mondo | stadia - Issue 19

STANLEY CUP FINALS

OLYMPISCH STADION

MAASPOORT SPORTS & EVENTS

COMMS, MIC & BODYPACKS FOCUS

PixMob create an atmosphere for the limited-capacity crowd at Bell Centre for the Montreal Canadiens.

FACES and PFL install a new audio system, featuring Powersoft, Martin Audio and Dynacord.

State-of-the-art Bose Professional and Color Kinetics technology for the venue’s audiovisual upgrade.

We showcase projects and products from those supplying comms, mics and bodypacks to the sporting industry.

ISSUE 19 - AUGUST | SEPTEMBER 2021

THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES

ISSUEISSUE 19 - AUGUST 17 - APRIL | SEPTEMBER | MAY 20212021 WWW.MONDOSTADIA.COM

19 WELCOME

t’s been a welcome change to begin to fill our diaries once again, particularly with the likes of ALSD International and World Football Summit - and the WFS Awards, too! - all around the corner. It’ll be great to catch up with everyone in the industry once again and, of course, get back to visiting sporting venues around the world.

Our cover story for ISSUE 19 is the Xi’an Olympic Sports Center - a spectacular multipurpose complex that has seen state-of-the-art audio systems installed by EZPro, with technology from Powersoft, EAW, Allen & Heath and Symetrix.

We’ve also covered an impressive project at Bell Centre, with PixMob using its latest NOVA pixel technology to light up the venue and create an incredible atmosphere, despite the limited capacity.

Elsewhere, we spoke to FACES PROJECTS, who, along with PFL, completed an audio revamp at Olympisch Stadion in Antwerp. The home of K.Beerschot V.A. now boasts an audio system with technology from Powersoft, Martin Audio and Dynacord.

Also, this issue’s Team Talk comes from SwipeStation’s CEO, Adam King, who discusses the challenges faced by stadiums when it comes to going cashless, while our Kick Off focusses on the world of comms, mics and bodypacks.

I hope you enjoy ISSUE 19...

I

Sam Hughes Managing Editor

EVENT AVAILABLE ON CATCH UP ON SWAPCARD | WWW.MONDOSTADIA-AGORA.COM/HOME

SUPPORTERS

19 INSIDE…

Cover Image: Courtesy of EZPro Managing Editor Sam Hughes s.hughes@mondiale.co.uk

Contributing Editor Emma Davidson e.davidson@mondiale.co.uk

Digital Content Manager James Robertson j.robertson@mondiale.co.uk

Senior Account Manager Jamie Dixon j.dixon@mondiale.co.uk

Account Manager Laura Iles l.iles@mondiale.co.uk

Design & Production Dan Seaton d.seaton@mondiale.co.uk

Dave Bell d.bell@mondiale.co.uk

CEO Justin Gawne j.gawne@mondiale.co.uk

Finance Director Amanda Giles a.giles@mondiale.co.uk

Credit Control

TEAM TALK

006 Adam King, SwipeStation

VENUE FOCUS LIGHTING

044 Stanley Cup Finals | Montreal, Canada

ar@mondiale.co.uk

048 NCAA March Madness | Indianapolis, USA

Group Chairman Damian Walsh

DRAWING BOARD

AUDIO

010 Anfield Road Stand | Liverpool, England

050 Olympisch Stadion | Antwerp, Belgium

MONDO | STADIA is published by Mondiale Media Limited, Strawberry Studios, Watson Square, Stockport, SK1 3AZ, UK Tel: +44 161 476 8340

012 Swansea Arena | Swansea, Wales

058 Etihad Arena | Abu Dhabi, UAE

KICK OFF

EXTRA TIME

014 Comms, Mics & Bodypacks

062 Venue Tech Directory

Printed By Buxton Press

064 Full Time | Secure Logiq

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THE FULL PITCH 024 Xi’an Olympic Sports Center | Xi’an, China 038 Maaspoort | ‘s-Hertogenbosch, Netherlands

ADAM KING CEO, SWIPESTATION Progressing from tills to mobile ordering - how do stadiums make the transfer?

Images: SwipeStation

he current system for taking

the most technologically advanced stadiums

It is forecast that 1.31 billion people will use a

money at high volume, high

with the snazziest till systems still have long

mobile ordering app worldwide by 2023. There

intensity stadiums is inefficient,

queues and irate customers. They just don’t

is no doubt that the pandemic has dramatically

counter-intuitive and expensive.

talk about it...

advanced attitudes towards mobile ordering

Most venues are at one of the following stages

Whether it’s upgrading existing systems or

by a few years in just a few months. People

in their ‘till journey’:

starting from scratch, clubs are faced with the

are now using their phones to order just

1.Tills from the middle ages that can only take

depressing choice of software and hardware

about anything - especially food and drinks.

cash: In a post-pandemic world these are no

packages that are extremely expensive -

A combination of digitally-savvy consumers,

longer an option.

because for 90% of the year the stadium lies

health and safety concerns, and multiple cost

2.Tills with card readers: All they do is take

dormant.

benefits has expedited this progress across

payment, so there’s no way to track stock

At a time when venues are recovering from a

the hospitality and retail sectors - which can

or sales data - which is vital in a venue with

long period of revenue that was low or even

only be a good thing. Even the 13% of the

multiple kiosks.

non-existent, how does a club sign off on

population who don’t use a smart phone are

3.EPOS with integrated card readers: Designed

such a technology upgrade? Even if they could

probably attending a match with someone who

to be used every day by well trained staff in

afford it, why compromise with a system that

does. If not, it’s still possible to service them

relatively calm environments, retrofit these

wasn’t designed for casual servers or half time

using special assistants.

systems into a stadium environment and they

stampedes - let alone both at the same time!

For a stadium still operating tills (or who are

prove to be the slowest, the least efficient

Or is there a way to bring an up-to-date

facing a costly EPOS renewal), this seismic

and certainly the most expensive option.

ordering experience to the customer without

shift in consumer behaviour is a blessing

They are far too complex for casual staff to

the massive capex expenditure of new card

and should be viewed as an opportunity to

understand, so servers must arrive early for

readers, EPOS systems or touch screens?

skip EPOS completely and jump straight to a

extra training - adding yet more expense.

The solution is within easy reach. Rather than

cheaper, more efficient payment method. This

Even with training, casual staffers are not

pay for expensive hardware and software, why

is an example of a ‘Leapfrog technology’ -

able to process orders quickly and frequently

not utilise the computers that we all carry in

where you skip the present and head straight

make mistakes - slowing service down. Even

our pockets?

for the future - like forgoing power lines and

T

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TEAM TALK

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007

TEAM TALK

008

fossil fuels and jumping straight to renewable

venue that is looking to integrate cashless

experience with just a mobile device in the

energy.

point of sales and payment systems, it’s worth

hands of fans.

Sporting venues need to realise that there are

looking into mobile solutions. Even if your

Going cashless will just not suffice anymore.

more benefits to be gained from forgoing a

phone connectivity is terrible on a match

Stadiums and other sporting venues need to

till upgrade than just the cost of the kit. By

day, there are options out there designed for

offer their fans the best experience possible,

removing deliberation, ordering and payment

stadiums where orders can be placed even in

especially at this crucial time. Avoiding service

from the service area, efficiency in the kiosk

airplane mode.

areas, implementing in-seat delivery and click

goes through the roof, with servers in click

The benefits aren’t just operational and

& collect options are all methods to keep fans

and collect fast lanes able to serve up to

financial. The data generated by mobile

safe, happy and hydrated.

three fans a minute - eliminating queues and

ordering is far superior to anything tills can

Expectations have drastically evolved and

increasing sales. At the CBSA (formerly the

offer - since all purchases refer back to an

consumers will demand that their stadium

Ricoh Arena), for example, mobile ordering

individual e-mail address. For the first time,

experiences reflect what they’ve come to

Fast Lanes outperformed their neighbouring

operators are able to learn the annual value of

know and love in pubs, restaurants and coffee

tills by 24.5%.

a fan - as well as send them targeted offers

shops - where mobile ordering is optional (if

Making the jump and breaking the mold is

both on and off a match day. Integrating

not compulsory) and queues are a thing of the

no doubt a daunting prospect, yet becoming a

mobile payment services into fan apps only

past.

market leader (and experiencing the revenue

serves to enhance the cashless evolution,

increase) is guaranteed to be worth the plunge.

transferring away from outdated tills and

If you are representing a stadium or sporting

into a user-friendly, end-to-end spectator

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www.swipestation.co.uk

No.1 Court, Wimbledon

AXA Training Centre, Liverpool FC

1885, St. Mary’s Stadium

Westview, Stamford Bridge

Leicester City FC Training Centre

MASTERPLANNING STADIA TRAINING CENTRES ARENAS HOSPITALITY

Anfield Stadium Development, Liverpool

AELTC Joe Toth / Adrian Lambert / Virtual Planit / Ant Clausen

KSS - Mondo Advert FINAL.indd 1

09/08/2021 16:24:06

ANFIELD ROAD STAND Liverpool, England Rendering: KSS

SS’ latest project for Liverpool Football Club, the Anfield Road Stand expansion, recently received planning approval from Liverpool City Council.

