2020 July 14 & 15 Fine & Decorative Arts

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Quality

COLLECTIONS Fresh to the Market.

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AUCTION Details

AUCTION LOCATION: Morphy Auctions 2000 N. Reading Rd Denver, PA 17517 877-968-8880

LODGING:

APPROXIMATE AUCTION TIMES

Auctioneer sells approximately 80-100 lots per hour.

TUESDAY LOTS 1,000 - 1,080 10:00 AM 1,081 - 1,160 11:00 AM 1,161 - 1,240 12:00 PM 1,241 - 1,320 1:00 PM 1,321 - 1,400 2:00 PM 1,401 - 1,480 3:00 PM 1,481 - 1,560 4:00 PM 1,561 - 1,640 5:00 PM 1,641 - 1,669 6:00 PM

WEDNESDAY LOTS 2,000 - 2,080 10:00 AM 2,081 - 2,160 11:00 AM 2,161 - 2,240 12:00 PM 2,241 - 2,320 1:00 PM 2,321 - 2,400 2:00 PM 2,401 - 2,480 3:00 PM 2,481 - 2,560 4:00 PM 2,561 - 2,640 5:00 PM 2,641 - 2,662 6:00 PM

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ALL LOTS ARE SOLD BY DESCRIPTION, NOT BY ILLUSTRATION.

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JULY 14, 2020 Tuesday Session | Auction Starts at 10:00am LOTS: 1,001 - 1,669 Items on Display Approximately 4 weeks prior to Auction Date. Please Call to Confirm.

Monday - Friday

9:00am - 4:00pm 9:00am - 2:00pm

Sunday, July 12 Auction Day Preview Begins at 8:00am

∙ 20% BUYER’S PREMIUM ∙ PROV IDED C ERTAI N C ONDI TION S ARE M E T

AUCTIONEERS: Shaye Krispine Angel Lopez Dan Morphy

DIVISION CONSULTANTS: Kelly Kinzle Americana, Folk Art, & American Decorative Arts Consultant

Peter Thomson Antique & Modern Silver Consultant

Ron Ciarmello Arts & Crafts Furniture and Fine Jewelry Expert

James Infante Amphora Pottery Consultant

Dudley Browne Lamp & Glass Expert

John Morphy, M.D. General Antiques Consultant

M o r p h yA u c t i o n s . c o m | 8 7 7 - 9 6 8 - 8 8 8 0

1001 - LADY’S 14K WHITE GOLD DOME-STYLE DIAMOND RING WITH APPRAISAL. Ladies 14K white gold dome-style diamond ring pave-set with 7 rows of round diamonds graduating in size from the center row.

There are 89 diamonds in total, with an approximate total weight of 5.00cts, graded SI1/SI2 in clarity and J/K in color. Estimated retail replacement value $11,000. Ring is accompanied by an appraisal.

Gross weight 9.5 grams. Ring measures 17mm at widest point. Finger size 9.5. (Very Good - Excellent). 3,000 - 5,000 LOT - 1001

LOT - 1002

1002 - LADYS 18K TWO-TONE GOLD EMERALD AND DIAMOND RING WITH APPRAISAL. Ladys 18k white and yellow gold emerald and diamond ring.

Emerald-cut emerald measures approximately 9.2mm x 8.6mm and is AA quality. Gross weight 10.7 grams. Ring has curved outer row of 20 pave-set round diamonds on each side. In between the outer rows on each side is a cut-out diamond shape, pave-set with 16 round diamonds. There are 72 diamonds in total, having an approximate total weight of .72cts. Graded VS2/SI1 clarity and G/H color. Ring measures 13mm at widest point and is finger size 8.5. Accompanied by appraisal. Estimated retail replacement value $23,000. (Excellent).

8,000 - 12,000 1003 - LOT OF 2: 14K GOLD TIFFANY RUBY BROOCH AND RING. Lot consists of a 14K yellow gold Tiffany ruby brooch with 12 full-cut round rubies and 1 - 3/4” pin, and also a 14K yellow gold ruby and diamond ring with approximately 1.50ct total weight of rubies and 5 small diamonds, size 7.5. No damage or repairs. Largest: 2” x 1 1/4” x 1/2”. (Excellent). 800 - 1,500

LOT - 1003

LOT - 1004

1004 - 18K YELLOW GOLD DIAMOND FASHION EARRINGS WITH BROWN GLASS ACCENTS AND VALUATION REPORT. 18K Yellow gold diamond fashion earrings with brown glass accents and 18K white gold closures on back. Earrings can be converted from pierced to non-pierced with hinged posts. Earrings are set with 324 pave-set mixed brown and white diamonds with an estimated total weight of 5.00cts. Each earring is set with 3 bezel-set brown frosted glass accents. Measurements: Drop 1.25” with 2”. Grading: Color E/F, and brown/champagne. Clarity: VS1/VS2. Estimated retail replacement value $10,900. Earrings include rubber pads on clip closure. Gross gram weight 38.3 grams without pads. (Very Good Excellent). 3,000 - 5,000

1005 - 14K GOLD NUDE MALE & FEMALE FIGURAL PENDANT. 14K yellow gold pendant with individually cast nude male and female figures in embrace. Male figure has a soft satin finish while the female figure is polished bright. Measures 33mm tall, or 1-5/16”. Gross weight is 3.2 grams. Marked on bale “Mexico, 14K MM05” with unknown makers mark. (Excellent). 100 - 200

LOT - 1005 6

www.MorphyAuctions.com | July 14, 2020

LOT - 1006

LOT - 1007

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1008

LOT - 1010

LOT - 1009

1006 - LADIES SOLID GOLD & GOLD QUARTZ BROOCH/PIN. Ladies solid gold and gold quartz brooch/pin, Circa 1860. Oval in the center is divided into four partitions; two inlaid with black gold quartz and two with grey. One partition is cracked in the corner, but is completely stable. Floral ends are highlighted with black enamel designs. The yellow gold brooch is decorated with a stippled pattern on top. Overall very good to excellent condition.

Gross weight is 11.0 grams. 2-3/4” L. (Very Good - Excellent). 300 - 800

1008 - LADIES 14K WHITE GOLD 7” MESH DIAMOND BRACELET WITH APPRAISAL. Ladies 14K white gold 7” mesh link style diamond bracelet. Bracelet is set with 277 round diamonds with an estimated total weight of 4.25cts. Graded SI1/SI2 clarity and H/I color. Diamonds are set in 7 offset rows. Bracelet measure 55mm in width and has a gross weight of 23.7 grams. Sliding square barrel-type clasp. Accompanied by appraisal.

Estimated retail replacement value $12,500.

(Very Good - Excellent). 4,000 - 6,000

1007 - LADYS PLATINUM & 18K GOLD EMERALD & DIAMOND PENDANT WITH 14K SNAKE CHAIN AND APPRAISAL. Lady’s platinum and 18k yellow gold emerald and diamond pendant with a 14K yellow gold 18” round snake chain, measuring 1.5mm thick.

Emerald measures approximately 11mm x 10mm with an estimated weight of 5.00ct, and is vivid green in color, SI1 clarity. Estimated diamond total weight .75cts. Graded G color and SI1 clarity.

Accompanied by appraisal. Approximate estimated retail replacement value $28,000. Gross weight 19.7 grams. (Very Good - Excellent).

8,000 - 12,000

1009 - LOT OF 2: 14 K GOLD BRACELETS. Lot of two 14K gold bracelets, the first being 7 1/4”, the second being 7 - 1/2”. 32.1 dwt total.

Largest Length: 7 - 1/2”. (Excellent). 1,400 - 1,800 1010 - LOT OF 2: 14K GOLD WATCH W/BAND AND BRACELET. Lot of two includes a 14K gold watch w/band, 7” long, and a beaded bracelet, 6 - 1/2” long. 31.3 dwt overall, excluding weight of watch. Largest Length: 7”. (Excellent). 1,300 - 1,600

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SEE WEBSITE FOR ADDITIONAL PHOTOS

1011 - 14K WHITE GOLD TANZANITE & DIAMOND PENDANT AND CHAIN W/ APPRAISAL. 14K White gold tanzanite and diamond pendant and chain with appraisal. Pendant consists of one tanzanite center stone with pave-set round-cut accent diamonds. The tanzanite weighs approximately 4.00ct, and is vivid purple in color and VS1 quality. The diamonds are graded G color and SI1 clarity, with an approximate total weight of 0.50cts. Estimated retail replacement value is $7,600.

Gross weight 14.3 grams.

Pendant is an a 16” white gold wheat chain with a lobster claw clasp. (Very Good - Excellent).

2,000 - 3,000

LOT - 1011

1012 - LOT OF 3: 14K GOLD RUBY & DIAMOND NECKLACE, EARINGS, AND RING SET. Lot consists of a 14K gold necklace with approximately 5cts of marquise cut rubies and 1.20cts of diamonds; second, 14K gold earrings with rubies and approximately .1ct diamonds; and third, a 14K gold ring with approximately .8ct diamonds and .7ct ruby, size 7.5. No damage or repairs. Box: 9 - 3/4” x 7 - 3/4” x 1 - 3/4”. (Excellent).

1,200 - 2,500

LOT - 1012 8

www.MorphyAuctions.com | July 14, 2020

LOT - 1013

1013 - LOT OF 2: 14K TWO-TONE YELLOW DIAMOND BRACELET & NECKLACE SET. Lot of 2: Lady’s 14K two-tone, white and yellow gold, invisible-set princess-cut yellow diamond bracelet and necklace set. The bracelet is marked “585 14K NINA-INC.”, consisting of 220 round white diamonds measuring approximately 1.4mm each, with an estimated total weight of 2.20cts, and 44 princess cut color treated yellow diamonds, invisible set in 11 groups of 4 each, measuring approximately 2.5mm each, with an estimated total weight of 4.40ctw. All together the bracelet is set with 264 diamonds with an estimated total diamond weight of 6.60cts. It measures 7.25” in length, 12mm in width, and has a gross weight of 39.5 grams. The necklace is marked “14K AV”, consisting of 351 round white diamonds measuring approximately 1.0mm each, with an estimated total weight of 1.75cts, and 48 princess cut color treated yellow diamonds, invisible set in 12 groups of 4 each, measuring approximately 2.5mm each, with an estimated total weight of 4.80ctw. All together the necklace is set with 399 diamonds with an estimated total diamond weight of 6.55cts. It measures 16.5” in length, 8.5mm in width, and has a gross weight of 57.0 grams. Both pieces are 14K white gold with yellow gold accents, and are in excellent, like new condition. (Excellent). 10,000 - 20,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1014

1014 - 18K WHITE GOLD 4CT FANCY YELLOW DIAMOND RING WITH GIA REPORT AND APPRAISAL. Ladies 18K white gold fancy yellow radiant-cut diamond center and channel-set baguett and round-cut diamonds channel-set all around the shank. The center stone is bezel set, with yellow gold-plated accents to bezel. The center diamond is a 4.03ct radiant-cut fancy yellow color, and is graded VVS1 clarity (GIA report number 2191249353) and the side diamonds are F color, VS1 clarity, with an approximate total weight of 2.50cts. Gross weight 17.5 grams. Approximate estimated retail replacement value is $86,000. Accompanied by an original GIA diamond report, jewelry appraisal and original sales receipt. (Very Good - Excellent). 25,000 - 40,000

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www.MorphyAuctions.com | July 14, 2020

1015 - 14K YELLOW GOLD GYPSY NECKLACE. 21” long with medallions of pretty lady. 79 dwt. (Excellent).

3,000 - 5,000 1016 - 24K GOLD NECKLACE. 24” long, marked “24K .999”.

20 dwt. Length: 24” (Excellent).

1,300 - 1,700

LOT - 1015

LOT - 1016

LOT - 1017

LOT - 1018

1017 - 1805 SILVER DOLLAR. Lot consists of a 1805 Silver Dollar with C.O.A. 8 Reale in very good to fine condition. Framed with paperwork. From the Ray Bentley Collection. 15 - 1/2” x 24” x 2”. 100 - 200 1018 - GOLD PENDANT. Lot consists of a 14 CT Yellow Gold Pendant with Gold Quartz at 2 ½” long. From the Ray Bentley Collection. 300 - 500 1019 - LOT OF 2: VINTAGE JEWELRY PIECES. First is a c.1900 14K yellow gold brooch with octagonal amethyst with deep color, approximately 35ct, 14K yellow gold pendant with loop attachment 1 - 1/2” long. Second is a flying beetle brooch with two green stones, 3 - 3/8” wide and 2 - 1/2” tall.

No damage or repairs. Largest Box: 4 - 1/4” x 3” x 1 - 1/2”.

(Excellent). 400 - 800

LOT - 1019

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LOT - 1020

LOT - 1021

LOT - 1022

LOT - 1023

1020 - RARE 14K YELLOW GOLD MUSICAL FOB. Plays well. 2” tall. No damage or repairs. 1 - 1/2” x 1 - 1/4” x 1”.

(Excellent). 2,000 - 4,000 1021 - RARE 14K YELLOW GOLD THIMBLE AND SCENT BOTTLE. 1” tall and with stopper. No damage. Box: 1 - 7/8” x 1 3/4” x 1 - 5/8”. (Excellent).

1,000 - 2,000 1022 - RARE 18TH CENTURY FILIGREE THIMBLE AND SCENT BOTTLE. 7/8” tall and with stopper. No damage. Box: 1 - 1/2” x 1 1/2” x 1 - 1/2”. (Excellent).

800 - 1,500

LOT - 1024

1023 - RARE 18K GOLD FRENCH ETUI AND SCENT BOTTLE. Small button on front to open.

Instruments include tons, pad, pencil, needle, bobbin and ear wax remover. Top unscrews for scent bottle. Has stopper. 5” tall.

Slight ripples in some of the gold bands. 4 - 3/4” x 1 - 3/4” x 1”.

1,500 - 3,000 1024 - FOUR PIECES OF GEORG JENSEN JEWELRY IN STERLING SILVER. Lot consists of four pieces, all marked “Georg Jensen”: first, a sterling silver and enamel brooch, 2 - 1/2” long; second, a sterling silver brooch, 1 - 3/4” long; third, a pair of sterling silver earrings, 1” long; and fourth, a sterling silver brooch, 1 - 3/4” long. No damage or repairs. Largest: 2 - 1/2” x 2 - 1/4” x 1/2”.

(Excellent). 300 - 600

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LOT - 1025

1025 - LOT OF 3: PIECES OF ANTIQUE JEWELRY. First is a cameo pie, 3/4” dia.; second is a 10k white gold onyx and diamond ring, size 7 - 1/2”; and third, an onyx pin, 1” dia. (Excellent). 200 - 400

www.MorphyAuctions.com | July 14, 2020

LOT - 1026

LOT - 1027

LOT - 1029

LOT - 1028

1026 - RARE VICTORIAN CHATELAIN BY SHAKUDA. Highly decorated with oriental theme, birds, dragons, temples, and flowers. Includes writing pad, pencil, mirror and two perfume bottles.

No damage or repairs. Varies. (Excellent). 800 - 1,500 1027 - LOT OF 2: VICTORIAN CHATELAINE. First is a c. 1870 English gold gilt chatelaine with five accessories, 12” long with thimble holder, scissor holder with scissors, two pin cushions and one pad. Exquisite detail. The second is steel with seven accessories, 14” long, with box, whistle, pencil, eraser, tongs, pad and wax remover. No damage or repairs. L: 13 - 1/2” x 6” x 1”.

(Excellent). 1,000 - 1,500

1028 - LOT OF 2: VICTORIAN POSEY HOLDERS. The first is a silver tripod posey with three medallions of lady playing harp, grapes and floral design. 7 - 1/4” tall. No damage or repairs.

The second is gold gilt with a mother of pearl handle with blue enamel work, which has some losses. 5” tall. L: 7 - 1/2” L x 2” D. 500 - 800 1029 - VICTORIAN HAT PIN, HAIR PINS & BUTTON SET. c. 1890. Enamel and mother of pearl, complete with six buttons, three hairpins - 3”, 1 - 3/4” and 1 - 3/4” long - hat pins on swivel top, 10 - 1/2” long in fitted box by Charles Packer & Co., London, England.

No damage or repairs. Box: 11 - 3/4” x 4 - 3/4” x 3/4”. (Excellent).

500 - 1,000

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1030 - LOT OF TWO ENAMELED COMPACTS. Lot consists of: first, a rectangular silver compact with a stylized leaf design surrounding the sides, along with machine turning on the top, with green enameled center oval, finished with a silver floral design in the center, set with marcasite. The compact is further decorated with green enameled border around the top. Marked on interior with illegible hallmarks, also engraved on inside of lid “Dorothy from Matt’s Mother 11-1-29”. Compact is 3 3/8” x 2”. Second, a round silver compact with machine turning on top and sides, with yellow enamel covering the top and sides.

Stamped on the interior “925”. Compact is 2” dia. First is very good to excellent condition, second has some chips to the enamel on side of lid, otherwise very good.

Larger: 3 - 3/8” x 2” x 1/2”. (Very Good - Excellent). 200 - 400

LOT - 1030

LOT - 1031

LOT - 1032

1031 - LOT OF 9: BAKELITE BRACELETS. Six are expandable, three are bangles. 1” - 1 3/4” links, great colors. Largest: 1 - 3/4” x 3” x 3”.

(Excellent). 400 - 900 1032 - LOT OF 18: BAKELITE ANIMAL FIGURE NAPKIN RINGS. Lot includes 10 elephants: 2 with eyes, one with wheels; 2 standing rabbits, 2 Scottie dogs, a bird, a fish and 2 hexagonal rings, all in excellent condition and 2 - 1/2” tall. Largest: 3” x 3” x 3/8”. (Excellent).

300 - 600 1033 - LOT OF BAKELITE PIECES. Lot includes: first, a Poker chip tray with 200 chips, tray with 2 holders for cards, 7” x 4” x 3”; a cigarette lighter with dice motive, 2” square; a dice cage holder that flips; butterscotch door handles, 5” long; 5 green dice and 16 checkers, 1 - 1/2” diameter. Largest: 4 - 1/2” x 7 - 1/4” x 4 - 1/2”.

400 - 800 14

LOT - 1033

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LOT - 1034

1034 - RARE AND EXCUISITE 18K GOLD ENAMEL WATCH, SCENT BOTTLE AND PATCH BOX WITH MIRROR. c. 1820. Verge watch with gold key, signed “Guex, A. Paris”. Enamel scene on opposite side with man and woman in garden with birds. Bottom opens to reveal patch box and top unscrews for scent. Key wind. 3 - 1/2” tall. Original fitted box, no enamel loss, damage or repairs. Box: 4” x 4” x 1”. (Excellent). 5,000 - 10,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1035

LOT - 1036

LOT - 1037

1035 - 18K GOLD M.S. SMITH & CO., DETROIT, PRIVATE LABEL ENAMELED H/C POCKET WATCH. 18K gold M.S. Smith & Co., Detroit, Mich., private label hunter case pocket watch. Case signed and numbered, marked “Warranted 18K” with signed and numbered cuvette, also marked “Straight Line”. Movement also signed for private label. Maker unknown. The case has offset hinges, and is hand engraved with enameled details with inlaid flowers and berries. Central shield to front cover, having no monograms. There are some breaks and losses to enamel with one dent to back cover, otherwise in very good condition. Running, but occasionally stops and starts. Case Material: 18K Yellow Gold. Case Type: Hunter Case, Hand-Engraved & Enameled. Case Diameter: 43.5mm. Case No. 29724 Dial: White Enamel, Single Sunken. Chapter: Roman, Black. Subsidiary Dials: Constant Seconds. Hands: Blued Steel Breguet. Movement: Transitional/Keyless Lever-Set, marked for private label. Signed: M.S. Smith & Co., Detroit on dial, case/cuvette and movement. Gross Weight: 70.0 grams. Condition: Running, Stops and Starts. (Good-Very Good). 600 - 1,200 1036 - 18K GOLD PATEK PHILIPPE & CO, GENEVA, SWISS O/F POCKET WATCH, CIRCA 1912.

18K Gold Patek Philippe & Co., Geneva, Switzerland, Open Face Pocket Watch, Circa 1912. Case signed “PP.Co” with Calatrava Cross, numbered, and stamped “0,750” with hallmarks. Engraved inside “S. Wright Jr.”. Matte gold dial with engine turned center and sub-dial, marked “Patek, Philippe & Co., Geneva-Switzerland”. Movement signed and numbered. Case has some light scratches with watchmaker service marks inside case, otherwise in excellent condition. Case Material: 18K Yellow Gold. Case Type: Open Face. Case Diameter: 46.5mm. Case No. 270752 Dial: Matte gold, engine-turned. Chapter: Roman, black. Subsidiary Dials: Constant seconds. Hands: Blued steel breguet. Movement: Keyless Pendant-Set, No. 165525, 18 jewels, 8 adjustments. Signed: (Triple-Signed) Dial, case and movement. Gross Weight: 60.6 grams. Condition: Excellent working order. (Very Good - Excellent). 1,200 - 2,400 1037 - 14K GOLD E. HOWARD & CO., BOSTON, O/F POCKET WATCH, CIRCA 1890’S. 14K Gold E. Howard & Co., Boston, Mass., Open Face Pocket Watch, Circa 1890’s. Case marked “E.H & CO”, numbered and stamped “14K” with large fancy monogram on back cover. Movement signed and numbered with unadjusted “hound” mark. There are some light scratches to case with only two small dents, otherwise in excellent condition. Case Material: 14K Yellow Gold. Case Type: Open Face. Case Diameter: 47.5mm.

Case No. 764574 Dial: White enamel, single sunken. Chapter: Roman with Arabic outer five minute divisions, black. Subsidiary Dials: Constant seconds. Hands: Blued steel ornate crescent. Movement: Keyless Pendant-Set, No. 500303, w/unadjusted “hound” mark. Signed: (Triple-Signed) Dial, case and movement. Gross Weight: 81.4 grams. Condition: Excellent working order. (Very Good - Excellent). 1,000 - 2,000

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www.MorphyAuctions.com | July 14, 2020

LOT - 1038

LOT - 1039

LOT - 1040

1038 - LOT OF 2: ROCKFORD HUNTER CASE POCKET WATCHES. Lot of 2: Rockford Watch Co., Rockford, Ill., Hunter Case Pocket Watches. Larger watch is 48.5mm, 16s, 14k gold with an engine turned and engraved case decorated with a floral motif and having a small monogrammed shield on the front cover. Case numbered and marked “Keystone 14K”. Circa 1900. Running. Smaller watch is 43.5mm, 6s, 14K gold filled with a scalloped case engraved with bird and sprig on the back cover, opposite a central shield, framed on either side with flowers and foliage, having no monograms. Case numbered and marked “Fahy’s 14K Monarch”. Movement No. 396044. Circa 1892. Running. Case Material: 14K Yellow Gold. Case Type: Hunter Case, Engine Turned. Case Diameter: 48.5mm. Case No. 4708835 Dial: White Enamel, Double Sunken. Chapter: Arabic, Black with Red Outer 5 Minute Divisions. Subsidiary Dials: Constant Seconds. Hands: Black Steel Spade. Movement: Keyless Lever-Set, No. 563596, 16s, 17j. Signed: Dial and Movement. Gross Weight: 86.8 grams. Condition: Very Good Working Order. (Very Good - Excellent). 600 - 1,200 1039 - GUNMETAL O/F POCKET WATCH WITH PERPETUAL CALENDAR & MOON PHASE. Rare and Unusual Unnamed Open Face Pocket Watch in Gunmetal (Blued Steel) With Perpetual Calendar Complications & Moon Phase. Circa late 19th century. Stem wind. Pin set. Case measures 53mm in diameter, and is marked “Acier Garanti” which simply translates to “Guaranteed Steel” in French. The case is also numbered “54938-1” inside of both covers. The movement is numbered “7341” but is otherwise unmarked. The case has some losses to the original bluing, and one area of light surface rust as well. The watch is a pin-set type. The are a few hairline cracks to the dial, and the second hand at the six o’clock position is missing. This watch is an excellent candidate for restoration, and would make a great addition to any serious collection. (Good-Very Good). 300 - 500 1040 - MEN’S OMEGA SEAMASTER AUTOMATIC CHRONOMETER WRIST WATCH. Men’s Omega Seamaster Chronometer 300m Wrist Watch with blue wave dial and date. 41mm diameter case. All stainless steel case and bracelet with sapphire crystal, rotating bezel and screw-down crowns. Automatic movement. Watch is in very good condition with a few very light scratches to bezel, case and bracelet, and is currently running. Watch includes red Omega zipper watch case. (Very Good). 2,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1041

1041 - LADIES 18K GOLD ROLEX DIAMOND PEARLMASTER DATEJUST WRISTWATCH W/MOTHER OF PEARL DIAL, REF. 69298.

Ladies Rolex Pearlmaster Oyster Perpetual Datejust wristwatch with diamond bezel and mother of pearl diamond dial in 18K (750) yellow gold.

Reference No. 69298. Case Serial No. W031xxx (DOM Circa 1995). Automatic, self-winding movement with date aperture, quickset, sapphire crystal & screw-down crown. Original (factory installed) Rolex smooth diamond bezel set with 32 round brilliant-cuts, and original (factory installed) Rolex mother of pearl dial set with 10 round diamond hour markers, marked “Superlative Chronometer, Officially Certified, Swiss Made”. Overall length measures approximately 6.25”. Case and bracelet retain their original Rolex factory finish, and has not been refinished or polished. Case and bracelet are fully numbered and hallmarked. There are some light scratches and signs of wear present to case and bracelet, otherwise in excellent condition. Single owner watch in excellent running order. (Very Good - Excellent). 12,000 - 18,000

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LOT - 1042

1042 - MEN’S ROLEX COSMOGRAPH DAYTONA IN STAINLESS STEEL W/WHITE DIAL, REF. 116520 NEW IN BOX W/CARD. Men’s Stainless Steel Rolex Cosmograph Daytona, Ref. 116520, Oyster Perpetual Superlative Chronometer, Officially Certified. New in box with card. Serial number G780xxx, circa 2010. Watch has never been worn, and is in mint condition with protective plastic to clasp and bracelet.

Automatic, self-winding movement, Caliber 4130. Case diameter 40mm. White dial with silver sub-dials. Watch is in completely unworn, in mint condition, and perfect running order. (Mint). 16,000 - 24,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1043

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1043 - MENS STAINLESS ROLEX OYSTER COSMOGRAPH FLOATING “BIG RED” DAYTONA W/OYSTER BRACELET, REF. 6263 W/BOX. Rare & Iconic Men’s Stainless Steel Rolex Oyster Cosmograph Floating “Big Red” Daytona with Oyster Bracelet, Reference 6263. Circa 1978.

Case diameter 37mm. Case/Serial No. 5503546. Mechanical, hand-wound 17 jewel Valjoux caliber 727 movement. Original black dial with 3 white sub-dials and floating big red Daytona set slightly further above the 6 o’clock sub-dial (T Swiss T). Oyster case with screw-down chronograph pushers (originally water resistant to 100m). Black acrylic tachymeter bezel insert. Original Rolex Oyster steelinox bracelet No. 78350 with 13 links and 571 ends. Original dial is very clean, having a few chipped and missing lume dots. Watch includes original brown leather inner box with Rolex crown tang buckle, wooden interior and tan suede watch holder. Watch has not been refinished, and retains it’s original Rolex factory finish with some scratches present to bezel, case and bracelet, commensurate with age. The acrylic crystal appears to be original, having the correct domed profile, with some light scratches (most notable just past 2 o’clock) and two hairline cracks at 9 o’clock. Watch is in excellent working order. (Very Good). 100,000 - 150,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1044

1044 - MENS 18K PINK GOLD BREITLING FOR BENTLEY, SPECIAL LIMITED EDITION NO. 13, CERTIFIED CHRONOMETER CHRONOGRAPH AUTOMATIC WRISTWATCH, REF. R25367 W/B&P. Men’s Breitling for Bentley Motors, Special Edition Certified Chronometer, 30 Seconds Chronograph in 18K pink gold. Circa 2012. Reference No. R25367. Limited Numbered Edition, No. 134 of only 500 examples. Case No. 2333xxx. Solid caseback. Case diameter 49mm, with 24mm lugs.

Black metallic dial with fine red flake. Sapphire crystal. Automatic, self-winding 47 jewel movement. Black Crocodile Breitling strap with white stitching and pink gold folding deployment buckle. Watch includes original numbered COSC certificate, numbered limited edition certificate (No. 134/500), inner box with watch holder, outer box with white protective sleeve, 2 booklets and Breitling hang tag. Watch appears to have been worn only a handful of times. Box: 7 - 1/4” x 5 - 1/4” x 6”. (Excellent - Near Mint). 10,000 - 20,000

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www.MorphyAuctions.com | July 14, 2020

LOT - 1045

1045 - MEN’S 18K GOLD ROLEX SUBMARINER BLUE DIAL REF. 16618 FULL SET W/B&P. Men’s 18K yellow gold Rolex Submariner with blue dial and bezel. Reference No. 16618. Case diameter 40mm. Case No. X847xxx. DOM circa 1991. Original purchase date 12/94. Oyster bracelet No. 92908 (S5 date code) with 12 links. Full-set includes original numbered certificate, green outer box, wooden inner box w/green interior watch holder, red COSC tag, numbered green hang tag, 3 booklets w/paper green sleeve, leather card holder, polishing cloth, cotton handkerchief, and original packing materials. Watch appears to be unworn, new old stock, with green caseback sticker intact. Box: 8” x 3 - 1/4” x 6 - 1/2”. (Near Mint). 10,000 - 20,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1046

1046 - MENS 18K ROSE GOLD ROLEX PRESIDENT DAY-DATE BLUE DIAMOND DIAL & BEZEL, REF. 118238 W/B&P. Men’s Rolex President Oyster Perpetual Day-Date Everose in 18K rose gold. Reference no. 118205. Case diameter 36mm, bezel measures 38mm. Case no P735xxx, DOM circa 2000. Automatic self-winding movement w/double quickset, Caliber 3155. Blue dial (T Swiss Made T) with 10 diamond markers. Diamond bezel. Oyster bracelet no. 73855 (DE3 date code) with 13 links. Watch includes original service papers dated 04/08, light green outer box w/sleeve, green inner box w/interior watch holder and cloth, 2 booklets, and original packing materials. Watch appears to be unworn with clear plastic caseback sticker intact. Box: 7 - 1/2” x 3 - 1/2” x 5 - 1/2”. (Near Mint - Mint.) 10,000 - 20,000

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www.MorphyAuctions.com | July 14, 2020

LOT - 1047

1047 - MEN’S 18K GOLD ROLEX YACHT-MASTER II WHITE DIAL REF. 116688 FULL SET W/B&P. Men’s 18K yellow gold Rolex Yacht-Master II with white index dial and blue bezel, reference no. 116688. 44mm, Case no M241xxx, DOM circa 2007. Original purchase date 01/08. Self-winding automatic movement, Caliber 4160. Dial marked “Rolex, Oyster Perpetual, Superlative Chronometer, Officially Certified, Swiss Made”. Oyster bracelet no. 78218 with 10 links (marked “750” and numbered, OP10 & 15/423 on clasp). Full-set includes original numbered certificate card, light green outer box w/white sleeve, green inner box w/light green interior watch holder and pad, red COSC tag, numbered green hang tag, 4 booklets w/green sleeve/holder, clear plastic bezel protector, and original packing materials. Watch is completely unworn, in new old stock condition with clear plastic still intact on clasp and caseback. Box: 8 - 1/2” x 3 - 3/4” x 6 - 1/2”. (Near Mint - Mint.) 15,000 - 30,000

www.MorphyAuctions.com | July 14, 2020

25

LOT - 1048

1048 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE CHAMPAGNE INDEX DIAL, REF. 118238 FULL SET W/B&P. Men’s Rolex President Oyster Perpetual Day-Date in 18K yellow gold. Reference no. 118238. Case diameter 36mm. Case no P495xxx, DOM circa 2000. Automatic self-winding movement w/double quickset, Caliber 3155. Champagne Index dial (Swiss Made). Fluted bezel. Bracelet no.

83858 (AB12 date code) with 22 links. Full-set includes original numbered certificate, green outer box, green inner box w/suede interior and watch holder, red COSC tag, numbered green hang tag, 2 booklets w/paper green sleeve, leather card holder, leather wallet with 2 tablets, polishing cloth, cotton handkerchief, and original packing materials. Watch appears to be unworn, new old stock, with green plastic caseback sticker and clear plastic intact on bracelet. Box: 8 - 1/2” 3 - 3/4” x 6 - 1/2”. (Near Mint - Mint.) 10,000 - 20,000

26

www.MorphyAuctions.com | July 14, 2020

1049 - MENS TWO TONE ROLEX DATEJUST IN STEEL & 18K GOLD W/BRONZE INDEX DIAL & BOX, REF. 16013.

Men’s Vintage Rolex Oyster Perpetual Datejust in stainless steel and 18K yellow gold. Reference no. 16013. Case diameter 36mm. Case no 8825xxx, DOM circa 1985. Automatic self-winding movement, Caliber 3035. Bronze Index dial (T Swiss T). Fluted bezel. Acrylic crystal.

Jubilee bracelet no. 62523H.18 (J6 date code) with 20 links. Watch includes small printed outer box, green inner box with wooden interior, tan pillow with cloth surround and 1 booklet. Watch appears to be unworn, new old stock, in excellent running order. Box: 6 - 1/4” x 2 3/4” x 4 - 3/4”. (Near Mint). 2,500 - 5,000

LOT - 1049

SEE WEBSITE FOR ADDITIONAL PHOTOS

1050 - MENS 18K WHITE GOLD ROLEX CELLINI 4084 SLIM DRESS WRISTWATCH W/ DIAMONDS. Men’s Rolex Cellini, Geneve, Switzerland, slim dress wristwatch in 18K white gold. Circa 1976. Reference 4084. Smokey gray dial with 3 diamond hour markers. Case diameter 30mm, 5mm thick with 17mm lugs. Mechanical, manual wind, 19 jewel movement, signed and marked (Cal.) 1601. Case Serial No. 4363352. Outer caseback numbered and marked “18K” with hallmarks. Inner caseback marked “Montres Rolex S.A. Geneve Switzerland 18K 750 C 4084 A 12 76” with hallmarks. Original Rolex stainless steel tang buckle present on black leather replacement strap. Watch has some light scratches on case and case back, otherwise in excellent condition. Running. (Very Good-Excellent). 2,000 - 4,000

LOT - 1050

www.MorphyAuctions.com | July 14, 2020

27

LOT - 1051

1051 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE CHAMPAGNE DIAMOND DIAL & BEZEL, REF. 18238.

Men’s Rolex President Oyster Perpetual Day-Date with diamonds in 18K yellow gold. Reference no. 18238. Case diameter 36mm, bezel measures 38mm. Case no E270xxx, DOM circa 1990. Automatic self-winding movement w/double quickset, Caliber 3155. Gold champagne dial (T Swiss Made T) with 10 diamond markers. Diamond bezel. Bracelet no. 8385 (O8 date code) with 21 links. Watch appears to be unworn. (Near Mint). 10,000 - 20,000

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www.MorphyAuctions.com | July 14, 2020

LOT - 1052

1052 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE CHAMPAGNE RUBY DIAL W/DIAMOND & RUBY BEZEL, REF. 18238.

Men’s Rolex President Oyster Perpetual Day-Date with diamonds in 18K yellow gold. Reference no. 18238. Case diameter 36mm, bezel measures 38mm. Case no E296xxx, DOM circa 1990. Automatic self-winding movement w/double quickset, Caliber 3155. Champagne dial (T Swiss Made T) with 10 ruby markers. Diamond bezel with 4 rubies. Bracelet no. 8385 (P3 date code) with 21 links. Watch appears to be unworn with green caseback sticker intact. (Near Mint). 10,000 - 20,000

www.MorphyAuctions.com | July 14, 2020

29

LOT - 1053

1053 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE BLACK DIAMOND DIAL W/DIAMOND BEZEL, REF. 18238 W/BOX. Men’s Rolex President Oyster Perpetual Day-Date with diamonds in 18K yellow gold. Reference no. 18238. Case diameter 36mm, bezel measures 38mm. Case no R964xxx, DOM circa 1988. Automatic self-winding movement w/double quickset, Caliber 3155. Black dial (T Swiss Made T) with 10 diamond markers. Diamond bezel. Bracelet no. 8385 (P4 date code) with 22 links. Watch includes green outer box, brown leather inner box w/tan suede interior watch holder, 2 booklets and original packing material. Watch appears to be unworn. Box: 8 - 1/2” x 5” x 6 - 1/4”. (Near Mint). 10,000 - 20,000

30

www.MorphyAuctions.com | July 14, 2020

LOT - 1054

1054 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE CHAMPAGNE INDEX DIAL, REF. 118238 FULL SET W/B&P. Men’s Rolex President Oyster Perpetual Day-Date in 18K yellow gold. Reference no. 118238. Case diameter 36mm. Case no P826xxx, DOM circa 2000. Original purchase date 11/01. Automatic self-winding movement w/double quickset, Caliber 3155. Champagne Index dial (Swiss Made). Fluted bezel. Bracelet no. 83858 (DE3 date code) with 22 links. Full-set includes original numbered certificate, green outer box, green inner box w/tan suede interior and watch holder, red COSC tag, numbered green hang tag, 3 booklets w/green paper sleeve, leather card holder, leather wallet with 2 tablets, polishing cloth and original packing materials. Watch appears to be unworn, new old stock, with green plastic caseback sticker and clear plastic intact on bracelet. Box: 8 - 1/2” 3 - 3/4” x 6 - 1/2”. (Near Mint - Mint.) 10,000 - 20,000

www.MorphyAuctions.com | July 14, 2020

31

1055 - MENS VINTAGE 18K ROSE GOLD ROLEX PRESIDENT DAY-DATE ROSE INDEX PIE-PAN DIAL, REF. 1803.

Men’s Vintage Rolex President Oyster Perpetual Day-Date in 18K rose gold. Reference no. 1803. Case diameter 36mm. Circa 1960’s.

Automatic self-winding movement, Caliber 1555. Movement Serial No. DD17990. Rose Index pie-pan dial (T Swiss T). Smooth bezel. Stitched burgundy replacement strap installed. There are some small scratches to acrylic crystal and case numbers between lugs are very worn, and not legible. Running. (Very Good - Excellent). 4,000 - 8,000

LOT - 1055 1056 - MENS TWO TONE ROLEX COSMOGRAPH “ZENITH” DAYTONA IN STEEL & 18K GOLD W/BLACK DIAL, REF. 16523 W/B&P. Men’s Rolex Oyster Perpetual Cosmograph “Zenith” Daytona in stainless steel and 18K yellow gold. Reference No. 16523. Case diameter 40mm. Case No. W476xxx, DOM circa 1995. Automatic self-winding movement, Zenith “El Primero” based, Caliber 4030. Black dial with gold registers and red Daytona (T Swiss Made T). 18k gold Tachymeter bezel. Oyster bracelet No. 78393 (W4 date code) with 12 links. Watch includes original numbered certificate, small printed outer box, green inner box with wooden interior, 3 booklets w/paper green sleeve and provenance letter from Sotheby’s. Sapphire crystal in very good condition with a few nearly invisible flea bite chips. Watch has been lightly polished, with scratches present to case, bezel and bracelet, otherwise in excellent condition. Box: 6” x 4 - 1/4” x 2 1/2”. (Very Good). 8,000 - 12,000

LOT - 1056

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www.MorphyAuctions.com | July 14, 2020

LOT - 1057

1057 - MEN’S 18K GOLD ROLEX YACHT-MASTER WHITE DIAL REF. 16628 W/B&P. Men’s 18K yellow gold Rolex Yacht-Master with white dial, reference no. 16628. 40mm, Case no S492xxx, DOM circa 1993. Self-winding automatic movement, Caliber 3135. Dial marked “Rolex, Oyster Perpetual, Yacht-Master, Superlative Chronometer, Officially Certified, Swiss-T<25”. Oyster bracelet no. 78768A with 10 links (marked “18K, 750” and coded “T3” on clasp). Includes original numbered certificate, green outer box, wooden inner box w/green interior watch holder, polishing cloth, and original packing materials. Watch appears to be unworn, with green plastic sticker intact on caseback. (Near Mint). 10,000 - 20,000

www.MorphyAuctions.com | July 14, 2020

33

LOT - 1058

1058 - MENS 18K GOLD ROLEX PRESIDENT DAY-DATE CHAMPAGNE INDEX DIAL, REF. 18238 W/B&P. Menâ&#x20AC;&#x2122;s Rolex President Oyster Perpetual Day-Date in 18K yellow gold. Reference no.

18238. Case diameter 36mm. Case no L255xxx, DOM circa 1989. Original purchase date 02/90. Automatic self-winding movement w/double quickset, Caliber 3155. Gold Champagne Index dial (T Swiss Made T). Fluted bezel. Bracelet no. 8385 (M2 date code) with 21 links (plus 5 extra links in box). Watch includes original Rolex sales receipt, brown leather inner box with wooden interior and tan suede watch holder, red COSC tag, numbered green hang tag, 3 booklets w/green paper sleeve, leather card holder, cotton handkerchief and 5 extra links. Watch appears to be only worn a handful of times, with green plastic caseback sticker still intact. (Excellent). 10,000 - 20,000

34

www.MorphyAuctions.com | July 14, 2020

LOT - 1059

1059 - MENS 18K GOLD FRANCK MULLER PERPETUAL CALENDAR AUTOMATIC WRISTWATCH, REF. 2852 QP W/B&P. Men’s Franck Muller, Geneve, Switzerland, perpetual calendar automatic wristwatch in 18K gold. Reference No. 2852 QP. Case No. 01. Circa 1990’s. Case diameter 31mm. Caseback marked “Franck Muller, Geneve, Master of Complications, No. 11, 2852 QP” with hallmarks. Matte black dial with blued steel luminous hands. Automatic, self-winding Swiss movement with platinum rotor. Watch includes original certificate (blank), lacquered burlwood presentation box with black interior, and two-piece dark blue outer box. Watch is fitted with a slightly worn black stitched crocodile Franck Muller strap with an 18K yellow gold tang buckle, otherwise in near mint condition. (Near Mint). 8,000 - 12,000

www.MorphyAuctions.com | July 14, 2020

35

LOT - 1060

1060 - MENS PLATINUM FRANCK MULLER MASTER CALENDAR MAGNUM CHRONOGRAPH GREEN GUILLOCHE DIAL WRISTWATCH, REF. 6850 CC MC W/BOX. Men’s Franck Muller, Geneve, Switzerland, master calendar magnum chronograph in solid 950 platinum. Reference No. 6850 CC MC. Case No. 18. Circa 1990’s. Case diameter 34mm. Caseback marked “Franck Muller, Geneve, Master of Complications, No. 18, 6850 CC MC, Magnum” with hallmarks. Green guilloche enamel dial with spade hands and Breguet chronograph pointer. Mechanical, manual-wind Swiss movement.

Watch includes original instructions in leather dossier, lacquered burlwood presentation box with black interior watch pillow, and two-piece dark blue outer box. Watch is fitted with a slightly worn black stitched crocodile Franck Muller strap with an 18K white gold tang buckle, possibly from another Franck Muller watch, otherwise in near mint condition. (Near Mint). 15,000 - 25,000

36

www.MorphyAuctions.com | July 14, 2020

LOT - 1061

1061 - MENS 18K PINK GOLD FRANCK MULLER AUTOMATIC CHRONOGRAPH WRISTWATCH, REF. 7000 CC W/B&P. Men’s Franck Muller, Geneve, Switzerland, automatic chronograph in 18K pink gold. Reference No. 7000 CC. Case No. 16. Circa 1995. Case diameter 39mm. Caseback marked “Franck Muller, Geneve, Master of Complications, No. 16, 7000 CC” with hallmarks. Silver dial with blued steel Breguet hands. Automatic chronometer, self-winding, 31 jewel Swiss movement with platinum rotor. Watch includes original signed, numbered and dated certificate in leather dossier, lacquered burlwood presentation box with black interior watch pillow, and two-piece dark blue outer box. Watch is fitted with a worn black stitched crocodile Franck Muller strap with an 18K yellow gold tang buckle, presumably from a different Franck Muller watch, otherwise in near mint condition. Box: 9” x 4” x 7”. (Near Mint). 6,000 - 12,000

www.MorphyAuctions.com | July 14, 2020

37

LOT - 1062

1062 - MENS 18K GOLD DIAMOND VACHERON CONSTANTIN PATRIMONY PERPETUAL CALENDAR W/LEAP YEAR AND MOON PHASES, REF. 43031.

