ISSUE
68
The official MIPP Newsletter
Photography by Alan Falzon
www.mipp-malta.com
2016
november | decemBER
Photography Kevin Casha
Editorial Dear Members, I hope you enjoyed our first issue of the revamped newsletter. Although perhaps not so immediately apparent, each issue is the result of the hard work of various members who have kindly offered their time and assistance in order to give you an ever improving service. It is not easy to gather content month after month, yet the MIPP is so active that just keeping track of our events and reporting them always helps to fill in most of the newsletter. Images are really not a problem as we always have at hand the excellent work of our members but in a society which seems to have less and less time at its disposal, engaging and interesting written features are not so easy to come by. Thankfully, we have some members who are regularly contributing to our content. The regular exhibition reviews by Tomoko Goto give us an amazing insight into contemporary photographic exhibitions, not only from Malta but also from international artists. Lorraine Abela, who is part of the new team helping out in the newsletter, has also supplied us with a couple of interesting articles and will continue to feature the work of iconic and inspiring photographers from all over the globe. I would like to encourage other members to give us their contributions, be it in text or in the form of photography.
Contents Illustrated Academic Essay by Lorraine Abela
pg 04
Enchanting Matera and the Malta connection by Kevin Casha
pg 07
Stefan Cachia | Duncan Cauchi | Sean Azzopardi | Rik Van Colen | George Abdilla | Richard
pg 10
Farrugia The MIPP Still Image Award in Photography MIPP Events
pg 13
Invitation to a photography packed weekend
pg 16
The MIPP Image Editing Course
pg 18
Light Hearted Moments by Mario Casha
pg 19
Jot down dates
pg 20
Photography in Malta The History and the Protagonists by Kevin Casha
pg 21
Veronica Busuttil by Daniel Vassallo
pg 24
Membership Renewal and newcomers
pg 28
DOs and DON’TS in PHOTOGRAPHY
pg 29
07
16
Other valid contributors to the MIPP are designers Sita Azzopardi and Malcolm Sammut, who are in charge of the newsletter, with Kevin Abela helping out in various other design needs. Brian Agius is on the job of designing our promotional flyers. Louisa Tonna has taken on the unenviable task of proof reading whilst Mario Casha is kindly preparing the entertaining caricatures that provide us with some light moments. As previously announced, Oriella Formosa Carabez has recently joined us in the committee. It is indeed an exciting time if we can retain this new, predominantly young and fresh influx of cooperation, ideas and networking. There are various other members who are regularly giving their input, like Charles Calleja, Lorraine Abela and Ivan Consiglio. These past months the committee has also been busily engaged in concerted efforts to totally renew our website. This should go online right before the November convention. Tonio Polidano has been the person who has taken on the coordination of this new website, with Martin Agius assisting. Naturally when it goes active, we would love to hear from our members of any ideas or comments that you might have. Feedback is very important for us! There has been a lot of work and activity towards putting the MIPP on a higher gear and we should soon have some further really exciting news to announce. On a more personal note, this month sees the realization of one more of my dreams – the publishing of my work the History of Photography in Malta. It has been a long and exhausting project, but now that it has materialized, I am naturally happy that I have managed to bring this work to a successful completion. I feel that this book will raise the awareness of both the local and international public and forever narrate and record the names and stories of all those photographers who have contributed to make local photography what it is. My only hope is that this work spawns off a series of other photography-related publications and that it also safeguards our heritage and culture. I sincerely look forward to seeing future photography students refer to this academic book in their research.
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Best regards, Kevin Casha President.
Editor: Kevin Casha
24 Design: Articles: Sita Azzopardi & Malcolm Sammut Various contributors
Proof Reading: Louisa Tonna
Members Profiles: Daniel Vassallo
If you want your photos featured on the newsletter’s front page just send the images to: newsletter@mippmalta.com Your contributions are always welcome
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18
Illustrated Academic Essay Contextual and cultural referencing in art & design by Lorraine Abela Part two
further developments and the efficient Kodak no.1
Evans. Another lady photographer who did a very
was invented. In the early 1890’s one can observe
good job in photographing children but this time in
a big change in how children are photographed.
street photography. Starting in black and white and
Gertrude Kasebier, one of the very first women
then as soon as color photography came out, she
photographers from the Pictorialist era, emphasized
even presented work in color. Her work was more
her photography on the bond between the mother
into straight photography and she always made sure
and the child. Her work made her an acknowledged
to capture the right moment, at times with a hint of
artist with the invitation to join the group ‘The Linked
humor as well.