The proposal will increase the stadium’s capacity by around 7,000, taking Anfield’s overall capacity to more than 61,000. The designs work seamlessly with the Main Stand, which KSS completed for the club ahead of the 2016-17 season.

Andy Hughes, Managing Director of Liverpool Football Club, said: “This is a huge milestone in our journey towards bringing more supporters into Anfield. We underwent a rigorous twostage public consultation period during the

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planning process for this project and I would like to thank everyone who has offered a contribution to that.

“In what has been a very unpredictable year, we are seeking certainty in order to progress with this project and there are still some steps we need to take to get there.”

KSS Chairman, David Keirle, said “We are very proud that our third major project for Liverpool Football Club is making positive progress. After completing the award winning Main Stand in 2016 and the new AXA Training Centre last year, we are very pleased our vision for the Anfield Road Stand has been awarded planning permission.”

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SWANSEA ARENA Swansea, Wales Rendering: Ambassador Theatre Group (ATG)

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wansea Arena is a brand-new waterside 3,500 capacity indoor arena, located just a short walk from Swansea Beach, Swansea Marina and Swansea city centre, with up to 10 dedicated meeting rooms, a divisible auditorium to create separate spaces with the upper level transforming into a conference space for up to 750 people, a 175 capacity VIP Lounge, nine food and beverage outlets and a kitchen with capacity to provide banqueting for up to 750 people.

The game-changing venue is expected to host 160 performances across music, comedy, theatre, esports and conference events for an estimated 230,000 visitors each year. Around 60 of the events will be exhibitions, conferences, graduations and other business led events.

The brand-new tech installed at Swansea Arena ensures that the venue is equipped to host both real life and hybrid events, embracing the current trend for virtual attendance that will continue beyond the pandemic.

The Copr Bay Phase One project - worth £17.1 million

S

a year to Swansea’s economy - is being developed by Swansea Council and advised by development manager RivingtonHark. Earmarked for completion in the autumn of 2021, its construction is being led by Buckingham Group Contracting Limited.

The development of the Arena will be a significant landmark within Swansea’s city centre and the transformational Copr Bay Phase One project.

Swansea City Centre is one of the largest urban transformations currently being delivered in Europe - over £1billion is being invested across the city, allowing Swansea to realise its potential to be one of the most vibrant places to live, work, visit and study in the UK. The arena also forms part of the Swansea City and Waterfront Digital District project which is being partfunded by the £1.3 billion Swansea Bay City Deal.

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KICK OFF | COMMS, MICS & BODYPACKS A closer look at products and projects from the world of communications.

AUDIO-TECHNICA WIRELESS MANAGER SOFTWARE 1.2.0 Audio-Technica has recently announced the version 1.2.0 update of its Wireless Manager software, available for immediate download. Wireless Manager is a Mac OS/Windows application for remote configuration, control, monitoring, spectrum management, and frequency coordination of compatible AudioTechnica wireless devices.

Updated features in version 1.2.0 include; a new multipoint receiver function, improved interface and functionality enhancements, increased compatibility, and minor bug fixes.

The software is compatible with Microsoft Windows 8.1 and 10, and macOS High Sierra (Version 10.13), macOS Mojave (Version 10.14) and macOS Catalina (Version 10.15).

The multi-point receiver function allows a single transmitter to switch between multiple compatible A-T network-enabled receivers that are set apart from one another. The user of the transmitter can pass from one receiver zone to the next, enjoying seamless audio muting and unmuting for wide coverage without the need for a distributed antenna system.

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A single transmitter can switch between 10 receivers on a single group. Up to eight multi-point groups can be configured within a single Wireless Manager session. Applications could include large auditoriums/halls, houses of worship, sporting events, education campuses and other venues where installing long RF cable runs with antennas and necessary antenna management could become cumbersome and expensive.

A-T Wireless Manager software is compatible with all wireless devices operating in the UHF spectrum. When used with AudioTechnica 5000 Series (3rd Gen) and 3000 Series (4th Gen) with network control and monitoring, the software can coordinate and control all connected systems. The software can also interface with, and monitor, the latest 3000 Series networked chargers.

A-T’s updated Wireless Manager software (version 1.2.0) is available for download from Audio-Technica’s website. www.audio-technica.com

KICK OFF

SHURE ADX5D PORTABLE RECEIVER Live events and broadcasting have depended on Shure to help capture and produce reliable audio. The debut of Shure’s Axient Digital Wireless System was popular within the industry, and, today, Axient Digital continues to serve as the standard for crystal-clear audio, RF spectrum stability, workflow control, and scalability. To help bring these wireless capabilities to new and existing Axient Digital customers, Shure has introduced the Axient Digital ADX5D Portable Receiver - a dual-channel, portable wireless slot receiver that provides superior RF performance, spectral efficiency, and transparent audio quality. The new portable form factor proudly enhances the Axient Digital ecosystem of wireless audio solutions.

ADX5D was born from one simple need: how to translate the Axient Digital into a portable option. Shure understood there was an industry demand for wireless capabilities that addressed the needs of today’s production environments, and recognized that it needed to innovate in a way that would take Axient Digital beyond the stage, stadiums, and studio broadcast environments.

ADX5D is ideal for environments like sports/events broadcasting, electronic news gathering (ENG), film/episodic television, and electronic field production (EFP)—all of which rely on quality location sound. The portable receiver supports the demand for a remote wireless solution that ensures the message is clearly delivered.

“We designed the ADX5D Portable Receiver to incorporate the same innovative wireless technology that Axient Digital is known for, all in a portable form factor for professionals in the field or on-the-go,” said Nick Wood, Senior Wireless Category Director, Shure. “We took the time to ensure this new addition to the Axient Digital family exceeds the rigors of everyday use and lives up to Shure’s reputation for quality that we’ve earned over the past 96 years.”

Whether a crew is broadcasting a weather report, offsite at a film shoot, or capturing the big game, ADX5D provides top-ofthe-line audio and performance. Professionals in film, TV, and ENG now have access to the same audio quality and next-level RF

performance that live sound professionals have trusted for years.

Additionally, ADX5D is equipped with industry-proven highperformance RF technology, true digital diversity reception, and advanced digital audio technology – all packed into a portable slot form factor.

True digital diversity technology helps significantly mitigate the potential for signal fades or interference that can cause dropouts.

Further, it also supports wide dynamic range, AES-256 encryption, and 2ms latency from the mic transducer to the analog output. A wide tuning band ensures reliable operation in any environment.

ADX5D functions as an on-the-go wireless receiver, offering the power and performance of Axient Digital - but in a portable form factor. It can easily slot inside and connect directly to the audio inputs of a professional broadcast camera, enabling streamlined connectivity of the two devices. The portability also provides convenience and flexibility, especially for film and TV sound mixers who often have discrete powering, audio-routing, and/or RFdistributing gear in their portable recording bags.

ADX5D incorporates ShowLink, which is unique to Axient Digital, and allows for real-time control of all transmitter parameters, interference detection, and avoidance. Ideal for remote, hybrid, or on-location sound environments, ShowLink makes it easier to use back-up frequencies and provide remote control directly to the linked transmitters. Compatibility with Wireless Workbench supports efficient control and configuration, optimal spectrum management, and frequency coordination.

ADX5D confidently fits into the entire Axient Digital ecosystem of hardware and software solutions from Shure. Regardless of the environment, flawless RF, exceptional audio quality, and system scalability are desired by today’s broadcast and film professionals.

ADX5D naturally complements the existing solutions in Shure’s expansive portfolio, including AXT600 Spectrum Manager, Wireless Workbench, and all Axient Digital transmitters, including the ADX1M Micro Bodypack. www.shure.com/adx5d

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QUANTUM5X COACHMIC The NBA has adopted wireless-systems manufacturer, Quantum5X’s new CoachMic for teams’ coaching staff.

Functionally, the CoachMic is similar to Q5X’s PlayerMic, worn by NBA ballers and developed in concert with the league and player representatives. It was developed with input from the league, coaches, broadcasters ESPN and Turner Sports, and Bexel, which purchased them, rents them to the broadcasters, and manages their RF. The transmitter, officially known as the Q5X-AD10 Digital CoachMic, is paired with a Sennheiser MKE-2 microphone capsule and is compatible with Shure’s Axient Digital receivers.

Operationally, the CoachMic shares key capabilities with the PlayerMic, such as the ability to be remotely controlled and monitored by the Q5X QG-H2 MicCommander; such functions as gain, battery life, on/off, and frequency choice can be accessed from anywhere in the venue during games. In addition, the transmitter has a rocker-type mute switch that can be accessed by the wearer and is designed to offer both visual and tactile confirmation of microphone on/off status, either by the colour of an LED next to the switch or by the feel of the switch’s position, whether it’s worn horizontally on a belt or vertically in a jacket pocket.