Men’s Vacheron Constatin, Geneve, Switzerland, Patrimony triple-date perpetual calendar with leap year and moon phases in 18K yellow gold with diamond. Reference 43031. Case diameter 46mm, with 19mm lugs.

Champagne dial with 9 diamond markers, gold stick hands and fixed diamond bezel. Automatic self-winding 6 jewel movement signed and numbered 733146. Calibre 1120-1. Case number 595755. Case back marked inside “Vacheron & Constatin 18K 750 43031/3, 595755”, with hallmarks. Original signed Vacheron & Constantin black strap with original gold tang buckle. Watch has some very light scratches on case and case back, otherwise in near mint condition. Running. (Excellent - Near Mint).

15,000 - 25,000

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www.MorphyAuctions.com | July 14, 2020

LOT - 1063

1063 - MENS 18K GOLD AUDEMARS PIGUET ROYAL OAK QUANTIEME AUTOMATIC PERPETUAL CALENDAR, REF. C32506 W/ BOX. Men’s Audemars Piguet Royal Oak automatic quantieme perpetual calendar wristwatch with moon phases in 18K yellow gold. Reference No. C32506. Case No. 388. Case diameter 39mm. Caseback numbered and marked “Royal Oak, Quantieme Perpetuel Automatique” with hallmarks. Matte golg dial with gold stick hands and markers. Automatic, self-winding Swiss movement. Tapered gold bracelet marked “Swiss Made, Audemars Piguet & Co., 750” on folding deployment clasp. Watch includes original AP small brown leather box with watch pillow. Watch is unworn, new old stock, in mint condition with all plastic protective stickers intact. (Mint.) 20,000 - 30,000

www.MorphyAuctions.com | July 14, 2020

39

LOT - 1064

1064 - MENS 18K TWO-TONE AUDEMARS PIGUET AUTOMATIC QUANTIEME PERPETUAL CALENDAR WRISTWATCH W/MOON PHASES & SUEDE POUCH, REF. B86548.

Men’s Audemars Piguet automatic quantieme perpetual calendar wristwatch with moon phases in 18K white and yellow gold. Reference No. B86548. Case No. 869. Circa 1990’s. Case diameter 36mm. Caseback numbered and marked “Quantieme Perpetuel Automatique” with hallmarks. Matte gray dial with gold stick hands and markers. Automatic, self-winding Swiss movement. Woven style integrated bracelet in yellow and white gold, marked “Audemars Piguet & Co. 750” on clasp. Overall length measures 8”. Gross weight is 121.8 grams. Watch includes original AP folding green suede travel pouch (with one dime size blue ink stain). There are some marks to bezel and scratch to crystal between 8 and 9 o’clock, with very light minimal signs of wear to case and bracelet, otherwise in excellent condition. (Very Good - Excellent).

10,000 - 15,000

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www.MorphyAuctions.com | July 14, 2020

1065 - MEN’S 18K GOLD AUDEMARS PIGUET, 31MM SLIM DRESS WRISTWATCH, SWISS. Men’s Audemars Piguet, Geneve, Switzerland, slim dress wristwatch in 18K yellow gold.

Case diameter 31mm, 5mm thick with 18mm lugs. Champagne dial with gold stick hands.

Mechanical, manual wind, 17 jewel movement, signed and numbered, 60663. Case No. 6007.

Caseback marked inside “Audemars Piguet Swiss 18K 0,750” with hallmark. Strap marked “Genuine Alligator”. Watch has some light scratches on caseback with worn replacement strap, otherwise in excellent condition. Running.

(Very Good-Excellent). 1,000 - 2,000 1066 - LADYS VINTAGE 18K GOLD ROLEX OYSTER PERPETUAL DATEJUST W/DIAMOND DIAL & BEZEL, REF. 6927.

Lady’s vintage Rolex Oyster Perpetual Datejust wristwatch in 18K yellow gold. Reference No. 6927. Case No. 5331xxx. DOM Circa 1978. Gold champagne dial with 10 diamond markers. White gold diamond bezel. Acrylic crystal. Textured Jubilee Rolex bracelet marked “18K”, stamped with “T” letter code.

Gross weight 61.5 grams, running. Watch has scratches to bezel, case and bracelet. Bracelet is stretched with a few dented links, and includes 3 loose extra links. (Good).

2,500 - 5,000

LOT - 1065

LOT - 1066

1067 - MEN’S 18K GOLD INVICTA LUPAH AUTOMATIC 7750 SWISS CHRONOGRAPH WRISTWATCH REF. 5220903 W/BOX. Men’s Invicta Lupah Automatic 7750 Swiss Chronograph wristwatch in 18K yellow gold.

Reference 5220903. Case measures 44mm by 55mm, 20mm thick with 24mm lugs.

Textured black dial with gold Arabic markers and gold luminous hands. Sapphire bubble crystal. Automatic, self-winding, Valjoux 7750 movement, signed Invicta on rotor. Case No. 5220903-183. Caseback marked “Solid 18K Gold Case”. Original Invicta strap marked “Genuine Alligator” with 18K gold tang buckle. Watch includes inner and outer box.

Watch has some very light scratches and marks on case with original worn strap, otherwise in excellent condition. Running. (Very GoodExcellent). 2,500 - 5,000 1068 - MENS 18K GOLD JAEGER LECOULTRE AUTOMATIQUE GEOGRAPHIQUE WORLDTIMER WRISTWATCH, REF. 169.2.92 W/B&P. Men’s 18K yellow gold Jaeger LeCoultre, Switzerland, Automatique World LOT - 1067 LOT - 1068 Geographique, two time zone wristwatch with power reserve and date. Reference 169.2.92.

Circa 1990’s. Case diameter 39mm, thickness 10mm, with 19mm lugs. Silver dial with gold markers and blued steel hands. Automatic self-winding movement. Case No. 0100. Slightly worn black stitched Crocodile strap with original “JL” 18K yellow gold tang buckle. Watch appears to have been worn only a handful of times. Includes original inner and outer boxes with certificate, booklets and setting pusher tool. Hand engraved monogram to caseback, conjoined “HW”. Box: 7” x 2 - 3/4” x 5 - 1/2”. (Very Good - Excellent). 3,000 - 6,000

www.MorphyAuctions.com | July 14, 2020

41

LOT - 1069

1069 - MENS 18K GOLD JAEGER LECOULTRE AUTOMATIQUE ODYSSEUS PERPETUAL CALENDAR W/MOON PHASES, REF. 166.7.80.

Men’s Jaeger LeCoultre, Switzerland, Automatique Odysseus perpetual calendar with moon phases in 18K yellow and pink gold. Reference 166.7.80. Circa 1990’s. Case diameter 36mm, thickness 8mm, with 19mm lugs. Champagne enameled dial with gold markers and blued steel hands. Automatic self-winding movement. Case number 785. Case back marked “Odysseus No. 785, Jaeger LeCoultre, 166 7 80” with shark and hallmarks. Worn dark brown stitched strap with original “JL” 18K yellow gold tang buckle. Watch has some scratches and wear on case and case back, otherwise in excellent condition. Running. (Very Good - Excellent). 10,000 - 20,000

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www.MorphyAuctions.com | July 14, 2020

1070 - MENS STAINLESS STEEL BREITLING FOR BENTLEY, SPECIAL EDITION GMT CHRONOMETER AUTOMATIC CHRONOGRAPH 100M WRISTWATCH, REF. A47362 W/B&P. Men’s Breitling for Bentley Motors, Special Edition, GMT, Certified Chronometer, Automatic Chronograph 100m/330ft wristwatch in stainless steel. Circa 2012. Reference No. A47362 (A4736212/B919).

Case No. 2479xxx. Solid caseback. Case diameter 49mm, with 24mm lugs. Matte black dial. Sapphire crystal. Automatic, self-winding 47 jewel movement. Black rubber Breitling strap with folding deployment clasp. Watch includes original numbered COSC certificate, numbered warranty certificate booklet, inner box with watch holder, outer box, GMT instruction booklet with carton and sleeve, and Breitling hang tag.

Watch appears to have been worn only a handful of times. Box: 7” x 4 - 1/4” x 6 - 3/4”. (Excellent - Near Mint). 3,000 - 6,000

LOT - 1070

1071 - MENS BLACKSTEEL BREITLING JET TEAM AMERICAN TOUR CHRONOMAT 44 LIMITED EDITION NO. 91/500, REF. MB0110 W/B&P. Men’s Breitling for Bentley Motors, Chronomat 44, Limited Edition, Certified Chronometer, Automatic Chronograph wristwatch in black stainless steel. Circa 2015. Reference No. MB0110 (MB01109P/ BD48). Limited Numbered Edition, No. 91 of only 500 examples.

Case No. 3172xxx. Solid stainless steel caseback. Case diameter 44mm, with 22mm lugs. Matte black dial. Rotating bezel. Tachymeter.

Sapphire crystal. Screw-down crown. Automatic, self-winding movement. Black rubber Breitling strap with folding deployment clasp.

Watch includes original numbered COSC certificate, digital 5 year warranty card (registered 07/01/15), inner box with watch holder, outer box, instruction booklet, warranty booklet, numbered limited edition fold out, and leather holder. Watch appears to have been worn only a handful of times, and retains blue protective stickers under clasp. (Near Mint). 2,000 - 4,000

LOT - 1071

LOT - 1072

1072 - LADYS BREITLING GALACTIC COCKPIT LADY 32 CERTIFIED CHRONOMETER DIAMOND DIAL WRISTWATCH, REF. A71356 W/BOX & PAPERS. Lady’s Breitling Galactic Cockpit Lady 32 wristwatch with box and papers. Reference No. A71356. Circa 2007. Case diameter 32mm.

Stainless steel with screw-down crown. Sapphire crystal. Rotating bezel.

Bronze “Chocolate” dial with 8 diamond markers, luminous hands and markers and date aperture. Case No. 981xxx. Certified quartz chronometer. Water resistance 100m/330ft. Brand new 16mm brown stitched leather strap with original stainless steel Breitling tang buckle installed. Watch includes original sales receipt, original numbered Breitling COSC certificate, inner box, outer box, booklets w/sleeves and original worn Breitling strap. There are some light scratches to case, bezel and caseback, otherwise in excellent condition. Watch has a brand new battery installed, and is in excellent running order. (Very Good - Excellent). 1,000 - 2,000

www.MorphyAuctions.com | July 14, 2020

43

LOT - 1073

1073 - MENS 18K PINK GOLD BREITLING FOR BENTLEY, SPECIAL EDITION NO. 13, CERTIFIED CHRONOMETER AUTOMATIC CHRONOGRAPH WRISTWATCH, REF. RBO611 W/B&P. Men’s Breitling for Bentley Motors, Special Edition Certified Chronometer, 30 Seconds Chronograph in 18K pink gold. Circa 2013. Reference No. RB0611 (Bentley B06, RB061112/G769).

Limited Numbered Special Edition, No. 13. Case No. 4310xxx. Open caseback with Bentley spinner wheel rotor. Case diameter 49mm, with 24mm lugs. Matte silver dial. Sapphire crystals front and back.

Automatic, self-winding 47 jewel movement. Brown Crocodile Breitling strap with white stitching and pink gold folding deployment buckle.

Watch includes original numbered COSC certificate (No. 4310531), digital 5 year warranty card (registered 12/06/13), inner box with watch holder, outer box, 2 booklets with leather holder and fitted clear plastic protector for case and bezel. Watch appears to be unworn.

Box: 7 - 1/4” x 5 - 1/4” x 6 - 1/4”. (Near Mint - Mint).

10,000 - 20,000

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www.MorphyAuctions.com | July 14, 2020

1074 - MENS 18K GOLD CARTIER PASHA AUTOMATIC CHRONOGRAPH WRISTWATCH, REF. 2111 W/B&P. Men’s 18K yellow gold Cartier Pasha 38mm automatic chronograph wristwatch with date aperture. Reference No. 2111. Case No. MG278xxx. White guilloche dial with 3 engine turned sub-dials and gold luminous round markers. Blued steel luminous hands. Sapphire crystals to front and back. Automatic, self-winging Swiss movement.

Screw-down crown cover and pushers with bezel-set cabochon blue sapphire. Bracelet has double foldine hidden deployment clasp.

Overall length is approximately 7.25”. Watch includes Cartier inner and outer boxes with booklets and original certificate. Watch appears to have only been worn a handful of times. There is a small touch-up to outer edge of dial, between 6 and 7 o’clock, otherwise in excellent condition. Box: 6” x 4” x 5 - 1/4”. (Very Good - Excellent).

8,000 - 16,000

LOT - 1074

SEE WEBSITE FOR ADDITIONAL PHOTOS

1075 - OMEGA SEAMASTER CHRONOMETER WRIST WATCH. Men’s Omega Seamaster Chronometer 300m Wrist Watch with white wave dial and date. 36mm diameter case. All stainless steel case and bracelet with sapphire crystal, rotating bezel and screw-down crowns.

Automatic movement. Watch is in excellent condition with virtually no signs of wear and is currently running. Includes red Omega zipper watch case. (Excellent-Near Mint). 1,500 - 3,000

LOT - 1075

LOT - 1076

1076 - MENS STAINLESS STEEL BELL & ROSS AUTOMATIC CHRONOGRAPH DIAMOND WRISTWATCH, REF. BR01-94.

Men’s stainless steel Bell & Ross Swiss made automatic chronograph wristwatch with diamond bezel and case. Reference No. BR01-94.

Case No. 018xx. Case diameter 46mm. Caseback marked “Aviation Type / Military Spec., Water Resistant 100m/325ft”. Automatic, self-winding ETA movement, Caliber 2894. Sapphire crystal.

Screw-down crown. Slightly worn original black stitched strap with “BR” tang buckle installed. Watch is in excellent working order. (Excellent Near Mint). 2,500 - 5,000

www.MorphyAuctions.com | July 14, 2020

45

LOT - 1077

LOT - 1078

LOT - 1079

1077 - MENS GRAHAM AUTOMATIC SILVERSTONE STOWE CLASSIC BLACK STAINLESS STEEL WRISTWATCH, REF. 2BLDC W/B&P. .

Men’s Graham, London, Automatic Silverstone Stowe Classic wristwatch in black stainless steel. Reference No. 2BLDC-B28A. Case No. 142. Circa 2012.

Swiss Made. WR 100m/330ft. Sapphire crystals, front and back. Black woven carbon fiber dial with large luminous hands and Arabic markers, with Stowe racing yellow registers. Watch includes original metal “safe” box with leather inner box and pillow, outer box and sleeve, warranty card, certificate/passport, hang tag and original price tag. Watch appears to have been worn only once or twice, and is in near mint condition.

(Near Mint - Mint.) 2,500 - 5,000 1078 - MENS 18K GOLD PATEK PHILIPPE, GENEVE, VINTAGE SQUARE WRISTWATCH, REF. 3430.

Men’s Patek Philippe, Geneve, Switzerland, vintage square wristwatch in 18K yellow gold. Reference 3430. Circa 1960’s. Case diameter 26mm, thickness 6mm, with 18mm lugs. Champagne dial with gold stick hands and markers. Mechanical, manual-wind, 18 jewel movement, signed and numbered, 798117. Calibre 23-300. Case No. 2639427. Caseback marked inside “Patek, Philippe & Co. Geneve Swiss 18K 0.750 2639427 3430” with hallmarks. Worn leather replacement strap installed. Watch has some light scratches on case and caseback with some minor discoloration to right hand edge of dial, otherwise in excellent condition. Running. (Very Good Excellent). 3,000 - 6,000 1079 - MENS 18K GOLD PATEK PHILIPPE, GENEVE, BLUE DIAL VINTAGE ELLIPSE WRISTWATCH, REF. 3548.

Men’s Patek Philippe, Geneve, Switzerland, vintage Ellipse wristwatch in 18K yellow gold. Reference 3548. Circa 1970’s. Case diameter 27mm by 32.5mm, thickness 6.5mm. Blue dial with gold stick hands and markers.

Mechanical, manual-wind, 18 jewel movement, signed and numbered, 1226182. Calibre 23-300. Case No. 526024. Caseback marked inside “18K 0,750 Patek Philippe & Co. Geneve 526024 3548” with hallmarks. Brand new black leather replacement strap installed. Watch has some light scratches on case and caseback, otherwise in excellent condition. Running. (Very Good Excellent). 4,000 - 8,000 46

LOT - 1080 1080 - MEN’S 18K GOLD PATEK PHILIPPE, GENEVE, VINTAGE CALATRAVA BACK SET WRISTWATCH, REF. 3569.

Men’s Patek Philippe, Geneve, Switzerland, vintage Calatrava back-set wristwatch in 18K yellow gold.

Reference 3569. Circa 1970’s. Case diameter 34mm, with 16mm lugs. Black dial with gold stick hands. Automatic, self-winding, 28 jewel movement, signed and numbered, 1182904. Calibre 350. Case No. 2677574. Caseback marked inside “18K 0,750 Patek Philippe Geneve Swiss 3569” with hallmarks. Brand new black leather replacement strap installed. Watch has some light scratches on case and caseback, otherwise in excellent condition.

Running. (Very Good-Excellent). 2,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1081

LOT - 1082

1081 - LADY’S 18K GOLD BLANCPAIN, SWISS TRIPLE-DATE CALENDAR WRISTWATCH W/MOON PHASES. Lady’s Blancpain Swiss triple-date calendar wristwatch with moon phases in 18K yellow gold. Circa 1980’s. Case diameter 26mm, thickness 8mm, with 14mm lugs.

White dial with gold Roman numeral markers and hands. Automatic, self-winding movement. Case No. 39. Caseback marked “automatic Blancpain No 39” with hand engraving “Easter ‘84 OMA”. Original worn brown stitched strap with 18K gold tang buckle installed. Watch has some light scratches on case and caseback, otherwise in excellent condition. Running. (Very Good - Excellent). 2,000 - 4,000 1082 - MENS STAINESS STEEL TAG HEUER MONACO CLASSIC SQUARE AUTOMATIC CHRONOGRAPH WRISTWATCH, REF. CS2111 W/B&P. Men’s Tag Heuer Classic “Heuer” Monaco automatic chronograph square wristwatch in stainless steel. Reference No. CS2111. Case No. 021xx. Case diameter 38mm. Original slightly worn black stitched padded leather strap with “Heuer” tang buckle installed. Watch appears to have been worn only a handful of times, and retains it’s clear caseback protective sticker. Includes original brown leather round zipper watch case with outer box and sleeve, along with all original booklets, inserts and guarantee card. This model was one of the first Classic Heuer Monaco re-issues released by Tag Heuer, and are now highly sought after and collectable. (Excellent - Near Mint). 3,000 - 6,000 1083 - LADYS STAINLESS STEEL BEDAT & CO, GENEVE, NO.3 DIAMOND DIAL & BEZEL WRISTWATCH, REF. 304.

Lady’s Bedat & Co., Geneve, Switzerland, “No.3” wristwatch with diamond dial and bezel. Reference No. 304. Case No. 115xx. Marked “Swiss AOSC” on dial. Case diameter 24mm. Seven row panther link style bracelet with hidden deployment clasp. Watch has some very light scratches to case and bracelet, otherwise in excellent condition. (Very Good - Excellent). 1,000 - 2,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1083

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LOT - 1084

1084 - MENS PLATINUM EBEL 1911 AUTOMATIC PERPETUAL CALENDAR CHRONOGRAPH WRISTWATCH W/MOON PHASE & BOX, REF. 4136901.

Men’s Ebel automatic perpetual calendar chronograph wristwatch with moon phases in solid 950 platinum. Reference No. 4136901. Case No. 64700xxx. Case diameter 40mm. Caseback numbered and marked “Platine, Swiss” with hallmarks. Matte frosted gray-white dial with silver stick hands and markers. Automatic, self-winding Swiss movement. Solid platinum bracelet with 18K white gold folding clasp. Bracelet numbered “1193” and marked “PT950” with “750” marked inside deployment buckle. Gross weight is an impressive 243.6 grams. Watch includes Ebel inner and outer boxes with white sleeve and warranty booklet. Appears to have been worn only once or twice. (Excellent - Near Mint).

20,000 - 30,000

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www.MorphyAuctions.com | July 14, 2020

1085 - MENS 18K GOLD EBEL 1911 AUTOMATIC CHRONOGRAPH WRISTWATCH W/DIAMOND BEZEL & BOX, REF. 8134901.

Men’s Ebel automatic chronograph wristwatch in 18K yellow gold with a factory diamond bezel. Reference No. 8134901. Case diameter 38mm. Matte frosted champagne dial with gold stick hands and Roman markers. Automatic, self-winding Swiss movement. Solid gold bracelet with folding clasp and safety lock. Bracelet marked “750” marked inside deployment buckle. Gross weight is 164.3 grams. Watch includes Ebel box with outer white sleeve. There are scratches present to case, bracelet and crystal, with roughness to outer edge of crown, otherwise in very good condition. (Good-Very Good). 10,000 - 15,000

LOT - 1085

1086 - MEN’S OMEGA SEAMASTER 300M QUARTZ WRIST WATCH. Men’s Omega Seamaster Professional 300m Wrist Watch with white wave dial and date. 36mm diameter case. All stainless steel case and bracelet with sapphire crystal, rotating bezel and screw-down crowns.

Quartz movement. Watch is in very good condition with a few light signs of wear. Currently not running. (Very Good). 1,500 - 3,000 1087 - 14K GOLD TIFFANY & CO VINTAGE MONEY CLIP W/SWISS WATCH. 14K gold Tiffany & Co vintage money clip with swiss watch. Circa 1960’s. Mechanical, manual-wind, 17 jewel movement marked “Draga Watch, Swiss, Unadjusted”. Threaded caseback marked inside “S&W, 14K Gold, 666173”. Money clip marked “14K”. Appears to be hand made, with a florentine finish. Champagne dial with gold markers and hands with black and white second hand, marked “Tiffany and Co”.

Case diameter 29mm. Gross weight 39.8 grams. Plastic crystal has some light scratches, otherwise in excellent condition. Running. (Very Good - Excellent). 500 - 1,000 LOT - 1086

LOT - 1087

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LOT - 1089

LOT - 1090

LOT - 1088

LOT - 1091 1088 - MENS TITANIUM PANERAI LUMINOR AUTOMATIC GMT 300M OCEAN CHRONOMETER 44MM WRISTWATCH, REF. OP 6555 W/B&P. Men’s titanium Panerai Luminor Automatic GMT 300M Ocean Chronometer wristwatch. Reference No. OP 6555. Case No. BB 1088xxx. Circa 2002. Case diameter 44mm. Caseback marked “F008/500”. Sapphire crystal. Includes original numbered COSC chronometer certificate, warranty card, inner and outer boxes, unused rubber Panerai strap and booklets. Watch with scratches to bezel and case, and worn replacement strap installed, otherwise in very good condition. (Good-Very Good). 4,000 - 6,000 1089 - MEN’S OMEGA SEAMASTER CHRONOMETER 300M WRIST WATCH. Men’s Omega Seamaster Chronometer 300m Wrist Watch with white wave dial and date. 36mm diameter case. All stainless steel case and bracelet with sapphire crystal, rotating bezel and screw-down crowns.

Automatic movement. Watch is in excellent condition with virtually no signs of wear and is currently running. (Excellent-Near Mint).

1,500 - 3,000 1090 - MEN’S OMEGA SEAMASTER 300M QUARTZ WRIST WATCH. Men’s Omega Seamaster Professional 300m Wrist Watch with white wave dial and date. Serial number 55695xxx. 41mm diameter case.

All stainless steel case and bracelet with sapphire crystal, rotating bezel and screw-down crowns. Quartz movement. Watch is in very good condition with a few light signs of wear. Currently not running.

(Very Good). 1,500 - 3,000 50

LOT - 1092

1091 - LOT OF 2: PENS, CARTIER AND GOLD. Lot consists of: first, a Cartier Pasha roller ball blue ink pen, black with gold cap and accents. Includes original Cartier box and accompanying booklets. Pen appears to be unused in like-new condition. The second is an 18K yellow gold blue roller ball ink pen with diamonds. pen is stamped “750” with hallmarks. There is a band of diamonds set around top. Gross weight 27.3 grams. 7.5mm wide. Pen includes non-original box. Largest Box: 8” x 4” x 1 - 3/4”. (Excellent).

500 - 1,000 1092 - RARE VIENNESE ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1860. Sterling silver with enamel work of children playing. Finial at top of stein of boy sitting on barrel. Open lid to reveal vinaigrette.

3 - 1/2” tall. No damage or enamel loss. 3 - 1/2” x 1” x 3/4”.

(Excellent). 1,500 - 4,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1093

LOT - 1094

LOT - 1096

LOT - 1097

1093 - RARE VIENNESE ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1860. Enamel scene of children in garden. Lid opens to reveal vinaigrette. “S. C.” inscribed on bottom. 2 - 1/2” tall. No damage or losses to enamel. 2 - 1/2” x 1 - 1/2” x 1 - 1/4”. (Excellent).

1,000 - 3,000 1094 - RARE VIENNA ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1860. Enamel scene of ladies. Lid opens to reveal vinaigrette. 1 - 3/4” tall. Minor scratches to panels, no enamel losses. 1 - 3/4” x 1 1/2” x 1 - 1/4”. (Excellent). 1,000 - 2,000 1095 - RARE ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1860. Enamel work of lady with bird. Lid opens to reveal vinaigrette. 1 - 3/4” tall. No damage or enamel loss. 2” x 1 - 1/2” x 1 - 1/4”. (Excellent). 1,000 - 3,000

LOT - 1095

LOT - 1098

1096 - RARE ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1870. Enamel work of lady with bird. 2” tall. No damage or loss to enamel work, slight bend to stein bottom. 2 - 1/4” x 2” x 1 - 1/2”.

(Excellent). 1,000 - 2,000 1097 - RARE VIENNESE ENAMELED MINIATURE STEIN VINAIGRETTE. c. 1870. Enamel work of women and children with horses, stein handle with winged lady. Top opens to reveal vinaigrette. 2” tall. No damage or enamel loss. 2” x 1 - 1/2” x 1 - 1/4”. (Excellent). 1,000 - 3,000 1098 - RARE ENAMELED STEIN MINIATURE VINAIGRETTE. Enamel scene of lady in wooded area. 1 - 3/4” tall. No damage or enamel loss. 1 - 3/4” x 1 - 3/4” x 1”. (Excellent). 1,000 - 2,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1101

LOT - 1099

LOT - 1100

1099 - RARE VIENNESE MINIATURE VINAIGRETTE STEIN WITH ENAMEL SCENE OF BUILDING. Lid opens to reveal vinaigrette. Star of David on back. 1 - 3/4” tall.

No damage or enamel loss. 1 - 3/4” x 1 - 1/4” x 1”. (Excellent).

1,000 - 2,000

LOT - 1102

1100 - RARE VIENNESE ENAMELED MINIATURE STEIN VINAIGRETTE WITH SCENE OF VILLAGE. Enamel scene of village with mountains in background. Lid opens to reveal vinaigrette. 1 - 3/8” tall. No damage or enamel loss. 2” x 1 1/2” x 1”. (Excellent). 1,000 - 2,000 1101 - LOT OF 2: RARE VIENNESE MINIATURE STEIN VINAIGRETTES. c. 1860. Both initialed “S. G.”. Both 1” tall. Both with enameled scene of man and woman. Lids open to reveal vinaigrette. No damage or repairs. L: 1” x 1” x 3/4”. (Excellent). 1,200 - 2,500 1102 - LOT OF 2: RARE ENAMELED PIECES. Lot of two rare enameled pieces. First is an enameled miniature vinaigrette stein with scene on stein body and on domed top, 1” tall.

Second is an enameled barrel with plug for perfume and scene of people, 3/4” long. No damage or enamel loss to either. L: 1” x 3/4” x 1/2”. (Excellent). 1,200 - 2,500

LOT - 1103

1103 - RARE 1885 REED BARTON CURLY HAIR HORSE FIGURAL NAPKIN RING. 4” long rare curly hair horse figural napkin ring made in 1885 by Reed & Barton. Possibly the only one of its kind. 2 - 3/4” x 4 - 1/4” x 1 - 1/2”. (Excellent). 1,000 - 3,000 1104 - CHILDREN ON LADDERS FIGURAL NAPKIN RING. 3 - 1/2” tall figural napkin ring with two Kate Greenaway-style children on ladders by Simpson & Miller, #209. 3 - 1/2” x 3 - 1/2” x 1 - 7/8”. (Excellent). 800 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS LOT - 1104 52

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LOT - 1105

LOT - 1106

LOT - 1108

LOT - 1107

LOT - 1109

1105 - GIRL WITH CHILD FIGURAL NAPKIN RING. 3” tall figural napkin ring with Kate Greenaway-style girl with child by Simpson, #027. 3 - 3/8” x 4 1/8” x 3 - 1/4”. (Excellent). 500 - 1,000 1106 - VICTORIAN GIRL WITH HAT FIGURAL NAPKIN RING. 4 - 1/4” tall Victorian girl with hat has ring on back and dog on base. By Reed & Barton, #1175. 4” x 2 - 3/4” x 2”. (Excellent). 400 - 800 1107 - REED AND BARTON NAUTICAL FIGURAL NAPKIN RING. 5 - 1/4” tall figural napkin ring by Reed and Barton features a boy with anchor and flower holder. #1357. 5 - 1/4” x 4” x 2 - 1/2”. (Excellent). 400 - 800 1108 - WHISTLER FIGURAL NAPKIN RING. 4” tall “Whistler” figural napkin ring by Barbour Silver Co. of a boy with hands in pocket. 4” x 2 - 3/4” x 2”. (Excellent). 300 - 600 1109 - BOY WITH CART NAPKIN RING. 4” long figural napkin ring features boy pulling ring and has turning wheels. 2 5/8” x 4” x 2”. (Excellent). 300 - 600 1110 - GIRL WITH CART FIGURAL NAPKIN RING. 3 - 3/4” long figural napkin ring of a young girl pulling a cart. 2 - 3/4” x 3 3/4” x 1 - 3/4”. (Excellent). 600 - 900

www.MorphyAuctions.com | July 14, 2020

LOT - 1110

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LOT - 1111

LOT - 1112

LOT - 1114

LOT - 1113

LOT - 1115

1111 - GIRL WITH MUFF FIGURAL NAPKIN RING. Figural napkin ring with girl wearing muff by Meriden, #250. 4” x 2 3/4” x 1 - 3/4”. (Excellent). 400 - 800

1114 - VICTORIAN LADY FIGURAL NAPKIN RING. 5” tall Victorian lady with hat figural napkin ring by Middletown Plate Co. 5” x 2 - 7/8” x 3 - 3/4”. (Excellent). 500 - 1,000

1112 - BOY WITH HANDS IN POCKETS FIGURAL NAPKIN RING. 4” tall figural napkin ring with a boy with his hands in his pockets by Meriden, #251. 4 - 1/4” x 2 - 3/4” x 1 - 5/8”. (Excellent). 400 - 800

1115 - LOT OF 20: STERLING SILVER NAPKIN RINGS. Lot includes two heavy napkin rings with Victorian scenes in fitted case, a Russian with an engraved view of St. Basil’s Cathedral in Red Square, an unmarked Tiffany, two Gorham, an 1890 Russian enamel, a pair of coin silver rings with a village scene, two more coin silver rings, a Russian, an .800 German silver ring, a rare pair of Gorham with winged angels, an 1870 W. & H. in the form of a horse, an enamel ring, a Shiebler, a .800 Vermeil and a miscellaneous ring. No damage.

Total weight 28.5 ozt. Largest: 2” D x 2” T. (Excellent). 2,000 - 4,000

1113 - CHERUB FIGURAL NAPKIN RING. 3 - 1/4” long figural napkin ring of Cherub pulling a cart with turning wheels. 3” x 3 - 1/2” x 2”. (Excellent). 300 - 600

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LOT - 1116

LOT - 1117

LOT - 1118

LOT - 1119

LOT - 1120

www.MorphyAuctions.com | July 14, 2020

1116 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1880 - 1920. Lot includes two Gorham, a Shreve with gold wash and enamel, a Shreve with Cupids, two floral Shreves, two matched Geo. Kittle, a Shiebler, a K.G. Wood, a heavily embossed Tiffany, another Tiffany, an 1880 Wood & Hughes, two Unger, a Russian man with horse, a footed ring and three coin silvers: an 1860, 1865 and 1875. No damage. Total weight 30.9 ozt. Largest: 2” D x 2” T. 900 - 1,800 1117 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1860 - 1910. Lot includes seven Gorham, an unmarked Tiffany, one scenic ring with houses, a Russian, an 1890 Dutch with sailboats, another Tiffany, an Austrian with Cherubs, a 1900 Indian Colonial, an Unger, an enamel work ring and three miscellaneous rings. No damage. Total weight 28.5 ozt. Largest: 2” D x 2” T. (Excellent). 800 - 1,600 1118 - LOT OF 21: STERLING SILVER NAPKIN RINGS. c. 1890 - 1910. Lot includes a Sensen, one with birds, one with orchids, a Shiebler, an 1845 French, a 1915 Russian with horses, another Russian, a Shreve, a Tiffany, a 1903 Wood & Hughes, a Mausen, two Gorham, an 1870 Russian, three coin silver and four miscellaneous. No damage. Total weight 27.3 ozt. Largest: 1 - 7/8” D x 1 7/8” T. (Excellent). 800 - 1,200 1119 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1880 - 1910. Lot includes a 1910 Shreve, an 1895 Russian, an 1895 Gorham, a 1900 Swedish, a 1899 Shreve, an Unger, two Gorham, a child’s Gorham, two matching Gorham, a Gorham with horses, a Reddan, three coin silver and four miscellaneous. No damage. Total weight 27.1 ozt. Largest: 1- 7/8” x 2” T. (Excellent). 800 - 1,500 1120 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1850 - 1910. Lot includes a coin “collar”, two 1860 coins, an 1860 H. G. Wood, an unmarked Tiffany with birds, two Jenkins, an 1884 W. H. France, an Art Nouveau, an Unger, a floral Shreve with acorns, two floral rings, a Gorham with bird on top, an 1850 Gorham, a Tiffany, an 1890 Unger with Pond Lillies, a 1910 Shreve, and a miscellaneous ring. No damage. Total weight 25.7 ozt. Largest: 2” D x 2” T. (Excellent). 800 - 1,200 55

LOT - 1121

LOT - 1122

1121 - LOT OF 22: STERLING SILVER NAPKIN RINGS. c. 1870 - 1971. Lot includes two matching 1971, a 1904 Scottish, an 1875 Scottish, a 1900 R.A.J., an 1875 coin with gold, an 1878 coin with gold, an 1880 coin, a Gorham with wave edge, a Gorham with Pegasus, a floral Gorham, a child’s Gorham, a Woodside with embossed flower, a Shreve, a child’s Jack and Jill, a Nursery Rhyme, three coin and a miscellaneous. No damage. Total weight 25.7 ozt. Largest: 2” D x 1 - 7/8” T. (Excellent).

700 - 1,200 1122 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1890 - 1920. Lot of sterling silver napkin rings includes a child’s Tiffany, a child’s alphabet Kerr, a child’s Hartford, a child’s animal, a child’s Jack and Jill, a Wallace, five coin, a John Bellis, a child’s, a Kerr, a Gorham, a Meriden alphabet, a Hirschman, a Tiffany, a Tiffany with birds and two miscellaneous. No damage. Largest: 2” D x 2” T. (Excellent). 800 - 1,500 1123 - LOT OF 20: STERLING SILVER NAPKIN RINGS. c. 1890’s - 1920. Lot consists of four Gorham, three Unger including a matched pair, two children’s, two Tiffany, two coin silver, a Russian, Japanese, Wilcox, Remember, German, Marjorydaw, and lastly an American. All without damage.

Total weight 26 ozt. Largest: 2” D x 2” T. (Excellent). 800 - 1,500

LOT - 1123

LOT - 1124

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1124 - LOT OF 23: STERLING SILVER NAPKIN RINGS. c. 1900 - 1910. Lot includes one with enamel of Cupid, a Dorn, a Trostap with horse, a Keer, a Jensen, a coin, two companions “Mom” and “Dad”, an Easter Bunny, a Lebolt, a J. G. Acorn, two Watrous, two G. S. Catcus, a James Blake, a Shreve, a Portuguese, a Swedish, a Webster, a Wallace and two miscellaneous. All without damage. Total weight 14.6 ozt.

Largest: 1 - 1/2” x 1 - 5/8”.

(Excellent). 300 - 600

1125 - A MATCHED PAIR OF WHITING STERLING WATER PITCHERS. Ca. 1890. Each with a globular body and low broad neck chased with roses and other plants on a matted ground. Model no. 1225.

Each with French import mark used 1893-1970. Height: 7 1/8” Total weight: 49.1 ozt. Each: 7” x 7 - 1/2” x 6 - 1/2”.

2,000 - 3,000

LOT - 1125

1126 - A GEORG JENSEN STERLING FISH SET. Pattern no.55, the handles chased with two fish holding a shell.

Comprising a pair of fish servers with engraved and pierced blade and tines, and 12 fish forks.

Length of knife: 10 - 1/2” Total weight: 30 ozt. Largest: 10 3/4” x 4”. 2,000 - 3,000 1127 - A GROUP OF AMERICAN STERLING TABLE ARTICLES. Including an oval serving dish with a scalloped edge, the border engraved with scrolling leafage; a cake plate with a pierced border with cast floral medallions of cherubs in scrolls and grape vines at intervals, Theodore Starr; three goblets, two with floral chasing, unmarked, the third Gorham, with a matte finish and chased with a stylized arcade; and a candy dish chased with flower heads. Total weight: 59.5 ozt. Largest: 14” x 11” x 3”.

2,000 - 2,500

LOT - 1126

1128 - AN ENGLISH SILVER MEAT DISH. Andrew Fogelberg, London 1772, shaped oval with a gadrooned rim, engraved with a coat of arms. Length: 21” Weight: 64.5 ozt. 16” x 21”. 2,500 - 3,500

LOT - 1127

1129 - AN ASIAN SILVER BOWL. Hemispherical with a scalloped edge, the sides applied with floral motifs and peacocks highlighted in polychrome enamels, and on four shaped bracket feet. Diameter: 9 - 3/8” Weight: 33.4 ozt. 5 - 1/2” x 9 1/2” x 9 - 1/2”. 2,000 - 3,000

LOT - 1128

LOT - 1129

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1130 - A TIFFANY STERLING WATER PITCHER. Ca. 1854-71. Vase form, with a band of Greek style warriors on the body under a beaded and Greek key rim, the neck with a flat chased band of anthemions, and with a square sectioned handle with a female mask finial. Height: 13” Weight: 39. ozt. 13” x 8” x 6 - 3/4”. 2,500 - 3,500 1131 - A TIFFANY STERLING COCKTAIL SHAKER. 1907-38. With a bottom section, top section with fixed internal strainer, and cap, the sides chased with stylized wheat and floral motifs in panels.

Height: 8 - 1/4” Weight: 14.3 ozt. 4” D x 8 1/4” T. 2,500 - 4,000

LOT - 1131

LOT - 1130

LOT - 1132

LOT - 1133

1132 - AN ENGLISH SILVER KETTLE ON STAND. John Payne, London 1767, with pear shaped body engraved with a coat of arms between gadrooned rims, the lid with a flame finial and below a scroll swing handle, the base with a pierced rim and cast pierced scroll sides and shell pad feet. Height: 17 - 1/4” Weight: 71.5 ozt. Larger: 12 - 1/2” x 10 - 1/2” x 8”. 3,000 - 5,000

1133 - THE VIRGINIA GOLD CUP. AN ENGLISH SILVER GILT TROPHY CUP. Benjamin Smith II and Benjamin Smith III, London 1817. Of campana form, with a cast band of grapevine under the rim, the bottom chased with acanthus and with two handles, and on a molded foot; the domed lid chased with bands of laurel and acanthus and set with a cast figure of a charioteer. The front engraved with a coat of arms; the opposite side engraved as the Virginia Gold Cup (1926 to 1933) with recipients’ names. The edge of foot engraved with retailer’s mark of William Gray, Bond Street. Height: 15 - 1/4” Weight: 104 ozt. 15 1/2” x 8 - 1/4” x 8”. 3,000 - 5,000

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1134 - AN AMERICAN STERLING PUNCH SET. Allan Adler, Los Angeles. Mid 20th C. All with a hammered finish, comprising a hemispherical bowl on a collet foot and twenty-four similar cups, a circular tray with a low rim, and a double-lipped ladle, Porter Blanchard, with a square-ended handle. Diameter of bowl: 16 - 1/2” Total approx. weight: 275 ozt. largest: 9 - 1/4” x 16 - 1/2” x 16 - 1/2”. 4,000 - 6,000 1135 - ENGLISH SILVER TROPHY VASE. London 1888 Gibson & Langman, with an urn form body chased with scrolling foliage on a matted ground around a large reserve engraved “Colombo Gymkhana Club October Skye Meeting”, the rear reserve engraved with the crest of a Wyvern with motto below, the stem with a knob set with four cast and chased boars’ heads, the handles with double scrolls on each side of stylized foliage, the low domed lid with a cast winged figure of Victory holding laurel wreaths. There is a slight unevenness to stem. 29” tall. Weight 134.85 ozt. (925/1000). From the Ray Bentley Collection. 29 -1/2” x 14”.

4,000 - 6,000

LOT - 1134

LOT - 1136

1136 - A GROUP OF GORHAM STERLING SERVING PIECES. Including a Saxon Stag pattern meat fork and shell bowled serving spoon; a similar bladed server also Gorham with a stag’s head on a shaped handle; a butter knife, George Sharp, the shaped handle set with a cow’s head; a serving spoon, also Duhme, with a chased goat’s head, the stem with beading down the length; a Gorham pickle fork with a cast dolphin set above the shell bowl and with a spear on the other end; and Gorham bladed server with a cast gilt figure of a greyhound on the handle. Length of serving spoon: 12 1/2” Total weight: 20 ozt. Largest: 12 - 1/2” x 2 - 1/2”. 3,000 - 4,000 1137 - AN ENGLISH SILVER WARWICK CRUET. Samuel Wood, London 1736, of typical form, with a pair of smaller casters and a larger one (1737) all of baluster form and sitting in front of a pair of glass bottles on a shaped frame, all engraved with a coat of arms. Caps on glass bottles unmarked; one bottle newer but identical; one smaller caster with repairs to foot. Height: 9 - 1/2” Total weight of silver: 51.4 ozt. Largest: 9 - 1/2” x 8” x 8”. 3,000 - 5,000

LOT - 1135

LOT - 1137

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1138 - A GROUP OF TIFFANY STERLING AND MIXED METALS ITEMS. Aesthetic Period, late 19C. Including a set of six miniature mugs, three with mokume sides and three with etched copper sides between silver rims, handles and bases; a small squarish cream jug with sides applied with vines gourds and insects and with a French import mark; and an inkwell with a hammered finish applied with gilt leaves and insects. Total weight: 18 ozt.

