May 4–19, 2024
2023–2024
Libretto by Giuseppe Giacosa and Luigi Illica Music by Giacomo Puccini
“Such high production values and careful casting make DMMO a find...” THE WALL STREET JOURNAL WORLD PREMIERE
DAMIEN GETER AND LILA PALMER
American Apollo gives voice to a pivotal figure in American art: Thomas Eugene McKeller, a Black hotel worker who served as model and muse for portraitist John Singer Sargent. Transformed by Sargent into white-skinned Greek gods, themes of erasure and McKeller’s role in important 20th century works of art are brought to life in this new American opera.
June 28 - July 21
THE BARBER OF SEVILLE by Gioachino Rossini / Alexander Birch Elliott as Figaro SALOME by Richard Strauss / Sara Gartland as Salome PELLÉAS & MÉLISANDE by Claude Debussy / Sydney Mancasola as Mélisande and John Moore as Pelléas
AMERICAN APOLLO by Damien Geter and Lila Palmer / Justin Austin as Thomas Eugene McKeller (pictured)
SEE FOUR OPERAS IN THREE DAYS FOR TICKETS AND MORE INFO: DMMO.ORG / (515) 209-3257
STRAVINSKY’S
AUGUST 10 & 11
Gichi-ziibi Center for the Arts Brainerd, MN
“Our only hope is, ultimately, our relationships with each other.”
Omer Ben Seadia, director IN MAY!
Christian Reif, Conductor • Omer Ben Seadia, Director • Kearstin Piper Brown, Anne Truelove Sara Couden, Baba the Turk • Miles Mykkanen, Tom Rakewell • John Taylor Ward, Nick Shadow
FRIDAY, AUGUST 9 7:30 P.M.
Tornstrom Auditorium Brainerd, MN
“An essential soprano for our times.”
Los Angeles Times
in the Lakes Area AUGUST 9-11
HIGHLIGHTS:
• GRAMMY® winning soprano Julia Bullock in recital with Bretton Brown
• Stravinsky’s The Rake’s Progress
• Exclusive backstage/onstage tour and opening reception
• Luncheon with members of The Rake’s Progress creative team
• Lodging at Ruttger’s Bay Lake Resort . . . and more! Enjoy an OPERA LOVER’S
Learn more at LakesAreaMusic.org/ MNOpera
a bohème is a story about vibrant, creative people striving to improve their lives with limited resources. It is also about community—coming together in support of each other. As I’ve watched this production come together under the incredible guidance of our Principal Conductor Christopher Franklin and stage director Rodula Gaitanou, I’ve marveled at the complexity of this work and just how much life imitates art — in this production and here in our community.
While I watch the musician Schaunard on stage, I can’t help but acknowledge that this will be the sixth production of La bohème since Mike Smith began playing double bass with the Minnesota Opera Orchestra in 1980. Schaunard doesn’t travel far to make music, but we have two orchestra members who do. Principal trumpet player, John Koopman, travels 114 miles from Motely, MN for every rehearsal and performance.
Musetta, the entertainer and connector, would likely have much in common with Monica Murray who began with the Minnesota Opera Chorus in 1984 when she was still an undergrad. She’s been a regular member of the chorus since 1987, save for two years for graduate school.
Marcello the painter likely shares more than a few traits with Eric Veldey, who has built incredible sets for 22 years as part of the MN Opera Scene Shop. He and Marcello both have an eye for beauty in the creation of scenic elements on canvas and on stage!
Our beloved seamstress Mimi would beam with pride at the work of our costume shop. We’ve been fortunate to have terrific longevity in our costume shop with Yancey Thrift, a 33-year veteran of the group, bringing meticulous designs to each production.
Rodolfo, our singing poet, would be a welcome dinner guest with our New Works Initiative creators, the six of whom as composers and writers are bringing new stories and melodies into existence.
Colline, the resident philosopher, would be right at home with members of our marketing and fundraising staff, whose efforts attract people to the art we produce and encourage gifts of support to keep our work moving forward.
Whether this is your first La bohème or your tenth, we are so grateful for your participation, your gifts, and your advocacy. Over 65% of our annual budget goes directly to the people who make the art happen at MNOP. 90% of our human costs go directly to support Minnesotans and their families.
We are aware that we exist in a precarious moment in the arts landscape and our future will truly depend on your help! Thank you so much for being part of this incredible journey with us. We’ll see you next season!
RYAN TAYLOR PRESIDENT AND GENERAL DIRECTOR
MUSIC BY Giacomo Puccini
LIBRETTO BY Luigi Illica AND Giuseppe Giacosa
BASED ON Henri Murger’s Scènes de la vie de bohème
World Premiere on February 1, 1896 at the Teatro Regio, Turin, Italy Sung in Italian with English captions projected above the stage
in order of vocal appearance
MARCELLO
JOO WON KANG
MAY 4, 9, 12, 16, 18
JEREMIAH SANDERS+
MAY 5, 11, 14, 19
RODOLFO
WON WHI CHOI
MAY 4, 9, 12, 16, 18
CHRISTIAN SANDERS*
MAY 5, 11, 14, 19
COLLINE
BENJAMIN SIEVERDING*
PRINCIPAL CONDUCTOR
CHRISTOPHER FRANKLIN
STAGE DIRECTOR
RODULA GAITANOU
SCENIC DESIGNER takis
COSTUME DESIGNER
TREVOR BOWEN
LIGHTING DESIGNER
D.M. WOOD
SCHAUNARD
CHARLES H. EATON+
BENOIT/ALCINDORO ANDREW WILKOWSKE*
MIMÌ
MELINDA WHITTINGTON
MAY 4, 9, 12, 16, 18
SYMONE HARCUM* † MAY 5, 11, 14, 19
PRUNE VENDOR
LOGAN BARAT
INTIMACY DIRECTOR
ALESSANDRA
BONGIARDINA
WIG, HAIR AND MAKEUP DESIGNER
PRISCILLA BRUCE
ASSISTANT
STAGE DIRECTOR
MARGARET
JUMONVILLE •
STAGE MANAGER
OLIVIA DARLING
PARPIGNOL EFRAÍN CORRALEJO+
CHILD LAVENDER TRUONG
MUSETTA KEELY FUTTERER+
CUSTOMS OFFICER
ROBERT RIORDAN
CUSTOMS SERGEANT
JOEL MATHIAS
MUSICAL PREPARATION
MARIO ANTONIO MARRA Head of Music and Assistant Conductor
CELESTE MARIE JOHNSON*
Principal Coach and Chorus Director
MARY JO GOTHMANN
ERICA GUO+
ERIC MCENANEY* Répétiteurs
SARA SAWYER
Youth Chorus Director
SEASON SPONSOR
Minnesota Opera gratefully acknowledges the special support of generous donors who helped make these performances possible.
PRODUCTION SPONSORS
Gayle Fuguitt and Tom Veitch
Graham V. and Margaret Fuguitt in honor and memory of Glenn V. Fuguitt
MN OPERA ORCHESTRA
Joseph Haggenmiller
ESTIMATED RUNNING TIME
Two hours and 17 minutes, with a 20 minute intermission occurring approximately 56 minutes into the opera.
This production includes the use of theatrical haze.
Thank you to Cadenza Music in St Paul, MN for their props assistance on this production.
Minnesota Opera would like to recognize that we occupy land that is of great historical, spiritual, and cultural significance to the Dakota people. To learn more, visit mnopera.org/ land-acknowledgement.