Previously, the NBA’s coach broadcast audio was captured and transmitted by a mix of manufacturers’ systems - all digital - to ensure encryption and to maintain RF agility in a spectrum-constrained environment.

“We worked closely with all parties on the design and execution of the CoachMic, starting during the NBA’s Summer League in 2019,” said Q5X CEO, Paul Johnson. “It went through several iterations, from conceptual to working models to the production models that Bexel has acquired for use by

RTS ROAMEO

the league and that were introduced at the 2020 All-Star Game.”

He adds that the NBA has been using the original QT-1000 PlayerMic nearly since its introduction in 2007, with its first deployment at the All-Star Game that year, and the current, smaller QT-5100 PlayerMic S since it was introduced at the 2014 All-Star Game.

“And now they have a Q5X solution across the players and the coaches and, sometimes, on the referees as well,” Paul said, noting that some officials have been trying them out for televised games. “That consistency of audio equipment lends itself to keeping the sound quality high.” www.q5x.com

ROAMEO from RTS is a professional, easy-to-use and future-proof wireless intercom solution based on the license-free DECT (Digital Enhanced Cordless Telecommunications) standard with a protected frequency band. It provides highquality audio over a seamlessly integrated digital wireless beltpack and associated access points. Featuring a modern, rugged design, ROAMEO is suitable for a wide range of professional intercom applications where wireless communication is critical, including sports event production and outside broadcast (OB) trucks.

Operating like a wireless keypanel, ROAMEO can be fully integrated into all existing wired digital RTS matrices. The system allows users to address either individuals or specified groups. The system consists of the TR-1800 beltpack, the AP-1800 access point and accessories including charger, holster and pole-mount kit. Connection to a digital matrix is easily established via a single Ethernet cable.

In addition, the system can use standard IT infrastructure, which ensures easy installation and low maintenance costs; the access points can be daisy-chained.

ROAMEO’s cellular structure can cover a wide area with superior audio and seamless roaming between the individual cells. Users can easily expand the coverage area by adding further access points, while additional wireless beltpacks can be directly addressed as part of a wired RTS matrix intercom system.

Depending on the audio codec used, users can select between a higher emphasis on voice quality (G.722 full bandwidth) or a more efficient use of the radio spectrum with a higher number of beltpacks (G.726 narrow-band).

ROAMEO provides a superior user experience - the system can be easily configured in a multi-language set-up via scroll lists on the beltpacks or using the control software, which allows users to configure the complete intercom system on one screen. Thanks to its large colour LED-display and intuitive icon-based menu structure, the beltpack is very easy to set up and operate. The four talk/listen buttons are shaped differently and provide users with a tactile feedback; the operation of the device is thus possible also in low light conditions and without the need to look at it. With its lightweight, durable housing, the beltpack features the smallest enclosure in its class and is protected against dust and light rain.

The ROAMEO system is an environmentally friendly system without any dangerous emissions at low radiation. It is compliant with the US environmental regulation N33.6. www.rtsintercoms.com

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KICK OFF PLIANT TECHNOLOGIES MICROCOM XR UPDATES Pliant Technologies has added two features, Repeater Mode and Roam Mode, to its MicroCom XR digital wireless intercom. In addition to the two new operating modes, Pliant also unveiled its MicroCom 900XR Receiver, with a two-channel ultra-compact, lightweight design that allows unlimited listen-only users to stay connected.

“We are excited to announce that new features are now shipping with the MicroCom XR wireless intercom system,” said Gary Rosen, Vice President of global sales for Pliant Technologies. “The new Repeater and Roam modes, as well as the MicroCom 900XR Receiver, have been specifically designed to enhance production workflows, ensuring uninterrupted, clear communication between users, all at a groundbreaking price point.”

The new Repeater Mode connects users working beyond the typical range by locating the Master beltpack in a centralised location helping to overcome RF barriers. All MicroCom XR beltpacks now ship in Repeater mode by default. MicroCom XR’s new Roam Mode further expands the coverage area of any MicroCom XR system. This mode links users spread throughout a venue by assigning a strategically located Master pack, as well as a secondary Submaster pack. This allows users to move more freely throughout a venue while staying connected through typical communication barriers such as walls and floors.

The MicroCom 900XR Receiver is a cost-effective solution that allows MicroCom 900XR customers to add unlimited listen-only users, allowing crews of any size to stay connected and work together seamlessly. Users can listen in using the receiver’s built-in speaker, or can connect an earpiece to listen to the audio privately and discreetly. With high-quality audio, excellent range, a simple design, and a long-lasting rechargeable battery, the MicroCom 900XR Receiver is ideal for a range of applications including tours, productions, houses of worship, theatres, and more.

“Support for the new MicroCom XR Receiver is included in the new firmware, providing customers with easy-to-use, listen-only communication,” said Austin Jackson, Product Manager for Pliant Technologies. “With the ability to connect unlimited listen-only users, the MicroCom 900XR Receiver allows production crews of any size to monitor conversations throughout an entire event or show, keeping all production aspects running smoothly when it matters most.” www.plianttechnologies.com

ELECTRO-VOICE RE3 UHF WIRELESS MICROPHONE SYSTEM The Electro-Voice RE3 UHF wireless microphone system is engineered for best-in-class sound quality, wireless flexibility and overall ease of use in alignment with the latest RF regulations. The RE3’s user-friendly, state-of-the-art technology and roadworthy construction extend the rock-solid reputation of its predecessor the RE2.

RE3 receivers and transmitters are available in 10 pre-packaged sets, configured to cover a wide range of performance and presentation applications. Sets contain one 1/2-rack-space diversity receiver with antennas, universal power supply, rack mount kit, transmitter, batteries, and an input device.

Additionally, the RE3 portfolio contains a comprehensive assortment of accessories to aid in the creation of large, multichannel systems. The RE3’s UHF design with clear frequency scanning makes multi-system wireless operation fast and simple.

The RE3 handheld combines robust aluminum build quality with a sleek profile. Five handheld system sets are available with a choice of interchangeable mic capsules; ND76, ND86, ND96 (dynamic) and the new RE420 and RE520 (condenser). These capsules can be purchased separately.

The compact RE3 bodypack features cast magnesium construction for maximum durability. Five bodypack system sets are available for instrument and lavalier/headworn microphone applications; OL3, CL3 (lavalier), HW3 (headworn), GC3 (instrument cable) and one bodypack-only system.

All RE3 transmitters offer excellent battery life and run on regular alkaline or rechargeable AA cells.

The RE3 operates on three bandwidths for the North American market, chosen to minimise the complexities of today’s challenging RF environments. These include two 36 MHz-wide bands in the low and high 500 MHz spectrum, as well as one strategically chosen to operate within the 600 MHz duplex gap which the FCC has dedicated for wireless microphone use.

Additional bands are also available for use in Europe and Asia, in the 600 MHz and 800 MHz ranges. www.electrovoice.com

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CLEAR-COM FREESPEAK EDGE BASE STATION The FreeSpeak Edge Base Station is an IP base station that supports the full range of Clear-Com’s FreeSpeak digital wireless intercom solutions, including 1.9 GHz (including both E1 and IP transceivers), 2.4 GHz and 5 GHz, as well as third-party Dante devices.

The FreeSpeak Edge Base Station provides a standalone solution for FreeSpeak Edge 5 GHz systems, as well as support for FreeSpeak 1.9 GHz IP Transceivers via AES67 connections, previously only available through Eclipse Digital Matrix systems with an E-IPA card. The single 1RU device supports up to 16 total beltpacks and six IP transceivers, (10 E1 Transceivers), with the flexibility to mix and match bands, as well as up to eight ports of IP interoperability with third-party Dante connections. With a mixture of IP, two-wire and four-wire audio ports, the FreeSpeak Edge Base Station can integrate a variety of systems, including Clear-Com Encore partyline and even two-way radio systems with an intelligent GPIO interface.

FreeSpeak Edge Base Station is configured through Clear-Com’s browser-based CCM software which has been redesigned from the ground up to improve the configuration experience through intuitive menus and functions. The new CCM software offers ata-glance system monitoring reducing the potential for downtime.

Designed to be quick to deploy, users can be up and running

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with a transceiver and two beltpacks in less than five minutes.

Other features include a default system set-up right out of the box, the ability to add transceivers on the fly right from the front panel, and the ability to add beltpacks via USB. All of these result in a system that is ideally suited for live event settings, or any application where time is of the essence.

The 1RU station features two full-colour high-resolution touch screen displays with four rotary encoders allowing four talk and listen channels, enabling the station operator to be able to communicate with the wireless beltpacks.

