STAIR TER MR SHEETNO.DATEHKSDate:Thesearereleasedforinterimreviewonlyandarepermit,orconstructionpurposes.Arch.Reg.No.:Architect:notintendedforregulatoryapproval,documentsareincomplete,andPROJECTNUMBERSHEETTITLEISSUE ©2016HKS,INC. KEY PLAN 05/25/2016SCOTTHUNTER CONSTRUCTIONFORNOT DALLASTX75201350N.ST.PAULST,SUITE100HKS,INCREVISION ARCHITECT-BOWL/INTERIOR/BRAND LOS10880WILSHIREBLVD,SUITE1850HKS,INCANGELESCA90024 ARCHITECT-SHELL/ROOF DALLASTX752011845WOODALLROGERSFWY,SUITE1650WALTERP.MOORE STRUCTURALENGINEER-BOWL AUSTINTX78701221WEST6THST,SUITE800WALTERP.MOORE STRUCTURALENGINEER-SHELL LOS11900WESTOLYMPIC,SUITE750WALTERP.MOOREANGELESCA90064 STRUCTURALENGINEER-FACADE HENDERSON LENEXAKS662148345LENEXADR,SUITE300ENGINEERSINC. MEP /FP /TECH/SECURITY LOS145S.SPRINGSTREET,SUITE120DAVIDEVANSANDASSOCIATES,INC.ANGELESCA90012 CIVILENGINEER MIA LOS185S.MYERSLEHRER&ASSOCIATESSTREETANGELESCA90033 LANDSCAPEARCHITECT HOWE NORWALLMA02061101LONGWATERCR,SUITE203ENGINEERS,INC CODE/ FIRE/LIFESAFETY GUELPHONTARIOCANANDA650WOODLAWNROADWRWDICONSULTINGENGINEERS WINDLOADING/PATRONCOMFORT RICCADESIGN GREENWOODVILLAGECO801115325S.VALENTIAWAYSTUDIOS FOOD SERVICE CARROLLTONTX750063424MID-COURTRD,SUITE124WRIGHTSON,JOHNSON,HADDON&WILLIAMS,INC. BOWLA/V/BROADCAST HOWARD AND HARWICHMA0264530BLUEHERONLANDINGSERGI FOODOPS ANDSTRATEGY ACCESS BY DALLASTX7523012720HILLCRESTPLAZADR,SUITE580DESIGN ADA CONSULTANT LAMPARTNERS INC CAMBRIDGEMA0214084SHERMANST EXTERIOR LIGHTINGDESIGN KAPLAN NEWYORK249WEST34thST,SUITE707GEHRINGMCCARROLLNY10001INTERIORLIGHTING1116150610090807
DOCUMENTS65%CONSTRUCTIONA4.06MAINCONCOURSELEVELMAY25,201618300.0001/32" 1'-0"01 OVERALL MAIN CONCOURSE LEVEL RCP NO.DESCRIPTION ALL CEILINGS SHALL BE 0" ABOVE FINISH FLOOR, .N.O. (COORDINATE WITH OWNERFURNISHED VENDOR DRAWINGS AND EQUIPMENT. IN THE CASE OF MINOR DISCREPANCIES BETWEEN MEP AND ARCHITECTURAL DOCUMENTS IN THE LOCATION OF CEILING MOUNTED COMPONENTS, THE ARCHITECTURAL REFLECTED CEILING PLAN SHALL GOVERN. THE CASE MAJOR DISCREPANCIES, THE ARCHITECT SHALL BE NOTIFIED AS SOON AS THE DISCREPANCY DISCOVERE PRIOR TO PROCEEDING WITH THE WORK. REFERENCE MECHANICAL AND ELECTRICAL DRAWINGS FOR MOUNTING LOCATIONS OF ITEMS WHERE NO CEILING REQUIRED OR INDICATED. LIGHTS, DIFFUSERS, EXIT SIGNS, SMOKE DETECTORS, SPEAKERS, STROBES AND MISCELLANEOUS DEVICES SHALL CENTERED IN THE CEILING TILE WHICH THEY OCCUR, U.N.O. ALL CORRIDOR SPRINKLER HEADS SHALL BE ALIGNED IN TH SAME LOCATION PARALLEL TO THE WALL WITHIN EACH SPECIFIC CEILING CONSTRUCTION. SPRINKLER HEADS SHOWN ON THIS SHEET ARE WHERE ARCHITECTURALLY SIGNIFICANT AND FOR DESIGN INTENT ACCESSONLY.DOOR LOCATIONS IN GYPSUM BOARD CEILINGS ARE INDICATED ON RCP'S ONLY WHERE ARCHITECTURALLY SIGNIFICANT. REFERENCE SPECIFICATIONS AND MEP DRAWINGS FOR OTHER ACCESS DOOR LOCATIONS. EXIT SIGNS ARE SHOWN ON REFLECTED CEILING PLAN ONLY WHERE LOCATION IS ARCHITECTURALLY SIGNIFICANT. DIMENSIONS AT CUBICLE CURTAIN TRACKS ARE TO CENTER OF TRACK, TYP. ALL CUBICLE CURTAIN TRACKS MUST CLEAR DOOR SWINGS MINIMUM. 10. REFERENCE A0.10 FOR CEILING SYMBOL LEGEND. 11. REFERENCE A3.03 FOR CONTROL JOINT DETAILS. 12. REFERENCE A3.06 FOR EXPANSION JOINT TYPES AND DETAILS. 13. REFERENCE A3.08 A3.09 FOR METAL FABRICATION DETAILS. 14. REFERENCE A8.300 SERIES FOR ELEVATOR CAB REFLECTED CEILING PLANS. 15. REFERENCE A4.8001 A4.8002 FOR TYPICAL CEILING DETAILS. REFLECTED CEILING PLAN GENERAL NOTES
PLAN
1/2" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE 1/4" DIAM. STAINLESS STEEL CABLE; SPACING AT TOP AND INCREMENTALLY DECREASING SPACING TO AT BOTTOM- SEE A6.921 1/2" APPROX/ CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED INTERVALS. DOUBLE POST EVERY STEEL CABLE TERMINATION METAL PANEL FASCIA PAINTED WHITE 1/2" METAL STUD FRAMING TO SUPPORT METAL PANEL CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE STRUCTURE 771/2" A6.92105 TALL 1/2" WIDE CONCRETE CURB WITH CHAMFER CORNERS. CORE AND GROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR MATCH CONCRETE
ROOF ASSEMBLY CONTINUOUS LIFELINE FALL PROTECTION SYSTEM- SEE 02/ A6.951 LANDSCAPE- SEE LANDSCAPE PLANTER IRRIGATION- SEE LANDSCAPE 2-TIERED PLANTER DRAIN- SEE MEP A6.951 A6.95109 REFERNOTE: TO LIME CONCRETE PLASTER SYSTEM COMPONENTS DETAIL FOR TYPICAL LIME CONCRETE PLASTER SYSTEM COMPONENTS. 1/2" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE 1/4" DIAM. STAINLESS STEEL CABLE; SPACING AT TOP AND INCREMENTALLY DECREASING SPACING BOTTOM- SEE A6.921 1/2" APPROX. CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED AT INTERVALS. DOUBLE POST EVERY 50' AT STEEL CABLE TERMINATION TALL 10" WIDE CONCRETE CURB WITH CHAMFER CORNERS. CORE AND GROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR TO MATCH CONCRETE 1/2"1/2" 77 KEYPLAN 1/2" 1'-0"01 07 CONCOURSE GUARDRAIL 1/2" 1'-0"02 08 CONCOURSE GUARDRAIL 1/2" 1'-0"03 CANYON GLASS GUARDRAIL 1/2" 1'-0"04 CANYON GLASS GUARDRAIL AT PLANTER 1'-0"05 GUARDRAIL POST DETAIL AT CONCOURSE MAINUPPERCONCOURSE207'1/2"SUITE220'1/2" UPPER CONCOURSE238' 05 MID-UPPER185'SUITE LIME PLASTER SYSTEM MTL STUD GS01 SEE A6.96 SERIES SHEETS A6.95107A6.95113A6.93120 A6.93303A6.9610307MTL