Minnesota Opera's La bohème

Page 1

May 4–19, 2024

2023–2024

Libretto by Giuseppe Giacosa and Luigi Illica Music by Giacomo Puccini
SEASON

“Such high production values and careful casting make DMMO a find...” THE WALL STREET JOURNAL WORLD PREMIERE

AMERICAN APOLLO

DAMIEN GETER AND LILA PALMER

American Apollo gives voice to a pivotal figure in American art: Thomas Eugene McKeller, a Black hotel worker who served as model and muse for portraitist John Singer Sargent. Transformed by Sargent into white-skinned Greek gods, themes of erasure and McKeller’s role in important 20th century works of art are brought to life in this new American opera.

2024 FESTIVAL SEASON

June 28 - July 21

THE BARBER OF SEVILLE by Gioachino Rossini / Alexander Birch Elliott as Figaro SALOME by Richard Strauss / Sara Gartland as Salome PELLÉAS & MÉLISANDE by Claude Debussy / Sydney Mancasola as Mélisande and John Moore as Pelléas

AMERICAN APOLLO by Damien Geter and Lila Palmer / Justin Austin as Thomas Eugene McKeller (pictured)

SEE FOUR OPERAS IN THREE DAYS FOR TICKETS AND MORE INFO: DMMO.ORG / (515) 209-3257

STRAVINSKY’S

AUGUST 10 & 11

Gichi-ziibi Center for the Arts Brainerd, MN

“Our only hope is, ultimately, our relationships with each other.”

Omer Ben Seadia, director IN MAY!

Christian Reif, Conductor • Omer Ben Seadia, Director • Kearstin Piper Brown, Anne Truelove Sara Couden, Baba the Turk • Miles Mykkanen, Tom Rakewell • John Taylor Ward, Nick Shadow

FRIDAY, AUGUST 9 7:30 P.M.

Tornstrom Auditorium Brainerd, MN

“An essential soprano for our times.”

Los Angeles Times

in the Lakes Area AUGUST 9-11

HIGHLIGHTS:

• GRAMMY® winning soprano Julia Bullock in recital with Bretton Brown

• Stravinsky’s The Rake’s Progress

• Exclusive backstage/onstage tour and opening reception

• Luncheon with members of The Rake’s Progress creative team

• Lodging at Ruttger’s Bay Lake Resort . . . and more! Enjoy an OPERA LOVER’S

Learn more at LakesAreaMusic.org/ MNOpera

THE RAKE’S PROGRESS LakesAreaMusic.org
Ticketsonsale
JULIA BULLOCK
WEEKEND
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a bohème is a story about vibrant, creative people striving to improve their lives with limited resources. It is also about community—coming together in support of each other. As I’ve watched this production come together under the incredible guidance of our Principal Conductor Christopher Franklin and stage director Rodula Gaitanou, I’ve marveled at the complexity of this work and just how much life imitates art — in this production and here in our community.

While I watch the musician Schaunard on stage, I can’t help but acknowledge that this will be the sixth production of La bohème since Mike Smith began playing double bass with the Minnesota Opera Orchestra in 1980. Schaunard doesn’t travel far to make music, but we have two orchestra members who do. Principal trumpet player, John Koopman, travels 114 miles from Motely, MN for every rehearsal and performance.

Musetta, the entertainer and connector, would likely have much in common with Monica Murray who began with the Minnesota Opera Chorus in 1984 when she was still an undergrad. She’s been a regular member of the chorus since 1987, save for two years for graduate school.

Marcello the painter likely shares more than a few traits with Eric Veldey, who has built incredible sets for 22 years as part of the MN Opera Scene Shop. He and Marcello both have an eye for beauty in the creation of scenic elements on canvas and on stage!

Our beloved seamstress Mimi would beam with pride at the work of our costume shop. We’ve been fortunate to have terrific longevity in our costume shop with Yancey Thrift, a 33-year veteran of the group, bringing meticulous designs to each production.

Rodolfo, our singing poet, would be a welcome dinner guest with our New Works Initiative creators, the six of whom as composers and writers are bringing new stories and melodies into existence.

Colline, the resident philosopher, would be right at home with members of our marketing and fundraising staff, whose efforts attract people to the art we produce and encourage gifts of support to keep our work moving forward.

Whether this is your first La bohème or your tenth, we are so grateful for your participation, your gifts, and your advocacy. Over 65% of our annual budget goes directly to the people who make the art happen at MNOP. 90% of our human costs go directly to support Minnesotans and their families.

We are aware that we exist in a precarious moment in the arts landscape and our future will truly depend on your help! Thank you so much for being part of this incredible journey with us. We’ll see you next season!

@MNOPERA F X : I I
Minnesota Opera | MNOpera.org
LARGE-PRINT AND BRAILLE PROGRAMS ARE AVAILABLE AT THE PATRON SERVICES OFFICE. Fire Shut FEBRUARY Presented A MN OPERA SEPTEMBER 24–25 Season • 20 Meet the Artists • 18 WELCOME 8 La bohème 10 Synopsis 11 Director’s Notes 12 Giacomo Puccini 13 Meet MN Opera 14 Cast and Creative Team 16 Orchestra, Chorus, and Supernumeraries 17 Resident Artists 18 Meet the Artists 20 24-25 Season 22 MN Opera Board of Directors, Staff, and Volunteers 23 Upcoming Events 23 MN Opera Information 24 Arthur Kaemmer Tribute 25 MN Opera Donor Appreciation 27 Special Giving 28 Institutional Giving
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MUSIC BY Giacomo Puccini

LIBRETTO BY Luigi Illica AND Giuseppe Giacosa

BASED ON Henri Murger’s Scènes de la vie de bohème

World Premiere on February 1, 1896 at the Teatro Regio, Turin, Italy Sung in Italian with English captions projected above the stage

CAST

in order of vocal appearance

MARCELLO

JOO WON KANG

MAY 4, 9, 12, 16, 18

JEREMIAH SANDERS+

MAY 5, 11, 14, 19

RODOLFO

WON WHI CHOI

MAY 4, 9, 12, 16, 18

CHRISTIAN SANDERS*

MAY 5, 11, 14, 19

COLLINE

BENJAMIN SIEVERDING*

PRINCIPAL CONDUCTOR

CHRISTOPHER FRANKLIN

STAGE DIRECTOR

RODULA GAITANOU

SCENIC DESIGNER takis

COSTUME DESIGNER

TREVOR BOWEN

LIGHTING DESIGNER

D.M. WOOD

SCHAUNARD

CHARLES H. EATON+

BENOIT/ALCINDORO ANDREW WILKOWSKE*

MIMÌ

MELINDA WHITTINGTON

MAY 4, 9, 12, 16, 18

SYMONE HARCUM* † MAY 5, 11, 14, 19

PRUNE VENDOR

LOGAN BARAT

CREATIVE TEAM

INTIMACY DIRECTOR

ALESSANDRA

BONGIARDINA

WIG, HAIR AND MAKEUP DESIGNER

PRISCILLA BRUCE

ASSISTANT

STAGE DIRECTOR

MARGARET

JUMONVILLE •

STAGE MANAGER

OLIVIA DARLING

PARPIGNOL EFRAÍN CORRALEJO+

CHILD LAVENDER TRUONG

MUSETTA KEELY FUTTERER+

CUSTOMS OFFICER

ROBERT RIORDAN

CUSTOMS SERGEANT

JOEL MATHIAS

MUSICAL PREPARATION

MARIO ANTONIO MARRA Head of Music and Assistant Conductor

CELESTE MARIE JOHNSON*

Principal Coach and Chorus Director

MARY JO GOTHMANN

ERICA GUO+

ERIC MCENANEY* Répétiteurs

SARA SAWYER

Youth Chorus Director

+  MN OPERA RESIDENT ARTIST  |  * MN OPERA RESIDENT ARTIST ALUM • MN OPERA COMPANY ARTIST |  † MN OPERA COMPANY ARTIST ALUM
MINNESOTA OPERA MNOPERA.ORG 8

SEASON SPONSOR

Minnesota Opera gratefully acknowledges the special support of generous donors who helped make these performances possible.

PRODUCTION SPONSORS

Gayle Fuguitt and Tom Veitch

Graham V. and Margaret Fuguitt in honor and memory of Glenn V. Fuguitt

MN OPERA ORCHESTRA

Joseph Haggenmiller

ESTIMATED RUNNING TIME

Two hours and 17 minutes, with a 20 minute intermission occurring approximately 56 minutes into the opera.

This production includes the use of theatrical haze.

Thank you to Cadenza Music in St Paul, MN for their props assistance on this production.

Minnesota Opera would like to recognize that we occupy land that is of great historical, spiritual, and cultural significance to the Dakota people. To learn more, visit mnopera.org/ land-acknowledgement.