“While many of our customers choose an integrated solution with wired and wireless elements all within one system, a large group are still looking for a dedicated wireless operation, often to link to other pre-existing systems,” comments Stephen Sandford, Senior Product Manager for Clear-Com. “While we have offered this kind of customer the existing FreeSpeak II Base II up to now, the requirement for an IP-based solution of this type has become increasingly apparent and the FreeSpeak Edge Base meets that need with its IP-based transceiver architecture as well as links to external systems over the most popular IP protocols in the industry.” www.clearcom.com

KICK OFF

RIEDEL COMMUNICATIONS 2021 WIMBLEDON CHAMPIONSHIPS Riedel Communications recently announced that the All-England Lawn Tennis and Croquet Club (AELTC) has installed a fixed signal routing and communications network based on Riedel’s MediorNet real-time signal transport and processing technology, and Artist digital matrix intercom mainframe. Relying on Riedel solutions for over a decade, the AELTC has steadily expanded its Riedel infrastructure, with the 2021 Wimbledon Championships marking the biggest-ever deployment on the prestigious tournament grounds.

As the oldest tennis tournament in the world, The Championships have been held by the AELTC since 1877 and are one of the four Grand Slam tournaments in professional tennis. For the 2021 tournament, the MediorNet/ Artist solution facilitated remote audio mixing to support communications between; review officials and umpires, statisticians, safety, security, audio, and production teams, as well as video feeds to aid the audio team with press feed distribution and remote operation of all courts. While the basic network remains in place year-round at AELTC, Riedel Managed Technology was brought in to supply the additional panels, nodes, and other gear necessary to support tournament play at 18 different courts over the 14 days of Wimbledon.

“Wimbledon is steeped in tradition, but we’re certainly not standing still.

We’re always looking to stay on the edge of technology and apply the latest innovations to make the Championships the best they can possibly be,” said Brew - James Henry Breward, Audio and Communications Specialist, AELTC. “We know we can count on Riedel equipment to provide seamless, reliable communications with fantastic sound quality when it really matters, such as when resolving debatable review calls. And with all of the additional equipment that comes in quickly for the Championships, we absolutely depend on Riedel’s Managed Technology division to help us meet our tight timeframes. Their expert service and support, together with their ability to

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access additional gear as needed at a moment’s notice, make them invaluable partners in our fast-paced run-up to Wimbledon.”

The permanent Riedel installation at AELTC consists of an Artist-64 intercom node and a handful of 2300 SmartPanels to support year-round security and audio teams.

In the run-up to the 2021 Wimbledon tournament, Riedel Managed Technology division expanded the fixed infrastructure with an extensive array of additional Artist and MediorNet equipment, including MediorNet MicroN high-density media distribution network devices, around 120 intercom panels, and Bolero, offering coverage over much of the grounds. With their ability to be deployed in unlimited configurations, the modular MicroNs came in handy particularly in the AELTC master control room, the nerve centre for all audio signals, where the signals from the 18 courts, big screen production, and countless local mixes come together.

Additional MicroNs configured with the Riedel MultiViewer App were located in the Centre Court PA rack room. This enabled the production crew in master control to mix audio signals from up to 36 SDI broadcast and MADI feeds from Artist, house audio, OB comms four-wires, and program feeds. Audio metres on the MicroN multiviewers have been customised to show each umpire’s mic on the left side and the signal sent to the courtside PA on the right, while the UMD shows the umpire microphone switch state.

Brew added: “The SmartPanels are extremely robust and yet easy to use, which our production crews really appreciate. Even people who have never used key panels - not all tennis events are able to offer this level of technology support - are able to integrate them instantly into their workflows. It’s a really smart way of working.” www.riedel.net

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19 THE FULL PITCH

024 Xi’an Olympic Sports Center | Xi’an, China 038 Maaspoort | ‘s-Hertogenbosch, Netherlands

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XI’AN OLYMPIC SPORTS CENTER Xi’an, China Images: EAW, Allen & Heath, EZPro

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hen construction began on the Xi’an Olympic Sports Center, home of China’s 14th National Games, officials wanted the modern venue to feature a state-of-the-art audio system that would give every seat a memorable experience. With help from

pro audio distributor, EZPro International, officials found the solution they were looking for in products from EAW, Powersoft, Allen & Heath and Symetrix.

Completed in July 2020 with a total build cost of $1.12 billion, the Center occupies an area of 866,667 sq metres and houses three distinct venues: a 60,000-seater athletics stadium with track and field facilities, a gymnasium capable of seating 18,000 people, and a swimming and diving hall that accommodates 4,000 spectators. After the 14th National Games draw to a close, the centre will transition to hosting international sports events, exhibitions and conferences in addition to acting as a multifunction sports centre for nearby cities and towns.

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With a strong grounding in the Xi’an pro audio industry for

and as impactful as possible, so EZPro chose a range of

more than two decades, and an established reputation for

manufacturers capable of adhering to the venue’s every need.

providing reliable, high-end products, EZPro won the bid

“In designing the sound system, the goal was to provide

to start work on the project, installing a sound system that

the same frequency response for each listening area and to

fit the brief of ‘world-class, advanced, stable, cost-effective

address any unevenness throughout the audience areas,” said

and flexible’. “As soon as the public tender opened for bid,

System Designer, Zhang Xianjun. “We first built a 3D model

we submitted all the necessary documents and strived for a

for the stadium in AutoCAD, according to the architectural

chance to pitch in front of the contractor and the consultant,”

drawings. We then imported the model into EASE4.3 acoustic

explained Zhou Jun, Chief Technical Engineer of the project.

analysis software, followed by a 1:1 EASE model setup. We

“The large-scale project was very demanding with a pressing

choose EAW’s RSX line array for its strong directivity, ability

schedule, so the fact that we had a branch office in Xi’an and

to optimise speech intelligibility, and its overall fantastic

were able to quickly respond to the contractors needs stood

sound.”

out as a great advantage. The substantial number of symbolic

For the project, the integrators installed six clusters of 44

sports venue projects we have also been involved with in

EAW RSX212L active loudspeakers and eight EAW RSX18F

the past reassured the venue that we were fully capable

single 18-inch active subwoofers in six arrays. Four EAW

of delivering this one to a high-quality, too. It turned out

RSX129 active loudspeakers were installed under the in-arena

our efforts did not go to waste, and I believe we nailed the

scoreboard and four single 12-inch EAW VFM129i moving

project!”

wedges were configured for the rostrum.

As the system was being used as an entertainment, vocal

“All of the loudspeakers were installed under the catwalk of

and emergency audio system, it needed to be reliable

the stadium, which makes it difficult to see their operational

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status,” added Zhang. “Thanks to the self-detection of

Powersoft’s Dante enabled Quattrocanali 4804 DSP+D

EAW’s RSX Series active loudspeakers, the sound engineers

amplifiers.

can quickly access their operational- and signal-status.

“With reliability as the most vital requirement, choosing

The catwalk of the stadium is an asymmetric-hexagon

amplifiers that were up to the immense task of driving this

structure, so it is harder for us to control installation angles

system was crucial,” said Yongjun Jiang, EZPro’s Technical

of loudspeaker clusters. We were able to overcome this by

Manager of the project. “Powersoft amplifiers have an

using EAW original flyware, fixing the arrays under the

incredible reputation, we knew them to be highly efficient

catwalk by 3T electric hoist. We used two safety cables and

and extremely reliable, not to mention their immense power

the horizontal coverage is adjustable. With RADIUS Series

output, which made them the perfect choice for us.”

loudspeakers, we have much less sound diffusion and direct

EZPro wanted to avoid potential failure throughout the

sound coverage is improved.”

signal path of the audio system, which is where Powersoft’s

EAW’s RADIUS Series is designed to streamline setup and

Quattrocanali powerful DSP processing became vital.

deliver maximum results in minimum time. The line features

“The built in DSP modules Powersoft offer were incredibly

OptiLogic to drastically cut down on setup and tuning time,

useful, like the advanced EQ,” continued Yongjun. “And with

while the EAWmosaic app provides total system optimisation

lengthy cable runs like the ones we used for this installation;

from anywhere in the venue, plus intuitive room design and

the active damping control feature was also essential.”

prediction in a single, comprehensive application.

For the diamond shaped gymnasium, sound reverberation

“The EAW RSX Series delivers an excellent listening

presented another challenge, along with the need for the

experience with high fidelity and extended dynamic range,

space to transform into a basketball court or an ice hockey

while also proving Dante integration across the line,” added

rink when needed. For this area, EZPro opted for a total of

Zhang. “The system has admirable intelligibility, and it is

70 EAW loudspeakers, a combination of RSX212Ls, RSX18Fs,

easy and seamless to switch between signals to keep the

RSX129s and VFM129is. Accompanying the loudspeakers are

system safe and sound.”

three Allen & Heath digital mixers and two Symetrix digital

Driving the loudspeakers across the venue are 34 of

processors.