Largest: 2” x 4” x 2 - 1/2”. 2,500 - 3,500 LOT - 1138

LOT - 1139

LOT - 1140

LOT - 1141

LOT - 1142

1139 - A GROUP OF AMERICAN STERLING SERVING PIECES. Most with handles mounted with animal heads, including a pair of fish servers, Albert Coles, the blade and tines pierced and engraved with scrolls and a fish; a large crumber and a fish knife, Duhme & Co., with cow’s heads, and a similar gravy ladle, Ball Black & Co.; another fish knife with a stag’s head, marked coin; a pie knife, a sugar sifter and another bladed server, Gorham Hound pattern; and a serving spoon, a sugar spoon with shell bowl, and a butter knife, Bailey & Co. Length of serving spoon: 12 - 1/2” Total weight: 42.4 ozt. Largest: 14 - 1/2” x 3 - 1/4” x 2”. 2,500 - 3,500 1140 - A GORHAM MARTELE GRAVY BOAT AND STAND. The oblong body and conforming stand with scalloped edges chased with stylized flowers and gourds. With Gorham trademarks, Martele standard .9584, and I/ AH. Together with a gravy ladle, also Gorham, with similar decoration, marked A5408. Length from spout to handle: 8 - 3/8” Weight: 26.5 ozt. Largest: 5” x 8 - 3/8” x 5”. 2,000 - 3,000 60

1141 - A GROUP OF GEORG JENSEN SILVER TABLE ARTICLES. Various date marks and patterns, including a serving fork and a small spoon, Pyramid pattern; a pair of sandwich tongs; a set of 12 lobster picks, Bernadotte pattern, six marked George Jensen &Wendell (1945-1951); a Fuchsia pattern mustard spoon, caddy spoon and butter knife, the knife with full marks for Copenhagen 1923 and English import marks for 1927; two small serving forks, one Rose pattern, the other Rope pattern; a cased youth set with hammered finish, set with red glass; a pair of small salts with enamel interiors and Continental pattern spoons; and a pair of Cactus pattern small beakers; together with a Georg Jensen Inc. USA/ La Paglia salad fork, with a split stem applied with floral elements. Length of longest (Jensen USA fork): 9 3/4”; height of beakers: 2 - 3/4” Total weight: 41 ozt. Largest: 10” x 2 - 1/2”.

2,000 - 3,000 1142 - A GROUP OF TIFFANY STERLING SERVING PIECES. Various patterns including an ice cream server and a punch ladle with a long stem and small double-lipped bowl, both St James; a cake knife with a saw edge and gilt triangular blade, Winthrop; a fish slice with a gilt blade, St Dunstan; a cake knife with a pierced triangular blade and saw edge, Blackberry; another cake knife with a gilt triangular blade and saw edge, Strawberry pierced; a pair of ice tongs with one shell and one claw end, Italian; a pair of serving spoons with gilt bowls, Strawberry Square; a cream ladle, Tiffany; and a serving fork with a cast leafage terminal, marked Tiffany & Co. Length of St James ice cream slice: 11 - 1/8” Total weight: 50.5 ozt. Largest: 11 - 1/4” x 2 - 1/2”. 2,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1143

LOT - 1144 LOT - 1145

LOT - 1146

LOT - 1147

1143 - A GROUP OF EIGHT GORHAM STERLING BEAKERS. Designed by Erik Magnussen, each with a tapering plain body chased with simple geometric lines at the top and bottom, with date mark for 1930. Height: 4 - 3/4” Total weight: 60 ozt. Each: 4 - 3/4” x 2 - 7/8” x 2 - 7/8”. 2,000 - 4,000 1144 - A TIFFANY STERLING TEA CADDY. 1902-37. The vase-form body chased with stylized leaves and hanging flowers, with an oxidized copper background, the lid and inner lid similar. Height: 4” Weight: 7.8 ozt. 4” x 3 - 1/2” x 3 - 1/2”.

2,000 - 3,000 1145 - AN AMERICAN STERLING WATER PITCHER. S Kirk & Son Co., 1896-1925, with a long ovoid body chased with scenes of architecture in wooded landscapes, the square section handle with a goat’s head mask at the end. Height: 15 - 1/4” Weight: 44.3 ozt. 15 - 1/4” x 8 - 1/2” x 6”. 2,000 - 3,000

LOT - 1148

1146 - A TIFFANY STERLING AND COPPER TEA CADDY. 1907-1938. The silver body of squat vase form and domed lid with copper line decoration. Height: 3 - 3/8” Weight: 5.6 ozt. 3 - 1/2” D x 3 - 1/2” T. 1,500 - 2,500 1147 - A HOWARD & CO. STERLING JUG. Ovoid tapering to a long neck, the side with a cast and applied grape vine, one side engraved with a monogram. Height: 14 - 1/8” Weight: 43.1 ozt. 14 - 1/2” x 6” x 5 - 1/2”. 1,500 - 2,500 1148 - A GORHAM STERLING AND OTHER METALS BOWL. 1881. Applied with copper cherries and gilt leaves on low sides chased with a band of japonesque decoration below a hammered finish. Model no. 1766. Diameter: 7” Weight: 21 ozt. 3” x 8 - 1/2” x 8”. 1,500 - 2,000

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LOT - 1150

LOT - 1149

LOT - 1151

LOT - 1152

LOT - 1153

1149 - A GORHAM STERLING BOWL. 1885. The low circular sides with hammered finish applied with copper berries and a small bird on leaves on one side and water lilies on the other. Model no. 1730. Diameter: 7 - 3/8” Weight: 19.5 ozt. 4” x 9 1/2” x 8 - 1/2”. 1,500 - 2,500 1150 - AN AMERICAN SILVER MOUNTED COPPER TEA CADDY. 1882. Gorham, aesthetic period, with a hammered brown copper vase-shaped body applied with cast elements in silver and copper, including a budding branch and a bird in flight, the lid with a bud and leaves. Company trademark and model no. Y160. Height: 4 - 1/8” 3 1/2” D x 4” T. 1,500 - 1,800 1151 - STERLING SILVER TEAPOT. An Italian Sterling Silver and Wood constructively shaped silver teapot produced by Rossi & Arcandi, silversmiths, for Cleto Munari after a design by Ukrainian Artist Kazimir Malevich (1879-1935). It is hallmarked on the base with silver standard, manufacturer marks, city mark, designer-signet as well as numbered and dated. It is further numbered 26 – 50 that were ever produced. C. 1987. The teapot comes in the typical cubist-constructivist shapes of the Russian avant-garde artist Kazimir Malevich. The body of the pot is subdivided several times. The C-shaped handle is mounted on a cylinder covered by a chambered lid. The cylinder blend into a multi-tiered vessel with a flared sprout. The pot is part of a tea service that first was executed in porcelain by the State Porcelain Manufacturer in Leningrad. 7 - 1/4” x 10 - 1/2” x 4”. (Excellent). 1,500 - 2,500 62

1152 - AN S KIRK & SON SILVER COVERED CUP. Ca. 1870. The vase-form body chased with acanthus leaves, scrolls and flowers around castles in a landscape, one side with a vacant reserve, the finial cast as a sitting deer; together with a S Kirk & Son Co. charger with a plain center and a chased border with castles, bridges and trees. Height of cup to finial: 9”; diameter of charger: 13” Total weight: 62.5 ozt. Larger: 13” x 13”. 1,200 - 1,800 1153 - A RUSSIAN SILVER FIGURAL CARD TRAY. Moscow 1879, chased as a shallow wicker basket with a damask napkin to one side and on four wire feet. Length across handles: 12 3/4” Weight: 15 ozt. 2 - 1/2” x 12 - 3/4” x 8 - 1/2”. 1,200 - 1,800

SEE WEBSITE FOR ADDITIONAL PHOTOS

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1154 - A GROUP OF TIFFANY STERLING SMALL SPOONS AND FORKS. Various patterns including 8 ice cream forks with gilt tines and 12 ice cream spoons, Blackberry pattern; 12 Vine pattern teaspoons (Gourd); 8 Holly pattern cocktail forks; 12 Vine pattern coffee spoons (Iris); 12 Vine pattern small forks (Cherry); and 6 Vine demitasse spoons (Wild Rose). Total weight: 55 ozt.

Largest: 6 - 1/8” x 1 - 1/4”. 1,200 - 1,800

LOT - 1154 1155 - TWO AMERICAN STERLING JEWELRY BOXES. The first Jacobi & Jenkins, Baltimore, rectangular, the sides and slightly domed lid chased with floral motifs on a matted ground; the second, Gorham, rectangular, the sides and domed lid flat-chased and engraved with scrolls with lions’ head terminals, the lid with an initialled reserve; lined. Length of first: 6 1/2” Weight of the first: 19.1 ozt. Larger: 3 - 1/2” x 6” x 4 - 3/4”. 1,200 - 1,800 LOT - 1155 1156 - A TIFFANY STERLING AESTHETIC PERIOD SOAP DISH. 1875-91. With a rounded rectangular body with a hammered finish, the lid with four cut-out vents at each corner and a strap handle, the base with four feet.

Length: 4 - 1/4” Weight: 7.1 ozt. 2 - 1/2” x 4 - 1/2” x 3”. 1,200 - 1,500 1157 - AN ENGLISH SILVER TROPHY PITCHER. Elkington & Co., Birmingham 1897. With a bulbous body chased with a hunting scene, tapering to a base formed as a duke’s coronet and supporting a figure of a deer, the handle cast as two intertwined snakes.

Marked under rim and on edge of base. Height: 13 - 1/2” Weight: 46.2 ozt. 13 - 1/2” x 9” x 6 - 1/2”.

1,200 - 1,800

LOT - 1156

LOT - 1157 1158 - A GROUP OF SHIEBLER STERLING TABLE ARTICLES. Including a desk ruler with an engraved rectangular base, the pierced top applied with cast winged lions; a fish or ice cream knife with extensive geometric engraving; a pair of salad servers with a plain shaped handles with scrolls on one side; an asparagus server with a pierced gilt end chased with scrolls and winged lions; a Chrysanthemum pattern gravy ladle; two butter picks with differing tines; and a three piece carving set, Homeric pattern. Length of first: 12 - 1/4” Total weight of silver: 31.1 ozt. Largest: 14” x 1 - 1/2” x 1 - 1/2”. 1,200 - 1,500

LOT - 1158

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LOT - 1159

LOT - 1160

LOT - 1161

LOT - 1162

LOT - 1163

LOT - 1164

1159 - A TIFFANY & CO STERLING SALVER. 1854 - 70. Circular, the center engraved with seven round reserves engraved with flower heads around an initialled central reserve, the border chased with a trailing ivy vine within a beaded rim, and on three scroll and anthemion feet. Diameter: 10” Weight: 17.9 ozt. 10” x 10” x 1 - 1/4”. 800 - 1,200

1162 - A SET OF THREE TIFFANY STERLING GOBLETS. Ca. 1855-65. Made by Grosjean & Woodward, each chased with birds perched on branches on a matted ground below a beaded rim, and on a domed foot with similar chasing. Height: 7 - 5/8” Total weight: 27 ozt. Each: 7 - 3/4” x 3 - 1/2” x 3 - 1/2”. 1,000 - 1,500

1160 - A SILVER COW CREAMER. Shreve & Co. Modelled as a bull and with a hinged lid on back.

Length: 5” Weight: 9.5 ozt. 3 - 3/8” x 5 - 3/8” x 2”. 800 - 1,200

1163 - A PAIR OF AMERICAN STERLING WEIGHTED CANDLESTICKS. Shiebler, New York. Rococo style with stems and domed bases chased with floral swirls, and with attached nozzles. Height: 11 - 1/4”. 11” x 4 - 3/4” x 4 - 3/4”. 800 - 1,200

1161 - AN ALVIN STERLING OVERLAY PITCHER. The green glass body overlaid with grape vines around a reserve engraved as the Wentworth Tennis Tournament prize for 1899, model no. G325; together with a Whiting sterling vase with a floral chased rim and foot, the body pierced and chased, with a cobalt liner; and a trophy cup, Ball, Black & Co., the tapering body with cast stags’ head handles and on a domed foot. Height of first: 11 - 1/4” Weight of weighable silver: 26.5 ozt. Largest: 11 - 1/4” x 7” x 6”.

1,000 - 1,500

1164 - A GROUP OF GORHAM STERLING TABLE ARTICLES. Including a mug, 1872, with a band of Asian style decoration above a gilt band with a continuous landscape, the matted center band unengraved; a pair of long salad servers, St Cloud pattern, with gilt bowl and tines; and a set of 12 coffee spoons with blue and yellow enamel on matted gilt surfaces; together with a scent bottle Simons Brothers, Philadelphia, with a scroll chased body and long curved neck with a corked ended stopper. Total weight: 28.3 ozt. Largest: 5” x 3 1/2” x 3”. 1,000 - 1,500

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LOT - 1165

LOT - 1166

LOT - 1167

LOT - 1168

1165 - A SCOTTISH SILVER FIGURAL TABLE BELL. Hamilton & Inches, Edinburgh 1887, in the form of a woman in a full dress, her head moving the clapper; together with a pair of English menu holders, H Wilkinson & Co., cast as swans on a circular base. Height of first: 4 - 3/8” Total weight: 14.3 ozt. Largest: 2 - 1/4” D x 4 - 1/4” T. 800 - 1,200

LOT - 1169

1166 - A GERMAN SILVER-PLATED TABLE CENTERPIECE. WMF, with a center support holding a circular bowl with floral-chased oval roundels and clear glass insert, the sides of the base flanked by two octagonal bowls with the same oval roundels and scrolled handles; together with a pair of oil lamps, WMF, each with a clear glass pointed end body in a frame with three pierced, ring-handled supports, and chased conical covers over the wick; and a silver-plated art nouveau style flagon, also WMF, with curved linear chasing and flared neck and foot, with three matching cups. Repair to one foot of centerpiece. Height: 16 - 3/4” Length: 25 - 3/4”. 16 - 1/2” x 25 1/2” x 12 - 1/4”. 1,000 - 1,500 1167 - A SET OF TWELVE TIFFANY STERLING SALTS AND SPOONS. Ca. 1875-91. The salts with square bodies and on four ball feet, the spoons with round bowls and rounded handles; all with a hammered finish engraved with tendrils and applied with leaves; lightly gilt.

Length of salts 1 - 1/4” square. Total weight: 6.3 ozt. Largest: 3/4” x 1 - 1/8” x 1 - 1/8”. 900 - 1,200

LOT - 1170

1168 - AN AMERICAN STERLING TEA CADDY. Kennard & Jencks, Boston. The ovoid body with a hammer finish surface applied with a partly gilt turtle and plant, the lid with a holly leaf.

Height: 4 - 1/8” Weight: 4.1 ozt. 3 “ D x 4” T. 800 - 1,200 1169 - A GORHAM STERLING FISH SET WITH IVORY HANDLES. 1892. The gilt blade and tines chased with birds among scrolls and leaves, the carved handles with rolled up ends; together with a Whiting Ivory pattern sardine fork; a Georg Jensen ladle and small serving fork with ivory handles, model 93, and a Jensen child’s rattle with a bulbous ivory handle, model 67. Length of fish knife: 12”.

Largest: 12” x 2 - 1/2”. 800 - 1,200 1170 - AN AMERICAN STERLING WATER PITCHER. Bailey Banks & Biddle. The squat bulbous body chased with a rose sprig on one side, below a short plain neck. Height: 6 - 5/8” Weight: 35 ozt. 6 - 1/2” x 9 - 1/2” x 8”. 800 - 1,200

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LOT - 1171

LOT - 1172

LOT - 1173

1171 - A GEORG JENSEN STERLING VASE. Ca. 1926-32. Circular, the slightly flaring top with a soft hammered finish, over a bulging leafage base and stepped foot.

Height: 8 - 1/2” Weight: approx.

17.5 ozt. 8 - 3/4” x 5 - 1/2” x 5 - 1/2”. 1,000 - 2,000 1172 - A GORHAM STERLING PORRINGER AND A TRAY. The circular porringer with an applied band of cherubs riding sea horses, the thin handle pierced with scrolls; the rectangular tray, marked W & Co, chased with figures in panels around Mother Goose; and with two pairs of napkin rings, one Gorham, the heavy cylindrical sides chased with various figures in costume, model no. 1740; the other Shiebler, applied with cast floral motifs. Length of porringer: 7 - 1/2” Total weight: 36 ozt.

Largest: 12” x 8 - 1/4”.

1,000 - 1,500

LOT - 1174

LOT - 1175

1173 - A STERLING COW CREAMER. W. B. Meyers. Of typical form with a hinged lid on back. Length: 5 - 1/8” Weight: 7.4 ozt. 3 3/8” x 5 - 3/8” x 2”.

1,000 - 1,400 LOT - 1176 1174 - AN AMERICAN STERLING AND ONYX VASE. McChesney, ca. 1925, the narrow body with sides chased in panels, the similar neck above a green onyx shoulder. Height: 13 - 1/8”. 13 - 1/8” x 4 - 1/4” x 4 - 1/4”. 1,000 - 1,400 1175 - AN ASIAN STYLE STERLING JEWELRY BOX. Nearly square with sides and doors engraved with flower heads, the interior with four black painted wood drawers, the inside of the doors engraved with a temple and a bridge, marked only sterling; together with a German Art Nouveau sugar box, Wich, Nuremberg, with incurved sides chased with stylized floral panels. Height of first: 6” Weight of second: 10.5 ozt. Larger: 6 - 1/4” x 5 - 1/2” x 5”. 1,000 - 1,500 1176 - A PAIR OF AMERICAN STERLING GOBLETS. Gorham, 1874, each with a large bell-shaped body with matte finish engraved with scrolling below an applied gilt band with cherubs, and on a low domed foot; with engraved retailer’s mark of Bailey & Co.; a Gorham cage work wine bottle frame with scrolling vines and a branch handle; a goblet with two cast and applied medallions, unmarked; a Gorham beaker with four chased medallions in an engraved band, tapering to a low foot, retailed by Tiffany; and a child’s cup etched with historical scenes, Blackinton. Height of beakers: 5 - 1/2” Total weight: 51 ozt. Largest: 4” D x 8 - 3/4” T. 1,200 - 1,800 66

www.MorphyAuctions.com | July 14, 2020

LOT - 1177

LOT - 1178

LOT - 1179

LOT - 1180

LOT - 1181

LOT - 1182

1177 - A GROUP OF AMERICAN REPOUSSE SILVER ARTICLES. Including a tall cream jug, S Kirk ca. 1870-80, the sides chased with a castle and another building in floral scrolls and flower motifs, the front with a vacant reserve; a waste bowl, S Kirk, ca. 1845, with similar decoration, with a reserve on the front engraved with a crest; a mug, Gorham, the sides chased with architectural and landscape scenes, the front with an engraved reserve, incuse marks and marked pure coin; and a pair of goblets of typical form chased with scrolls and flowers, Bailey & Co. Height of cream jug: 9 - 3/4” Total weight: 52.8 ozt.

Largest: 6 - 5/8” D x 7” T. 1,200 - 1,800 1178 - TWO ENGLISH SILVER WAITERS. The first, Ebenezer Coker London 1764, with a molded rim with shells at intervals, the center with a vacant scroll cartouche; the second, also Coker, London 1765, similar, the center engraved with a coat of arms.

Engraving removed from first; minor dents to both. Diameter of both: 10” Total weight: 33 ozt. Each: 10” x 10” x 1 - 1/2”. 1,200 - 1,800 1179 - A SILVER ELEPHANT TABLE ORNAMENT. Modelled standing with a scroll-chased howdah on its back and on a shaped base with molded edges and four wheels. Indistinct marks; with French import mark. Repair to area of mark. Height: 6 - 7/8” Weight: 25.5 ozt. 6 - 3/4” x 10” x 5”. 1,200 - 1,800

1180 - TWO AMERICAN STERLING AESTHETIC PERIOD CIGAR LIGHTERS. The first Gorham, sterling and other metals, with a compressed circular body with hammered finish applied with a copper frog, insects and lilies, the handle in the form of a dragon, the wick in an upturned spout with screw-on cover; the second, Shiebler, with a small compressed body applied with cast blossoms and leaves, the wick in an upturned spout with fitted cover. Length of first: 4 - 7/8” Total weight: 8.9 ozt.

Larger: 2 - 1/2” x 5” x 3”. 1,200 - 1,800 1181 - A GROUP OF AMERICAN STERLING SERVING PIECES. All with enamel highlights, including a Dominick & Haff Grape pattern pie or tart server with a pierced blade; A Dominick & Haff berry spoon; and a Gorham Hanover pattern pierced spoon, gilt; together with a pair of salad servers, Shiebler, with pierced handles and beaded wire tied around the stems. Length of salad servers: 11 - 1/4” Total weight: 18.5 ozt. Largest: 10 - 1/4” x 2”. 1,200 - 1,800 1182 - A GROUP OF GORHAM STERLING FLATWARE. Morning Glory pattern, including a set of 12 ice cream spoons; two serving spoons, the smaller with a ridged bowl; two bladed servers, one with piercing; and a punch ladle with a shaped bowl. Length of punch ladle: 13 - 1/2” Total weight: 24.5 ozt. Largest: 13 - 1/2” x 3”.

1,200 - 1,800

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LOT - 1184

LOT - 1183

LOT - 1186

LOT - 1187

1183 - A PAIR OF AMERICAN STERLING VASES. S Kirk & Son. 1896-1925. Each tall with tapering sides chased with a continuous landscape garden scene with architectural elements above acanthus leaves, and with domed acanthus-chased bases. Height: 13 3/8” Weight: 44 ozt. 13 - 1/4” x 5” x 5”. 1,200 - 1,600 1184 - A GROUP OF STERLING SERVING PIECES. Including a macaroni server with a cast and chased branch stem and handle set with a bird, possibly Ford & Tupper; two pairs of Gorham Saxon Stag pattern long tongs with circular bends and claw ends; and an ice spoon, George Sharp, with a beaded rod stem and ball finial, the bowl with pierced scrolls and set with a cast bee. Length of longest pair of tongs: 11 - 3/8” Total weight: 20.5 ozt. Largest: 11 - 3/4” x 4 - 1/4”. 1,500 - 2,500 1185 - A GORHAM JAPANESE STYLE TEA POT AND STAND. With a compressed circular iron body applied with silver medallions and a silver spout, the conforming stand applied with flowers, a frog, a butterfly and a salamander. Marked under pot Gorham Co/ W21/P/ Sterling & iron. Height to finial: 5 - 3/8”. Largest: 2 - 3/4” x 5 - 1/2” x 5 - 3/4”. 1,200 - 1,800

68

LOT - 1185

LOT - 1188

1186 - AN AMERICAN SILVER MOUNTED COPPER TEA CADDY. 1882. Gorham, aesthetic period, with a hammered red copper vase-shaped body applied with cast silver elements including men in a boat, fishes and a crab, the lid with a mouse. Company trademark and model no. Y160. Height: 4 - 1/4”. 3 - 1/4” D x 4 - 1/2” T. 1,500 - 2,000 1187 - A TIFFANY STERLING VASE. Ca. 1902-1907. The tall sides partly chased with blossoms and dangling tendrils, the plain neck with an incurved rim. Height: 10 1/2” Weight: 23.3 ozt. 10 - 1/2” x 4 - 3/4” x 4 - 3/4”.

1,500 - 2,500 1188 - A GROUP OF STERLING SERVING PIECES. Including three spoons and a ladle, Duhme & Co., each with a shaped handle set with a cast cow’s head, one with a stag; two oyster soup ladles, each with a shaped handle set with a cast oyster shell, both marked Ball Black & Co.; and a gravy ladle, George Sharp, the shaped handle set with a cast bull’s head. Length of longer oyster ladle: 12 - 7/8” Total weight: 22.5 ozt. Largest: 12 - 1/4” x 2 - 5/8”.

1,200 - 1,800

www.MorphyAuctions.com | July 14, 2020

LOT - 1189

LOT - 1190

LOT - 1191

LOT - 1192

LOT - 1193

1189 - AN AMERICAN STERLING TEA AND COFFEE SERVICE. Wallace Exemplar pattern, comprising a coffee pot, tea pot, cream jug and covered sugar bowl, each piece of baluster form in the style of the late 17th C.; together with a Cartier tea caddy with curved sides and an ivory pineapple finial; and a small tray with ribbed sides.

Height of coffee pot: 10” Total weight: 76.5 ozt. Largest: 9 - 1/2” x 9 - 3/4” x 5”. 1,800 - 2,500 1190 - LARGE LOT OF STERLING SILVER. Large lot of sterling silver includes two hot plates by Gorham; three bread trays, 12” long; two small trays, 9” long; two bowls, 9” dia.; a coffee pot, which has dents; three sets of creamers and sugars and one creamer. Minor wear overall. 106 toz. Largest: 9 - 1/4” D. x 2” T. 1,500 - 2,500 1191 - A SET OF 12 GORHAM MIXED METALS DESSERT KNIVES. Each with a differing copper handle with Japanese style motifs highlighted in gold, the shaped silver blades engraved with floral motifs. Length: 7 - 3/4”. Box: 14” x 9” x 2”. 2,000 - 3,000

1192 - A GROUP OF MISCELLANEOUS STERLING ARTICLES. Including a Gorham oval dish with floral chased sides; a similar dish with pierced sides and scrolled edges, Nathan & Hayes, Birmingham 1898; a Reed & Barton small cocktail shaker with two small beakers; a Watson cocktail jigger; a circular stamp box for coils; a set of 8 iced tea straws with leaf ends; 5 Gorham Kings I (1878) teaspoons; two other teaspoons, including Gorham Old Medici; 12 butter pats with pierced engraved edges; 3 demitasse spoons; a floral tea strainer, International; a repousse meat or fish fork, Stieff; a repousse tablespoon, S. Kirk; a large serving fork, Reed & Barton Burgundy pattern; a gravy ladle; and a small milk jug with straight sides. Total weight: 56 ozt. Largest: 10” x 6” x 2”. 1,500 - 2,000 1193 - AN ENGLISH SILVER TEA AND COFFEE SET. London 1799/1800, Solomon Hougham, comprising a coffee pot, tea pot, cream jug and sugar bowl, each piece chased with pointed lobes below an engraved scrolled border, the rims gadrooned, the pots with ivory handles and finials; together with a teapot stand, Henry Chawner, London 1792, engraved with a coat of arms. Height of coffee pot: 10 - 1/2” Total weight: 61.5 ozt. Largest: 10 - 1/2” x 12” x 5”. 2,000 - 4,000

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LOT - 1194

LOT - 1197

LOT - 1195

LOT - 1196

LOT - 1198

LOT - 1199

1194 - AN AMERICAN STERLING WATER PITCHER. S Kirk & Son Co., 1896-1925, the body of squat vase form, chased with castles and ruins in wooded landscapes, the handle chased as a branch with vines, the spout chased with a bearded mask underneath.

Height: 9 - 1/2” Weight: 49.5 ozt. 9 - 1/2” x 9 - 1/2” x 7”.

1,500 - 2,200

1197 - A SILVER LIDDED JUG. S. Kirk ca. 1880. The pear-shaped body, lid, domed base and scroll feet all chased with leafage and flower heads, the front with a vacant reserve, the handle set with a cast running dog. Marked under base SK 11 OZ. Height: 14 - 1/2” Weight: 56.5 ozt. 14” x 9” x 7”.

2,000 - 3,000

1195 - A FRENCH SILVER MOUNTED CLARET JUG. Mark of Martial Gauthier, Paris c. 1880-1900. Baluster form with a cut body and neck mounted with swags around two vacant shields, the neck with four panels and a mask under the spout, the domed lid with a helmet finial with plumes. .950 standard. Height: 15”. 14 - 3/4” x 7 - 1/4” x 6”. 2,000 - 3,000

1198 - AN ENGLISH SILVER TABLE LAMP. London 1861, J C Edington, in the Antique taste, the circular body chased with anthemions and a tongue and dart rim around a hinged lid with a satyr’s mask, the projecting front engraved with a coat of arms.

The arms are those of a member of the Beauclerc family, Dukes of St Albans. Length: 7 - 7/8” Weight: 12.4 ozt. 8” x 3 - 1/2” x 3”. 1,500 - 2,500

1196 - A GROUP OF AMERICAN STERLING SERVING PIECES. Including a Wood & Hughes soup ladle and serving spoon, each with applied flowers and branches on the handle and with gilt bowls; a fork and knife set, Shiebler, with heraldic motifs above vacant shields, the tines and bowl plain; a pair of Towle salad servers with leaves and large flowers; a Whiting Lily sugar sifter; a Gorham pie knife with aesthetic engraving on a matted ground; a Whiting spoon with a shaped, ribbed shell bowl and cast bird’s nest finial; a gilt Shiebler fork with eclectic pierced and cast decoration; a set of eleven Dominick & Haff cocktail forks with pierced handles with a cherub fishing; two pierced scoops, one Watson Meadow Rose, the other International; two bladed servers; and seven various souvenir teaspoons and a pair of small tongs. Length of soup ladle: 12 - 1/2” Total weight: 62.5 ozt.

Largest: 12 - 1/2” x 3 - 1/2” x 3 - 1/2”. 1,500 - 2,000 70

1199 - AN AMERICAN STERLING AESTHETIC PERIOD BOWL. Bigelow, Kennard & Co., Boston. Oval with low sides chased with a lobster on a hammered finish, over a low foot with a gadrooned edge.

Interior gilt. Length: 10 - 1/8” Weight: 27.9 ozt. 4 - 3/4” x 10” x 7 3/4”. 2,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1200

LOT - 1201

LOT - 1203

LOT - 1202

LOT - 1204

1200 - AN ENGLISH SILVER ART DECO SMOKER’S COMPENDIUM. Asprey, London 1937. Comprising four rectangular cigarette cases, two large and two small, and two small lighters and two vestas fitted into a base frame with low fluted sides, all with chased line decoration above a recessed geometric line on the sides. Fully marked. Length: 14” Total weight: 134.7 ozt. 8” x 14” x 2 - 3/4”. 2,000 - 3,000 1201 - AN S KIRK & SON LIDDED PITCHER. Ca. 1880. Chased in the Renaissance manner with scrolling foliage and figures in bands on a tapering cylindrical body, the domed lid set with a cast figure of a drunken reveler, the short spout with a bellarmine mask underneath, and with an angular hollow handle. Marked underneath S. Kirk & Son 11 oz. Height: 11 - 3/4” Weight: 46.5 ozt.

11 - 1/2” x 9” x 5”. 1,500 - 2,500 1202 - AN AMERICAN STERLING AESTHETIC PERIOD BOWL. Dominick & Haff, retailed by Black Starr & Frost, New York. The incurved sides with hammered finish chased with plants and insects, and with two loop handles. Length across handles: 8 - 7/8” Weight: 18.4 ozt. 3 - 1/4” x 8 - 3/4” x 7 - 1/4”. 2,000 - 3,000 1203 - A SET OF 6 GORHAM HIZEN PATTERN UTENSILS. 1898. Each handle chased with scrolls and leaves around a reserve with a raised, gilt figure of a bird, the blade etched with flowers and butterflies in a shaped reserve; together with a gilt serving spoon, Gorham, the bowl chased as a turtle shell, the handle with scrolls and shellwork with a turtle at the top, with a Special Order mark no. 7011.

Length of knives: 7”; length of spoon: 9 - 7/8” Total weight: 17 ozt.

Largest: 10” x 3”. 1,500 - 2,500

LOT - 1205 1204 - A GROUP OF STERLING FLATWARE. Including a set of 12 dessert forks, Shiebler, with shaped, hammered finish handles applied with animals and insects; a sardine fork with three tines chased as gilt sardines and a handle chased as three leaves; six Gorham dessert forks with in various patterns with cast and chased handles, one with a copper Asian figure above a fish, another Egyptian pattern; a set of 12 Shiebler demitasse spoons with a hammered finish, the shaped handles applied with animals, insects and fish, boxed; and a Shiebler spoon with a leaf bowl. Total weight: 31.5 ozt. Largest: 7 - 1/2” x 1 - 1/2”. 2,000 - 3,000 1205 - AN S KIRK & SON CO. STERLING WATER PITCHER. Ca. 1896-1924. Vase-shaped body chased with floral motifs, with a double branch handle similarly chased, the spout with a bearded mask, and on a plain molded foot. Height to handle: 8 - 3/4” Weight: 45.1 ozt. 8 - 3/4” x 9 - 1/4” x 7 - 1/2”. 1,500 - 2,500

www.MorphyAuctions.com | July 14, 2020

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LOT - 1206

LOT - 1207

LOT - 1208

LOT - 1209

LOT - 1210

LOT - 1211

1206 - A SET OF 12 MIXED METALS DESSERT KNIVES. J E Caldwell, Philadelphia. The handles of copper alloy, probably Japanese, chased with various animals, figures and floral motifs some highlighted in gold, silver and copper. The blades marked Landers Frary & Clark. Length: 8 - 1/2”. Each: 8 - 5/8” x 7/8”. 2,000 - 3,000

1209 - A TIFFANY & CO. STERLING PITCHER. Ca. 1854-1870. The spherical body chased with ivy on a smooth matted ground, below a beaded band and plain concave neck. Height: 9 - 1/2” Weight: 25.5 ozt. 9 - 1/2” x 7 - 1/2” x 7”. 2,500 - 3,500

1207 - AN ENGLISH SILVER OVAL SALVER. William Laver, London 1790, with a beaded rim, an engraved border of scrolls and flower heads around a (later) coat of arms with a rococo-style cartouche, and on four cast leafage feet with gadrooned edges. Length: 19 - 1/2” Weight: 69.1 ozt. 19 - 1/2” x 14 - 1/2” x 1 - 3/4”. 2,500 - 3,500 1208 - A GROUP OF TIFFANY STERLING SERVING PIECES. Vine pattern, including an ice spoon with a heat-shaped bowl; a berry spoon; two fish slices with differently shaped blades; a vegetable spoon with a kidney-shaped bowl; a large sifter with a round fluted bowl; a serving spoon; two cream ladles (Squash) with different bowls; and a bonbon spoon (Daisy). Most bowls and tines gilt except serving spoon and sifter. Length of serving spoon: 11” Total weight: 30 ozt.

Largest: 11 - 1/2” x 3”. 2,500 - 3,500 72

1210 - AN AMERICAN STERLING SOUP TUREEN. Jacobi & Jenkins, retailed by Hennegan, Bates, Baltimore 1894-1908, the oval body, domed foot and domed cover chased all over with floral motifs and ferns on a matted ground, the loop handles on each side and the lid chased as branches with grape vines Length across handles: 15 - 3/4” Total weight: 77.8 ozt. 12” x 15 - 1/2” x 9”.

3,000 - 4,500 1211 - A GROUP OF TIFFANY STERLING SERVING PIECES. Various patterns including a soup ladle, Vine (Tomato); a pea spoon, Vine (Peapod); a pair of salad servers with gilt bowl and tines, Vine (Peapod); two salad servers, Lap Over Edge, with different handles and both with London import marks for 1966 (C J Vander); a pair of salad servers of heavy weight, Dolphin pattern; and a pair of salad tongs with twist stems and gilt ends, the handles cast and chased as stylized birds’ heads and wings. Length of salad tongs: 10 - 3/4” Total weight: 46.5 ozt. Largest: 12 - 1/2” x 4 - 1/4”. 3,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1212

LOT - 1213

LOT - 1214

1212 - A TIFFANY STERLING MOUNTED CRYSTAL FLAGON. Ca. 1891-1902. The facetted clear body mounted with a broad band chased with stylized foliage, a similar neck ring and domed cover, and on a base with a molded rim and four cast winged paw feet. Height: 12 - 1/2”. 12 - 1/2” x 8” x 5 - 1/2”. 3,000 - 5,000 1213 - AN ENGLISH SILVER ARTS & CRAFTS PERIOD BOX. Omar Ramsden and Alwyn Carr, London 1901, retailed by Payne of Oxford, rectangular with slightly bowed sides chased with stylized foliage, the hinged lid with an inscription on the edge around a rivetted polychrome enamelled plaque with a street scene of Oxford. Retailer’s mark engraved under base. Length: 5 - 3/4” Weight: 13.3 ozt. 3” x 5 - 1/2” x 3 - 1/2”. 4,000 - 6,000

LOT - 1215

1214 - TIFFANY STUDIOS SILVERED SERVING SET AND TRAY. Tiffany Studios copper plated heavily with sterling silver serving set compromising of Tea Kettle with burner and stand, Coffee Kettle, Hot Water Kettle, Waste, Sugar, Creamer and Tray. Each piece is signed “Tiffany Studios New York”. Largest: 32” x 20 - 1/2” x 1 - 1/4”.

(Excellent). 7,000 - 9,000 1215 - A JENSEN STERLING ACANTHUS PATTERN FLATWARE SET. Most 1915 - 1917, comprising 12 ice tea spoons, 12 salad forks, 12 regular forks, 12 cocktail forks, 12 dessert forks, 12 teaspoons, 12 soup spoons, 12 tablespoons, 12 demitasse spoons, 12 small knives, 12 butter knives, 12 dessert knives, 12 dinner knives, a bottle cap opener, two large cutting knives, a ladle, 7 serving pieces and a ladle with a broken handle, which is repairable. All with French import mark used after 1893. Over 160 pieces in a fitted 3-drawer mahogany box.

Length of longest: xx” Total weight: over 180 ozt, excluding butter knives, dinner knives, bottle cap opener and large cutting knives. Both: 17” x 23 - 1/2” x 17 - 1/2”. (Excellent). 5,000 - 7,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1217

LOT - 1216

LOT - 1218

1216 - A GORHAM STERLING AND COPPER JAPANESE STYLE TOBACCO BOX. 1880. The oxidized copper body applied with tied and crossed silver bands and three crabs; the copper lid set with a cast and chased figure of a crab. Height: 5 - 3/4”. 5 - 1/2” x 6” x 6”. 4,000 - 6,000 1217 - LARGE LOT OF STERLING SILVER INTERNATIONAL SILVER CO. 1810 PATTERN. Large lot of International Silver Co. sterling silver includes more than 25 place settings including 9 serving pieces, 12 steak knives, 45 butter knives, 26 knives, 6 jelly saucers, 33 forks, 29 salad forks, 29 cocktail forks, 26 soup spoons, 28 oval soups, 62 teaspoons, 18 demitasse spoons and additional pieces. No initials. Total weight 315 ozt. Largest Box: 14 - 1/2” x 10 - 1/2” x 5 - 3/4”. 4,000 - 6,000

74

LOT - 1219

1218 - LARGE LOT OF INTERNATIONAL SILVER CO. 1810 PATTERN STERLING SILVER. Lot consists of 30 knives, 40 forks, 22 salad forks, 76 butter knives, 65 teaspoons, 15 ice cream forks, 17 ice tea spoons, 11 oval soups, 4 large soups, 16 tablespoons, 12 serving pieces, 12 steak knives, and 4 cake servers. No initial. Weight: approx. 317 ozt. Box: 17” x 11 1/2” x 9 - 1/2”. 4,000 - 6,000 1219 - TWO TIFFANY & CO STERLING TEA CADDIES. Two Tiffany & Co Sterling Tea Caddies. 1875-1891. Both with hammer-finish texture, one tall with a vase-form body applied with a spider, dragonfly and leaves; the other, of squat bulbous form chased with leaves and blossoms around a gilt ring engraved with dates, with an interior lid, and with raised letter inscriptions. Height of first: 6 - 1/4” Total weight: 20 ozt. Larger: 6 - 1/4” x 3 - 3/4” x 3 - 3/4”.

3,500 - 5,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1220

LOT - 1221

LOT - 1222

1220 - A LARGE GROUP OF JENSEN ACORN PATTERN STERLING. Various date marks. Including a fish set with two crossed fishes at the joins of the handles; a pie server with flat chased floral motif; a similar server with a round flat blade; a pierced spoon with an ovoid bowl and another smaller without piercing; a pie server with an acorn shaped blade; two serving forks, one larger; a serving spoon and another with a long stem and small bowl; a long bladed server; a double lipped gravy bowl; a long serving fork with short tines; and a silver handled horn spoon. Length of longest: 11 - 3/8” Total weight: 48.5 ozt. Largest: 9 - 5/8” x 2 - 3/4”. 3,000 - 5,000 1221 - A GROUP OF GEORG JENSEN STERLING TABLE ARTICLES. Various dates and patterns, including a pair of fish servers, Pomegranate pattern, with pierced blade and tines; a pair of Pomegranate salad servers; a pair of Snail pattern salad servers; and a pair of Pattern 39 salad servers, the ends of the handles with owls set with green glass eyes. Length of Owl pattern spoon: 9 - 3/4” Total weight: 31.5 ozt. Largest: 10 - 1/2” x 2 - 1/4”. 3,000 - 5,000 1222 - A GORHAM STERLING GLASS LINED BOWL. 1892. Circular with sides chased and pierced with scrolling foliage, swags and flower heads below a low scalloped rim and over four paw feet, the interior with a removeable molded red glass liner. Made for the World’s Columbian Exposition, 1893. Diameter: 10”. 5” x 10” x 10”. 3,000 - 4,000

LOT - 1223 1223 - AN AMERICAN STERLING PRESIDENTIAL PRESENTATION VASE. Dated 1895, with a tall neck over a body chased with ships in turbulent waters, the handles cast as American eagles over shields, the inscription from the President to Captain Amos Hawkett of the British Steamship Queensmore for rescuing the crew of the American schooners Alma Cummings and Marion F Sprague; with an attached base plate engraved Moore & Leding/ Designers & Makers/ Washington DC. Together with contemporary newspaper clippings mounted on linen.

Height: 11 - 1/2” Weight: 50 ozt. 11 - 1/4” x 9” x 7”. 3,000 - 5,000

www.MorphyAuctions.com | July 14, 2020

75

LOT - 1224 1224 - A GROUP OF AMERICAN STERLING AND MIXED METAL ARTICLES. Aesthetic Period, 19thC. All with hammered finish, including a cream jug and sugar bowl of triangular section with turned-in rims, the sides applied with wheat, insects and a flying bird in copper; a mustard pot, Dominick & Haff, with a low circular body and square lid both applied with plants and insects; a single Whiting salt cellar applied with a crawfish and on four ball feet; a Gorham fish set, the handles applied with fish; another Gorham fork of similar design but smaller, applied with a copper fish; and a serving spoon, applied with leaves and berries. Height of cream jug: 3 - 1/4” Length of Gorham fish knife: 11 - 1/2” Total weight: 29.8 ozt. 3” x 4 - 1/4” x 3 - 1/4”.

3,000 - 5,000

LOT - 1225

LOT - 1226

1225 - TWO AMERICAN SILVER MOUNTED COPPER TEA CADDIES. Gorham, Aesthetic style, each with a hammered medium-brown copper vase-shaped body applied with cast elements in silver and copper, the first, 1884, with figures in a landscape with a tree, the lid with a salamander; the other, 1886, with a tree and birds in flight, the lid with a conch shell. Both with company trademark and model Y160. Height: approx. 4 - 1/4”. Largest: 3 - 1/4” D x 4 - 1/2” T. 3,000 - 4,500

LOT - 1227 1226 - 12 PLACE SETTING GORHAM STERLING SILVER VERSAILLES PATTERN. c. 1888. Set includes 14 demitasse spoons, 12 strawberry forks, 12 knives, 12 ice tea spoons, 2 carving knives, 1 carving fork, 1 cake knife, 12 butter knives, 12 salad forks, 12 forks, 12 tablespoons, 16 teaspoons, a salad fork and spoon, 4 serving spoons and 3 ladles. Monogrammed.

Minimal wear. Total weight: 142.7 ozt, counting knife handles at .5 ozt each. Largest: 14 - 1/2” x 1 - 1/2” x 1 - 1/4”. 3,000 - 6,000 1227 - A GROUP OF TIFFANY STERLING SERVING PIECES. Persian pattern, including an ice cream knife with a shaped blade, another server with a short pointed flat blade; a sugar spoon with a gilt shell-shaped bowl; and an asparagus fork; together with an Olympian pattern Saratoga chip server, and a large pair of tongs. Total weight: 26.5 ozt. Largest: 13 - 1/2” x 2 - 1/4”. 2,500 - 3,500 76

www.MorphyAuctions.com | July 14, 2020

LOT - 1228

LOT - 1229

LOT - 1230

LOT - 1231

LOT - 1232

1228 - A TIFFANY STERLING COCKTAIL SHAKER. 1907-38. With a bottom section, top section with fixed internal strainer, and cap, the sides chased with stylized floral motifs in panels. Height: 8 - 1/4” Weight: 16.3 ozt. 3 - 3/4” D x 8” T. 2,500 - 4,000 1229 - AN AMERICAN STERLING PITCHER. Eoff & Shepherd, retailed by Ball Black & Co. New York ca. 1855. The bulbous body and tall neck with trefoil rim chased with vines and a swooping bird around a vacant reserve at the front, between thin molded and beaded edges. Height: 14 - 7/8” Weight: 45.5 ozt. 15” x 8 - 1/2” x 8”. 2,500 - 3,500 1230 - A GROUP OF TIFFANY STERLING SERVING PIECES. All Wave Edge pattern, including a pair of salad servers with gilt tines and bowl; an ice cream slice with a gilt blade; another bladed server; two serving spoons with gilt bowls chased as shells, one squarish; another spoon with an ovoid bowl with crimped edges; a sifting ladle; and a double-lipped punch ladle with a small gilt bowl. All with various initials. Length of longest (punch ladle): 15 - 1/4” Total weight: 33.5 ozt. Largest: 15 - 1/2” x 3 - 1/2”. 2,500 - 3,500 1231 - A GROUP OF TIFFANY STERLING SERVING PIECES. Grape Vine pattern, including a pair of salad servers; a fish slice; a cake knife with a saw edge and pierced blade; a spoon with an ovoid bowl; a vegetable spoon with a shell bowl; a meat fork; a tomato server (Daisy); and a pancake server with a square flat blade. Most with initials on reverse; none with gilt bowls or tines. Length of longest (fish slice): 11 - 1/2” Total weight: 32.1 ozt. Largest: 11 - 1/4” x 2 - 3/4”.