Paris, 21st century. In their Latin Quarter garret, the near-destitute artist Marcello and poet Rodolfo try to keep warm by feeding the stove with pages from Rodolfo’s latest drama. They are soon joined by their roommates—Colline, a philosopher, and Schaunard, a musician, who brings food, fuel, and funds he has collected from an eccentric nobleman. While they celebrate their unexpected fortune, the landlord, Benoit, comes to collect the rent. After getting Benoit drunk, the friends urge him to tell of his flirtations, then throw him out in mock indignation at his infidelity to his wife. As the others depart to revel at the Café Momus, Rodolfo remains behind to finish an article, promising to join them later. The power goes out. Mimì, a neighbor, knocks on the door and asks for a light. As she enters the room, she suddenly feels faint. Rodolfo gives her a sip of wine, then helps her to the door. Mimì realizes that she dropped her key when she fainted, and the two search for it. In conversation by moonlight, the two get to know each other. Rodolfo tells Mimì about his dreams and she talks to him about her lonely life. Rodolfo’s friends call from outside, urging him to join them. He responds that he is not alone and will be along shortly. Happy to have found each other, Mimì and Rodolfo leave together for the café.
Amid the shouts of street hawkers near the Café Momus, Rodolfo introduces Mimì to his friends. They all sit down and order supper. The toy vendor Parpignol passes by, besieged by children.
At dawn, guests drink and sing at a cabaret in the fringes of the city, with Musetta as the mistress of ceremony. Mimì arrives, searching for Rodolfo. Marcello comes out of the bar and she tells him of her distress over Rodolfo’s incessant jealousy. She can’t handle him anymore — she believes they should part. As Rodolfo emerges from the bar, Mimì hides nearby. Rodolfo tells Marcello that he wants to separate from Mimì, blaming her flirtatiousness. Pressed for the real reason, he breaks down, saying that her illness can only grow worse in the poverty they share. Overcome with emotion, Mimì comes forward to say goodbye to her lover. Marcello runs back into the cabaret upon hearing Musetta’s laughter. While Mimì and Rodolfo recall past happiness, Marcello quarrels with Musetta over her flirting with a customer. Mimì and Rodolfo decide they will part ways.
Months later, Rodolfo and Marcello are now moving out from the garret. They have both separated from their girlfriends and reflect on their loneliness. Colline and Schaunard bring a meager meal. To lighten their spirits, the four stage a dance, which turns into a mock duel. At the height of the hilarity, Musetta bursts in with news that Mimì is outside and looks very weak. As Rodolfo runs to her aid, Musetta relates how Mimì begged to be taken to Rodolfo to die. They make her as comfortable as possible. While the friends decide to collect money to buy her medicine, Colline goes off to pawn his
Rodolfo recall their first meeting and the early happy days of their relationship. The others return and, as Musetta prays, Mimì slowly drifts into unconsciousness. The friends realize that she is dead, and Rodolfo collapses
La bohème is one of the most loved and popular pieces of the operatic canon.
It's a piece about the heartbreaking love story of Mimì and Rodolfo, the turbulent relationship of Marcello and Musetta, and the friendship of four young artists who live on the fringes of society, dreaming big dreams but with little discipline to realize them. It is also a study of artistic and personal growth and of change and its effects.
There are many themes that make this masterpiece so captivating to me.
It's fascinating how well the opera depicts the ethos of a group of people living on the edge of bourgeois society. Their resilience and adaptability, their sense of community, and solidarity. Their resourcefulness and creativity know no bounds.
And yet, their bohemian world can be full of false hopes — or as Marcello puts it in Act 2 — “O bella età d’inganni e d’utopie” (“oh beautiful age of deceptions and utopias”). Marcello, the most levelheaded amongst them, is encouraging or warning his friends to not trust their carefree bohemian life — their fragile ecosystem can be destroyed any time, for it is built on a world of false dreams.
In a proper archetypal character construction, they will have to undergo trials and tribulations that are going to transform them. They will be subjected to a coming of age and mature through the experience of loss, despair, and disappointment. An unexpected tragedy will hit them and they will very quickly realize: that life can give and take away in equal measure, that emotional life is precious, that their work needs to be carried on with seriousness and discipline if it’s ever going to be successful, that maturity and artistic growth go hand in hand, and that their relationships are going to be tested again and again.
All these themes seem so relevant to us today, hence the decision to set the action in a contemporary time frame. What I love about La bohème is that Puccini creates a world of “cosettine,” a world of small things
that collectively create meaningful experiences of raw emotionality. It’s not world-shattering events that become the vehicle for amplified passions but rather the tender and poignant moments of human intimacy. A slice of life is presented to us under the Parisian sky and the audience has almost a voyeuristic experience looking at the life of others — their troubles, their hopes, and the tender and harsh way to navigate it all.
Paris becomes a character per se. I remember my days as a music and theatre student in Paris, living in a little "chambre de bonne” on the fourth floor of a Hausmannian apartment building in the 11th arrondissement. My young self was hungry to discover the city and Paris didn’t disappoint … for an artsy student the fascination was endless, the city was full of surprises and opportunities and I was shaped by its unique circumstances, values, and experiences. But the bohemian life is not all rosy — the city will equally raise and crush you. Life is like a river; the flow will continue and strong currents will either lead you to extraordinary places or drown you in its depths. The choice is yours — how you navigate, what you choose as a guide, and how serious your will for adventure is.
❝A slice of life is presented to us under the Parisian sky and the audience has almost a voyeuristic experience looking at the life of others — their troubles, their hopes, and the tender and harsh way to navigate it all.”
In Puccini’s La bohème, the transformation from youthful innocence to maturity prevails, and in the process this piece becomes the most heartwarming and heartbreaking operatic experience.
RODULA GAITANOU STAGE DIRECTOR London, March 2024
b. Lucca, Italy; December 22, 1858 d. Brussels, Belgium; November 29, 1924
Giacomo Puccini was born into a family of court composers and organists in the historic city of Lucca, Italy. With a strong feeling of tradition in the Puccini family, it was expected that Giacomo would assume his deceased father’s position as Maestro di Cappella when he came of age. By 14, he already was playing organ in a number of the town’s churches.
As a young man, Puccini was determined to be rich and independent. His teacher introduced him to opera through the study of Verdi’s piano scores. In 1879, Puccini attended his first opera performance, Aida, and was deeply moved — his destiny was to be a composer for the theater.
Puccini knew it was necessary to study in the Italian operatic capital, Milan. After completing studies at the Pacini Institute of Music in Lucca, he enrolled at the Milan Conservatory in 1880 under the auspices of a royal scholarship. His living expenses were provided by a loan from an uncle, but money was always tight. Puccini lived the bohemian life of a poor student and became acquainted with many important musical and literary figures. For a short while, he shared a room with the composer Pietro Mascagni, who became famous for his one-act opera Cavalleria rusticana. To save money, the two of them would cook meals in their room, and, as this was strictly forbidden, one would play the piano loudly to drown out the noise of pots and pans. One can see how the composer drew from his own life experiences in writing La bohème
In 1883, at the age of 25, Puccini graduated with a diploma in composition from the Milan Conservatory. His thesis composition, Capriccio sinfonico, was played by the student orchestra and received high praise from influential critics. This was the start of a celebrated career.
Puccini was not a prolific composer. Unlike most of his contemporaries, he produced his operas at long intervals, partly because of his fastidiousness in choosing subjects — several of which he took up only to abandon after several months — and partly because of his constant demands for modifications of the texts.
Puccini began collaborating with librettists Luigi Illica and Giuseppe Giacosa in the 1890s, beginning with La bohème in 1896, followed by Tosca and Madama Butterfly. Giacosa died in 1906, putting an end to the successful team that produced three of Puccini’s most enduring works. Puccini died on November 29, 1924, and his remains are now entombed in the chapel of his villa at Torre.
His complicated personal life belied a deep and profound understanding of humanity that he wove into the rich fabric of his music — music that has endured much criticism, including from composer Benjamin Britten, for its popular appeal and emotional vulnerability. In true verismo fashion, his musical pacing of the story was direct and plunged his audiences headlong into the narrative — neither
What do you do at Minnesota Opera?
As the Patron Services Manager, I have the honor of interacting with patrons both in person and online, getting you the best tickets at the best price. From operas at the Ordway to rental performances at the Luminary, I manage the ticketing for all our events. My team and I are dedicated to making your experience at the opera memorable and exciting.
Why are you excited for La bohème ?
