Cannes Issue

from Cannes

by Visionnaire MM

MORALMODA

MAGAZINE

Exclusive cover-story: Jessica Jung

CANNES ISSUE/26

xclusive coverage from Cannes Film Festival and Dior Ball in Venice

Jessica Jung at Cannes Opening Night Photographs by Patrick Sawaya

Interview with Shalini Passi, the Founder of the Shalini Passi Art Foundation

Feng. J new Haute Jewellery Collection 'Garden of Impressionism'

MORALMODA | MAGAZINE

G A R D E N O F I M P R E S S I O N I S M

Paris - Shanghai 2019 novelties

Watch for Egypt - fine watch auction by Baume &Mercier to aid 20,000 children in school

F E N G . J H A U T E J O A I L L E R I E

1 6 , P l a c e V e n d ô m e P a r i s

W W W . F E N G - J . C O M

TABLE OF CONTENTS 10

1226

1425

ED. LETTER

CANNES

"CHARITY CLOSETS"CANNES

VENICE

TRAVEL

FENG. J

ART-STORY

Editor's Letter

Cannes Red Carpet - Piaget's new High Jewellery

Natalia Vodianova's new philantrophy project

The Opening Night with Jessica Jung in Rami Kadi Haute Couture and Chopard High Jewellery

Feng. J Haute Joaillerie 2019 Paris - Shanghai

In interview with Shalini Passi the Founder and Director of the Shalini Passi Art Foundation

Dior recreates the Ball of the Century

Burbiškio Manor - an oasis of in Lithuanian country side

SUBSCRIPTIONS OR PRE-ORDER PLEASE DIRECT ALL SUBSCRIPTION INQURIES AND ORDERS TO EMAIL: DESIGNERSYOU@YMAIL.COM. or by WhatsApp, Instagram DM or directly to: Telephone: +46767012609

MORALMODA MAGAZINE is World’s first publication dedicated to sustainable luxury & art; with exclusive interviews and luxury news from world's top luxury destinations. Teams in Dubai, Geneva, Los Angeles, New York, Istanbul, London and Paris, Main Office: Geneva, Switzerland, to view all published issues online go to Webpage: www.issuu.com/moralmoda Unique visitors at web-site March 2019 123589. Layout: Canva Design Print: Majornas Grafiska Copyright 2019.NERMIN AHMET EDITOR-IN-CHIEF - EMRE ERTURK LIFESTYLE EDITOR - PHAM N. DIEP DESIGN DIRECTOR - MEMET KARAYEL EXECUTIVE EDITOR - INAL ONURMEN ART/GRAPHICS DIRECTOR - POUL-ERIK LIMQUIST DEPUTY EDITOR - LARS NILSEN CONTENT STRATEGIST - ANWAR SUNALLAH AD OPERATIONS, DUBAI, UAE - MARWAN HAFFAR RESEARCH EDITOR - WAEL ALTEEN DIGITAL PUBLISHING - ISSUU, INC. PREIDENT JOE HYRKIN, PRESIDENT ROLF USSING, JOHN ST URINO, VP OF PRODUCT MANAGEMENT AND OPERATIONS, E RIK JUHL VP OF ENGINEERING, PALO ALTO, CA, OFFICES IN COPENHAGEN, BERLIN AND NEW YORK CITY.

M o r a l m o d a M a g a z i n eh

T h e P r e m i e r e o f Q u e n t i n T a r a n t i n o ' s F i l m , " O n c e U p o n a T i m e … i n H o l l y w o o d " , T u r n s R e d C a r p e t i n C a n n e s i n t o B l a z i n g l i g h t o f S t a r s a n d D i a m o n d s

P I A G E T D A N C I N G W A T E R S E A R R I N G S E a r r i n g s i n 1 8 K w h i t e g o l d s e t w i t h 3 p e a r - s h a p e d d i a m o n d s a p p r o x . 1 . 1 7 c t s a n d 6 3 b r i l l i a n t - c u t d i a m o n d s a p p r o x . 3 . 3 7 c t s . G 3 8 Q 2 0 0 0 ( r i g h t )

P i a g e t ’ s w a t c h e s a n d u n i q u e j e w e l l e r y c r e a t i o n s a t t h e r e d c a r p e t w i t h a t t e n d i n g D o u t z e n K r o e s s u p e r - m o d e l / p h i l a n t h r o p i s t , s p a r k l e d i n P i a g e t H i g h J e w e l l e r y . S h e c h o s e t o w e a r a r i n g i n w h i t e g o l d w i t h 1 o v a l - c u t y e l l o w d i a m o n d ( a p p r o x . 2 . 7 7 c t s ) s e t a m o n g a n a r r a y o f m a r q u i s e a n d b r i l l i a n t - c u t d i a m o n d s .

