Part 1 Architectural Portfolio by mofaramoluwaoladipo

PART 1 ARCHITECTURAL PORTFOLIO

SELECTED WORKS | 2020-2024

MOFARAMOLUWA OLADIPO

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CULTIVATING

CONNECTIONS

THE SWINDON MUSEUM AND ART GALLERY | Year 4 | INDIVIDUAL

F.A.R.M

SCHOOL OF SUSTAINABLE FOOD PRODUCTION AND FARMING | Year 4 | GROUP

PLAYTIME THEATRE

COMMUNITY THEATRE | Year 3 | INDIVIDUAL

CASTLE PARK MEDICAL CENTRE

DOCTOR SURGERY | Year 2 | INDIVIDUAL

CASTLE PARK-HOUSING PROJECT

MIXED-USE DESIGN WITH TERRACED, SEMI-DETACHED HOUSES & SHOPS| Year 2 | GROUP

COMMUNE

CREATIVITY RETREAT SPACE | Year 1 | INDIVIDUAL

MIXED MEDIA ART

PERSONAL EXHIBITION WORK

CULTIVATING CONNECTIONS

RE-IMAGINING THE SWINDON MUSEUM AND ART

Location: Duration :

Year : Princes Street, Swindon, United Kingdom

13 Weeks

BSc Fourth Year 2023/24

The closure of the Museum and Art Gallery (MAG) left a void in Swindon’s cultural landscape. The pandemic and structural issues forced its doors shut, but the public’s calls for a vibrant cultural centre did not fade. This proposal directly addresses that desire by envisioning a bold new hub – a dynamic museum and art gallery that will reignite Swindon’s artistic spirit and serve as a catalyst for its cultural development.

This museum aspires to be the cornerstone of Swindon’s future cultural quarter envisioned in the 2030 plan. By fostering civic pride, it will serve as a powerful anchor for the town’s cultural and economic regeneration.

The building will be a truly inclusive space, welcoming the entire community to engage with art, history, and science. Furthermore, environmental responsibility will be a core principle, guiding everything from design and construction to daily operations.

Recognizing the urgency for the restoration of the Swindon Museum and Art Gallery (MAG), the design prioritizes adaptability in response to the evolving cultural scene. A key principle focuses on designing for future reuse and potential disassembly. Open layout, timber construction and demountable connections will enable spaces to be seamlessly retrofitted and revised, ensuring the museum fits within the plan of this burgeoning cultural quarter.

DESIGN APPROACH | ZONING

ACCESS / ENTRANCE

The site is publicly accessible from the eastern facade main entrance. Creating the primary entrance along this facade creates a harmonious street frontage with neighbouring buildings. The recessed opening within the welcome courtyard provides a clear entry point.

CIRCULATION

Circulation through the building is organized through a central spine that links the entrance hall into museum wings. The circulation is highlighted through the use of roof lights

SERVICING STRATEGY

The north and west facade (back of building) would serve as secondary entry points for servicing, loading & unloading of artifacts and entrance of staff into the museum. This region was chosen due to its low foot traffic which allows for easy movement of museum personnel and provides a private entrance into the workspaces of the museum.

VIEWS IN

Public spaces like the cafe and museum shops are placed primarily on the ground floor along eastern facade to allow passer-by views into the museum. Striking interests of spectators

PUBLIC X PRIVATE SPACES

Private/ semi-private spaces are zoned towards the back of the building. The offices occupy the rare of the topmost floor to limit access to the space by general public. The spaces are efficiently stacked to allow for continuous movement.

EXHIBITION SPACES

The exhibition spaces are varied in size and layout dependent of its schedule of artifacts and climatic conditions. Smaller spaces will display smaller objects like paper documents and instruments will larger spaces will display trains / natural world artifacts

DESIGN APPROACH |

SITE BOUNDARY

Maximizing site boundary to accommodate schedule

CREATING ENTRY POINT

Recessing the central axis of the mass to create a clear and obvious entry point. The recess also allowed for a welcome courtyard which allows visitors seamlessly transition into the museum spaces.