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“The way they are organised provide acute direction of sound

and they can monitor the loudspeaker impedance, whenever

and reduce any diffusion into the bleachers by the stage,

and wherever required.

which improves speech comprehension in the venue,” said

“The clear and intuitive user interface of ArmoníaPlus is a

Yongjun.

crucial asset to the installation for daily system operation,”

For these 70 loudspeakers, a single Powersoft Quattrocanali

said Yongjun. “The offline editing functions, quick set up

4804 DSP+D is able to provide ample power and high-quality

and group control functions are extremely practical for the

audio.

install.”

Finally, the natatorium features 30 EAW loudspeakers

ArmoníaPlus allowed EZPro to visually represent the

powered by eight Powersoft Quattrocanali 4804s DSP+D,

amplifiers in their locations, thanks to its customisation

along with two Allen & Heath digital mixers and two

features. “The amplifiers located in the four different rooms

Symetrix processors. “The Powersoft amplifiers play a

are replicated in corresponding zones in the software,

significant role throughout the entire venue,” said Yongjun.

arranged in actual installation order. It’s completely

“Main signals go directly into the amplifiers with Dante cards

invaluable for operators and makes controlling this complex

before feeding the loudspeaker systems, which ensures the

system intuitive,” said Yongjun.

best signal quality. The amplifiers are capable of detecting

To ensure no disruption to audio in the event of a single

and switching channels automatically as required, whilst

point failure, EZPro implemented redundancy throughout the

dealing with all the digital and analogue signals flawlessly.”

system, from microphone to loudspeaker – and everything

The immense system is supported by ArmoníaPlus,

in-between. At the input stage, non-redundant analogue

Powersoft’s system design software which has been devised

sources are patched through passive splitters to deliver

to allow for simplistic control of complicated installations.

discrete signals to the main and backup systems. In each of

The software allowed EZPro to speed up the initial system

the three venues, a pair of Allen & Heath mixers are deployed,

commissioning phase, thanks to its loudspeaker pre-set

running simultaneously at all times, allowing seamless

models, and has continued to be an essential part of the

switchover in the event of signal loss. Dante outputs from

system control.

the main and backup mixers feed the Primary and Secondary

With ArmoníaPlus, operators can quickly check if the

Dante networks respectively, with a third independent

amplifiers are online, their signal and temperature ranges,

network utilised solely for control signals throughout the

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complex. At the output stage, amplifiers with both Dante and

C3500 is the most compact dual-screen Surface in the dLive

analogue inputs were the preferred choice for peace of mind.

range, enabling the operator to take advantage of dLive’s

The Primary Dante network feeds the amplifiers directly,

intuitive Harmony UI, whilst maintaining a compact 24-fader

while the secondary Dante network output is converted to

frame size. As with all dLive systems, the MixRack offers

analogue - via Allen & Heath’s DT168 Dante I/O expanders -

128 channels of input processing, with a configurable 64

to provide a redundant signal to the amplifiers.

bus architecture, allowing the installer to choose a MixRack

“The applications are supposed to be versatile, as they cater

I/O configuration to suit the application. For the stadium’s

for major sports events, performances, launches etc, so this

backup system, EZPro opted for an Avantis, a standalone

required a moving tuning position with an easy-to-use

mixer offering 24-faders in conjunction with 64 input

console,” furthered Yongjun. “This is why we chose Allen &

channels and 42 mix busses, plus a GX4816 I/O Expander

Heath dLive C3500 with DM48, Avantis with GX4816 devices.

to mirror the analogue I/O of the primary system. Both the

They have separate racks, and they are competent in long-

dLive and the Avantis are fitted with Dante I/O cards to

distance transmission, scene storage and recall.

integrate with the Primary and Secondary Dante networks.

“All three of the Allen & Heath products deployed in the

In the gymnasium, the main system is also built around

install - dLive, Avantis and SQ - are built on the XCVI 96kHz

a dLive C3500 Surface, this time paired with the compact

FPGA engine, delivering a consistent standard of high-

CDM32 MixRack, with an SQ-7 employed as the backup

resolution low-latency audio across the main and backup

system. The SQ-7’s 32 onboard mic preamps mirror the 32

systems, regardless of their form factor.”

mic inputs on the CDM32, with 33 faders on hand for control.

For the main stadium, a dLive C3500 Surface is partnered

As with the stadium, both systems integrate with the Dante

with a CDM48 MixRack to form the main system. The dLive

networks via Dante I/O cards to provide redundant Dante

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feeds to the gymnasium’s Powersoft amplifier rack and EAW

networked audio, again feeding the Powersoft amplifiers

loudspeakers.

and EAW loudspeakers. For the natatoriums more modest

The choice of Allen & Heath’s flagship dLive system in the

requirements, the SQ-6’s 24 onboard mic preamps, feeding

stadium and gymnasium was in no small part down to the

the 48-channel / 36-bus mix engine, was sufficient to meet

modular nature of the system, and the flexibility this offered

current and future requirements.

when it comes to the location of the surface. “In the main

With the facility now open for business, the design and

stadium and gymnasium, there is no openable observation

installation of the system was viewed as a resounding success

window in the control room” noted Zhang. “As the dLive

by all involved. “The schedule was pressing, yet the sound

audio engine is in the MixRack, we can confidently change

system installation and commission were finished on time

the location of the Surface when required. We can effectively

thanks to EZPro’s efforts,” said Zhou Jun, Chief Technical

reduce the risk of control interface crashing, and at the same

Engineer of the stadium project. “Third-party experts

time meet the requirements of a flexible tuning position,

were invited to provide feedback, and they returned a high

ease-of-use and fast setup.”

recommendation. The delivery was accepted without any

In the natatorium, where visibility is not an issue, a pair of

doubt, and it meets the high Chinese standards for fabulous

SQ-6 mixers are deployed as the main and backup mixer,

technical performance.”

with Dante cards fitted to both for redundancy of the

BRAND: EAW, Powersoft, Symetrix, Allen & Heath | INSTALLER: EZPro | WEBSITES: www.eaw.com, www.powersoft.com, www.symetrix.co, www.allen-heath.com, www.ezprointl.com 036

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MAASPOORT SPORTS & EVENTS ‘s-Hertogenbosch, Netherlands Images: Bose

B

uilt in 1982, Maaspoort Sports and Events, located in ‘s-Hertogenbosch, The Netherlands, is more than just an indoor arena, it’s a unique, multifunctional facility suited to host a wide array of events. The venue offers two meeting

rooms, a sports bar, and a diverse and flexible arena area that can be used for a variety of events from sports to concerts. The arena itself provides a seating capacity of 3,500 people for sports events and 4,000 people for concerts.

Maaspoort is also home to the most successful basketball club in The Netherlands, the Heroes Den Bosch. As a member of the Dutch Basketball League, this championship record-breaking team regularly plays at this spectacular venue. This indoor sports facility also hosts different sport activities such as badminton, tennis and gymnastics.

In addition to the main arena, Maaspoort also offers two meeting rooms and a sports bar - all three areas can be opened up creating one large space or reconfigured to suit specific event needs. This flexibility meant the lighting and audio systems within the venue needed to be robust and flexible enough to support a variety of occasions.

As the audiovisual partner of record, Unlimited Vision and Sound, also located in ‘s-Hertogenbosch, understood what Maaspoort was working to achieve and knew they would develop the perfect solution with Bose Professional and Color Kinetics products.

“Unlimited Vision and Sound was already our main supply partner; they were our go-to resource if we needed to hire audio and related technology for a variety of different events,” said Remco van der Pot, Manager at Maaspoort Sports and Events. “We are always very satisfied with their support and partnership, so when we decided on a new audio and lighting solution to support all the different events, we naturally asked them to

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submit a proposal with their recommendations.”

experience we envisioned is a win for everyone involved.”

After auditing the needs of the venue as a whole, and

The Maaspoort Sports and Events team is genuinely happy

breaking down exact specifics of what was needed for

with the perfect audio coverage delivered by the Bose

each space and potential event, Pascal van Engelen, Owner

Professional solution, adding that: “Sound is extremely

of Unlimited Vision and Sound, identified the best audio

important, especially in a sport like basketball. Music

solution would be a combination of the Bose Professional

plays a pivotal role in the creation of an experience. The

ArenaMatch AM10, AM20 and AM40 loudspeakers and the

collaboration with Unlimited Vision and Sound reinforced

FreeSpace DS100SE loudspeakers, rounding out the system

why they are a trusted partner who delivers with our needs in

with the RoomMatch RMU208 loudspeakers and the MB210

mind. As far as we are concerned, both the Bose system and

compact subwoofer.

Unlimited Vision and Sound are definitely recommended - we

The system is powered by a PowerMatch PM8500N

now have high-quality audio for every event and can offer

power amplifier and is configured and controlled by the

the total experience.”