PANEL CEILING SEE SHEET A4.500 FOR MOREA6.95113INFORMATIONA6.93120 A6.93111A6.95109 METAL STUDS SHOWN ARE DIAGRAMMATIC. REFER TO METAL STUD FRAMING DWGS FOR ACTUAL STUD SIZE, GAUGE, AND LOCATION. TOP OF PARAPET, TOP OF GLASS, SOFFITS, SOFFIT HEIGHTS, SOFFIT DEPTHS, AND TOP AND BOTTOM OF PLASTER "PEELS" ARE CONTINUALLY SLOPING AND CHANGING ELEVATION. REFER TO 3D MODEL FOR DIMENSIONAL INFORMATION. INT RIM IE WO LY permit,orArch.Architect:Reg.No.:construction purposes. arenotintendedfor regulatoryapproval, released interimreviewonlyand These documentsare incomplete, and HKSDate:PROJECT NUMBER DATESHEET SHEETNO.TITLEISSUE 2016 HKS,INC. KEYPLAN SCOTT 05/25/2016C-27194HUNTER CONSTRUCTIONFORNOT 350HKS,REVISIONINCST.PAUL SUITE 100 DALLAS TX 75201 ARCHITECT -BOWL /INTERIOR/BRAND HKS, 10880INCWILSHIRE BLVD, SUITE 1850 LOSANGELES 90024 ARCHITECT SHELL ROOF WALTER MOORE 1845 WOODALL ROGERS FWY, SUITE 1650 DALLAS TX 75201 STRUCTURAL ENGINEER BOWL WALTER MOORE 221 WEST6TH ST, SUITE 800 AUSTIN 78701 STRUCTURAL ENGINEER SHELL WALTER MOORE 11900 WEST OLYMPIC, SUITE 750 LOSANGELES 90064 STRUCTURALENGINEER-FACADE HENDERSON ENGINEERS INC. 8345 LENEXA DR, SUITE 300 LENEXA KS 66214 MEP FP TECH SECURITY DAVID EVANS AND ASSOCIATES, INC. 145 SPRING STREET, SUITE 120 LOSANGELES 90012 CIVIL ENGINEER MIA LEHRER ASSOCIATES 185 MYERS LOSANGELESSTREET90033 LANDSCAPE ARCHITECT HOWE ENGINEERS, INC 101 LONGWATER CR, SUITE 203 NORWALL MA 02061 CODE FIRE /LIFE SAFETY RWDI CONSULTING ENGINEERS 650 WOODLAWN ROAD GUELPH ONTARIO CANANDA N1K1B8 WIND LOADING PATRON COMFORT RICCA DESIGN STUDIOS 5325 VALENTIA WAY GREENWOOD VILLAGECO 80111 FOOD SERVICE WRIGHTSON, JOHNSON, HADDON WILLIAMS, INC. 3424 MID-COURT RD, SUITE 124 CARROLLTON 75006 BOWL A/V /BROADCAST HOWARD AND SERGI 30 BLUE HERON LANDING HARWICH MA 02645 FOODOPS AND STRATEGY ACCESS BY DESIGN 12720 HILLCREST PLAZA DR, SUITE DALLAS TX 75230 ADA CONSULTANT LAM PARTNERS INC 84 SHERMAN ST CAMBRIDGE 02140 EXTERIOR LIGHTING DESIGN KAPLAN GEHRING MCCARROLL 249 WEST 34th ST, SUITE 707 NEW YORK NY 10001 INTERIOR LIGHTING DESIGN A6.201VIPWALLSECTIONSMAY25,201618300.00065%CONSTRUCTIONDOCUMENTS1/2" 1'-0"01 WALL SECTION NO.DESCRIPTION DATE
22
1/2" THICK CONTINUOUS STEEL TOP RAIL PTD WHITE 1/4" DIAM. STAINLESS STEEL CABLE; SPACING AT TOP AND INCREMENTALLY DECREASING SPACING TO BOTTOM- SEE 5/ A6.921 1/2" APPROX/ CUSTOM SHAPED STEEL GUARDRAIL POST PTD WHITE. SPACED AT INTERVALS. DOUBLE POST EVERY 50' AT STEEL CABLETALLTERMINATION1/2"WIDE CONCRETE CURB WITH CHAMFER CORNERS. CUSTOM SHAPED METAL PANEL FASCIA PTD WHITE- REFERENCE CEILING 3D DIGITAL MODEL1/2"METAL STUD FRAMING TO SUPPORT METAL PANEL CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEECORESTRUCTUREANDGROUT GUARDRAIL POST AT TOP OF CONCRETE CURB; GROUT SOLID WITH NON-SHRINK, NON-METALLIC GROUT; COLOR MATCH CONCRETE 10 1/2" 77 A6.92105 1/2" 3/4" CONT. STAINLESS STEEL CAP 3/4" THICK TEMPERED GLASS GUARDRAILLONG SEGMENTS FASCIA MOUNTED ALUMINUM GLASS GUARDRAIL SHOE- LONG SEGMENTS 1/4" STEEL PLATE- VARYING WIDTHS- RECONCILES PLASTER CURVE WITH GLASS METAL STUD FRAMING SUPPORT SHEATHING AND PLASTER CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE LIMESTRUCTURECONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN PLAN LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED IN SOIL ON DRAINAGE MAT, INSULATION, AND WATERPROOF MEMBRANE- SIMILAR TO HYDROTECH EXTENSIVE GARDEN
GUARDRAIL CONCOURSESEGMENTATIONEDGE STEEL ANGLE PER STRUCTURESEGMENTED PLAN GLASS GUARDRAIL SHOE INCREMENTS1/2"METALSTUD FRAMING SUPPORT SHEATHING AND PLASTER CONCOURSE EDGE BEAM TO SUPPORT STRUCTURE; SEE LIMESTRUCTURECONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED PLAN LIME CONCRETE PLASTER SYSTEM ON 5/8" EXTERIOR SHEATHING- CURVED PLAN REFERNOTE: TO LIME CONCRETE PLASTER SYSTEM COMPONENTS DETAIL FOR TYPICAL LIME CONCRETE PLASTER SYSTEM COMPONENTS. 1/2" 3/4" CONT. STAINLESS STEEL CAP 3/4" THICK TEMPERED GLASS GUARDRAILLONG SEGMENTS FASCIA MOUNTED ALUMINUM GLASS GUARDRAIL SHOE- LONG SEGMENTS CONCOURSE EDGE STEEL ANGLE PER STRUCTURESEGMENTED PLAN GLASS GUARDRAIL SHOE INCREMENTS 1/2"
FCStadiumBarcelona Competition Main
Ameba adapts to circulation patterns and main access points
Worked on a concept proposal for the renovation of the FC Barcelona Stadium together with designers and architects from different HKS offices. design tasks were to focus on the proposed elevated plinth, which contained a tower museum as well as all the other support program for the renovated stadium.
Museum tower Elevated plinth
27
AMEBA CONCEPT Ameba concept as a dichotomy to the circumscribed nature of the circle. Overreaches, uncircumscribed.
1.Ameba2.AmebaConceptonsite 3.Ameba responding to context 4.Ameba as dynamic element WORK: HKS LOS ANGELES - DALLAS - LONDON 2ND PLACE
CONNECTING TO HISTORY Ameba connects to the existing facade creating main acces points which connect to the site. Museum element acts as nucleoid connecting the circle and ameba?
AMEBA ADAPTED TO SITE
CONNECT CIRCLE TO AMEBA Intersections of movement to the ameba and circle produce different results programatically and formally.