2,500 - 3,500 1232 - A TIFFANY STERLING TEA CADDY AND A GRAVY BOAT. Ca. 1875-91 and 1891-1902. The tea caddy of oblong form and chased with swirls below a conforming domed lid; the gravy boat also oblong with low sides and a tall spout, and chased with floral motifs and scrolls within a milled border, and on a low molded foot. Height of tea caddy: 5 - 1/2”; length of gravy boat: 8 - 1/4” Total weight: 25.8 ozt. Large: 5” x 8” x 4”. 2,500 - 3,500

www.MorphyAuctions.com | July 14, 2020

LOT - 1233

1233 - A TIFFANY STERLING TEA CADDY. Ca. 1870-75. Oval with a chased band of Classical figures on a matted ground, tapering to chased acanthus leaves over a molded foot with a Greek key rim, the hinged lid over a double compartment interior with a cast figure of a cherub playing a reed pipe. Union Square mark.

Height: 6 - 1/2” Weight: 20 ozt.

6 - 1/2” x 5 - 3/4” x 4 - 1/2”.

2,500 - 3,500

77

LOT - 1235

LOT - 1234 1234 - LOT OF 122: GORHAM STERLING 12 PLACE SETTING KING EDWARD PATTERN. Lot includes 12 napkin rings, 12 steak knives, 12 forks, 12 spoons, 12 soup spoons, 12 ice tea spoons, 12 ice cream forks, 12 seafood forks, 12 citrus spoons and 14 demitasse spoons. Set never used. No monogram. Total weight: 116 ozt, including knives as 0.5 ozt each. Largest: 6 - 1/4” x 1 - 3/4” x 3/4”. (Excellent).

2,500 - 4,500 LOT - 1236

LOT - 1237

1235 - A GROUP OF TIFFANY STERLING FLATWARE. Including a pair of large tongs, 1870-75, with detachable sides, one with a fork and the other a shell bowled spoon; a Lap over Edge Saratoga chip server; a Lap Over Edge sugar sifter; a Japanese pattern berry spoon with a shaped gilt oval bowl; a Tomato pattern server with a pierced round bowl; a spoon with a broad gilt bowl and hammer finish stem applied with gilt butterflies; a small Strawberry pattern sifter; a nut scoop with a shell-chased handle; two small caddy spoons with gilt bowls; and a tea strainer with a cast and pierced floral scroll handle. Total weight: 30.3 ozt. Largest: 11” x 2 - 1/2” x 1 - 1/2”. 2,000 - 3,000 1236 - A GROUP OF TIFFANY STERLING SERVING PIECES. Vine pattern, including a salad set, Wheat, with gilt bowl and tines; two large serving forks, Pea pod; an oyster ladle, Tomato; a nut scoop, Raspberry; an olive spoon with a pierced bowl, Pickle; and an olive spoon/ fork, Iris. Total weight: 22.3 ozt. Largest: 11” x 3 - 1/2” x 3 1/2”. 2,000 - 3,000

LOT - 1238

1237 - ENGLISH SILVER COURSING TROPHY. London 1864, Barnard Brothers, neoclassical style with an urn form body chased and engraved with swags, masks and ribbons between beaded borders, the base, foot, and edge of lid chased with acanthus leaves, the lid with a pineapple finial, the body engraved in two reserves for the Ridgeway Coursing Club, and with a presentation to the winner of the Clifton Cup at Lytham, 1865. Fully marked. (925/1000). Height: 13-1/4”.

Weight: 39.7 ozt. Provenance: From the Ray Bentley Collection. 13 -1/2” x 10”. 1,200 - 1,800 1238 - A PAIR OF GORHAM BIRD’S NEST PATTERN SERVING SPOONS. Each with a shaped bowl, and a bladed server, a small pierced ladle and a sugar spoon (boxed) in the same pattern; together with an ice spoon with a gilt pierced bowl applied with a cast bird sitting on a branch, with a rod stem. Length of serving spoons: 9” Total weight: 12.5 ozt. Largest: 10 - 3/8” x 2 - 1/2”. 2,000 - 3,000

78

www.MorphyAuctions.com | July 14, 2020

LOT - 1239

LOT - 1240

LOT - 1241

LOT - 1242

LOT - 1243 1239 - A SET OF TWELVE S KIRK & SON STERLING GOBLETS. Early 20 C. Each of typical form, the lower part chased with alternating grape bunches and acanthus leaves, the domed foot with a band of acanthus. Model no. 3725. Height: 6 - 1/4” Total weight: 105.5 ozt. Each: 6 - 1/4” x 3 - 1/2” x 3 - 1/2”. 2,000 - 3,000 1240 - AN AMERICAN STERLING CENTER BOWL. Baltimore Silversmiths Mfg. Co. Circular, the sides chased with a continuous scene with castles, palaces and boats in a landscape. Diameter: 10 - 1/4” Weight: 28.1 ozt. 6 - 5/8” x 10” x 10”. 2,000 - 3,000 1241 - A GROUP OF AMERICAN FIGURAL STERLING. 19thC. Including a matched pair of ice spoons, Wood & Hughes, with deep gilt oblong bowls, the rod handles with cast cherub figures holding a ring; a Shiebler ice cream knife with a cast and pierced handle in the form of a sea monster; another Shiebler knife with a handle chased as a long rectangular band of flowers and foliage, the curved blade on one side; an ice cream knife engraved with birds and plants on the blade; another, similar, Gorham, the handle chased with an Asian figure of a fisherman; a page knife, Graff Washbourne & Dunn, the handle chased as a female head amid swirls; and a pair of long serving tongs, Bailey & Co., with machine-turned decoration within plain borders, and in a fitted leather box. Length of longest (page knife): 13” Total weight: 52.4 ozt. Largest: 10 1/2” x 2 - 1/2”. 2,000 - 3,000

1242 - AN AMERICAN STERLING AESTHETIC PERIOD BOWL. Whiting. Hemispherical with a hammered finish, the sides applied with silver and copper leaves and flowers in branches. Diameter 9 - 7/8” Weight: 34.1 ozt. 4 - 1/2” x 9 - 3/4” x 9 3/4”. 2,000 - 4,000 1243 - LOT OF 4: METAL COMPOTES - SILVER PLATE. Lot of four consists of: first, a Reed & Barton nut bowl with two large squirrels on base, 8” tall, 8” dia.; second, a Regency N.Y. bi-handled bowl, 7” tall, 10 - 1/2” dia.; third, an English center-handled candy bowl, 10” tall, 9” dia.; and fourth, an S.P. tri-handled bowl with squirrel on top, 7” tall, 8” dia. Largest: 7” x 13 - 1/2” x 10 - 1/2”. 500 - 1,500

www.MorphyAuctions.com | July 14, 2020

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LOT - 1244

LOT - 1246

LOT - 1245

LOT - 1247

LOT - 1249

LOT - 1250

1244 - A SET OF FOUR ENGLISH SILVER GOBLETS AND THREE OTHERS. All by Stuart Devlin, London 1977 and with Jubilee marks, the four with plain tops, the ribbed gilt stems ending in clusters of violets; the three others similar, but with gilt grapevine stems ending in grape clusters.

Height: Total weight: 54.3 ozt. 2 - 3/4” D x 6 - 3/4” T. 1,200 - 1,800 1245 - A GROUP OF ENGLISH SILVER TABLE ARTICLES. Including a goblet, Emes & Barnard, London, date mark worn, the bell- shaped body with a band of floral repousse and a gadrooned base, later gilt; a mug, London 1764, maker’s mark WC, later chased with a hound and pheasants in a landscape and with a central vacant reserve; a goblet, Mappin & Webb, Sheffield 1902, chased with art nouveau decoration of tendrils and flower heads, on a pierced stem with splayed supports over a domed base; and a matted gilt serving spoon with a ribbed bowl, London 1876 Barnard Brothers, the stem chased with Japanese style decoration. Total weight: 34.2 ozt. Largest: 4 - 1/2” D x 7 - 1/2” T. 1,000 - 1,400 1246 - LOT OF 3: VICTORIAN SUGAR TONGS. Lot of three Victorian sugar tongs: first, a sterling silver crab claw by Simons Bro. & Co., Philadelphia, PA, c.1900, 4” long; second, a sterling silver “Humpty Dumpy” like figure with long arms, hallmarked, 3” long; and third, a .800 silver German man with hat, 4” long. No damage or repairs. L: 4 - 1/4” x 2” x 3/4”. (Excellent). 800 - 1,200 80

LOT - 1248

1247 - STERLING SILVER FUGH DRAGON CIGAR LIGHTER WITH BEAR’S TOOTH. Nice detail to dragon. Marked sterling. 6 - 1/2” long. No damage or repairs. 6” x 3 - 1/4” x 2 - 3/4”. (Excellent). 600 - 1,200 1248 - LOT OF 3: FIGURAL CIGAR CUTTER, STERLING EMBOSSED BOX, COIN SILVER KNIFE. Lot consists of: first, a figural fox cigar cutter with ruby glass eyes, exquisite detail to fox, works well, 5” long; second, a sterling silver embossed box, marked sterling, “Name Inside”, 1 - 3/4” x 3/4”; third, a coin silver dual blade fruit knife, 3 - 1/4” long. No damage or repairs. L: 5” x 1 - 1/4” x 1 - 1/4”. (Excellent). 400 - 800 1249 - A SET OF TEN GORHAM STERLING COCKTAIL FORKS. Narragansett pattern, each with a branch stem applied with shells and seaweed. Length: 5 - 3/8” Weight: 6.2 ozt. Each: 5 - 3/8” x 1/2”.

2,000 - 3,000 1250 - A GROUP OF GEORG JENSEN STERLING TABLE ARTICLES. Various dates and patterns, including a cased fish set, pattern 55, chased with two fish on the handles and pierced and engraved blade and tines; a pattern 57 serving spoon and a long, narrow-tined serving fork; a Scroll pattern cake knife and a thin serving fork; and a pair of fish servers with pierced flat handles chased with a fish and lily pads, Copenhagen marks for 1937. Length of knife in first set: 9 - 1/2” Total weight: 28 ozt. Largest: 10 - 1/2” x 2 - 1/4”. 2,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1251

LOT - 1252

LOT - 1254

LOT - 1253

LOT - 1255

LOT - 1256

1251 - A GROUP OF TIFFANY AILANTHUS PATTERN FLATWARE. Including a fish slice; a tomato server; a berry spoon with a kidney-shaped bowl; an asparagus server; a gravy ladle with a shell bowl; a cream ladle with a gilt shell bowl; a set of 12 grapefruit spoons with gilt bowls; a set of 12 cocktail forks with gilt tines; a long pierced serving fork; and an olive spoon. Total weight: 44.5 ozt.

Largest: 11 - 3/8” x 3”. 2,000 - 3,000 1252 - A GROUP OF AMERICAN STERLING SERVING PIECES. Mostly late 19thC. Various makers and patterns including a pair of Gorham ladles, Mythologique pattern, both with gilt circular bowls; a Whiting serving spoon with a heavily chased floral handle; a Shiebler asparagus fork with a long rectangular handle chased with scrolls; and a pair of sprung tongs, Wm. Gale & Son, date mark 1862, with pierced and extensively engraved blades and handle. Length of largest ladle: 14” Total weight: 38.5 ozt. Largest: 13 - 1/2” x 4”.

2,000 - 4,000 1253 - A PAIR OF TIFFANY STERLING MOUNTED CLARET JUGS. 1875-1891. Each with a clear body with circular cuts and a spreading base with swirl bottom, the mount with a narrow band engraved with initials between molded edges and a domed cover applied with a leafage boss, the thumbpiece similar. Height: 9 - 3/8”. Each: 9 - 1/2” x 6 - 1/2” x 6”. 2,000 - 3,000 1254 - AN AMERICAN SILVER SYRUP JUG, TEAPOT, & WATER PITCHER. Both marked Jones Ball & Poor, Boston ca. 1850, the Jug chased with vines and birds on a matted ground with a front reserve engraved with a coat of arms, the lid with similar decoration; the teapot, also marked W&G for Woodward & Grosjean, with acanthus chasing to the crimped edges of the lid and body below it, the base with engraved reserve, the lid with a cast figure of a cherub. Together with an S Kirk water pitcher, ovoid with a band of floral chasing. Height of first: 7 5/8” Total weight: 72.5 ozt. Largest: 8” x 8” x 6 - 1/2”.

2,000 - 3,000

LOT - 1257 1255 - A WHITING STERLING WATER PITCHER. American Yacht Club Regatta 1886 in raised scrolling lettering on a squat body with a seahorse mask under the rim. Height: 6 - 1/2” Weight: 26.5 ozt. 6 - 1/2” x 7 - 1/2” x 7”. 2,000 - 4,000 1256 - AN AMERICAN SILVER WATER PITCHER. Baltimore Silversmiths Mfg. Co. With a tall bulbous body chased with a castle scene on one side and a pagoda on the other, both within wooded landscapes, the front reserve with an initial, the spout with a mask underneath, and with a small scroll handle and domed foot.

Height: 13 - 1/4” Weight: 42.3 ozt. 13 - 1/4” x 9 - 3/4” x 6 - 1/4”.

2,000 - 3,000 1257 - A PAIR OF GORHAM FISH SERVERS WITH IVORY HANDLES. Model number 607, with chased and pierced gilt centers, and shaped carved handles; together with a Whiting Ivory pattern server with an asymmetrical slightly dished blade. * The pattern of the fish servers was the subject of an article in The Magazine Antiques, September 2008, and a similar fork was illustrated on the front cover. Length of knife: 11 - 1/2”. Largest: 11 - 1/2” x 3 - 1/4” x 3 - 1/4”.

2,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

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LOT - 1258

LOT - 1259

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1260

LOT - 1261

1258 - A RUSSIAN FIGURAL SILVER CASKET. Moscow 1887. Chased as a wicker basket with napkins on the flat lid, the hinged handles and hasp pierced and gilt; together with a beaker, St Petersburg 1884, with hammered finish and chased with a floral sprig; and a tea caddy, 20thC, with a vase shaped body with nielloed floral panels. Length of casket: 6 - 1/2” Weight: 43.5 ozt. 4” x 7” x 5”. 2,000 - 2,500 1259 - A WHITING STERLING MUG AND A MIXED METALS BOWL. The mug chased with a smooth texture simulating water and applied with two fishes and a plant, the underside later engraved as a presentation to Admiral Dewey; the bowl, also Whiting, with a hammered finish and applied with a cast bird and branches with copper berries and gilt leaves. Diameter of bowl: 8” Total weight: 24.5 ozt. Larger: 2 - 3/4” x 8” x 8”. 2,000 - 3,000 1260 - TWO PAIRS OF ENGLISH SILVER WAITERS. The first pair, William Peaston, London 1752, with shaped, molded sides set with shells at intervals and on three pad feet, the centers engraved with a coat of arms; the second, similar, same date and maker, the centers with removed engraving. (4) Diameter: 7 - 1/4” Total weight: 34.4 ozt. Each: 7 - 1/4” x 7 - 1/4” x 1”. 2,000 - 3,000 1261 - A GROUP OF MEXICAN STERLING. Including a tea pot, Sanborns, spherical with a pointed lid (handle detached); a large melon-shaped coffee pot; a leaf form serving dish with a swan’s neck handle; and a cream and sugar, Sanborns, mid-century modern style. Length of serving dish: 13” Total weight: 103.5 ozt. Largest: 9” x 10 - 1/2” x 5 - 3/4”. 2,000 - 2,500

82

LOT - 1262

1262 - A GROUP OF GEORG JENSEN STERLING SERVING PIECES. Various date marks, including a fork, a spoon, a fish knife and another with a shorter blade, pattern no. 83, with pierced handles and stylized flower bud finials; and a serving fork and spoon pair, pattern no. 90 with cast buds and leafage. Length of longest: 10 - 5/8” Total weight: 24.4 ozt. Largest: 10 - 1/2” x 2 - 3/4”. 2,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

1263 - A PAIR OF AMERICAN STERLING GRAVY BOATS. William De Matteo, Williamsburg and Alexandria VA, each in Scandinavian style with an oblong body on four leaf and tendril supports above a step-molded base and with a fitted oval underplate, all with a light hammered finish. Length, handle to spout: 9” Total weight: 40.2 ozt. Largest: 9” x 5” x 4”.

2,000 - 3,000

LOT - 1263

LOT - 1264

1264 - AN AMERICAN STERLING WATER PITCHER. Sweetser, New York. With an octagonal body engraved with neoclassical motifs in panels.

Height: 9 - 1/4” Weight: 33.5 ozt. 9 - 1/4” x 5 - 1/4” x 9 1/2”. 2,000 - 3,000 1265 - A GORHAM STERLING OLIVE DISH. In the form of an open potato with leaves at one end, and a pair of tongs with an olive on either side; together with a Gorham oyster shell form salt cellar with two shell feet and a matching spoon, boxed; and two small bowls chased as leaves and with ring handles set with birds, Shiebler. Length of Gorham shell salt: 4 - 7/8” Total weight: 13.5 ozt. Largest: 5 - 3/4” x 3 - 1/2” x 2”. 1,800 - 2,500

LOT - 1265

LOT - 1266

LOT - 1267

1266 - A GROUP OF AMERICAN STERLING SERVING PIECES. Mostly 19th century, including an ice spoon, Bailey & Co., with a gilt ribbed bowl pierced at the end, a beaded rod handle, and a cast dogs head medallion; an oyster ladle with a squared stem and cast bust finial; a serving fork, attributed to Whiting, with a Calla Lily finial; a Gorham Lily pattern spoon; a spoon with a gilt bowl and branch stem ending in leaves, Redlich; a spoon with a pointed gilt bowl, a rod stem and three cast strawberries at the top, attributed to Wendt; another spoon with a gilt pointed bowl, branch stem and applied leaf and tendrils, Wood & Hughes; and a Gorham Ladies pattern ladle with a pierced ribbed circular bowl, boxed. Length of oyster ladle: 12 - 3/8” Total weight: 26.1 ozt. Largest: 12 - 3/4” x 3” x 2”.

1,800 - 2,500

LOT - 1268

1267 - A TIFFANY STERLING CAKE BASKET. Ca. 1875-91. Oblong with high tapering sides pierced with slats and applied with continuous floral swags and two reserves, the swing handle, edge and foot rim with ribbon tied reeding. Engraving removed from center and side reserves. Length: 12” Weight: 44 ozt.

12 - 3/4” x 9 - 1/4” x 6 - 3/4”. 1,500 - 2,000 1268 - A GERMAN STERLING TWO PART WAGER CUP. With importer’s mark of I Freeman & Son. The body formed as a standing male figure in robes chased with floral scrolls, hold the swinging smaller cup with scroll pierced uprights, all on a support cast as two feet on a terrain base. Marked on back of figure and base.

Height: 14 - 5/8” Weight: 35.5 ozt. 14 - 1/2” x 5 - 3/4” x 4 - 1/2”.

1,500 - 2,000

www.MorphyAuctions.com | July 14, 2020

83

LOT - 1269

LOT - 1272

LOT - 1270

LOT - 1271

LOT - 1273

1269 - AN ENGLISH SILVER GILT DESSERT SET WITH PORCELAIN HANDLES. London 1889, Francis Boone Thomas. Comprising 10 pairs, the handles with a turquoise ground and gilt trelliswork around a central reserve in polychrome enamels painted with various birds in landscapes and in flight; together with a silver gilt knife and fork, the handles chased with fruiting vines, London 1881, Francis Higgins, in a fitted, plush lined gilt-tooled leather box. Length of serving knife: 10 - 3/4”. Largest: 12 - 1/2” x 4” x 1 - 1/4”. 1,500 - 2,500 1270 - AN ENGLISH SILVER GILT COVERED CUP. George Fox, London 1902. The baroque-style baluster form body and cover chased and applied in high relief with flower-heads and masks amid scrolling foliage and shellwork, the small handles chased as scrolled leaves and the domed lid set with a cast figure of a cherub. The base engraved ‘Longman & Strongi’th’arm (Widdowson & Veal) 13 Dover St. London W.’ Height: 11 - 1/2” Weight: 42.2 ozt. 7 - 3/4” x 5” x 5 - 3/4”. 1,500 - 2,500 1271 - A SET OF THREE GORHAM STERLING LADLES. Comprising two cream ladles and an oyster soup ladle, each with two cast seated figures on the plain rod stem above the conical bowls, and with a milled- edged disc near the top; together with a pair of fish servers, marked only sterling, with cast flower finials and pierced scrolls under the blade and tines; and a Gorham sugar sifter with a cast branch handle with a mouse, the circular bowl pierced and gilt. Length of oyster ladle: 12 - 1/2” Total weight: 20.5 ozt. Largest: 8 - 1/2” x 2 - 1/2” x 2 - 3/4”. 1,500 - 2,500 1272 - A GROUP OF TIFFANY STERLING SERVING PIECES. Chrysanthemum pattern, with various initials, including a pair of salad servers with gilt bowl and tines; a fish slice; a tomato server; a berry spoon with a gilt kidney-shaped bowl; a meat fork; a bladed server with a gilt end; a serving spoon; and a set of 6 demitasse spoons with gilt bowls. Most with initials. Length of serving spoon: 12 - 3/8” Total weight: 43.5 ozt. Largest: 12 - 1/4” x 2 - 1/2”. 1,500 - 2,500 1273 - A SILVER TEA POT. Heinrich Viol, Hamburg, Germany ca. 1820, ca. 1830. Of bulbous for the body chased with an acanthus band under a plain neck and domed lid, the spout ending in an animal mask; together with pair of heavy cast baroque style candlesticks, Lane, Mexico, with gilded highlights; a French canister with flat lid, the front engraved with a coat of arms, 1st standard, maker’s mark worn; and a German 800 silver money box, Wilhelm Binder, in the form of a mustard pot. Height of tea pot: 7 - 7/8”; height of Mexican candlesticks: 4 - 1/4” Total weight: 69 ozt. Largest: 8” x 12 - 1/2” x 5”. 1,500 - 2,000 84

www.MorphyAuctions.com | July 14, 2020

LOT - 1274 1274 - AN S KIRK & SON CO. STERLING PITCHER. Ca. 1896-1924. Tall with a bulging center and chased with floral motifs on a matted ground, the rims applied with similar small scrolling. Bright finish. Height: 13 1/2” Weight: 38 ozt. 13 - 1/2” x 9” x 7”. 1,500 - 2,500

LOT - 1275

LOT - 1277

LOT - 1276

LOT - 1278

LOT - 1279

1275 - TWO TIFFANY STERLING FRUIT BOWLS. 19thC. The first circular with a floral chased band on the side over stiff leaves and a similar foot, the other with convex sides engraved with initials and a name and a low foot and set with two handles cast as bears’ heads; both with removeable strainers. Diameter of first: 7 - 3/8”; length across handles of second: 11” Total weight: 47 ozt.

Larger: 5 - 1/4” x 7 - 1/2” x 7 - 1/2”. 1,500 - 2,500 1276 - A GROUP OF INDIAN AND SOUTH ASIAN SILVER. 19th-20thC, most unmarked. Comprising a rose water sprinkler in the form of a crouching elephant with its trunk stretched upward; a three piece tea set, P. Orr & Sons, Madras, with compressed spherical bodies chased with standing deities between trees, the handles chased as elephant heads with extended trunks; a tea pot, probably Kutch, with oval sides chased all over with scrolling foliage, the finial cast as an elephant; and a pitcher, also probably Kutch, in the form of a stylized bird with allover chasing of scrolling foliage around an elephant on each side. Height of tallest: 9” Total weight 81.5 ozt. Largest: 8 - 1/2” x 7” x 6 - 1/2”. 1,500 - 2,000 1277 - A GORHAM STERLING AESTHETIC PERIOD TEA CADDY. Cylindrical with a hammered finish, the sides applied with plants and a copper pheasant, and with a small domed removable lid. Height: 4 1/2” Weight: 6.5 ozt. 4 - 3/4” x 3” x 3”. 1,500 - 2,500 1278 - A TIFFANY STERLING CIGAR LIGHTER. Aesthetic Period ca. 1875-1891. With a hammered finish, applied with gilt leaves and insects, the top section swinging open above a gilt lower compartment. Height: 3 - 1/4” Weight: 7.3 ozt. 3 - 1/2” x 5” x 4”. 1,500 - 2,500

LOT - 1280

1279 - A GORHAM STERLING CIGARETTE BOX. Modelled as an English Mail Coach, with hinged compartments under the seats and a removable lid over the main section. Front axle of base metal. Length: 8 - 1/4” Weight: 40 ozt. 5 - 3/4” x 8 - 1/2” x 4 3/4”. 1,500 - 2,500 1280 - A PAIR OF ENGLISH SILVER CANDLESTICKS. Joseph Preedy, London 1757, each with a spool-shaped socket, shaped stem and molded base with shells; together with another similar pair with unmarked nozzles, maker’s mark unclear and all marks grainy. (4) Height of first pair: 8 - 1/2” Total weight: 63.5 ozt. Largest: 8 - 3/4” x 5 - 1/4” x 5 - 1/4”. 1,500 - 2,500

www.MorphyAuctions.com | July 14, 2020

85

LOT - 1282

LOT - 1281

LOT - 1283

LOT - 1284

1281 - AN ENGLISH SILVER COFFEE POT. London 1752, maker’s mark worn, baluster form with a domed lid and turned finial, on a low molded foot.

Handle replaced. Height: 9 - 3/4” Weight: 18.5 ozt.

9 - 1/2” x 7” x 4 - 1/4”. 1,500 - 2,200 1282 - AN ENGLISH SILVER BACON DISH. Henry Chawner & John Emes, London 1796, oval with reeded rims and a slightly domed hinged lid engraved with a crest, and with a carved ivory handle. Length: 10 - 5/8” Weight: 29.5 ozt. 12” x 11” x 3 - 1/4”. 1,500 - 2,000 LOT - 1285 1283 - A GROUP OF GEORG JENSEN STERLING SERVING PIECES. Various date marks, including two serving spoon and fork sets, one smaller, two short pie servers, one with a differing handle, a gravy ladle, and a mustard spoon, all pattern 84, and a similar caddy spoon with no pattern number; a fork and spoon and another thinner fork, pattern 141; and a narrow scoop, pattern 21. Length of longest: 8 - 5/8” Total weight: 30.2 ozt. Largest: 8 - 1/2” x 2 - 5/8” x 2”. 1,500 - 2,500 1284 - A GROUP OF AMERICAN AESTHETIC PERIOD STERLING SERVING PIECES. Most with other metals applied, including: a pie knife, Shiebler, with a flat tapering stem with two squared sections, the handle applied with a gilt bird and copper beetle, and a sardine fork with the same decoration but with fish; a pair of Gorham ice tongs with hammer finish applied with copper leaves and berries; a berry spoon with hammered finish Duhme & Co., the end applied with gilt buds and leaves; a large sugar spoon, London 1880, with a twist stem and engraved bowl, the handle applied with a copper bird; a butter knife with a hammered finish, the handle applied with copper berries and leaves; a Gorham Japanese pattern pepper ladle; and a napkin ring with hammer finish, the sides applied copper and gilt ferns and leaves. Length of pie knife: 10 - 1/2” Total weight: 17 ozt. Largest: 10 - 1/2” x 3” x 1”. 1,500 - 2,000 1285 - A GROUP OF SILVER TABLE ARTICLES. Mostly continental, including a coffee pot, probably Hanau, Germany, with a pear shaped body chased with portrait medallions within wreaths and with four cast ball and claw feet; a box in the form of a standing woman in a hooped skirt, Weinranck & Schmidt, Hanau; a gilt goblet with a spread eagle stem; an Asian cocktail shaker, the sides and top chased with a dragon; an Asian cream jug chased with floral motifs on a matted ground; and a child’s mug, probably Indian, with extensive floral chasing. Height of cocktail shaker: 9 - 1/4” Total weight: 62.5 ozt. Largest: 3 1/2” D x 9” T. 1,500 - 2,500 86

www.MorphyAuctions.com | July 14, 2020

LOT - 1286

LOT - 1287

LOT - 1290

LOT - 1288

LOT - 1289

LOT - 1291

1286 - AN AMERICAN STERLING VASE. Gorham, retailed by Bailey Banks & Biddle, with a pear-shaped body chased with scrolls and leafage between panels, the shaped rim with acanthus scrolls. Height: 10 - 5/8” Weight: 31.7 ozt. 5 - 1/2” D x 10 1/2” T. 1,500 - 2,000 1287 - AN AMERICAN STERLING AESTHETIC PERIOD VASE. Shreve & co., San Francisco, with a hammer finish and applied with a cast and chased floral spray, the flower heads gilt. Height: 9 - 1/2” Weight: 24.4 ozt. 5 - 1/2” D x 9 - 1/2” T. 1,500 - 2,500 1288 - A GORHAM STERLING TEA CADDY. In the shape of a wine cannister, the square sides, top and domed lid etched with scrolling foliage, the sides with indents behind baluster form supports. Height: 6 - 1/2” Weight: 11.1 ozt. 2 - 3/4” x 2 - 3/4” x 6 - 1/2”. 1,500 - 2,500 1289 - A SILVER MOUNTED COPPER TEA CADDY. Aesthetic period, late 19thC. The square red copper body mounted with silver Asian characters on four sides and on the domed lid.

Marked sterling / and other metals/ 103/ and HK in a dotted circle.

Height: 4”. 3” x 3” x 4”. 1,500 - 1,800

LOT - 1292 1290 - A PAIR OF AMERICAN STERLING 3- LIGHT LOW CANDELABRA. Whiting, with reeded candle arms, the domed base, sockets and nozzles all with gadrooned rims, the center socket with a detachable flame finial, weighted; together with a Gorham Chippendale pattern charger, with a shaped molded edge; a pair of Rogers open dishes with similar edges; and an S. Kirk dish with lobed octagonal sides.

Height to finials of candelabra: 8 - 1/2” Total weight of weighable silver: 71.1 ozt. Largest: 8 - 3/4” x 12” x 5”. 1,500 - 2,000 1291 - RARE STERLING SILVER BIRD PERFUME BOTTLE. c. 1875. Hinged head with glass eyes opens to reveal bottle with glass stopper, with hallmarks and exquisite detail. Made by Alex Creighton.

5 - 1/2” long. Possible old repair to right claw. 5 - 1/2” x 3” x 1 3/4”. (Very Good). 1,500 - 3,000 1292 - RARE AUSTRIAN SILVER STORK PERFUME BOTTLE. Head with ruby glass eyes opens to reveal bottle with metal stopper.

Hallmarks. 5” tall. No damage or repairs. 5” x 2” x 1 - 1/2”.

(Excellent). 1,500 - 3,000

www.MorphyAuctions.com | July 14, 2020

87

LOT - 1293

LOT - 1295

LOT - 1294

LOT - 1296

1293 - LARGE SET OF MIXED GORHAM STERLING SILVER. Includes teapot, coffee, three sets of creamer and sugar and two smaller oval pots. Minor scratches and dents. Weight: 94 ozt. Largest: 10 - 1/2” x 10” x 5”. 1,400 - 2,200 1294 - AN AMERICAN STERLING CAKE BASKET. Reed & Barton, rectangular with molded rims and curved sides pierced with scrolls around two reserves, the swing handle with similar decoration. Length: 12 - 1/4” Weight: 26.5 ozt. 12 - 3/4” x 9 - 1/2” x 4”. 1,200 - 1,500 1295 - TWO STERLING BOXES. The first Loring Andrews, Cincinnati, rectangular with chased views of castles and scrolls; the second, Ahrendt & Kautzman, a cigarette box, the long rectangular body with step-molded rims and foot set with a hardstone figure of an elephant on the lid. Length of second: 9 - 1/8” Weight of first: 13.2 ozt. Larger: 5 - 1/2” x 9 - 1/8” x 4 - 1/2”.

1,200 - 1,800

LOT - 1297

1296 - A GROUP OF ENGLISH SILVER. Including a table lighter in the form of a busby, J B Carrington, London 1903, on an oval base with an inscription (see photos); a pair of small salts chased with scenes after Teniers, Robert Garrard London 1868, retailed by Thomas, Bond Street; a small spoon warmer in the form of a sea monster, London 1881 maker’s mark worn; a Mug chased as a barrel, Sheffield, 1834; a pair of grape shears with cast and chased handles with grape vines and foxes, Edward Hutton, London 1884, in a plush lined leather box; a pair of fish servers, Aldwinckle & Slater, London 1888, each with a handle chased with fishes among seaweed and with a shell finial, the blade and tines with ribbed sections pierced and engraved with fishes among reeds, in a leather box; a pair of boxed napkin rings set with yellow cairngorms, Birmingham 1932; a Liberty Cymric teaspoon with blue enamel decoration, Birmingham 1901; a silver mounted china condiment set, Edward Brown London 1877, with square Royal Worcester bodies in a fitted base (repairs to china); a pen box, Birmingham 1904, the lid and sides chased with stylized trees; and a beaker chased with two Janus masks, Neresheimer, Hanau, with Chester import marks for 1898; together with a silver plated trophy cup. Weight of weighable silver: 40.5 ozt. Largest: 8 - 1/2” x 3 - 3/4” x 5 - 1/2”. 1,200 - 1,800 1297 - TWO AMERICAN STERLING DEMITASSE COFFEE POTS AND OTHER PIECES. The coffee pots each with tapering sides, angular handles and domed lids, one J E Caldwell, chased with floral sprays on the sides and a dragonfly on each side of the lid; the other Bigelow, Kennard & Co with applied blossoms and two applied beetles; together with three pairs of cream and sugars: the first Shiebler, the bodies chased as leaves with stem handles and with applied insects; the second Dominick & Haff, with hammered finish bodies chased with a floral spray; the third Shiebler, with squat urn-form bodies applied with heavily cast leafage. Height of tallest coffee pot: 8 - 1/8” Total weight: 53.5 ozt. Largest: 8 - 1/4” x 6” x 3 - 3/8”. 1,200 - 1,800 88

www.MorphyAuctions.com | July 14, 2020

LOT - 1298

LOT - 1299

LOT - 1300 LOT - 1301

LOT - 1302 1298 - A GROUP OF GEORG JENSEN STERLING TABLE ARTICLES. Cactus pattern, including a pair of fish servers with short handles, the blade and tines engraved with a swimming fish; a small cake server, also Cactus pattern; a pair of salad servers, Agave/ Elsinore pattern; a cactus pattern lobster pick and a small ladle; and a Cactus bar knife and bottle opener with stainless steel ends. Total weight: 21 ozt.

Largest: 9 - 1/2” x 3”. 1,200 - 1,800 1299 - A GROUP OF GEORG JENSEN STERLING TABLE ARTICLES. Various dates and patterns, including a large serving spoon with pierced bowl, a small serving spoon and fork pair, and a tart knife, all pattern No. 42; a small ladle and a small fork, patter No. 41; a pair of small ladles, one with a pierced bowl, and a cheese scoop, pattern No. 21; and a Blossom pattern small serving fork; together with a Cellini Craft gravy ladle, marked S53. Length of longest: 10 - 1/4” Total weight: 19.3 ozt. Largest: 10 - 1/4” x 3”. 1,200 - 1,800

1300 - A TIFFANY STERLING AND ENAMEL BOWL. 1907-1938. Circular with low sides, the inside of the border chased and filled with blue, green, red and yellow enamel, and on a low foot.

Diameter: 8” Weight: 17.5 ozt. 2 - 1/2” x 8” x 8”. 1,200 - 1,800 1301 - AN AMERICAN STERLING WATER PITCHER. Retailed by Theodore Starr, New York. The bulbous body tapering to a spreading foot, with chased floral panels with reserves. Interior gilt.

Height: 10 - 7/8” Weight: 47.4 ozt. 11” x 9” x 7”. 1,200 - 1,500 1302 - TWO SETS OF TIFFANY STERLING SPOONS. 19thC. The first, ice cream spoons, with pointed handles applied with sea creatures and plants, the pointed bowls lightly gilt; the other set with differing handles, some applied with sea creatures, some lightly engraved and with gilt highlights, one with a mixed metal stem; all with small gilt bowls with scalloped edges. Together with a Holly pattern sardine fork. Length of first set: 6” Total weight: 9.5 ozt. Largest: 6” x 1 - 1/4”. 1,200 - 1,500

www.MorphyAuctions.com | July 14, 2020

89

LOT - 1304

LOT - 1303

LOT - 1306

LOT - 1305

LOT - 1307

1303 - A GROUP OF CASED SILVER SETS. Mostly 19thC. Including a French egg cup and matching spoon, .950 standard, with rococo decoration; an English butter dish and an Onslow pattern knife, Walker & Hall, Sheffield 1901; an American serving spoon with a long bowl engraved with trailing ivy on a matted ground, marked only coin; a gilt Gorham fish set with floral handles, the blade chased with strawberries, retailed by N Matson, Chicago; two gilt English tablespoons later-decorated with birds and engraved gadroons, with a similarly decorated sifter ladle; a scoop and a sifting ladle marked sterling, in a fitted box stamped Ball Black & Co.; a Gorham set of a scoop, a butter knife and a small sifting ladle; and an English berry set with four spoons chased with a standing soldier on the handle and with fruit in the gilt bowls, and a sifting ladle with similar decoration. Total weight: 47.1 ozt. Largest: 13 - 1/2” x 6 - 1/2” x 2”.

1,200 - 1,500

1305 - AN S KIRK & SON CO. STERLING PITCHER. Ca. 1896-1924. Cylindrical with slightly tapering sides chased with berry sprigs on a matted ground, and with a similarly chased handle.

Height to handle: 7 - 1/4” Weight: 18.2 ozt. 7 - 3/8” x 6 - 1/2” x 4”.

1,200 - 1,800

1304 - AN AMERICAN STERLING WATER PITCHER. Reed & Barton. The vase-shaped body chased with blooms and vines around three vacant reserves on the front and sides. Height: 11 - 1/4” Weight: 41.6 ozt. 11 - 1/2” x 9” x 7”. 1,200 - 1,500

1307 - TWO AMERICAN STERLING FISH SERVERS. With rounded ends and cast bird finials, the tines of the fork engraved with leaves, the blade engraved with a fish; together with a sugar sifter in the same pattern; and a two-piece carving set with heavily cast and chased handles in the form of Classical maidens’ busts on pedestals. Length of fish knife: 12 - 7/8” Weight of first 3 pieces: 11.1 ozt. Largest: 13” x 2 - 3/4”. 1,200 - 1,800

90

1306 - AN AMERICAN STERLING COFFEE POT, A PAIR OF GOBLETS AND A SUGAR CASTER. All with floral chasing on matted rounds; the coffee pot, possibly Baltimore Sterling Silver Co. (marks worn), with tapering cylindrical body and domed lid; the Goblets, Baltimore Silversmiths Mfg Co., chased with castles in a landscape; the sugar caster, S Kirk & Son Co, with a short neck over a tapering body and on four small cast feet; marked on bezel of lid only. Height of coffee pot: 9 - 3/4” Total weight: 37.5 ozt. Largest: 9 - 3/4” x 7” x 4”. 1,200 - 1,500

www.MorphyAuctions.com | July 14, 2020

LOT - 1308

LOT - 1309

LOT - 1310

LOT - 1311

LOT - 1312

LOT - 1313

1308 - FOUR AMERICAN STERLING TEA CADDIES. Late 19thC. The first, Davis & Galt, with a reverse pear shaped body chased with floral sprays around a vacant reserve; the second Shiebler, the plain body applied with a leafage spray and two birds, the lid with similar decoration; the third, also Shiebler, of squat cylindrical form, the upper part chased with blossoms and leaves; the fourth, marked Wright Kay & Co. of square section, the tapering sides chased with japonesque motifs and a frog, the domed lid with a mask. Height of tallest (first and fourth): 5 - 1/4” Total weight: 32.2 ozt. Largest: 5 1/2” x 4 - 1/2” x 4 - 1/2”. 1,200 - 1,600

1311 - A GORHAM STERLING TEA CADDY AND A SERVING DISH. The caddy with a vase shaped body chased with shaped reserves with flowers and insects and set with two ring handles; the serving dish with three sections below a wire handle ending in floral sprays on the sides.

Height of caddy: 5 - 5/8” Total weight: 30 ozt. Larger: 10 - 1/2” x 10” x 10”. 1,200 - 1,800

1309 - THREE S KIRK & SON CO. STERLING TEA CADDIES. Ca. 1896-1924. The first with a squat body chased with floral sprays on a matted ground around a scene of a house; the second similar with a scene of a castle; the third of vase form with lion’s mask and ring handles, chased with floral sprays around buildings in a rural landscape; together with a Gorham child’s porringer chased with scenes of children playing with the dome of St Pauls in the background; and a child’s mug, Bailey & Co., the cylindrical sides chased with a stone wall with three arches. Height of tallest (third) caddy: 5 - 1/8” Total weight: 31 ozt. Largest: 5 - 1/2” x 4 - 1/2” x 3 - 1/4”.

1,200 - 1,600 1310 - A GORHAM AESTHETIC PERIOD CREAM JUG AND SUGAR BOWL. Sterling and other metals, each with a squat hammered finish body applied with copper leaves, berries and insects. Length of sugar bowl across handles: 4 - 7/8” Total weight: 14.3 ozt. Largest: 3 - 1/4” x 5” x 4 - 3/4”. 1,200 - 1,800

1312 - A TIFFANY STERLING SALAD BOWL AND A PAIR OF SERVERS. Tomato pattern; and a cake plate and pie knife in the same pattern.

Diameter of bowl: 9 - 1/4” Total weight: 60.5 ozt. Largest: 4” x 9 1/4” x 9 - 1/4”. 1,200 - 1,800 1313 - A TIFFANY STERLING CIGAR LIGHTER AND A SUGAR BOWL. The lamp of squat circular form with two loop handles chased with scrolls joining a band of the same decoration on top; the sugar bowl with slightly bowed hammered finish sides applied with crawfish and two ring handles. Length of lamp across handles: 4” Total weight: 10.4 ozt. Larger: 2” x 3 - 1/2” x 3 - 1/2”. 1,200 - 1,600

SEE WEBSITE FOR ADDITIONAL PHOTOS

www.MorphyAuctions.com | July 14, 2020

91

LOT - 1314

LOT - 1315

LOT - 1316

1314 - A WHITING STERLING TEA CADDY. The roughly spherical body with a hammered finish above a lower section chased as basketwork, the low lid with the same chasing.

Height: 3 - 3/4” Weight: 7.1 ozt.

3 - 3/4” x 4” x 4”.

1,200 - 1,800 1315 - A GORHAM STERLING TEA CADDY AND WHITING CIGAR LIGHTER. The tea caddy with tapering sides set with a cast stylized flower head and engraved scrolls on one side, the small lid with a cast gilt robed Asian figure; the Whiting cigar lamp of squat circular form with pierced scrolled sides enclosing a red glass body (traces of gilding). Height of tea caddy: 5 - 1/2” Weight of tea caddy: 8.4 ozt. Larger: 5 - 1/2” x 4” x 4”. 1,200 - 1,500 1316 - A FRENCH SILVER GILT MOUNTED CLARET JUG. Risler & Carré, Paris. The baluster form body cut with vertical ribbing below a neck chased with Neoclassical ornament, the base with an attached rim. 1st standard. Marked on neck, lid and foot rim. Height: 9 - 7/8”.

10” x 6 - 1/4” x 5 - 1/2”.

