Pluto Transits: Temporal Lobe Quakes by Mitchell Pluto

PLUTO TRANSITS

TEMPORAL LOBE QUAKES MITCHELL PLUTO

Observations During Lucid Dreaming

by Mitchell Pluto 2017 This is based on a few experiences I have had that increased my belief in the volume of consciousness and god as a vibration. First it's important to disclaim that my views expressed about astral projection are lucid dreams, as far as I know. Second, that under no circumstance am I representing any religious dogma binding my experience.

My dream state increases under the full moon and wet weather. I contribute the cause relating to gravity and negatively charged ions. I speculate these conditions enhance the iron in my blood and my magnetic field. When I'm fortunate to receive such an occasion, I awake up in a dream.

Often disoriented with a sensation of where my head is on my body, it seems to be at my feet. I swing between these two points which seems to generate a separate measure or an electric field that rises. I would consider this a threshold and it's accompanied by unnatural sounds and sometimes intense buzzing. This is the step where I have failed many times and felt fear but pressing through this gate, however strange it sounds audibly is worth it. The pleasure of flying is deserving. Distrust can upset ones magnetic field and cause forgetfulness. Flying is the best outlook in my opinion and the greatest ability to control space around one's self.

During one experience after flying around the sky I thought I would see what the moon was like.

I found the moon was beyond my experience and expectation. As I got close to the moon's outer layer, I noticed details in the surface that suggested it was an ancient machine. The closer I got it burred as some sort of defense. Then the whole scene melted into another visual pattern.

Meeting and staring at peoples faces in lucid dreams disrupts the imagery sometimes dissolving the face around the eyes into another archetype. I notice the dream body or field, senses no temperature but can feel the pressure and texture of wet and dry. I know this because I walked in wet grass and asked is this real? All I sensed was wet. Asking questions before sleep like, "can the angels guide me" opened me up to unanticipated outcome that involved bat people helping me. People who looked like us but had an incredible skill of sensing problems by echolocation. I know of no other harmful infection than fear. Imagining one's in danger reduces the quality of this abnormal state.

Another lucid experience was the sense of falling down forever into dark space without any conclusion or source of gravity. Because thought is atmosphere in dreaming..some adjustment in my perspective created a paradox which completely transformed my attitude and the whole scene. Instead of descending I fell up. Instead of darkness I turned the time into a place where there was always light..in other words over exposed space. A landscape that was abandoned, where there was no thing to see.. but it's not dark. Somehow there where no defects or edges.

Which lead me to want to fly as far as I could to some sort of outline. This is where I

encountered a color and a presence of unconditional love I have never felt. Within the color there were hands out of range and vast at first.. and then contained in proportion to hold mine.

It exchanged a signal that solved all difficulties I have experienced and solved them. I believe there is a guarantee that anyone can reach this constellation that connects all points of the past and future dreams together.

Hidden Folk and Special Effects of the Organic Brain The Poet Guillaume Apollinaire described a hidden world as Surreal. Although Surrealism became popular in the 1920's there has always been an omnipresent clue among all cultures of a hidden world. The Icelandic phrase, huldufรณlk is a substitution for a name what would otherwise disrupt the hidden world and cause an encounter with it. While most of us are usually not suggestively affected by taboos there is a unique percentage of people in Iceland who do believe the hidden world is possible. This is not far from asking someone if they believe in people from another space.

Master of Reflection. From my series The Hidden Folk, 12inx15in mixed media. Investigates suggestibility and sympathetic magic. The Master has a forehead of mirrors that captures the on looker.

Whatever the master says changes the shape of the viewers reflection.

The Surrealist's methods of accessing the subconscious were not new. Many of the techniques of surrealism rely on animism, pareidolia and apophenia. These three special effects of our consciousness influence our beliefs and attitudes subconsciously. Animism is our oldest built in belief system. Under the suggestibility of the animistic brain every person. place or thing has spirit. This would also include power and expression as an ability to change events in an environment. As simple as sanctifying a successful hunt/crop by painting a picture of the future

in the present. As animism believes that everything is an agent of expression or spirit, pareidolina impacts how one perceives this channel. There is a symbiotic relationship between the faerie realm and what we would consider inanimate or motionless objects. Like seeing a face in a tree. Apophenia impresses upon how we organize what we perceive during pareidolina.

Where as an abnormal encounter with a face in the tree could be nothing at all, apophenia insists, sometimes obsessively, that this experience, seeing a face in the tree, means something more than it does. Apophenia places most people at risk because it can be dogmatic and unquenchable under a false conclusion.

Cosmic Chemist and the Chamber of Reflections The inner chambers of reflection, the interior prism.. it pulls the surface of our self inwards, to unify our present with our best future self. As some would interpret a guardian angel, the future self doesn't consider darkness a complete absences or even an error. It is the twin of us that remembers light beyond metaphor. It understands weightless and the trials of density. It knows what we have already gained and among our opposition and vanity, what we have lost. It educates the animal self not to chew all the time. It taught us how to cook with fire. It knows our deepest pains and pleasures. It knows the tides of the moon, the ebb of ovaries, the foam of sperm. it knows our greatest love before we reach our true celestial bride..It remains immutable as we age..it is the surface and center of every sphere.. and when we try to apprehend this self it vanishes with only a copy to remember in a dream.

Apotheosis, An encounter with Our Ocular Lady of Pottery and Magnetic Flux The idea of the apotheosis exists in every part of the world. State buildings like the capital contain the rotunda. A design necessary to enhance the achievements of self worth and enlightenment to those who enter. It is in the dome that points remain constant around a center.

Among the pantheon in the United States capital, George Washington is surrounded by natural agents who constitute well being and nourish our destiny.

In my painting Our Ocular Lady of Pottery and Magnetic Flux I illustrate the mystical relationship between the individual and the rotunda as a kinetic spiral. During this transmission, the light and gravity of the individual evolves. Our femur grows stronger to support our head and heart from the ground while our spine becomes an antenna. It is then we begin to notice our deep connections through the oculus of nature's mysteries.