P I A G E T B L A Z I N G L I G H T S E A R R I N G S E a r r i n g s i n 1 8 K w h i t e g o l d s e t w i t h 1 0 p e a r - s h a p e d r u b i e s ( M o z a m b i q u e ) : a p p r o x . 5 . 3 6 c t s a n d 8 1 b r i l l i a n t - c u t d i a m o n d s : a p p r o x . 2 . 6 8 c t s U n i q u e C r e a t i o n G 3 8 Q 3 0 0 0

P I A G E T B L A Z I N G L I G H T S N e c k l a c e i n 1 8 K w h i t e g o l d s e t w i t h 3 1 p e a r - s h a p e d r u b i e s ( M o z a m b i q u e ) : a p p r o x . 2 4 . 9 8 c t s a n d 7 1 5 b r i l l i a n t - c u t d i a m o n d s : a p p r o x . 2 4 . 7 9 c t s . U n i q u e C r e a t i o n w o r n b y N I C H A P A T S U P H A P . ( G 3 7 N 8 9 0 0 )

A m e r i c a n a c t r e s s M i c h e l l e R o d r i g u e z d a z z l e d i n a P i a g e t H i g h J e w e l l e r y n e c k l a c e i n w h i t e g o l d s e t w i t h d i a m o n d s ( a p p r o x . 1 7 . 2 0 c t s ) a n d a n e l e g a n t p a i r o f e a r r i n g s i n w h i t e g o l d w i t h 2 p e a r - s h a p e d d i a m o n d s ( a p p r o x . 2 . 0 3 c t s ) s e t a m o n g v a r i o u s p e a r - s h a p e d , m a r q u i s e - c u t a n d b r i l l i a n t - c u t d i a m o n d s . S h e w a l k e d t h e r e d c a r p e t n e x t t o S a u d i f i l m p r o d u c e r a n d p h i l a n t r o p h i s t M o h a m m e d A l T u r k i , F r i e n d o f t h e P i a g e t B r a n d , w h o w o r e a P i a g e t P o l o w a t c h i n r o s e g o l d . T h a i s t y l i s t N i c h a p a t S u p h a p i m p r e s s e d t h e c r o w d i n a c o l o r f u l s e t o f P i a g e t H i g h J e w e l l e r y n e c k l a c e a n d e a r r i n g s i n w h i t e g o l d s e t w i t h r u b i e s ( p l e a s e s e e l e f t ) .

P I A G E T W H I T E T I T A N O T A E A R R I N G S E a r r i n g s i n 1 8 K w h i t e g o l d s e t w i t h 2 p e a r - s h a p e d d i a m o n d s ( F - V V S 1 & 2 ) : a p p r o x . 2 . 0 3 c t s ; 6 p e a r - s h a p e d d i a m o n d s : a p p r o x . 0 . 9 0 c t ; 6 m a r q u i s e - c u t d i a m o n d s : a p p r o x . 0 . 4 2 c t a n d 5 2 b r i l l i a n t - c u t d i a m o n d s : a p p r o x . 0 . 5 5 c t G 3 8 Q 4 4 0 0

P I A G E T P O L O W A T C H P i a g e t P o l o w a t c h , C a s e i n 1 8 K r o s e g o l d . D i a l i n 1 8 K r o s e g o l d . S a p p h i r e c r y s t a l c a s e b a c k . M a n u f a c t u r e P i a g e t 1 1 6 0 P a u t o m a t i c m e c h a n i c a l m o v e m e n t w i t h c h r o n o g r a p h a n d d a t e . G 0 A 4 3 0 1 1 ( a b o v e )

a n n e s F i l m F e s t i v a l - T h e O p e n i n g N i g h t

J e s s i c a J u n g ' s l a t e s t R e d C a r p e t A p p e a r a n c e i n R a m i K a d i H a u t e C o u t u r e a d o r n e d w i t h C h o p a r d H i g h J e w e l l e r y

J e s s i c a J u n g i n R a m i K a d i H a u t e C o u t u r e w h i t e o s t r i c h f e a t h e r a n d m i r r o r e m b e l l i s h e d g o w n , s t y l e d w i t h C h o p a r d H i g h J e w e l l e r y .

