Glossary of art conservation I, Mireia Xarrié, Balaam 9788489321014, Pb, 192 pages, January 2005. Price 45 euros 16,5 x 24 cm, white matte paper 135 gr ( 4,76 oz), platifiqued cover bounded 300 gr (10,58 oz)
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Contents AB57, abandoned underdrawing, abrasion, absorbency, acacia, acetate, acetate fiber, adhesive, albumen prints, alcohol, alum, applied optical microscopy, aquatint, araldite, armenian bole, arriccio, asphaltum, azurite, babul, badigeon, barbe, batten, beva, biodeterioration, birch, bone, brasilwood, butterfly, cadmium yellow, calcium carbonate, canvas, carbon black, carbon prints, casein, cellulose, chestnut, clay, cleaning, cleaning test, cleavage, coating, colletta, colour, colour ground, colour appearance, colour rendition index, conservation, conservator, consolidate,copal, cotton,craquelure,chromatic abstraction,curator, daguerreotype, deacidification, deionised water, demineralised water, dimethylformamide,dowel, earth pigments elm, electromagnetic spectrum, emulsion, enzyme, epoxy resins, fading, ferrous sulfate, fluorescent lamp, ftir, formaldehyde, foxing, fungi, fresco, gall, gamboge, gelatin silver prints, gesso, gilding, glaze, glue, grid, ground, gum arabic, gum lac, gumsandarac, gum tragacanth, iccrom,icom, impasto, indigo, infrared radiation, intonaco, irongall ink,ivory black, kermes, lacuna,lake, lanolin, lapislazuli ,lignin, linen, lining, linseed oil , liquid chromatography, logwood, marouflage, melinex, methyl cellulose, microscopy, nitrate esters, oak, oil gilding,oil painting, organic materials, organic pigments, oxidation, paint layer, paint layer or protective on the reverse, panel assembly with butt joints, panel assembly with tongue and groove joints,paper, papyrus, pentimento,pigment,plain weave,plank with knots, pochoir, polymer, polymerization, polyvinyl acetate, preventive conservation, primal Ac33, priming, prussian blue, radiocarbon analysis, raw umber, registrar, reintegration, relative humidity, repaint, reserve,resin, restoration, retouching with glazes, retouching with neutral tones, saturation, scanning electron microscopy, sepia, sepia inks, sgraffito on gold, silica gel, sinopia, stacco technique, stacco a massello,starch, starch paste,strappo,stretcher, strip lining,stronium yellow, support, synthetic pigments,synthetic resins, tangential cut,tannic acid,tear,tempera, thread count, tintype,toluene,toning,trattegio retouching, ultraviolet filter,ultraviolet light, ultraviolet radiation, ultraviolet/visible spectrometry, umber, underpaint, varnish, vinyl resin,warping of panels, water, water oxygenated, watercolour, water gilding, waterproof paper, white ground, wood, wood panel, wrinkling of the paint layer, xeroradiography, xrf, xray diffraction, xradiography.