ACT I

Paris, 21st century. In their Latin Quarter garret, the near-destitute artist Marcello and poet Rodolfo try to keep warm by feeding the stove with pages from Rodolfo’s latest drama. They are soon joined by their roommates—Colline, a philosopher, and Schaunard, a musician, who brings food, fuel, and funds he has collected from an eccentric nobleman. While they celebrate their unexpected fortune, the landlord, Benoit, comes to collect the rent. After getting Benoit drunk, the friends urge him to tell of his flirtations, then throw him out in mock indignation at his infidelity to his wife. As the others depart to revel at the Café Momus, Rodolfo remains behind to finish an article, promising to join them later. The power goes out. Mimì, a neighbor, knocks on the door and asks for a light. As she enters the room, she suddenly feels faint. Rodolfo gives her a sip of wine, then helps her to the door. Mimì realizes that she dropped her key when she fainted, and the two search for it. In conversation by moonlight, the two get to know each other. Rodolfo tells Mimì about his dreams and she talks to him about her lonely life. Rodolfo’s friends call from outside, urging him to join them. He responds that he is not alone and will be along shortly. Happy to have found each other, Mimì and Rodolfo leave together for the café.

ACT II

Amid the shouts of street hawkers near the Café Momus, Rodolfo introduces Mimì to his friends. They all sit down and order supper. The toy vendor Parpignol passes by, besieged by children.

ACT III

At dawn, guests drink and sing at a cabaret in the fringes of the city, with Musetta as the mistress of ceremony. Mimì arrives, searching for Rodolfo. Marcello comes out of the bar and she tells him of her distress over Rodolfo’s incessant jealousy. She can’t handle him anymore — she believes they should part. As Rodolfo emerges from the bar, Mimì hides nearby. Rodolfo tells Marcello that he wants to separate from Mimì, blaming her flirtatiousness. Pressed for the real reason, he breaks down, saying that her illness can only grow worse in the poverty they share. Overcome with emotion, Mimì comes forward to say goodbye to her lover. Marcello runs back into the cabaret upon hearing Musetta’s laughter. While Mimì and Rodolfo recall past happiness, Marcello quarrels with Musetta over her flirting with a customer. Mimì and Rodolfo decide they will part ways.

ACT IV

Months later, Rodolfo and Marcello are now moving out from the garret. They have both separated from their girlfriends and reflect on their loneliness. Colline and Schaunard bring a meager meal. To lighten their spirits, the four stage a dance, which turns into a mock duel. At the height of the hilarity, Musetta bursts in with news that Mimì is outside and looks very weak. As Rodolfo runs to her aid, Musetta relates how Mimì begged to be taken to Rodolfo to die. They make her as comfortable as possible. While the friends decide to collect money to buy her medicine, Colline goes off to pawn his

Rodolfo recall their first meeting and the early happy days of their relationship. The others return and, as Musetta prays, Mimì slowly drifts into unconsciousness. The friends realize that she is dead, and Rodolfo collapses

COSTUME RENDERINGS OF MIMÌ (LEFT) AND MUSETTA (RIGHT) BY TREVOR BOWEN MINNESOTA OPERA MNOPERA.ORG 10 SYNOPSIS

La bohème is one of the most loved and popular pieces of the operatic canon.

It's a piece about the heartbreaking love story of Mimì and Rodolfo, the turbulent relationship of Marcello and Musetta, and the friendship of four young artists who live on the fringes of society, dreaming big dreams but with little discipline to realize them. It is also a study of artistic and personal growth and of change and its effects.

There are many themes that make this masterpiece so captivating to me.

It's fascinating how well the opera depicts the ethos of a group of people living on the edge of bourgeois society. Their resilience and adaptability, their sense of community, and solidarity. Their resourcefulness and creativity know no bounds.

And yet, their bohemian world can be full of false hopes — or as Marcello puts it in Act 2 — “O bella età d’inganni e d’utopie” (“oh beautiful age of deceptions and utopias”). Marcello, the most levelheaded amongst them, is encouraging or warning his friends to not trust their carefree bohemian life — their fragile ecosystem can be destroyed any time, for it is built on a world of false dreams.

In a proper archetypal character construction, they will have to undergo trials and tribulations that are going to transform them. They will be subjected to a coming of age and mature through the experience of loss, despair, and disappointment. An unexpected tragedy will hit them and they will very quickly realize: that life can give and take away in equal measure, that emotional life is precious, that their work needs to be carried on with seriousness and discipline if it’s ever going to be successful, that maturity and artistic growth go hand in hand, and that their relationships are going to be tested again and again.

All these themes seem so relevant to us today, hence the decision to set the action in a contemporary time frame. What I love about La bohème is that Puccini creates a world of “cosettine,” a world of small things

that collectively create meaningful experiences of raw emotionality. It’s not world-shattering events that become the vehicle for amplified passions but rather the tender and poignant moments of human intimacy. A slice of life is presented to us under the Parisian sky and the audience has almost a voyeuristic experience looking at the life of others — their troubles, their hopes, and the tender and harsh way to navigate it all.

Paris becomes a character per se. I remember my days as a music and theatre student in Paris, living in a little "chambre de bonne” on the fourth floor of a Hausmannian apartment building in the 11th arrondissement. My young self was hungry to discover the city and Paris didn’t disappoint … for an artsy student the fascination was endless, the city was full of surprises and opportunities and I was shaped by its unique circumstances, values, and experiences. But the bohemian life is not all rosy — the city will equally raise and crush you. Life is like a river; the flow will continue and strong currents will either lead you to extraordinary places or drown you in its depths. The choice is yours — how you navigate, what you choose as a guide, and how serious your will for adventure is.

❝A slice of life is presented to us under the Parisian sky and the audience has almost a voyeuristic experience looking at the life of others — their troubles, their hopes, and the tender and harsh way to navigate it all.”

In Puccini’s La bohème, the transformation from youthful innocence to maturity prevails, and in the process this piece becomes the most heartwarming and heartbreaking operatic experience.

DIRECTOR'S NOTES
Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 11

GIACOMO PUCCINI

b. Lucca, Italy; December 22, 1858 d. Brussels, Belgium; November 29, 1924

Giacomo Puccini was born into a family of court composers and organists in the historic city of Lucca, Italy. With a strong feeling of tradition in the Puccini family, it was expected that Giacomo would assume his deceased father’s position as Maestro di Cappella when he came of age. By 14, he already was playing organ in a number of the town’s churches.

As a young man, Puccini was determined to be rich and independent. His teacher introduced him to opera through the study of Verdi’s piano scores. In 1879, Puccini attended his first opera performance, Aida, and was deeply moved — his destiny was to be a composer for the theater.

Puccini knew it was necessary to study in the Italian operatic capital, Milan. After completing studies at the Pacini Institute of Music in Lucca, he enrolled at the Milan Conservatory in 1880 under the auspices of a royal scholarship. His living expenses were provided by a loan from an uncle, but money was always tight. Puccini lived the bohemian life of a poor student and became acquainted with many important musical and literary figures. For a short while, he shared a room with the composer Pietro Mascagni, who became famous for his one-act opera Cavalleria rusticana. To save money, the two of them would cook meals in their room, and, as this was strictly forbidden, one would play the piano loudly to drown out the noise of pots and pans. One can see how the composer drew from his own life experiences in writing La bohème

In 1883, at the age of 25, Puccini graduated with a diploma in composition from the Milan Conservatory. His thesis composition, Capriccio sinfonico, was played by the student orchestra and received high praise from influential critics. This was the start of a celebrated career.

Puccini was not a prolific composer. Unlike most of his contemporaries, he produced his operas at long intervals, partly because of his fastidiousness in choosing subjects — several of which he took up only to abandon after several months — and partly because of his constant demands for modifications of the texts.

Puccini began collaborating with librettists Luigi Illica and Giuseppe Giacosa in the 1890s, beginning with La bohème in 1896, followed by Tosca and Madama Butterfly. Giacosa died in 1906, putting an end to the successful team that produced three of Puccini’s most enduring works. Puccini died on November 29, 1924, and his remains are now entombed in the chapel of his villa at Torre.

His complicated personal life belied a deep and profound understanding of humanity that he wove into the rich fabric of his music — music that has endured much criticism, including from composer Benjamin Britten, for its popular appeal and emotional vulnerability. In true verismo fashion, his musical pacing of the story was direct and plunged his audiences headlong into the narrative — neither

COSTUME RENDERING OF COLLINE BY TREVOR BOWEN MINNESOTA OPERA MNOPERA.ORG 12 COMPOSER

Meet MN Opera

What do you do at Minnesota Opera?

As the Patron Services Manager, I have the honor of interacting with patrons both in person and online, getting you the best tickets at the best price. From operas at the Ordway to rental performances at the Luminary, I manage the ticketing for all our events. My team and I are dedicated to making your experience at the opera memorable and exciting.

Why are you excited for La bohème ?

When I moved to Minnesota five years ago, my aunt and uncle introduced me to the world of opera and La bohème was the show I always wanted us to see together, as I have fond memories of watching Rent as a teenager. My uncle passed away a few years ago and we never got to see this opera together, but I know he is here in spirit and has the best seat in the house! This show is for Peter: thank you for opening my eyes to this wonderful art form.

Minnesota Opera’s dedicated creative workforce of artists, craftspeople, and administrators are passionate about bringing opera and opera education programs to Minnesota. Recently, we sat down with three of them to learn more about what they do at MN Opera and why they’re excited about this production of La bohème.

What do you do at Minnesota Opera?

I handle the day-to-day accounting tasks for the company: recording revenues and expenses, processing deposits, reconciling accounts, and paying the wonderful behindthe-scenes creatives and on-stage performers contracted for each production. I communicate with many coworkers across all departments to track the full range of our activities to ensure we maintain a complete and timely financial record for all stakeholders.