1,200 - 1,800

LOT - 1317

LOT - 1318

LOT - 1319

1317 - A GORHAM STERLING AND OTHER METALS BOWL. 1881. Applied with copper cherries and gilt leaves on low sides chased with a band of japonesque decoration below a hammered finish. Model no. 1767. Diameter: 6” Weight: 15 ozt. 3” x 7 - 1/2” x 6 - 3/4”. 1,200 - 1,800 1318 - A TIFFANY STERLING WATER PITCHER. Ca. 1891-1902. The tapering rectangular body with incurved corners applied with shell and scroll borders around floral panels, the front panel with initials. Height: 9 - 1/2” Weight: 37.6 ozt. 9 - 1/4” x 7 - 1/2” x 5 - 1/2”. 1,200 - 1,800 1319 - A GROUP OF ENGLISH SILVER TABLE ARTICLES. Mostly late 18th Century, including a pair of sauce boats, Louis Black, London 1766, with ovoid bodies and open scroll handles; a wine funnel, London 1787, of typical form with a removable ring to the top, Hester Bateman, top and bottom pieces marked; a pair of Irish sugar nips (marks worn); a pair of oval salts, David Hennell, London 1748, with plain rims and four pad feet; and a pair of candle snuffers, apparently London 1762, engraved with a later Scottish crest and the names MacKenzie and Fergusson. All with signs of use. Length of sauce boats: 6 - 1/4” Total weight: 24.5 ozt. Largest: 4 - 1/2” x 6 - 1/4” x 3 - 3/8”. 1,200 - 1,500 92

www.MorphyAuctions.com | July 14, 2020

LOT - 1320

LOT - 1321

LOT - 1322

LOT - 1323

1320 - AN ENGLISH SILVER CAKE BASKET. Edward Aldridge, London 1771, oval with pierced sides chased with swags and a gadrooned rim, the center engraved with a later coat of arms. Engraving removed from center. Length: 12 - 3/4” Weight: 17.5 ozt. 12 - 3/4” x 10 - 3/4” x 4”. 1,200 - 1,800 1321 - A GROUP OF ENGLISH SILVER SERVING PIECES. Mostly late 18th Century, including a set of Old English pattern basting spoons with bright cut engraving and crests, Thomas Chawner, London 1775 (some wear); a pudding trowel, S Herbert & Co., with a triangular blade pierced with scrolls and an ebony handle; a double bladed sprung server, the blades, Eley & Fearn London 1797, with simple piercing; a pair of Irish asparagus tongs, John Pittar, Dublin (no date letter), with shaped reeded edges; an English Fiddle pattern fish slice, London 1818, William King; and an English Fiddle pattern basting spoon, London 1801 Eley & Fearn. Length of longest spoon: 12” Total weight: 40.3 ozt.

Largest: 13” x 4 - 5/8” x 2 - 1/4”. 1,200 - 1,800 1322 - A GROUP OF AMERICAN STERLING TABLE WARES. Including a Gorham small tea pot, two sugar bowls (one English) and a cream jug, oval with half-lobed sides; a small circular bowl with engraved sides, Lebkuecher, retailed by Grogan; a serving tray, International Royal Danish, with three pierced floral and scroll edges; a plain circular Gorham tray; another with molded edges, Graff Washbourne & Dunn; and a Tiffany silver soldered (plated) pen tray with pierced edges.

Weight of silver: 76.2 ozt. Largest: 12” x 12” x 1”. 1,200 - 1,500 1323 - A GORHAM MEDALLION BUTTER DISH. Oval with a low body holding a pierced strainer and with a chased entrelac rim and two shaped tab handles, the domed lid with tapering sides set with a medallion on either side and with a finial cast as a lion holding a shield. Length across handles: 10 - 1/8” Weight: 19.5 ozt. 10” x 5” x 5”. 1,200 - 1,500

LOT - 1324

1324 - AN AMERICAN STERLING FLAGON. Gorham, 1886, the tall tapering body etched with wave-like floral scrolls and a helmet, the handle applied with cast berries and leaves, the shaped hinged lid with the same etching and above beaded borders.

Height: 13” Weight: 37.9 ozt. 5 - 1/8” D x 13” T. 1,200 - 1,800

www.MorphyAuctions.com | July 14, 2020

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LOT - 1325

LOT - 1326

LOT - 1327

1325 - AN AMERICAN STERLING FLOWER BASKET. Whiting, with flared sides and a pierced handle over pierced sections with applied flowers, and four with acanthus scroll feet.

Height: 18 - 3/4” Weight: 32.1 ozt. 19” x 11” x 9”.

1,200 - 1,500 1326 - AN AMERICAN STERLING VASE. Redlich, retailed by Bailey Banks & Biddle, with a slightly ribbed body, tall neck flaring at the top and spreading foot pierced and applied with oak leaves and acorns. Height: 11 - 1/2” Weight: 14.5 ozt. 5” D x 11 - 1/2” T. 1,200 - 1,500

LOT - 1328

1327 - A TIFFANY STERLING WATER PITCHER. 1891-1902. With a broad vase-shaped plain body and lobed spout, the thick scroll handle chased with leafage and scrolls, and with script initials to the front. Bright finish. Height: 7 5/8” Weight: 30.5 ozt. 7 - 3/4” x 9” x 7”. 1,200 - 1,500 LOT - 1329 1328 - AN ENGLISH SILVER COFFEE POT. Atkins Brother, Birmingham 1928, in the French Regence style with a ribbed ovoid body, the rim applied with cast flowers between engraved sections; together with a German sterling beaker in the late 17 th century style chased with figures in scroll reserves, Neresheimer, Hanau, imported by B Muller, London 1911; and a cut glass jug, Durgin, with a pear-shaped body applied with a cast and chased spout, handle and foot all with floral chasing. Coffee pot marked Made in England for J E Caldwell & Co. Height of coffee pot: 9 - 5/8” Weight of coffee pot and beaker: 40 ozt. Largest: 9 - 1/2” x 8 - 1/2” x 4 - 3/4”. 1,200 - 1,500 94

1329 - A GROUP OF TIFFANY STERLING FLATWARE. Including Holly pattern: a butter knife, nut scoop, pierced nut scoop, sugar spoon, small gravy ladle, gilt hors d’oeuvres fork, jelly server, and another fork; and Holly and Mistletoe pattern: a nut scoop, two different olive forks, a set of twelve demitasse spoons, a food pusher, and a caddy spoon with a gilt bowl. Total weight: 20 ozt. Largest: 7” x 1 - 7/8”. 1,000 - 1,200

www.MorphyAuctions.com | July 14, 2020

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1330

LOT - 1331

LOT - 1333

LOT - 1334

1330 - AN AMERICAN STERLING CAKE PLATE. Dominick & Haff, retailed by Bailey Banks & Biddle, circular with a plain center and a chased border with swags over panels and three vacant medallions. Removed engraving. Diameter: 12” Weight: 38 ozt.

12d” x 3”t. 1,000 - 1,200 1331 - A TIFFANY SILVER GILT DRESSER BOX. Rectangular, the top and sides of woven strips. 7 - 3/4” x 5” x 2” Weight: 34.5 ozt. 5” x 7 - 3/4” x 2”. 1,000 - 1,500 1332 - A HOWARD & CO. GILDED STERLING JUG. Ovoid, tapering to a long neck, the side with a cast and applied grape vine. Minor dents to one side otherwise very good condition.

Height: 14 - 1/8” Weight: 41.8 ozt. 14 - 3/8” x 5 - 1/2” x 5 - 1/2”.

1,000 - 1,500

LOT - 1332

LOT - 1335

1333 - AN S. KIRK & SON SILVER TEAPOT. Ca. 1868-90. The ovoid body and lid chased with extensive scrolling foliage around a castle and a landscape scene on the sides, the domed lid with a cast bunch of grapes finial. Marked under base S Kirk & son 11 OZ. Height to finial: 8 - 1/2” Weight: 29.5 ozt. 8 - 1/2” x 10 1/4” x 5 - 3/4”. 1,000 - 1,500 1334 - A SILVER COW CREAMER. English Import marks for 1892. Of typical form with a hinged lid on back. Length: 5 - 1/4” Weight: 5.4 ozt. 4 - 1/8” x 5 - 1/4” x 2 3/8”. 1,000 - 1,400 1335 - A NORWEGIAN SILVER DRINKING HORN. Ca. 1900. Heavily chased and applied with Viking style interlaced strapwork around reserves with Norse gods, with runic names engraved under the rim above the figures, and with a cast figure of a troll supporting the front. Marked P. Lie 13/ Christiana. Height: 10 - 1/2” Weight: 41 ozt. 10 - 1/2” x 10” x 4”. 1,000 - 1,500

www.MorphyAuctions.com | July 14, 2020

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LOT - 1336

LOT - 1338

LOT - 1339

LOT - 1337

LOT - 1340

1336 - A GROUP OF AMERICAN STERLING SERVING PIECES. 19thC. Including a pair of fish servers, Shiebler, with shaped, square-section handles engraved on one side with scrolls, the tines and blade similar; a boxed pair of fish servers with matted gilt tines and blade, the ribbed stems ending in a mask, Wood & Hughes; a Gorham ice cream knife with a flat handle, the blade etched with a floral spray; and a Gorham salad fork, Lily of the Valley pattern. Length of longest: 13 3/8” Total weight: 30.5 ozt. Largest: 12 - 3/4” x 3 - 1/2”. 1,000 - 1,500 1337 - A TIFFANY STERLING CIGARETTE BOX. 1875-1891. Of unusually heavy weight, rectangular with plain surfaces, the lid engraved with a monogram under a crest. Length: 5 - 3/8” Weight: 80 ozt. 4 - 1/2” x 5 - 1/8” x 3 - 1/4”. 1,000 - 1,500 1338 - A SILVER COW CREAMER. Shreve & Co. Modelled as a bull and with a hinged lid on back. Length: 4 - 7/8” Weight: 8.2 ozt. 3 - 3/8” x 5 - 3/8” x 2”. 1,000 - 1,400 1339 - AN AMERICAN SILVER COFFEE POT. Eoff & Shephard, New York ca. 1852-61. The baluster form body chased with blossoms and leaves around one engraved and one vacant reserve, on a low domed foot with beaded rim. Height: 11 - 1/2” Weight: 35 ozt. 11 - 1/2” x 9 - 1/2” x 6 - 3/4”. 1,000 - 1,400 1340 - A GROUP OF TIFFANY STERLING TABLE ARTICLES. 19th/20thC. Including three mugs, the first lightly gilt and chased with dragonflies, the second etched with two standing female figures and set with a scroll handle with tentacle ends; the third chased with branches and leaves, all with engraving; a pair of bonbon spoons with pierced gilt bowls and handles; another pair of bonbon spoons, the handles cast with cherubs, marked lightly Tiffany & Co.; and a pair of leaf shaped butter dishes. Length of first pair of bonbon spoons: 7 - 1/4” Total weight: 32.5 ozt. Largest: 3 - 1/2” x 3 1/4” x 3 - 1/4”. 1,000 - 1,400 1341 - A GORHAM STERLING VASE. 1918. In the form of a Chinese vase with raised floral scrolls and flower-heads on a matted ground, between leafage borders and plain rims. Marked with Special Order no. 7146. Height: 7” Weight: 14.5 ozt. 7” x 4” x 4”. 1,000 - 2,000 96

www.MorphyAuctions.com | July 14, 2020

LOT - 1341

LOT - 1342

LOT - 1343

LOT - 1344

LOT - 1345

LOT - 1346

1342 - A PAIR OF AMERICAN STERLING FIGURAL NAPKIN RINGS. Wood & Hughes, New York. Each with a chased portrait bust on an oval medallion with pierced sides and a milled disc base, marked on edge of oval; together with four tea strainers, one in the form of a grape leaf, Mauser; another, Shiebler Homeric pattern, with a round center and two handles all with hammered finish; the third Schleissner, Hanau, with import mark; and another. Total weight: 11.4 ozt. Largest: 4” x 2” x 2”. 1,000 - 1,500 1343 - A MODERN STERLING CENTER BOWL AND TWO CANDLESTICKS. Schroth, New Jersey, 20thC. All with a light hammered finish, the circular bowl with low plain sides with a textured band under the rim and on a low foot with the same texture, the candlesticks with similar decoration and turning over for use as small bowls. Underside of bowl with inscription. Diameter of bowl: 9 - 3/4” Total weight: 30.5 ozt. Largest: 9 - 3/4” x 9 - 3/4” x 2”. 1,000 - 1,400 1344 - A GORHAM THREE PIECE TEA SET. Comprising a tea pot, cream jug and sugar bowl each with a squat vase form body with a matted finish around reserves on each side, the ribbed lids with mouse finials, date mark for 1887; together with a pair of Gorham vases with lobed rounded bodies on goblet feet engraved with floral motifs in beaded reserves, date mark for 1873; and a Gorham covered sugar bowl with an egg shaped body with machine-engraving around reserves on the body and lid, and with a swing handle set with balls and on four elongated scroll feet. Total weight: 50 ozt Height of tea pot: 4 - 1/4”. largest: 7” x 5” x 5”. 1,000 - 1,400

1345 - A STERLING WATER PITCHER. Maker’s mark F&F. The vase shaped body and flaring spout all chased with foliage and leafage on a matted ground enclosing on each side a landscape scene of a castle gate.

Height to handle: 8 - 3/8” Weight: 33.5 ozt. 9 - 1/2” x 8 1/2” x 8”. 1,000 - 1,500 1346 - A SET OF 12 STERLING DEMITASSE SPOONS. George Sharp, Philadelphia, each with a matted gilt bowl, rod stem, and handle cast as a cattail; together with a set of teaspoons and a sugar sifter, similar, with an elongated terminal and gilt bowls, possibly also Sharp; a flat bladed server in the same pattern; a boxed set of teaspoons with melon handles; and a medallion pattern butter knife and pickle fork, J E Caldwell. Total weight: 31.7 ozt. Largest: 9 3/4” x 3”. 1,000 - 1,500

www.MorphyAuctions.com | July 14, 2020

97

LOT - 1348

LOT - 1347

LOT - 1349

LOT - 1350

1347 - A GROUP OF ASIAN SILVER ARTICLES. Including a set of 6 small beakers, the plain sides applied with dragons, maker’s mark SS and character marks; a napkin ring in the form of a planter with chased panels between four gilt uprights; and a vase shaped tea caddy, the sides and lid applied with floral motifs.

Height of tea caddy: 5” Total weight: 23 ozt. Largest: 5” x 4” x 4”.

1,000 - 1,500 1348 - THREE AMERICAN SILVER TEA CADDIES. Late 19thC. The first, Howard Sterling, with tapered hexagonal sides applied with flowers and two butterflies and engraved with two Japanese characters; the second, Whiting, with a vase form body engraved with floral sprays with gilt highlights on a matted ground; the third, Reed & Barton, with an octagonal body decorated with raised scrolls and floral swags. Height of tallest: 5 - 1/8” Total weight: 22.9 ozt. Largest: 5” x 4” x 4”. 1,000 - 1,500 1349 - A GROUP OF AMERICAN STERLING AND ENAMEL SERVING PIECES. All with enamel highlights in various colors, including a pair of fish servers, Dominick & Haff Trianon pattern, a pair of berry spoons, a pie server, another bladed server, and an ice cream server, Whiting Dresden pattern; a spoon and fork with pierced handles, French & Franklin, boxed; a set of 12 Gorham cocktail forks, gilt, marked 717; and a gilt metal coffee spoon with a micro mosaic finial, marked FAP. Length of fish knife: 11 - 1/4” Total weight: 38.7 ozt. Largest: 11 1/4” x 2 - 1/2”. 500 - 1,500 1350 - A GROUP OF AMERICAN STERLING FLATWARE. 19thC. Including a serving spoon with a gilt bowl and flat handle applied with cranes in a landscape, 11-1/2 in, and another similar, smaller, also Shiebler; a small ladle and two serving spoons, Shiebler, the handles stamped with Classical busts; a set of six ice cream spoons, Wood & Hughes, with twist stems and gilt bowls, the handles applied with medallions; a large cheese scoop with engraved decoration and a medallion on the handle, Wm. Gale; a medallion pie server in a fitted leather case stamped J E Caldwell; and a cased scoop with a medallion end and shaped gilt bowl. Total weight: 22.1 ozt. Largest: 11 - 1/2” x 2 - 3/4”. 1,000 - 1,200

98

LOT - 1351

1351 - A GROUP OF STERLING TABLE ARTICLES. Including a pair of Harlequin sugar nips, London 1872 by John Figg; table lighter in the form of a recumbent camel, retailed by Theodore Starr; a Dutch bell with a windmill above, with London imports marks for 1896; a page knife in the form of a short sword, Redlich, retailed

by Starr; 7 teaspoons with winch finials and buckets on the stems, the bowls engraved with views of various mines and scenes in Colorado, and another similar; and two teaspoons with leaf bowls. Length of page knife: 12” Total weight: 22.5 ozt. Largest: 5” x 8” x 3 - 1/2”.

1,000 - 1,500

www.MorphyAuctions.com | July 14, 2020

LOT - 1352

LOT - 1353

LOT - 1355

LOT - 1354

LOT - 1356

1352 - A GORHAM STERLING MARTELE CHILDS BOWL AND PLATE. Each circular with lobed and scalloped sides chased with floral motifs.

With Martele marks and M/XJ (bowl) and M/XK (plate). Diameter of bowl: 5” Total weight: 16.5 ozt. Larger: 2 - 3/8” x 5” x 5”.

1,000 - 1,400 1353 - AN AMERICAN STERLING WATER PITCHER. Shiebler, New York. The pear-shaped body chased stylized floral motifs above a cast and pierced scrollwork foot, the front with broad script initials. Height: 10 - 5/8” Weight: 33.1 ozt. 10 - 3/4” x 9” x 7”.

1,000 - 1,500 1354 - A SILVER PITCHER. Unmarked. The bulging center chased with bunches of grapes and leaves on a matted ground. Height: 14 - 1/4” Weight: 39.5 ozt. 14 1/4” x 9 - 3/4” x 8 - 1/2”. 1,000 - 1,400

1355 - A GROUP OF ENGLISH SILVER SPOONS AND LADLES. Mostly Georgian, including a pair of Hanoverian pattern tablespoons, James Mitchellsone, Edinburgh 1734; a set of four Old English pattern sauce ladles, London 1797, W.S, crested above initials; another pair with different crests, marks worn; a pair of Fiddle pattern sauce ladles, Thomas Barker, London 1815; a pair of Old English pattern salad servers, modified, with marks for London 1789 and maker’s mark HB; a serving spoon, Old English pattern, London 1787, later applied with a strainer; a marrow scoop, London 1768, Marmaduke Daintry; another, possibly London 1770, marks worn; an Old English pattern tablespoon modified with a chased gilt bowl, London 1810; a Fiddle pattern caddy spoon, John Harris, London 1825; a set of four Old English pattern mustard spoons, Edinburgh 1809, an Old English pattern sugar sifter, Eley & Fearn, London 1797; another, smaller, Old English thread; and two Fiddle pattern salt spoons. Total weight: 34.5 ozt. Largest: 11” x 2 - 1/4” x 1”. 1,000 - 1,400 1356 - A GROUP OF GEORG JENSEN STERLING ARTICLES. Acanthus pattern, including a pair of fish servers with pierced blade and tines; a pair of salad servers; another serving fork with pierced tines; a smaller pair of salad servers and another spoon; and a caddy spoon. Length of fish knife: 10 - 7/8” Total weight: 28.1 ozt. Largest: 10 - 3/4” x 3 - 1/8” x 1”. 1,000 - 1,500

www.MorphyAuctions.com | July 14, 2020

99

LOT - 1357

LOT - 1358

LOT - 1359

LOT - 1360

1357 - A GROUP OF GEORG JENSEN STERLING ARTICLES. Including a set of three small salts with green enamel linings and three small casters; a small oval pin tray with a thin tendril handle; an Acorn pattern aspic knife; a shot glass with a lightly hammered body and openwork foot; an Acanthus caddy spoon and a small cream ladle; an Akkelje pattern pickle fork; a small letter opener with a leaf handle, no. 736; another letter opener with a stainless blade, Bernadotte pattern; a small oval pill box with a sliding cover; a Pyramid serving spoon with a horn bowl; a pickle fork and sugar nip, boxed; a set of six enamel and gilt coffee spoons, boxed; and two other small pieces; together with a packet of Jensen pattern brochures. Weight of silver: 17.5 ozt. Largest: 10 - 1/4” x 2 - 1/2” x 3/4”. 1,000 - 1,400 1358 - A GROUP OF AMERICAN SILVER MEDALLION PATTERN ARTICLES. Including an oyster ladle, Albert Coles; a soup ladle, xxx; a serving spoon with a shaped handle, Duhme; a sugar sifter and a gravy ladle, Ball Black & Co; a berry spoon, Wood & Hughes; four shell-bowled sugar spoons, Gorham, Palmer & Batchelder, and Wm. Gale, one marked coin only; a sauce ladle with a twist stem, unmarked; a pair of Gorham tablespoons; and a butter knife. Length of soup ladle: 14” Total weight: 32.5 ozt. Largest: 14” x 3 - 3/4” x 5”. 1,000 - 1,400

100

1359 - AN AMERICAN STERLING PIE SERVER AND A BROOCH. The pie server, Lona Schaeffer, with a pointed blade with slight mid rib, the handle set with a cast flower, with hammer finish surface; the brooch, Alphonse La Paglia, with a twisted stem and a bud and leaf, and mounted with two colored stones. Length of first: 11” Weight of first: 5 ozt. Largest: 11” x 3” x 2”. 1,000 - 1,400 1360 - A GROUP OF AMERICAN STERLING SERVING PIECES. Including two Gorham Morning Glory serving spoons with gilt bowls; two other spoons matching but unmarked, all boxed; a Whiting macaroni server with a berry-chased handle; a Gorham Luxembourg salad set; an Albert Coles pie knife; a Shiebler Amaryllis ice cream knife with an gilt engraved blade; a Gorham Eglantine pattern berry spoon; an English berry spoon engraved with birds and with applied gilt leaves, Elkington, London 1880; and a cracker scoop with a gilt bowl and engraved handle, [ARROW]. Total weight: 35.4 ozt. Largest: 10 -1/4” x 3” x 2”. 1,000 - 1,400

www.MorphyAuctions.com | July 14, 2020

LOT - 1361

LOT - 1362

LOT - 1363

LOT - 1364

1361 - AN AMERICAN STERLING COVERED JUG AND A GOBLET. The first, Gorham, with a tapering body engraved with a band of floral ornament, the foot rim supported on three cast winged sphinxes and with a similar cast finial on the hinged lid; the goblet Wood & Hughes in Renaissance style with a chased warrior medallion on one side and a vacant reserve on the other, the scroll handles with animal heads, and with a pierced scroll stem and domed foot. Height of goblet: 8 - 3/4” Total weight: 33.1 ozt. Largest: 8 - 5/8” x 6” x 4”.

1,000 - 1,500 1362 - AN ENGLISH SILVER STIRRUP CUP. C.T. & G. Fox, London 1864, cast and chased as a fox’s head and with a plain rim. Height: 4 - 3/4” Weight: 19.8 ozt. 2 - 1/2” D x 4 - 5/8” T. 1,000 - 1,500 1363 - AN AMERICAN STERLING FOUR PIECE COFFEE SET. Wood & Hughes, ca. 1865, comprising a coffee pot, hot milk pot, sugar bowl and waste bowl, each piece with an ovoid body chased with floral sections between panels, the lids with plain borders and pierced finials over a machine-turned section. Each piece marked W&H, with pseudo-hallmarks and 900/1000. Height: 12 - 1/2” Total weight: 76 ozt. Largest: 12 - 3/4” x 10” x 6” 1,000 - 1,400

LOT - 1365 1364 - AN AMERICAN STERLING CENTER BOWL. Loring Andrews, Cincinnati, the circular sides and foot chased with landscape scenes amid floral motifs. Diameter: 9” Weight: 26.5 ozt.

9”Dia. x 5 - 1/2”T. 1,000 - 1,500 1365 - RACING CAR DESK SET SILVER PLATE. Hood opens to reveal stamp holder and trunk opens to reveal water receptacle. Hallmarks on rear. Scratches particularly on pen tray, but otherwise no damage. 14 - 1/2” x 10” x 6”. 1,000 - 1,800

www.MorphyAuctions.com | July 14, 2020

101

LOT - 1367

LOT - 1366

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1368

LOT - 1369

1366 - A GROUP OF AMERICAN STERLING SERVING PIECES. 19thC. Including a pair of fish servers, Shiebler, with floral and geometric engraving on the tines and blade, the handles with a swirl texture; a Gorham cake knife and serving spoon, Isis pattern, with square section handles; a Gorham serving fork; and a spoon with a branch handle and cast figure of a bird. Length of longest: 11 - 3/4” Total weight: 23.5 ozt. Largest: 10 - 3/8” x 3”. 900 - 1,200 1367 - A LARGE SILVER COW CREAMER. Dutch. Of typical form with a hinged lid on back, the eyes set with red glass. Length: 6 - 1/2” Weight: 5.9 ozt. 4 - 3/8” x 6 - 1/2” x 2”.

900 - 1,400

102

1368 - A STERLING WAGER CUP. Neresheimer, Hanau, with Chester import marks for 1901. Of typical form modeled as a standing female figure with a floral chased skirt holding a swinging cup on scroll supports. Height: 10 - 7/8” Weight: 14.3 ozt. 10 - 1/2” x 5 - 1/4” x 3 - 1/4”. 900 - 1,200 1369 - A PAIR OF AMERICAN STERLING FIGURAL SALTS. Probably Gorham, each cast and chased as a well with gilt ivy vines, marked only 925 sterling/ 26, the metal tabs on the box marked G/ MFGCO over an anchor; together with a boxed ice cream set, Continental, with 12 spoons and a server, the finials cast as morning glories, .750 fine; and a set of 12 small silver plated salts, Meriden, in the form of lilies. Diameter of salts: 2 - 1/2” Total weight of silver: 16.4 ozt. Largest: 14” x 12” x 3”. 900 - 1,200

www.MorphyAuctions.com | July 14, 2020

LOT - 1370

LOT - 1371

LOT - 1372

LOT - 1373

1370 - A GROUP OF AMERICAN STERLING SERVING ARTICLES. 19thC. Including a pair of sprung tongs, Ball Black & Co., with pierced blades and a thin elongated handle with a ram’s head terminal; a Tiffany cake slice, Antique Engraved pattern, with a blade engraved with a floral medallion; a pair of bright-cut engraved salad servers, Ball Black & Co.; a fish slice with an engraved fish on the blade, Black Starr & Frost, the handle Dominick & Haff Renaissance pattern; and two French asparagus servers with similar pierced blades and weighted handles. Length of tongs: 11 - 1/4” Total weight of silver: 21.5 ozt. Largest: 11” x 4”. 900 - 1,200 1371 - AN AMERICAN COVERED DISH OR SAUCE TUREEN. Jones Ball & Co., Boston 19thC. The octagonal sides engraved with stylized floral sprays tapering towards the bottom, with a conforming lid sitting between two small tab handles and on a circular underplate.

Height: 5”; diam. of tray 7 - 7/8” Total weight: 27.3 ozt. Largest: 3 3/8” x 6 - 7/8”. 900 - 1,200 1372 - AN AMERICAN SILVER LIDDED JUG. Francis Cooper, New York. Short with tapering sides, one side engraved with an oak wreath reserve, all between ropework rims, the lid with a ram’s head finial; together with a set of 6 water goblets, A. G. Schultz, Baltimore, chased with grape bunches and leaves. Height of first: 7 - 1/2” Total weight: 51.5 ozt. Largest: 8” x 9 - 1/4” x 6 - 3/4”.

900 - 1,200 1373 - A PAIR OF WHITING STERLING VASES. Each with a narrow body and large neck on a bamboo chased four-legged base. Height: 8 - 1/2” Total weight: 11.5 ozt. Each: 8 1/2” x 2 - 1/4” x 2 - 1/4”. 900 - 1,200

LOT - 1374

1374 - A GROUP OF AMERICAN 20TH CENTURY STERLING UTENSILS. Including a pair of salad servers, Dunham, in Danish style with split handles applied with cast buds; another pair, Kalo, with tapering pointed handles with applied initial, model number G44; a Kalo condiment bowl with lobed sides, on a removeable conforming stand; and a Watson sardine fork with a pierced handle. Diameter of bowl: 5 - 1/8”; length of Dunham servers: 9 - 1/4” Weight: 31 ozt. 3 - 1/2” x 7 - 1/4” x 7 - 1/4”. 900 - 1,200

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LOT - 1376

LOT - 1375

LOT - 1377

LOT - 1378

1375 - TWO GORHAM STERLING SERVING PIECES. Both Saxon Stag pattern, the first a punch ladle with an elongated gilt oval bowl, the second a berry spoon with a ribbed gilt bowl. Both in leather boxes. Length of punch ladle: 14 - 1/4” Total weight: 10.5 ozt. 15 - 1/2” x 4” x 4”. 900 - 1,200 1376 - A MATCHED PAIR OF STERLING WINE BOTTLE HOLDERS. Gorham, each with a cagework frame of grape vines with a branch handle and on a hinged base with plain sides. Each with import marks, one London 1904 the other Birmingham 1904. Several breaks in vines on one. Height: 8 - 3/4” Total weight: 33 ozt. 8 - 3/4” x 6” x 4 - 1/4”. 900 - 1,200 1377 - A GROUP OF SILVER TABLE ARTICLES. Including an English mustard pot, London 1948, with pierced sides and a blue glass liner (fixed); a pin tray with a medallion of King George VI, London 1936; a boxed set of 12 small dessert knives with pistol grip handles; another set to match of 6; a boxed set of 12 English silver teaspoons with pierced handles and a pair of sugar tongs; a pointed oval tea caddy, the sides chased with rural scenes, Wolf & Knell, Hanau; and a tea caddy and cream jug on an oval tray, both chased with scrolls and floral motifs, .800 standard. Total weight of silver: 27 ozt. Largest: 8” x 11” x 1”. 900 - 1,200 1378 - A GROUP OF AMERICAN STERLING SERVING PIECES. Including a small fish slice, Shiebler, with a chased floral handle; an S Kirk repousse pea server and another serving spoon; a berry spoon with a similar handle; an Alvin lettuce fork; a Shiebler sardine fork with heavy floral chasing and gilt tines; another sardine fork, Knowles, with a sardine engraved on the tines; an Alvin Raphael pattern sauce ladle, lemon server and pierced scoop; a pair of serving spoons with engraved bowls and handles, Peter Krider, retailed by J E Caldwell; and a citrus spoon and nut scoop. Total weight: 27.8 ozt. Largest: 9 - 1/2” x 2” x 1 - 1/2”. 900 - 1,200 104

LOT - 1379 1379 - AN AMERICAN STERLING CENTER BOWL. Graff, Washbourne & Dunn, retailed by Bailey Banks & Biddle, with a shaped pierced circular border chased with floral motifs on trelliswork and in a molded rim.

Diameter: 12 - 1/4” Weight: 29.5 ozt. 13” x 13” x 3 1/2”. 900 - 1,200

www.MorphyAuctions.com | July 14, 2020

LOT - 1380

LOT - 1381

LOT - 1382

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1383

LOT - 1384

LOT - 1385

1380 - AN AMERICAN STERLING TALL VASE. Wilcox & Wagner, with a plain vase-shaped body on a domed foot and with a tall domed lid and urn finial, each side with a ring handle.

Weighted; lacquered. Height: 18 - 1/4”. 18 - 1/2” x 5 - 1/2” x 5 1/2”. 900 - 1,200

1383 - A GORHAM STERLING VASE. 1919. With a flaring scalloped rim and plain sides tapering to a bulging base applied with copper sprigs and insects. Damage to one copper mount. Height: 12” Weight: 24.8 ozt. 12” x 5 - 1/4” x 5 1/4”. 800 - 1,200

1381 - PAIR OF TIFFANY & CO. GEORGE II-STYLE STERLING SILVER CANDLESTICKS. This pattern was used in the early 1900’s. Candlesticks are signed “Tiffany & Co. 18446 Makers 7571 Sterling Silver 925-1000”. Each: 9” x 5” x 5”. (Excellent). 2,500 - 3,500

1384 - A PAIR OF GORHAM STERLING POTPOURRI SHOES. Each in the shape of a high healed shoe, the sides pierced with scrolls and trelliswork. Length: 9 - 1/2” Weight: 17.9 ozt. Each: 9” x 9 - 1/4” x 2 - 1/2”. 800 - 1,200

1382 - FOUR ASIAN SILVER ARTICLES. Including a mug, Wing Nam, Hong Kong, chased with birds and floral motifs; a tall cylindrical tea caddy or canister with a matted surface applied with flowering branches, with two character marks under base; another, smaller tea caddy engraved with flowering plants and figures in a landscape, marked silver 800; and a cup chased with a continuous landscape scene, unmarked. Height of first: 6 - 1/8” Total weight: 31.9 ozt. Largest: 6 - 1/4” x 3” x 3”. 800 - 1,200

1385 - AN AMERICAN STERLING GRAVY BOAT AND A PAIR OF SALAD SERVERS. Both by Lona Schaeffer, the gravy boat with flaring ends and applied with cast stylized flowers and berries, on a plain circular base; the salad servers with flat stems and plain ends, the handles applied with large cast lily blossoms and leaves. Length of Gravy boat: 5 - 5/8”; length of servers: 10” Total weight: 23.5 ozt. Largest: 3 - 3/4” x 5 3/4” x 4 - 3/4”. 800 - 1,200

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LOT - 1387

LOT - 1386

1386 - A GROUP OF AMERICAN STERLING SERVING PIECES. Mostly 19thC. Including an asparagus fork, Shiebler, with a heavily chased handle with vines and flowers; a large pair of tongs, Cupid pattern, Albert Coles; a fish knife, J E Caldwell, the blade engraved with a jumping fish; a Gorham cake knife with a square-section handle and engraved blade with a serrated edge, in a fitted leather box; an English button hook with a long end, the handle cast as a bird’s head and set with colored glass eyes, marked rubbed, probably London; a boxed set of servers, Albert Coles, with round stems and pommel ends, the blades and tines engraved with scrolls; two pairs of plated salad servers; and a small pair of plated fish servers. Length of asparagus fork: 10 - 1/4” Total weight of weighable silver: 33.4 ozt. Largest: 15 - 3/4” x 9 - 1/4” x 3”.

800 - 1,200

LOT - 1388

LOT - 1389

1387 - AN ENGLISH SILVER STIRRUP CUP. London 1962, maker’s mark unclear, cast and chased as a horse’s head. Length: 7” Weight: 17.4 ozt. 6 - 3/4” x 4 - 1/4” x 3 - 3/4”.

800 - 1,200 1388 - AN ENGLISH SILVER CRUET BOTTLE STAND. Henry Nutting, London 1808, square base with gadrooned rims and four reeded circular bottle holders and a lobed upright with shaped square loop handle. Wood base. Lacking bottles.

Height: 10”. 10 - 1/2” x 7” x 7”. 800 - 1,200 1389 - A GROUP OF 16 ENGLISH SILVER HANDLED KNIVES. Harrods Ltd., Sheffield 1990, all with molded pistol grip handles and stainless steel blades; together with a set of 36 silver plated place card holders each in the form of a small tea pot, Harrods, boxed in sets of six; and a set of six Georgian style silver plated bottle coasters with gadroon edges, Barker- Ellis. Length of knives: 9 - 3/8”. Largest: 5 - 3/4” x 5 - 3/4” x 1 - 3/4”.

800 - 1,200 106

LOT - 1390

1390 - A GROUP OF STERLING TEA STRAINERS. Including an English strainer and stand, Birmingham 1957; another, Hanau, with scroll and shellwork sides; two Peruvian examples, one with a thick pierced handle; a silver plated example with a mother-of-pearl handle; two other American examples; and a boxed Caddy spoon, Stieff, a copy of a Hester Bateman example in the Museum of Fine Arts; and a folding double-bowled medicine spoon, Blackinton. Total weight of silver: 16 ozt. Largest: 8 - 3/8” x 3 - 3/8” x 1 - 3/8”. 800 - 1,200

www.MorphyAuctions.com | July 14, 2020

LOT - 1391 1391 - A GROUP OF STERLING TABLE ARTICLES. Including a small lamp, Mount Vernon, with a snake handle; a gilt spoon with rod stems and pierced floral bowl; a small ruler, Shiebler, with a pierced edge and with cast swags and a cherub; a Gorham menu holder applied with a copper bird and plants; a luggage tag engraved London Rome New York and Paris, S. Kirk; a small strainer; a Whiting tea strainer; a pair of money clips with floral decoration; three other clips, one with an elephant in profile; a Durgin lemon fork with a cat-tail end; an Asian tea strainer; three pocket knives with silver sides, one with a medallion; a boxed Gorham olive fork/ spoon with ball stem; a set of 11 month teaspoons, Watson; a German silver plate horse’s head cane handle; and a small etui with four projecting utensils, unmarked. Total weight: 21.4 ozt. Largest: 5 “ x 3 - 1/4” x 3 - 3/4”.

800 - 1,200

LOT - 1392

LOT - 1393

LOT - 1394

1392 - GEORG JENSEN SET. Georg Jensen Set includes a lidded bowl with silver lid on glass bowl, spoon, and two goblets, 4 - 1/2” tall, all marked “Georg Jensen, Denmark”. All in excellent condition with no damage or repairs. Largest: 10 - 1/4” X 2 1/2” X 3/4”. (Excellent). 800 - 2,000 1393 - AN ENGLISH SILVER GILT MOUNTED SCENT BOTTLE AND VINAIGRETTE. H W Dee, London 1859, with a clear cut-glass body with floral motifs, the hinged top and bottom finely engraved with acanthus and scrolls, the base with a glass lid over the pierced grille.

The lid stamped Parkins & Gotto/ Oxford St./ London. Height: 3 - 3/8”. 1 - 1/2” D x 3 - 3/8” T. 800 - 1,200 1394 - TIFFANY STERLING REPOUSSE TEA CANISTER, WHITING STERLING SOAPBOX & GORHAM STERLING BASKET. Lot consists of: first, a Tiffany sterling repousse tea cansiter is circular with short floral final, in very good to excellent condition; second, Whiting sterling oval soapbox with repousse floral lid, in very good to excellent condition; and third, a Gorham sterling basket, good condition with split seam on side. Largest: 3 1/2” x 3” x 3”. (Good - Excellent). 600 - 800

LOT - 1395 1395 - A GROUP OF AMERICAN STERLING SMALL SERVING PIECES. Various dates and makers, including a pair of Knowles Rose pattern tablespoons with fruit-chased gilt bowls; International Frontenac pattern small meat fork and butter knife; a pair of small scissors with sterling handles, Gorham; 3 various butter knives; a sugar spoon with a gilt shell bowl, P Krider, Philadelphia; a long olive spoon with a pierced bowl, International; a sardine fork, Rogers; other long forks; and a cast sugar spoon in Dutch style with figures in the bowl, Marshall Field; and a cased set of hammered demitasse spoons and a pair of sugar tones, cased; together with a plated serving spoon. Total weight: 28.3 ozt.

8 - 1/2” x 3”. 600 - 800

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LOT - 1397

LOT - 1396 LOT - 1398 1396 - A GROUP OF GEORG JENSEN SILVER. Acorn pattern, various date marks. Including a set of eight demitasse spoons; a two-tined condiment fork, 6 - 1/2” and another smaller; a three-tined condiment fork; a salt cellar with a green enamel liner and two salt spoons; a tea strainer; two small ladles; and a small bottle opener with a leather pouch in the original box from the Paris branch.

Weight of weighable silver: 8.1 ozt. largest: 6 - 1/2” x 1/2”.

600 - 800 1397 - A TIFFANY STERLING CHILD’S BOWL AND UNDERPLATE. 1875-1891. Circular, the sides and edges applied with figures of piping cherubs, both with a wavy leafage rim; together with a Tiffany sterling heart-shaped phot frame, the sides chased with scrolls and winged cherubs, and with a pierced strut on the back. Diameter of bowl: 5” Weight of bowl and plate: 19.1 ozt. Largest: 8 - 1/4” x 6 1/2”. 600 - 1,200 1398 - LOT OF 3: STERLING PLATE PIECES. Lot consists of: first, a highly detailed elephant inkwell with monkey finial and glass insert, strong hinge, 5 - 1/2” tall by 7 - 1/4” long; second and third are two porcupine toothpick holders, one by Wilcox, 3” long each. No damage or repairs. Largest: 7 - 1/4” x 4 - 3/4” x 5 - 1/2”. (Excellent). 600 - 800

LOT - 1399

1399 - SPURIOUS ABRAHAM LINCOLN PRESENTATION FIVE-PIECE SILVER PLATED COFFEE SET WITH DOCUMENTATION. This five-piece Silver Plate by Meriden Silver Company, Meriden Connecticut, is comprised of a hot water urn on stand, coffee pot, master creamer, sugar bowl with covers, and a waste bowl. Spurious accompanying documentation reads: “To his Excellency Abraham Lincoln President of the United States, we the undersigned inhabitant of the District of Oswega, and doing business therein, would most respectfully recommend our fellow citizen Andrew Van Dyck Esq. for reappointment to the Office of Collection of Customs for this District after the expiration of his present term of office. Dated at Oswega this 3 day of January 1865,”. Spurious original document from the Treasury Department, Office of Commissioner of Customs signed by Andrew Van Dyck Esq. Original No. 5422 United States Internal Revenue License signed by the Collector of the 22nd Collection District, in the State of New York. Excellent condition. The tallest piece is 19” tall and is dated 1865 with an engraving of Abraham Lincoln’s name. THIS SET IS NOT AN AUTHENTIC PRESENTATION TO LINCOLN. Largest: 18” x 11” x 9” 400 - 600

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LOT - 1400

LOT - 1401

LOT - 1403

LOT - 1402

LOT - 1404

1400 - STERLING SILVER OBLONG BOWL. Open lattice work with embossed cherubs and floral motif. Signed “Sterling 925 by FINA”. Weight: 16.9 ozt. 14” x 9” x 2”. (Excellent).

500 - 800 1401 - PAIR OF STERLING SILVER CANDLE STICKS BY GOUDJI. 10 - 1/2” tall Art Deco style candle sticks, marked “Sterling Paris” and in a fitted leather case. Case: 14” x 10 - 1/2” x 7 - 1/4”. (Excellent).

500 - 1,000 1402 - LOT OF 3: STERLING SILVER ITEMS AND ONE 14K AND STERLING. Lot consists of: first, a 4” long Sampson Mordan sterling silver perfume bottle, London, 1883, engraved with scene of young child; second, a 3” long Shiebler sterling corkscrew with floral design; and third, a large Victorian pin of lady with snake head, with snake coiled around body, marked “Sterling” and “14k”, 5” by 2 - 1/2”. No damage or repairs to any. Largest: 2 - 1/2” x 5 - 1/4” x 1/2”. (Excellent). 500 - 900

LOT - 1405

1403 - LOT OF 2: STERLING BOXES. Lot consists of two sterling boxes. The first is .925 sterling with hallmarks, 14K yellow gold tab to open and pierced jade on top, 1 3/4” x 1 - 1/2”. Box itself is 4” x 3 - 1/2” x 1 - 1/8”. Strong hinge, no damage. The second is a Victorian sterling card case with bird and flowers in fitted box, 3 - 1/2” x 2 - 1/2” and with chain holder. Strong hinge, without damage or scratches. Larger: 4 - 1/4” x 3 - 1/2” x 1 1/4”. (Excellent). 400 - 800 1404 - WHITING STERLING TEA CADDY. Whiting sterling tea caddy enameled with leaves, flowers and grapes.

Original lid. No damage or repairs. 3 - 1/4” x 2 - 3/4” x 2 - 3/4”.