Aline

J E S S I C A J U N G S T Y L E D B Y S W I S S M A I S O N C H O P A R D H A U T E J O A I L L E R I E A N D R A M I K A D I H A U T E C O U T U R E . A L L I M A G E S C O P I R I G H T B E L O N G T O M A I S O N C H O P A R D A N D P H O T O G R A P H E R P A T R I C K S A W A Y A .

T h i s y e a r , t h e S w i s s M a i s o n C h o p a r d - t h e m a i n s p o n s o r o f t h e C a n n e s F i l m F e s t i v a l a n d l u x u r y b r a n d k n o w n f o r i t s s u s t a i n a b i l i t y e f f o r t s ( C h o p a r d m a k e s t h e f e s t i v a l p r i z e P a l m e d ' o r w h i c h i s m a d e f r o m s u s t a i - n a b l y p r o d u c e d g o l d ) h a s a l s o s t u n n e d w i t h n e w H a u t e J o a i l l e r i e c o l l e c - t i o n a s s e e n h e r e w o r n b y t h e e x q u i s i t e l y s t y l e d J e s s i c a J u n g . F o r h e r r e d c a r p e t a t t h e 7 2 n d C a n n e s F i l m F e s t i v a l t h e A m e r i c a n s i n g e r , a c t r e s s a n d f a s h i o n d e s i g n e r o p t e d f o r R a m i K a d i H a u t e C o u t u r e . A l o o k f r o m e a r l y f e s t i v a l d a y s t h a t l a s t s , n o t o n l y s e t t i n g t r e n d f o r t h e r e d c a r p e t i n s o u t h F r a n c e b u t w i l l s t a y i n o u r m e m o r y f o r e v e r t h a n k s t o b e a u t i f u l p h o t o - g r a p h s b y t h e t a l e n t e d f a s h i o n p h o t o g r a p h e r P a t r i c k S a w a y a a t t h e H ô t e l M a r t i n e z ' s C h o p a r d S u i t e .

M o r a l m o d a M a g a z i n e

Moralmod Magazine

Cannes

Red Carpet Highlights

At the opening night of the 72nd Festival de Cannes, the American artist Jessica Jung (as featured in our cover-page) wowed in a white mirror and feather embellished gown by Maison Rami Kadi and stunning Maison Chopard's Haute Joaillerie creations Since its founding in the year 1860, Maison Chopard has perpetuated a heritage of artisanal skills and traditional crafts, with important element of ethics and even the use of sustainable gold.

A1.BV02.A5.X.W1 EMPEROR White Dial - Décalque Black "Grand Feu"

EMPEROR Cobalt Blue Dial

From above left: Leona König, Chairwoman International Music Foundation with her beloved Federico Pastorello, FIFA agent. Jessica Jung American artist photographer by Patrick Sawaya Nadine Labaki, Director and Pres. of Un Certain Regard Jury 2019. (Archive image by Chopard Press 2018. Image by Piaget 2019.

Chopard has served as Official Partner of the Cannes Film Festival since the year 1998, and the Maison is responsible to create the Palme d'Or, film prize, that Caroline Scheufele, the Artistic Director and Co-President of Chopard, personally redesigned and is now made from 'Fairmined' gold, Each year, Chopard shines at la Croisette even as a host to its annual film prize; the Trophée Chopard, ceteris paribus, setting new standard (and trend) across the luxury industries; with projects like the Happy Hearts Collection, in support to the Naked Heart Foundation, founded by Natalia Vodianova.

Moralmoda Magazine

MORALMODA MAGAZINE

In exclusive art story

SHALlNl PASSl

Shalini is an established art collector and artist, who sits on the Advisory Board of Khoj since 2012 and is a Patron of FICA and an important Patron of the Kochi-Muziris Biennale.

www.shalinipassiartfoundation.com www.mashindia.com©

Leona is a lady, always correct in her manners and civil, engaged in our talk with great enthusiasm, not just because we talk about her passion, the Foundation, but also because she genuinely has interest and emphaty towards others. Leona established the Foundation out of great compassion to children obviously, regardless of their social and economic background. Trough her dedicated work, the talented small ones get to perform at the greatest musical stages like the famous Großer Saal in Vienna.

MORALMODA MAGAZINE

Image right: Shalini Passi, Director of the Shalini Passi Art Foundation, and of MASH, (All image copyrights: MASH)

Shalini Passi the Founder and Director of the Shalini Passi Art Foundation

Shalini Passi is recently joined by Dr. Arshiya Lokhandwala as curator of her Foundation. In this interview Shalini shares her dedications with the art foundation and online arts platform MASH.