ControlSpace EX-1280 digital signal processor. In addition

“The events here are very diverse - from a dance party to

to flexibility, the ArenaMatch-based solution also delivers

sports events to business meetings,” continued Remco.

speech intelligibility without compromising a true musical

“So we wanted a flexible audio system that delivered the

experience. Visitors now enjoy clear announcements made

best quality sound, whether it was music, singing or sports

during the height of a game, during a concert or musical

announcements. The solution needed to be suitable for all

event.

those different moments and room configurations, and using

Since the initial installation, the results have been exactly

Bose products means that we have definitely achieved that.”

what the Maaspoort Sports and Events management

Unlimited Vision and Sound worked on the lighting side of

was hoping for. Remco furthered: “We received a lot of

the project, too, supplying the venue with an upgrade from

compliments and positive reactions from our guests on the

its previous use of 132 luminaires, each with five fluorescent

sound quality and intelligibility from the start. The fact

lamps mounted 12–14-metres (39–46 ft) above the floor.

that it meets our customers’ needs and provides the exact

These lights limited the arena in many ways. First, the

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fluorescent lamps were only producing 800 lux, but 1,000

sports games. These luminaires also provide Maaspoort with

lux was needed to illuminate the arena appropriately for

the ability to change the illumination levels for different

television filming. Therefore, Remco’s visions was to install

events, which have all been programmed to pre-set levels for

floodlights to bring the lighting up to par, which was taking a

ease of use.

huge toll on the building’s electrical load. Another limitation

The LED lighting at Maaspoort was installed in just four

was the regular maintenance which required the arena to

short weeks. The new LED system reduced the electrical

shut down for repairs. As well as this, there was no coloured

load by 58% from 38,000W to 16,000W. The building

lighting and no control over the illumination levels within

is now colourfully illuminated with easy-to-control,

the building.

upgraded lighting and all previous limitations have been

With all limitations in mind, a successful reputation for

eliminated. Remco concluded: “Now, we can highlight the

lighting large buildings and a strong portfolio of scene

hall in different colours. During the most exciting parts of a

setting, Livingprojects and Manager of Operations Jurgen Bal

competition, we can add an extra dimension to the show and

created a lighting design and worked with Color Kinetics to

change the colour schemes, adding a new new level to the fan

light the arena. The team replaced all 132 fluorescent fixtures

experience.”

with an LED lighting solution. 30 ColorReach Compact

With newly-improved, high-quality audiovisual capabilities,

Powercore luminaires (now specified with ReachElite)

Maaspoort Sports and Events can provide a heightened fan

provided the building with 1,200 lux, more than needed for

experience, more dynamic events, and a venue that can

television filming. These luminaires were installed to give

operate to its full potential.

the arena the desired coloured lighting effects, which are dimmable for speeches, or bright and multi-coloured for

BRANDS: Bose, Color Kinetics | INSTALLER: Unlimited Vision & Sound | WEBSITES: www.pro.bose.com, www.colorkinetics.com, www.unlimited.nl WWW.MONDOSTADIA.COM

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19 VENUE FOCUS

LIGHTING 044 Stanley Cup Finals | Montreal, Canada 048 NCAA March Madness | Indianapolis, USA

AUDIO 050 Olympisch Stadion | Antwerp, Belgium 058 Etihad Arena | Abu Dhabi, UAE

LIGHTING

STANLEY CUP FINALS Montreal, Canada Images: PixMob

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ith fans returning for the first time in over a year, not

Jean-Olivier Dalphond, President of PixMob, took up the story:

to mention reaching their first Stanley Cup Finals since

“When the Stanley Cup came around and things began to advance in

1993, the Montreal Canadiens were keen to give those

terms of restarting after the lockdowns, as we’re based in Montreal,

lucky enough to be at the Bell Centre an experience they

we decided to reach out to the Canadiens and they were really keen

would never forget.

for us to help out. So, in the space of 30 hours, we signed a deal and

This led to the team enlisting the help of PixMob, a Montreal-

implemented what we needed to in the arena.”

based, worldwide innovator of immersive crowd experiences, with

The Canadiens asked PixMob to help the Bell Centre seem full, with

the aim to design a one-of-a-kind, captivating shared experience

restrictions in Canada at the time limiting crowds to just 3,500,

for the 3,500 fans in attendance and the millions cheering on from

which is certainly an issue for the Bell Centre and its capacity of

home - making the limited-capacity arena feel full and helping

over 21,000.

unite the fanbase that had been starved of live hockey since March

Jean-Olivier and his team saw this as the perfect opportunity to

2020.

utilise PixMob’s new NOVA pixel technology – the latest in a long

Given that it was the Canadiens’ first trip to the Stanley Cup Finals

line of innovations that give production managers the ability to

in nearly 30 years, there was no better time for the first-time

create unforgettable moments of shared human connection. Jean-

collaboration between two of Montreal’s finest.

Olivier explained further: “Like most of us in the industry, when the

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LIGHTING

pandemic started to take effect, we had to pivot. The choice

lighting designer, who is based in Sweden, made good use

was to put everything on pause until it was all over or fight

of the time difference. Then, once he was finished, we

our way out. We chose to use innovation to find our way out

programmed everything in Montreal and got the Novas on

and develop a new way of doing business.

the seats,” said Jean-Olivier. “We used the technology as

“We looked at what we could do in a world where venues

due to the long battery life.”

seats to replace the visitors that would normally be there.

Having kicked off at Game 3 of the semi finals series against

This was NOVA, which fills arenas with light to offer that

the Vegas Golden Knights, the PixMob in-game displays

much-needed presence.”

continued to run through the entire Stanley Cup Finals, which

With the brightness of ten PixMob wristbands, the NOVA can

included a variety of high-energy effects for key moments,

illuminate empty seats and displays even better on a live

such as the game opening, national anthems and goal

broadcast. Just as the NOVA was developed, live events were

celebrations, as well as branded moments for the sponsors.

coming back and production teams were looking to put on

Jean-Olivier furthered: “It really was a great collaboration

something extra special for the return, which was perfect

- and what made me happy was the fact that the Canadiens

timing for both PixMob and the Canadiens.

trusted us. They told us that they knew what we could do and

“We put 5,000 NOVAs on the seats at Bell Centre, so, in terms

believed in our reputation, so we were determined to deliver

of light, with the 3,500 fans also having wristbands, it was

on that.

as if there were 53,500 bands. It really did make the venue

“We’ve illuminated the world’s biggest sporting events and

seem full and it looked great on broadcast, too,” added Jean-

some of the highest-grossing musical tours of all time, but

Olivier.

working with our hometown Canadiens at the Stanley Cup

The work was literally completed overnight by the PixMob

Finals is extremely special to us.”

team, with each section programmed to create a canvas that

Jon Trzcienski, VP Marketing at Montreal Canadiens,

could be triggered to create waves and movements all around

concluded: “We had empty seats, which could have been a

the venue.

negative, but PixMob is turning that into an advantage. We’re

“We had the plans from the client and, overnight, our

glad to work together on this.”

BRAND: PixMob | WEBSITE: www.pixmob.com

046

often as we could during the game, which was no problem

are empty and we then designed a light that could be put on

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Host Venue: Liverpool FC’s Anfield Stadium

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LIGHTING

NCAA MARCH MADNESS Indianapolis, USA Images: Bill Brennan & Paul Hoffman

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he National Collegiate Athletic Association

The BMFL Spots were positioned around the field of play, the

(NCAA) 2021 March Madness tournament is a

pitch perimeter and along the team benches to add ambient

single-elimination college basketball tournament

‘fallout’ light for the matches, as well as the performance by

played each spring with 68 teams competing

Miley Cyrus, which was staged during the men’s Final Four

for the national championship. It has been lit – seven

section.

courts across six venues in total – for the last three years by

Bill chose BMFL Spots due to their “brightness, predictability,

renowned broadcast live events specialist, Bill Brennan.

cold consistency and uniform flat beam field,” as well as

The 2021 Final Four was staged at the Lucas Oil Stadium

their “exceptional performance and reliability.”

in Indianapolis, USA, with Bill specifiying 60 Robe BMFLs

The lighting was programmed by Paul Hoffman using a MA

- a combination of BMFL Spots and BMFL Blades - for the

Lighting grandMA2.

supplemental rig this year, which were supplied, together

“They are solidly designed and built, frequently requested by

with other lights, by Nashville-based Pulse Lighting, whose

designers and the support from Robe North America is good,”

Paul Hoffman was also the event’s lead lighting programmer.

Paul added.

Pulse has been working with Bill since 2007 on a diversity

Paul was one of seven lighting crew working on the NCAA

of sporting events. Naturally, everyone was delighted to be

event. Joining him at the Lucas Oil Stadium were crew chief,

back working at this year’s March Madness after the many

Andrew Smith, plus Dan Grabus and Ryan Chesney. Pulse also

challenges of 2020.

supplied equipment for another venue, the Indiana Farmer’s

Bill’s main consideration for lighting the Lucas Oil Stadium

Coliseum, which was crew chiefed by Alex “Herm” Schneider

was to successfully transform it from a professional football

who was also the programmer / operator, working alongside

venue to a premium basketball court, as well as to satisfy

Joel Surbe and Shane Beasley.

the needs of multiple media organisations, with the event

As basketball fans themselves, to work with the NCAA on the

attracting intense coverage.