Ring’ and later ‘Photo Secession’. Gertrude Kasebier had some of her work published on the quarterly
“It was a good neighborhood for taking pictures in
magazine of Photo Secession, Camera Work.
those days, because that was before television,” she told Block. “There was a lot happening. And the older
Pictorialism
In the early 1900s photography changed, it started to
people would be sitting out on the stoops because
be more artistic, making the scene or situation look
of the heat. This was... in the late ‘30s, so those
In the photographs previously mentioned, the
even nicer than it was in reality. The children were
neighborhoods were very active.” Levitt
photographed in a setup, with nice lighting conditions
(http://www.npr.org/programs/atc/features/2002/jan/levitt/020117.levitt.html)
children are all static and mostly centered in the photograph. Taken with Daguerreotype, ambrotypes
and with natural poses. She managed to capture great images, with most of
or tintypes, such photographs required longer
Figure 11 | A Kid playing with dog by Gertrude Kasebier
them going unnoticed looking almost like candid
One can immediately notice the immense difference
where one can see how excellently she has captured
exposure. This made the children look stiff and uncomfortable. As photography evolved, there were
from what photography offered in the previous years and in this particular era.
shots. Here are some of her works in monochrome, the daily common life on the streets of New York City in those years.
Their different perspective made the daguerreotype fashionable. Researching Child Photography primarily took me back to a period of time were families were Figure 9 | Some more work of Kasebier in ‘Camera Work’
requesting portraits of their children to be taken. Southworth & Hawes were two photographers, partners in this business, who are considered as pioneers in this field. Many children daguerreotype photographs bear their name. The following are some examples of their works, which display children posed in a very rigid way, generally gazing away from the camera.
Straight photography One can realize that along the years, photography was getting more realistic. Photographers were more interested in displaying the experience in life back then. One can stop at a very interesting period Figure 8 | A page from the magazine ‘Camera Work’ showing Gertrude Kasebier as one of the members
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Figure 10 | by Gertrude Kasebier
in photographic history. Although being a neglected photographer, Helen Levitt was guided in her work by the well-known Henri Cartier Bresson and Walker
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Figure 12 | Children playing in the Street by Levitt
Figure 13 | Children wearing masks for halloween by Levitt
Documentary photography
Figure 14 | Girls playing and boy looking under the girl’s dress, by Levitt labor abuse. He used to travel and visit places of work, like factories, mines, mills, fields and more. He entered
The same ideology progressed and various artists
in disguise and photographed children at work. He
were more inclined to document through photography,
asked them for some personal details as well to source
believing in passing on a message. Straight photography
his documentaries. His work made the government
and documentary photography go hand in hand and
focus more on laws against child-labor abuse and
these photographs were used to report in the hope that
actually enforce them. For his photography he used a
the situation is addressed. One of these photographers
Graflex which was new at that time. His photographs
was Lewis W. Hine, once a teacher, left everything to
are so powerful.
follow his passion. He was interested in social welfare and reformation and so he started documenting child-
Hine’s powerful images show that he depended only on his camera to make sure his message is clear, in fact he once said: “If I could tell the story in words, I wouldn’t have to lug a camera”. Hine (http://www.brainyquote.com/quotes/quotes/l/lewishine161834.html)
Figure 15
Enchanting Matera and the Malta connection Article by Kevin Casha Figure 17
Figure 16
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to be continued next Issue
Lorraine Abela
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A chance meeting in July, with a friend of mine who runs a travel agency, led to a snap little trip to Matera in Italy together with a group of friends. Encouraged by what I had discovered through internet and later through my contacts with a very active group of photographers based in Basilicata, we decided to set off for a four day September photographic visit to this area.