Physical models A - Sofi stadium outdoor bar study B - Jacksonville stadium addition study C - Jacksonville stadium addition study A B C NFL Network concept design Youtube Theather concept design Other projects. Proposal for an office renovation in Beverly HillsExterior for a lobby renovation in Beverly Hills 29 This spread shows some other design examples done at HKS. From "Sports and Entertainment", to "Corporate". Different techniques and methods of exploring and representation were embedded in the design process, from concept diagramming to physical modelling and rendering. Westfield Promenade 2035
WORK: GENSLER LOS ANGELES DESIGN DEVELOPMENT TO CONSTRUCTION DOCUMENTS Sports and Entertainment
construction
Q2 Stadium Austin TYPICALD10 F6 F6F2F2F2F2F2 F2bF2bF2bF2bF2bF2bF2bF2bF2bF2bF2b D11 D12 D11 D11D11D12D12D14 D14 D14 D14 F2 F2F2 F2 F2F2F2 F2 D15D15(3) D15 F6 F6 F6 F6 F6F6 F2b F2F2F2F2 F2bF2bF2bF2bF2bF2bF2bF2bF2bF2b F2b F9 F2bF2bF2b F9 F9F9 F9F9F11F11F11F11F11F11F11F11F11F9F9F9F9F9F11 F17bF17bF17bF17bF17F17bF17bF17bF17bF17b F8F8 F17F17F17F17F17F17F16bF16bF16bF16bF16bF16bF16bF16bF17bF17bF17bF17b F7aF7a F16b F17F17F17 F14aF14aF14a F7b F7b F7b F7b F7b F7bF17F17F17F17 F8F8F8F8 F8F8F8F8F5dF5dF5dF5dF5dF5dD24D24D24D24D24D24D24D24F2 F2bF2b F2bF2b F2bF2bF2bF2b F16aF16a F16aF16a F16aF16aF16aF16a F16a F16bF16bF16bF16bF16bF16bF16bF16bF16bF16bF16bF16bF16bF17F5 F15F15F15F15F15F15F15F15 F15F15F15F15F15F15F15F15 F5dF5dF5dF5cF5cF5cF5cF5cF5c F5dF5dF5d F5cF5cF5cF5c F2F2F2F2 F14b F16aF16aF16aF16aF16aF16aF16aF16aF16aF16a F16aF16aF16aF16aF16aF16a F16aF16a F16aF16a F16aF16a4041421 W-E W-C W-AW-BW-F W-DW-G V-DV-C 39.5 V-BV-A F2F2 F17F17 F16aF16aF16a F17 F23 F23 F23F23 F23F23 816 Congress Ave Suite Austin,1270TX78701(512)351-96018580Washington Blvd Culve City, CA 90232 (323) 940-7640 1893 West Kettle Ave Littleton, CO 80120 (303) 13980730-1440WestBowles Ave Suite Littleton,100CO 80127 (303) 781-5001 DURAY 15508 Wright Brothers Addison,Drive TX 75001 (972) 239-1505 Suite Austin,500TX 78701 (512) 327-1011 TBG 101 Longwater Circle Suite Norwell,203 02061 (781) 878-3500 GENERAL NOTES KEY PLAN Gensler Date Description Project Name Project SealScaleDescriptionNumberSignature 2015 NOT CONSTRUCTIONFOR 09/06/2019 -GMP/PERMIT SET DESIGN INTENT ONLY 05/31/2019 -100% DESIGN DEVELOPMENT 09/20/2019 -ADDENDUM #1 10/11/2019 -CITY REVIEW COMMENTS 10/22/2019 -CITY REVIEW COMMENTS 11/08/2019 -ADDENDUM #3 APPROVED PERMIT SET 01/03/2020 -ISSUE FOR CONSTRUCTION 1/8" 1'-0":\UC\clia\D\05.1644.000AtinFCTGliaZKFVY LT4.000A AUSTIN005.1644.000FCSTADIUMEVENT_LEVEL_LIGHTING_RCP_SECTOR_A 0'-5" R0'-3R0'-3 R0'-3R0'-3R0'-3 PLAN ADA SIDE FRONT PLAN 0'-8" R9'-4"R1'-8"R0'-3" 0'-7 ADA SIDE FRONT PLAN 0'-70'-3"R0'-3 R0'-3 42 OPEN BEYOND SEE 4/A9.002 PL-02BASE, TYP. WD-10G7.100 G4.100 W-E W-CW-D PL-02BASE, TYP. WC-01 WC-01 T0.42.04A T0.42.04B T0.42.04C T0.42.04D G7.100 G4.100 WC.4 W-E R-WW-C W-D WC-02 T-12 ________________9A9.002 INTERVIEWOPEN ROOM ROOF RESTROOMSOPENWC.442 OPENBEYOND WC-01PL-02BASE, WC-01 ________________6A9.004 T0.42.02A T0.42.02B T0.42.02C T0.42.02D BEYOND G4.100 WC-01PL-02 1/2"MT-12 RIVETS, (MT FINISH PL-02 DRAPERY CURTAIN G4.100 PT-10F W-E W-D OPEN BEYOND DRAPERY CURTAIN G4.100 WC.4W-EW-D DRAPERY CURTAINPT-10F G4.100 WC.4 PL-02 UP-02 DRAPERY CURTAIN G4.100 PT-10F W-E R-WW-C W-D BASE, TYP. PL-02 OPEN ROOF OPENBEYOND A10.502 G4.100 OPENBEYOND OPENBEYOND WC.4 INTERIOR -ELEVATIONS HEALTH DEPARTMENT REGULATION CODE. G4.100 TYPICAL BASE DETAILS. RE: G1.004A -G1.004D FOR NOTES, REQUIREMENTS AND TYPICAL DETAILS. RE: G4.001 -G4.004 FOR ROOM, FINISH, FIXTURE, EQUIPMENT AND CEILING RE: SERIES MENU BOARD SCHEDULES TYPICAL MOUNTING DETAILS. WITHCALCULATIONS.ADJACENT WALLS U.N.O. RE: SERIES FOR TYPICAL MILLWORK ALL FINISHES EMPLOYEE BARS CODE REQUIREMENTS. ELEVATIONS SCHEDULE FOR DESIGNATED FINISHES. CONTRACTOR NOTIFY ARCHITECT IMMEDIATELY DISCREPANCIES. PRIMED AND PAINTED MATCH ADJACENT SUBCONTRACTOR PROVIDE ROUGH REVIEW POWER/DATA DEVICES INSTALLATION. 2401 South IH-35 Austin,Suite 78741 (512) Austin,Austin,SuiteCongress445-209078701(512)322-3970CongressSuite127078701(512)351-96018580Washington Blvd Culve City, 90232 (323) 940-7640 1893 West Kettle Littleton, 80120 (303) (303)Littleton,Suite13980730-1440WestBowles80127781-5001DURAY 7708 Rialto Austin,Suite 78735 (512) Austin,Addison,Drive15508298-3284WrightBrothers75001(972)239-15051705GuadalupeStreet78701(512)327-1011TBG Longwater Circle Norwell,Suite 02061 (781) 878-3500 5501 West William Cannon Drive Austin, 78749 (512) 280-5160StreetSuiteAngeles, 90014 (213) (310)SuiteWilshire254-4750Blvd.2100Angeles,90017254-1900 SHEET GENERALNOTESNOTES Gensler Description Project Name Project ScaleDescriptionNumberSignature 2019 10414 McKalla Place Austin, Texas 78758 500 Figueroa Los Angeles, CA 90071 Tel: 213-327-3600 01/03/202009/20/2019indicated-ADDENDUM-ISSUECONSTRUCTION A9.002 AUSTIN005.1644.000ENLARGED_FIELD_CLUB_ELEVATIONSFCSTADIUM SCALE1'-0" 000 LEVEL -FIELD CLUB EAST 1 SCALE1'-0" 000 LEVEL -FIELD CLUB NORTH 2 SCALE1'-0" 000 LEVEL -FIELD CLUB SOUTH 4 000 LEVEL -FIELD CLUB WEST 3 SCALE1'-0" 000 LEVEL -FIELD CLUB SOUTH -COLUMN ELEV. TYP. 9 SCALE1'-0" 000 LEVEL -INTERVIEW ROOM -EAST 5 000 LEVEL -INTERVIEW ROOM -NORTH 8 SCALE1'-0" 000 LEVEL -INTERVIEW ROOM -SOUTH 7 SCALE1'-0" 000 LEVEL -INTERVIEW ROOM -WEST 000 LEVEL -FIELD CLUB SOUTH 10 All images are property of Gensler. All images are property of Gensler. R-ER-ER-WR-W PLANS -GENERAL PREVIOUS OVERALL ORDER Guadalupe239-1505TBG 254-1900 SHEET KEYGENERALNOTESNOTESPLAN NOT CONSTRUCTIONFOR 10414 McKalla Place Austin, TexasAngeles,Figueroa7875890071 G8.010 SEATING DIAGRAMS -MAIN CONCOURSE LOWER BOWL AUSTIN005.1644.000STADIUM SEATING -LOWER BOWL
construction
the house plans and elevations.
discuss
main concourse,
bowl seating arrangements
premium
Developed lighting sheets for documents from design development to documents. Worked on the design of spaces, and back of Assisted lead designers in regular client meetings to lighting design changes as well as and coloring pattern. All images are property of Gensler.
fixtures
16 University Rowing Training Center Other Projects A proposal for a rowing training center which considers the sport of rowing itself, movement vectors and relationship to water as inspiration for the design both conceptually and technically. Optimum width-to-lenght ratio plan and section is extracted from the waterdynamic features of the vessel when applied to the site. Facade articulation responds to wind, solar, and views. 15’ 10’ 10’ 10’10’ 10’ 10’30’ 30’ STILL NEED TO EXPLORE THE NARROWEST PLAN WITH THESE OTHER ROOF LINES 25’ 25’25’ 25’ 30’ -5’ +5’-5’ -5’ 52’-4” 52'-4"32B2A1 All images are property of Gensler. PAGE 1TEC - DECEMBER 10, 2018 CONCEPT DESIGN KICKOFF MEETING 15 2287’-692’-1” SEATING BOWL COMPARISONS | 15 PAGE 12TEC - DECEMBER 10, 2018 - CONCEPT DESIGN KICKOFF MEETING 71’-1”66’-10”63’-8” 53’-0” 58’-0” 8’-2” 92’-6” 118’-0” 83’-0” A D E FF GG C B FOCAL DASHERDASHERPOINTBOARDBOARD FOCAL POINT E 86 STANDING C 20 CONFIRMSTANDINGISTHESEPEOPLEHAVESIGHTLINES D 18 SEATED 37+72’-6”+75’55STANDINGTOTAL +76’-4” +85’-8” +85’-8” ARENA SEATING TOTAL - 502 SEATED - 18+40+72+30 = 160 STANDING - 37+40+86+93+77 = 342 A D E C B F 40 SEATED 4989STANDINGTOTAL F 72 SEATED 93165STANDINGTOTAL A 30 SEATED 77107STANDINGTOTAL POTENTIAL ADA ZONE 18 37 38 48 19 19 2 12 12 31 12 12 31 12 12 31 49 12 9 23 31 23 +80’-8” 0816+75’ 32 64 Parameters: Second 75 ft. Focal seatedpersonlinesinatConclusions:moreDifferencedasherStanding61’-0”firstStandingStudy iceFrom From ice 2nd overlookrow club SectionSection
13 W.D. Demolished wall. 12435 Oxnard Street. Malp.ART.iDA
Project area within campus.