Why are you excited for La bohème ?

It’s truly rewarding seeing the results of what I’ve supported via all the love my coworkers pour into these productions over the course of many years. There are so many songs and moments that have gained widespread pop cultural significance that many don’t realize originated from opera. My wife is a huge fan of the musical Rent and it’s fun to connect modern works to those that inspired them. We also bring two different friends to each performance that wouldn’t otherwise normally attend opera to further expand this recognition and impact.

What do you do at Minnesota Opera? I am the Equity, Diversity, and Inclusion Coordinator at MN Opera. I assist with all things EDI and I also aid in the production of all Access and Civic Engagement work for MN Opera. I am also a violinist in the MN Opera Orchestra!

Why are you excited for La bohème ?

As a musician in the orchestra, I can say that La bohème is a wellloved opera by artists. The music is unmatched in beauty and emotional impact, and it is an iconic piece of the opera repertoire. It stands alone as a story that has stood the test of time, and the struggles of the characters are still understood by artists today. I once had the opportunity to see this opera performed at La Scala and I cried my way through the first act. I can't wait to play this beautiful music with all of my colleagues in the orchestra and bring its beauty to MN audiences!

ALEXIS ALCALA PATRON SERVICES MANAGER EMILIA METTENBRINK EQUITY, DIVERSITY, AND INCLUSION COORDINATOR
MEET MN OPERA Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 13

ALESSANDRA BONGIARDINA

INTIMACY DIRECTOR

BROOMFIELD, CO

Minnesota Opera Debut:

Carmen, 2022

Notable Engagements:

The Elixir of Love, Minnesota Opera

The Daughter of the Regiment, Minnesota Opera

Murder on the Orient Express, Guthrie Theater

Vietgone, Guthrie Theater

Romeo and Juliet, University of Minnesota

TREVOR BOWEN

COSTUME DESIGNER

ALTUS, OK

Minnesota Opera Debut:

Fellow Travelers, 2018

Notable Engagements:

Richard II, Henry IV, Henry V, Guthrie Theater

Ride the Cyclone, Arena Stage

True West, Steppenwolf Theater

The Color Purple, Denver Center for the Performing Arts

Shane, Cincinnati Playhouse in the Park

PRISCILLA BRUCE

WIG, HAIR, AND MAKEUP DESIGNER

KENSINGTON, MD

Minnesota Opera Debut:

Il trovatore, 2008

Notable Engagements:

Il trovatore, Washington National Opera

Mortification of Fovea Munson

Kennedy Center Youth Audience

Don Giovanni, Minnesota Opera

La Cenerentola, Boston Lyric Opera

Faust, Wolf Trap Opera

WON WHI CHOI

RODOLFO

SEOUL, SOUTH KOREA

Minnesota Opera Debut:

Carmen, 2022

Notable Engagements:

Macbeth, Atlanta Opera*

Rigoletto, Dallas Opera

The Garden of the Finzi-Continis

New York City Opera

La traviata, Korea Opera Festival, Virginia Opera

Les contes d’Hoffmann, Opera Tampa

Rigoletto, New York City Opera

EFRAÍN CORRALEJO

PARPIGNOL

LEÓN, GUANAJUATO, MEXICO

Minnesota Opera Debut:

Rinaldo, 2022

Notable Engagements:

Trouble in Tahiti & Service Provider, Minnesota Opera

Cruzar la Cara de la Luna, Minnesota Opera, Austin Opera

Don Giovanni, Minnesota Opera

Eugene Onegin, Highlands Opera Studio

Davide Penitente, Palacio de Bellas Artes –

Mexico City

The Barber of Seville, Curtis Institute of Music

CHARLES H. EATON

SCHAUNARD

STORRS, CT

Minnesota Opera Debut:

Silent Night, 2018

Notable Engagements:

Silent Night, Wolf Trap Opera*

Romeo and Juliet, Minnesota Opera*

Don Giovanni, Madison Opera*

Pagliacci, Pensacola Opera*

The Christmas Spider, Opéra Louisiane

Faure’s Requiem, Carnegie Hall

CHRISTOPHER FRANKLIN

PRINCIPAL CONDUCTOR

PITTSBURGH, PA

Minnesota Opera Debut:

La Cenerentola, 2011

Notable Engagements:

Romeo and Juliet, Minnesota Opera*

The Barber of Seville, Minnesota Opera*

Turandot, San Francisco Opera

Peter Grimes, Palau de les Arts-Valencia

Manon, Ópera de Tenerife

Adriana Lecouvrer, Opéra Royale de Wallonie

Die Fledermaus, New National Theatre - Tokyo

KEELY FUTTERER

MUSETTA

DOVER, AR

Minnesota Opera Debut:

Edward Tulane, 2022

Notable Engagements:

Silent Night, Wolf Trap Opera*

Paër’s Leonora, Chicago Opera Theater*

Trouble in Tahiti & Service Provider, Minnesota Opera

The Anonymous Lover, Madison Opera

Rodelinda, Hudson Hall

Rinaldo, The Glimmerglass Festival

RODULA GAITANOU

STAGE DIRECTOR

ATHENS, GREECE

Minnesota Opera Debut:

La bohème, 2024

Notable Engagements

Nabucco, Savonlinna Opera Festival*

La traviata, Norwegian National Opera

Vanessa, Spoleto Festival

Carmen, Opera Theatre St. Louis

Madama Butterfly, for Fondazione del Teatro Grande di Brescia, Teatro Sociale di Como, Fondazione Teatro Fraschini di Pavia, Fondazione Teatro Amilcare Ponchielli di Cremona, Teatro Donizetti di Bergamo, Teatro del Giglio di Lucca, Italy

SYMONE HARCUM MIMÌ

BALTIMORE, MD

Minnesota Opera Debut:

The Anonymous Lover, 2022

Notable Engagements:

The Anonymous Lover, Opera Philadelphia*

Don Giovanni, Minnesota Opera

The Factotum, Lyric Opera of Chicago

Rinaldo, Minnesota Opera

Carmen, Minnesota Opera

Le nozze di Figaro, Virginia Opera

MN OPERA RESIDENT ARTIST
MN OPERA RESIDENT ARTIST
MN OPERA RESIDENT ARTIST ALUM MINNESOTA OPERA MNOPERA.ORG 14 CAST + CREATIVE TEAM
MN
OPERA RESIDENT ARTIST

CELESTE MARIE JOHNSON

PRINCIPAL COACH AND CHORUS DIRECTOR

PINE ISLAND, MN

Minnesota Opera Debut:

Albert Herring, 2021

Notable Engagements:

Don Pasquale, Lakes Area Music Festival

Don Giovanni, Minnesota Opera

Carmen, Minnesota Opera

The Anonymous Lover, Minnesota Opera

La fille du régiment, Opera Saratoga

Tosca, Inland Northwest Opera

JOO WON KANG

MARCELLO

WALNUT CREEK, CA

Minnesota Opera Debut:

La traviata, 2019

Notable Engagements:

Turandot, Metropolitan Opera

La bohème, Canadian Opera Company

La traviata, Seattle Opera

Nixon in China, Los Angeles Philharmonic

Maria de Rudenz, Wexford Festival Opera

The Barber of Seville, Arizona Opera

CHRISTIAN SANDERS

RODOLFO

WESTCLIFFE, CO

Minnesota Opera Debut:

La rondine, 2018

Notable Engagements:

Street Scene, Central City Opera*

Loving v. Virginia, Virginia Opera*

Sweeney Todd, Utah Opera*

The Little Prince, Pacific Opera Victoria*

Die Fledermaus, Pensacola Opera

JEREMIAH SANDERS

MARCELLO

MARION, IN

Minnesota Opera Debut:

Edward Tulane, 2022

Notable Engagements:

Don Giovanni, Madison Opera*

Trouble in Tahiti & Service Provider, Minnesota Opera

The Gift of the Magi, Skylark Opera Theatre

The Love for Three Oranges

Des Moines Metro Opera

The Daughter of the Regiment, Minnesota Opera

Ariadne auf Naxos, Lakes Area Music Festival

BENJAMIN SIEVERDING

COLLINE

SIOUX FALLS, SD

Minnesota Opera Debut:

Ariadne auf Naxos, 2015

Notable Engagements:

The Snowy Day, Minnesota Opera*

Don Giovanni, Edmonton Opera

Carmen, Glacier Symphony

Le nozze di Figaro, Madison Opera

Edward Tulane, Minnesota Opera

Hamlet, Metropolitan Opera

takis

SCENIC DESIGNER

LONDON, UNITED KINGDOM

Minnesota Opera Debut:

La bohème, 2024

Notable Engagements:

HMS Pinafore, English National Opera

La traviata, Norwegian National Opera

Madama Butterfly, Opera Lombardia/ Estonian National Opera

Don Giovanni, Finnish National Opera

Phaedra, Royal Opera House

MELINDA WHITTINGTON

MIMÌ

CHARLOTTE, NC

Minnesota Opera Debut: La bohème, 2024

Notable Engagements: Rusalka, Arizona Opera

La traviata, Opera Carolina

Le nozze di Figaro, Opera Grand Rapids, Opera Carolina

Eugene Onegin, Opera Carolina

Don Giovanni, Utah Opera, Arizona Opera Cold Mountain, North Carolina Opera

ANDREW WILKOWSKE

BENOIT/ALCINDORO

WILLMAR, MN

Minnesota Opera Debut: Transatlantic, 1998

Notable Engagements:

The Daughter of the Regiment, Minnesota Opera

Salome, Madison Opera

The Grapes of Wrath, Minnesota Opera

The Magic Flute, Komische Oper Berlin

The Marriage of Figaro, Cincinnati Opera Macbeth and the Weïrd Sisters, Theater Latté Da

D.M. WOOD

LIGHTING DESIGNER

TORONTO, CA

Minnesota Opera Debut:

Il trovatore, 2008

Notable Engagements:

La traviata, Norwegian National Opera

4.48 Psychosis, Royal Opera House, Covent Garden

Polifemo, Opéra national du Rhin

Die Walküre, The Royal Danish Opera

A Midsummer Night’s Dream, Deutsche Oper Berlin

* Indicates Upcoming Performance MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST ALUM
MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 15 CAST + CREATIVE TEAM
MN OPERA RESIDENT ARTIST ALUM

MINNESOTA OPERA ORCHESTRA

VIOLIN I

Allison Ostrander

Concertmaster

Julia Persitz

Asst. Concertmaster

David Mickens

Heidi Amundson

Emily Saathoff

Maisie Block

Mary Alice Hutton

Karl Braaten

Stephanie Arado

Alastair Brown

VIOLIN II

Laurie Petruconis*

Elise Parker +

Elizabeth Decker

Huldah Niles

Emilia Mettenbrink

Kseniya Khvashchynskya

Erika Hoogeveen

David Block

VIOLA

Susan Janda*

Laurel Browne +

Jenny Lind Nilsson

Coca Bochonko

Emily Hagen

Charles Krenner

CELLO

Teresa Richardson*

Sally Gibson Dorer +

Rebecca Arons

Kirsten Whitson

Ruth Marshall

BASS

John Michael Smith*

Jason C. Hagelie +

Nadja Gale

MINNESOTA OPERA CHORUS

SOPRANOS

Madison Holtze

Jianing Li

Alexis Reed

Justine Scarbrough

Lindsay Sessing

Quinn Shadko

Kristie Tigges

Cassandra Vasta

MEZZO-SOPRANOS

Laura Coale

Kristina Dudley

Gillian Gauntt

Miranda Kettlewell

Monica Murray

Valerie Rogotzke

Huiyin Tan

Anne Todey

TENORS

Samuel Baker

Robert Banks

Logan Barat

Paul Gutmann

Trevor Lemon-Todd

Nathan Romportl

Phillip Takemura Sears

Colyn Tvete

BARITONE/BASS

Karl Buttermann

Matthew Christoff

Grady Klein

Gary Kubert

Joel Mathias

Robert Riordan

Niko Simmons

Cole Strelecki

Tyrie Williams

FLUTE

Hannah Peterson*

Bethany Summersgill

PICCOLO

Amy Morris

OBOE

Michael Dayton*

Robert McManus

ENGLISH HORN

Jeffrey Marshak

CLARINET

Karrin Meffert-Nelson*

Jennifer Gerth

BASS CLARINET

Nina Olsen

BASSOON

Laurie Hatcher Merz*

Matthew Bertrand

HORN

Timothy Bradley

Charles Hodgson

Allison Aikins

Jenna McBride

TRUMPET

John G. Koopmann*

Christopher Volpe

Martin Hodel

TROMBONE

Phillip Ostrander*

Alex Wolff

David Stevens

TIMPANI

Kory Andry*

YOUTH CHORUS

Julianna Belle Ferrell

Ford Bradshaw

Matthew Bruggeman

Mila Huber

Mary Carolyn Hulse

Emilia Kaplan

Mena Koch

Lauren Lee

Heather McAllister

Sophie Negrete

Cal Prideaux

Neriyah Scott King

Anders Thielen

Lavender Truong

YOUTH SUPERVISORS

Pablo Siqueiros

Alicia Storkamp

SUPERNUMERARIES

Andrew Flamm

Super Captain

Claudia Garcia

Stephen Hage

Emma Johnson

PERCUSSION

Matthew Barber*

Joel Alexander

TUBA

Jacob Grewe*

HARP

Min J. Kim*

BANDA

Jonathan Brandt, trumpet

Takako Seimiya Senn, trumpet

Rachel Haug, piccolo

Charles Gibb, piccolo

Joel Alexander, snare drum * Principal + Assistant Principal

Kevin Klein

Michelle Schwantes

Satomi Shinde

AnnaRose Wayne

THE MINNESOTA OPERA ORCHESTRA, PHOTO BY DAN NORMAN THE MINNESOTA OPERA CHORUS, PHOTO BY DARIN KAMNETZ
MINNESOTA OPERA MNOPERA.ORG 16
+ SUPERNUMERARIES
ORCHESTRA, CHORUS,

resident artist program

The MN Opera Resident Artist Program, one of North America’s premier training programs, offers a full season of employment to talented artists beginning their professional careers and introduces audiences in the Twin Cities to those artists who embody the present and future of our industry. Since its founding in 1997, the program has prepared singers, pianist/coaches, conductors, and directors for careers in opera through intense, individualized training and through major opportunities in Minnesota Opera productions. By encouraging curiosity, fostering a collaborative spirit, and approaching the work with integrity, the Resident Artist Program uniquely positions artists to thrive and commit themselves to this beautiful art form.

Experiencing the craft of my colleagues and mentors at MNOP has been impactful and inspiring. In addition, the balance of new and traditional repertoire which Minnesota Opera produces on its stages has been a highlight for me.” – Jeremiah Sanders

RAP QUESTION:

“What is a highlight of your time at Minnesota Opera during your time as a RAP?”

One of the highlights of this Resident Artist Program has been the opportunity to sing on stage in roles large and small, all while working with good coaches and teachers for artistic and personal development.”

– Efraín Corralejo

I loved it when Warren Jones, one of the preeminent collaborative pianists of our time, came to do a concert with the Resident Artists. Getting the chance to share the stage with him and to play four-hand music with him was refreshing and inspiring.” – Erica Guo

Minnesota Opera was integral to my early development as an artist while I pursued my master's degree at the U of MN ('15). To perform on the Ordway stage nearly a decade after was a full-circle dream realized.” – Charles H. Eaton

There are really too many experiences to choose from, but the moments I’ll treasure most are the relationships I made with people that mean a great deal to me personally and artistically, and the art that we created together. For me, opera is about connection and communication, and this program gave that to me both on and off stage.” – Keely Futterer

The Minnesota Opera Resident Artist Program has guided the careers of over one hundred artists since its founding in 1997. Affirming the program’s high standard of training and artist development, alumni perform regularly with Minnesota Opera while earning engagements at prestigious houses worldwide, such as the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, the Salzburg Festival, and the Royal Opera House Covent Garden.

To learn more about the Resident Artist Program or to make a donation to the program, please visit: mnopera.org/about/ resident-artist-program/

RESIDENT ARTIST PROGRAM

We are lucky to have four incredible singers join us to portray the characters of Rodolfo and Mimì. Recently, Christian Sanders, Won Whi Choi, Melinda Whittington, and Symone Harcum sat down to answer a few questions about themselves and their roles.

my thoughts, control my breath, and continue singing. Playing Rodolfo is both beautiful and challenging — it’s about becoming part of the beautiful music and story while staying on track with my performance.

CS This role offers the joy of expressing a wide emotional range through Puccini's iconic melodies and building deep on-stage relationships, yet demands considerable vocal stamina and technique, as well as the ability to deliver a nuanced acting performance. The challenges lie in balancing the light-hearted aspects of the bohemian lifestyle with the profound depth of love and loss, requiring a sophisticated approach to both singing and acting. It also involves meeting high expectations set by previous interpretations while finding a unique voice in a beloved, classic role.

What are some of the joys and challenges of performing this role?

WWC  Every time I play Rodolfo on stage, I think about what love really means in my life. The various emotions depicted within Puccini’s melodies resonate with me more deeply on stage than when I simply listen to opera. From the excitement of first love to the deeper journey of Rodolfo's love story, it makes me reflect on my own experiences. But sometimes, focusing too much on the emotions can make it hard to sing technically well. For example, the scene where Mimì is dying and returns to Rodolfo, it can bring back memories of losing someone important. Still, I must gather

What themes or messages from La bohème do you think bring audiences back time and time again? In what ways is this piece relevant today?

WWC  Every time La bohème is performed, I feel that every piece of music has a purpose and contributes to creating the atmosphere of the story and situation. The harmony between the drama and the music allows the audience to immerse themselves in the story from beginning to end. And the story deals with relatable themes of love, friendship, the passion of youth, and the process of maturation through failure. In the relationships of characters that could exist even today, it makes us think about what is truly precious to us or what we might be missing in our lives.

CS It resonates so well because it taps into the universal experiences of young love, the challenges of making ends meet, and the warmth of close friendships—themes that everyone can

relate to. Plus, its genuine portrayal of life’s joys and sorrows ensures its enduring relevance and emotional impact on modern audiences.

What do you hope that audiences will take away from this production?