RAISING ROOF LIGHTS

To allow natural light into the scheme, the raised roof light which serves as an atrium above circulation spaces bring daylight into the places that require natural daylighting

RECESSING THE CENTRAL ATRIUM

To break up the simple massing and further emphasize the entry point. The central atrium is recessed and treated different structurally to different spaces

EXTRUDING THE SITE

Forming initial mass through the extrusion of the site.

LANDSCAPE

To improve greenery around the site and create a positive travel experience for pedestrians. The footpath along the facade has been set out with a green belt of trees and new planting surrounding it to create a soft buffer between the site and the busy Islington street.

1:150 EAST ELEVATION

1:150 EAST SECTION

Art Studio

This exhibit houses modern and contemporary British art collections with includes paintings, works on paper and sculptures from the 1890 until present day. Therefore it was important to treat the space according to its collection highlights. The gallery spaces are subdivided by internal wall partitions that create smaller/more confined spaces to view smaller objects. These walls create “viewing nooks” either light filled or subdued.

Either viewing nook is treated differently to match its functions. In the spaces displaying art, a hybrid of smooth oak veneered plywood panels sandwiching a gypsum board creates a colorful display to showcase art work. The color contrast draws the viewers attention to the art, appreciating the art within the colored walls.

The light filled nooks are detailed with timber acoustic paneling to create a tactile experience when interacting with the sculpture which are displayed on stone pedestals and are bathed in warm sunlight

THE SWINDON COLLECTION OF MODERN BRITISH ART

EXPLODED STRUCTURAL ISOMETRIC

Glulam portal frame

200mm CLT slab supported by glulam structure

CLT shear walls

Concrete floor Slab

Pile Foundation

Glulam frame

350mm x 350mm LVL baubuche columns

280mm x 540mm LVL baubuche beams

200mm spruce CLT floor slab

First Floor Plan

DESIGN APPROACH | DESIGN FOR DISASSEMBLY

Assessing Material Choices

Terracotta tiles: Terracotta tiles could be crushed and recycled as aggregate for new construction.

CLT: CLT panels or smaller sections could be disassembled and used in another building project. Components could be recycled to new wood products like fiberboard down-cycled to create furniture.

Plywood: Easily down-cycled and used in applications like mulch or chipboard. Panels are modular & standard in sizes to allow for easy configuration.

Concrete: Disassembled concrete elements can be reused in new construction projects. Crushed concrete serves as an aggregate material for new concrete mixes.

Choosing Connection Details

Mechanical fasteners: Using screws & dowels instead of glue for connections and designated holes in plywood finishes/ structure for fasteners to allow for easy disassembly.

Separable building parts: Glue only used in CLT panels which can be wholly reused.

Prefabricated elements: Plywood wall finishes, Glulam structure and CLT slab can easily be prefabricated and transported to site for easy construction. An easy construction plan would result in easy planning for deconstruction

Concrete Birch plywood

Douglas fir plywood

Oak veneered plywood

LVL baubuche

Frosted glazing

Gypsum wall

Glazed ceramic

Design for adaptability

Though design for disassembly focuses on end of life, the method prioritizes extending the construction’s use which is an ethos from the brief. Designing with the concept of creating separate building systems which makes their replacement less disruptive. For example, considering the shorter life span of the MEP systems, end of life principles has been incorporated in its design. With the use of modular components like prefabricated AHU that have been made easily accessible. This allows components to be easily swapped out or replaced thus extending the buildings life span.

Future uses

Swindon’s cultural scene is budding, particularly with the planned cultural quarter. This rapid growth might lead to faster-thananticipated collection expansion, requiring larger exhibition spaces for the museum’s holdings. In the case that the museum is outgrown. The museum can be retrofitted to a different use

With a thriving cultural landscape, a central hub is crucial. A space to manage and oversee the various components of the cultural quarter is essential. The museum, positioned at the forefront of this change, is perfectly suited to become Swindon’s cultural headquarters and a vibrant community center.