Music Division of Fine Arts
WORK: 12,000 sqft, College Campus. Developed the Music Division of Fine Arts and Campus Theater floor plans in response to its location and connectivity to the other school divisions as well as outdoor shared spaces. Designed the outdoor spatial components and overall composition of the proposed building as seen in the render below, render also produced by me. All work was done with the guidance and imput of the design leaders. All images are property of Struere Architects in Santa Monica, CA. All images are property of Struere Architects.
Los Angeles El Camino College PROPOSED PROJECT PROJECTRFQPLANSPRELIMINARYPLANS CLASS ASSEMBLYASSEMBLYLAB SERVICEASSEMBLY SUPPORTMWELECDPJANWM DP SERVICEASSEMBLYELECCLASS SERVICELAB ROOMSTUDYREAD CLASS CLASSROOMCLASSCLASSOFFICELABLABLAB OFFICEOFFICE SERVICEASSEMBLY SERVICEASSEMBLY ASSEMBLY CLASSSERVICEASSEMBLYLAB N instructional and support spaces to ensure that the Project scope will be constructed within the Construction Budget FLOOR PLAN Level 1 GAINED EFFICIENCY: 10%5,000SF LESS OVERALL AREA PERFORMANCELEARNING LOBBY PLAZAPERFORMANCE DISTRICTTHEATER MULTIMEDIA ART PLAZA Connection toDirectDirectDirect PERFORMANCE PLAZA THEATER DISTRICT ConnectionDirect ARTMULTIMEDIAPLAZA Efficient well-configuredand DOUBLE HEIGHT SPACES PPP OUTLINE REFERENCE PROPOSED REFERENCEOUTLINE FLOOR PLAN N Structural efficiency for optimum cost/value through the consolidation of double height spaces Level 2 PPP REFERENCE SINGLE HEIGHT PROPOSED PLANS DOUBLE HEIGHT CLASSROOMREADSTUDYROOMCLASSLABOFFICEOFFICE GARDENWINTERBALCONY SERVICEASSEMBLYELECDPMJANLOUNGERADIO/TVVISUALAUDIO/ROOMSTUDYREADROOMSTUDYREADOFFICE OPEN BELOWTOROOMSTUDYREADROOMSTUDYREAD OPEN TO BELOW OPEN TO BELOW OPEN BELOWOPENBELOWTOTO OPEN BELOWTO OPEN BELOWTOOPEN TO BELOW W OPEN TO BELOW Main design tasks were to focus on the proposed floor plans as well as developing the design and render image on the other page. Class Lab Office Assembly Service Assembly Read Study Room DP
STRUERE ARCHITECTS - COMPETITION PROPOSAL
31 FROM CONCEPT PROPOSALS...
Concept sketch for Amazon Headquarters in Dallas LA office design charrette
Concept sketch for modular container housing in Dallas Concept sketch for a multi-use development in LA
Concept sketch of office addition in LA
I got to develop and present many concept proposals. The scale of the proposals varied from the renovation of the interior of our LA office to massive developments for Amazon and Westfield.
33 ...TO URBAN SCALE EXPLORATIONS
Most projects required urban studies in order to respond to site forces. Due to the scale of some of the Sports and Entertainment projects, movement and programming diagrams helped the project pieces fall into place, thus estimating behaviour for day and night-time use as well as game day and non-game day use.
TheEqualizerFrequency PROPOSALEXISTING TOTAL OF STUDIOS AREA 270 sqftPROPOSALEXISTING Fitting as many studios as Totalpossible.of7 TOTAL PRIVATE AREA 1432 sf STUDIO AREA: 1432 sf OFFICE: 0 sf TOTAL COMMUNAL AREA 394 sf CIRCULATION: 158 sf KITCHEN: 61 sf LOUNGE: 126 sf WC: 49 sf 7 PROPOSALEXISTING PROPOSALEXISTING PROPOSALEXISTING Modifying big studio PROPOSALEXISTING Extending existing circula tion. TOTAL AREA PROPOSALEXISTING PROPOSALEXISTING PROPOSALEXISTING AREA sqft AREA sqft 188 sfPROPOSALEXISTING Modified option to existing proposal. AREA 58'AREATOTAL. AREA 940 sf are streamliningconnectedcirculationtoB. #1PROPOSALNEW Kitchen becomes heart of space. #1PROPOSALNEW #1PROPOSALNEW AREA sqft AREA sqft AREA AREA 155 AREA 195 sqft AREA 126 sqft AREA sqft AREA sqft AREA sqft AREA TOTAL AREA 336 sqft 115 AREA sqft AREA 126 sqft AREA 103 sqft AREA sqft 247sqft AREA sqft 592sqft448sqft TOTAL PRIVATE AREA 1213 sf STUDIO AREA: 1213 sf OFFICE: 0 sf TOTAL COMMUNAL AREA 940 sf CIRCULATION: 263 sf KITCHEN: 61 sf LOUNGE: 126 sf WC: 100 sf SHORT TERM STUDIO: 247 TOTAL BUILDING AREA - 2000 sf SMALL STUDIO REFERENCE: 188 sf SHORT TERM STUDIO: 247 sf TOTAL BUILDING AREA - 2000 sf WC: 100 sf#1PROPOSALNEW Idea for an open shortterm arts studio can be explored, or can be a regular enclosed “blue” studio. adjustsCirculationgivenbackonWCsaccesstoshape.studionewthetheonstudiolargerThetosqft562fromgoesNorthsqft.336 respondsprogramDevelopedcirculation.oftype"S"antountouched.remainsKitchen program.DevelopedandcirculationStringspaces.adjecentheartatremainsKitchenandconnectoraasprojectofspace.interstitial Maximumwith188sqftatcountStudiooption.layoutthis "The Zero"- Intervention Program. Massing Connectingevolved.doors for visual connectivity and separation between private and common spaces. onwindowsofClosureasneedednotsidecirculationtogether.groupedarestudios darktokeptareSudiosrespondingbuilding,ofsideconstraints.buildingto Circulation WC Studios INTERIORSEXISTING INTERIORSEXISTING 12435 Oxnard Office C2 1.0."String"The AREAAREA AREA 496 AREA 155sqft AREA 215 AREA 188 AREA 115sqft AREA sqft AREA sqft 84'B' SMALLSTUDIOREFERENCE:188sf LOUNGE+KITCHEN:286sf TOTALCOMMUNALAREA700sf CIRCULATION:292sf KITCHEN:0sf sf WC:100sf SHORTTERMSTUDIO:0sf TOTALBUILDINGAREA-2000sf TOTALBUILDINGAREA-2000sf 2.0"String"The The separation and integration of opposite spaces inform the interior architecture treatment. becomekitchenandLounge #1.5PROPOSALNEW#1.5PROPOSALNEW#1.5PROPOSALNEWAREA 496sqft AREA AREA sqft AREA AREA sqft AREA sqft 84' TOTALCOMMUNALAREA-880sf CIRCULATION:336sf KITCHEN:60sf LOUNGE:110sf WC:100sf #1.5PROPOSALNEWFrequency"String"The #2PROPOSALNEWCommunalareaandpri vatearearelationship.#2PROPOSALNEWProgramdistribution. sqft TOTALPRIVATEAREA1200sf STUDIOAREA:1200sf OFFICE:0sf TOTALCOMMUNALAREA800sf CIRCULATION:260sf KITCHEN:60sf LOUNGE:135sf WC:49sf 4 #2PROPOSALNEWFourlargerstudios 1.0EqualizerThe AREA sqft AREA sqft AREA AREA 155 AREA 195sqft AREA 126sqft AREA sqft AREA sqft AREA sqft AREA TOTALAREA 336sqft AREA sqft AREA 126sqft 85sqft AREA 435sqft 931sqft AREA TOTALPRIVATEAREA1370sf STUDIOAREA:1370sf OFFICE:0sf TOTALCOMMUNALAREA630sf CIRCULATION:280sf KITCHEN:60sf LOUNGE+KITCHEN:285sf WC:49sf SHORTTERMSTUDIO:0SF TOTALBUILDINGAREA-2000sf SMALLSTUDIOREFERENCE:188sf Maxstudioallowed:7.28 TOTALBUILDINGAREA-2000sf 1234 4largestudios. 2.0EqualizerThe AREA AREA sqft divisionbetween privateandcommunal.#2PROPOSALNEWAREA AREA sqft TOTALPRIVATEAREA1200sf STUDIOAREA:1200sf OFFICE:0sf TOTALCOMMUNALAREA800sf CIRCULATION:360sf KITCHEN:64sf LOUNGE:116sf WC:100sf 5 #2PROPOSALNEW5 studios.Morewallspacetoplace furnitureandhangart. 3.0EqualizerThe of#1and#2 AREAAREA AREA 496 AREA 155sqftsqft 126sqft AREA AREA 215 AREAAREA TOTALAREA 336sqft AREA 115sqft sqft AREA 126sqft A B' #3PROPOSALNEWWallsareusedtoaccess studiosandalsotocreate differentmeetingopportu nities. AREAAREA sqft AREA AREA sqft155 126sqft AREA sqft AREA AREA sqft AREA sqft AREA TOTALAREA 336sqft AREA 115 sqft AREA 126sqft TOTALPRIVATEAREA1200sf STUDIOAREA:1200sf OFFICE:0sf TOTALCOMMUNALAREA800sf CIRCULATION:360sf KITCHEN:64sf LOUNGE:116sf WC:100sf SHORTTERMSTUDIO:140SF TOTALBUILDINGAREA-2000sf SMALLSTUDIOREFERENCE:188sf Maxstudioallowed:6.4 TOTALBUILDINGAREA-2000sf 12345 #3PROPOSALNEWFivestudiosusingexisting walls. FrequencyThe Equalizer
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Main design tasks were to focus on the proposed floor plans as well as developing the design and render image on the other page. Main design tasks were to focus on the proposed floor plans as well as developing the design and render image on the other page. Main design tasks were to focus on the proposed floor plans as well as developing the design and render image on the other page.