Final Four is “always an honor” Paul enthused, but, apart

To assist with this, in addition to the stadium’s in-house

from that, this particular year, they were thrilled and felt a

lighting rig, a serious number of high-powered fixtures were

huge sense of pride and accomplishment in being one of a

required, with Bill choosing the BMFL Spots.

very small number of lighting companies to supply a sizeable

The biggest challenges were balancing the backgrounds and

project.

properly managing the daylight spill from the venue, which

“Not only was it critical to our bottom line, but it was just

has a retractable roof and a large retractable window at one

fabulous to be able to call up some crew and offer them

end, allowing play both indoors and outdoors.

work!” Paul concluded.

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25

YEARS

YOUR PARTNER FOR STAGE & STUDIOLIFTING EQUIPMENT

1996

2009

Founding of CHAINMASTER GmbH

XYZ-Control acc. to EN 61508 SIL3 Premiere of VarioLift Series

2020

1998 CHAINMASTER GmbH •

New D8Plus Ultra Series

•

Launch of CHAINMASTER Image film

2021

• WWW.MONDOSTADIA.COM

049

AUDIO

OLYMPISCH STADION Antwerp, Belgium Images: FACE – Robbe Boone

A

ntwerp’s Olympisch Stadion was originally built as the main location of 1920’s Summer Olympics, however, it remains one the city’s landmarks today, as it is now home to Jupiler Pro League team, K.Beerschot V.A.

Despite its rich heritage, the Olympisch Stadion needed a revamp of its audio system, which had become outdated. The club called on audio experts PFL and FACE PROJECTS to help with upgrading the technology.

Steven Kemland, Manager at FACE PROJECTS, spoke to MONDO | STADIA about how the project first began for his team: “We were actually contacted by a dealer about this project around 10 years ago, but, as often happens, it didn’t come to anything for many reasons. Then, ten years later, we had the same request for a new audio system at the venue, so I had the information and images from my initial visit, which allowed us to make an offer.

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051

AUDIO

052

“PFL – one of our preferred dealers - came to us for advice

FACE PROJECTS chose three Powersoft’s Quattrocanali 8804

on their design and budget in reference to renewing the

DSP + Dante to drive the 25 Martin Audio CDD15-WR and 17

stadium’s existing sound system, which was about 25 years

CDD10-WR - which are used as delay - loudspeakers. This is

old at the time. Beerschot wanted to have an installation

controlled via a Dynacord Matrix made up of an MXE5 mix

to improve quality of speech and to be able to play a good

engine and a pair of TPC-1 touch panel controllers, as well as

ambient sound; the latter of which was not really possible

Van Damme LSZH loudspeaker cables.

with the old system. From the first design, we were able

“We love Powersoft and the people involved,” explained

to answer all their questions within the budget they had in

Steven. “We know that this great range of products can

mind, so we were not forced to make any back-up plans.”

serve all projects in a very professional way. Between the

“I spoke to the stadium owners about the plans – I think

Quattrocanali, Ottocanali, Mezzo, and T Series, we have

there were one or two other offers on the table, too – and

solutions for everything, from very simple projects to more

they came back after a few weeks and wanted to go ahead

complex installs. With the Quattrocanali 8804, you have a lot

with us.”

of power, on-board DSP, and Dante, all in compact format;

The new audio system needed to transmit both speech and

not only regarding size of the unit, but the necessary current

energising music, with volume and fidelity key aspects in

and cooling too. To have all of this – for a price you can

setting the right ambiance, allowing both the spectators and

defend to a client – is invaluable to a company like ours.

team to perform at their best.

“Regarding the loudspeakers. I’m a big believer in the CDD

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AUDIO

054

technology from Martin Audio. When you use that range, you

entire system.

need a lot less loudspeakers for a much better dispersion.

“In ArmoníaPlus, you have all the parameters you need to

I’ve been doing the job for 25 years now and, since we started

adjust and secure the system as much as is necessary. In this

to use them five or six years ago, they have been the best

project, it was strange to be able to replace a complete 42-

loudspeakers for us – they make a big, big difference.”

unit rack filled with 20-year-old amplifiers with just three

The new system is also useful for security support in crowd

units and still have the 12 zones in the stadium with a total

control and public address applications, thanks to its easy-

power of 20,000W,” said Steven.

to-use zoning capabilities via the pre-programmed TPC-1

To ensure the team was prepared for special events, an

touchscreens that communicate with the Dynacord MXE5

external connection port with a Radial Engineering interface

Matrix processor.

has been installed near the field to be able to plug analogue

The team made good use of Powersoft’s proprietary

signals into the Dante network and use the main sound

ArmoníaPlus software, too, which they used to tune the

system without any hassle.

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MANICA

Lead Design Architect of Allegiant Stadium, Las Vegas, NV

manicaarchitecture.com

AUDIO

Although the technical design was completed by FACE PROJECTS on behalf of PFL, both teams worked together on installing the new setup, and support and maintenance will be followed up solely by PFL. With the new audio system in place, Beerschot are ready for the new season and, eventually, a stadium packed out with fans.

“The stadium won’t be at full capacity until September, but everyone at the smaller capacity games so far has been really happy with the new system,” Steven added. “The club are delighted with the finished result and how it is working – we made it very easy to operate. Overall, this has been a great project and all of us are very proud with what we’ve achieved.”

BRAND: Powersoft, Martin Audio, Dynacord, Van-Damme | DESIGNER: FACE PROJECTS | INSTALLER: PFL | WEBSITES: www.powersoft.com, www.martin-audio.com, www.dynacord.com, www.van-damme.com, www.face.be 056

WWW.MONDOSTADIA.COM

Image credit: Ralph Larmann

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AUDIO

ETIHAD ARENA Abu Dhabi, UAE Images: Creative Technology Middle East

C

058

reative Technology Middle East (CTME) have

As the venue will be hosting a wide range of events, the

recently delivered a complete L-Acoustics touring

design had to consider multiple configurations to suit various

system at Etihad Arena in Abu Dhabi ahead of

productions from indoor concerts to sporting events and

their first large live event. Etihad Arena is the

much more.

largest state-of-the-art indoor entertainment venue in the

Craig Harvey, CT’s Systems Integration Project Manager,

Middle East and is set to bring a wide range of new and

explained further: “CT delivered the L-Acoustics system on

exciting events to the capital.

behalf of the arena, verified, tested, installed and calibrated

CTME are an Approved Calibration Centre (ACC) and Certified

the equipment, making sure the system was responding as

Partner Integrations (CPI) for L-Acoustics and one of only

per the design.”

three companies in the world to have this privilege, making

As part of the L-Acoustics system, CT also installed a delay

them the ideal integration provider for this project.

system consisting of five hangs of six KARA loudspeakers,

CTME worked closely with L-Acoustics during the modelling

which was designed to work alongside any configuration.

of the system based on CAD drawings supplied by the Arena.

The complete L-Acoustics touring audio system consisted

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of 36 K2 and 30 KARA loudspeakers, 12 K1-SB and 16 KS28

equipment procurement through to installing and configuring

subwoofers, 11 LA-RAK II, complete with 43 LA12X Amplified

the system, providing our clients with high-quality equipment

Controllers.

accompanied by professional engineers who understand how

The signal transportation was handled over an Optocore

to use it and maximise the system potential. Our ability to

system, and all networking was taken care of with Luminex

simulate these system designs before installation allows our

Switches.

clients to visualise the final result before making a purchase.”

Craig added: “The networking gave us the capability of being able to transport analogue, AES or ABV signals to all the amplifiers.

“CT offers a complete installation service from design and

BRANDS: L-Acoustics, Optocore, Luminex | INSTALLER: Creative Technology Middle East | WEBSITES: www.l-acoustics.com, www.optocore.com, www.luminex.be, www.ct-group. com/me/ WWW.MONDOSTADIA.COM

059

mondodr.com | mondostadia.com | mondodrawards.com/emea-apac | mondodrawards.com/americas | mondostadia-agora.com

19 EXTRA TIME

VENUE TECH DIRECTORY 062 Latest Tech For Sporting Venues

FULL TIME 064 Secure Logiq

EVENT DIARY 066 Conferences & Exhibitions

VENUE TECH DIRECTORY A closer look at some of the latest, state-of-the-art technology for sporting venues.

VENUS CONTROL SUITE DAKTRONICS www.daktronics.com/venus •

• •

•

•

The latest update provides centralised control for scheduled content on both LED and LCD displays in indoor and outdoor spaces.

Organisations can save time and money by scheduling content for multiple displays in one place.

It provides instant software updates via the cloud, and Daktronics hosts the Venus Control Suite software on one of the most secure data centres in the world.

Operators have the ability to schedule messages for special promotions and products according to brand, region, daypart or special events.

Operators can also opt to add content from multiple thirdparty sources.