WWC  Ultimately, my hope is that audiences will be deeply moved by the emotional depth of La bohème and the journey of its characters. I want people to walk away from the performance with a renewed appreciation for the power of love and friendship, as well as a sense of the fleeting nature of life and the importance of cherishing every moment.

CS I want the audience to feel the raw emotions we're laying out, recognizing bits of their own stories in ours. Hopefully, they'll leave with a bit more empathy and a reminder to value the good times and the people who make them special.

Do you have any plans for your time in Minnesota?

WWC  This is my third visit to Minnesota, and each time I’ve been here, I’ve been focused on work and haven’t had the chance to experience much. This time, I’ll be accompanied by my adorable 4-year-old daughter and my parents, so I’m excited to explore various attractions in Minnesota with them. We’re planning to do a food tour, go shopping, visit museums, and more. If you have any recommendations for great places to visit, please share them!

CS I love to eat! :-) I definitely want to try some of the new restaurants and eateries in Minneapolis and St. Paul that have popped up since I was a Resident Artist here five years ago. Other than that, you may see me riding my bike around town or getting some outdoor time down at the Minnehaha Dog Park.

MEET THE ARTISTS
WON WHI CHOI
MINNESOTA OPERA MNOPERA.ORG 18
CHRISTIAN SANDERS &

Describe your character in three words:

MW Generous, Solitary, Wise

SH Passionate, Sincere, Courageous

What are some of the joys and challenges of performing this role?

MW I’ll start with the challenges, so we can end on a high note! The biggest challenge is how iconic it is! From a vocal standpoint, the difficulty is that the tessitura of the role — or where it sits — is actually quite low. Keeping the low middle voice grounded and well balanced, so that it is present and full, is the biggest challenge for me. The joys are almost too numerous to list! The reasons that La bohème is so timeless below are a huge part of it. Mimì was the spark that made me want to be an opera singer. Listening to Mirella Freni's “Si, mi chiamano Mimì,” I felt deep in my bones at that moment that this catharsis of the human experience through the raw power of the human voice and the operatic form was the way I was created to make a difference on this earth.

SH  Often, for me, the joys and challenges of these roles are one and the same. With Mimì, it is both challenging and intensely satisfying to explore the vastness of her emotional scope. There’s a strength that is present throughout her story, as she acknowledges the reality of her health and still chooses to participate in life while she has time, coupled with the vulnerability of giving herself fully to the prospect of true love.

What themes or messages from La bohème do you think bring audiences back time and time again? In what ways is this piece relevant today?

MW Love and fear are two sides of the same coin and a universal experience. La bohème is timeless because Puccini has created such REAL characters. The story captures deep truths about love, friendship, societal structures, and the value of art and artists within

that society. Puccini capitalizes on the operatic form’s power to express raw human emotion, but without the trappings of pretentious grand opera that can feel unapproachable to a modern audience.

SH  Well, La bohème has everything: true friendship, lighthearted fun, intense love, comedy, tragedy, GORGEOUS music… And this list is non-exhaustive. Why wouldn’t we come back? The story of La bohème stands as one of the most relatable in the operatic canon. Every person on earth experiences highs and lows, ease and hardship, bliss and tragedy. It remains relevant because it centers on the most human of experiences— ones that every audience member has encountered or knows they will one day experience.

What do you hope that audiences will take away from this production?

MW Humor, simplicity, relatability, and yes, even a healthy dose of that magical, all-encompassing grandeur that only opera can give! I hope you allow yourself to be transported into the tragic and beautiful world of these young artists, and leave with new insights about yourself, others, and the world around us. Because, and I think all these characters would agree, isn’t that the point of art?

SH  The story, music, and often the stage business of La bohème is very well known to the operatic community, artists and audiences alike. There’s much about the show that we’ve come to expect from the individual characters and the dynamics of their relationships with one another. Our director, Rodula, has opened the door for this cast to interact authentically with the work, without the pressure to do what is “historically” done. I hope that audiences can come away with some surprises and new discoveries.

Do you have any plans for your time in Minnesota?

MW I love exploring a new city’s food scene, breweries, coffee shops, and art museums! When my family comes to visit, we look forward to checking out lots of kid-friendly activities…the Children’s Museum, the Science Museum, Can Can Wonderland, the zoo, a riverboat cruise, and exploring new-to-us playgrounds are currently on the list! Suggestions welcome!

SH  All the things I’ve missed since being away. 1. Walking the river in the North Loop. 2. Snack Bar 3. Playing pool with the RAPS at The Hewing 4. Edwards Dessert Kitchen

MEET THE ARTISTS
Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 19
MELINDA WHITTINGTON & SYMONE HARCUM

3-OPERA SEASON:

Romeo and Juliet

The Snowy Day

NOVEMBER 2–10, 2024 | Ordway Music Theater, St. Paul

FEBRUARY 8–16, 2025 | Ordway Music Theater, St. Paul

The Barber of Seville

Glam Jam

MAY 3–18, 2025 | Ordway Music Theater, St. Paul ADD-ON:

A MN OPERA STAR-STUDDED BENEFIT CONCERT

SEPTEMBER 28, 2024 | Ordway Music Theater, St. Paul

Fire Shut Up in My Bones: Excerpts in Concert

2024–2025 Season

FEBRUARY 23, 2025 | Ordway Concert Hall, St. Paul Presented by the Arts Partnership

A ONE NIGHT ONLY EVENT! SEPTEMBER 28, 2024 AT 7PM

Monét X Change returns to host a unique benefit extravaganza featuring a star-studded lineup of some of the most captivating performers from the MN Opera stage. Led by Principal Conductor Christopher Franklin with the full forces of the MN Opera Orchestra behind them, audience favorites come together to showcase the breadth and power of their artistry in a one-night-only event you won’t want to miss.

Subscribers get exclusive early access to this first-of-its-kind concert experience! With tiered tickets and engaging pre- and post-show activities, you are invited to customize your night out in support of the art and artists you love.

Tickets starting at $75 for general seating. For more purchasing information, visit mnopera.org/glam-jam

BOARD OF DIRECTORS

OFFICERS

Chair | Mark C. Gordon

President and General Director | Ryan Taylor

Vice Chair | Missy Staples Thompson

Secretary | Rachelle McCord

Treasurer | James Powell

DIRECTORS

Joelle Allen

Margaret Blake, M.D.

Sosha Brink

Roma CalatayudStocks

Ivonne Chand-O’Neal, Ph.D.

Gayle Fuguitt

Amy Hoffman

Dorothy Horns, M.D.

Philip Isaacson

Diane Jacobson, Ph.D.

Deborah Jiang-Stein

Anna Kokayeff, M.D.

Robert Lee

Natalie Volin Lehr

Jeninne McGee

Fayneese Miller, Ph.D.

Jodi Mooney

Kay Ness

Benjamin J. Ollendick

Elizabeth Redleaf

Bart Reed

Cris Ross

Mary Schrock

Nadege Souvenir

Margaret V.B. Wurtele

HONORARY DIRECTORS

Philip Brunelle

Liz Kochiras

PRESIDENT’S COUNCIL

Karen O. Bachman

John A. Blanchard, III

Susan Boren King

Burton Cohen

Ellie Crosby

John Huss

Ruth Huss

James E. Johnson

Lucy Rosenberry Jones

Gale Sharpe

Kevin H. Smith

Virginia Stringer

Mary W. Vaughan†

STAFF

EXECUTIVE

President and General Director | Ryan Taylor

Principal Conductor | Christopher Franklin

Executive Manager | Andrew Sun

ADMINISTRATIVE

Vice President, Administration and Board Relations | Theresa Murray

Human Resources Director | Jen Thill

Luminary Arts Center Director | Julia Gallagher Front of House Manager, Luminary Arts Center | Zachary Staads

Luminary Front of House Supervisor |  Emma Goecks

Luminary Front of House Associates |  Annika Hansen, Claire Frederick, Dixie Treichel, Seth Kaltwasser, Edie Karras, Lexie Modica

Rentals Manager | Victoria Pollock

ADVANCEMENT

Vice President, Advancement | Lani Willis

DEVELOPMENT

Development Director | Jeremie Bur

Strategic Growth Director | Erin Flannery

Development Manager | Siena Forest Gift Officer | Leila Keïta

Development Associate | Jonathan Lundgren

Associate Patron Relations Director |  Kristin Matejcek

Campaign and Annual Giving Manager |  Charlotte Summers

MARKETING AND COMMUNICATIONS

Marketing and Communications Associate | Amran Abdulkadir

Marketing and Communications Director | Gretchen Halverson

Communications Manager | Isaac Mayhew

Senior Graphic Designer | Genie Hien Tran

Graphic Design Intern | Crystal Xayana

PATRON SERVICES

Patron Services Administrator | Kevin Beckey

Patron Services Manager | Alexis Alcala

Associate Patron Services Manager | Eva Gemlo

Patron Services Coordinator | Alexis Reed

Patron Services Representative | Carol Corich, Asa Gutow, Jenna Lory, Paige Swenson

ARTISTIC

Vice President, Artistic | Joseph Li Director of Resident Artist Program and Head of Music | Mario Antonio Marra

Company Manager | Roxanne Stouffer Cruz Artistic Administrator | Salvatore S. Vasta III

Principal Coach and Chorus Director |

Celeste Marie Johnson

Resident Artists | Efraín Corralejo, Charles H. Eaton, Keely Futterer, Erica Guo, Jeremiah Sanders

Resident Artist Guest Faculty | Lara Bolton, John Churchwell, Eric McEnaney, Thomas Muraco†

FINANCE

Vice President, Finance | Janelle Erickson Controller | Patty Wilber

System Administrator | Tony Ngonekeo

Staff Accountant | Chris Olsen

IMPACT

Vice President, Impact | Darius Gillard Equity, Diversity, and Inclusion Director |  Rocky Jones

Creative Development Program Manager |  Yuanfei Chen Equity, Diversity, and Inclusion Coordinator | Emilia Mettenbrink Youth Programs Music Directors |  Sara Sawyer, Jared Miller, Rick Hoops

PRODUCTION

Vice President, Production | Karen Quisenberry

PRODUCTION AND FACILITIES

Associate Production Director |

Genoveva Castañeda

Technical Director | Jonathan “Bearclaw” Hart

Costume Director | Corinna Bakken

Assistant Technical & Facilities Director |

Jerry K. Smith

Assistant Production Director | Sarah Lockwood

Facilities Manager | Jona Peters

Interim Facilities Manager | Kash Uqdah

Lighting Coordinator | Ray Steveson Jr.