W.N.1. New Wall with double insulation with one sided W.N.2. New Wall with double insulation with two W.D. Demolished wall. W.E.2. Existing insulation two sided resilient channel W.E.1. Existing wall double insulation with one sided resilient channel W.E.0. Existing wall. No soundproof. To remain untouched. 2'-0" 0'-4" W.N.1 3'-94 10'-82 1/2" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT 1/2" GYPSUM BOARD 5/8" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT 1/2" DAMPED RESILIENT CHANNEL dRC-1 5/8" GYPSUM BOARD W.E.3. Existing wall double insulation, one sided with resilient channel 1/2" DAMPED RESILIENT CHANNEL dRC-1 1/2" GYPSUM BOARD 1/2" GYPSUM BOARD 1/2" DAMPED RESILIENT CHANNEL dRC-1 5/8" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT EXISTING WALL (1) 12mm or 1/2in 1/2" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT
1/2" GYPSUM BOARD 5/8" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT
1/2" GYPSUM BOARD EXISTING WALL 5/8" GYPSUM BOARD (2) 12mm or 1/2in UNDERLAYMENTCORK TYPES - NEW WALL TYPES - EXISTING
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1/2" DAMPEDCHANNELRESILIENTdRC-1 1/2" GYPSUM BOARD 5/8" GYPSUM BOARD 1/2" DAMPED RESILIENT CHANNEL dRC-1 1/2" GYPSUM BOARD 2X4 FRAMING WITH INSULATION (2) 12mm or 1/2in CORK UNDERLAYMENT (2) 12mm or 1/2in CORK UNDERLAYMENT 5/8" GYPSUM BOARD 1/2" DAMPED RESILIENT CHANNEL dRC-1 5/8" GYPSUM BOARD W.N.1. New Wall with double insulation with one sided resilient channel W.N.2. New Wall with double insulation with two sided resilient channel W.N.3. New Wall with double insulation one sided with resilient channel W.N.4. New Wall with double insulation and resilient channel one side and single insulation other side W.D. Demolished wall. 1/2" DAMPED RESILIENT CHANNEL dRC-1 5/8" GYPSUM BOARD (2) 12mm or 1/2in CORK UNDERLAYMENT W.E.2. Existing wall double insulation with two sided resilient channel W.E.1. Existing wall double insulation with one sided resilient channel W.E.0. Existing wall. No soundproof. To remain untouched.
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40 41 world Fallbrook San Diego County Rey River 300,000’600,000900,000’12,000,000’15,000,000’ Oceanside Escondido San Diego 4.1 4.2 Research Teaching Sample and Student WorkBEAR WITH ME |
Think about the issues the pandemic is bringing to the light. Mental health wellbeing, virtual and social media effects in human interaction, a further widening gap between rich and poor. The new environment you are creating from home and the relationship you are defining between site, space, and program, can act as a catalyst for a change you are interested in exploring.
PROFESSOR: Miriam Malpartida
INTRODUCTION: As architects, designers, artists, humans and creators of civilization, it’s imperative to understand our roots, where we come from and where we are from, to consciously know and direct where we want to go. When we walk upon the Earth, we walk over thousands of years of history, knowledge and wisdom; eventually, we will also become one more layer in time and future generations will continue to walk and build upon us. As much as a tree needs to have deep and strong roots to reach the sky, we need to be strongly rooted in our past in order to successfully reach our future. The more rooted we are in history and in ourselves, the stronger we stand in difficulty.
Public Art Education Center - Entrance Lobby: 3,000 SF - Lecture rooms 3 (1,000 SF/ea): 3,000 SF - Large Auditorium 300 seats: 7,000 SF - Small Auditorium 100 seats: 3,500 SF - Exhibition Hall (permanent): 8,000 SF - Exhibition Hall (changing): 5,000 SF .- Children’s play area (indoor): 2,000 SF - Children’s play area (outdoor): 3,000 SF - Covered outdoor exhibition and event: 3,000 SF - Cafeteria: 4,000 SF - Public Lounge: 4,000 SF - Live Animal Programming: 10,000 SF - Contemplation Space: 10,000 SF - Wildcard Program area: Unspecified SF
TOTAL PROGRAM FLOOR AREA: 65,500 SF + 20% circulation
STRUCTURE: Three points What system(s) structure your day to day? Is there anything which is not “structured”?
2) How does it manifest in your live, beyond the physical, the construction, the materiality?
ropic OceanCapricornWarmWaterCurrent Mount Kilimanjaro Amazon River 3.2 3.1 South Paci c Ocean North Paci c Ocean North Atlantic Ocean South Atlantic Ocean Indian Ocean Mediterranean Sea Black Sea CaspianSea Bay Bengal Silver Sahara Desert Lithium SoyBeans Copper GuangdungFujiuanGraniteAluminumHimalayan Mountains Salt Lamps Panama Canal North Paci c Ocean PersianGulf Tropic TropicCancer Capricon Equator Pi California Border CalifoiCuent Tropic of Capricorn WarmWaterCurrent Clay Minerals Mexico Guatemala Corn Husk Process Pyramid Teotihuacán askaDaylightTim(GMT8) Haw anDaylgh m GM Canada United States of America N. Paci c Ocean Equator Tropic of Cancer S. Paci c Ocean Amazon River Copper HumboldtCurrent Panama Canal CanalPanamamade the U.S. the powerfulmostnation. $270 billion/year Cargo Objects travel paths from around the world. Car AirplaneShip
WRITTER |
3) Can a structured manifestation be broken, evolve?
PROGRAM: Platforms (Definitions by Cambridge dictionary) 1) (A flat raised area), where objects reside; 2) (An opportunity to make ideas known), network; 3) (of shoes) Having a thick high sole, roots. Once you’ve developed and gotten more acquainted with the relationships between Object-HumanSpace(time), create the instructions that will make the architectural proposal perform as a catalyst for change, education, connection, recreation and creation. Art, as Home floor plan evolution. Historical site data used to draw evolution.
Fallbrook AvocadocapitaloftheworldEST.1869 SanDiego SanLuisReyRiverOceansideEscondidoSanDiego 800’ LuiseñoandCupeñoTribes OrangesAgricultureandAvocados AgricultureRemovalofFirsthomebuiltHomeExtensionMoveinYear 12’0’ 24’ 36’ 48’ 1948 1960 1978 1982 1800’s 1999 200’ 400’ 600’STUDENTProposedSite.AIRPARKHOME AvocadoFallbrookcapitaloftheworldEST.1869 Fallbrook San Diego County San Luis Rey River 300,000’600,000900,000’12,000,000’15,000,000’ Oceanside Escondido San Diego 800’ Luiseño and Cupeño Tribes OrangesAgricultureandAvocados Removal Agricultureof First home built Home Extension Move in Year 24’ 36’1948 1960 1978 1982 1800’s 1999 Current Mount Kilimanjaro SilverSoyBeans 4.1 4.2 200’ 400’ 600’
WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Summer 2021 | San Diego, California.