Its central location and diverse room sizes make it ideal for hosting a multitude of activities. The modularity of the exhibition spaces allows for seamless adaptation. They can be transformed into offices, smaller workshops, or meeting rooms to address the needs of the growing cultural economy

Additionally, the larger double-height or triple height spaces can be re-purposed as multi-purpose halls, offering flexible event hosting capabilities.

F.A.R.M

SCHOOL OF SUSTAINABLE FOOD PRODUCTION AND FARMING

Location: Duration :

Year : Swindon, United Kingdom 8 Weeks

BSc Fourth Year 2023

Our institute bridges the disciplines of agricultural research and meteorology.

Space and energy are two invaluable commodities in the modern context of a ‘shrinking planet’. As swindon continues its growth from its humble market town beginnings to its current standing as one of the largest towns in the South, it consumes more of the surrounding space and energy from the grid. While contributing to this growth, our institute aims to satiate and develop the ever increasing need for efficiency in energy and space consumption.

With increasing pressures on space, climate and rising temperatures around the world, especially in the UK as well as societal pressures of farmers to reduce their carbon footprint, the need for sustainable food production methods have become dire.

Climate change and high energy costs threaten our food production systems. Sustainable and resource-efficient practices are crucial in adapting to these conditions. Reducing greenhouse gas emissions and food waste is essential in fighting climate change and ensuring food security. We must reevaluate global food production practices to protect the environment and create a sustainable future. Acting together, we can make agriculture a force for positive change, preserving fragile ecosystems and thriving communities.

THE ATRIUM

Unlike traditional subjects, farming knowledge flourishes best through hands-on experience, much like the growth of a plant nurtured by the elements. To bridge this gap between formal education and realworld learning, our institute features a 7-story atrium. This central space reimagines traditional, formal areas to foster collaboration among students. By creating an open-plan environment that encourages interaction across floors, we’ve intentionally broken down barriers to promote informal and social learning. The atrium houses spaces where students naturally gravitate, maximizing opportunities for peer-to-peer knowledge exchange.

Incorporating a glazed roof allowed us to maximize atrium stack height, positioning the neutral plane higher and minimizing the potential for overheating. An automated natural ventilation system further optimizes comfort. For low-wind scenarios, top floor roof outlets open while lower floor inlets remain minimal, preventing stratification. Conversely, when wind is present, the building’s geometry creates pressure zones that regulate the upper atrium strata, mitigating overheating.

Rejects high elevation direct

Redirects low elevation sunlight into

Solar panels absorb incident solar radiation

Sunlight

atrium

GREENHOUSE WORKSHOP

The project brief outlined the need for a spacious 17-meter workshop for the university. To maximize the utility of this space, we considered various functions, ultimately concluding that a greenhouse would be the most suitable option. The space’s positioning towards the South-western sun provides optimal access to natural light, a crucial factor for plant growth in a greenhouse.

The 17-meter span allows for the implementation of vertical farming techniques, maximizing space utilization and crop yield within the workshop.

Summer Produce: Aubergines Cucumbers Peppers Tomatoes

• Okra

• Melon

• Sweet Potato

Winter Produce: Brussel Sprouts

• Cabbage

• Leek

• Lettuce

• Onion

• Peas

CONDITIONS:

HYDROPONICS LAB

Complementing the proposed greenhouse, the institute also boasts a fully-functional hydroponics lab. Unlike the greenhouse, this windowless space utilizes pink LED lighting to cultivate crops in a controlled environment.

This lab serves as a living classroom, allowing students to explore the science of growing plants under different climatic conditions all year round. The crops grown here could potentially be sold at the university’s organic grocery store, further promoting sustainability.

All year round produce:

• Lettuce

• Tomato

• Cucumber

Herbs

Chamomile

Bok Choy

Celery

Chard

• Green Onion

• Peas

• Spinach

•

CONDITIONS:

COMMUNAL AREAS

To cultivate a vibrant “tiny village” atmosphere within the institute’s boundaries, there was a need to prioritize spaces that encourage interaction and communal living. This includes an on-site cafe, a well-stocked organic grocery store, and a seasonal open market. The open market provides a unique platform for users to not only grow and sell their own produce, but also connect with fellow students, fostering a sense of shared purpose and collaboration.