STAGING STAFF

Stage Manager | Olivia Darling

Assistant Stage Managers | Patricia Garvey, Noam Lautman

Company Artist Assistant Stage Director |  Margaret Jumonville

SCENERY, PROPERTIES, AND LIGHTING

Production Carpenter | Max Gilbert

Scene Shop Supervisor | Madi Scott Smith

Senior Carpenter | Eric Veldey

Properties Craftsperson | Rachel Krieger

Luminary House Technician | Evan Peterson

Carpenters | Molly Diers, Hal Eckhart, Rose King, Alex Mongin, Ada Packiewicz, Jonathan Schaffer, Jared Shofstall

Charge Artist | Erica Zaffarano

Scenic Painters | Macaria Meza, Sophie Pfluger Properties | Kellie Larson, Jenny Moeller, Stacey Schwebach

Tech Lighting Assistant | Dante Benjegerdes

Electricians | Jack Hinz, Andrew Kedl, Grant Merges

COSTUMES

Costume Administrator | Molly O’Gara Wig, Hair, and Makeup Supervisor |  Emma Gustafson

Tailor | Yancey Thrift

Drapers | Katrina Benedict, Chris Bur Costume Crafts and Dye Head | Danielle Jordan First Hands | Brigid Borka, Sara Huebschen, Rebecca Karstad

Stitchers | Helen Ammann, Ann Friese, Ally Guglielmi

Wig, Hair, and Makeup Runcrew |  Melissa Gubrud, Wendy Frank Zapata, Alex Xiong

VOLUNTEERS

Marcia Aubineau, Maria Benson, Amanda Binder, Judy Brighten, Michelle Carlson Liebl, Yuanfei Chen, Deb Dittmann, Jennifer Eckes, Andy Flamm, Diane Gerlach, Jonathan Grogu, Megan Helmers, Jess Hoffert, Scott Hoffman, Madeline Huss, Diane Jacobson, Julie Karlson, Jeanie Kett, Margaret Matejcek, Frances Matejcek, Mary McDiarmid, Nicholas Mroczek, Monica Murray, Chris Olsen, Kristin Ostebee, Candayce Osterkamp, Tom Ozzello, Jaimeson Parkin, Kim Petersen, Polly Peterson, Barton Reed, Charlie Reese, Richard Rubenstein, Ashley Sievers, Rickard Simon, Amy Sirivie, Wendi Sott, Heidi Spesard Noble, Christopher Stordalen, Kristian Stordalen, Dana Strothenke, Andrew Sun, Jen Thill, Norm Tiedemann, Eryn Tvete, Patty Wilber, Kylon Winbush

† in remembrance

Minnesota Opera is a proud member of The Arts Partnership with the Ordway Center for the Performing Arts, The Saint Paul Chamber Orchestra, and Schubert Club
MINNESOTA OPERA MNOPERA.ORG 22 BOARD + STAFF

Upcoming events

Glam Jam: A Star-Studded Benefit Concert

SEPTEMBER 28, 2024N  | THE ORDWAY

Monét X Change returns to host a unique benefit extravaganza featuring a star-studded lineup of the most captivating performers from the MN Opera stage. With the full forces of the MN Opera Orchestra behind them, audience favorites come together to showcase the breadth and power of their artistry in a one-night-only event you won’t want to miss.

Romeo and Juliet

NOVEMBER 2–10, 2024  | THE ORDWAY

In fair Verona, timeless love blooms and family feuds rage. The Montague and Capulet families have despised each other for generations, but their children only have eyes for each other. Charles Gounod’s evocative score captures Shakespeare’s enduring story of two star-crossed lovers who are willing to sacrifice everything to be together.

The Snowy Day

FEBRUARY 8–16, 2025  | THE ORDWAY

In the fresh snow, every footstep is marked with magic. A young boy wakes to find that the first snow of winter has fallen overnight — an exciting day of adventure awaits. Peter delights in making footprints in the snow and meeting new friends, before returning home to the cozy embrace of Mama and Daddy. Based on the Caldecott Medal-winning book by Ezra Jack Keats, Joel Thompson and Andrea Davis Pinkney’s The Snowy Day brings centerstage the fleeting but indelible magic of childhood.

The Barber of Seville

MAY 3–10, 2025  | THE ORDWAY

Where love is concerned, too much is not even enough. Rosina is young, clever, and wealthy, but her greedy guardian desires her and her fortune for himself. Using her wits to outsmart him and find her true love, she enlists Figaro, the mischievous and well-connected local barber, who has more than a few tricks up his sleeve. Plans go awry (resulting in several close shaves) against the backdrop of Gioachino Rossini’s iconic score as romance and a little old-fashioned trickery combine in one of the best-loved comedies of all time.

Minnesota Opera Patron Services

620 North First Street, Minneapolis, MN 55401 612-333-6669

Regular Hours: Monday–Friday, 10am–5pm

Performances

Phones open at 2pm for evening performances and at 10:30am for matinee performances. Minnesota Opera staff will be available at the Ordway’s Ticket Office 90 minutes prior to curtain.

mnopera.org

LUMINARY

ARTS CENTER

EVENTS:

Requiem Metallum

AfterTime & MPLS (imPulse)

MAY 10, 2024

Youth Opera Showcase

Minnesota Opera MAY 11, 2024

Mind:Body

Young Dance MAY 17-19, 2024

Covers Like It’s 1999 Cantus

JUNE 1-9, 2024

Love in the Time of Hate

Teatro del Pueblo

JUNE 14-30, 2024

Visit mnopera.org to watch behind-thescenes videos, read synopses, browse digital programs, and more. Join our e-club to receive special offers and opera news.

Ticket Policies

Refunds are currently available. Additionally, any ticket may be returned for a tax-deductible donation up until curtain by calling the Minnesota Opera Patron Services. We will send a tax receipt to you acknowledging the value of the ticket, minus any applicable fees.

Parking

Prepaid parking is available with an opera subscription at the Lawson Commons Ramp. Call 612-333-6669 or visit mnopera.org to purchase passes.

Accessibility

For patrons with disabilities, wheel-chairaccessible seats are available for select performances. Please call 612-333-6669 for details and indicate any special needs when ordering tickets. At the Ordway, accessible restrooms and other facilities are available, as well as braille or large-print programs and infrared listening systems. For more information, please visit mnopera.org/access.

Ordway Policies

Ordway is a smoke-free facility.

Latecomers will be seated at an appropriate break. Please have all cell phones and pagers turned to silent mode.

Children under six are not permitted in the hall. Cameras and recording equipment are strictly prohibited in the theater. Please check items with an usher.

Food and beverage are available for purchase prior to the show and during intermission. Water and other beverages are allowed in the theater (hot beverages require lids), but food is strictly prohibited.

The phone number for emergencies is 651-224-4222. Please leave seat locations with the calling party.

Lost and Found is located at the Stage Door. Call 651-282-3070 for assistance.

Health and Safety Information

The health and safety of our staff, guests, and artists is our top priority. To learn about the steps the Arts Partners are taking to ensure we operate in the safest way possible, please visit Ordway.org/health-safety. Masks are not required but will be welcomed and encouraged. We ask that guests stay home if they are sick and request a ticket exchange or refund.

UPCOMING EVENTS MINNESOTA OPERA INFO
Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 23

Minnesota Opera staff and board members would like to REMEMBER OUR FRIEND,

Dr. Arthur Kaemmer, M.D.

Art was passionate about music and the importance of music in one’s life. He loved to share musical experiences with a vast network of friends, who he regularly treated to a night at the opera. He enjoyed recounting his experiences as a supernumerary in Minnesota Opera’s productions of Tosca and The Abduction of Figaro . We are grateful for Art’s dedication throughout the years to support Minnesota Opera and the Arts Partnership.

We will all miss his warmth and wonderful sense of humor at performances and events.