SITE: Start within The pandemic has locked us in our houses, it’s changed the world as we knew it. When returning back to a “new normal”, how can we create a new living structured paradigm? Could the key to redefine our relationships and connection between Human and Nature, Human and the Building, Human and the City; be found in our home, in our little pocket of haven?
education, connection, recreation
travel
STUDENT: Rachel Guadarrama
1) What is “structures”?
Explore “structures” as a concept from a space you will generate at home, a pocket of place within the larger home scheme, where the aim is to create your own little haven. Find and frame objects which give you a sense of place and birth feelings that you wish to generate. Compose the objects in a way that allow for you to define structural, historical, and color relationships; patterning, fields, a new environment. The connections you are defining need to respond to gravity, scale, photography and to their effect in you. Using various material, morphological and geometrical techniques and systems, your space creation, and its translation to drawing, will seek to foster dynamic relationships between Human and the Object, Object and the Space, and Space and the Human as well as between Land, Water, Wind and Fire. Once the space is selected and defined, translate its presence into a drawing, using historical data, migration patterns, production processes, materiality, movement, annotations, and different drawing techniques. The goal is for you to discover a new manner of observing what the objects and the space you have created say about yourself, those around you, and the world in general.
Explore the relationship between structure, skin and space through program creation, structural understanding and site observation. Find a place in your home where you can create a sense of place through a “platform(s) program”. Frame it from the physicality of the expression (objects) to sharing (network) to your perspective (roots). Understand the needs of your community, its history, its evolution. What site would you choose as a place to intersect all of your research, observation, data and aspirations?
ADDITIONALCRITERIA:
architectural proposal perform as a catalyst for change, and Art, has tremendous power; it presents us with limitless imagination. Architecture, as the highest form of art, creates contains it, programs it; in doing so, ideas in space-time.
creation.
space,
EDITOR: Miriam Malpartida
A request for carrying and birthing a new environment.
our
42 43 PacificOcean minut minutes Fallbrook Los Angeles San Die o Imperial Riverside San Bernardino Oran Santa Margarita River San Luis Rey River Lake Hodges River San Diego River OceansideEscondidoSanDiego odrigu Interna Airport General Rodolf Sanch Taboada Airport Southern California Baja California Norte Port PortRosaritoEnsenadaSauzal odrigu Port 1.2 San Yisdro is the There are ports of entry ThereArizona’sSonora,ArizonabetweenandMexico.busiestportofentryisNogalesareover30,000dailyentriesatNoglesredroBanozirA/ainrofilaC Mexico-USBorder Arizona BorderMexicoArizona/New Phoenix Sky Harbor Interna onal Airport InternaTucson onal Airport PHX TUS InternaYuma onal AirportYUM SAN MXL 26.5 miles 36 miles 71.4miles PacificOcean 50minuteflight 2hourdrive 2hours30minutes-train LAX SAN Fallbrook Los Angeles San Diego Imperial Riverside San Bernardino Orange Yearly average of 18.8 million pedestrians at 6 California ports of entry Santa Margarita River San Luis Rey River Lake Hodges River San Diego River BorderCalifornia/Arizona Mexico - US Border 0’ 300,000’600,000900,000’12,000,000’15,000,000’ OceansideEscondidoSanDiego Southern California YsidroSan MesaOtay Tecate Calexico EastCalexico Andrade
The pocket of haven at home, is a place where one ought to experience a sense of place, a place of meaning and belonging, The objects which create a pocket of haven, demonstrate how we see the world as well as how we relate to others; the space becomes then one which allows us to create and heal. They hold the key to understanding where we come from, where we are from, and where we are going. The fibonacci golden ratio, connects all scales of relationships, from the smallest to the highest, defining programmatic adjacencies and relationships as well as the insertion and adap tation to the site, the airpark.
Platforms
LandingStrip
ToBridge Stage SanEscondidoRiverDiego Port Ensenada
StripLanding PublicArtEducationCenter
Connection Vein - Bridge
Steel, as a lightweight and long-span material, creates a truss-roof system; volumetric surfaces which filter light as well as suspend spheres, some of which are large enough to hold program, others are green living volumes, and the smallest ones are lighting for the performance stage and adjacent areas. A true marriage between european amphithe ater/performance typology and the sunflower in the landscape, as a native american flower which grounds and roots the facility in its space-time.
WOODBURY UNIVERSITY: School of Architecture Structures Studio | Summer 2021 San Diego, California.
PROFESSOR: Miriam Malpartida
STUDENT: Rachel Guadarrama
The Sun.Flower
WOODBURY | Overhead Boat and Ecological Reserve Viewing Emplacement
Access to both water and street, makes this a very delicate project; it needs to mediate between the urban and natural environment with practically no buildable terrain beneath it. As an annex to the UCLA Aquatic Center, it must operate in sync with this entity and at the same time perform as a part of the Ballona Creek Wetlands environment. While there is no enclosed/indoor program, the project does suggest the creation of a sense of protection from the elements while still being open and allowing unimpeded movement both to the viewing platform(s) as in and around the boat launch area below. The presence of the bike path alongside the project site must be carefully considered.
STRUCTURE: Tthree points of support. Avoid off-the-shelf prefab materials. Design own structural space by going to the root material and geometrical properties of structures. No structure can touch the water, but it can cantilever above it.
ADDITIONAL CRITERIA: Social distancing must be built— into the design concept, not ONLY as “gaps of space”, but as a larger idea about social interaction, new ways and visions of communication and socialization. Reinforce the importance of physical and social connection in a post-pandemic future. The structure can help the community reflect, serve as a memory, a reminder of the difficulty as well as beauty of this time while adapting to the needs that are to come.
PROGRAM: Viewing boats and birds. Covered protection from rain and sun to boat-launch platform area. Provide a platform for bird watching in the protected marsh reserve accross riverbank. Provide a platform for regatta (boat) racing. Combined area: 1000 SF Max.
48 49 30' 60' 13'73'-7'5' WINTER SUMMEREQUINOXESSOL.SOL. NOV FEB Roof PlanWind RAMP PLATFORMS Student's Work The Breeze WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California. INSTRUCTOR: Miriam Malpartida. STUDENT: David Kuo. Axonometric David Kuo Miriam Malpartida / S2 SECONDARYPRIMARYFOUNDATIONSTUCTURESTUCTURERAMPPLATFORMS -7' elevation Short elevation model 1 model 2 30' 10'60' 38'13'73' WINTER SUMMEREQUINOXESSOL.SOL. MAR OCT NOV FEB Ba onn We anBa on CreekMarina Rey Long elevation Short elevationViewRoof Plan Axonometric Studio Six Project 01: The Breeze David Kuo / Miriam Malpartida S2 Wind SECONDARYPRIMARYFOUNDATIONSTUCTURESTUCTURERAMPPLATFORMS 38'13'-10' 10'30' WINTER EQUINOXESSOL. MAR OCT NOV FEB BBa on We anBa on CreekMarina el Rey Long elevation Short elevationPocketView model Pocket model 3D perspective Case study SkinSecondaryPrimarypoint Roof Plan Site SolarPlan Wind pp PRIMARY STUCTURE RAMP PLATFORMS -10' Short elevationPocketView model Pocket model Process model Casepointstudy -10' Process model Student's Work Tidal PlatformWOODBURYUNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California. INSTRUCTOR: Miriam Malpartida. STUDENT: Dante Romero.
• Proximity of LAX
DIRTY MAP: A “dirty map” is a cartographic collage that integrates data with informative graphics and related photoconstructions that all together are suggestive of an idea. It is a biased, directed assemblage organized and edited into one complex device that distills a vision out of selected co-related facts and information. This map will be updated beyond its due date and will accompany the development of each team’s design project.
SITE: The project location will be atop the breakwater of Marina Del Rey, adjacent to the Ballona Wetlands and the gateway to the Marina from the Pacific Ocean.
• Weather patterns, seasonal variations, extreme conditions, salinity, wind pressure/negative pressure, fog (spatially, environmentally).
- Wildcard Program Area (proposed): Unspecified SF Research Institute (private 15,000 SF) - 10 offices (200 SF each) 2,000 SF - 4 conference rooms (1,000 SF each) 4,000 SF - Lobby/ Reception 1,000 SF - Archive 3,000 SF - Labs (5) incl veterinary clinic 5,000 SF - Wildcard Program area. Unspecified SF
CurrentSite.B.W.E.R.+M.E.