When I moved to Minnesota five years ago, my aunt and uncle introduced me to the world of opera and La bohème was the show I always wanted us to see together, as I have fond memories of watching Rent as a teenager. My uncle passed away a few years ago and we never got to see this opera together, but I know he is here in spirit and has the best seat in the house! This show is for Peter: thank you for opening my eyes to this wonderful art form.
Minnesota Opera’s dedicated creative workforce of artists, craftspeople, and administrators are passionate about bringing opera and opera education programs to Minnesota. Recently, we sat down with three of them to learn more about what they do at MN Opera and why they’re excited about this production of La bohème.
CHRIS OLSEN STAFF ACCOUNTANT
What do you do at Minnesota Opera?
I handle the day-to-day accounting tasks for the company: recording revenues and expenses, processing deposits, reconciling accounts, and paying the wonderful behindthe-scenes creatives and on-stage performers contracted for each production. I communicate with many coworkers across all departments to track the full range of our activities to ensure we maintain a complete and timely financial record for all stakeholders.
Why are you excited for La bohème ?
It’s truly rewarding seeing the results of what I’ve supported via all the love my coworkers pour into these productions over the course of many years. There are so many songs and moments that have gained widespread pop cultural significance that many don’t realize originated from opera. My wife is a huge fan of the musical Rent and it’s fun to connect modern works to those that inspired them. We also bring two different friends to each performance that wouldn’t otherwise normally attend opera to further expand this recognition and impact.
What do you do at Minnesota Opera? I am the Equity, Diversity, and Inclusion Coordinator at MN Opera. I assist with all things EDI and I also aid in the production of all Access and Civic Engagement work for MN Opera. I am also a violinist in the MN Opera Orchestra!
Why are you excited for La bohème ?
As a musician in the orchestra, I can say that La bohème is a wellloved opera by artists. The music is unmatched in beauty and emotional impact, and it is an iconic piece of the opera repertoire. It stands alone as a story that has stood the test of time, and the struggles of the characters are still understood by artists today. I once had the opportunity to see this opera performed at La Scala and I cried my way through the first act. I can't wait to play this beautiful music with all of my colleagues in the orchestra and bring its beauty to MN audiences!
ALEXIS ALCALA PATRON SERVICES MANAGER EMILIA METTENBRINK EQUITY, DIVERSITY, AND INCLUSION COORDINATOR
ALESSANDRA BONGIARDINA
INTIMACY DIRECTOR
BROOMFIELD, CO
Minnesota Opera Debut:
Carmen, 2022
Notable Engagements:
The Elixir of Love, Minnesota Opera
The Daughter of the Regiment, Minnesota Opera
Murder on the Orient Express, Guthrie Theater
Vietgone, Guthrie Theater
Romeo and Juliet, University of Minnesota
COSTUME DESIGNER
ALTUS, OK
Minnesota Opera Debut:
Fellow Travelers, 2018
Notable Engagements:
Richard II, Henry IV, Henry V, Guthrie Theater
Ride the Cyclone, Arena Stage
True West, Steppenwolf Theater
The Color Purple, Denver Center for the Performing Arts
Shane, Cincinnati Playhouse in the Park
WIG, HAIR, AND MAKEUP DESIGNER
KENSINGTON, MD
Minnesota Opera Debut:
Il trovatore, 2008
Notable Engagements:
Il trovatore, Washington National Opera
Mortification of Fovea Munson
Kennedy Center Youth Audience
Don Giovanni, Minnesota Opera
La Cenerentola, Boston Lyric Opera
Faust, Wolf Trap Opera
RODOLFO
SEOUL, SOUTH KOREA
Minnesota Opera Debut:
Carmen, 2022
Notable Engagements:
Macbeth, Atlanta Opera*
Rigoletto, Dallas Opera
The Garden of the Finzi-Continis
New York City Opera
La traviata, Korea Opera Festival, Virginia Opera
Les contes d’Hoffmann, Opera Tampa
Rigoletto, New York City Opera
PARPIGNOL
LEÓN, GUANAJUATO, MEXICO
Minnesota Opera Debut:
Rinaldo, 2022
Notable Engagements:
Trouble in Tahiti & Service Provider, Minnesota Opera
Cruzar la Cara de la Luna, Minnesota Opera, Austin Opera
Don Giovanni, Minnesota Opera
Eugene Onegin, Highlands Opera Studio
Davide Penitente, Palacio de Bellas Artes –
Mexico City
The Barber of Seville, Curtis Institute of Music
CHARLES H. EATON
SCHAUNARD
STORRS, CT
Minnesota Opera Debut:
Silent Night, 2018
Notable Engagements:
Silent Night, Wolf Trap Opera*
Romeo and Juliet, Minnesota Opera*
Don Giovanni, Madison Opera*
Pagliacci, Pensacola Opera*
The Christmas Spider, Opéra Louisiane
Faure’s Requiem, Carnegie Hall
PRINCIPAL CONDUCTOR
PITTSBURGH, PA
Minnesota Opera Debut:
La Cenerentola, 2011
Notable Engagements:
Romeo and Juliet, Minnesota Opera*
The Barber of Seville, Minnesota Opera*
Turandot, San Francisco Opera
Peter Grimes, Palau de les Arts-Valencia
Manon, Ópera de Tenerife
Adriana Lecouvrer, Opéra Royale de Wallonie
Die Fledermaus, New National Theatre - Tokyo
MUSETTA
DOVER, AR
Minnesota Opera Debut:
Edward Tulane, 2022
Notable Engagements:
Silent Night, Wolf Trap Opera*
Paër’s Leonora, Chicago Opera Theater*
Trouble in Tahiti & Service Provider, Minnesota Opera
The Anonymous Lover, Madison Opera
Rodelinda, Hudson Hall
Rinaldo, The Glimmerglass Festival
RODULA GAITANOU
STAGE DIRECTOR
ATHENS, GREECE
Minnesota Opera Debut:
La bohème, 2024
Notable Engagements
Nabucco, Savonlinna Opera Festival*
La traviata, Norwegian National Opera
Vanessa, Spoleto Festival
Carmen, Opera Theatre St. Louis
Madama Butterfly, for Fondazione del Teatro Grande di Brescia, Teatro Sociale di Como, Fondazione Teatro Fraschini di Pavia, Fondazione Teatro Amilcare Ponchielli di Cremona, Teatro Donizetti di Bergamo, Teatro del Giglio di Lucca, Italy
SYMONE HARCUM MIMÌ
BALTIMORE, MD
Minnesota Opera Debut:
The Anonymous Lover, 2022
Notable Engagements:
The Anonymous Lover, Opera Philadelphia*
Don Giovanni, Minnesota Opera
The Factotum, Lyric Opera of Chicago
Rinaldo, Minnesota Opera
Carmen, Minnesota Opera
Le nozze di Figaro, Virginia Opera
PRINCIPAL COACH AND CHORUS DIRECTOR
PINE ISLAND, MN
Minnesota Opera Debut:
Albert Herring, 2021
Notable Engagements:
Don Pasquale, Lakes Area Music Festival
Don Giovanni, Minnesota Opera
Carmen, Minnesota Opera
The Anonymous Lover, Minnesota Opera
La fille du régiment, Opera Saratoga
Tosca, Inland Northwest Opera
MARCELLO
WALNUT CREEK, CA
Minnesota Opera Debut:
La traviata, 2019
Notable Engagements:
Turandot, Metropolitan Opera
La bohème, Canadian Opera Company
La traviata, Seattle Opera
Nixon in China, Los Angeles Philharmonic
Maria de Rudenz, Wexford Festival Opera
The Barber of Seville, Arizona Opera
RODOLFO
WESTCLIFFE, CO
Minnesota Opera Debut:
La rondine, 2018
Notable Engagements:
Street Scene, Central City Opera*
Loving v. Virginia, Virginia Opera*
