Figure 1: Side elevation
ARC3001 PORTFOLIO Sophie Henderson
170770802 Architecture, Planning and Landscape Newcastle University 1
Table of Contents
Reflective diary
Theamatic case study
Framing 2
Testing
Synthesis
Cultural Biography/ list of figures
Reflective diary
Architecture provides an insight into the culture, memories and values of its builders. It, therefore, allows for visual storytelling of the built environment in which we go about our everyday lives. Architecture should not just mimic historical styles for aesthetic’s sake but consider modern-day technology, values and invention to create a sustainable design that contributes to the narrative of its built environment. When it comes to the preservation and heritage, one must carefully consider and understand the existing buildings, culture and politics to ensure its values are delivered through reframing and developing a new design. Within the Building upon Building studio brief, I have developed an understanding of experimental preservation concerning Lubetkins idealogy of a utopian display of the penguins.
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I have explored different design ideologies throughout this year, including Passive Haus, where sustainability is a critical concept in the design process. This is iterated throughout my building, where a green roof has been used for ecological reasons and insulation. When writing the theory into practice essay, I looked at former architect Liz Steels way of presenting her design concepts through the use of watercolour to which I used early on within the design development. I also took inspiration from the works of Frank Gehry and his fluid hand sketches to display his initial design ideas, such as the Guggenheim was initially drawn on a napkin, therefore allowing freedom of thought almost encouraging error. To which I find very similar within my works.
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When writing the Technology essay, I got to experiment with Glulam and TS27 treated timber, where I conducted a fire test to see if the fire retention time was different between the two pieces. This was a fascinating experiment to be able to perform, as well as backed up my reasoning for using GluLam. Unfortunately, due to Covid-19, we could not visit the site, which made understanding certain site characters and perspective a lot harder. This meant being resourceful with online resources such as google maps and earth, although this limitation affected my site understanding and my design development.
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The line of enquiry within my building and site is to connect the existing penguin pond to the new research building in a complimentary manner that preserves the pond’s heritage and creates a fluid geometry. This took several attempts at floor plan adjustments to make sure the geometry was correct. The key concept was to create an organic, sustainable building that complimented the studio brief of introducing ecology into the design and inhabitation for animals. The design draws visitors towards the pond again and allows for a new perspective over the pond and views over Regents Park, which is an essential aspect of the Royal park’s heritage. My final synthesis outputs are my celebration pieces, as I took the most time and effort into ensuring they were transparent to anyone trying to read them. Overall I am pleased with the outcome considering the unsettling times this year has provided.
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Thematic Case Study Port House, Antwerp, Zaha Hadid
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01 FRAMING
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Regents Park The locatin of the site is London Zoo, Regents Park. The building for preservation is Berthold Lubetkins Pengiun Pond. Londo Zoo has a rich history of exciting architecture that can still be seen today. Such as the Clock Tower (1828), the Ravens cage (1828) and the East Tunnel (1829-30).
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The circulation and access route including pucblic transport to Regents park
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Tube Stations Entrance Gates
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Primary Circulation Secondary Circulation Landmark Connection
Regent’s Park 1:20000
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ZOOS
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Site Location
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London’s Urban Sprawl
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The Pengiun Pond The Pengiun pond was built in 1934, by Berthold Lubetkin.The highly modernistic design is a landmark for not onoly design but engineering, with interlocking disply ramps. It was built to house and showcase Antartic pengiuns, although the concrete caused bumble foot amongst the pengiuns, so they therefore were rehoused in the new pengiun beach which is more suitable for their behaviour and habitat.
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Initial Massing Ides
Initial massing consisted of a snake inspired cyclindrical volumes. I adpated the design as it was too literal to a snakes form. Therefore I interpreted Lubetkins pengiun display ramps and created a geometry where the new building wraps around the Ponds shape. 45
Snake Research Laboratory The reasoning for choosing snakes for a research lab is snake play an important role in our ecosytem even within the UK. The Regents Park London Zoo already exhibts the King Cobra, Therefore there is oppertunity to house more breeds of snakes within the zoo. Research from Living planet shows that there is only data for 549 reptile species worldwide out of nearly 11,000 reptile species that exist. The research lab will also work long side UCL in their research into repitiles.
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Precedents
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02 TESTING
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Initial design ideas were focused around the importance of preserving not only the pond itself but the nature around it. Lubetkin incorporated trees into his design to enbale natural shading cast onto the pond, This is something I wanted to replicate in my design. 50
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Playihng with the idea of showcasing visitors to have a similar circulation to the pengiun pond
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I wanted to create a new perspective as well as routes from the pond. Therefore considered a tree top walkway through the design. 54
My initial design ideas related to the form of a snake to which the buildings research lab is dedicated to. But I also wanted to create an abstract verson of Lubetkins pengiun ramps, through the use of grass ramps leading over the building it-
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This design was to literal towards the form of a snake and did not compliment Lubetkiins pengi8un pond.
