Referring to Hieronymus Bosch’s The Seven Deadly Sins and the Four Things painting - where Wrath is symbolised by a scule between two drunk peasant while a woman is trying to stop them - it is interesting to linger on its depraved aspect (communal to all the Seven Sins), which assumes habit or inclination to commit a sin.
This is the key; To read our own interpretation - or reiteration - of the sin of Wrath. Compared to the Flemish masterpiece, our intention was to strengthen the dichotomy: although taken by a similar rage, the two combatants have diferent genres. Caliban, a man, and Gorgo, a woman, express in their ighting a painful trait of the human kind, a rift which cannot be healed. This deadly split could be recomposed only thanks to the human pietas, symbolised by Persephone. This third character is crying as a tragedy mask, seemingly terriied and helpless, but her sensitivity and her awareness of the evil beneath the wrath gives hope for a way out.