Sweeney Todd, Utah Opera*
The Little Prince, Pacific Opera Victoria*
Die Fledermaus, Pensacola Opera
MARCELLO
MARION, IN
Minnesota Opera Debut:
Edward Tulane, 2022
Notable Engagements:
Don Giovanni, Madison Opera*
Trouble in Tahiti & Service Provider, Minnesota Opera
The Gift of the Magi, Skylark Opera Theatre
The Love for Three Oranges
Des Moines Metro Opera
The Daughter of the Regiment, Minnesota Opera
Ariadne auf Naxos, Lakes Area Music Festival
COLLINE
SIOUX FALLS, SD
Minnesota Opera Debut:
Ariadne auf Naxos, 2015
Notable Engagements:
The Snowy Day, Minnesota Opera*
Don Giovanni, Edmonton Opera
Carmen, Glacier Symphony
Le nozze di Figaro, Madison Opera
Edward Tulane, Minnesota Opera
Hamlet, Metropolitan Opera
takis
SCENIC DESIGNER
LONDON, UNITED KINGDOM
Minnesota Opera Debut:
La bohème, 2024
Notable Engagements:
HMS Pinafore, English National Opera
La traviata, Norwegian National Opera
Madama Butterfly, Opera Lombardia/ Estonian National Opera
Don Giovanni, Finnish National Opera
Phaedra, Royal Opera House
MIMÌ
CHARLOTTE, NC
Minnesota Opera Debut: La bohème, 2024
Notable Engagements: Rusalka, Arizona Opera
La traviata, Opera Carolina
Le nozze di Figaro, Opera Grand Rapids, Opera Carolina
Eugene Onegin, Opera Carolina
Don Giovanni, Utah Opera, Arizona Opera Cold Mountain, North Carolina Opera
BENOIT/ALCINDORO
WILLMAR, MN
Minnesota Opera Debut: Transatlantic, 1998
Notable Engagements:
The Daughter of the Regiment, Minnesota Opera
Salome, Madison Opera
The Grapes of Wrath, Minnesota Opera
The Magic Flute, Komische Oper Berlin
The Marriage of Figaro, Cincinnati Opera Macbeth and the Weïrd Sisters, Theater Latté Da
D.M. WOOD
LIGHTING DESIGNER
TORONTO, CA
Minnesota Opera Debut:
Il trovatore, 2008
Notable Engagements:
La traviata, Norwegian National Opera
4.48 Psychosis, Royal Opera House, Covent Garden
Polifemo, Opéra national du Rhin
Die Walküre, The Royal Danish Opera
A Midsummer Night’s Dream, Deutsche Oper Berlin
MINNESOTA OPERA ORCHESTRA
VIOLIN I
Allison Ostrander
Concertmaster
Julia Persitz
Asst. Concertmaster
David Mickens
Heidi Amundson
Emily Saathoff
Maisie Block
Mary Alice Hutton
Karl Braaten
Stephanie Arado
Alastair Brown
VIOLIN II
Laurie Petruconis*
Elise Parker +
Elizabeth Decker
Huldah Niles
Emilia Mettenbrink
Kseniya Khvashchynskya
Erika Hoogeveen
David Block
VIOLA
Susan Janda*
Laurel Browne +
Jenny Lind Nilsson
Coca Bochonko
Emily Hagen
Charles Krenner
CELLO
Teresa Richardson*
Sally Gibson Dorer +
Rebecca Arons
Kirsten Whitson
Ruth Marshall
BASS
John Michael Smith*
Jason C. Hagelie +
Nadja Gale
MINNESOTA OPERA CHORUS
SOPRANOS
Madison Holtze
Jianing Li
Alexis Reed
Justine Scarbrough
Lindsay Sessing
Quinn Shadko
Kristie Tigges
Cassandra Vasta
MEZZO-SOPRANOS
Laura Coale
Kristina Dudley
Gillian Gauntt
Miranda Kettlewell
Monica Murray
Valerie Rogotzke
Huiyin Tan
Anne Todey
TENORS
Samuel Baker
Robert Banks
Logan Barat
Paul Gutmann
Trevor Lemon-Todd
Nathan Romportl
Phillip Takemura Sears
Colyn Tvete
BARITONE/BASS
Karl Buttermann
Matthew Christoff
Grady Klein
Gary Kubert
Joel Mathias
Robert Riordan
Niko Simmons
Cole Strelecki
Tyrie Williams
FLUTE
Hannah Peterson*
Bethany Summersgill
PICCOLO
Amy Morris
OBOE
Michael Dayton*
Robert McManus
ENGLISH HORN
Jeffrey Marshak
CLARINET
Karrin Meffert-Nelson*
Jennifer Gerth
BASS CLARINET
Nina Olsen
BASSOON
Laurie Hatcher Merz*
Matthew Bertrand
HORN
Timothy Bradley
Charles Hodgson
Allison Aikins
Jenna McBride
TRUMPET
John G. Koopmann*
Christopher Volpe
Martin Hodel
TROMBONE
Phillip Ostrander*
Alex Wolff
David Stevens
TIMPANI
Kory Andry*
Julianna Belle Ferrell
Ford Bradshaw
Matthew Bruggeman
Mila Huber
Mary Carolyn Hulse
Emilia Kaplan
Mena Koch
Lauren Lee
Heather McAllister
Sophie Negrete
Cal Prideaux
Neriyah Scott King
Anders Thielen
Lavender Truong
Pablo Siqueiros
Alicia Storkamp
Andrew Flamm
Super Captain
Claudia Garcia
Stephen Hage
Emma Johnson
PERCUSSION
Matthew Barber*
Joel Alexander
TUBA
Jacob Grewe*
HARP
Min J. Kim*
BANDA
Jonathan Brandt, trumpet
Takako Seimiya Senn, trumpet
Rachel Haug, piccolo
Charles Gibb, piccolo
Joel Alexander, snare drum * Principal + Assistant Principal
Kevin Klein
Michelle Schwantes
Satomi Shinde
AnnaRose Wayne
THE MINNESOTA OPERA ORCHESTRA, PHOTO BY DAN NORMAN
THE MINNESOTA OPERA CHORUS, PHOTO BY DARIN KAMNETZ
The MN Opera Resident Artist Program, one of North America’s premier training programs, offers a full season of employment to talented artists beginning their professional careers and introduces audiences in the Twin Cities to those artists who embody the present and future of our industry. Since its founding in 1997, the program has prepared singers, pianist/coaches, conductors, and directors for careers in opera through intense, individualized training and through major opportunities in Minnesota Opera productions. By encouraging curiosity, fostering a collaborative spirit, and approaching the work with integrity, the Resident Artist Program uniquely positions artists to thrive and commit themselves to this beautiful art form.
Experiencing the craft of my colleagues and mentors at MNOP has been impactful and inspiring. In addition, the balance of new and traditional repertoire which Minnesota Opera produces on its stages has been a highlight for me.” – Jeremiah Sanders
RAP QUESTION:
“What is a highlight of your time at Minnesota Opera during your time as a RAP?”
One of the highlights of this Resident Artist Program has been the opportunity to sing on stage in roles large and small, all while working with good coaches and teachers for artistic and personal development.”
– Efraín Corralejo
I loved it when Warren Jones, one of the preeminent collaborative pianists of our time, came to do a concert with the Resident Artists. Getting the chance to share the stage with him and to play four-hand music with him was refreshing and inspiring.” – Erica Guo
Minnesota Opera was integral to my early development as an artist while I pursued my master's degree at the U of MN ('15). To perform on the Ordway stage nearly a decade after was a full-circle dream realized.” – Charles H. Eaton
There are really too many experiences to choose from, but the moments I’ll treasure most are the relationships I made with people that mean a great deal to me personally and artistically, and the art that we created together. For me, opera is about connection and communication, and this program gave that to me both on and off stage.” – Keely Futterer
The Minnesota Opera Resident Artist Program has guided the careers of over one hundred artists since its founding in 1997. Affirming the program’s high standard of training and artist development, alumni perform regularly with Minnesota Opera while earning engagements at prestigious houses worldwide, such as the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, the Salzburg Festival, and the Royal Opera House Covent Garden.