MINNESOTA OPERA MNOPERA.ORG 24
PHOTO CREDIT: THERESA MURRAY

THANKYOU

MINNESOTA OPERA RECOGNIZES INDIVIDUAL DONORS WHO HAVE MADE GIFTS TO OUR ANNUAL FUND AND FUND-A-DREAM BETWEEN JANUARY 1, 2023 – MARCH 20, 2024. THANK YOU FOR MAKING OUR ART COME TO LIFE.

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Sam Scott Miller

Leslie Vaughan

Natalie Volin Lehr

Mr. Warren D. Woessner and Ms. Iris C. Freeman

Dorothy J. Horns and James P. Richardson

Mary Ingebrand-Pohlad

Mr. and Mrs. Philip Isaacson

Diane and Paul Jacobson

Constance and Daniel Kunin

Mary Ash and Barry Lazarus

David and Diane Lilly

Jeninne McGee

Betty Myers*

Jodi and Michael Mooney

Paul and Mary Reyelts

Ken Rothchild

Mary H. and Christian G. Schrock

BRONZE

$3,500 – $4,999

Mark Bayuk

Patricia R. Freeburg

Joseph Haggenmiller

Michele Harris and Peter Tanghe

Linda and John Hoeschler

Amy and Greg Hoffman

Arthur and Fran Horowitz

Blaine and Lyndel King

Robert and Venetia Kudrle

Andrea and James Rubenstein

Bill and Janet Schaeder

Dr. Frank and Lynda Sharbrough

Ryan Taylor

Jill and John Thompson

Stephanie C. Van D’Elden

Thomas and Jill Barland

Sue A. Bennett

Susan Boren King

Al Bradley

Drs. Eli and Jan Briones

Cheryl Brown

Glenn and Ann Buttermann

Ms. Laurie Carlson and Mr. William Voedisch

Ms. Rachelle D. Chase and Mr. John Feldman

Rusty* and Burt Cohen

Cinda Collins

Jeffrey and Barbara Couture

Mike and Stacey Crosby

Mary Davidson

Mrs. Susan DeNuccio

Maureen and John Drewitz

Timothy Dykstal

Dr. Mary A. Ebert and Paul Stembler

Laura and Tim Edman

Rondi Erickson and Sandy Lewis*

Anna Marie Ettel

Ms. Ann Fankhanel

George Ferguson

Gail Fiskewold

Salvatore Silvestri Franco

Mary and Jay Gallagher

Teddy Gesell

Bill and Paula Glade

Clark and Sima Griffith

Bruce and Jean Grussing

S. Asim Gul

Donald and Marion Hall

Mark and Lana Halldorson

Ellen Hill

Mrs. Mary Abbe

Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 25 INDIVIDUAL GIVING

Benjamin W. Hulse and Maureen C. Sheehan

Dr. and Mrs. Thomas Hurwitz

Jill Irvine Crow

J David Jackson

Jean Christianson Grussing and Bruce D Grussing

Barbara Jenkins

John L. Sullivan Fund

Patricia Johnson and Kai Bjerkness

Janet N. Jones

Nancy Jones

Dr. Charles and Sally Jorgensen

Erwin and Miriam Kelen

Melissa and Peter Kim

Mrs. Margaret V. Kinney

Tom Klas

Robert and Barbara Kueppers

James Kunz

Kenyon S. Latham

Mrs. Cynthia and Dr. Lawrence Lee

Mr. David MacMillan and Ms. Judith Krow

Laura McCarten

Mary Bigelow McMillan*

Sandra Morris

Ms. Jill Mortensen and Ms. S. Kay Phillips

Richard and Nancy Nelson

Kay Ness and Chris Wolohan

Lucia Newell and Steven Wiese

Richard and Joan Newmark

Nicholson Family Foundation

Richard and Nancy Nicholson

Brandon and Melissa Novy

Mr. and Mrs. Bradley Nuss

Robert Olafson

Ruth and Ahmad Orandi

Luis Pagan-Carlo and Joseph Sammartino

Derrill Pankow

Mr. and Mrs. Thomas Patterson

Mr. Jose A. Peris and Ms. Diana Gulden

Joseph Peris

Brian Pietsch and Christopher Hermann

Christina and Dwight Porter

Professor Julia Williams Robinson and Didier Telloer

Mrs. Sandra Roe

Mrs. Liane A. Rosel

Dr. Marian R. Rubenfeld and Dr. Frederick G. Langendorf

Christine Sagstetter

Sampson Family

Charitable Foundation

Mary Savina

Alan E. Shapiro

Gale Sharpe

Sue Shepard

Cherie and Bob Shreck

Marianne Settano Shumaker and Gordon Shumaker

Sima Griffith Family Fund

Juliana and Bernie Simmons

Kevin and Lynn Smith

Donna and Kenneth Speake

Stanley M & Luella G Goldberg

Family Foundation

Stephen and Dana Strand

John Sullivan

Jerry Swenson

Lester Temple

Dr. Anthony Thein

Andrew J. Thomas, MD

Jenny and Dave Thomas

Llywellyn Thomas

Dr. Norrie Thomas and Gina Gillson

John and Jill Thompson

Debra R. Ting

Josephine Trubek

Lori Ward

David and Rachelle Willey

James and Barbara Willis

Lani Willis and Joel Spoonheim

Paul and Cara Wilson

Ann P. Winchester

Winton Jones Foundation

Jean C. Wirsig*

Srilata Zaheer

SILVER $500 – 999

Anonymous

Arlene Alm

Joy K. and J.C. Amel

Josephine and Gordon Bailey

Susanne and Johan Bakken

Walter Berman

Ms. Elisabeth Bilden

David Bjork and Jeff Bengston

Stephen Bubul and Lee Lewis

Julie Bucknam

Samuel Reid Burgin

Gary Christenson

Helen and John Crosson

Daniel deJongh

Lois Dirksen

Janelle Erickson

Greta and Paul Garmers

Gary And Janet

Christenson Fund

Gunda Georg

Barbara Golden

Jennifer Gross and Jerry LeFevre

Ms. Susanne Haas and Mr. Ross Formell

Stefan and Lonnie Helgeson

Jo And Gordan Bailey

Family Fund

Charlie Johnson

Susan Kalmer

Ed and Martha Karels

David King

Phil Kliewer

Paul Kluge

David and Darlene Lee

Jonathan and Lisa Lewis

Natalie Losik

Dr. Joan E. Madden

Karla Miller

Mr. Bradley H. Momsen and Mr. Richard H. Buchholz

Mr. Merritt C. Nequette

Chris Olsen and Shannon Rhatigan

Suzanne and William Payne

Corine and John Petraborg

Mr. and Mrs. Peter Rue

Julia Sand

Kathleen K. Simo

Mr. Jon Spoerri and Ms. Debra Christgau

Andrew Sun

Craig and Janet Swan

Kenneth J. and

Kathryn T. Valentas

John Vilandre

Emily Wang

David L. Ward

John M. Williams

BRONZE

$250 – 499

Joshua Adney

Anita M. Anderson

Dean Anderson

Rolf T. Anderson

Jerry Artz

Thomas and Ann Bagnoli

Gail Bakkom

Charles David Baron

Mr. Thomas J. Basting Jr. and Ms. Rebecca Arons

Sharon Bloodworth and Barrett Johnson

George and Joan Bohlig

James Salutz and Margaret Brandl

Barbara and William Brauer

Roger and Ronnie Brooks

Renee Campion and David Walsh

Ruth Carp

Dr. Mark and Denise Carter

The Christopher and Cheryl Smetana McHugh Fund

John Clay

Thomas Cox

David Bjork And Jeff Bengtson Charitable Fund

Fran Davis

Maria Eggemeyer

Anne Ewing

Kathryn Fernholz

Carol and Michael Garbisch

Leland and Beverly Gehrke

Nancy and Clyde Gerber

James Glazier

MaryAnn Goldstein

Richard and Marsha Gould

The Grant & Buerkle-Grant Family Fund

John Grant and Mary Buerkle-Grant

Donald Greenebaum

Jeffrey Griffin

Jan Grimes

John Heer

Cliffton and Sharon Hill

Jess Hoffert

Joshua Howland

Kathleen and Robert Humphrey

John And Marcia Jones Fund

Ms. Marcia Jones

Julia Joseph-Di Caprio

Julia Morrison Palmer and Brian Palmer Fund

Kathryn Keefer

Judith Allen Kim

Judith A Kinsey

Elise Koonmen

Jenna Kubly

John and Colles Larkin

Daniel W. Lindsey

Holly MacDonald and John Orbison

Christine Martin

Mr. James P. Mccarthy and Ms. Gloria Peterson

Eileen McCormack

Mr. and Mrs. Chris McHugh

Adele Mehta

John L. Michel and H. Berit Midelfort

Jim Miner and John Easton

Gordon and Nina Mosser

Andrea Mouw

Ms. Vita Muggli and Mr. James C. Dick

William and Imelda Muggli

Mr. William Myers and Ms. Virginia Dudley

Elizabeth and Neal Nordling

Kathleen and Stephen Olsen

Dennis R. Olson

Scott Olson

Dede Ouren

Scott J. Pakudaitis

Julia and Brian Palmer

Jane M. Persoon

Michele Pierce

Anne and John Polta

Marylu Ramirez

George Realmuto

Mr. Philip Rickey

Linda Ann Ripka

Michael and Tamara Root

Vicki Rupp

Noel Schenker

Darryl Smith

Jennine Speier

Sharon and Thomas Stoffel

Charles and Marlys Taflin

Charles and Joan Tanger

Joyce Thielen

Irma Thies

Thomas and Sharon Stoffel Family Fund

Marie J. Thomas

Valerie Thompson

Catherine Vesley

Randall Volk

Jeff Wiemiller and Joe Anderson

Emerson L. Williams

* in remembrance

MINNESOTA OPERA MNOPERA.ORG 26 INDIVIDUAL GIVING

LEGACY CIRCLE

The following lists donors who, through their foresight and generosity, have included Minnesota Opera in their wills or estate plans.