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Through the use of a timber diagrid tower I wanted to create shade and dappled light onto the site , thisi was a major design element
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Not only is the new research lab a place of education but a cultural hub where performances will be available from local musicians creating sound of nature
The auditorium will curve to help reflect and bounce the sound such as the walls of the pool did for the pengiuns calls
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Initial basic sectins show casing the auditorium as well as the tower sitting ontop of the building. Although there is no clarification of how this tower is structurally supported
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One of my first ground floor plans for the laboratory area of the building. Including a practise room for the musicians.
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Construction sequence shown in developing design ideas. Blue shows primary construction. Orange represents secondary and yellow tertiary.
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I decided to initially sketch my 1:20 constructional section enable to get a better understanding of the componants involved in creating my research lab.
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When it came to designing the concept of the research lab I wanted to also create an interactive landscape as shown.
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Initially the idea of using the pond for a theatre space was considered although dimensions restricted this. 68
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When it comes to the construction of the research laboratory Glulam beams are used for the main frame due to its structural stregnth, as well as being a renewable material. The floor will consist of underfloor heating provided by a gro9und source heat pump.
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Initial programminf of the building with public access on the second floor and private laboratory space on the ground floor.
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Precedent; Kupla: Helzinki Zoo look out tower
Helzinki Zoo Tower was an organised archit4ectural competition for the Helzinki University of Technology. Located on a cliff top the tower has views over the sea and city. Consisting of 72 glulam beams and timber sections, with over 600 bolted joints. This tower isnpired the glulam tower ontop of the research lab to provide views over the zoo and Regents Park.
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Precedent: Grace Farms Conneticut USA
Grace Farms is a multipurpose building and landscape design. It was designed to make the architecture of the river become part of the landcape without drawing attention to itself.
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Pengiun Pool Preservation
The Pengiun pond itself will be a water feature with the installation of pengiun statues within the enclousure to replicate its former glory. Speakers will also be inserted that will play the sounds of pengiuns to make the statues more auithentic.
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Fire Test
As part of my testing exoereimentation I contacted a local timber frame manufactorer to for samples of Glulam and standard treated to timber to conduct a fire test with the aim to show the contrast between the two materials after 30 minutes. This experiment proved successful in showing that Glulam effectivly burns slower than regular timber.
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Glulam - 30 minutes TS 27 treated timber - 30 minutes
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Model to show the idea of the diagrid tower
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Thinking into Making
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Through my thinking into making I took inspiration from the casting of the tree on the pengiun pond and how it dappled the light creating aesthetic shade. I wanted to create drama entering the building so by creating triangle slit windows within the entrance branch it allows for the dappled light to bounce across the organic wood. Also mimicing the habitat of snakes.
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Materiality
Non slip paving is instsalled on the ramp leading up the building according with approved documents
Greenroof to encourage the ecosystem development within a city.
Recycled wooden floor boards throughout the building
Bespoke triple glazing to allow for solar gain and keep insulated
Recycled timber facade, that contrasts the cast concrete of the pengiun pond 85
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Brise soleil will be used for solar control within the auditorium to prevent the greenhouse effect . It can also be adjusted during winter and summer months.
60 PV panals are installed on the roof of the auditorium facing south to supply electricty for the building. 88
The roof of the building will be a living green roof, not only is this a sustainable way to add extra insulation, it also stregnthens the surrounding ecosystem. The green roof with help with carbon capture and increase green space within the park and the zoo itself. The roof also will collect rain water to which will be recycled and used to flush the facilities within the building.
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Acoustics
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Snake Reqiurements
Snakes are quite simple to keep, therefore their enclosures are not excessivly big as the size of their breed influnces the size of the enclsoure. Most tropical snakes will require heat lamps as they are cold blooded. Each enclosure will be adaptable towards the habitat and environment the snake requires.