To learn more about the Resident Artist Program or to make a donation to the program, please visit: mnopera.org/about/ resident-artist-program/
We are lucky to have four incredible singers join us to portray the characters of Rodolfo and Mimì. Recently, Christian Sanders, Won Whi Choi, Melinda Whittington, and Symone Harcum sat down to answer a few questions about themselves and their roles.
my thoughts, control my breath, and continue singing. Playing Rodolfo is both beautiful and challenging — it’s about becoming part of the beautiful music and story while staying on track with my performance.
CS This role offers the joy of expressing a wide emotional range through Puccini's iconic melodies and building deep on-stage relationships, yet demands considerable vocal stamina and technique, as well as the ability to deliver a nuanced acting performance. The challenges lie in balancing the light-hearted aspects of the bohemian lifestyle with the profound depth of love and loss, requiring a sophisticated approach to both singing and acting. It also involves meeting high expectations set by previous interpretations while finding a unique voice in a beloved, classic role.
What are some of the joys and challenges of performing this role?
WWC Every time I play Rodolfo on stage, I think about what love really means in my life. The various emotions depicted within Puccini’s melodies resonate with me more deeply on stage than when I simply listen to opera. From the excitement of first love to the deeper journey of Rodolfo's love story, it makes me reflect on my own experiences. But sometimes, focusing too much on the emotions can make it hard to sing technically well. For example, the scene where Mimì is dying and returns to Rodolfo, it can bring back memories of losing someone important. Still, I must gather
What themes or messages from La bohème do you think bring audiences back time and time again? In what ways is this piece relevant today?
WWC Every time La bohème is performed, I feel that every piece of music has a purpose and contributes to creating the atmosphere of the story and situation. The harmony between the drama and the music allows the audience to immerse themselves in the story from beginning to end. And the story deals with relatable themes of love, friendship, the passion of youth, and the process of maturation through failure. In the relationships of characters that could exist even today, it makes us think about what is truly precious to us or what we might be missing in our lives.
CS It resonates so well because it taps into the universal experiences of young love, the challenges of making ends meet, and the warmth of close friendships—themes that everyone can
relate to. Plus, its genuine portrayal of life’s joys and sorrows ensures its enduring relevance and emotional impact on modern audiences.
What do you hope that audiences will take away from this production?
WWC Ultimately, my hope is that audiences will be deeply moved by the emotional depth of La bohème and the journey of its characters. I want people to walk away from the performance with a renewed appreciation for the power of love and friendship, as well as a sense of the fleeting nature of life and the importance of cherishing every moment.
CS I want the audience to feel the raw emotions we're laying out, recognizing bits of their own stories in ours. Hopefully, they'll leave with a bit more empathy and a reminder to value the good times and the people who make them special.
Do you have any plans for your time in Minnesota?
WWC This is my third visit to Minnesota, and each time I’ve been here, I’ve been focused on work and haven’t had the chance to experience much. This time, I’ll be accompanied by my adorable 4-year-old daughter and my parents, so I’m excited to explore various attractions in Minnesota with them. We’re planning to do a food tour, go shopping, visit museums, and more. If you have any recommendations for great places to visit, please share them!
CS I love to eat! :-) I definitely want to try some of the new restaurants and eateries in Minneapolis and St. Paul that have popped up since I was a Resident Artist here five years ago. Other than that, you may see me riding my bike around town or getting some outdoor time down at the Minnehaha Dog Park.
Describe your character in three words:
MW Generous, Solitary, Wise
SH Passionate, Sincere, Courageous
What are some of the joys and challenges of performing this role?
MW I’ll start with the challenges, so we can end on a high note! The biggest challenge is how iconic it is! From a vocal standpoint, the difficulty is that the tessitura of the role — or where it sits — is actually quite low. Keeping the low middle voice grounded and well balanced, so that it is present and full, is the biggest challenge for me. The joys are almost too numerous to list! The reasons that La bohème is so timeless below are a huge part of it. Mimì was the spark that made me want to be an opera singer. Listening to Mirella Freni's “Si, mi chiamano Mimì,” I felt deep in my bones at that moment that this catharsis of the human experience through the raw power of the human voice and the operatic form was the way I was created to make a difference on this earth.
SH Often, for me, the joys and challenges of these roles are one and the same. With Mimì, it is both challenging and intensely satisfying to explore the vastness of her emotional scope. There’s a strength that is present throughout her story, as she acknowledges the reality of her health and still chooses to participate in life while she has time, coupled with the vulnerability of giving herself fully to the prospect of true love.
What themes or messages from La bohème do you think bring audiences back time and time again? In what ways is this piece relevant today?
MW Love and fear are two sides of the same coin and a universal experience. La bohème is timeless because Puccini has created such REAL characters. The story captures deep truths about love, friendship, societal structures, and the value of art and artists within
that society. Puccini capitalizes on the operatic form’s power to express raw human emotion, but without the trappings of pretentious grand opera that can feel unapproachable to a modern audience.
SH Well, La bohème has everything: true friendship, lighthearted fun, intense love, comedy, tragedy, GORGEOUS music… And this list is non-exhaustive. Why wouldn’t we come back? The story of La bohème stands as one of the most relatable in the operatic canon. Every person on earth experiences highs and lows, ease and hardship, bliss and tragedy. It remains relevant because it centers on the most human of experiences— ones that every audience member has encountered or knows they will one day experience.
What do you hope that audiences will take away from this production?
MW Humor, simplicity, relatability, and yes, even a healthy dose of that magical, all-encompassing grandeur that only opera can give! I hope you allow yourself to be transported into the tragic and beautiful world of these young artists, and leave with new insights about yourself, others, and the world around us. Because, and I think all these characters would agree, isn’t that the point of art?
SH The story, music, and often the stage business of La bohème is very well known to the operatic community, artists and audiences alike. There’s much about the show that we’ve come to expect from the individual characters and the dynamics of their relationships with one another. Our director, Rodula, has opened the door for this cast to interact authentically with the work, without the pressure to do what is “historically” done. I hope that audiences can come away with some surprises and new discoveries.
Do you have any plans for your time in Minnesota?
MW I love exploring a new city’s food scene, breweries, coffee shops, and art museums! When my family comes to visit, we look forward to checking out lots of kid-friendly activities…the Children’s Museum, the Science Museum, Can Can Wonderland, the zoo, a riverboat cruise, and exploring new-to-us playgrounds are currently on the list! Suggestions welcome!
SH All the things I’ve missed since being away. 1. Walking the river in the North Loop. 2. Snack Bar 3. Playing pool with the RAPS at The Hewing 4. Edwards Dessert Kitchen
3-OPERA SEASON:
NOVEMBER 2–10, 2024 | Ordway Music Theater, St. Paul
FEBRUARY 8–16, 2025 | Ordway Music Theater, St. Paul
MAY 3–18, 2025 | Ordway Music Theater, St. Paul ADD-ON:
A MN OPERA STAR-STUDDED BENEFIT CONCERT
SEPTEMBER 28, 2024 | Ordway Music Theater, St. Paul
FEBRUARY 23, 2025 | Ordway Concert Hall, St. Paul Presented by the Arts Partnership
Monét X Change returns to host a unique benefit extravaganza featuring a star-studded lineup of some of the most captivating performers from the MN Opera stage. Led by Principal Conductor Christopher Franklin with the full forces of the MN Opera Orchestra behind them, audience favorites come together to showcase the breadth and power of their artistry in a one-night-only event you won’t want to miss.
Subscribers get exclusive early access to this first-of-its-kind concert experience! With tiered tickets and engaging pre- and post-show activities, you are invited to customize your night out in support of the art and artists you love.
Tickets starting at $75 for general seating. For more purchasing information, visit mnopera.org/glam-jam
Chair | Mark C. Gordon
President and General Director | Ryan Taylor
Vice Chair | Missy Staples Thompson
Secretary | Rachelle McCord
Treasurer | James Powell
Joelle Allen
Margaret Blake, M.D.