Shalini Passi is the Founder and Director of the

Shalini Passi Art Foundation, (SPAF) and of MASH (My Art Shalini) - the online arts platform that collapses the hierarchical distinctions between

architecture, art, craft, design, and fashion, by eliciting a rich discourse around creativity in modernity. Shalini - an established art collector and artist, who sits on the Advisory Board of Khoj since 2012 - is a Patron of FICA

as well as an important Patron of the Kochi-Muziris Biennale. Shalini Passi Art Foundation. is conceived as a unique initiative established to support, educate, and encourage innovative work in the arts; it will engage with art, crafts, design, and architecture - attempting to break the hierarchies that exist between them, and enable conversations and collaborations to take place. Now with Dr. A. Lokhandwala as Foundation's curator.

MM:

You

are

actively

involved at prominent art

and design events, across

the globe, but how did you

embrace

world

art

initially?

Shalini: "I Think that I have always had a sense of aesthetic appreciation; I used to paint when I was in school and while in college, and through this practice I learnt to think of artworks in terms of colour, form, and texture."

MM: You just attended charity event organized by Maison Christian Dior and Tiepolo Ball di Venezia - what is it that fascinates you about Venice and Italy, and can you draw any parallels to India?

Shalini: "Italy and India have much in common: we both possess a vibrant culture and we both celebrate our rich heritage - specifically, the traditions that continue to inform and influence contemporary arts practices today.

I am fascinated by the diversity of Italy's regional arts traditions, from glassblowing in Murano, to painting in Siena, architecture in Rome, and now fashion in Milan; this very much reminds me of India. Here, we greatly value the legacy of craftspeople from Rajasthan, Gujarat, Varanasi - to name just a few. It's so important to celebrate these distinct forms of cultural expression, and to find ways to keep them alive.

India and Italy also share a great history of arts patronage and giving. While the recent recreation of the infamous Tiepolo Ball (known informally as the "party of the century") was a glamourous and opulent event, more importantly, it in was held in aid of an extremely important cause - the restoration of Venice’s architecture and cultural heritage."

"For me, the highlight of this year's edition of India Art Fair was the introduction of the new performance art programme, which featured the artists Mithu Sen, Amol Patih, Sajan Mani, Sahej Rahal, and Yasmin Jahan Nupur."

but also partly inspired by the movement of the linear patterns of Japanese prints. Art Nouveau is about creating a fusion between structure and ornament; the organic line that characterised this style was employed across architecture, interior design, jewellery, glass design, posters, and illustration. This multidisciplinary approach to creativity -

MORALMODA MAGAZINE 20

- taking an idea and experimenting with it through different media - is still so relevant today, and something that I seek to promote through my online arts platform MASH."

Image above: Shalini Passi, Founder, ShaliniPassi Art Foundation& MASH

Morlamoda Magazine I 25

"India and Italy also share a great history of arts patronage and giving. While the recent recreation of the infamous Tiepolo Ball (known informally as the "Party of the Century") was a glamourous and opulent event, more importantly, it in was held in aid of an extremely important cause - the restoration of Venice’s architecture and cultural heritage."

Shalini Passi, Director of the Shalini Passi Art Foundation

Dior recreates the Ball of the Century

CO-HOSTING CHARITY SOIREE WITH THE NON-PROFIT VENETIAN HERITAGE FOUNDATION

Images: left to right; Chairman of Venetian Heritage Foundation Peter Marino and co-host of the evening with guests Shalini Passi - Director of the Shalini Passi Art Foundation. Image below: Amin Jaffer, art curator.

Maison Dior and the Venetian Heritage Foundation cohosted their own version of Tiepolo Ball, celebrating the opening of the Venice Biennale 2019. Dior's opulent charity dinner will benefit the restoration of Venetian cultural heritage sites. Discerned guests, arriving from across the globe, were customized by two Venetian houses-Rubelli and Bevilacua-reviving the legendary lavish Tiepolo Ball, which became known as the “Party of the Century”, it was held in the same frescoed ballroom of Venice’s Palazzo Labia, (famed for its beautiful frescoes of Giambattista Tiepolo), Dior's opulent soiree, arranged by Maria Grazia Chiuri - so perfectly Italian, will not only help to preserve Venice's historic landmarks, but as the international jet-set arrived in boats on the city’s famous canals, the ball evoked key themes of this year's Venice Biennale too, namely the issues of open-borders and immigration.

Image above: Co-host of the Dior Ball Peter Marino in black costume with Director of the Shalini Passi Art Foundation.

This article is from:

Cannes