ADDITIONAL CRITERIA: Social distancing must be built— into the design concept, not ONLY as “gaps of space”, but as a larger idea about social interaction, new ways and visions of communication and socialization. Reinforce the importance of physical and social connection in a post-pandemic future. The structure can help the community reflect, serve as a memory, a reminder of the difficulty as well as beauty of this time while adapting to the needs that are to come.
• Knowing what the project program and site is, tailor your research to be useful in the development of ideas and reasons for your design proposal to follow this data investigation.
PROGRAM: Public Comprehensive Education Center (50,500 SF) - Entrance Lobby from Bridge: 3000 SF - Lecture rooms 5 (1,000 SF each): 5,000 SF - Large Auditorium 300 seats: 7,000 SF - Small Auditorium 100 seats: 3,500 SF - Exhibition Hall (permanent): 8,000 SF - Exhibition Hall (changing): 5,000 SF - Covered outdoor exhibition and even space: 3,000 SF.
• Vessels, ships, types of activities involved in boating mainly in the Marina. Powered vs wind vs paddled vessels. Oversight and safety in the Marina • Maps: Weather, shipping, wildlife, flight paths
• Clear distinction between primary frame, secondary frame and skin needs to be studied and demonstrated.
INSTRUCTORS: Erick Carcamo, Miriam Malpartida, Stephen Marshall, Gerard Smulevich (Coordinator and Editor)
• Vehicle access must be maintained using the bike path itself. There will be no dedicated parking (already supplied by public parking at the end of the causeway).
• Wetlands history, preservation practices, vegetation species and their characteristics, protected bird species and other wildlife that inhabit both parcels of protected wetlands.
The site is very narrow and long and will require the building to be lifted above the breakwater for the waves to not impact the building and for fire access underneath it. It must be raised a minimum of 20 feet emergency vehicles, Access to the building will be a 600-foot bridge, 20 feet wide.
• Ocean winds tobe considered. They can be welcome in the summer but can be buffeting in the winter.
WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California.
The BWER + ME is both a publicly accessed exhibition and educational space as well as private offices and labs that are the home to the organization overseeing the BWER. It must be accessed by a 20’ wide bridge extending from the Ballona Creek causeway towards the breakwater/site for the project. This bridge bust have a clearance of 50’ for tall boat mast access into the Marina.
TOTAL PROGRAM FLOOR AREA: 65,500 SF + 20% circulation
• Primary structure of the project shall be steel but will require the use of concrete as it relates to seawater.
• Air movement is essential for safe use of this project. The use of natural ventilation should be considered a primary design concern for this project.
SITE RESEARCH:
PreviousO.B.S.E.R.V.ESite..S.E.R.V.E
- Children’s play area (indoor): 2,000 SF - Children’s play area (outdoor): 3,000 SF - Cafeteria: 4,000 SF - Live Animal Programming: 3,000 SF - Public Lounge: 4,000 SF
• Wildlife: Birds, sea lions, dolphins, sharks, smaller fish. Lifecycles, populations, interactions. This data can yield very significant ideas for you design process.
Investigate all of these topics:
• Tidal information, seawater, and wave characteristics.
50 51 ARCH302 Design Studio Six // Spring 2021 Teaching Sample B.W.E.R + M.E. | Ballona Wetland Ecological Reserve and Marine EnvironmentComprehensive Research and Visitors Center
INTRODUCTION: The California Department of Fish and Wildlife (CDFW) has commissioned an environmental project to restore the Ballona Wetlands Ecological Reserve (BWER), the largest coastal wetland complex in Los Angeles County. The project will enhance and establish native coastal wetlands and upland habitat on 566 of the reserve’s 577 acres south of Marina del Rey and east of Playa del Rey, restoring ecological function to currently degraded wetlands and providing a critical buffer against the effects of sea level rise. To sustain this restoration effort and make it into a living, real-time educational asset to the people of Southern California; the CDFW and the California Coastal Commission as well as LA County, are asking you to design a Comprehensive Research and Visitors Center for the BWER to include information and education on the Wetlands and MDR marine environment. This encompasses a complete wetland+ marine ecosystem, its wildlife both above and underwater, effects of pollution on this system, etc.
• Historic data related to the Wetlands and the coast.
Study every aspect of the Wetlands, the Marina, Ballona Creek and the ocean adjacent to the project site.
Mending California's Broken Landscape
UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California.
Selected
STUDENTS: Menat ElKarim. Dante Romero. This work pushes the boundaries of what we envision as building as well as the impact architecture can have when tackling larger societal and ecological issues. From floating elements on the coast which respond to tides, to suspended spaces up high that respond to winds and other natural elements, the coral is taken as a morphological and conceptual driver. A connection and respect of the site's history and relationship to seasons and cycles of time served as inspiration for the dirty map and further development of the project.
WOODBURY
INSTRUCTOR: Miriam Malpartida.
CORALATIONWork |
This work focuses on the demographics of the region both currently as well as historically in order to project and guide how the presence of different groups of people who inhabit Los Angeles, can come together to learn about those who lived here before them while acting upon the ecological needs of the place. Rather than focusing on apparent racial differences and further divide people based on superficial markers, the desire to unite and worktowards a common goal is expressed by the architecture; inspired by the apparent crash and difference between water and rocks, both dancing together, shaping one another.
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INSTRUCTOR: Miriam Malpartida.
The floor plans present a larger circulation path/ramp which pierces through the different spaces creating a series of different scales and environments.
Coalition of Races Against Sea-level-rising Hazards
STUDENTS: Elide Vazquez. Taylor Tropp.
WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California.
INSTRUCTOR: Miriam Malpartida.
SelectedL.A.P.A.L.M.Work |
WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California.
Los Angeles Preserving All Living Minds
LA, being a city built by immigration, has suffered from ignorant treatment of its landscape, thus, creating clashing elements of water and earth as well as between different economic groups.
Rising sea level is responded through the lighthouse typology and its historical importance as water and transportation architecture. The tower acts as a machine which transforms and reutilizes different energy patterns from the ocean as well as the air.
STUDENTS: Joshua Diaz and Alireza Izadi. This work pays homage to the palm tree as a symbol of foreign insertion into a place making it now the most recognized image of the city.
INSTRUCTOR: Miriam Malpartida.
STUDENTS: Rafael Aguilar. David Kuo. This work explores the mangrove as a coastal tree which adapts and reinforces life in and around it. Microplastics and contamination is one of the biggest human impacts, the project acts as a living entity, trying to absorb contaminants. Users are invited to learn about marine life as well as our place within it.
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SelectedMANGROVEWork
The Diversion and Filtration of Human Impact.
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WOODBURY UNIVERSITY: School of Architecture | Structures Studio | Spring 2021 | Los Angeles, California.
Following is selected work I did as a student...
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V VIDEO Click here LI WEN - GENSLER, LEE PASTERIS - GENSLER WINNER TEAM
86 MAPPING THE FUTURE MUSEUM FOR INFINITE POSSIBILITIES Following are Mentoring and Tutoring samples...
Miriam Jacobsen HKS Michelle Stevenson HKS Sean Huynh HKS Henry Donis Turner Witt - Turner Alemayehu - Turner Janel Warren Sunstate Mckown - Wilson Meany FOR
Software: Rhino and Adobe. Physical Mentors:models.HKS(Architects), Turner (Engineers), Wilson Meany (Developers).
Museum of the Future theoretically proposed in site under development: new Entertainment District in Inglewood, CA. Design responds to Sofi Stadium (un der construction at the time). Students explored concept making, translation to sketches and eventually 3D model.
Linking the Village
MORNINGSIDE HIGH SCHOOL. INGLEWOOD, CA HKS Sponsored - 2016
Unknown Motion Infinite
Mentorship - A.C.E. Los Angeles
INFINITE POSSIBILITIES MAPPING THE FUTURE MUSEUM FOR INFINITE POSSIBILITIES
MORNINGSIDE HIGH SCHOOL. INGLEWOOD, CA HKS Sponsored - 2017
Mentorship - A.C.E. Los Angeles MUSEUM MORNINGSIDESITE MAPPING THE FUTURE MUSEUM FOR INFINITE POSSIBILITIES MAPPING THE FUTURE A MUSEUM
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Software: Sketch Up and Photoshop. Physical Mentors:models.HKS(Architects), Turner (Engineers), Wilson Meany (Developers).
Jane ManzerMENTORSHangMirkar
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All schools were given a site in Downtown Los Angeles to explore different sup port program for athletes who come from all over the world to compete in the city. We proposed a residential tower, which key location in the overall master plan, acted as a heart is to the body.
Mapping the Future
Tree of LifeMentorship - Spark Los Angeles
BURBANK MIDDLE SCHOOL. BURBANK, CA Gensler Sponsored - 2019 Homeless Shelter in Santa Monica, CA. As a sole mentor, both students and developed the concept for what the city needed most. We explored art, music, painting and physical model making as a tool not only to develop the project but as a part of the rehabilitation programs to be offered in the facility.