Sosha Brink
Roma CalatayudStocks
Ivonne Chand-O’Neal, Ph.D.
Gayle Fuguitt
Amy Hoffman
Dorothy Horns, M.D.
Philip Isaacson
Diane Jacobson, Ph.D.
Deborah Jiang-Stein
Anna Kokayeff, M.D.
Robert Lee
Natalie Volin Lehr
Jeninne McGee
Fayneese Miller, Ph.D.
Jodi Mooney
Kay Ness
Benjamin J. Ollendick
Elizabeth Redleaf
Bart Reed
Cris Ross
Mary Schrock
Nadege Souvenir
Margaret V.B. Wurtele
HONORARY DIRECTORS
Philip Brunelle
Liz Kochiras
PRESIDENT’S COUNCIL
Karen O. Bachman
John A. Blanchard, III
Susan Boren King
Burton Cohen
Ellie Crosby
John Huss
Ruth Huss
James E. Johnson
Lucy Rosenberry Jones
Gale Sharpe
Kevin H. Smith
Virginia Stringer
Mary W. Vaughan†
EXECUTIVE
President and General Director | Ryan Taylor
Principal Conductor | Christopher Franklin
Executive Manager | Andrew Sun
ADMINISTRATIVE
Vice President, Administration and Board Relations | Theresa Murray
Human Resources Director | Jen Thill
Luminary Arts Center Director | Julia Gallagher Front of House Manager, Luminary Arts Center | Zachary Staads
Luminary Front of House Supervisor | Emma Goecks
Luminary Front of House Associates | Annika Hansen, Claire Frederick, Dixie Treichel, Seth Kaltwasser, Edie Karras, Lexie Modica
Rentals Manager | Victoria Pollock
ADVANCEMENT
Vice President, Advancement | Lani Willis
DEVELOPMENT
Development Director | Jeremie Bur
Strategic Growth Director | Erin Flannery
Development Manager | Siena Forest Gift Officer | Leila Keïta
Development Associate | Jonathan Lundgren
Associate Patron Relations Director | Kristin Matejcek
Campaign and Annual Giving Manager | Charlotte Summers
MARKETING AND COMMUNICATIONS
Marketing and Communications Associate | Amran Abdulkadir
Marketing and Communications Director | Gretchen Halverson
Communications Manager | Isaac Mayhew
Senior Graphic Designer | Genie Hien Tran
Graphic Design Intern | Crystal Xayana
PATRON SERVICES
Patron Services Administrator | Kevin Beckey
Patron Services Manager | Alexis Alcala
Associate Patron Services Manager | Eva Gemlo
Patron Services Coordinator | Alexis Reed
Patron Services Representative | Carol Corich, Asa Gutow, Jenna Lory, Paige Swenson
Vice President, Artistic | Joseph Li Director of Resident Artist Program and Head of Music | Mario Antonio Marra
Company Manager | Roxanne Stouffer Cruz Artistic Administrator | Salvatore S. Vasta III
Principal Coach and Chorus Director |
Celeste Marie Johnson
Resident Artists | Efraín Corralejo, Charles H. Eaton, Keely Futterer, Erica Guo, Jeremiah Sanders
Resident Artist Guest Faculty | Lara Bolton, John Churchwell, Eric McEnaney, Thomas Muraco†
Vice President, Finance | Janelle Erickson Controller | Patty Wilber
System Administrator | Tony Ngonekeo
Staff Accountant | Chris Olsen
Vice President, Impact | Darius Gillard Equity, Diversity, and Inclusion Director | Rocky Jones
Creative Development Program Manager | Yuanfei Chen Equity, Diversity, and Inclusion Coordinator | Emilia Mettenbrink Youth Programs Music Directors | Sara Sawyer, Jared Miller, Rick Hoops
PRODUCTION
Vice President, Production | Karen Quisenberry
PRODUCTION AND FACILITIES
Associate Production Director |
Genoveva Castañeda
Technical Director | Jonathan “Bearclaw” Hart
Costume Director | Corinna Bakken
Assistant Technical & Facilities Director |
Jerry K. Smith
Assistant Production Director | Sarah Lockwood
Facilities Manager | Jona Peters
Interim Facilities Manager | Kash Uqdah
Lighting Coordinator | Ray Steveson Jr.
STAGING STAFF
Stage Manager | Olivia Darling
Assistant Stage Managers | Patricia Garvey, Noam Lautman
Company Artist Assistant Stage Director | Margaret Jumonville
SCENERY, PROPERTIES, AND LIGHTING
Production Carpenter | Max Gilbert
Scene Shop Supervisor | Madi Scott Smith
Senior Carpenter | Eric Veldey
Properties Craftsperson | Rachel Krieger
Luminary House Technician | Evan Peterson
Carpenters | Molly Diers, Hal Eckhart, Rose King, Alex Mongin, Ada Packiewicz, Jonathan Schaffer, Jared Shofstall
Charge Artist | Erica Zaffarano
Scenic Painters | Macaria Meza, Sophie Pfluger Properties | Kellie Larson, Jenny Moeller, Stacey Schwebach
Tech Lighting Assistant | Dante Benjegerdes
Electricians | Jack Hinz, Andrew Kedl, Grant Merges
COSTUMES
Costume Administrator | Molly O’Gara Wig, Hair, and Makeup Supervisor | Emma Gustafson
Tailor | Yancey Thrift
Drapers | Katrina Benedict, Chris Bur Costume Crafts and Dye Head | Danielle Jordan First Hands | Brigid Borka, Sara Huebschen, Rebecca Karstad
Stitchers | Helen Ammann, Ann Friese, Ally Guglielmi
Wig, Hair, and Makeup Runcrew | Melissa Gubrud, Wendy Frank Zapata, Alex Xiong
Marcia Aubineau, Maria Benson, Amanda Binder, Judy Brighten, Michelle Carlson Liebl, Yuanfei Chen, Deb Dittmann, Jennifer Eckes, Andy Flamm, Diane Gerlach, Jonathan Grogu, Megan Helmers, Jess Hoffert, Scott Hoffman, Madeline Huss, Diane Jacobson, Julie Karlson, Jeanie Kett, Margaret Matejcek, Frances Matejcek, Mary McDiarmid, Nicholas Mroczek, Monica Murray, Chris Olsen, Kristin Ostebee, Candayce Osterkamp, Tom Ozzello, Jaimeson Parkin, Kim Petersen, Polly Peterson, Barton Reed, Charlie Reese, Richard Rubenstein, Ashley Sievers, Rickard Simon, Amy Sirivie, Wendi Sott, Heidi Spesard Noble, Christopher Stordalen, Kristian Stordalen, Dana Strothenke, Andrew Sun, Jen Thill, Norm Tiedemann, Eryn Tvete, Patty Wilber, Kylon Winbush
† in remembrance
SEPTEMBER 28, 2024N | THE ORDWAY
Monét X Change returns to host a unique benefit extravaganza featuring a star-studded lineup of the most captivating performers from the MN Opera stage. With the full forces of the MN Opera Orchestra behind them, audience favorites come together to showcase the breadth and power of their artistry in a one-night-only event you won’t want to miss.
NOVEMBER 2–10, 2024 | THE ORDWAY
In fair Verona, timeless love blooms and family feuds rage. The Montague and Capulet families have despised each other for generations, but their children only have eyes for each other. Charles Gounod’s evocative score captures Shakespeare’s enduring story of two star-crossed lovers who are willing to sacrifice everything to be together.
FEBRUARY 8–16, 2025 | THE ORDWAY
In the fresh snow, every footstep is marked with magic. A young boy wakes to find that the first snow of winter has fallen overnight — an exciting day of adventure awaits. Peter delights in making footprints in the snow and meeting new friends, before returning home to the cozy embrace of Mama and Daddy. Based on the Caldecott Medal-winning book by Ezra Jack Keats, Joel Thompson and Andrea Davis Pinkney’s The Snowy Day brings centerstage the fleeting but indelible magic of childhood.