(Excellent). 400 - 800 1405 - LOT OF STERLING KNIVES AND CAMEO GLASS SALAD FORK AND SPOON. Lot includes a serving knife, fork and sharpener with 13 - 1/4” knife and English Cameo glass salad set with 10” knife. Largest: 13 - 1/4” x 1 - 1/4” x 1”. (Excellent). 400 - 800

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LOT - 1406

LOT - 1407

LOT - 1408

1406 - AN ENGLISH SILVER REGIMENTAL SALT CELLAR. George Fox, London 1883, with a low circular body with a beaded rim, on three cast feet in the form of armorial towers, the sides applied with two oval plaques, one engraved with a figure of Britannia and the other with the inscription ‘Presented/ to the/ 3rd Norfolk Regt./ by/ Lt. C.B. Caldwell/ 1884’. The figure of Britannia is part of the badge of the Regiment. Diameter at rim: 3 - 1/4” Weight: 4.5 ozt. 2 - 1/4” x 3 - 1/2” x 3 - 1/2”. 300 - 500 1407 - LOT OF 2: SILVER PLATED ITEMS. Lot of two silver plated items. The first is a wine cooler with lion head by Meriden. The second is a posey holder in the shape of a golf bag by Derby, 10” tall. Nice detail on golf bag. Larger: 8 - 3/4” x 10” x 7 - 1/2”. (Excellent).

200 - 300 1408 - A GORHAM STERLING AND OTHER METALS COVERED DISH. Circular, the base and domed lid with a hammered finish, the lid applied with flowering branches, birds and butterflies, some copper and some gilt. Model no. 685. Diameter: 6 3/4” Weight: 13.5 ozt. 1 - 1/2” x 6 - 3/4” x 6 - 3/4”.

500 - 1,500 1409 - JADE URN WITH DRAGON HEAD LID. Beautiful dark green jade lidded urn with detailed mythological carvings of figures and dragons. Solid piece with nice dark green color. 20th century. 21 - 1/2” T x 7 1/2” D. (Excellent). 4,000 - 10,000

LOT - 1409

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LOT - 1410

1410 - LAVENDER JADE BOULDER CARVING OF VILLAGE HOUSE. Small child opening door to wise men. Three frolicking horses surrounded by foliage. Entirely hand-carved lavender jadeite with mint green splashes from one solid boulder. Beautiful carving.

Nice color. 20th century. 17” x 22 - 1/2” x 10”. (Excellent).

5,000 - 15,000

1411 - FINE LAVENDER JADEITE FLORAL CARVING. Floral carving with flowering branches, peony blossoms, peaches, water rushes and finely detailed latticework. Hand carved from one piece of solid lavender jadeite. Nice color and detail. 20th century. 17 - 3/4” x 16” x 4 - 1/2”. (Excellent).

8,000 - 15,000

LOT - 1411

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111

LOT - 1412

1412 - MAGNIFICENT LAVENDER JADEITE WITH MINT GREEN SPLASHES AND APPLE GREEN INCLUSIONS. A finely carved underwater scene showing underwater creatures and foliage. Entirely hand-carved from one solid piece of lavender jadeite.

Beautiful detail, great color. 20th century. 23 - 1/4” x 20” x 7”.

(Excellent). 10,000 - 20,000

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LOT - 1413

1413 - LOT OF 2: PAIR OF GREEN JADE ELEPHANT WITH COVERS. c. Mid 20th century. Dark green regal elephants standing, the coves featuring standing calves with trunks raised, loose ring handles hanging from elephant heads. Monumental in size. 20th century. Each: 18 - 1/4” x 14” x 5 - 1/2”. 8,000 - 15,000 1414 - LOT OF 2: PAIR OF MOTTLED RHODONITE FOO LIONS. c. Mid 20th century. Seated on their haunches, the male and female stand guard in typical form. Beautifully hand carved.

16” T, 9” W. 20th century. Each: 15 - 1/2” x 9” x 7 - 1/4”.

(Near Mint). 4,000 - 10,000

LOT - 1414

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1415 - PAIR OF JADE CARVED RABBITS WITH STAND. Nice carving of detailed rabbits eating vegetation.

Two solid pieces of green jadeite. Nice color. 20th century. Each: 15 - 3/4” x 7 - 1/2” x 4”. (Excellent).

4,000 - 8,000 1416 - JADE FIGURE OF SHOULAS, THE GOD OF LONGEVITY. Nicely carved figure of Shoulas with two child attendants and a giant peach, holding a dragon-headed staff. Lavender jadeite with mint-green and apple-green splashes, entirely hand carved from one solid piece of jadeite. 16” T. 20th century. 19 - 1/2” x 10” x 5”. (Excellent).

4,000 - 10,000 1417 - PAIR OF CARVED IVORY VASES WITH LIDS. c. Mid 20th century. Beautifully carved vases with four carved panels on each side. Includes lid with intricately carved scene with Emperor and servants.

Artist signed under base. Each: 17 - 1/2” x 5” x 4”.

(Excellent). 5,000 - 10,000

LOT - 1415

LOT - 1416 114

LOT - 1417

www.MorphyAuctions.com | July 14, 2020

LOT - 1418

1418 - HAND-CARVED ELEPHANT IVORY SCULPTURE. c. Late 19th century. Magnificent and unusual carving of a Chinese censer with pierced work and high relief. Loose rings and dragon handles. Comes with carved wood base. Provenance: From the Minnesota Museum of Art. 24 - 1/2” x 19” x 6”.

(Excellent). 10,000 - 20,000

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115

LOT - 1419

1419 - EXTREMELY RARE MAMMOTH IVORY TUSK CARVING. Beautiful and museum quality hand-carved mammoth ivory tusk in tiger motif.

Comes with a carved tree-like stand. Carving dates to early 20th century.

Beautiful condition and workmanship. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 70” x 44” x 13”. (Excellent). 15,000 - 25,000

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LOT - 1420

1420 - PAIR OF MAGNIFICENT PALACE VASES. c. Early 20th century. These monumental ivory covered vases have intricate and deep relief-carved panels with hundreds of figures of warriors on horseback engaged in various battles. Each panel is surrounded by delicate scrollwork. The panels on the waisted neck feature ferocious dragons and floral panels. The covers feature a temple with Marien and child attendants. Octagonal shaped entirely hand-carved ivory. The vases rest on hand-carved wood stands. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 70 - 1/2” x 20” x 17”. (Excellent). 10,000 - 30,000

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1421 - CHINESE GREEN GLAZE DRAGON JAR WITH LID. With six character qianglong on the foot. The bulbous vase with conforming lid with a band of five-toed dragons chasing pearls beneath cloud bands and additional decorations of auspicious symbols.

Size: 7 - 7/8” T. 8” x 7 - 1/2” x 7 - 1/2”. (Very Good). 2,500 - 3,500 1422 - PAIR OF LARGE CARVED IVORY URNS. c. Mid 20th century. Both with very intricately carved and detailed panels. Comes with foo dog mask handles with ring. Each; 17 - 1/2” x 8 - 1/2” x 8 - 1/2”. (Excellent). 5,000 - 15,000

LOT - 1421

1423 - CARVED IVORY EMPEROR AND EMPRESS FIGURES. Both figures in typical royal long folding, the Emperor holding a sword and wearing beads, and the Empress holding a royal scepter with tassels. Both standing on ivory platforms with co-centric bands. Entirely hand-carved ivory, signed by artist under base. Each: 16” x 4 - 1/4” x 4 - 1/4”. (Excellent). 4,000 - 8,000

LOT - 1423

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1422

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1424 - LARGE PAIR OF IVORY COVERED VASES. c. Early 20th century. Large vases with intricate detailed panel scenes on both sides. Elephant head handles with rings on both sides. Foo Lion covers on top. Beautiful carving. Some minor staining with age.

33 - 1/2” x 15” x 6”. (Excellent). 4,000 - 12,000

LOT - 1424

1425 - LARGE PAIR OF IVORY COVERED VASES. c. Early 20th century. Large vases with intricate detailed panel scenes on both sides. Elephant head handles with rings on both sides. Foo Lion covers on top. Beautiful carving. Some minor staining with age.

Each:L 33 - 3/4” x 12” x 6 - 1/4”. (Excellent).

4,000 - 12,000

LOT - 1425

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1426 - PAIR OF CARVED IVORY GOURD VASES WITH LID. c. Mid 20th century. Outside covered with dragon motif. Includes dragon head handles. Each: 22” T x 8 - 1/2” D. (Excellent).

4,000 - 8,000 1427 - IVORY CARVING. c. Mid 20th century. Very rare museum quality hand-carved mammoth ivory sculpture with intricate workmanship depicting a village scene with trees, temples and figures. Carved wood base with cartouche and plastic case. Beautiful detail. Box: 11 - 1/2” x 18” x 4 - 1/2”.

(Excellent). 3,000 - 6,000 1428 - CARVED IVORY URN WITH LID. c. Mid 20th century. Intricately carved urn with carved dragons on lid and dragons and foo lion mask covering remainder of jar. Comes with ivory ring handles. Artist signed under base. 12” x 12 - 1/2” x 4”.

(Excellent). 3,000 - 8,000 1429 - CARVED IVORY TUSK ON STAND. c. Mid 20th century. Intricate carving of wooded scene with various animals. Very finely detailed carving. 10” x 28” x 5”. (Excellent).

1,000 - 3,000

LOT - 1426

LOT - 1427

LOT - 1428

LOT - 1429 120

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LOT - 1430

LOT - 1431

LOT - 1432

LOT - 1433

1430 - LARGE CARVED ELEPHANT TUSK. c. Mid 20th century. Intricately carved elephant tusk with scene of warriors and temple-goers. Comes with wooden base. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 35” x 11” x 5”. (Excellent). 1,000 - 3,000 1431 - PAIR OF BONE TUSKS. c. Mid 20th century. Intricately incised and colored tusks on bone base. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Each: 45 - 1/2” x 10” x 8”. (Excellent). 1,000 - 3,000

1432 - CARVED ELEPHANT TUSK. c. Mid 20th century. A highly detailed carved tusk with village scene of people doing their daily chores. 7” x 22 - 1/2” x 3 - 1/2”. (Excellent).

1,000 - 3,000 1433 - PAIR OF CARVED IVORY TUSKS. c. Late 20th century. Highly detailed and painted tusks with figural scene. Artist signed on back. Each: 10” x 13” x 2 - 1/2”. (Excellent).

800 - 1,500

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1434 - PAIR OF LARGE BONE SCULPTED TUSK WITH INTRICATE CARVED SCENES. c. Mid 20th century. This is a pair of beautifully carved tusks made of bone with highly detailed carved and colored scenes throughout. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Each: 90” x 24” x 13”. (Excellent).

2,000 - 6,000

LOT - 1434

1435 - FIVE-PANELED CARVED BONE SCREEN. c. Early 1900’s. Each panel with a different scene, intricately carved out of bone. 24” x 30” x 8 - 1/2”. (Excellent).

4,000 - 8,000

LOT - 1435 122

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LOT - 1436

LOT - 1437

1436 - FOUR-PANELED SCREEN WITH ASIAN MOTIF. Japanese painting on silk in a faux rosewood painted frame. First quarter 20th century.

Water staining and damage to frame and two silk panels. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 70” x 36” x 3/4”. 1,000 - 2,000 1437 - LOT OF 2: CHINESE FAMILLE ROSE PLANTERS EACH WITH HONGXIAN MARK (1915 - 1916).

The diminutive pair of porcelain footed planters with notched corners are decorated overall with delicate flowers and leafy vinery in soft pastels on a pale turquoise ground.

Each planter is marked in underglaze blue.

Condition is very good with no abrasions, flecks, or scratches. Each: 2 - 1/2” x 5” x 5”.

(Very Good). 1,500 - 2,500

LOT - 1438

1438 - PAIR OF CHINESE YELLOW GLAZE DRAGON DISHES. Each with six character Guangxu mark. Each plate decorated with a green and lavender dragon chasing a pearl within cloud bands on a rich yellow ground. Size: 5 - 1/8” Dia. Very good overall condition with clear six character mark. Each: 5 - 1/4” x 5 - 1/4” x 1”. (Very Good). 1,500 - 2,500 1439 - FINE AND DELICATE CHINESE YELLOW GLAZE DRAGON DISH. The dish with Qianlong mark in underglaze black, decorated with a central dragon with pearl within a two-line border. Two additional dragons chase pearls along the edge amongst floral vinery, all in shades of emerald green.

The bowl has a scalloped edge. The exterior is similarly decorated with two dragons. Box: 2 - 1/2” x 6 - 1/2” x 6 - 1/2”. (Very Good Excellent). 2,000 - 4,000

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LOT - 1439

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LOT - 1440

LOT - 1441

LOT - 1442

LOT - 1443

1440 - GOOD CHINESE DUCAI SQUARE VASE. Qing Dynasty. The vase decorated with bands of flying bats and a central rondel beneath a yellow and green scrolling border. Size: 11 - 1/4” T. 11 - 1/4” x 4 - 3/4” x 4 3/4”. (Very Good).

1,500 - 2,500 1441 - FINE CHINESE WUCAI YUHUCHUN VASE. Ming Dynasty. Four character mark at the foot. The pear-shaped vase, decorated with floral sprays alternating with exotic birds above a row of palmette design, diaperwork at the neck, the vase with everted rim. Size: 8 - 1/4” T. Very good condition with minor rubbing to gilt. 8 - 1/4” x 5 - 3/8” x 5 3/8”. (Very Good).

1,500 - 2,500

LOT - 1444

LOT - 1445

1442 - CHINESE BAMBOO CARVED BRUSH POT. c. 18th to 19th century. The cylindrical pot carved from the solid within fanciful landscape depicting two elderly gentleman playing with a game board and an elephant depicted within a pagoda and with three individuals bowing beneath the trees and conifers, all beneath cloud bands. Size: 4 - 1/2” T. x 5 - 1/4” Dia. With undisturbed surface, normal and expected vertical shrinkage cracks, very good overall condition. 4 - 5/8” x 5 - 1/4” x 4 - 5/8”. (Very Good). 1,500 - 2,500

1444 - PERIOD JAPANESE CLOISONNE FLOOR VASE. Fitted to a bronze base with elephant head feet.

Cloisonne decoration with cranes and foliage terminating in a well-executed shoulder with a bronze bamboo decorated rim. Circa 1890. Two spalls on side, several small areas of loss in cloisonne. 25 - 3/4” x 12” x 12”. 1,000 - 3,000

1443 - CHINESE GUAN-TYPE STRING VASE. Early Qing Dynasty. This 18th century example of a cylindrical vase in celadon glaze, the sides ribbed with a short neck and everted rim. Well-pronounced craquelure throughout the jar. Size: 8 - 1/2” T. 8 - 3/8” x 4” x 4”. (Very Good). 1,200 - 1,800

1445 - CAST IRON ORIENTAL INCENSE BURNER WITH FOO LION ON TOP. c. Late 20th century. Nice detailed images of dragons and foo lions. 17” x 12 - 1/2” x 9”. (Excellent).

700 - 1,500

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LOT - 1447 LOT - 1446

LOT - 1448 1446 - LARGE CHINESE INDIGO BLUE BRUSH POT WITH FLORAL AND BUTTERFLY DECORATION. The pot of cylindrical form, with a rich blue glaze decorated with a cluster of chrysanthemums beneath bamboo trees. The reverse decorated with delicate butterflies. Size: 6” T. x 7 - 3/4” Dia. 5 - 7/8” x 7 - 5/8” x 7 5/8”. (Very Good).

1,000 - 2,000 1447 - LARGE CHINESE GE-TYPE CRACKLE GLAZED ANHUA FLOWER

LOT - 1450

PEDESTAL. The celadon glazed oval flower pedestal with pinched waist with raised gadrooned underglaze design and good overall craquelure glaze. Size: 5 - 1/8” T. x 8 - 1/2” L x 5 - 3/4” W. 5” x 8 - 1/2” x 5 - 3/4”. (Very Good - Excellent). 1,000 - 2,000 1448 - LARGE POTTERY FOO DOG. Large pottery foo dog has stylized fur decoration on its feet, legs, and tail, as well as a band around the neck and down the back of the neck. The dog rests on a square platform with decorated sides. The foo dog has one paw on top of a small animal. The piece is finished in shaded jade green glaze. Unsigned. There are two small chips to the top edge of the front panel of the platform, plus there is a dime-sized chip to the trim decoration on the back side of the platform. 21” x 14-1/2” x 23” 1,000 - 1,500 1449 - CHINESE SCROLL PAINTING OF A BEAUTIFUL WOMAN. c. 19th century. The figure in a blue-grey kimono with red trim holding a book and standing amongst iris and flowering branches. Signed in calligraphy at upper-left corner. 52 - 1/2” x 10 - 1/4”. With borders: 60” x 11 - 1/2”. (Very Good). 900 - 1,200

LOT - 1449

1450 - IMPORTANT CHINESE “FALANGCAI” GLAZED ENAMEL PORCELAIN BOWL. This bowl has a Yongzhen mark in underglaze blue. Beautifully decorated with soft palette enamels of three branches: One of ripened peaches, one of anemones, and the third of graceful and exotic yellow blooms. All on a cream glaze ground within a Greek key border at the foot, and a scrolling foliate border beneath the rim. Box: 2 - 1/2” x 6 - 3/4” x 6 - 3/4”. (Very Good - Excellent). 3,500 - 5,500

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LOT - 1451

LOT - 1454

LOT - 1458

LOT - 1452

LOT - 1455

LOT - 1453

LOT - 1456

LOT - 1457

LOT - 1459

1451 - PAIR OF CHINESE REPUBLIC PERIOD CLOISONNE AND BRONZE BIRD CENSERS. With beautiful burner covers. Minor losses to enameling. Each: 10 1/2” x 9” x 4”. 800 - 1,200

1456 - LOT OF 2: CARVED IVORY PIECES. Includes man with monkey on shoulder and lady with bird. Both intricate carvings are artist signed under base. Largest: 7 - 1/2” x 3” x 2 1/4”. (Excellent). 500 - 1,500

1452 - AN EARLY CHINESE BOXWOOD LINGCHI RUYI SCEPTER. This nicely carved example, the head in the shape of a fungus, the stem carved with a bat flanked by lichens, continuing to a shaped hand grip. Size: 13 - 3/4” L. Condition: Very fine condition with undisturbed patina and nicely patinated surface. Box: 4 - 1/2” x 15” x 6”. (Very Good). 800 - 1,200

1457 - CARVED IVORY FIGURAL GROUP WITH BOOKS. c. Early 20th century. Nice carving of man teaching student to read. 4” x 5” x 4 - 1/4”. (Excellent). 500 - 1,000

1453 - PAIR OF IVORY AND JADE JAPANESE TEAPOTS. c. Mid 20th century. Nicely carved ivory pots with dark green jade inserts. Signed by artist under base. Each: 11 - 1/4” x 7” x 2 - 1/2”.

(Excellent). 800 - 2,000 1454 - CARVED IVORY PAIR OF MAN AND WOMAN SEATED AT THRONE. c. Mid 20th century. Both nice carved and incised ivory detail. Artist signed under base. Each: 7 - 3/4” T x 3 - 1/2” D. (Excellent). 600 1,200 1455 - LOT OF 2: IVORY CARVED FIGURAL GROUPS. c. Early 20th century. Includes man with a boy and woman playing with cat. Nice carving. Largest: 5” x 2” x 1 - 1/2”. (Excellent). 500 - 1,000 126

1458 - LOT OF 2: IVORY CARVED FIGURES. Includes a man holding instrument and lady in dress. Largest: 7” T x 3 1/2” D. (Excellent). 500 - 1,000 1459 - LOT OF 2: CHINESE BRONZE FIGURES OF BUDDHAS. 19th century. The first, a figure of Shakyamuni seated on a lotus throne with crossed legs and a bowl in his left hand, his right hand relaxed on his right leg. The status shows remnants of original red pigment, now worn. Size: 6 - 1/2” T. Unsigned. Good to very good condition with nice patina and wear. The second, a figure of Ch’i-T’zu, otherwise known as the ‘Happy Buddha’, posed with a bald head and large belly, seated cross-legged, a string of beads in his right hand. He is partially covered in a textured robe. Signed beneath with a four character mark within a circle. Size: 4” T. Figure has been well-polished over the years, now showing traces of old polish. Some minor green corrosion, but otherwise good with well-worn surfaces and nice patina.

Larger: 6 - 1/4” x 5 - 1/4” x 4”. (Good - Very Good). 800 - 1,200

www.MorphyAuctions.com | July 14, 2020

LOT - 1460

LOT - 1461

LOT - 1462

LOT - 1463

1460 - FRAMED IVORY AND MOTHER OF PEARL CARVED PICTURE OF BIRDS AND BUSH. c. Mid 20th century. Nicely carved and detailed image of two bird and a butterfly carved out of mother of pearl and ivory. Artist signature in lower-right hand corner. 41 - 1/2” x 26” x 1 - 1/2”.

(Excellent). 500 - 1,000 1461 - CARVED IVORY ELEPHANT SCENE. c. Late 20th Century. Includes grouping of elephants and trees. Nicely detailed. 3 - 1/2” x 12” x 3”. (Excellent). 500 - 1,000 1462 - LARGE BONE CARVED IVORY TUSK. c. Mid 20th century. Detailed carved bone with image of people and foo lion on sides. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 42” x 14” x 9 - 3/4”. (Excellent). 500 - 1,500

LOT - 1464

1463 - CARVED TUSK MADE OF BONE. c. Mid 20th century. Nicely carved and detailed tusk made out of bone. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 15” x 52 - 1/2” x 5 3/4”. (Excellent). 500 - 1,000 1464 - PAIR OF IVORY CARVED FOO DOGS c. Late 20th century. Nice solid ivory carving. Each: 8 - 1/4” x 4” x 4 1/2”. (Excellent). 500 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

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LOT - 1465

LOT - 1466

LOT - 1467

LOT - 1469

LOT - 1468

LOT - 1470

1465 - LOT OF 2: CARVED IVORY WOMEN WITH FANS. Both in excellent condition. Artist signed on the base. Largest: 7 - 1/4” x 2 - 1/2” x 2”. (Excellent). 500 - 1,000 1466 - LOT OF 10: MISCELLANEOUS IVORY PIECES. c. Early 20th century. Includes stamp holder, doctor’s lady, and various sewing accessories. 5” x 1/2” x 1/2”. (Excellent). 400 - 800 1467 - LOT OF 5: IVORY SNUFF RELATED PIECES. Includes four small ivory snuff boxes and one hand carved snuff box.

Largest: 3 - 1/2” x 1 - 3/4” x 1 - 1/4”. (Excellent). 400 - 800

1469 - LOT OF 8: CARVED IVORY FIGURINES. c. Mid 20th century. Nice assortment of eight carved figurines, all solid ivory, all mounted on a piece of wood. 4 - 1/2” x 12 - 1/2” x 7”.

(Excellent). 400 - 800 1470 - IVORY TUSK DISPLAY. c. Early 1900’s. Includes an elephant tusk with two boar tusks encompassing. 20” x 10” x 7”. (Very Good). 400 - 1,000 1471 - CARVED IVORY FLORAL AND FIGURAL PIECE. c. Mid 20th century. Nicely carved. 9 - 1/2” x 6” x 3 - 1/2”.

(Excellent). 400 - 800

1468 - LOT OF 2: CARVED IVORY FIGURES. Includes man holding grapes with flag and boy holding staff. Both in excellent condition. Largest: 5 - 1/4” x 2 - 1/4” x 2 - 1/4”. (Excellent).

400 - 800 128

LOT - 1471

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LOT - 1473

LOT - 1474

LOT - 1472 LOT - 1475

LOT - 1476

LOT - 1477

LOT - 1478

LOT - 1479

1472 - LARGE BONE CARVED TUSK. c. Late 20th century. Carved elephant tusk made out of pieces of bone. Scenic image on both sides. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 41 - 1/2” x 13” x 9 - 3/4”.

(Excellent). 400 - 800 1473 - IVORY CARVED FIGURAL GROUP. Includes a man with two children. 4 - 3/4” x 4” x 2”. (Excellent).

400 - 800 1474 - LOT OF 7: ASIAN CARVED IVORY FIGURES. c. Late 20th century. Nice detail. All are artist signed. Largest: 3 - 3/4” x 1 - 1/4” x 1”. (Excellent). 400 - 800 1475 - SOLID CARVED IVORY LADY. Nice carving. 10” x 2 - 3/4” x 2 - 1/4”. (Excellent). 400 - 800 1476 - LOT OF 2: CARVED IVORY FIGURINES. Both women with flowing dresses on wooden bases. Largest: 6” x 2 - 1/4” x 2 - 1/4”. (Excellent). 400 - 800 1477 - LOT OF 2: IVORY CARVED FIGURINES. c. Mid 20th century. Both solid ivory and come on wooden bases.

Largest: 9” x 2 - 1/2” x 2”. (Excellent). 400 - 800 1478 - LOT OF 2: CARVED IVORY PIECES. Includes an scrimshaw whale’s tooth candle holder and an ivory carved covered bowl with music box in base. Largest: 7 - 1/2” x 5 - 3/4” x 3 - 3/4”. (Excellent). 400 - 800

1479 - LOT OF 2: CARVED IVORY FIGURINES. Includes a holy man and a man with two sons. Largest: 6 - 3/4” x 1 3/4” x 1”. (Excellent). 300 - 600 1480 - LOT OF 3: IVORY ACCESSORIES. Lot includes a mirror, a small easel and a book ledger. Largest: 15 1/2” x 1 - 1/2” x 1/4”. (Excellent).

300 - 600 LOT - 1480

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LOT - 1482

LOT - 1481

LOT - 1483

LOT - 1484

LOT - 1485

1481 - LARGE CARVED IVORY TUSK. Beautifully carved ivory tusk with village scene of people. Two areas of repair. 34 - 1/2” x 9” x 5”.

(Very Good). 300 - 800 1482 - PAIR OF CARVED IVORY SHADES. c. Mid 20th century. Both have intricate carvings with village scenes. Largest: 5 - 3/4” x 3 - 3/4” x 1 - 1/4”. (Excellent). 300 - 600 1483 - ASIAN PANEL WITH IVORY DECORATIONS. c. 1900. Soapstone and lacquered panel with carved flowers, birds and vines. Losses, repairs and restoration. Assembled from a larger work. Frame: 21 - 1/2” x 57” x 4”. 300 - 800 1484 - LOT OF 2: NUDE IVORY FIGURES. Includes two female nude figures made of solid ivory. Largest: 7” T x 2” D. (Excellent). 300 - 600 130

1485 - THREE CARVED IVORY NETSUKES, AN IVORY “ANKH”-SHAPED PENDANT AND A SMALL ELEPHANT BRIDGE. c. 19th and 20th centuries. Japan and Africa.

Netsukes include a seated flute player, a crouching frog and a child playing a lute standing next to a column with calligraphy. The carved ivory bridge comprised of three elephants. Netsukes 3/4” - 2” T., Bridge 8 - 3/4” L., Ankh 2 - 3/4” L. All with undisturbed surfaces. Largest: 8 - 1/2” x 2” x 1”.

(Very Good). 200 - 500 1486 - CHINESE TURQUOISE GLAZE DISH. The exterior with a rich, ruby glaze and with a Qianglong mark on the foot. This nice Qianglong Shou bowl with strong coloration and very nice glaze. Size: 1 - 3/4” T. x 10 - 1/2” Dia. A small fleck on the rim, otherwise very good condition.

1 - 3/4” x 10 - 1/2” x 10 - 1/2”. (Very Good).

800 - 1,200

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LOT - 1486

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1487

LOT - 1488

LOT - 1489

LOT - 1490

1487 - QING DYNASTY CHINESE BRONZE COVERED CENSER WITH QILIN FINIAL. Double handled with a nice patina. Unmarked.

8 - 1/2” x 5 - 1/2” x 5”. 600 - 800 1488 - AN EARLY CHINESE HARDWOOD LINGCHI FUNGUS ROOT CARVING RUYI SCEPTER. 19th century. This nice diminutive example with fungus shaped crown joined to an interwoven branch carved in deep relief with floral design of branches in a general curved elliptic shape.

Size: 9” L. Very good condition with untouched surface and deep, rich patina. 9” x 3 - 1/2” x 2”. (Very Good). 600 - 800 1489 - GOOD CHINESE FAMILLE ROSE BOWL. With six character Xuantong mark. This nice example with a design of a conifer in a floral and aquatic landscape with a duck seated on the shore, a second duck in the air. The reverse decorated with chrysanthemums. The interior in a scrolling blue glaze with band of water lily blooms. Six character mark on the foot. Size: 3 - 3/8” T. x 7 - 1/8” Dia. 3 - 1/2” x 7 - 1/4” x 7 - 1/4”. (Very Good). 600 - 800

LOT - 1491

1490 - CHINESE THREE-LEGGED BOWL WITH BLUE AND WHITE DECORATION. Yuan Dynasty. This nice example with rope-twist handles, the circular bowl unglazed on the interior raised on three cylindrical legs. The exterior with a cobalt blue band of geometric design above scrolling flowerheads. Size: 4 - 3/4” T. overall x 3 - 3/4” Dia. 4 - 3/4” x 3 5/8” x 3 - 5/8”. (Very Good). 600 - 800 1491 - CHINESE ROSEWOOD THREE-PANEL SCREEN WITH MOTHER OF PEARL INLAY. Late 19th to early 20th century. Each panel constructed of an upper and lower rosewood panel with molded edge, each carved with a flowering tree branch, a symbol of plenty or a fruit-filled tree branch. Each centering a beveled mirror plate and all panels are bordered with mother of pearl inlays of floral design. Size: 44” T. x 42” W. overall. Each panel 14” W. Very good condition with original surface, carved polychrome decorations are all in good condition with only minor losses. Mirror plates original with some foxing and loss to silver backing. Folded: 43 - 3/4” x 14” x 3 - 1/2”. (Very Good). 300 - 500

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1492 - LOT OF 2: CARVED TABLE SCREEN & JAPANESE SWORD HANDLE. Table screen circa 1890 of carved hardwood. Minor chips and losses, good condition.

Carved ivory sword handle in two parts. Signed, circa early 20th century. Very good condition.

Largest: 35 - 1/2” x 24” x 9 3/4”. (Good - Very Good).

500 - 1,000

LOT - 1492

LOT - 1493

LOT - 1494 132

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1493 - LOT OF 2: FRANCESCO LIGOZZI TAPESTRIES. Beautiful hand-woven tapestry

by Francesco Ligozzi. Jeweled with variety of precious stones including lapis, jade, agate, and other stones. 24K gold leaf and metal woven. Can be hung both vertically and horizontally. Red tapestry measures 6’ x 4’, black tapestry is 3’ x 5’. 77” x 53”.

(Excellent). 700 - 1,500 1494 - GROUP OF FIVE CHINESE SNUFF BOTTLES TOGETHER WITH A PERSIAN SNUFF. c. 19th to 20th century. China.

The lot includes: the first, an opaque white bottle with polished cap, decorated with a basket of flowers and signed on the base; the second, an opaque hardstone example with a decorated ink plaque depicting a woman beneath a tree and with a green hardstone stopper; the third, a floral carved white snuff bottle with calligraphy and a decoration on one side, the opposing side carved with flowers; the fourth, a wonderful inside-painted crystal bottle with polished stopper, decorated with young ‘beauties’ on each side with calligraphy; the fifth, a canister-form cylindrical ivory snuff bottle with carved wood top, decorated with a pair of seated gentleman gaming within a landscape.

The Persian snuff bottle with decorative copper, silver and brass ornamentation. Sizes range from 2 - 1/2” to 4” L. Generally very good to excellent condition.

Largest: 3 - 1/4” x 2 - 1/4” x 1”.

(Very Good - Excellent).

400 - 800

LOT - 1495

LOT - 1496

LOT - 1498

LOT - 1497

LOT - 1499

1495 - JADE AND MARBLE CANISTER WITH HINGED LID. 5” tall jade pierced top with elephant on top. When opened, insert pulls up. Strong hinge, no damage or repairs, but appears to have markings rubbed off bottom. 5 - 1/2” x 3” x 3”. (Excellent).

400 - 800 1496 - ILLUSTRATED BOOK OF CHINESE POETRY. c. Mid 20th century. China. Comprised of nine pages of verse. Each with watercolor floral themed illustrative panel with calligraphy.

The pages are folded in accordion fashion and retain their original silk cover panels. Pages retain good color with no foxing, toning, or discoloration. Covers are clean and intact. 15” x 10”. (Very Good).

300 - 500 1497 - LOT OF 2: ORIENTAL BRONZE CENSERS. Each with impressed mark beneath the censer. The first in the form of a kettle with deformed handles and small tapered feet with a four character mark below. The second censer with six character mark and raised on short cabriot legs with scrolled returns and a guardian lion mask as handle at opposing ends, the censer with everted lip. Size: first- 3” H. x 4” Dia., second - 2 - 3/4” H. x 4” W. Both with normal tea-colored patina, surface is untouched, with light scratching. Larger: 2 - 3/4” x 4” x 4”. (Very Good).

400 - 600

LOT - 1500

1498 - CHINESE BRONZE VASE, 20TH CENTURY. Bronze vase with very nice patina. 5” x 4 1/2” x 4 - 1/2”. 400 - 600 1499 - CHINESE EXPORT ARMONIAL PORCELAIN CHARGER. c. 1800. Has two small chips and a stable 2 - 1/2” crack. 17” D. x 2” T. 400 - 800 1500 - WHITE JADE CARVED BIRDS ON BUSH. Nice carved image of two birds eating berries from a bush. 6 - 1/4” x 5” x 2”.

(Excellent). 400 - 800 1501 - LARGE MODERN ORIENTAL VASE WITH LID. c. Late 20th century. Lid has foo lion figure on top. Intricate detail and coloring. 39 1/2” T x 18” D. (Excellent). 400 - 800

www.MorphyAuctions.com | July 14, 2020

LOT - 1501

133

LOT - 1502

LOT - 1503

LOT - 1504

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1505 1502 - A FINE AND UNUSUAL SIGNED SATSUMA GILT-DECORATED MOON VASE, TOGETHER WITH A ROUND COVERED POWDER WITH BIRD DECORATION. Japan. The moon vase, with the mark of “Zuizan for Koshida”.

The moon vase is decorated with birds and flowering cherry trees on one panel, the verso decorated with birds and chicks in a bamboo grove. The vase with Foo dogs on the shoulders.

The covered powder jar with a woodpecker decoration on the lid and marked on the underside of the lid and the base of the bowl. Size: Moon vase 12” T x 9” W. Covered powder jar 3 - 1/2” Dia. Both items are accompanied by wood stands. Evidence of minor restoration. Very good condition overall. Larger: 13 - 1/2” x 9” x 5”. (Very Good). 400 - 800 1503 - THREE-PIECE LOT OF FINE GILT-DECORATED SATSUMA CONSISTING OF A 12” CHARGER, A 6” BOWL AND A 6 - 1/4” DIAMETER ROUND COVERED FOOTED DISH The charger is decorated with a group of seated robed figures conversing, all beneath a scroll, loosely translated titled “Hundreds of People”. The charger is signed with a four character mark on the foot. The bowl, similarly decorated and with a two character mark on the foot. The round covered footed bowl is decorated with three flower heads at the center of the lid and on the bowl interior. The sides are decorated with pairs of seated figures. The top of the lid is decorated with a group of robed figures and calligraphy. All pieces are very good to excellent. The bowl has some minor gilt loss on one section of the side. Larger: 12 - 1/2” x 12 1/2” x 2”. (Very Good - Excellent). 400 - 600

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LOT - 1506 1504 - SATSUMA FOOTED BOX WITH LID. c. 1910. Red seal on bottom. Beautifully executed decoration. Minor flakes to lid.

3” x 4 - 1/4” x 4 - 1/4”. 300 - 500 1505 - LOT OF 3: PAIR OF JAPANESE FRAMED PIECES AND ASIAN WOOD MELON-FORM CONTAINER WITH HANDLE. Lot consists of two framed decorative mixed media works, both signed signed by the artist at the lower center. Artist unidentified. 20th century. Thailand. The large container decorated with panels depicting sleeping bust figures with rattan wrapping and a carrying handle.

Largest Framed: 21” x 17” x 2 - 1/2”.

(Good). 250 - 500 1506 - MAHJONG GAME. c. Mid 20th century. Bamboo and celluloid in a slide-lid box. Not examined for completeness. 2” x 10 - 1/2” x 6 3/4”. 200 - 400

LOT - 1507

1507 - FAMILLE ROSE CHINESE PORCELAIN UMBRELLA STAND. c. 20th century. Of typical cylindrical form and design, decorated overall with floral patterns, alternating with domestic interior scenes. An illegible seal mark in red stamped on the underside of the body. 24” T. (Very Good). 200 - 300

www.MorphyAuctions.com | July 14, 2020

1508 - IMARI VASE, LATE 19TH CENTURY Repair to neck with associated inpainting, other wise very good condition. 30” x 13” x 13”. (Very Good).

400 - 800 1509 - CHINESE QING DYNASTY ENAMEL DECORATED PORCELAIN BOWL. Chinese Qing Dynasty Enamel decorated porcelain bowl on wood stand. Possibly Qianlong. Decorated with immortals 10” diameter, crows foot hairline on base. 10 - 1/2” D x 9” T. 1,000 - 1,500 1510 - JAPANESE SATSUMA VASE WITH QUAIL IMAGE. c. 19th century. Japanese Satsuma vase with Quail image, with enamel decoration. Yellow background with finely detailed flowers and butterflies. Minor losses to glaze near base Meiji Period. Signed “Taizan Yohei IX”. 5 - 1/2” D x 16” T. 800 - 1,200 1511 - ASIAN WALL HANGING OF WOMAN AND BIRD. 20th century. Painting on soapstone in a carved frame.

Soapstone has horizontal crack. 42 - 3/4” x 11” x 1”.

100 - 300

LOT - 1508 1512 - RARE JAPANESE JEWELRY BOX. Enameled with scenes on all sides of Oriental subjects with exquisite detail. Release to open box on bottom front, revealing velvet-lined interior.

Two hallmarks. Small piece of brass missing from bottom, but no damage or scratches to enamel panels and the hinge remains strong. 3 3/4” x 5 - 1/2” x 3 - 1/4”.

(Very Good). 800 - 1,500

LOT - 1509

LOT - 1510

LOT - 1511

LOT - 1512

1513 - DEREK H CLARKE (ENGLAND, 1912-2014) DOUBLE-SIDED IND COUPE BREWERY TAVERN SIGN Artist: DEREK H CLARKE (ENGLAND, 1912-2014) Title: DOUBLE SIDED BREWERY SIGN Created: 1968 Medium: Oil on board Signed lower right “Derek H Clarke Work Size: 38.25” x 43.5” No frame

LOT - 1513

Derek Clarke studied at the Slade School of Art. He lived in the west of Ireland both before and after the Second World War. Clarke also taught at Edinburgh College of Art between 1947 and 1978, supplementing his income by painting portraits. This sign, dated 1968 is for the Ind Coope brewery, in operation from 1799. The brewery became part of Allied Breweries in 1961. 38 - 1/4” x 43 - 1/2”. Condition: Very good Very Good 1,300 - 3,500

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LOT - 1515

LOT - 1514 1514 - ROBERT DE VAUGONDY (FRENCH, 1688 - 1766) CARTE DE LA VIRGINIA ET DU MARYLAND, 1755.

Artist: ROBERT DE VAUGONDY (FRENCH, 1688-1766).

Title: CARTE DE LA VIRGINIA ET DU MARYLAND, 1755.

Created: 1755 Medium: Ink on paper.

Work Size: 20” x 26” Frame: Reproduction frame.

French edition of the American Fry/Jefferson map of Virginia and Maryland, published by Robert de Vaugondy, Paris, 1755. Engraved

by Elizabeth Haussard. First state as shown by the appearance of the Lord Fairfax line. Color enhanced, not examined out of the frame.

Frame: 30” x 36” x 3 - 3/4”. Condition: Very good. (Very Good).

1,500 - 5,000 1515 - ALFRED ARTHUR BRUNEL DE NEUVILLE (FRENCH, 1851 - 1941) BOUQUET DE FLEURS. Artist: ALFRED ARTHUR BRUNEL DE NEUVILLE (FRENCH, 1851-1941).

Title: BOUQUET DE FLEURS. Created: Circa 1900.

Medium: Oil on canvas.

Signed lower right “Brunel Neauville”.

Work Size: 25” x 36” Frame: Period frame.

Alfred Arthur Brunel de Neuville (French 1851 - 1941). Neuville was born in 1852 in Paris, France. After his basic education, de Neuville studied fine art with his father, a well-known teacher of landscape and still-life painting in Paris. In 1879, at the age of twenty-seven, he exhibited his first painting at the Salon de Paris. From 1889 to 1909, de Neuville exhibited at the Salon of the Societe des Artistes Francais.

He was made an Associate in 1907.Throughout his career, de Neuville was both a popular painter and a well-respected practitioner of still lives with a wonderful ability to render the texture and colors of fruit, flower and other arrangements. There is a 3” scratch inpainted in background, upper right. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 25 - 1/2” x 46” x 4 - 1/2”. Condition: Very good. (Good).

1,500 - 5,000

136

LOT - 1516

1516 - PORTRAIT OF THOMAS “STONEWALL” JACKSON (1824 - 1863).

Title: PORTRAIT OF THOMAS “STONEWALL” JACKSON (1824 - 1863).

Created: Last quarter of the 19th century.

Medium: Oil on canvas.

Unsigned.

Work Size: 24” x 20” oval Frame: Frame not original.

Profile portrait of the great Confederate general taken from a daguerrotype. Canvas cut to fit later oval frame. Several surface abrasions to canvas. Heavy varnish. Frame: 25 - 1/2” x 29 - 1/2”.

Condition: Good. 2,000 - 6,000

www.MorphyAuctions.com | July 14, 2020

1517 - LOT OF 2: T. P. FERGUSON (AMERICAN, 19TH CENTURY) THE PENNSYLVANIA STATE FENCIBLES, AND FENCIBLES UNIFORM HAT. Artist: T.P. FERUSON (AMERICAN, 19th CENTURY) Title: THE PENNSYLVANIA STATE FENCIBLES, AND FENCIBLES UNIFORM HAT Created: 1877 Medium: Oil on canvas Signed” T P FERGUSON JANUARY 1877” Work Size: 45” x 36” Frame: Original frame A depiction of the Pennsylvania State Fencibles on parade with the Philadelphia waterworks and view of the city in the background. Three flags are flying in the scene - the American flag, Pennsylvania flag and the Fencibles flag with the words: “Pennsylvania Chamber”. Also included is a busby hat, unique to the Pennsylvania State Fencibles and it’s case. The hat has a tassel marked “SF” for State Fencibles. The Fencibles were a military organization raised LOT - 1517 in Philadelphia in 1813 as part of the Pennsylvania militia and continued as a unit in the National Guard until independent battalions were abolished around 1900. Provenance: The Joseph Sorger Collection, Freeman’s Auction 10/05/10, Lot 360. Relined, minor inpainting in sky. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 45 - 3/4” X 55 - 1/4” X 4”. Condition: Very good 5,000 - 8,000

1518 - FREDERICK GERALD KINNARD (BRITISH, ACTIVE 1864 - 1881) PORTRAIT OF A YOUNG WOMAN. Artist: FREDERICK GERALD KINNARD (BRITISH ACTIVE 1864-1881).

Title: PORTRAIT OF A YOUNG WOMAN. Created: 1875 Medium: Oil on canvas laid on board. signed lower left “FG Kinnard”.

Work Size: 26” x 19” Frame: Period frame.

Charming portrait of a young woman gazing at a miniature portrait in a country interior. Period frame with repairs. Very minor inpainting at left elbow. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 41 - 3/4” x 34 - 1/2” x 4 - 1/2”.

Condition: Good. 2,500 - 10,000

LOT - 1518

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137

1519 - FRANKLIN DULLIN BRISCOE (PHILDELPHIA, 1844 - 1903) FISH MARKET. Artist: FRANKLIN DULLIN BRISCOE (PHILDELPHIA, 1844-1903).

Title: FISH MARKET. Created: Dated 1876.

Medium: Oil on canvas.

Signed lower right “F D Briscoe”.

Work Size: 20.5” 39.5” Frame: Period frame.

Known for his marine, history, and portrait paintings, Franklin Briscoe was born in Baltimore and at age four moved with his family to Philadelphia where he later became a student of Edward Moran and established a studio. In 1885, he painted an historical mural that was in ten panels, a total of 230 feet long and 13 feet tall - “The Battle LOT - 1519 of Gettysburg.” A depiction of the sequences of the battle, it was exhibited throughout the country, and is now housed in the archives of the University of Notre Dame in South Bend, Indiana. Scattered inpainting throughout. Tear and repair and associated inpainting in sky; 2” area of inpainting in right sky. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 34” x 53” x 5”. Condition: Good.