Matera is a captivating blend of beauty and
of the city. Situated right below the centre of the
Christ, King David, The Nativity of Christ and lately
contradiction. It was home to an ancient cave
city square, in Piazza Vittorio Veneto, these giant
the re-make of Ben Hur. International icons such as
dwelling culture and, to make our connection more
underground reservoirs and water systems are an
Sophia Loren, Omar Sharif, Pier Paolo Pasolini, Mel
fruitful, Matera has been declared European Capital
early engineering marvel and the main reason why
Gibson and Richard Gere have all been associated
of Culture for 2019; right after our Valletta. Matera
Matera is one of the oldest inhabited cities of the
with Matera based-film productions. Malta must up
has been a UNESCO World Heritage site since 1993
world. The saying that where there is water, there is
its game if it is to keep competing for such movies!
and now ranks as one of Italy’s most renowned icons.
life is surely brought home here. The afternoon left us with some time to have our first taste of the area
Four days are not much to manage to capture all the
It was not exactly encouraging to arrive in rain at
known as “I Sassi.” This consists of a multi-layered
charms not only of Matera but also of the picturesque
our Matera lodgings but being mainly a group of
town which builds on ancient caves and ancient man-
Basilicata surroundings. During our stay, the weather
adventurous photographers, we were not going to be
made abodes which have been later transformed
did not really let up so it was not easy to find the right
discouraged by the weather. Our fifteen-strong group
into a fascinating honeycomb of habitable dwellings,
light and conditions so much needed for landscape and
Library housed in an old monastery. The architecture
consisted mainly of MIPP members and some friends.
busy restaurants and countless bed–and-breakfast
architectural photography. Yet, the hospitality of the
and the library content were both fascinating and
As soon as we settled down, we proceeded right away
facilities – from the simplest to the most elaborate
local Ministry of Culture, the Agricultural department
some of us would have wished to stay more at the
to our rendezvous with members of the MATERAW
and modern conversions. It would be the first of
as well as our friends from Materaw managed to make
place. The many little churches, hewn in the rock and
photographic group for a press conference, staged
many explorations of the Sassi area – one is always
even the worst thunderstorm bearable.
We were
decorated with ancient ninth-century frescoes, where
by the Basilicata major to announce our arrival and
curious of each little discovery when exploring the
taken to visit a grape packaging factory, a vineyard
a never-ending source of inspiration for our cameras.
to explain our cooperation on projects pertaining to
meandering little alleys. It is on many occasions that
– complete with obligatory wine tasting, an olive
It felt as if time stood still in these primitive places
photography. Both photographic groups wish to set
one finds dead ends and mistakes the way in this
oil facility, museums and churches.
An impressive
of worship. On another trip, we had the opportunity
the ball rolling with ideas of possible cooperation
sort of man-made maze– but it is all part of the fun
museum in the heart of Matera wholly dedicated to
of viewing the Metaponto Archaeological Park where
on artistic projects that could form part of both
- although at times rather exhausting for the not so
the fascinating work of the late photographer Pino
one can absorb the impressive monuments and
Matera and Valletta’s celebrations in 2018-19. It was
athletic wanderer.
Settani, increased my envy for a similar place in Malta.
remains of the Ancient Greek and Roman Empires.
Naturally in between this itinerary we made our own
a great start to our adventure, as the televised press conference was well attended and gave us the chance
Not only are the Sassi a definite tourist attraction, but
explorations of the area, particularly the restaurants
It was a pleasure to hear the zealous Antonello di
not only to get our message over to the media but
various film producers have noticed their photogenic
and wine bars. As is the norm, we were very rarely
Gennaro, one of the talented Materaw photographers,
also to get to know better our new Italian friends.
potential. Matera is sometimes called the Jerusalem
disappointed with the excellent food and wines found
explain in detail each place and location that we
of Lucania – and it is quite obvious why. To date,
in this region – it was providential that our long walks
visited. His passion for Matera knows no bounds.