The Barber of Seville
MAY 3–10, 2025 | THE ORDWAY
Where love is concerned, too much is not even enough. Rosina is young, clever, and wealthy, but her greedy guardian desires her and her fortune for himself. Using her wits to outsmart him and find her true love, she enlists Figaro, the mischievous and well-connected local barber, who has more than a few tricks up his sleeve. Plans go awry (resulting in several close shaves) against the backdrop of Gioachino Rossini’s iconic score as romance and a little old-fashioned trickery combine in one of the best-loved comedies of all time.
Minnesota Opera Patron Services
620 North First Street, Minneapolis, MN 55401 612-333-6669
Regular Hours: Monday–Friday, 10am–5pm
Performances
Phones open at 2pm for evening performances and at 10:30am for matinee performances. Minnesota Opera staff will be available at the Ordway’s Ticket Office 90 minutes prior to curtain.
mnopera.org
ARTS CENTER
EVENTS:
Requiem Metallum
AfterTime & MPLS (imPulse)
MAY 10, 2024
Youth Opera Showcase
Minnesota Opera MAY 11, 2024
Young Dance MAY 17-19, 2024
Covers Like It’s 1999 Cantus
JUNE 1-9, 2024
Love in the Time of Hate
Teatro del Pueblo
JUNE 14-30, 2024
Visit mnopera.org to watch behind-thescenes videos, read synopses, browse digital programs, and more. Join our e-club to receive special offers and opera news.
Ticket Policies
Refunds are currently available. Additionally, any ticket may be returned for a tax-deductible donation up until curtain by calling the Minnesota Opera Patron Services. We will send a tax receipt to you acknowledging the value of the ticket, minus any applicable fees.
Parking
Prepaid parking is available with an opera subscription at the Lawson Commons Ramp. Call 612-333-6669 or visit mnopera.org to purchase passes.
Accessibility
For patrons with disabilities, wheel-chairaccessible seats are available for select performances. Please call 612-333-6669 for details and indicate any special needs when ordering tickets. At the Ordway, accessible restrooms and other facilities are available, as well as braille or large-print programs and infrared listening systems. For more information, please visit mnopera.org/access.
Ordway Policies
Ordway is a smoke-free facility.
Latecomers will be seated at an appropriate break. Please have all cell phones and pagers turned to silent mode.
Children under six are not permitted in the hall. Cameras and recording equipment are strictly prohibited in the theater. Please check items with an usher.
Food and beverage are available for purchase prior to the show and during intermission. Water and other beverages are allowed in the theater (hot beverages require lids), but food is strictly prohibited.
The phone number for emergencies is 651-224-4222. Please leave seat locations with the calling party.
Lost and Found is located at the Stage Door. Call 651-282-3070 for assistance.
The health and safety of our staff, guests, and artists is our top priority. To learn about the steps the Arts Partners are taking to ensure we operate in the safest way possible, please visit Ordway.org/health-safety. Masks are not required but will be welcomed and encouraged. We ask that guests stay home if they are sick and request a ticket exchange or refund.
Minnesota Opera staff and board members would like to REMEMBER OUR FRIEND,
Art was passionate about music and the importance of music in one’s life. He loved to share musical experiences with a vast network of friends, who he regularly treated to a night at the opera. He enjoyed recounting his experiences as a supernumerary in Minnesota Opera’s productions of Tosca and The Abduction of Figaro . We are grateful for Art’s dedication throughout the years to support Minnesota Opera and the Arts Partnership.
We will all miss his warmth and wonderful sense of humor at performances and events.
MINNESOTA OPERA RECOGNIZES INDIVIDUAL DONORS WHO HAVE MADE GIFTS TO OUR ANNUAL FUND AND FUND-A-DREAM BETWEEN JANUARY 1, 2023 – MARCH 20, 2024. THANK YOU FOR MAKING OUR ART COME TO LIFE.
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BRONZE
$250 – 499
Joshua Adney
Anita M. Anderson
Dean Anderson
Rolf T. Anderson
Jerry Artz
Thomas and Ann Bagnoli
Gail Bakkom
Charles David Baron
Mr. Thomas J. Basting Jr. and Ms. Rebecca Arons
Sharon Bloodworth and Barrett Johnson
George and Joan Bohlig
James Salutz and Margaret Brandl
Barbara and William Brauer
Roger and Ronnie Brooks
Renee Campion and David Walsh
Ruth Carp
Dr. Mark and Denise Carter
The Christopher and Cheryl Smetana McHugh Fund
John Clay
Thomas Cox
David Bjork And Jeff Bengtson Charitable Fund
Fran Davis
Maria Eggemeyer
Anne Ewing
Kathryn Fernholz
Carol and Michael Garbisch
Leland and Beverly Gehrke
Nancy and Clyde Gerber
James Glazier
MaryAnn Goldstein
Richard and Marsha Gould
The Grant & Buerkle-Grant Family Fund
John Grant and Mary Buerkle-Grant
Donald Greenebaum
Jeffrey Griffin
Jan Grimes
John Heer
Cliffton and Sharon Hill
Jess Hoffert
Joshua Howland
Kathleen and Robert Humphrey
John And Marcia Jones Fund
Ms. Marcia Jones
Julia Joseph-Di Caprio
Julia Morrison Palmer and Brian Palmer Fund
Kathryn Keefer
Judith Allen Kim
Judith A Kinsey
Elise Koonmen
Jenna Kubly
John and Colles Larkin
Daniel W. Lindsey
Holly MacDonald and John Orbison
Christine Martin
Mr. James P. Mccarthy and Ms. Gloria Peterson
Eileen McCormack
Mr. and Mrs. Chris McHugh
Adele Mehta
John L. Michel and H. Berit Midelfort
Jim Miner and John Easton
Gordon and Nina Mosser
Andrea Mouw
Ms. Vita Muggli and Mr. James C. Dick
William and Imelda Muggli
Mr. William Myers and Ms. Virginia Dudley
Elizabeth and Neal Nordling
Kathleen and Stephen Olsen
Dennis R. Olson
Scott Olson
Dede Ouren
Scott J. Pakudaitis
Julia and Brian Palmer
Jane M. Persoon
Michele Pierce
Anne and John Polta
Marylu Ramirez
George Realmuto
Mr. Philip Rickey
Linda Ann Ripka
Michael and Tamara Root
Vicki Rupp
Noel Schenker
Darryl Smith
Jennine Speier
Sharon and Thomas Stoffel
Charles and Marlys Taflin
Charles and Joan Tanger
Joyce Thielen
Irma Thies
Thomas and Sharon Stoffel Family Fund
Marie J. Thomas
Valerie Thompson
Catherine Vesley
Randall Volk
Jeff Wiemiller and Joe Anderson
Emerson L. Williams
* in remembrance
The following lists donors who, through their foresight and generosity, have included Minnesota Opera in their wills or estate plans.
Anonymous (2)
Paul and Valerie Ackerman
Thomas O. Allen
Dr. and Mrs. Rolf Andreassen*
Mary A. Andres
Howard J. Ansel, MD
Marcia J. Aubineau
Karen O. Bachman
Thomas and Ann Bagnoli
Patricia Beithon
Carol J. Bergeson
Susan S. Boren King
Al Bradley
Arthur Eric Brindley
C.T. Bundy II*
Margaret M. Carasik
Jon L. Schasker* and Debbie Carlson
George and Joan Carlson
Richard and Darlene Carroll
Robert Clough
Dan and Julia Cross
The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations.
Art of Singing Endowment Fund
To support exceptional training for Resident Artists by providing learning opportunities with leading artists and experts.
The following lists donors who have made gifts in honor or in memory of a loved one between July 1, 2022 and February 1, 2024.
