Mohamed Saif Al-Dien ll Architecture and creative portfolio

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MOHAMED SAIF AL-DEIN ARCHITECT

CONTACT +32497345407(BEL) +966555625860(SA) +201090407300(EGY) mohamed.soliman@mail.be

arch.mohammed.ayman17@gmail.com

/in/mohamed-saif-aldien

EDUCATION

Master of science (MSc)

Master interior archtecture ADAPTIVE REUSE - EXPLORING SPATIAL POTENTIALS & POETICS OF THE EXISTING

Hasselt University Belgium 2019

BACHELOR DEGREE

Faculty of Engineering, Architecture department Pharos University in Alexandria Egypt 2017

SKILLS

3D modeling

Architecture animation Photography

Photo manipulation Videography

Video editing Filmmaking

Sketching Graphic design

SOFTWARES

Autocad ArchiCAD Sketchup 3D Max Lumion Photoshop Premiere After effect Sony Vegas

PROFILE

Name : Mohamed Ayman M.S.Saif AlDien Date of Birth : 30-3-1995 Nationality : Egyptian Languages : Arabic , English EXPERIENCE

Institutions of civil society Work with community development institute“Life makers Egypt” as a volunteer

2012-2015

Architecture AGAP office for architecture consulting (Smoha Project) “Training” Septemper 2014 -October 2014

Abu Shabana for estate invesment (King ranch project) “Training” October 2014 - November 2014

Access for urban consulting Augast 2016 - July 2017

Mahmoud Edris designs for interior design solution November 2017 - December 2017

Al shibl office for architecture designs and solutions in Saudi Arabia Janruary 2018 - present

Sempre life in Belgium July 2019 - Augast 2019

Media Productions Freelancer with many of brands and companies in different types of media productions : (Videography , photography,Animation and editing ) 2012 - present
































Master’s project Adabtive reuse of public interior space in Okelle Monferato in Alexandria of Egypt

Alexandria of Egypt had many historical events which effect on the city’s architecture and urban fabric, it can be more recognizable in Al-Manshiah district that can be the city center of Alexandria. In that spot, there are many

different urban fabrics and architecture styles like rectangular and Grid streets in “European quarter” that called Mohamed Ali Square nowadays, and the Islamic and Arabic standard layout which in “Turkish town” that called Al-Gomrok district


and France streets now. By the time and by the culture changing, the buildings typology had influenced from the existing culture which can be presented in primitive interventions and new uses for these building, and one of these typology is “Okelle”

and it can be defined as a building with commercial activity in ground floor with an arcades and dwellings for the traders on the upper floors, this typology can be comparable with “19th passages” in Europe.


Although there are different layouts and styles in this spot but there are many common factors between them, and the term of “public interior space� can be shown in different typology, and in this research the project will be related to the 19th century European passage typology which has an interior space that opened to the public: study the changes which happened there and how to deal with these interventions, culture aspects and new morphology.


Okelle Monfrato : It was completed to designs by the Italian architect Luigi Piattoli in 1887 during reconstruction of Alexandria after the British strike in 1882. It integrated from Galleria Vittorio Emanuele II in Milan the social layer changed and the new one create a new interventions according to their uses and needs inside the building and I can mention the issues in many points 1.All buildings which has an “passage� typology, has the issue of accessibility 2.The interventions on the facades with massive structures and signs 3. Primitive structures in interior space


Excisting


Proposal





Scan & watch the movie






Saudi Arabia

Local M ousque



Alshrouk city

M aster bedroom


Kafr Alsheish

Villa



M ulti Functional cupboard


Cafe in Gorgia




Cafe in Paris



O therski ll s








MOBILE PHOTOGRAPHY


MOBILE PHOTOGRAPHY




VFX


MUSIC

VIDEO


ANIMATION

+

VFX


TRAVEL

VIDEO



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