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EURASIAN PRIZE
JURY
>>> I think the role of architectural competitions is extremely important. On one hand, the contestants have a chance to propose solutions, radical as they may be, that can enrich and push forward architectural thought and the discourse of architecture beyond the bounds of academia and formal institutions. The publication of the results can also be a very engaging process, as it offers the possibility of direct access into the works and essentially what can be possible in architectural terms. Of course, certain solutions need to be explained carefully and clearly so that they are not misunderstood. In that sense, the role of theorists is important because they can help bridge the gap between an architectural drawing and the presentation of the results in a way that can be understood by most people. — In conclusion, do you have the opportunity to address the participants of the Eurasian Prize Contest, which would you like to advise or wish them? I would wish that everybody find the courage to propose their most genuine proposals. To think outside the box and to look at things from different angles. Everyone’s contribution is important. I wish everybody good luck and great success!
SVERDLOVSK PHILHARMONIC CONCERT HALL YEKATERINBURG, RUSSIA PROJECT 2018 For the design of the Ural Philharmonic Orchestra’s new home, Zaha Hadid Architects “echoed the physical aspects of sound waves” to create an inspirational venue meeting the orchestra’s growing program, and to create a new public plaza for all citizens. The Zaha Hadid Architects proposal is based on the “properties of musical sound resonance creating wave vibrations in a continuous smooth surface,” translating as a fluid, suspended auditorium element floating above a new civic space, all contained under a large canopy. The construction of the new Philharmonic is planned for the 300th anniversary of Yekaterinburg in 2023.