IN HONORARIUM
Joelle Allen
Miquel Joenese Purvis Mcmoore Family Fund
Freda Andreini
Margaret Andreini
Mr. & Mrs. Glynn E. Behmen Sr. Family
Glynn Behmen
Dr. Bianca Fine
Ruth Hurvitz and Alan and Janet Salle
Ruth and John Huss
Sally and Thomas Patterson
Dale Johnson
Mr. Kim A. Chapman and Ms. Elizabeth Longhurst
Robert L. Lee
Catherine Ballman
Natalie Losik
The Losik Savage Charitable Gift Fund
Mary Davidson
Julia W. Dayton*
Charles M. Denny Jr. and Carol E. Denny*
Susan Doty
Anne P. Ducharme*
Mary A. Ebert and Paul Stembler
Rondi Erickson and Sandy Lewis*
Ann Fankhanel
Ester L. Fesler
Salvatore Silvestri Franco
Daniel E. Freeman
Charles J. Frisch
Dr. Paul Froeschl
Katy Gaynor
Ellen Green
Myrtle Grette*
Michelle Hackett
Russell and Priscilla Hankins
Anne Hanley and George Skinner
Don Helgeson* and Sue Shepard
Mary A. Hintz
Elfrieda Hintze*
Jean M. Holten
John Humleker and Cordelia Anderson
Kathleen and Robert Humphrey
Steven and Nancy Johnson
Charles and Sally Jorgensen
Robert and Susan Josselson
John and Kathleen Junek
Barbara White Bemis Fund for Artistic Enhancement
To enhance the quality of performances by providing funds to engage singers who have received awards through the Metropolitan Opera National Council Auditions.
Daniel E. Freeman Endowment Fund
To support Minnesota Opera’s education programs.
Dolly Fiterman Fund for New Production Opera Design
To support the creation of new productions by providing funds to engage designers and create new sets.
Jeninne McGee
Walter Berman
Theresa Murray Schmiechen Charitable Fund
Susan Nudell Kalin
Mary Nudell & Dean Lee
Mary Ingebrand-Pohlad
The Cinda Collins Foundation
Sima Griffith Family Fund
Gale Sharpe anonymous
Andrew Sun
anonymous
Ryan Taylor
Kelley Dorhauer
Eva Weyandt
Michael Weyendt
IN MEMORIAM
Eric Aanenson
Tracy Aanenson
Judson and Barbara Bemis
Mrs. Sandra Roe
Judy Boylan
Sarah Crowther
Ogden Confer
Beverly Baker
John and Ruth Huss
Phil Kliewer
Missy Staples Thompson and Gar Hargens
Markle Karlen
Warren and Patricia Kelly
Blaine and Lyndel King
Bill and Sally Kling
Larry Klueh
James and Liz Krezowski
Robert L. Kriel and Linda E. Krach
Robert and Venetia Kudrle
Christl and Andrew Larson
Jim Lawser Jr and Duane Bandel
Mary Ash and Barry Lazarus
Gerald and Joyce Lillquist
Dawn M. Loven
Tim Manych
Barbara McBurney
Orpha McDiarmid Family Fund
Mary Bigelow McMillan
Betty Meyers*
John L. Michel and H. Berit Midelfort
Karla Miller
Kay Ness and Chris Wolohan
Richard and Joan Newmark
Scott J. Pakudaitis
Derrill Pankow
Debra Joyce Paterson
Jose A. Peris and Diana Gulden
Sydney Phillips*
Tim and Mary Pieh
Phyllis Price
Brian and Patricia Prokosch
Liane A. Rosel
Founders Endowment Fund
To support new and innovative opera performances that honor the spirit, energy, and creativity of the founders in the beginning days of the Center Opera.
Joan Jacobs Rubenfeld Memorial Fund
To support the attendance of high school students at MN Opera performances.
Minnesota Opera Center Preservation Fund
To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.
Lucille Jansen
Joe and Lisa Thiegs
Scott Krenz
Emerson Williams-Molett
Jack Lewis
Sue Nelson
Mary Kathleen Quinn
Midge Loeffler
Sam Scott Miller
Liming Kelani Mueller
Cynthia Campbell
Joan and Joe Nagle
Sarah L. Nagle
John Risdall
Anonymous (4)
The Grant & Buerkle-Grant Family Fund
Julia Hupperts
Toivo Kallas
Tia Karelson
Nina Rothchild
Rothchild Family Fund
Joan Jacobs Rubenfeld
Dr. Marian R. Rubenfeld and Dr. Frederick G. Langendorf
Judith Sitarz
Carroll Cisek
Marilyn Joan Skantz
anonymous
Mary Vaughan
Will and Margee Bracken
The Cinda Collins Foundation
Donaldson
Sara and Jock
Rachelle Dockman Chase
Ken Rothchild
Mary Savina
Josef Schermann
Mary H. and Christian G. Schrock
Duane and Pamela Schroeder
Frank and Lynda Sharbrough
Robert Shearer and Joan Gustafson
Andrew H. Stewart Jr and Anna Hargreaves
Virginia and Edward Stringer
Gregory C. Swinehart and Mitra Walter
Ryan Taylor
Dr. Anthony Thein
John and Jill Thompson
Stephanie C. Van D’Elden
Mary W. Vaughan*
H. Bernt von Ohlen and W. Thomas Nichol
Lola Watson
William White
Jean C. Wirsig*
Wayne Zink and Christopher Schout
Harvey Zuckman and Philip Oxman
For more information on making estate plan arrangements, please contact Jeremie Bur at jbur@mnopera.org
* in remembrance
Valerie and Paul Ackerman Endowment Fund
To support the attendance of youth at Minnesota Opera performances.
Virginia L. Stringer Endowment of the Minnesota Resident Artist Program
To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible by this endowment fund.
William Randolph Hearst Endowment for Education and Outreach Programs
To support Minnesota Opera’s education and outreach programs.
Mrs. Eleanor Crosby
Andrew Currie
Elinor Hands
John and Ruth Huss
Dawn M. Loven
Patricia Mitchell
Theresa, Jim and Nic Murray
The Saint Paul Chamber Orchestra
Carley and Bill Stuber
Missy Staples Thompson and Gar Hargens
Angus M. Vaughan
Leslie Vaughan
Bill Venne and Douglas Kline
Margaret V.B. Wurtele
Herb Ward
Charles Allen Ward Fund
MINNESOTA OPERA GRATEFULLY ACKNOWLEDGES ITS MAJOR INSTITUTIONAL SUPPORTERS:
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Art and Martha Kaemmer Fund of the HRK Foundation
Anna M. Heilmaier
Charitable Foundation
Anonymous (2)
Best Buy Foundation
Boss Foundation
Bust Out
Cultural STAR Program
Dellwood Foundation
The Elizabeth C. Quinlan Foundation
Faegre Drinker
Hutter Family Foundation
Margaret Rivers Fund
Mayo Clinic
McVay Foundation
Fred C. and Katherine B. Andersen Foundation
Onan Family Foundation
Opera Volunteers
International
Pachel Foundation
Peravid Foundation
RBC Foundation
Romanaggi Foundation
Schwegman, Lundberg, & Woessner P.A.
Tennant Foundation
Travelers
For information on making a corporate or foundation contribution to Minnesota Opera, please contact Jeremie Bur, Development Director, at jbur@mnopera.org.
MINNESOTA OPERA SEASON SPONSOR
Dive into one of music’s most transformative decades—the Roaring Twenties.
Pianist and Creative Partner Jon Kimura Parker performs works by Ravel and Gershwin, two prolific composers inspired by jazz.
Hear works written for ballets and operas that illustrate jazz’s enduring influence on orchestral music.
Enjoy An American in Paris, the 1951 film inspired by Gershwin’s symphonic poem—with the score performed live.
JUL 19–20 BEETHOVEN SYMPHONY NO. 4
JUL 26 PARKER PLAYS RAVEL
AUG 1 GRAND PIANO SPECTACULAR
AUG 2 PARKER PLAYS GERSHWIN
AUG 3 UPTOWN NIGHTS WITH BYRON STRIPLING
AUG 9–10 AN AMERICAN IN PARIS FILM WITH ORCHESTRA