Additionally, the cafe and dining hall function as social hubs, offering opportunities for casual gatherings and building a strong sense of community.

GLULAM STRUCTURE

From the second floor of the structure upwards, the building is assembled from modular timber compartment that can be easily disassembled at the end of their design life for possible reuse.

MODULAR SYSTEM

Modular system were created with the use of a consistent grid and uniform CLT flooring on upper floors allows the spaces become flexible and adaptable for a different building use in the future.

PRE- FABRICATED SYSTEM

Rock paneling facade systems are designed for dissamebly which allows for easier deconstruction at the end of life

AA outside to inside:

- Rock panel Stone Cladding

- Primary Beam 280x540mm

- 50mm air gap

- 100mm CLT wall panel

- Vapour control layer

- 12.5mm hemp fibreboard

DD floor to ceiling:

- 15mm ceramic tiles

- 15mm plywood

- 12mm rubber mat

- 50mm screed

- 60mm CLT slab

- 120x240 ribs @ 1000mm c/c

- 200mm hemp wool insulation

- 12.5mm hemp fibre board

- Hanging acoustic panels

BB: - Single glazing

CC: - Triple glazing

THE BESPOKE THEATRE

A

COMMUNITY

THEATRE

Location: Duration :

Year : Cornmarket Street, Oxford 8 Weeks

BSc Third Year 2022/23

The design brief calls for a community theatre with a unique “gift to the city”: a space dedicated to promoting mental health and well-being through theatrical expression. Recognizing that words sometimes fall short, the theatre will provide a platform for individuals to channel their emotions and experiences in a creative and supportive environment. Workshops and classes will be offered to equip participants with the tools to explore their inner selves through the power of theatre.

The theater’s design goes beyond functionality. It boasts a stunning green wall and roof, meticulously incorporated to promote a sense of well-being for both patrons and staff. This biophilic design leverages our innate connection to nature. Studies have shown that exposure to greenery can trigger the release of endorphins, natural mood elevators, and reduce stress hormones.

Green walls and roofs also act as natural air filters, improving air quality within the theatre.

Green walls aren’t just aesthetically pleasing; they serve a purpose. Strategically placed upon approaching the theatre, they create a peaceful haven for visitors to de-stress and prepare for the emotional journey ahead.

DESIGN APPROACH

Stretching the green wall along the south elevation to shape the journey into the courtyard

A spacious foyer encircles the theatre, offering a separate yet connected circulation path for visitors to navigate the building freely without interrupting ongoing performances.

Intimacy- Audience wraps around the stage like an embrace

Initial sketch of foyer space

Landscaped roof terrace - a designated space for informal relaxation

The window sill generously overhangs, providing a welcome spot for seating and resting, even though the site constraints limited the inclusion of dedicated public seating.

Plants

450mmx 600mm bio tile

4.5mm geotextile drainage layer

12mm versa panel Eco backing board

16mm diapressure compensator dripline

Steel cladding rails (cold formed rail at 600 centers)

Steel brackets (helti or similar)

Concrete wall

Waterproof membrane

Smooth gravel edge B Vegetation

300m growing medium

Drainage element

Water reservoir

Root barrier

Waterproof membrane

2 layers 140mm rigid insulation

Vapour control layer

200m hollow core floor slab

300mmx 380mm

concrete beam

Suspended timber ceiling - Timber mounting track

600m centers

Acoustic backing

Ceiling Mounting track

Feature timber battens C

3mm Skim finish

Timber joists

150mm hollow core floor slab

300mm x 380mm concrete beam

Suspended timber ceiling - Timber mounting track

600m centers

25mm tongue and groove floor boards

15mm fibre board

85mm rigid insulation

Damp proof membrane

Concrete foundation

Acoustic backing

Ceiling Mounting track

Feature timber battens

CASTLE PARK MEDICAL CENTRE

DOCTOR SURGERY

Location: Duration :

Year :

Castle Green, Bristol

5 Weeks

BSc Second Year 2021/22

The aim of this project was to design a doctor surgeries within a residential area for the West end of Castle Green in central Bristol.