Right after the conference, we were taken on our
it has actually been the main location for various
along the Sassi at least kept our weight somewhat in
Finally, for variety, we were taken to Porto Marinagri,
first trip of discovery – to the ancient water cisterns
block-buster biblical movies such as The Passion of
check!
in Policoro, which is a fantastic modern residential project which consists mainly of villas serviced by
The relatively “modern” part of Matera lent itself
a system of canals so that owners can actually park
perfectly for street photography – the bustling
their yachts right outside their doorstep!
tourists, ambulant sellers and vociferous guides are excellent material for the candid photographer.
As the days flew by relentlessly, it was satisfying to
Another highlight of our stay was a visit to the Public
notice the bond which immediately began to foster between the MIPP and Materaw groups. I never cease to be amazed with the friendship and fraternity that photography encourages. Prior to our return home, during the final sumptuous dinner made of a never ending procession of deliciously different meat platters, we had to reluctantly bid our farewells to our new found colleagues and friends. From today onwards, I am sure that the bond between Matera and Malta can only blossom for the benefit of photography and culture.
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Rik Van Colen Walk On By
Photography by Photography by
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Richard FArrugia Everyone sometimes needs to cry out...
Photography by
Photography by
Duncan Cauchi Station Ghost
Stefan Cachia BubbleMischief
Photography by
Sean Azzopardi The Street Vendor 11 | The official MIPP Newsletter
Photography by
George Abdilla Playing in the street
2016
Continental Cars Ltd.
The MIPP Still Image Award in Photography
The MIPP Still Image Award in Photography This year’s MIPP Still Image Award in photography is in an advanced stage of progress, with the students nearing the end of demanding but highly subscribed and informative course. As is the norm, this award is run by MIPP course director Kevin Casha, who puts an emphasis on covering all aspects required for a learner to make quick inroads and progress. Various theoretical and practical workshops empower the students not only to learn techniques but to also interact with each other whilst putting theory learnt in the classroom into actual practice. Amongst other workshops, the students have been able to practice real life scenarios at Mediterraneo Marine Park, Ta’ Qali and Ghajn Tuffieha Bay. Classroom lectures are held at Hilltop Village, Naxxar and at Le Meridien Hotel, St. Julians. At times other tutors, who are experts in a particular genre of photography, accompany the learners. The course will be finalized in November with the next version starting off in February 2017.
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Malta Institute of Professional Photography Main speaker:
John Denton INTERNATIONAL CONVENTION
2016
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Monte Kristo Estates
Saturday 19th & Sunday 20th November
Ticket Options
INVITATION TO A PHOTOGRAPHY PACKED WEEKEND: Saturday 19th – Sunday 20th November, 2016 Join the photography networking and tuition classes of instruction, during a fun
MIPP members 1.
2 day convention inclusive of convention lunches/coffee breaks and the MIPP’s Annual Award Dinner - €110.00
2.
2 day conference only - € 80.00 (including convention lunches/coffee breaks)
3.
1 day conference only - €50 (including convention lunch/coffee break)
filled weekend with the Malta Institute of Professional Photography and The Societies of UK. This being our 20th Anniversary, the ticket prices are subsidized by the MIPP & The Societies to encourage more participation from our members and supporters.
Non-Member prices are: 4.
2 day convention - inclusive of convention lunches/coffee breaks and MIPP Annual Award Dinner - €130.00
5.
2 day conference only - €115.00 (including convention lunches/coffee breaks)
6.
One day conference ticket - €60.00 (including convention lunch/coffee break) • In all cases any additional Award Dinners (for partners/guests) is at €30.00 per person. • The Awards dinner is the MIPP’s Annual Awards Night. It incorporates the closing of the international convention, announces the MIPP Photographer of the Year and also acts as a graduation for the MIPP Still Image Award. • This dinner, which will be held at the Le Meridien Hotel, in St. Julians is on Sunday 20th November at 7.30 pm. It will be a part plated buffet inclusive of free flowing wine and water. Parking is free. This event is open to everyone.