SEATING SOLUTIONS IRONHIDE www.ironhideseating.com • • • • •

IS SERIES WEATHERIZED ADAMSON www.adamsonsystems.com •

•

•

062

Compact line array, point source loudspeakers and subwoofers designed for use on cruise ships, in stadia and other outdoor permanent installations that face extreme weather conditions.

The IS Weatherized includes the same audio performance as the trusted IS Series, but features structural steel elements that are made of a high yield strength stainless alloy that offers 100% corrosion resistance. These new models also include an interior and exterior coating with a distinctive smooth finish that provides a water resistant seal and allows for easy cleaning and removal of dirt, grime, salt water or sand.

Cabinets are rated to IP55 while connectors are rated to IP68.

WWW.MONDOSTADIA.COM

On-site stadium seat colour refresh / colour restore.

Transform stadium seating without the high cost.

70% savings or more vs. replacement, depending on type of service needed.

No disassembly required.

Worldwide service. Offices; Tampa, London, Malaysia / Singapore.

VENUE TECH DIRECTORY

GRANDMA3 ONPC RACK-UNIT MA LIGHTING www.malighting.com •

• •

• •

The 19-inch grandMA3 onPC rack-unit is a perfect lighting control solution for fixed installations, or for a reliable grandMA3 lighting control system backup solution.

It can also be implemented as a stand-alone lighting control system for shows that run automatically.

The latest grandMA3 onPC software version 1.5 is already pre-installed on a powerful computer so all the features and software functionality of the grandMA3 console are at hand.

All relevant connections, DMX out/inputs, MIDI in/out, Timecode and DC remote for direct use are already built in.

It is possible to combine the grandMA3 onPC rack-unit with a grandMA3 onPC command wing and/or up to two grandMA3 onPC fader wings to control or pre-program a show.

CV568 AND CV368 MARSHALL www.marshall-usa.com • • • •

•

New global shutter CMOS technology.

Genlock tri-level sync feature allowing for seamless transitions between cameras with minimal amount of delay.

Larger physical pixel sizes allow for greater accuracy of color and clarity even in low-light applications.

Marshall Compact Cameras are cut from individual aluminum alloy blocks, designed with rear I/O connector protection, solid 1/4-inch-20 mount type, and flexible interchangeable lenses.

Suitable for; Broadcast, Production, Sports, Racing, Newscast, Weathercast, Live Events, Aerospace, House of Worship etc.

RX II DISGUISE www.disguise.one • • • • •

40% more graphics processing power than the rx, the rx II is powered by the latest Nvidia A6000 GPU. Create larger and better quality environments with the powerful RAM. Smooth, real-time workflow with seamless connections to Unreal Engine and other engines.

The ability to deliver high fidelity graphics safely by distributing rendering power across multiple render nodes.

RenderStream protocol enables the rx render engine and vx1 and vx2 media servers to work in unison to create high-fidelity, low-latency xR workflows. The first year RenderStream license is included with your rx II.

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063

SECURE LOGIQ As venues finally start to reopen their doors for the first time in nearly two years, surveillance technology will be under serious pressure.

Storage is a vital element for security systems and ensuring every component is in optimum condition can be the difference between welcoming fans through the turnstiles and not. www.securelogiq.com

ith many stadia now starting to open their doors to large crowds again, their security and surveillance systems are going to be used to their full capacity for the first time in the best part of two years. These systems will have been operational during that time, but not driven to their full capability. Every component of these solutions is vital to the smooth operation of a match day, and any failure can be catastrophic.

However, some elements are easier to check and maintain than others.

The most obvious element of any surveillance system is the cameras, with literally hundreds of these dotted around every part of a stadium.

Every camera feed can be checked manually ahead of time and any problem assessed and fixed. At the other end of the scale, one element that is harder to test but just as vital is the storage solution for the CCTV feeds.

“There is nothing more data intensive than video, other than multiple streams of HD video,” explained Robin Hughes from Secure Logiq, a UK-based manufacturer of servers designed specifically for the demands of the surveillance industry. “In a stadium application, you are talking about hundreds of these streams from every area of the venue. That is a huge amount of data, and with storage retention times running from 30 days typically up to six months and longer in some regions, it’s little wonder that stadium surveillance systems have traditionally required racks of dedicated servers just to keep up with the demand.”

However, this concept is changing. As technology has advanced, the amount of data you can store on hard drives and servers has risen exponentially.

For example, you can now find servers with storage capacity measured in Petabytes. This means that you can now meet the performance and storage needs of a stadium CCTV system with much fewer servers.

“We recently worked with an integrator on a football stadium project where we helped to upgrade the storage capacity for their surveillance

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system,” recalled Robin. “Five or six years had passed since the initial installation and the main hardware components of the CCTV system were fine as things like the cameras and video management system had been constantly upgraded to the latest firmware. But by looking purely at the servers, we were able to give them six times more storage and processing while reducing the amount of physical units from 12 servers to just two. In addition to this, the upgrade gave them massive improvements in recoding, viewing, power saving and saving rack space.”

The significant reduction in servers provides a reduction in the total cost of ownership for a surveillance system, meaning system redundancy can easily be added and IT-centric monitoring tools should be deployed.

“Regardless of the build quality of a server, over a long enough timeline some component failures are inevitable,” Robin explained. “Hopefully most enterprise CCTV applications will have some resilience built in, but the importance of monitoring the health of these systems can not be underestimated.”

The way that Secure Logiq’s customers can do this is with the manufacturer’s Logiqal Healthcheck Pro solution – a CCTV-centric cloudbased hardware monitoring and alerting utility.

The system was designed to monitor critical components in Secure Logiq hardware and raise an alert in the event that something unexpected was occurring. It offers a complete suite of management tools that enable integrators to ensure, at a glance, their global customer CCTV estates are secure, optimised and fully operational at all times. Visual confirmation based around a simple to understand traffic light system confirms the operational status of every customer site. This can be displayed either as icons or shown live on a map and allows the security network and server hardware to be monitored from a single screen.

Using this kind of monitoring tool means that any issues that are detected can be dealt with during quieter periods, rather than putting matchday

operations at risk. “Pre-emptive maintenance can reduce the need for emergency call outs and, when managed effectively, can eliminate unforeseen downtime on a security system something that is particularly important for a matchday,” stated Robin. “For instance, a high temperature for the server would not present any immediate risk to the overall solution.

However, if unaddressed for a period of time it could potentially lead to a system or component overheating which in turn increases the possibility of critical server failure. By monitoring the situation, the problem can be resolved during a quiet period for the stadium, rather than creating a potential security incident when there are 40,000 people waiting to come through the gates.”

A further reason to keep existing solutions in a good working order is the current global scarcity of the components required for building servers.

“There is currently a large supply gap for silicon chips that every industry is feeling right now,” said Robin. “But further to this, different forms of mining for cryptocurrencies also means there is a shortage of GPUs and hard drives. Those that are available are at massively inflated prices, so replacing damaged equipment currently could be an expensive option. Having monitored the situation closely and seen the trend, we have stocked up in advance and Secure Logiq is currently using every means available to source new hard drives and GPUs to make sure we continue our record of supplying every project within 10 days.”

The combination of the increased pressure put on CCTV solutions as stadia welcome sell-out crowds again and the reduction in the availability of components means system maintenance has never been more critical. Monitoring the health of your servers means you can prevent problems from occurring and keep your crowd safe and secure at all times.

www.securelogiq.com

FULL TIME

Jaanus Jagomägi

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065

EVENT DIARY 2021

ALSD 2021 15th - 17th August, Las Vegas alsd.com

NAB Show 10th - 13th October, Las Vegas nabshow.com

ESSMA Summit 2021 8th - 9th November, Turin essma.eu

ALSD International 6th - 7th September, Liverpool alsdinternational.com

Sport Production & Technology Summit 2021 28th October, London svgeurope.org

IBC 2021 3rd - 6th December, Amsterdam show.ibc.org

World Football Summit 22nd - 23rd September, Madrid worldfootballsummit.com

InfoComm 2021 23rd - 29th October, Orlando infocommshow.org

SPORTEL Monaco 5th - 7th October, Monaco sportelmonaco.com

Congreso de Fútbol de las Americas 27th - 28th October, Costa Rica congresofutbolamericas.com

Redefining the Stadium Experience

SMALL

FORM FACTOR

BIG

IMPACT

MEDIORNET FUSION 3 & 6 • Standalone IP Converter & Multiviewer • Miniature SFP frame for UHD / HD / SD • Installable close to signal sources or destinations • For full IP or IP-SDI hybrid solutions

SDI

IP Gateway App J2K/JXS

MULTIVIEWER 16 x 1

JPEG-2000 / JPEG-XS En- / Decoder Apps

DIGITAL SIGNAGE

16x1 / 9x1 / 4x1 MultiViewer Apps

FUSION 6

CONNECTIVITY HDMI ETHERNET FIBER SDI

FUSION 3

IP VIDEO

SOFTWARE-DEFINED

DISTRIBUTED

SCALABLE

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/VIDEO