2,500 - 7,000

1520 - MARTHA WALTER (AMERICAN, 1875 - 1976) FAMILY PORTRAIT. Artist: MARTHA WALTER (AMERICAN, 1875 - 1976).

Title: FAMILY PORTRAIT. Created: Circa 1940.

Medium: Oil on canvas.

Signed lower right “MARTHA WALTER”.

Work Size: 40” x 32” Frame: Reproduction frame.

A sensitive family portrait typical of Walter’s impressionistic style. A Philadelphia native, she studied at the Pennsylvania Museum and School of Industrial Art and the Pennsylvania Academy of Fine Arts, where she was taught

by William Merritt Chase. There she won several awards and a scholarship which she used to travel abroad. She settled in Gloucester, Massachusetts and also maintained a studio in New York where she taught at Chase’s New York School of Art. Walter is known for her use of color and her intimate portrayals of small children. Martha Walter’s estate was represented in the late 1950’s by David David Gallery in Philadelphia. Minor puncture upper right. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 48 1/2” x 40 - 1/2”. Condition: Very good. 2,500 - 8,000

LOT - 1520 138

www.MorphyAuctions.com | July 14, 2020

1521 - PETER SCULTHORPE (AMERICAN, BORN 1948) MILL RACE Artist: PETER SCULTHORPE (AMERICAN, BORN 1948).

Title: MILL RACE. Created: Circa 1970.

Medium: Watercolor on paper.

Signed lower right “Peter Sculthorpe”; stamped.

Work Size: 39” x 59” Frame: Large original barnwood frame.

Watercolor on paper, circa 1970. Peter Sculthorpe was born in Ontario, Canada, in 1948. He studied at the Pennsylvania Academy of Fine Arts, and the Hussian School of Fine Art under William Palmer Lear. He is a recipient of the Daisy Jamison Art Scholarship. He established a studio in Chester County, PA, and painted in the surrounding region. Later, his subject matter expanded to include Maine and the Maritimes of Canada. His work includes watercolors, oils, etchings and graphite on paper. This monumental painting depicts with precision the flow of water through a stone mill and represents Sculthorpe’s architectural and detailed approach to his painting. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 73” x 53 - 1/2” x 2”.

6,000 - 8,000

LOT - 1521 1522 - BRITISH COASTAL SCENE. Artist: Unsigned.

Title: BRITISH COASTAL SCENE. Created: Mid 19th century.

Medium: Oil on canvas.

Unsigned.

Work Size: 28” x 38” Frame: Modern frame.

View of the beach with rowboats and sailboats and groups of fisherman and women with the famous white cliffs of Dover in the background.

Large tear and repair to right side of canvas.

Evidence of overall conservation. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 36” x 45 - 1/2”. Condition: Fair.

3,500 - 10,000

LOT - 1522

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139

LOT - 1523

LOT - 1524 1523 - ISAAC B. HAZELTON (AMERICAN 1873 - 1943) WORLD WAR I RECRUITMENT POSTER ILLUSTRATION TOGETHER WITH THE POSTER. Artist: ISAAC B. HAZELTON (AMERICAN 1873 - 1943).

Title: WORLD WAR I RECRUITMENT POSTER ILLUSTRATION. Created: 1914 Medium: Oil on canvas.

Signed lower right “I B HAZELTON 1914”.

Work Size: 27.5” x 60” Frame: Modern frame.

Isaac B. Hazelton was an artist and illustrator living in New Jersey during World War I. The central part of this painting was used as a recruitment poster “Men Wanted In the Army” by the U.S. Government.

Repair and inpainting on the hand of the lead figure. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 37 - 3/4” x 64”. Condition: Very good. 4,000 - 12,000

140

1524 - H.E. BROWN (AMERICAN, DATES UNKNOWN) ARTIST IN LANDSCAPE. Artist: H.E. BROWN (AMERICAN, DATES UNKNOWN).

Title: ARTIST IN LANDSCAPE. Created: Dated 1870.

Medium: Oil on canvas.

Signed lower left “H E BROWN Pinx 1870”.

Work Size: 12” x 18” Frame: Original frame.

Brown was a member of the Scalp Level School of southwestern Pennsylvania, a school of landscape painting inspired by the later Hudson River School painters. Scalp Level is located in the Alleghenies a few miles from Johnstown, PA. The area provided all the landscape elements these painters sought: rugged nature populated by streams, waterfalls, forests, rocks, wild flowers and wild creatures. The Scalp Level painters were headed by artist George Hetzel (1826-1899) who first discovered the sight when he was an instructor at the Pittsburgh School of Design for Women and encouraged his colleagues and students to make Scalp Level their summer retreat. A lovely view of an artist with a painting table and supplies. Flaking at bottom, minor flakes at very top. 1” x 1/2” tear and repair in sky. Frame: 19” x 25”.

Condition: Very good. 6,000 - 18,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1525

1525 - SIGNED “BATTISS” ABSTRACT GROUP OF FEMALE AND MALE FIGURES. Artist: WALTER WHALL BATTISS (SOUTH AFRICA, 1906 - 1982).

Title: ABSTRACT GROUP OF FEMALE AND MALE FIGURES. Created: Circa 1970.

Signed lower left “BATISS”.

Frame: Modern frame.

Attributed to Walter Battiss (1906 - 1982), a South African artist, who was generally considered to be the foremost South African abstract painter and known as the creator of the quirky “Fook Island” concept.

Battiss was born into an English Methodist family in the Karoo town of Somerset East. He first became interested in archaeology and tribal art as a young boy after moving to Koffiefontein in 1917. In 1919 the Battiss family settled in Fauresmith where he completed his education, matriculating in 1923. In 1924 he became a clerk in the Magistrates Court in Rustenburg. His formal art studies started in 1929 at the Witwatersrand Technical College (drawing and painting), followed by the Johannesburg Training College (a Teacher’s Diploma) and etching lessons. Battiss continued his studies while working as a magistrate’s clerk, and finally obtained his Bachelor’s Degree in Fine Arts at University of South Africa. Frame: 29” x 23 - 1/4” x 2 - 1/2”.

Condition: Very good. 20,000 - 50,000

www.MorphyAuctions.com | July 14, 2020

141

LOT - 1526

1526 - ATTRIBUTED TO FREDERICK PANSING (AMERICAN, 1822 - 1912) THE WHITE SQUADRON. Artist: ATTRIBUTED TO FREDERICK PANSING (AMERICAN, 1822 1912).

Title: THE WHITE SQUADRON. Created: Circa 1890.

Medium: Oil on canvas.

Unsigned.

Work Size: 21.5” x 31.5” Frame: Reproduction frame.

Attributed to Frederick Pansing (1822 - 1912). Oil on canvas, circa 1890. Fred Pansing, was born in Germany in 1844. After five years as a sailor, where he spent his spare time drawing sailing vessels, he came to New York City in 1865, hoping to make a life as an artist. After some time, Pansing found employment painting ships and making detailed, colorful prints of ships for the American Lithographic Company. The White Squadron was a transitional unit in the United States Navy during the late 19th century. The squadron was composed of the protected cruisers USS Atlanta, USS Boston, USS Chicago, and dispatch boats USS Dolphin and USS Yorktown. They were the first group of modern American vessels to be completed after the naval decay of the Civil War. Soon after it assembled, the White Squadron made its maiden voyage across the Atlantic Ocean to Europe as an emissary from the new naval power. Relined. Inpainting in sky. Frame: 30” x 40”. Condition: Good. 10,000 - 40,000

142

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LOT - 1527

1527 - PETER ROTHERMEL (AMERICAN, 1871 - 1895) SURRENDER OF GUATEMOZIN TO HERNANDO CORTEZ. Artist: PETER ROTHERMEL (AMERICAN, 1871 - 1895).

Title: SURRENDER OF GUATEMOZIN TO HERNANDO CORTEZ. Created: Mid 19th Century.

Medium: Oil on canvas.

Signed lower right “P F Rothermel”.

Work Size: 37” x 48.5” Frame: Original exhibition frame.

Peter Frederick Rothermel was one of America’s best known history painters. Born in Nescopeck, PA circa 1817, Rothermel was first trained as a surveyor and then as a sign painter. He began a career painting portraits in Philadelphia, but turned to history painting, considered a more prestigious path for a professional artist. One of his most famous paintings is “Patrick Henry in the House of Burgesses of Virginia,” which some critics consider the best historical painting in America. In 1856, he went to Rome and lived there until 1859, and after the Civil War was commissioned by the Pennsylvania Legislature to paint a huge work of the Battle of Gettysburg. This epic work depicts the surrender of the Aztec Mexican king, Guatemozin ending the siege of Mexico in 1521 by Hernando Cortez. This represents the subjugation of the last Aztec ruler in Mexico. The picture was painted for Professor James J. Maples and was the second in a series of paintings by Rothermel based on William Hickling Prescott’s History of the Conquest of Mexico. Ex- Kennedy Galleries. Inpainting around edges, to sky and a larger area in the flag. Tears and repairs to sky. Relined, new stretchers. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 49” x 60” x 4”. Condition: Very good. 18,000 - 50,000

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143

LOT - 1528

1528 - CHARLES HOPPS (ENGLISH/AMERICAN 1808 - 1890) MOUNTAIN MEADOWS MASSACRE. Artist: CHARLES HOPPS (ENGLISH/AMERICAN 1808 - 1890).

Title: MOUNTAIN MEADOWS MASSACRE. Created: Circa 1857.

Medium: Oil on canvas mounted on boardboard.

Signed lower right “Charles Hopps”.

Work Size: 23.5” x 53” The Mountain Meadow Massacre was a series of attacks on the Baker-Fancher emigrant wagon train at Mountain Meadows in southern Utah. The attacks occurred in 1857 resulting in the slaughter of the emigrant party by a Utah militia composed of Mormon settlers and members of the Paiute tribe. The five day siege left all of the members of the wagon train dead except seventeen children - all younger than seven years old. The intention was to leave no witnesses. Historians attribute the attack to a hysteria about the possible invasion of the Mormon territory and hyperbolic Mormon teachings against outsiders.

Charles Hopps came to the U.S. in 1826 and first settled in Boston but was a resident of San Francisco by 1851. There he worked as a house, sign, and decorative painter and later operated an art supply and frame shop. Hopps has captured the drama of the event with the many characters all engaged in different scenes within the larger painting.

Inpainting at lower right corner and scattered areas of sky. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 30 - 1/2” x 60 - 1/2”. Condition: Good. 25,000 - 65,000

144

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LOT - 1529

1529 - CHARLES SPRAGUE PEARCE (AMERICAN, 1851 - 1914) SOLITUDE. Artist: CHARLES SPRAGUE PEARCE (AMERICAN, 1851 - 1914).

Title: SOLITUDE. Created: 1889 Medium: Oil on canvas.

Signed CHARLES SPRAGUE PEARCE 1889”.

Work Size: 57” x 44” Frame: Reproduction frame.

Charles Pearce was a painter best known for his portraits and genre scenes. Born in Boston, he embarked upon a career as a painter and in 1873, with the advice of William Morris Hunt, an early American impressionist, moved to Paris to study at the Leon Bonnat School. There he studied with fellow student, John Singer Sargent, and soon became a member of an artist’s circle consisting of other expatriates including Chester Loomis, Edwin Blashfield, and Milne Ramsey. Pearce’s sentimental interpretation of rural life in Northern France was taken from French academic peasant painters. Pearce remained an expatriate, settling his studio 20 miles outside of Paris in Auvers-sur-Oise in 1885, where this painting was made. He later worked on many international art juries and towards the end of his career, contributed a series of six lunette murals to the decoration of the Library of Congress. Label from Spanierman Gallery on reverse. Several very minor areas of inpainting. Relined. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 67 - 1/4” x 53 - 3/4”. Condition: Very good. 35,000 - 75,000

www.MorphyAuctions.com | July 14, 2020

145

LOT - 1530

1530 - CARL KAHLER (AUSTRIAN 1855 - 1906) FAMILY PORTRAIT. Artist: CARL KAHLER (AUSTRIAN 1855 - 1906).

Title: FAMILY PORTRAIT. Created: Circa 1880.

Medium: Oil on canvas.

Signed lower right “Carl Kahler”.

Work Size: 31.5” x 47.5” Frame: Period frame.

Born in Linz, Austria in 1855, Carl Kahler was a genre and animal painter, known particularly for his cat paintings. Kahler studied at the Munich Art Academy and in Paris. He moved to New York at some point in the late 1880’s and then to San Francisco in 1891. He opened a studio where he specialized in figure painting. Very minor inpainting.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 46 - 1/2” x 62 1/2” x 3 - 1/4”. Condition: Very good. 20,000 - 60,000

146

www.MorphyAuctions.com | July 14, 2020

LOT - 1531

1531 - ATTRIBUTED TO CHRISTIAN SCHUSSELE (AMERICAN, 1824 - 1879) GENERAL U.S. GRANT, THE WILDERNESS CAMPAIGN. Artist: ATTRIBUTED TO CHRISTIAN SCHUSSELE (AMERICAN, 1824 1879).

Title: GENERAL U.S. GRANT, THE WILDERNESS CAMPAIGN. Created: Circa 1865.

Medium: Oil on canvas.

Unsigned.

Work Size: 40.5” x 32” Frame: 19th century.

U.S. Grant is shown as a leader in battle with sword held high sitting astride a powerful white horse. Smoke-filled battlefield with the American flag flying in the background. Although primarily known as a teacher at the Pennsylvania Academy of the Fine Arts, Christian Schussele was also a painter of portraits and history and genre paintings. He served as a professor of drawing and painting at the Academy, emphasizing the figure, from 1868 until 1879, when he died. Schussele was born in 1824 in Alsace Lorraine. Before arriving in Philadelphia in 1848, he had been educated in art in Strasbourg and Paris. While he began his career with wood engraving and lithography, Schussele was able to become a full-time painter in 1854. John Sartain, father of painter William Sartain, made a popular print of a Schussele painting, freeing him financially.

He was an academic classicist who painted history paintings as well as many portraits of well-known Americans. Relined, but original stretcher.

Minor inpainting to sky. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 48 - 3/4” x 41 - 3/4”. Condition: Very good. 10,000 - 30,000

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147

1532 - MARTHA WALTER (AMERICAN, 1875 - 1976) PORTRAIT OF A MOTHER AND DAUGHTER WITH HER DOLL. Artist: MARTHA WALTER (American, 1875 1976).

Title: PORTRAIT OF A MOTHER AND DAUGHTER WITH HER DOLL. Created: Circa 1940.

Medium: Oil on canvas.

Signed lower right “MARTHA WALTER”.

Work Size: 29.5” x 23.5” Frame: Modern frame.

Oil on canvas impressionist portrait by the American artist Martha Walter. A Philadelphia native, she studied at the Pennsylvania Museum and School of Industrial Art and the Pennsylvania Academy of Fine Arts, where she was taught by William Merritt Chase. There she won several awards and a scholarship which she used to travel abroad. After her travels, she settled in Gloucester, Massachusetts and also maintained a studio in New York.

In New York, she taught at Chase’s New York School of Art. Walter is known for her use of color and her intimate portrayals of small children. This is a fine example of her portraiture strengths. Martha Walter’s estate was represented in the late 1950’s by David David Gallery in Philadelphia. Frame: 35” x 29”. Condition: Very good, relined.

6,000 - 18,000

LOT - 1532

1533 - PAUL CORNOYER (AMERICAN, 1864 - 1923) YOUNG WOMAN IN LANDSCAPE. Artist: PAUL CORNOYER (AMERICAN, 1864 - 1923).

Title: YOUNG WOMAN IN LANDSCAPE. Created: Dated 1887.

Medium: Oil on canvas.

Signed: “Paul Cornoyer”.

Work Size: 9.5” x 15.5” Frame: Original frame.

Paul Cornoyer is best known for his elegant and atmospheric paintings of turn-of-the-century New York.

Born in Saint Louis, Cornoyer began his artistic education at the Saint Louis School of Art, painting in the Barbizon style. This painting appears to be from this period and prior to a trip in 1889 to study in Paris where he attended the Académie Julian under Jules-Joseph Lefebvre, Louis Blanc, and Benjamin Constant. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 19 - 1/4” x 25”.

Condition: Relined, very good. 4,000 - 12,000 LOT - 1533

148

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1534 - GEORGES VAN DEN BOS (BELGIAN, 1835 - 1911) GENRE SCENE. Artist: GEORGES VAN DEN BOS (BELGIAN, 1835 - 1911).

Title: GENRE SCENE. Created: 1873 Medium: Oil on canvas.

Signed lower left “Georges Van Den Bos 1873”.

Work Size: 23” x 28.5” Frame: Modern frame.

Belgian classical painter. Georges van den Bos was born in Ghent and studied at the academies there and in Brussels before completing his training in Paris.

His subjects include landscapes and figural works and are included in several museum collections including the museum in Ghent. Oil on canvas, circa 1885.

Spanish interior scene. Relined.

2” tear and repair on sitter’s left shoulder. Frame: 29 - 1/4” x 34 1/2”. Condition: Good.

3,500 - 10,000 LOT - 1534

1535 - MARY K HIGGINBOTHAM (AMERICAN, DATES UNKNOWN) PORTRAIT OF GENERAL ROBERT E. LEE. Artist: MARY K HIGGINBOTHAM (AMERICAN, DATES UNKNOWN).

Title: PORTRAIT OF GENERAL ROBERT E. LEE. Created: 1902 Medium: Oil on canvas.

Signed lower right “MARY K HIGGINBOTHAM 1902”.

Work Size: 32” x 28” Frame: Frame not original.

Label on reverse reads: Mrs. Mary K. Higginbotham/ Buckhannon/ Upshur Co/ W.Va. Skillful profile portrait of Robert E. Lee wearing the uniform of a Confederate colonel. Upon the formation of the Confederate States Army, he was named one of its first five full generals. Lee did not wear the insignia of a Confederate general, but only the three stars of a Confederate colonel, equivalent to his last U.S. Army rank. Frame: 32 3/4” x 28 - 1/4”. Condition: Very good.

3,500 - 10,000

LOT - 1535

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149

1536 - ALEXANDER VION (AMERICAN, DATES UNKNOWN) ELMER ELSWORTH. A SON AMI (TO HIS FRIEND).

Artist: ALEXANDER VION (AMERICAN, DATES UNKNOWN).

Title: ELMER ELSWORTH. A SON AMI (TO HIS FRIEND).

Created: Dated 1865.

Medium: Oil on canvas.

Signed “Alex Vion A son ami”.

Work Size: 24” x 20” Frame: Original frame.

Alexander Vion was a 19th century artist that lived and worked in New York. Signed: “Painted for a friend, F. Agnus; a portrait of Colonel Elmer Ellsworth of the New York Fire Zouaves and the first Union casualty in the Civil War. A son ami F. Agnus”. Heavy inpainting on background, moderate inpainting on face and shoulder. Relined, original stretcher. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 31” x 27” x 3 - 3/4”. Condition: Good. 2,500 - 10,000 LOT - 1536

LOT - 1537 1537 - ATTRIBUTED TO THOMAS HOVENDON (IRELAND/AMERICA, 1840-1895) GATHERING FOR A MEAL. Artist: ATTRIBUTED TO THOMAS HOVENDON (IRELAND/AMERICA, 1840-1895).

Title: GATHERING FOR A MEAL. Created: Circa 1875.

Medium: Oil on canvas.

Signed: Attributed.

Work Size: 34” x 37” Frame: Modern frame.

150

Attributed to Thomas Hovendon (1840-1895). From Cork, Ireland, Thomas Hovenden became known for narrative genre subjects and was especially sympathetic to African American subjects. He attended Cork School of Design and then in 1863 he emigrated to the United States and attended the National Academy School in New York City and worked as an illustrator for Harper’s magazine. In 1874 he went to Paris and studied art there for six years. On his return to the United States, he taught at the Philadelphia Academy where Robert Henri was one of his students. He had a reputation for being exceptionally kind and generous.

At age 46, he lost his life tragically near his home at Plymouth Meeting while trying to save a young girl from a train. Relined, new stretcher. Minor inpainting throughout. Three tears and repairs with inpainting. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 39” x 56 - 1/4”. Condition: Good. 2,500 - 10,000

www.MorphyAuctions.com | July 14, 2020

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1538

LOT - 1539

1538 - AFTER ENGRAVER WILLIAM HENRY SIMMONDS (ENGLAND, 1811 - 1882) BONAPARTE AT THE BATTLE OF WATERLOO. Artist: WILLIAM SIMMONS AND CHARLES deSTEUBEN. Title: BONAPARTE AT THE BATTLE OF WATERLOO. Created: 19th century.

Medium: Oil on tin.

Unsigned.

Work Size: 16” x 21.5” Frame: Modern frame.

1539 - BRIGADIER GENERAL JAMES EKIN CHIEF QUARTERMASTER ARMY/ MILITARY TRIBUNAL OF THE LINCOLN CONSPIRATORS. Title: BRIGADIER GENERAL JAMES EKIN CHIEF QUARTERMASTER ARMY/MILITARY TRIBUNAL OF THE LINCOLN CONSPIRATORS. Created: Circa 1870.

Medium: Oil on canvas.

Unsigned.

Work Size: 29” x 24” Frame: Original frame.

A copy of a print engraved by William Henry Simmons (1811 - 1882) after an original 1831 painting by Charles de Steuben (1788-1856).

Battle scene with Napoleon at the center of his troops with a Scottish prisoner at left and several French soldiers in various degrees of distress. Fully developed and finely painted battle scene with Napoleon, calm and unharmed as the central figure. Overvarnished with craquelure throughout. Frame: 19 - 1/4” x 25”. Condition: Very good. 2,500 - 7,000

Label on reverse: The Closson Galleries. James Adams Ekin (1819–1891) was a Union Army officer in the Civil War. He achieved fame as a member of the military commission trying the conspirators involved with the assassination of President Abraham Lincoln. Inpaint to the face minor areas of the background. Small puncture near sitter’s right shoulder. Retains a heavy coat of varnish. Beautiful, original frame. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 36 - 1/2” x 41 3/4” x 4 - 1/2”. Condition: Good. 2,500 - 7,000

www.MorphyAuctions.com | July 14, 2020

151

LOT - 1541

LOT - 1540

1540 - ATTRIBUTED TO PHILIP TILYARD (AMERICAN, 1785 - 1830) PORTRAIT THE MOST REVEREND AMBROSE MARECHAL, ARCHBISHOP OF BALTIMORE. Artist: ATTRIBUTED TO PHILIP TILYARD (AMERICAN, 1785 - 1830).

Title: PORTRAIT THE MOST REVEREND AMBROSE MARECHAL, ARCHBISHOP OF BALTIMORE. Created: Circa 1825.

Medium: Oil on canvas.

Work Size: 30” x 25” Frame: Reproduction frame.

Tilyard was born in Baltimore, Maryland, the son of a glazier and sign painter. He learned journeyman painting from his father, and in 1814 began painting portraits. After a brief career operating a dry goods store, he returned to painting in 1822 and received commissions to paint several prestigious citizens of Baltimore. He died from insanity before he realized his potential, and critics now think he was one of the more talented early 19th century portrait painters. Ambrose Marechal (1764 - 1828), the subject of this portrait was a French cleric who emigrated to Baltimore during the French Revolution. His career took him to several missions in St. Mary’s County and teaching in Baltimore and Georgetown College in Washington D.C. He was appointed Archbishop of Baltimore in 1817 and remained in that position until his death in 1828. During his tenure, he oversaw the completion of the Baltimore Basilica, the first Catholic cathedral built in the United States.

In this portrait Marechal is shown in the vestments of an Archbishop.

This portrait was a gift to the Maryland Historical Society from Sarah Kennedy Boone Jenkins (d. circa 1955) and descended from her great-grandfather, William Jenkins (1767 - 1843) of Oak Hill. The painting was de-accessioned from the Maryland Historical Society.

CONDITION:Relined, two repairs with patches on reverse. Frame: 33 3/4” x 28 - 3/4”. Condition: Good. 2,000 - 8,000

152

1541 - WALTER FARNDON (AMERICAN 1876 - 1964) BOATS IN DRYDOCK. Artist: WALTER FARNDON (AMERICAN 1876 - 1964).

Title: BOATS IN DRYDOCK. Created: 1947 Medium: Oil on canvas.

Signed lower right “Walter Farndon NA”.

Work Size: 27 - 1/2” x 34”.

Frame: Reproduction frame.

Provenance: Private collection, Phillip and Mauriel Berman Foundation, New York. Walter Farndon was a New England plein-air painter best-known for impasto, Impressionist harbor and shore scenes, though he also painted portraits and figures. Born in Coventry, England, Farndon came to the United States, studying at the National Academy of Design, where he was later elected an Associate in 1928, and an Academician in 1937. He also studied with Robert Henri, and was a member of the Society of Independent Artists. He painted in Ridgefield, New Jersey in the 1920s. The Vose Galleries in Boston, Massachusetts have published several catalogues of Walter Farndon’s work, in February 1991, September 1992, September 1994, and October 1996. Relined, scattered inpainting throughout. Possibly reduced in size. Frame: 43” x 36”. Condition: Good. 3,000 - 5,000

www.MorphyAuctions.com | July 14, 2020

1542 - LEON RICHET (FRENCH, 1847 - 1907) PAYSAGE. Artist: LEON RICHET (FRENCH, 1847 - 1907).

Title: PAYSAGE. Created: Late 19th century.

Medium: Oil on canvas.

Signed “Leon Richet” lower left.

Work Size: 25” x 36” Frame: Modern frame.

LOT - 1542

Born in Solesme, France in 1847, Léon Richet was of the generation of painters raised during the height of the Barbizon School. He was a student of Narcisse Virgile Diaz de la Pena, as well as Jules Lefebvre and Gustave Boulanger. He began a Salon career in 1869, received an honorable mention in 1885, and was awarded second place medals in 1888 and 1901. Richet was very influenced by the works of Rousseau. The majority of Richet’s landscapes are of the forest of Fountainebleau, although he did also paint views at Moret sur Loing, Loiret, Burgundy, Normandy, and along the Seine River. In this painting, a women meanders along the flatlands beside a stream in an impressionistic background. Oil on canvas, signed lower left.

Frame: 33” x 44” x 3”. Condition: Very good.

1,500 - 5,000 1543 - ALONZO CHAPELL (AMERICAN 1828 - 1887) STARTING A BRUSHFIRE. Artist: ALONZO CHAPELL (AMERICAN 1828 - 1887).

Title: STARTING A BRUSHFIRE. Created: 1884 Medium: Pastel on paper.

Signed lower left “ALONZO CHAPELL 1884”.

Work Size: 22.5” x 30.5” Frame: Antique frame, not original.

LOT - 1543

www.MorphyAuctions.com | July 14, 2020

Alonzo Chapell was born in New York City and had a natural talent for painting. In 1843 he enrolled in a single class at the National Academy of Art which appears to be the extent of his formal training. From 1849 through the early 1850s he exhibited genre paintings at the American-Art Union and participated in shows at the Brooklyn Art Association, the National Academy of Design, and the prestigious Goupil Gallery. His work came to the attention of the publisher Henry Johnson, and Chappel accepted an offer by Johnson to design the illustrations for a work then in preparation, which was John Frederick Schroeder’s “Life and Times of Washington”, subsequently published in 1857. The success of this first endeavor allowed Chapell to work at Johnson’s until his retirement in 1885. This pastel is likely a model for one of the many books he illustrated during his career. Believed to be Robert E. Lee in picture. Not examined out of frame. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 36 - 3/4” x 44 - 1/4”. Condition: Very good.

1,500 - 5,000 153

LOT - 1545

LOT - 1544

1544 - C.N. PIKE (AMERICAN, DATES UNKNOWN) RELIEF PORTRAIT OF JAMES A. GARFIELD. Artist: C.N. PIKE (AMERICAN, DATES UNKNOWN).

Title: RELIEF PORTRAIT OF JAMES A. GARFIELD. Created: Dated 1882.

Medium: Marble.

Signed: Inscribed on base “CN PIKE, SC 1882”.

Work Size: 17.5” x 13” Frame: Original frame.

Marble relief portrait of James Garfield (1831 - 1881), 20th President of the United States. Inscribed “C N Pike sc 1882” Pike was an assistant to U.S. Mint Chief Engraver James Barton Longacre. Original Aesthetic Movement frame in mahogany with gilt beaded bezel and red velvet background. Frame: 36 - 1/2” x 32 - 1/4”. Condition: Very good. 1,300 - 5,000 1545 - YANKEE DOODLE. Title: YANKEE DOODLE. Created: Late 19th or early 20th century.

Medium: Oil on canvas.

Work Size: 22” x 18” Frame: Original frame.

Unsigned copy of one of the most famous images of the Revolutionary War, painted originally by Archibald M. Willard titled “The Spirit of ‘76”. Frame: 27 - 1/2” x 23 1/2” x 3”. Condition: Very good, relined. 1,300 - 3,500

154

LOT - 1546 1546 - JULES WORMS (FRENCH 1832 - 1924) SPANISH GENRE SCENE. Artist: JULES WORMS (FRENCH, 1832 - 1924).

Title: SPANISH GENRE SCENE. Created: Circa 1875.

Medium: Oil on canvas.

Signed lower left “J Worms”.

Work Size: 23.5” x 19.5” Frame: Original.

Jules Worms was a French genre painter and illustrator, born in Paris on December 16, 1832. He began to study at the Ecole des Beaux-Arts in 1849 under Jean-Baptiste-Adolf Lafrosse, a painter of historical scenes, and consequently developed his own history scenes with comedic overtones. Worms made his debut at the Salon in 1859 and achieved great success with paintings of Spanish subjects with a subtle humorous comment on contemporary romance. Something of a storyteller, Worms painted animated pictures of gypsies and bullfighters that felt more like stills from comic-operas, than from real life. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 27 - 5/8” x 32” x 3”. Condition: Very good. 2,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1547

LOT - 1548

1547 - VIEW OF CHESTNUT ST. PHILADELPHIA. Artist: Unsigned.

Title: VIEW OF CHESTNUT ST. PHILADELPHIA. Created: 1948 Medium: Oil on canvas board.

Work Size: 16” x 12” Frame: Reproduction frame.

Inscribed on reverse: “Welcome/Delegates/Phila Convention/1948” (1948 Democratic National Convention). This is the only time both the Republican (June 21-25) and Democratic Conventions were held in Philadelphia. New technology allowed NBC and CBS to broadcast live coverage for the first time.

Frame: 22 - 1/4” x 18”. Condition: Very good.

CHESTNUT 1,000 - 4,000

LOT - 1549

1548 - AFTER JOHN FRANCIS RENAULT (FRENCH 1781 - 1815) SURRENDER AT YORKTOWN. Artist: AFTER JOHN FRANCIS RENAULT (FRENCH 1781 - 1815).

Title: SURRENDER AT YORKTOWN. Created: Circa 1819.

Medium: Engraving.

Work Size: 23” x 33” Frame: Reproduction frame.

Full title: The British surrendering their arms to Gen. Washington after their defeat at YorkTown in Virginia October 1781/drawn by John Francis Renault; engraved by Tanner, Vallance, Kearny & Co. and Wm. Allen. Caption continues: To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis.

Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York. Print showing British officers on the right, with Cornwallis presenting his sword, and French and American officers, center and left, with George Washington holding his hat in his left hand. Officers identified, from left: “Lincoln, Rochambeau, Hamilton, Washington, Knox, De Lauzen, Nelson, La Fayette, Tarleton, Cornwallis, Abercrombie, O’Hara, Symmonds, Dundas, [and] Chewton.”

Allegorical scene on the right, behind the British, showing discord, a female figure, wearing liberty cap and floating on clouds, sends lightning bolts to up-end people and a chariot; on the left, behind American and French officers, prosperity stands next to cornucopia, with Justice and others in attendance, next to a tall pillar topped with Liberty holding a staff with liberty cap. Not examined out of frame.

Foxing and toning. Frame: 25 - 3/4” x 36 - 1/2”. Condition: Fair.

1,000 - 3,000

LOT - 1550 1549 - NAPOLEONIC BATTLE SCENE WITH VIGNETTES. Title: NAPOLEONIC BATTLE SCENE WITH VIGNETTES. Created: First quarter, 19th century.

Medium: Ink on paper.

Unsigned.

Work Size: 7.5” x 5” Frame: Modern frame.

Probably an illustration for a book. Staining and foxing. Exquisitely detailed pen and ink drawing. Frame: 15 - 1/4” x 12 - 1/4”.

Condition: Good. 1,000 - 3,000 1550 - MARK WILLIAM LANGLOIS (BRITISH, 1848 - 1924) SCHOOLMASTER AND TWO STUDENTS. Artist: MARK WILLIAM LANGLOIS (BRITISH, 1848 - 1924).

Title: SCHOOLMASTER AND TWO STUDENTS. Created: Circa 1875.

Medium: Oil on canvas.

Signed lower left “M W LANGLOIS”.

Work Size: 21” x 17” Frame: Original frame.

Langlois was known for his genre scenes, especially those depicting schoolhouse scenes. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 26 - 1/4” x 22 - 1/4”. Condition: Unrestored, original condition. 750 - 2,500

www.MorphyAuctions.com | July 14, 2020

155

LOT - 1551 1551 - BRICK HOUSE IN THE SNOW. Artist: DAVID HANNA. Title: BRICK HOUSE IN THE SNOW. Created: Late 20th century.

Medium: Watercolor on paper.

Signed lower right.

Work Size: 21.5” x 27.5” Frame: Original frame.

A stark portrait of a brick house against a blank snow background in the manner of Andrew Wyeth. Signed indistinctly “David Hanna”.

Frame: 32 - 1/2” x 38 - 1/4”. Condition: Very good. Very good 750 - 3,000

LOT - 1552

1552 - MASSIMILIANO GALLELLI (ITALIAN, 1863 - 1956) IMPRESSIONIST NUDE GIRL ON BEACH. Artist: MASSIMILIANO GALLELLI (Italian, 1863 - 1956).

Title: IMPRESSIONIST NUDE GIRL ON BEACH. Medium: Oil on canvas.

Signed lower left “M. Gallelli”.

Work Size: 47” x 35-1/2” Frame: Modern wood with gilt molding.

Signed and inscribed on stretcher “Maxime Gallelli / 8 rue d’Angleteree Nice” and stenciled “332.”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Framed: 51” x 39 -1/2” x 1 -1/2”. Condition: Stretcher marks, water damagedown center with loss. 2,000 - 4,000 1553 - ARTHUR METZER (AMERICAN, 1893 - 1989) THE MARKER. Artist: ARTHUR METZER (AMERICAN, 1893 - 1989).

Title: THE MARKER. Created: 1967 (inscribed on reverse).

Medium: Oil on board.

Signed lower right: “Arthur Metzer”.

Work Size: 19.5” x 15.5” Frame: Original frame.

LOT - 1553

Picture of a tabletop with a letter, glass vase, flower arrangement, seashell and a marine marker. Arthur Meltzer was born in Minneapolis, Minnesota in 1893. He began his first art training at the Minneapolis School of Fine Arts. After World War I, he pursued his art studies at the Pennsylvania Academy of the Fine Arts with Robert Kochler, Joseph Pearson, and Daniel Garber. In 1921, Meltzer won a Cresson European Scholarship from the Pennsylvania Academy of the Fine Arts, which enabled him to travel to and study in England, France, Italy, Spain, and Holland. He had exhibitions throughout the United States, including the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, Corcoran Gallery in Washington, D.C., and the Woodmere Art Museum where his art became part of the permanent collection. In addition, his work is represented in other museum permanent collections at the Pennsylvania Academy of the Fine Arts, Storrs College in Connecticut, and the Moore College of Art among others. Frame: 28 - 1/2” x 24 - 3/4”. Condition: Very good. 1,000 - 4,000 156

www.MorphyAuctions.com | July 14, 2020

LOT - 1554

LOT - 1555

1554 - FRANK TENNEY JOHNSON (AMERICAN 1874 - 1939) PAINTING (1928).

Mixed media on paper. Signed lower left, “F Tenney Johnson ANA, 1928” Sight size: 12.5” x 21.5”. Frank Tenney Johnson (June 26, 1874 – January 1, 1939) was a painter of the Old American West, and he popularized a style of painting cowboys which became known as “The Johnson Moonlight Technique”. To paint his paintings he used knives, fingers and brushes. In his early career, he worked primarily as an illustrator. He began working for Field & Stream magazine in 1904. In addition to Field & Stream, he contributed to Cosmopolitan and Harpers Weekly magazines and illustrated the Western novels of Zane Grey. Johnson lived permanently in New York City from 1904 until 1920, making numerous trips to the west to gather source material for his works that were completed in his New York studio. He lived and worked on the Lazy 7 Ranch in Hayden, Colorado for a while, later he went southwest to work on painting Native Americans.

In 1920, he moved to 22 Champion Place in Alhambra, California where he shared a studio with Clyde Forsythe. At this point Johnson’s easel paintings became more popular than his illustrations so he concentrated in this medium. Together Johnson and Forsythe exhibited in the Biltmore Art Gallery started by Jack Wilkinson Smith at the Biltmore Hotel according to Edan Milton Hughes, Artists in California 1786 – 1940 Between 1931 and 1939, he spent much of his time at his studio in Cody, Wyoming, just outside Yellowstone National Park. Many of his paintings were done there from studies inside the park. The painting features an old Cavalry Trooper with his canteen and is heading west in the moonlight, with spooked horse and revolver drawn, expecting trouble at any second. It is a true representation of his “Moonlight” style. It is in excellent condition.

Provenance: Purchased from Skip Chalfant. Frame: 25 - 1/4” x 16 - 1/4” x 1 - 1/4”. 2,000 - 4,000 1555 - MICHAEL COLEMAN (AMERICAN, B. 1946) AN OLD GATE. Artist: MICHAEL COLEMAN (AMERICAN, B. 1946).

Title: AN OLD GATE. Created: Last quarter, 20th century.

Medium: Oil on panel.

Signed lower right “Michael Coleman”.

Work Size: 17” x 30” Frame: Modern frame.

Michael Coleman (b.1946) is a contemporary artist born and living in Provo, Utah. Coleman is known for his landscapes of rich colors in a combination of realism and atmospheric styles, often with animals. He has exhibited in numerous gallery shows, including a one-person show at the Kennedy Galleries in New York, and was given a retrospective at the Buffalo Bill Historic Center. Frame: 25 - 1/2” x 38 - 3/4”. Condition: Very good. 1,300 - 3,500

LOT - 1556

1556 - PORTRAIT OF A CIVIL WAR CALVARY OFFICER. Artist: Unsigned.

Title: PORTRAIT OF A CIVIL WAR CALVARY OFFICER. Created: 19th century.

Medium: Oil on canvas.

Work Size: 26.5” x 21.5” Frame: Period frame.

Heavily varnished. Scattered inpainting throughout upper half of painting and at sitter’s right eyebrow. Relined. Frame: 29 1/2” x 24 - 1/2”. Condition: Good. 1,500 - 5,000

www.MorphyAuctions.com | July 14, 2020

157

LOT - 1558

LOT - 1557 1557 - PORTRAIT OF ELLOIT FITCH SHEPARD, JR (1876 - 1927).

Title: PORTRAIT OF ELLOIT FITCH SHEPARD, JR (1876 - 1927).

Created: Circa 1915.

Medium: Oil on masonite.

Frame: Period frame.

Oil on masonite, circa 1915. Shepard was an American race car driver who volunteered to treat the wounded in World War I. He worked in a hospital run by American volunteers in Chantilly, France. His work helped him to receive the Knight of the Legion de Honeur, the Croix de Guerre and the American Field Service medal. He gave up his estate in Chantilly for those sick or wounded in the American Field Service as served as the president of the organization and chairman of the Paris Branch. Accompanied by a photograph of the models. The nurse is wearing several civilian medals for service. Inpainting on soldier’s face and uniform. Small tear and repair lower right. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 44 - 3/4” x 38”. Condition: Good.

1,500 - 6,000 1558 - PORTRAIT OF AN FRENCH OFFICER. Title: PORTRAIT OF AN FRENCH OFFICER. Created: 1850 - 1870.

Medium: Oil on canvas.

Unsigned.

Work Size: 30” x 24” Frame: Period frame.

Well-executed portrait of a French military officer, circa 1850 - 1870. Several of the medals are different forms of the Legion of Honour. Minor inpainting to background. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 37 - 1/2” x 32 - 1/2”.

Condition: Very good.

2,000 - 6,000

158

LOT - 1559

1559 - JAMES REEVE STUART (AMERICAN, 1834 - 1915) PORTRAIT OF GENERAL GEORGE HENRY THOMAS (1816 - 1870).

Artist: JAMES REEVE STUART (AMERICAN, 1834 - 1915).

Title: PORTRAIT OF GENERAL GEORGE HENRY THOMAS (1816 - 1870).

Created: Circa 1870.

Medium: Oil on canvas.

Work Size: 26.5” x 21.5” Frame: Original frame.

Despite being a Virginian, General George Henry Thomas chose to fight for the Union Army during the Civil War and became one of the principal commanders in the Western theater. His bold defense at the Battle of Chickamauga in 1863 saved the Union Army from being completely routed, earning him his most famous nickname, “the Rock of Chickamauga.” He followed soon after with a dramatic breakthrough on Missionary Ridge in the Battle of Chattanooga. In the Franklin–Nashville Campaign of 1864, he achieved one of the most decisive victories of the war, destroying the army of Confederate General John Bell Hood, his former student at West Point, at the Battle of Nashville. Though he had a successful record of service in the War, he failed to achieve the historical acclaim of his contemporaries. James Reeve Stuart, well-trained portrait painter and teacher, was born in Beaufort, South Carolina. As a young man he attended University of South Carolina, Harvard and traveled abroad to study art. He enlisted in the Confederacy at the outbreak of the war and served in the Corps of Engineers. After the War, he opened a studio in Augusta, GA, then St. Louis, painting portraits. He then moved to Madison, Wisconsin in 1873. Stuart taught at Milwaukee College and the University of Wisconsin, but he remained better known as a portrait painter. Portraits by him are in the collections of the Wisconsin State Historical Museum, the State Capitol of Wisconsin, and the University of Wisconsin. Relined; areas of inpainting in background. Frame: 31 - 1/4” x 26 - 1/4”. Condition: Good.

2,500 - 7,000

www.MorphyAuctions.com | July 14, 2020

1560 - THE BRIGGS CHILDREN. Title: THE BRIGGS CHILDREN. Created: Circa 1840.

Medium: Oil on canvas.

Unsigned.

Work Size: 40” x 50” Frame: Reproduction frame.

Lovely early painting of three siblings.

Deaccessioned by the Brooklyn Museum. Several exhibition labels on back. Relined, very minor inpainting.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 61” x 51”. Condition: Very good, relined. 2,500 - 7,000

LOT - 1560

1561 - PORTRAIT OF GEORGE WASHINGTON. Title: PORTRAIT OF GEORGE WASHINGTON. Created: Circa 1850.

Medium: Oil on canvas.

Unsigned.

Work Size: 28.5” x 21.5” Frame: Frame not original.

Unsigned, oil on canvas board, mid-19th century. Relined, extensive inpainting to craquelure. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 37” x 30”. Condition: Fair. 3,000 - 12,000

LOT - 1561

www.MorphyAuctions.com | July 14, 2020

159

1562 - ALFRED ROUBY (FRENCH, 1849 - 1909) VASE DE POIVOINES (PEONIES).

Artist: ALFRED ROUBY (FRENCH, 1849 - 1909).

Title: VASE DE POIVOINES (PEONIES).

Created: Circa 1880.

Medium: Oil on canvas.

Signed “A Rouby” upper right.

Work Size: 25” x 20” Frame: Period frame in fair condition.

A French painter known for still life and flower painting. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 34” x 28 - 1/4” x 4 - 1/2”.

Condition: Unrestored, very good condition. 3,500 - 10,000

LOT - 1562

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1563 1563 - LEO VON LITTROW (ITALIAN, 1860 - 1925) COASTAL LANDSCAPE WITH AN OX-DRAWN CART. Artist: LEO VON LITTROW (Italian, 1860 - 1925) Title: COASTAL LANDSCAPE WITH AN OX-DRAWN CART Medium: Oil on artist board.