All fee payments and bookings are to be received by no later than 30th October 2016. Booking email: bookings@mipp-malta.com
Be part of our 20 th ANNIVERSARY and make our Memories become History
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LIGHT HEARTED MOMENTS
The MIPP Image Editing Course The MIPP Image Editing course run by Martin Agius is currently in full swing with learners meeting at Hilltop Village for tuition on post-processing techniques for photography.
THE PREDATOR
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by Mario Casha
Photography in Malta The History and the Protagonists
CALENDAR November December
by Kevin Casha
Assessment of PTYA ENTRIES
This study is a serious attempt to document the history
session 2
by Kevin Casha
Over the last two decades, photography has increased
wish is that it will serve both as an inspiration as well
its popularity in an exponential manner. The advent
as a reference for future scholars and researchers of
of digital technology has enabled people from all over
photography.
the world to be able to engage themselves with this
I strongly hope that this book makes the fascinating
Le Meridien
Open to all (subject to the amount of panels received)
progress on which I hope others will build upon. My
medium.
Tuesday 1st November | 19:30
MIPP Qualifications
story of Maltese photography and its photographers
This has had a noticeable influence on the way
better known and appreciated not only by the Maltese
photography is being looked at in our time. The
but also by a global public.�
medium has become an ingrained part of our everyday
Convention in collaboration with The Societies
life and, with the ease of current advances in media technology, the sharing and proliferation of images
Saturday 19th & Sunday 20th November Monte Kristo Estate
Friday 18th November | 16:00
Award Dinner
Le Meridien
Sunday 20th | 19:30 Le Meridien
Xmas Get together
(incorporating the graduation – Awarding of Certificates Still Image Courses)
Monday 12th December | 19:30
DETAILS TBA
family and friends welcome
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Book Synopsis:
of photography in Malta. It is a continuous work in
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Chapter 8:
The Struggle of Maltese Photography in Peace time
Chapter 9:
Other early photographers of note associated with Malta.
Chapter 10:
The influence of other significant protagonists up to the end of the twentieth-century.
Chapter 11:
Photographic Groups, Associations and education in Malta.
has not only boomed but has created an increasing
island as well as the fascinating stories of many of
thirst for knowledge in all spheres of art and research
Malta’s photographic protagonists. From the first
in this fascinating art form.
French photographers who introduced photography to the island, moving onto the many British exponents
This book aims at filling a glaring gap, not only in local
and covering early pioneer Maltese photographers,
circles but also in international photography, by delving
this publication takes the reader all the way up to the
in depth on the history of photography of Malta and its
introduction of Digital technology.
Chapter 12:
Digital - The Game changer
Chapter 13:
Conclusion
The book also contains a detailed index of photographers who have had a major impact on the island. This work is the culmination of four years of intensive
and President of the Malta Institute of Professional Photography, Kevin Casha.
He has been actively
involved in all spheres of photography as well as in the art scene for the past 35 years.
research by international Master photographer
photographers. Photography arrived in Malta in 1842, approximately just two years after its introduction on
Photography in Malta - Its History and Protagonists,
mainland Europe. Unfortunately most of its exponents
is not only a treasure trove of vintage photographs
have been neglected or even forgotten.
but a much needed reference in the field of local
The book’s publication was made possible through the financial assistance of APS Bank Limited and contains 400 pages and is hard-bound with a dust cover.
photography. Through
in-depth
predominantly
research
unpublished
and images,
over
500
this
book
The Chapter Contents include:
attempts to trace the origins of photography on our Foreword by
Dr. Giovanni Bonello
Chapter 1:
The Initial Spark - The French
Enquiries email:
Connection
kevcash@maltanet.net
Chapter 2:
The British Invasion
Chapter 3:
War and Technology
Chapter 4:
The Appearance of the first Mal-
“Few, if any, others could have combined the expertise, the passion and determination which coalesced in Casha to drive him to build up the many layers of this volume… At this stage, I would be tempted to designate Casha’s work as the definitive historical textbook of photography in Malta. It is hard, not to say impossible, to imagine much more being added to the core, it is so comprehensive in scope, so deep in reflection, so exhaustive in detail.”
tese Photographers Chapter 5:
The Ellis Photographers
Chapter 6:
The Proliferation of Photography
in Malta Chapter 7:
Photography moves gradually towards art.