How can one solve a problem?
Historically, towns have settled themselves next to bodies of water, as lakes, rivers or oceans for food sources from water itself as well as for the fertility of the soil surrounding the water. As towns emerge next to a river stream, bridges are usually built to connect both sides which separated by water, yet are united as part of the same place. Activities on one side of town, affect the other side as a consequence, and if the town is to be preserved through generations, when an activity is made on one side the opposite must be made on the other side, thus keeping balance.
KINDNESS "B" KINDNESS "B" KINDNESS "A" KINDNESS "A" KINDNESS "A" KINDNESS "A" FLOW EQUALRIVERBRIDGEKINDNESS CITY
Imagine you are a bird; you can fly above the river and see a town called Kindness City divided by the Flow River. Boats can get you from Kindness "A" to Kindness "B", as well as a bridge that's newly built by the efforts of its inhabitants, the Equal Bridge. If Kindness is to maintain itself as an economic, cultural, and civic entity; whatever happens on one side, must be counteracted, therefore balanced, by what happens on the other. If one side builds a skyscrapper, the other one gives space for parks and outdoor areas. This is what solving algebraic equations or problems can teach: "it's all about balance." "B" "B"
TeachingMathematicsSample and
"Every
KINDNESS
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California, Chile and Peru. Developing a tutoring method to assist students who struggle with understanding Mathematics, Physics, Biology, Chemistry, Architecture. Architecture
KINDNESS
Educator Artist PRIVATE TUTORING AND MENTORING
"To find a solution to a problem, we must achieve balance first" time the bridge is crossed, the opposite is made"
Ona Pacha COPYRIGHT TODOS
By looking at the problem from a new perspective, with a brand new set of eyes and mind. For example, using architecture and urbanism we can see algebraic operations in a different light.
www.Malp.Art.com Ona Pacha COPYRIGHT TODOS www.Malp.Art.com Ona Pacha COPYRIGHT TODOS
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www.Malp.Art.com Ona Pacha COPYRIGHT TODOS
Painting and Drawing SELF - Malp.Art: 2021 - Present. California. Chile. Peru. My work explore four-dimensionality through the juxtaposition of landscapes, architecture and people. Space and time are what guide each color stroke and layer; further enhancing volumetric expression.
Mi trabajo explora las 4 dimensiones a traves de la juxtaposicion de paisajes, arquitectura y gente. El tiempo-espacio guian cada pincelada, trazo y capa, expanden la expresion volumetrica.
Part III ART |
"No se nace en vano al pie de un volcan""El2020-2022Mirador de Yanahuara" (The Yanahuara Overlook) in Arequipa, Peru, is an arched Spanish construction built with "sillar", volcanic rock product of eruptions by the volcanoes which surround the city. The Misti Volcano, in the background, is the starting point of it all. The volcano tranforms into the river and land which eventually break through the architecture, turning to fabric and/or hair. The woman sitting on top of the textile-hair-slide is invited to slide out from what's known, from her roots into her future, into infinity. The reminder that she's looked after and should not be afraid to move forward is written in the arc: "No se nace en vano al pie de un volcan" which translates as: "One is not born in vain at the feet of a volcano". Una invitacion a explorar tus raices, a volver a reecontrarte con ellas, a enamorarte con la belleza que existe desde lo mas produndo de ti hasta lo mas externo de ti, desde la tierra de la que vienes hasta la tierra a donde vas, desde tu pasado hacia tu futuro. En un todo y nada infinito, infinito amor.
"One is not born in vain at the feet of a volcano"
Acorde Al Alma explora como el alma se expresa a traves de la musica generando asi esa conexion entre las muchas dimensiones que habitamos, sonando y viviendo en la mas hermosa de ellas, la dimension de creacion hermosa y servicial, la de dar vida y amor; un acorde bello, una vida plena. Gratitud infinita.
Acrylics "According to your soul" "Acorde al Alma" 2020-2022 Music, movement, vibrations, reverberations, memories, feelings, connection; the relationship between human and instrument, instrument as extension of human. The accordion is the instrument which allows the man to travel between dimensions, from his heart, his inner child, to the stars, outer space. The open window allows the viewer to join this musical journey, acting as a portal.
Acrylics
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Como son los espacios que experimentamos y creamos a la vez? Son ellos una combinacion de una memoria, de un tiempo, de una presencia? Son aquellos bellos recuerdos del dia al dia, la familia, la intimidad, la amistad, las risas, son el poder apreciar la vida desde la/el niña/o que eres, inocente, hermoso y lleno de amor para dar y recibir. Tu verdadera naturaleza. Inspirada en los Apus de Arequipa; Chachani, Misti y Picchu Picchu y los distritos de Cerro Colorado, Yanahuara y Cayma.
98 99 How are spaces experienced and created? Are they a combination of a memory, a time, an existence, but most importantly of love? An existence which takes us back over and over to that beautiful place we create inside as well as outside? Inspired in the Apus (mountain gods) of Arequipa in the Andean Mountain Region of former TawaIntiSuyu or current Peru - Chachani, Misti and Picchu Picchu Volcanoes and the districts of Cerro Colorado, Yanahuara, Cayma, as well as the Chili River.
Acrylics "Memory of a Place" "Memoria de un Lugar" 2020-2022
El oceano, igual de misterioso que hermoso, es la matriz, el utero, que nos conecta a todos no solamente con el comienzo de la vida pero con toda la vida en si. Su relacion con el viento, la topografia, la luna y los seres vivientes, crea un universo paralelo en donde uno es permitido jugar, ser un nino de nuevo. Escuchando para asi mirar el mar, las olas son paredes que te permiten congelar el tiempo y sumergirte por un instante en el presente. La ola eres tu asi como tu eres la ola. Las ballenas te cuidan.
In order to see, you sea. The ocean, mysterious and beautiful, is the womb which connects us to the beginning of life as much as to all of life itself. It's relationship to the wind, topography, the moon and to living beings, create a parallel universe where one is allowed to play, to be a child again as we are in the beginning. Listening to see the sea, waves become walls that allow you to freeze time and for an instant you become fully engulfed in the present time. The wave is you as much as you are the wave. The whales take care of you, they got you.
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"Chordly Sane. Sane String." "Cuerdo y Cuerda. Cuerda y Cuerdo." 2019-2022 "Sea and See" "Mira el Mar" 2019-2022
Cuerdo, spanish word to describe someone sane, is also the masculine of Cuerda, which means string. This piece explores the guitar as sound through the sensations and vibrations in a human being's body, mind, and spirit.
Experience which is only possible because of the relationship and interaction between human and instrument. "Cuerdo y Cuerda" is the union between the masculine and femenine, light and shadow as well as above and bellow, within and without; thus creating a new existence which makes the couple vibrate as one with pure, unconditional and beautiful love.
Cuerdo y Cuerda. Cuerda y Cuerdo; explora la guitarra y el sonido vibrando en todo el ser -cuerpo, mente y espiritu, gracias a la interaccion e interrelacion entre instrumento y humano. Cuerdo y cuerda es la union entre lo masculino y lo femenino, la luz y la sombra, lo de arriba y lo de abajo; creando asi una nueva existencia que nace de la union de dos, existencia de amor puro, bello e incondicional.
La Laguna 69 es una de los cientos lagos y lagunas que son parte de la region central andina en Huaraz, Peru. La laguna es una superficie reflectiva que actua como un ojo que mira a todos los visitantes asi como es observada. Ademas de capturar la atencion de las personas, atrae la luz reflejandola de regreso. Este ojo de agua, Pucquio en quechua, conecta a los visitantes a traves del tiempo-espacio. Pencils
The closer you are to the light, the bigger your shadow gets. Recognize and integrate you shadow.The more you think you are right and hold the true, the bigger the chance for you to ignore something equally important and true. It is not only about light, or only about shadow, but rather about both of them existing at the same time, so the other one can exist. They are codependent and inseparable. Mientras mas cerca estas a la luz, mas grande se torna tu sombra. Es importante reconocer e integrar tu sombra. A medida que piensas que solo tu tienes la razon y la verdad, mas grande es la probabilidad que ignores algo igual de importante y que existe de verdad. No se trata solo de la luz, no se trata solamente de la sombra; por el contrario, se trata de las dos existiendo al mismo tiempo; una tiene que ser para que la otra pueda existir. Son codependientes e inseparables.
Pencils "Integrate light and shadow" "Integra la luz y la sombra" 2021 "Pucquio" "Pucquio" 2018
Laguna 69 is one of the hundreds of lakes and lagoons that are a part of the Central Andean region in Huaraz, Peru. The lagoon as a reflective surface acts as an eye which stares at vistors as much as it draws everyone to stare at it. Not only does it capture people's attention, it also attracts light to reflect it back to those around it. This water eye (Pucquio in quechua), links visitors across time-space..
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