The main concept for the medical center was to divide the spaces into blocks characterized by their distinct functions, i.e., NHS block and staff block. These blocks then have isolated courtyard spaces. These courtyard spaces allow users to interact with the landscape whilst still being indoors which has proven to provide health benefits and improve general wellness of patients.

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1. elZinc standing seam roof

2. Synthetic sheet underlayment

3. Rigid insulation

4. Box gutter

5. Vapour control layer

6. Roof joists

7. Timber board (5mm thick)

Services cavity

9. Plaster board (18mm thick)

Skim finish (3mm thick)

11. Glulam beam 200mm x 200mm

12. Vertical timber cladding

OSB sheathing (25mm)

Horizontal timber batons

Triple glazed window unit in timber and aluminum frame

Vertical timber batons

Breather membrane over OSB sheathing

Vapour control layer

19. Insulated plasterboard (32.5mm thick)

20. Skim finish (3mm thick)

21. Floor timber joists

22. Tongue and groove floor boards (25mm)

23. Rigid insulation

24. Marmox thermo-block

25. 75mm x 220mm air brick

26. Underfloor periscope vent

27. Wall ties

28. 150mm concrete blocks

29. Concrete foundation blocks

30. Tongue and groove floor boards (25mm)

31. 15mm fibre wood

32. Airtightness layer over insulation

33. Rigid insulation

34. Damp proof membrane

1:150 WEST ELEVATION

1:150 EAST ELEVATION

MIXED-USE HOUSING AND SHOPS

Location: Duration:

Year : Castle Green, Bristol 5 Weeks

BSc Second Year 2021

A group project to design and landscape the west end castle green park into a mixed-use development comprising of housing and shops.

The Western development include a mixed-use units of commercial and residential spaces with retail shops/Cafes on the ground floor, and flats above. The southern development comprise of town terraced housing.

DESIGN APPROACH |

The strategically placed core within the western terraces facilitates a smooth transition between private and public spaces for residents. This core’s location at the back of the shopfronts also enhances security and privacy.

The design for the western terraces begins with a monolithic block. A core element is then carved out of this volume, creating a dynamic interplay of solid and void. Every second terrace steps down along with its corresponding entrance core, adding a sense of rhythm and movement to the composition. Finally, a flat roof completes the terraces, providing a clean and modern aesthetic.

To enhance user experience, service spaces are strategically placed in the center. This allows for abundant natural light from eastern and western windows while optimizing internal circulation for a seamless flow.

The house’s layout maximizes natural light. Bedrooms are positioned on the east side to capture the gentle morning sun, while living areas face west to benefit from the warm afternoon light.

DESIGN APPROACH

The main circulation space on the ground floor consists of open plan spaces that are sectioned away from the main entrance and servicing areas

On the second floor, both bedrooms have a separate living room to allow for communal living on each floor

For the South terraces on the West end, higher acoustic insulation will be utilised to prevent noise from the busy street entering into the living quarters

The bedrooms are South-facing, and the services (stairs,storage,bathrooms) are located on the Northern facade where sunlighting is minimal, hence the lack of windows

WELLNESS RETREAT

Location:

Duration:

Year :

Island off the North East coast, UK

9 Weeks

BSc First Year 2021

The brief was to design a load bearing masonry building that would serve as a residential centre within a wall enclosure (courtyard). Residents will use the space, through the pursuit of specific activities, as an escape from their everyday lives.

The retreat is to be designed around a certain theme which would help promote and protect physical and mental health. The retreat provides a haven for creative artists to recharge and foster inspiration.

The main design concept was to divide the building by its functions thereon separating the studio from the living spaces. The buildings sits within the walled enclosure, where each building serves its role.

The separate building blocks allowed for large courtyards to flood these spaces with natural light, fostering a sense of openness. Living, dining, and kitchen areas seamlessly blend into a single, openplan space, with furniture strategically placed to encourage communal living and togetherness