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03 Synthesis
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1:20 Detailed Section
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Ground floor plan
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Second floor plan
Roof Plan
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*Elevation
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Section
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*Elevation
(contect removed for purpose to see full building)
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Inhabitation of Snake exhibition
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Main Foyer
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Inhabitation of Pond and new build
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Cultural Bibliography
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List of Figures 1.Authors own 40. https://avantiarchitects.co.uk/project/penguin-pool-london-zoo/ 2.Authors own 41. Photographs provided by Josep-Maria Garcia-Fuentes 3. Authors own 42. Photographs provided by Josep-Maria Garcia-Fuentes 4. Authors own 43. Photographs provided by Josep-Maria Garcia-Fuentes 5. Authors own 44. Photographs provided by Josep-Maria Garcia-Fuentes 6. Authors own 45. Building Upon Building group work 7.Arc3001Porthousecasestudy 46. Building Upon Building group work 8. Arc3001Porthousecasestudy 47. Building Upon Building group work 9. Arc3001Porthousecasestudy 48. Building Upon Building group work 10. Arc3001Porthousecasestudy 49. Authors own 11. Arc3001Porthousecasestudy 50.Authors ow 12. Arc3001Porthousecasestudy 51.Authors own 13. Arc3001Porthousecasestudy 52.Authors own 14. Arc3001Porthousecasestudy 53. https://www.archdaily.com/11232/maritime-youth-house-plot 15. Arc3001Porthousecasestudy 54. https://www.marmomac.com/en/modern-architecture-oslo-op16. Arc3001Porthousecasestudy era-house-by-snohetta-oslo-norway-2/ 17. Arc3001Porthousecasestudy 55. https://www.designboom.com/architecture/jds-architects-bei18. Arc3001Porthousecasestudy jing-green-visitor-center/ 19. Arc3001Porthousecasestudy 56. https://www.designboom.com/architecture/public-library-in-south-ko20. Arc3001Porthousecasestudy rea/ 21. Arc3001Porthousecasestudy 57.Authors own 22. Arc3001Porthousecasestudy 58.Authors own 23. Arc3001Porthousecasestudy 59. Authors own 24. Arc3001Porthousecasestudy 60. Authors own 25. Arc3001Porthousecasestudy 61. Authors own 26. https://worldarchitecture.org/article-links/epvhc/bert- 62. Authors own hold_lubetkins_poetic_penguin_pool_may_be_demolished_at_lon- 63. Authors own don_zoo.html 64. Authors own 27.Building Upon Building group work 65. Authors own 28. Building Upon Building group work 66. Authors own 29. Building Upon Building group work 67. Authors own 30. Building Upon Building group work 68. Authors own 31. https://wind.willyweather.co.uk/se/greater-london/re69. Authors own gents-park.html 70. Authors own 32. https://www.gaisma.com/en/location/london.html 71. Authors own 33. Building Upon Building group work 72. Authors own 34. https://archeyes.com/penguin-pool-london-berthold-lubet- 73. Authors own kin/ 74. Authors own 35. Building Upon Building group work 75. Authors own 36. Building Upon Building group work 76. Authors own 37. Building Upon Building group work 77. Authors own 38. Building Upon Building group work 78. Authors own 39. Building Upon Building group work 79. Authors own 110
80. Authors own 81. Authors own 82. Authors own 83. Authors own 84. Authors own 85. Authors own 86. Authors own 87. Authors own 88. Authors own 89. Authors own 90. Authors own 91. Authors own 92. Authors own 93. Authors own 94. Authors own 95. Authors own 96. Authors own 97. Authors own 98. Authors own 99. Authors own 100. Authors own 101. Authors own 102. Authors own 103. Authors own 104. https://www.arch2o.com/kupla-helsinki-zoo-lookout-tower-avanto-architects/ 105. https://www.arch2o.com/kupla-helsinki-zoo-lookout-tower-avanto-architects/ 106. https://www.arch2o.com/kupla-helsinki-zoo-lookout-tower-avanto-architects/ 107. https://www.arch2o.com/kupla-helsinki-zoo-lookout-tower-avanto-architects/ 108. https://www.archdaily.com/775319/grace-farms-sanaa 109. https://www.archdaily.com/775319/grace-farms-sanaa 110. https://www.archdaily.com/775319/grace-farms-sanaa 111. https://www.archdaily.com/775319/grace-farms-sanaa 112. https://www.archdaily.com/775319/grace-farms-sanaa 113. https://www.archdaily.com/775319/grace-farms-sanaa 114. https://www.archdaily.com/775319/grace-farms-sanaa 115. https://www.archdaily.com/775319/grace-farms-sanaa 116. https://www.archdaily.com/775319/grace-farms-sanaa 117.Authors own 118. Authors own 119. Authors own 120. Authors own 121. Authors own
122. Authors own 123. Authors own 124. Authors own 125. Authors own 126. Authors own 127. Authors own 128. Authors own 129. Authors own 130. Authors own 131. Authors own 132. Authors own 133. Authors own 134. https://velcdn.azureedge.net/-/media/com/velux-days-inparis/ds%20presentations/6%20-%20kynthia%20chamilothori.pdf 135. Photographs provided by Josep-Maria Garcia-Fuentes 136.Authors own 137. 138. 139. 140. 141. Authors own 142. Authors own 143. Authors own 144. Authors own 145. Authors own 146. Authors own 147. Authors own 148. Authors own 149. Authors own 150. Authors own 151. Authors own 152. Authors own 153. Authors own 154. Authors own 155. Authors own 156. Authors own
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