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(Dr. Giovanni Bonello)
Initially, Veronica was not so passionate about
Veronica Busuttil Interview by Daniel Vassallo Veronica Busuttil was born in Malta and lives in
photography, she would forbid her diving buddies
dry. Veronica spent twice as
from bringing photographic equipment with them as
much on her camera than on
she considered photography a burden, as their stay
the housing equipment.
underwater was constrained by the amount of oxygen available in the tanks on their backs. Taking pictures
She can dive up to seventy-
means that the diver has to observe, stop, compose,
five meters in depth and
set the camera and shoot which takes a lot of time. All
sometimes she goes way
she was intent on doing at that time was to observe
beyond the indicated limit
and explore new fish, the seabed and shipwrecks.
that
Sliema. She works as an assistant financial controller
her
photographic
equipment can reach and
and this has been her job for the past 30 years.
In 1999 she went to dive in the Red Sea and in 2009
in 2014 her camera was
Veronica enjoys sport and adventure: this works well
she repeated this wonderful experience. It was then
unfortunately flooded.
as it balances her daily routines.
that a friend of hers managed to convince her to buy a camera and take it with her to take pictures. She
In 2013 she printed two
Since she was young, Veronica has developed a
received her first compact camera a Canon Ixus 870
albums
deep connection and a passion for the sea and the
a few days before she left to Egypt and she started
pictures
underwater world. She has always wanted to explore
taking her first shots during these trips.
this underwater life which is unknown to many. She is
with taken
the in
best the
camera would further impede their movements,
Maltese waters and abroad with her first camera and
thus decreasing their diving time, especially when
in May 2016 she was encouraged by Kevin Casha to
conditions are not ideal.
exhibit some of her best pictures in a personal show
a member of the Atlam Subaqua Club and the Calypso
From then on Veronica kept carrying her camera with
Subaqua Club. After following training and getting
her every time she went diving. In 2013 she decided
certification in 1994, a photographer at Atlam asked
to upgrade, she thought about getting a DSLR but
She invested in a good housing for the camera,
her to be his model for an international competition
cost and, more importantly, weight made her choose
a strobe and a frame. The housing equipment is
The pictures showcased the photographer’s favourite
in 1996 and the cooperation achieved the award for
another compact, the Canon G16. Divers already
crucial for an underwater photographer, without it
subjects which are mainly shipwrecks, sea horses
best creative shot with a double exposure shot.
carry a lot of weight with the oxygen tanks, a heavy
the camera would be flooded and this special, yet
and life on the seabeds. This exhibition was a huge
expensive, equipment keeps the camera safe and
success, it was readily welcomed by the public.
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at Sistina Art.
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The event also served as a welcome boost of confidence for Veronica and her amazing work. Veronica
also
has
a
page
where,
contrary to what some other photographers do, she posts all the best shots taken underwater. Through sharing these pictures, she hopes to inspire to
other
start
people
diving
and
discovering the beautiful world found underwater and subsequently to start getting involved in this not shoot in raw. In 2016 she started shooting also in
completely replace their DSLR with a video camera
dive she enjoys sitting down with her diving buddies
raw and she began exploring the features and pushing
and in other instances they mount a GoPro camera
discussing the shots taken underwater and coming up
the limits of her photographic equipment.
to their DSLR. She has no intention of following
genre of photography. She states that “Diving is therapeutic” and after a
this trend as she is very satisfied with the way she
with new ideas for the next dive - “This is a very important part of the diving experience”.