Anonymous (2)

Paul and Valerie Ackerman

Thomas O. Allen

Dr. and Mrs. Rolf Andreassen*

Mary A. Andres

Howard J. Ansel, MD

Marcia J. Aubineau

Karen O. Bachman

Thomas and Ann Bagnoli

Patricia Beithon

Carol J. Bergeson

Susan S. Boren King

Al Bradley

Arthur Eric Brindley

C.T. Bundy II*

Margaret M. Carasik

Jon L. Schasker* and Debbie Carlson

George and Joan Carlson

Richard and Darlene Carroll

Robert Clough

Dan and Julia Cross

NAMED ENDOWMENT FUNDS

The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations.

Art of Singing Endowment Fund

To support exceptional training for Resident Artists by providing learning opportunities with leading artists and experts.

COMMEMORATIVE GIFTS

The following lists donors who have made gifts in honor or in memory of a loved one between July 1, 2022 and February 1, 2024.

IN HONORARIUM

Joelle Allen

Miquel Joenese Purvis Mcmoore Family Fund

Freda Andreini

Margaret Andreini

Mr. & Mrs. Glynn E. Behmen Sr. Family

Glynn Behmen

Dr. Bianca Fine

Ruth Hurvitz and Alan and Janet Salle

Ruth and John Huss

Sally and Thomas Patterson

Dale Johnson

Mr. Kim A. Chapman and Ms. Elizabeth Longhurst

Robert L. Lee

Catherine Ballman

Natalie Losik

The Losik Savage Charitable Gift Fund

Mary Davidson

Julia W. Dayton*

Charles M. Denny Jr. and Carol E. Denny*

Susan Doty

Anne P. Ducharme*

Mary A. Ebert and Paul Stembler

Rondi Erickson and Sandy Lewis*

Ann Fankhanel

Ester L. Fesler

Salvatore Silvestri Franco

Daniel E. Freeman

Charles J. Frisch

Dr. Paul Froeschl

Katy Gaynor

Ellen Green

Myrtle Grette*

Michelle Hackett

Russell and Priscilla Hankins

Anne Hanley and George Skinner

Don Helgeson* and Sue Shepard

Mary A. Hintz

Elfrieda Hintze*

Jean M. Holten

John Humleker and Cordelia Anderson

Kathleen and Robert Humphrey

Steven and Nancy Johnson

Charles and Sally Jorgensen

Robert and Susan Josselson

John and Kathleen Junek

Barbara White Bemis Fund for Artistic Enhancement

To enhance the quality of performances by providing funds to engage singers who have received awards through the Metropolitan Opera National Council Auditions.

Daniel E. Freeman Endowment Fund

To support Minnesota Opera’s education programs.

Dolly Fiterman Fund for New Production Opera Design

To support the creation of new productions by providing funds to engage designers and create new sets.

Jeninne McGee

Walter Berman

Theresa Murray Schmiechen Charitable Fund

Susan Nudell Kalin

Mary Nudell & Dean Lee

Mary Ingebrand-Pohlad

The Cinda Collins Foundation

Sima Griffith Family Fund

Gale Sharpe anonymous

Andrew Sun

anonymous

Ryan Taylor

Kelley Dorhauer

Eva Weyandt

Michael Weyendt

IN MEMORIAM

Eric Aanenson

Tracy Aanenson

Judson and Barbara Bemis

Mrs. Sandra Roe

Judy Boylan

Sarah Crowther

Ogden Confer

Beverly Baker

John and Ruth Huss

Phil Kliewer

Missy Staples Thompson and Gar Hargens

Markle Karlen

Warren and Patricia Kelly

Blaine and Lyndel King

Bill and Sally Kling

Larry Klueh

James and Liz Krezowski

Robert L. Kriel and Linda E. Krach

Robert and Venetia Kudrle

Christl and Andrew Larson

Jim Lawser Jr and Duane Bandel

Mary Ash and Barry Lazarus

Gerald and Joyce Lillquist

Dawn M. Loven

Tim Manych

Barbara McBurney

Orpha McDiarmid Family Fund

Mary Bigelow McMillan

Betty Meyers*

John L. Michel and H. Berit Midelfort

Karla Miller

Kay Ness and Chris Wolohan

Richard and Joan Newmark

Scott J. Pakudaitis

Derrill Pankow

Debra Joyce Paterson

Jose A. Peris and Diana Gulden

Sydney Phillips*

Tim and Mary Pieh

Phyllis Price

Brian and Patricia Prokosch

Liane A. Rosel

Founders Endowment Fund

To support new and innovative opera performances that honor the spirit, energy, and creativity of the founders in the beginning days of the Center Opera.

Joan Jacobs Rubenfeld Memorial Fund

To support the attendance of high school students at MN Opera performances.

Minnesota Opera Center Preservation Fund

To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.

Lucille Jansen

Joe and Lisa Thiegs

Scott Krenz

Emerson Williams-Molett

Jack Lewis

Sue Nelson

Mary Kathleen Quinn

Midge Loeffler

Sam Scott Miller

Liming Kelani Mueller

Cynthia Campbell

Joan and Joe Nagle

Sarah L. Nagle

John Risdall

Anonymous (4)

The Grant & Buerkle-Grant Family Fund

Julia Hupperts

Toivo Kallas

Tia Karelson

Nina Rothchild

Rothchild Family Fund

Joan Jacobs Rubenfeld

Dr. Marian R. Rubenfeld and Dr. Frederick G. Langendorf

Judith Sitarz

Carroll Cisek

Marilyn Joan Skantz

anonymous

Mary Vaughan

Will and Margee Bracken

The Cinda Collins Foundation

Donaldson

Sara and Jock

Rachelle Dockman Chase

Ken Rothchild

Mary Savina

Josef Schermann

Mary H. and Christian G. Schrock

Duane and Pamela Schroeder

Frank and Lynda Sharbrough

Robert Shearer and Joan Gustafson

Andrew H. Stewart Jr and Anna Hargreaves

Virginia and Edward Stringer

Gregory C. Swinehart and Mitra Walter

Ryan Taylor

Dr. Anthony Thein

John and Jill Thompson

Stephanie C. Van D’Elden

Mary W. Vaughan*

H. Bernt von Ohlen and W. Thomas Nichol

Lola Watson

William White

Jean C. Wirsig*

Wayne Zink and Christopher Schout

Harvey Zuckman and Philip Oxman

For more information on making estate plan arrangements, please contact Jeremie Bur at jbur@mnopera.org

* in remembrance

Valerie and Paul Ackerman Endowment Fund

To support the attendance of youth at Minnesota Opera performances.

Virginia L. Stringer Endowment of the Minnesota Resident Artist Program

To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible by this endowment fund.

William Randolph Hearst Endowment for Education and Outreach Programs

To support Minnesota Opera’s education and outreach programs.

Mrs. Eleanor Crosby

Andrew Currie

Elinor Hands

John and Ruth Huss

Dawn M. Loven

Patricia Mitchell

Theresa, Jim and Nic Murray

The Saint Paul Chamber Orchestra

Carley and Bill Stuber

Missy Staples Thompson and Gar Hargens

Angus M. Vaughan

Leslie Vaughan

Bill Venne and Douglas Kline

Margaret V.B. Wurtele

Herb Ward

Charles Allen Ward Fund

Minnesota Opera is a nonprofit charitable organization that relies on your support. •  mnopera.org/donate LA BOHÈME 2023–24 27 SPECIAL GIVING

MINNESOTA OPERA GRATEFULLY ACKNOWLEDGES ITS MAJOR INSTITUTIONAL SUPPORTERS:

This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.

Art and Martha Kaemmer Fund of the HRK Foundation

Anna M. Heilmaier

Charitable Foundation

Anonymous (2)

Best Buy Foundation

Boss Foundation

Bust Out

Cultural STAR Program

Dellwood Foundation

The Elizabeth C. Quinlan Foundation

Faegre Drinker

Hutter Family Foundation

Margaret Rivers Fund

Mayo Clinic

McVay Foundation

Fred C. and Katherine B. Andersen Foundation

Onan Family Foundation

Opera Volunteers

International

Pachel Foundation

Peravid Foundation

RBC Foundation

Romanaggi Foundation

Schwegman, Lundberg, & Woessner P.A.

Tennant Foundation

Travelers

For information on making a corporate or foundation contribution to Minnesota Opera, please contact Jeremie Bur, Development Director, at jbur@mnopera.org.

MINNESOTA OPERA SEASON SPONSOR

MINNESOTA OPERA MNOPERA.ORG 28 INSTITUTIONAL GIVING
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