Veronica has noticed how in recent times, many
communicates her passion for diving through still
Veronica loves to explore new waters and
photographers
images.
she has a dream of diving in Mexico and to
photography to videography. In some cases they
underwater
are
switching
from
photograph Dolphins and a Grouper. Veronica joined the Malta Institute of Professional Photography – MIPP in May 2015 and has attended a Fast Track to Photography course delivered by Kevin Casha through a collaboration between the Atlam Subaqua Club and the MIPP. She has also attended a course on post processing
with
Martin
Agius
at
the
MIPP. She attends the Institute’s lectures regularly and even though she does not do land photography, she still finds that these lectures help her improve her photographic skills underwater. Veronica shoots mostly in JPEG because of storage issues, lack of software and also for the reason that the first camera simply could
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Interview by Daniel Vassallo
Membership Renewal = =
We would like to remind you that we are now accepting payments for 2016 membership renewals. By renewing the €40 fee (from 2016 it is €40 even for those that have been W members for 5 or more years), you will have a chance to
Do
Get reduced rates to our courses and workshops
Sharpness is crucial in images.
Become a qualified photographer with our three levels of qualification: Licentiate, Associate and Fellowship
Reciprocal photographic qualification with the best UK Institution
Informative monthly lectures and newsletters
Do
Exclusive photographic competitions ONLY for MIPP members and much more
28 | The official MIPP Newsletter
….. back ground separation gives more depth and encourages the viewer to look more into the subject. However the rule will not apply in a technical land-
Always focus on the eye closest to the camera (portraiture).
Do
should be in focus. Diagonals are always welcome in a photograph as they add dynamism and life. Pay directly from the BOV website: www.bov.com and log in to BOV internet banking with your Securekey.
OR When attending an MIPP Event.
Do
Do
Rules of Do’s and Don’ts in Photogaphy
(Cheques are to be made payable to “The Treasurer, MIPP”)
Do
Good use of depth of field is vital
scape where the whole scene
OR
One may pay by either sending in a cheque to: “27, Moonlight, Giovanni Papaffy Street, Ta’ Paris, Birkirkara, BKR 4021, Malta”, together with the relative membership fee.
Do
Use the Raw format to retain the full quality of your camera.
Don’t
Diversity in lighting is always
Catch lights are important however one
good and interesting (electronic
should avoid multiple catch lights (per
/ available). Experiment with
eye) if possible.
different light sources.
Don’t
Don’t
Horizons should be ALWAYS Never cut body parts such as arms and legs from the joints - it results in amputation. Check for lines passing through
straight.
Don’t
heads, arms etc … the horizon should never pass through the subject.
Don’t Nothing should stick out from the main subject..
Avoid cross eyed situations (por-
The nose should never protrude out of
traiture). Show very little of the
the face (portraiture).
'white' in a person's eyes.
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THE MIPP SPONSORS Non-Profit organizations like the Malta Institute of Professional Photography are constantly in need of funds in order to be able to function in a modern and professional environment. That is why it was important to have various sponsors interested in networking with the MIPP and at the same time involving them in important
CANON RENTAL SERVICE
issues concerning the photographic trade. The MIPP feels it is vital to stimulate joint events and initiatives together with our sponsors. This policy helps our members to be constantly aware of products and services that our sponsors market thus not only encouraging an increase in business but also benefitting our members through special occasional offers and deals. This co-operation and belief by our sponsors, most of who have been with us since the MIPP’s inception, has helped in no small way in making the Institute what it is today. It is one of the MIPP’s main objectives to help keep this co-operation improving. We urge our members to truly support our sponsors by making use of their services and products whenever possible.
Lenses and camera bodies available for hire
Our sponsors show faith in the MIPP so it is only fair that our members should reciprocate. Give your
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custom to those companies and entities that help us.
EF 100-400mm f/4-5.6 L IS USM EF 70-200mm 1:2,8 L IS II USM EF 24-105mm 1:4,0 L IS USM EF 24-70mm 1:2.8L USM EF 8-15mm f/4 L USM fisheye EOS 5D III body EOS 6D body Speedlite 600 EX RT
For full details and conditions visit www.avantech.com.mt or call on 2148 8800
Ask about our ‘Try before you buy’ scheme!
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contacts
Web: www.mipp-malta.com Email: president@mipp-malta.com Address: 27, Moonlight, Giovanni Papaffy Street, Ta’ Paris, Birkirkara, BKR 4021, Malta Tel No: 21486097
2016 Nov / DEC