Signed lower-right “LEO LITTROW” Work Size: 20-1/2” x 30” Frame: Gilt-wood molded deep frame Frame: 30 - 1/2” x 41”. Condition: Very good, no evidence of inpainting examined under blacklight.

8,000 - 12,000 160

www.MorphyAuctions.com | July 14, 2020

LOT - 1564

1564 - ADABERT JOHANN VOLCK (AMERICAN) ROBERT E. LEE ON TRAVELLER. Artist: Unsigned.

Title: ROBERT E. LEE ON TRAVELLER. Created: Late 19th century.

Medium: Oil on canvas.

Signed.

Work Size: 24” x 22” Frame: Frame not old.

Signed and dated lower right “A.J. Volck 1872”. Note: Dr. Adalbert Johann Volck was a confederate sympathizer who published political illustrations in the Baltimore Sun during the Civil War. Much of the work he created during the Civil War was deliberately destroyed by the Union Army. Only a few of his sketches survive in the Pratt and Peabody Libraries’ special collections in Baltimore. He was a personal friend of General Robert E. Lee, thus created many sketches of the general. Provenance: George Rothwell Brown, Vienna, Virginia; by descent to Mr. & Mrs. Rothwell Hutton Brown, Virginia; By descent to current owner. Craquelure, spotty and discolored varnish, scattered retouch, pinholes and small patch on verso, relined. Frame: 27 - 1/2” x 25 - 1/2”. Condition: Good. 10,000 - 30,000

www.MorphyAuctions.com | July 14, 2020

161

LOT - 1565

1565 - J.L. BROWN (AMERICAN 19TH CENTURY) PORTRAIT OF DAVID CROCKETT (1786 - 1836) AND BEAR. Artist: J.L. BROWN. Title: PORTRAIT OF DAVID CROCKETT (1786 - 1836) AND BEAR. Created: Dated 1845.

Medium: Oil on canvas.

Signed lower right “J L Brown 1845”.

Work Size: 35” x 39” Frame: Reproduction frame.

By J.L. Brown, dated 1845. Oil on canvas. Before he transformed into a politician and celebrity, Davy Crockett (1786 - 1836) spent much of his life stalking black bears in the woods of Tennessee and selling their pelts, meat and oil for profit. Crockett’s fondness for hunting dangerous game and the tales he spun about it later played a major part in making him a frontier hero. A full length portrait of the frontiersman with a black bear behind him. Several tears and repairs with associated inpainting. Frame: 44 - 1/2” x 48 - 1/2”. Condition: Good. 10,000 - 40,000

162

www.MorphyAuctions.com | July 14, 2020

LOT - 1566

1566 - JAMIE WYETH (AMERICAN B. 1946) SEA LOCKER. Artist: JAMIE WYETH (AMERICAN B. 1946).

Title: SEA LOCKER. Created: 1983 Medium: Mixed media on paper.

Signed lower right “J WYETH”.

Work Size: 23” x 29” Frame: Contemporary frame.

Mixed media on paper; signed lower right, 1983. 23” x 29” Numerous gallery labels on reverse. Jamie Wyeth has established a national reputation as a painter of portraits, animals, and landscapes. Among a number of contemporary American artists who embrace the tenets of Realism, Wyeth has created a body of work that stands out for its distinctive subject matter and its remarkable technical expertise. In addition to his residence in Chadd’s Ford, Pa, Wyeth has become closely linked to the artistic life of Monhegan Island, Maine; indeed, in 1968 Wyeth purchased the house built by the painter Rockwell Kent on Lobster Cove, going on to summer there regularly. Examples of Jamie Wyeth’s work can be found in major public collections across the United States, including the Museum of Modern Art, New York; the National Portrait Gallery, Washington, D.C.; the Farnsworth Art Museum, Rockland, Maine; the Brandywine River Museum, Chadds Ford, Pennsylvania; the Joslyn Art Museum, Omaha, Nebraska; the Delaware Art Museum, Wilmington; and the Terra Museum of American Art, Chicago, among others. Frame: 31 1/4” x 37 - 1/4”. Condition: Very good. 25,000 - 75,000

www.MorphyAuctions.com | July 14, 2020

163

LOT - 1567 1567 - WILLIAM F COGSWELL (AMERICAN, 1819 - 1903) LIFE-SIZED PORTRAIT OF ABRAHAM LINCOLN. Artist: WILLIAM F COGSWELL (AMERICAN, 1819 - 1903).

Title: LIFE-SIZED PORTRAIT OF ABRAHAM LINCOLN. Created: 1902 Medium: Oil on canvas.

Signed: Lower right “Abraham Lincoln/ After the original in the /White House Washington/DC by W Cogswell”.

Work Size: 89.5” x 53.5” Frame: Original frame.

A rare opportunity for the Lincoln collector. In 1864 William F. Cogswell was invited to the White House to sketch President Lincoln. The painting shows Lincoln on the White House porch with the Capitol dome in the background and the President’s black coat and tall hat on the chair in the foreground. As the work was nearing completion, the U.S. Congress announced a portrait contest to paint Lincoln’s likeness and preserve a part of Lincoln’s legacy with President Ulysses S. Grant choosing the winner. Grant chose a painting

by William Cogswell, making it the official White House portrait. Cogswell completed three replicas of this life-sized portrait. He sold one to the State of California and it now hangs in the State Assembly Chambers behind the speaker’s podium.

Another was owned by the State House of Hawaii, and the last, Cogswell kept for himself. While he captured the faces of many prominent people, Cogswell is most noted for his portraits of Ulysses S. Grant, currently hanging in the United States Senate, and Abraham Lincoln, which was displayed in the Green Room at the time of the artist’s death in 1903 and still hangs in the White House today. This portrait was found hanging in Albion Castle, a mansion built in 1870 in San Francisco when the artist was living in that city. The Bishop Museum (Honolulu), the Butler Institute of American Art (Youngstown, Ohio), the Crocker Art Museum (Sacramento, California), the Joslyn Art Museum (Omaha, Nebraska), the National Portrait Gallery (Washington, DC), the New York Historical Society, the Ohio Historical Society (Columbus, Ohio), the Haggin Museum (Stockton, California), the Indiana State Museum (Indianapolis), the White House, the Union League Club of Chicago, and the Mabel Tainter Theater in Menomonie, Wisconsin, are among the public collections holding paintings by William Cogswell. The inscription indicates that it is a copy of the White House portrait. The painting had 6” wide area of water damage beginning at the top of the canvas and running down by Lincoln’s ear extending beyond the bottom of his jacket which was noted in a period photograph of the artist’s home. This has been completely restored. Two areas of 1” wide inpainting running vertically in front of Lincoln’s knees. Other areas of scattered inpainting. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 108” x 72” x 5”. Condition: Good. 100,000 - 500,000

164

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LOT - 1568

1568 - ATTRIBUTED TO TITAN PEALE (AMERICAN, 1799 1885) PORTRAIT OF MAJOR STEPHEN H. LONG ON THE ROCKY MOUNTAIN EXPEDITION (1819 - 1820).

Artist: ATTRIBUTED TO TITAN PEALE (AMERICAN, 1799 1885).

Title: PORTRAIT OF MAJOR STEPHEN H. LONG ON THE ROCKY MOUNTAIN EXPEDITION (1819 1820).

Created: Circa 1820.

Medium: Oil on canvas.

Signed indistinctly lower right.

Work Size: 27” x 22” Frame: Reproduction frame.

Born and raised in Philadelphia, Titian Peale became one of America’s earliest and foremost animal painters and naturalist illustrators. As an expedition artist, his travels included the upper Mississippi River, Rocky Mountains, Florida and the northern regions of South America. From 1819 to 1820, he was Assistant Naturalist to Thomas Say on Major Stephen Long’s topographical expedition to the Rocky Mountains. The specific goal was to find the source of the Platte River with a return through Arkansas and the Red Rivers to the Mississippi. Although they did not find the source of the Platte, the group was the first official party to climb Pike’s Peak. His assignment was to collect and record specimens of birds, mammals, reptiles, fish and insects, and his Long Expedition sketches, numbering over one hundred, also included some landscapes and views of Indian life. He also became a skilled huntsman in addition to serving as recorder. Stephen Long’s excursion, initially termed the Yellowstone Expedition, was an intrepid campaign across the Great Plains to the Rocky Mountains. Long was the first military officer to bring with him leading scientific experts of the day from the fields of botany, geology, zoology, and cartography. Long eventually commanded five separate expeditions covering 25,000 miles with the resulting knowledge helping in the expansion of the upper American West. One of the interesting things about this painting is that Long’s sword is shown out of the hilt, with the blueing and the gilt decoration evident, a presentation rarely seen. Exhibited: Whitney Gallery of Western Art, Buffalo Bill Historical Center, Cody Wyoming, 1994 Nebraska State Historic Society, Lincoln, Nebraska, 1994; St. Joseph Museum, St. Joseph, Missouri, 1995, Secretary of the Army’s office on loan through the U.S. Army Center of Military History, Army Art Collection, Washington, D.C. , July 16, 2008 - June 26, 2009. Also, a rare two volume set of books were published from this expedition and are in the collection at the U.S. Army Heritage Center. Relined. Several generations of restoration generally to the sky with minor inpainting elsewhere. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 36 - 1/2” x 31 - 1/2” x 5”. Condition: Fair. 20,000 - 60,000

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165

1569 - PETER ROTHERMEL (AMERICAN, 1817 - 1895) SECOND DAY, BATTLE AT GETTYSBURG AS SEEN FROM LITTLE ROUNDTOP. Artist: PETER ROTHERMEL (AMERICAN, 1817 - 1895).

Title: SECOND DAY, BATTLE AT GETTYSBURG AS SEEN FROM LITTLE ROUNDTOP. Created: Circa 1870.

Medium: Oil on canvas.

Signed lower right “P F Rothermel”.

Work Size: 43” x 70” Frame: Original frame.

Oil on canvas, signed lower right: “P F Rothermel”. Label on reverse reads: Loaned by Albert Rosenthal/ To Panama San Francisco Ex. 1915/ Battle of Gettysburg by Peter F Rothermel/ Return to 1722 Walnut St., Phila. Second label from Adair Framing, Washington DC. Inscribed on the front of the painting: “Sketch of the second day Battle at Gettysburg as seen from Little Roundtop”. By one of the foremost historical painters of the 19th century, Peter Frederick Rothermel. Rothermel was born in Nescopeck, Pennsylvania and first trained as a surveyor and then as a sign painter. He began a career painting portraits in Philadelphia, but turned to history painting, which was then considered the most prestigious path for a professional artist. One of his most famous paintings is “Patrick Henry in the House of Burgesses of Virginia,” which some critics consider the best historical painting in America. In 1856, he went to Rome and lived there until 1859. After the Civil War, Rothermel was commissioned by the Pennsylvania Legislature to paint a monumental work of the Battle of Gettysburg. It took him three years to complete.The painting was too large for its intended location, so it was placed in the State Museum in Harrisburg. Several smaller adjunct paintings of different battle scenes

by Rothermel, similar to this view of the Battle from Little Round Top are also part of the State Museum’s permanent collection and are hung in conjunction with the larger work. The Gettysburg series was completed within five years of the War’s end. This is a rare and possibly singular opportunity to purchase one of the Gettysburg series by Rothermel. Of note, according to the curators at the State Museum in Harrisburg this painting is part of the series that they own and is the only one that is both signed and inscribed. Relined, small dime sized repair to canvas middle right of painting. Very small areas of inpainting. Losses to frame. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 60” x 87” x 4 - 1/2”. Condition: Very good. 400,000 - 800,000

166

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LOT - 1569

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167

LOT - 1570

1570 - CARL BECKER (GERMAN 1862-1926) PRUSSIAN SOLDIERS AT THE FRONT. Artist: CARL BECKER (GERMAN, 1862 - 1926).

Title: PRUSSIAN SOLDIERS AT THE FRONT. Created: Circa 1914.

Medium: Oil on canvas.

Signed lower right “C Becker”.

Work Size: 38” x 59” Frame: Modern frame.

Depicts a World War I German artillery regiment preparing for battle. Moderate amount of inpainting lower left; minor inpainting throughout sky and along bottom edge. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 46” x 66 - 3/4”. Condition: Very good. 10,000 - 30,000

168

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LOT - 1571

1571 - SIGNED MARYAN (POLAND/USA 1927 - 1977). MAN IN BLUE BACKGROUND. Artist: MARYAN (POLAND/USA 1927 - 1977).

Title: MAN IN BLUE BACKGROUND. Created: 1975 Medium: Oil on canvas.

Signed lower right “Maryan”.

Work Size: 19” x 25” Frame: Modern frame.

Attributed to: PINCHAS BURSTEIN, alias “MARYAN”. Born Pinchas Burstein in 1928, Maryan was a Polish-born artist and Auschwitz survivor. He lived in Israel for two years after the war, and moved to Paris in 1951, where he enrolled at the Ecole des Beaux-Arts, and studied under Fernand Leger alongside his peers Karel Appel, Enrico Baj, and Jean Dubuffet. The artist relocated to New York in 1962 and enjoyed a successful career painting until his death at the Chelsea Hotel, in 1977. Frame: 21” x 17” x 1”. Condition: Very good.

20,000 - 50,000

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169

1572 - CHARLES LORING ELLIOTT (AMERICAN 1812 - 1868) PORTRAIT OF MATTHEW BRADY (1822 - 1896).

Artist: CHARLES LORING ELLIOTT (AMERICAN 1812 - 1868).

Title: PORTRAIT OF MATTHEW BRADY (1822 - 1896).

Created: Circa 1857.

Medium: Oil on canvas.

Signed lower right.

Work Size: 24.5” x 20.5” Frame: Reproduction frame.

Born in New York, Charles Loring Elliott became one of the leading mid-19th century portrait painters, known for strong, un-embellished work that focused on the personality and character of the sitter. As a young man he went to New York City to study with portraitists John Quidor and John Trumbull. In 1839, he opened a studio in New York and achieved immediate acceptance, painting portraits of important persons in the political, academic, literary, and fine art worlds. His subjects included William Cullen Bryant, Henry Wadsworth Longfellow, Cyrus McCormick, and James Fenimore Cooper. Major influences on his work during this period were portraitist Henry Inman whom he met in 1844 and also the new art of photography whose realism he strove to depict in his portraits. Elliott’s portrait of Mathew Brady shows him in a buffalo robe gazing intently at the artist, his strong face ringed by a curly mane of hair.

This portrait is illustrated in: Mathew Brady, Historian with a Camera by James Horan (Crown Publishers, 1955; p. 93). This lot is of serious interest: Brady was one of the very first American photographers, best known for his scenes of the Civil War. Elliott, who lived and worked in New York his entire life, was widely considered the best portrait artist of his time. Another portrait of Brady

by Elliott is in the collection of the Metropolitan Museum of Art in New York City. Provenance: From the collection of G.W. Mayer. Scratches and repairs, especially to bottom right of painting and Brady’s lapel. Other areas of scattered inpainting. Frame: 31” x 26 - 3/4”.

Condition: Good. 4,000 - 12,000

LOT - 1572

1573 - AFTER THE BATTLE. Artist: Unsigned.

Title: AFTER THE BATTLE. Created: 1918 Medium: Oil on board.

Work Size: 44.5” x 31” Frame: Modern frame.

Impressionist post-battle scene during World War I. Frame: 35 - 3/4” x 48 - 1/2”.

Condition: Good. 3,500 - 10,000 1574 - JOHN IZARD MIDDLETON (SOUTH CAROLINA/ EUROPE, 1785 - 1849) RURAL LANDSCAPE. Artist: JOHN IZARD MIDDLETON (SOUTH CAROLINA/EUROPE, 1785 - 1849).

Title: RURAL LANDSCAPE. Created: Dated on back 1814.

Medium: Graphite on paper.

Signed: On back “JM”.

Work Size: 8.25” x 11.5” Frame: Modern frame.

LOT - 1573

Born just outside Charleston, South Carolina, John Middleton was the son of Mary Izard and Continental Congressman Arthur Middleton who signed the Declaration of Independence.

They lived at Middleton Place, which his elder brother Henry (later Governor of South Carolina, U.S. Representative and Minister to Russia) inherited. Although his roots remained deep in South Carolina, he spent the better part of his adult life in Europe and was particularly fascinated with the ruins and buildings of Italy and became America’s first unofficial archeologist. Middleton traveled to Italy as early as 1808 and remained in Europe the rest of his life. He died in Paris in 1849. Included in this lot is a photograph of the back of the paper on which the view was drawn which shows an inscription on the upper left “JIM 1814” and on the bottom right: “Presented by John Izard Middleton 1814.” Frame: 15 - 3/4” x 19 - 5/8”. Condition: Very good. 5,000 - 6,000 170

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LOT - 1574

LOT - 1575

1575 - BASS OTIS (AMERICAN, 1784 - 1861) PORTRAIT OF A MOTHER AND CHILD. Artist: BASS OTIS (AMERICAN, 1784 - 1861).

Title: PORTRAIT OF A MOTHER AND CHILD. Created: 1838 Medium: Oil on canvas laid on board.

Signed lower left “B OTIS May 1838”.

Work Size: 46” x 36” No frame.

A prolific portrait painter, Otis was a student of John Wesley Jarvis in the early 1800s, Gilbert Stuart, and Thomas Sully. In 1812, he moved to Philadelphia and became an art teacher and began his career as a portrait painter, painting over 200 subjects including portraits for a national biography series of the New York State Historical Association.

Some of his subjects were Thomas Jefferson, James Madison, Thomas Paine and Gilbert Stuart. In 1824, he was elected a member of the Pennsylvania Academy of the Fine Arts. Various exhibition labels on reverse. Minor inpainting. 47 - 3/4” x 36 - 1/2”. Condition: Very good. Good 2,500 - 10,000 1576 - PORTRAIT OF AN ENGLISH ROYAL, POSSIBLY KING GEORGE III (1738 1820).

Title: PORTRAIT OF AN ENGLISH ROYAL, POSSIBLY KING GEORGE III (1738 - 1820).

Created: Early 19th century.

Medium: Oil on canvas.

Work Size: 32” x 25” Frame: Original frame.

Subject is wearing the Garter Star of the Order of the Garter and St. George’s medal, a combination worn solely by members of the Royal Family. The painting shows the King in a white coat and waistcoat, embroidered in gold and draped in Royal jewelry holding a velvet and ermine robe. Heavy craquelure, minor inpainting. Frame: 38” x 31”.

Condition: Good. 2,500 - 7,000

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LOT - 1576

171

LOT - 1577 1577 - JAMES HAMILTON (AMERICAN 1819 - 1878) SHIP BURNING IN HARBOR. Artist: JAMES HAMILTON (American 1819 - 1878).

Title: SHIP BURNING IN HARBOR. Created: Mid 19th Century.

Medium: Oil on canvas.

Signed lower right.

Work Size: 15.5” x 23.5” Frame: Period frame.

LOT - 1578

James Hamilton was born near Belfast, Ireland and immigrated with his family to the United States in 1834 at the age of fifteen. They settled in Philadelphia, where he secured formal instruction and began his artistic career in the 1840s, exhibiting at the Pennsylvania Academy of the Fine Arts, and later at the National Academy of Design in New York. Hamilton traveled to Great Britain in 1854 to study the paintings of James M. W. Turner who was to have a great influence on his work.

In succeeding decades, Hamilton worked actively as a landscape artist and became best known for dramatic marine scenes of all kinds, including this depiction of a ship burning possibly at the New York harbor with Castle Garden in the background. In 1875, Hamilton auctioned a large group of paintings and moved with his family to San Francisco to paint scenes of the Pacific Coast, with plans to continue a worldwide trip westward. He died in San Francisco unexpectedly three years later in 1878. Relined, inpainting in upper left sky and scattered minor areas. Frame: 25 - 1/2” x 33 - 1/2”. Condition: Good.

2,500 - 7,000 1578 - MARTHA WALTER (AMERICAN, 1875 - 1976) MOTHER AND CHILD. Artist: MARTHA WALTER (AMERICAN, 1875 - 1976).

Title: MOTHER AND CHILD. Created: Circa 1940.

Medium: Oil on artist board.

Signed lower left “MARTHA WALTER”.

Work Size: 22” x 19” Frame: Reproduction frame.

A sketch of a mother and child framed by a window and landscape.

A Philadelphia native, she studied at the Pennsylvania Museum and School of Industrial Art and the Pennsylvania Academy of Fine Arts, where she was taught by William Merritt Chase. There she won several awards and a scholarship which she used to travel abroad. She settled in Gloucester, Massachusetts and also maintained a studio in New York and taught at Chase’s New York School of Art. Walter is known for her use of color and her intimate portrayals of small children. Oil painting of a vase of flowers on reverse. Martha Walter’s estate was represented in the late 1950’s by David David Gallery in Philadelphia.

Frame: 32 - 1/4” x 29”. Condition: Very good. 2,000 - 8,000 172

LOT - 1579 1579 - AFTER EUGENE MARIOTON (FRENCH 1854 - 1933) BRONZE FIGURE OF NAPOLEON. Artist: AFTER EUGENE MARIOTON (FRENCH 1854 - 1933).

Title: BRONZE FIGURE OF NAPOLEON. Created: 19th century.

Medium: Bronze.

Signed on base.

Work Size: Height 26.5” Eugene Marioton was born in Paris in 1854. He studied with Dumont and Gabriel Jules Thomas. He is best known for heroic figurative sculpture, portrait busts and medals. Here Marioton has captured a pensive Napoleon with a map and telescope. With fine detail and drapery. Frame: 9” x 11” x 26 - 1/2”. Condition: Very good.

2,000 - 6,000

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1580 - JOHN WHORF (AMERICAN, 1903 - 1959) DUCK HUNTING. Artist: JOHN WHORF (AMERICAN, 1903 - 1959).

Title: DUCK HUNTING. Created: Circa 1940.

Medium: Watercolor on paper.

Signed “John Whorf” lower right.

Work Size: 14” x 20” Frame: Modern frame.

John Whorf was born in Winthrop, Massachusetts. His father, Harry C. Whorf was also an artist, who exposed him to commercial art and graphic design. He received official training at the age of fourteen under Shermann Kidd in the St. Botolph Studio and also the Boston Museum School. He moved to Provincetown, where he was influenced by the growing art colony there. A watercolor sketch of a barnyard scene on reverse.

Frame: 23 - 1/4” x 30 - 1/4”. Condition: Very good.

1,500 - 5,000

LOT - 1580

1581 - CHARLES ROSENBURG (AMERICAN 1818-1879) PORTRAIT OF A CHILD IN A ZOUAVE COSTUME Artist: CHARLES ROSENBURG (American 1818 - 1879).

Title: PORTRAIT OF A CHILD IN A ZOUAVE COSTUME. Created: Dated 1862.

Medium: Oil on canvas.

Signed lower left “C. Rosenburg, 1862”.

Work Size: 23.5” x 17.5” Frame: Reproduction frame.

Charles Rosenburg was active in New York and Pennsylvania and was known for his portraits, and for his landscapes which were often of a military nature, several of which were engraved for prints. This example is a portrait of a young boy in costume with his drum, in a classical landscape. Relined. Inpainting in sky and scattered inpainting around drumstick, hair, lower edge. Frame: 32” x 25 - 1/2”. Condition: Very good. 1,300 - 4,000 1582 - FLORENCE VINCENT ROBINSON (AMERICAN, 1874 - 1937) LOT OF 2 WATERCOLOR PAINTINGS. Artist: FLORENCE VINCENT ROBINSON (AMERICAN, 1874 1937).

Title: TWO WATERCOLORS OF FORMAL GARDENS. Created: Circa 1900.

Medium: Watercolor on paper.

Signed: Both signed “Florence Robinson”.

Work Size: 12” x 17”; 13.5” x 21.5” Frame: Period frame.

LOT - 1581

LOT - 1582

These paintings were done of the Auchincloss estate, Hammersmith Farm. Hugh Dudley Auchincloss, Jr. was the stepfather of Jackie Kennedy and her wedding reception was held at Hammersmith. Born in Taunton, Massachusetts, Florence V. Robinson settled in Paris around 1890, where she studied painting with landscape artist Henri-Joseph Harpignies (1819 - 1916), James Abbott McNeil Whistler (1834 - 1903) and the accomplished watercolorist Pierre Vignal (1855 - 1925).

Robinson chose to specialize in watercolor, painting landscapes and urban views throughout France, Italy, Northern Africa and Spain. Her first exhibition in Boston came in 1893, when she submitted several watercolors to the Boston Art Club annual exhibition. She exhibited paintings at the Paris Salon in 1899 and contributed to exhibitions held at the Pennsylvania Academy of the Fine Arts and the Boston Art Club. Her work is included in the permanent collections of the Museum of Fine Arts, Boston, Harvard University, the Baltimore Museum of Fine Arts and the Cleveland School of Art. Larger Frame: 22 - 3/4” x 17”.

Condition: Very good. Very Good 1,300 - 3,500

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173

1583 - JAMES HAMILTON (IRISH/AMERICAN, 1819 - 1878) COASTAL SHIPWRECK. Artist: JAMES HAMILTON (IRISH/AMERICAN, 1819 - 1878).

Title: COASTAL SHIPWRECK. Created: Circa 1865.

Medium: Oil on canvas.

Signed “James Hamilton Philadelphia 1862 “on original canvas window on reverse, relined.

Work Size: 17” x 30” Frame: Reproduction frame.

LOT - 1583

James Hamilton was born near Belfast, Ireland and immigrated with his family to the United States in 1834 at the age of fifteen. They settled in Philadelphia, where he secured formal instruction and began his artistic career in the 1840s, exhibiting at the Pennsylvania Academy of the Fine Arts, and later at the National Academy of Design in New York. Hamilton traveled to Great Britain in 1854 to study the paintings of James M. W. Turner and other English landscape masters. In succeeding decades, Hamilton worked actively as a landscape artist and became best known for dramatic marine scenes of all kinds, including this dramatic sunset scene likely near the Philadelphia harbor. In 1875, Hamilton auctioned a large group of paintings and moved with his family to San Francisco to paint scenes of the Pacific Coast, with plans to continue a worldwide trip westward. He died in San Francisco unexpectedly three years later in 1878. Inpainting on the bottom edge lower left and several areas of the sky. Frame: 23 - 1/2” x 36 - 1/2”.

Condition: Very good. 1,500 - 5,000 1584 - JOHN WESLEY JARVIS (AMERICAN, 1781 - 1839) PORTRAIT OF CLARA SINCLAIR. Artist: JOHN WESLEY JARVIS (AMERICAN, 1781 - 1839).

Title: PORTRAIT OF CLARA SINCLAIR. Created: Circa 1825.

Medium: Oil on canvas.

Work Size: 39” x 31” Frame: Reproduction frame with some damage.

LOT - 1584

174

A portrait painter in New York, John Wesley Jarvis was born in South Shield, England, and was a nephew of theologian John Wesley. At age five, he moved to Philadelphia. Jarvis was apprenticed to Edward Savage, portrait painter and engraver.

In 1801 Savage moved to New York City and brought Jarvis with him and for a time they worked together. Jarvis opened his own engraving business and then formed a partnership with Joseph Wood engraving and painting portraits. In 1810 the partnership ended and Jarvis concentrated on his painting career. This painting of Clara Sinclair identified by the conservator on the reverse - is probably related to two portraits at Davis Museum at Wellesley College. The Davis Museum collection includes portraits of William Sinclair and Euphemia Johnston Sinclair by Jarvis. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 46 1/4” x 38 - 1/4” x 3 - 1/2”. Condition: Relined, very good. 2,000 - 6,000

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1585 - ALLEN CARTER REDWOOD (AMERICAN 1844 - 1922) PORTRAIT OF A UNION OFFICER. Artist: ALLEN CARTER REDWOOD (AMERICAN 1844 - 1922).

Title: PORTRAIT OF A UNION OFFICER. Created: Last quarter, 19th century.

Medium: Watercolor and gouache on paper.

Signed lower right “A.C. REDWOOD”.

Work Size: 20” x 16” Frame: Old, but not original.

Illustrator Allen Redwood was born in Lancaster, Virginia. His illustrations often reflected his own experience during the Civil War. He fought in the 55th Regiment of the Army of Northern Virginia including at Bull Run, where he was captured, exchanged, and made a Major, and at Gettysburg, where he was injured and later imprisoned. After the war, he had studios in Baltimore and New York, and illustrated and wrote articles about the war for Century and Harper’s Magazine. He also made illustration trips out West and to Cuba during the Spanish American War. 2” tear and repair in lower right background. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 28 - 3/4” x 24 - 3/4”.

Condition: Good. 2,500 - 10,000

LOT - 1585

1586 - JAMES J. SAWYER (AMERICAN, 1813 - 1888) PORTRAIT OF CAPTAIN NICHOLAS NOLAN. Artist: JAMES J. SAWYER (AMERICAN, 1813 - 1888).

Title: PORTRAIT OF CAPTAIN NICHOLAS NOLAN. Created: 1875 Medium: Oil on canvas.

Signed on reverse: “painted by J.J. Sawyer 1875”.

Work Size: 34” x 27” Frame: Period frame in fair condition.

Born in Connecticut, Sawyer began his career as an artist in New York City. There he found a patron in Henry C. Bowen, a dry goods merchant and a Connecticut native. Although Sawyer exhibited at the National Academy of Design, his real success began after he returned to Connecticut. He enjoyed a prolific and varied career painting portraits of prominent citizens and painting scenes from nature. The subject, Nicholas Nolan was a captain of the Buffalo Soldiers (24th Regiment). After the Civil War until his death Nolan served on the western frontier and helped explore vast areas of unchartered territory from Texas to Arizona. The sitter holds his sword and stands in front of a marble column with his arm resting on a table. Original gilded frame. Small patch on back - 2” x 2”. Small area of repair to the left of the sword tassel. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 41 - 3/4” x 34 - 3/4” x 4”. Condition: Good. Good 2,500 - 7,000 LOT - 1586

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175

1587 - GENERAL ZACHARY TAYLOR IN MEXICO. Title: GENERAL ZACHARY TAYLOR IN MEXICO. Created: Late 19th century.

Medium: Oil on canvas.

Signed: Illegible signature on reverse.

Work Size: 20” x 17” Frame: Reproduction frame.

Remnant of old lining attached to reverse which reads: “General Taylor/ in Mexico/ painted by/ (illegible signature). Large U-shaped tear repaired and inpainted. Scattered other inpainting. Relined. Frame: 27 - 3/4” x 24 - 1/2” x 3 - 1/2”.

Condition: Fair. 3,500 - 10,000

LOT - 1587

1588 - ATTRIBUTED TO HENRI EDMOND CROSS (FRENCH, 1856 1910) THE RIVER SEINE. Artist: ATTRIBUTED TO HENRI EDMOND CROSS (FRENCH, 1856 - 1910).

Title: THE RIVER SEINE. Created: Circa 1905.

Medium: Oil on canvas.

Work Size: 13” x 8.5” Frame: Modern frame.

LOT - 1588

176

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Henri Cross studied at the École des Beaux-Arts. His early works, portraits and still lifes, were in the dark colors of Realism, but later moved towards a brighter, lighter painting style. In 1884, Cross co-founded the Société des Artistes Indépendants with Georges Seurat. He began his Pointillist period after spending time with Paul Signac in 1904.

Relined. 3” line in upper left sky overpainted. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 19 - 1/2” x 23” x 3”.

Condition: Good. 7,000 - 9,000

LOT - 1589

1589 - WILLIAM ALLEN WALL (AMERICAN 1801 - 1855) HUNTING AT NEW BEDFORD MARSHES. Artist: WILLIAM ALLEN WALL (AMERICAN 1801 - 1855).

Title: HUNTING AT NEW BEDFORD MARSHES. Created: Dated 1871.

Medium: Oil on canvas.

Signed on rock, lower left “W.A. WALL 1871”.

Work Size: 37” x 55.5” Frame: Original exhibition frame.

William Allen Wall (American, 1801-1885). Oil on canvas. Trained as a clock and watchmaker, William Allen Wall (1801-1885), found success painting portraits in the prosperous whaling town of New Bedford, Massachusetts. He became especially known for his paintings of early New Bedford scenes. Wall met Thomas Sully in New Bedford and spent several months in 1830 working at Sully’s studio. It was also in this year that Wall traveled to Europe and met and traveled with Ralph Waldo Emerson. While Wall continued his lucrative portrait painting he also painted literary and historical subjects as well as landscapes. Relined. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 49” x 67 - 1/4” x 5”. Condition: Very good. 10,000 - 30,000

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177

LOT - 1590

1590 - CHERI FRANCOIS-MARGUERITE DUBREUIL (FRENCH, 1828 - 1880) THE BATTLE OF CHERBOURG, THE SINKING OF C.S.S. ALABAMA. Artist: CHERI FRANCOIS-MARGUERITE DUBREUIL (FRENCH, 1828 - 1880).

Title: THE BATTLE OF CHERBOURG, THE SINKING OF C.S.S. ALABAMA. Created: Circa 1865.

Medium: Oil on canvas.

Signed lower right.

Work Size: 31” x 58” Frame: Reproduction frame.

Signed “Fort du Homet Cheri François-Marguerite Dubreuil” (1828 - 1880) Chéri François Dubreuil was born in Vic en Bigorre in the Pyrenees, and joined the French Navy in the 1840’s. He became Master helmsman in 1854. His marine paintings are held in several museums including the Naval Museum, which has five of his paintings in their collection. A finely detailed and dramatic painting of the Battle of Cherbourg, or the Sinking of CSS Alabama. This was a single-ship action fought during the Civil War between a United States Navy warship, USS Kearsarge, and a Confederate States Navy warship, CSS Alabama, on June 19, 1864, off Cherbourg, France. The Alabama was a commerce raiding ship entering the port of Cherbourg for repairs. After two years, the Kearsarge finally caught up with Alabama as she was receiving repairs and blockaded the Alabama in Cherbourg. On June 19, CSS Alabama, with nowhere else to go, ran up the Stars and Bars and exited the harbor to attack Kearsarge. After an hour of heavy artillery fire, the Alabama began to sink. Relined. Large areas of inpainting in sky. Inpainting on right side of American ship. 1” x 3” tear and repair to bow of Confederate ship. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 48 - 1/4” x 75 - 1/4” x 5 - 1/2”. Condition: Good. 15,000 - 50,000

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LOT - 1591

1591 - JOSEPH SEURETT (AMERICAN, DATES UNKNOWN) AFTER THE BATTLE, THE REBEL FRIEND. Artist: JOSEPH SEURETT (AMERICAN, DATES UNKNOWN).

Title: AFTER THE BATTLE, THE REBEL FRIEND. Medium: Oil on canvas.

Signed lower right “JOS. SEURETT”.

Work Size: 30” x 46” Frame: Period frame.

Based on sketches by the Civil War artist James Earl Taylor. This important painting depicts a group of three Union soldiers, Captain Robert Dimmick, Captain Thomas Mosscrop and Corporal Edward Dubey of the Tenth Regiment N.Y. Volunteers lying wounded on the bank of a stream. Around them are the dead and dying from the Second Battle of Manassas. A Confederate, Captain Hugh Barr, recognized a Masonic emblem on the shirt of Captain Mosscrop.

Barr immediately came to the assistance of the three Union soldiers and procured the surgeon to remove the bullets from his Masonic brothers and dress their wounds. The next day Barr appeared with an ambulance and removed the soldiers to the hospital. The story of these soldiers was recounted in The Battle Field Story of the Blue and the Gray by Colonel William Edgar Rogers. The painting was described

by The Brooklyn Daily Eagle, Sunday December 20, 1896. It was hanging on the wall of the Register of King’s County, Granville W. Harmon. An elaborate set of resolutions were published by the Masons in 1882 honoring the services of Captain Barr. Relined, scattered minor inpainting, craquelure. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 44 - 1/2” x 60 - 1/4” 4 - 1/4”. Condition: Good.

100,000 - 250,000

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179

LOT - 1592

1592 - PORTRAIT OF THOMAS JEFFERSON AFTER GILBERT STUART. Title: PORTRAIT OF THOMAS JEFFERSON AFTER GILBERT STUART. Created: First half 19th century.

Medium: Oil on canvas.

Unsigned.

Work Size: 46” x 36” Frame: Period restored frame.

Unsigned, after the 1805 portrait by Gilbert Stuart (1755 - 1828).

Relined, new stretchers. Large L shaped tear and repair in bottom left corner. Heavily restored. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 57 - 1/2” x 47 - 3/4” x 3 - 1/2”. Condition: Fair.

15,000 - 35,000 180

www.MorphyAuctions.com | July 14, 2020

LOT - 1593

1593 - ALBERT REIGER (AUSTRIAN, 1834 - 1905) ON THE NILE. Artist: ALBERT REIGER (AUSTRIAN, 1834 - 1905).

Title: ON THE NILE. Created: Circa 1890.

Medium: Oil on canvas.

Signed lower right, “A Reiger pinx”.

Work Size: 28” x 41” Frame: Original frame.

Albert Reiger was an Austrian artist best known for his dark, muted landscapes of Vienna and historical scenes. This painting depicts a scene on the Nile River with a pyramid in the background. He painted landscapes in great detail with attention given to the effects of light, using oscillating brush marks and contrasting moments of shadow to animate his subjects. Born in 1834 to renowned Italian painter Guiseppe Rieger, the younger Rieger resided in Vienna from 1838 onward. He was awarded honorary membership in the Vienna Academy of the Arts and received the Grand Gold Austrian SwedishNorwegian medal. Reiger died in 1905. Minor punctures. Small areas of flaking. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 37 - 1/2” x 50 - 3/4” x 4”. Condition: Very good. 10,000 - 35,000

www.MorphyAuctions.com | July 14, 2020

181

LOT - 1594

1594 - JOSEPH VAN GENEGEN (BELGIAN, 1857 - 1936) SOLITARY WALK. Artist: JOSEPH VAN GENEGEN (BELGIAN, 1857 - 1936).

Title: SOLITARY WALK. Medium: Oil on canvas laid on board.

Signed lower right “JOSEPH GENEGEN”.

Work Size: 31” x 58” Frame: Original frame.

Joseph Van Genegen was a Belgian painter with a preference for landscapes, forests, river views and flowers. This dramatic painting is a view of a long, almost deserted road with a single figure on the horizon. Label from the Alexander Gallery on the reverse. Minor inpainting around edges and lower left. Very nice exhibition frame.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 47 - 3/4” x 74” x 5”. Condition: Very good. 7,500 - 20,000

182

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LOT - 1595

1595 - ATTRIBUTED TO WILLIAM JEWETT (AMERICAN, 1782 - 1874) AND SAMUEL WALDO (AMERICAN, 1783-1861) PORTRAIT OF JOHN QUINCY ADAMS. Artist: ATTRIBUTED TO WILLIAM JEWETT (AMERICAN, 1782-1874) AND SAMUEL WALDO (AMERICAN, 1783 - 1861).

Title: PORTRAIT OF JOHN QUINCY ADAMS. Created: Circa 1820.

Medium: Oil on canvas.

Work Size: 36” x 28” Frame: Original frame.

A detailed portrait of John Quincy Adams (1767 - 1848), a statesman, diplomat and lawyer who served as the sixth President of the United States; facing forward and holding a document and glasses. William Jewett apprenticed as a paint mixer for a coachmaker in New London, CT. In 1812 he became a student of Samuel Waldo, and moved to New York to work with Waldo in his studio. In 1818, Jewett and Waldo began a 34 year portrait painting partnership. Known as Waldo & Jewett, the firm became highly successful with Waldo painting the heads and hands and Jewett doing the rest. Their portraits usually had co-signatures and have been described as “among the strongest and most solid and three-dimensional of the period, characterized by a broad painterliness and an optimistic, confident expression.”. Minor inpainting on edges. Small holes on Adams’s shoulder and jacket repaired. Stretcher added. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 42” x 34”. Condition: Very good.

7,500 - 20,000

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183

1596 - JULIAN LE BLANT (FRENCH 1851 - 1936) ALLEGORICAL ILLUSTRATION. Artist: JULIAN LE BLANT (FRENCH 1851 - 1936).

Title: ALLEGORICAL ILLUSTRATION. Created: Late 19th century.

Medium: Oil on canvas.

Signed lower left “J LeBlant”.

Work Size: 39” x 26” Frame: Period frame.

Julian Le Blant was a French painter of military subjects who specialized in scenes of the French Revolution. He spent his artistic career commemorating the events of the rebellion in large works that were exhibited in the annual Paris Salon. Le Blant was a much honored painter and he won a Bronze Medal at the Salon in 1878, a Silver Medal in 1880 and a Gold Medal at the 1889 Exposition Universelle, the Paris World’s Fair that commemorated the centennial of the beginning of the French Revolution. The body of Le Blant’s work largely focuses on military scenes, particularly of the French Revolution, but also scenes of the First World War later in life. He completed hundreds of illustrations for a great number of books, including Les Chouans (Honoré de Balzac), Chevalier des Touches (Barbey d’Aurevilly), and Premier Grenadier de France (Paul Dérouléde). His work is held in major museum collections and institutions around the world. This illustration depicts an array of Civil War era soldiers and sailors both American and French within an allegorical background. Frame: 46 1/4” x 32 - 1/2”. Condition: Very good. 5,000 - 15,000

LOT - 1596

1597 - ATTRIBUTED TO JULIAN SCOTT (AMERICAN, 1846 - 1901) PORTRAIT OF A SOLDIER FROM THE 13TH REGIMENT. Artist: ATTRIBUTED TO JULIAN SCOTT (AMERICAN, 1846-1901).

Title: PORTRAIT OF A SOLDIER FROM THE 13TH REGIMENT. Created: 19th century.

Medium: Oil on board.

Work Size: 22” x 18” Frame: Period frame.

Julian Scott served as a Union Army drummer during the Civil War, where he received the Medal of Honor for his actions at the Battle of Lee’s Mills. Scott was injured early in the Civil War, took up painting, and began studying at the National Academy of Design. Scott returned to the war in the spring of 1864, but this time solely as an artist. He was named an honorary aide-de-camp to Gen. William F. Smith in Gen. Benjamin Butler’s “Army of the James” near Richmond.

After the War, he continued to paint battlefield scenes and other paintings of a military nature. Minor inpainting in background. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 68” x 54” x 4”. Condition: Very good. 3,500 - 10,000

LOT - 1597

184

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1598 - JAMES BRADE SWORD (AMERICAN, 1839 - 1915) THE HORRORS OF WAR. Artist: JAMES BRADE SWORD (AMERICAN, 1839 - 1915).

Title: THE HORRORS OF WAR. Created: Circa 1875.

Medium: Oil on canvas.

Signed lower right “J B SWORD”.

Work Size: 17.5” x 13.5” Frame: Period frame.

Depicting a British soldier, circa 1750 from a Grenadier Company playing cards and smoking a pipe. James Brade Sword was born in Philadelphia and after a brief career in engineering entered the Pennsylvania Academy of the Fine Arts in Philadelphia in 1861.

In 1863, he studied with George W. Nicholson, a landscape painter. He was a popular painter of portraits, landscapes, seascapes and genre. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 27 - 3/4” x 23 - 3/4” x 3 - 1/4”. Condition: Very good, relined. 2,500 - 7,000 LOT - 1598

1599 - IN THE STYLE OF VU CAO DAM (VIETNAMESE, 1908 - 2000) MERE ET ENFANT, 1966.

Artist: IN THE STYLE OF VU CAO DAM (Vietnamese, 1908 - 2000).

Title: MERE ET ENFANT, 1966.

Medium: Oil on canvas.

Signed and dated lower-left “VU CAO DAM 66”.

Work Size: 23-1/2” x 19-1/2” Frame: Housed in a molded gold gilt frame.

Provenance: Label affixed on stretcher. The Little Gallery. 5 Kensington Church Walk. London W. 8. 23 - 1/2” x 19 - 1/2”.

7,500 - 12,500

LOT - 1599

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185

LOT - 1601

LOT - 1600 1600 - JULIAN SCOTT (AMERICAN, 1846 - 1901) PORTRAIT OF COMMODORE GEORGE H. PERKINS. Artist: JULIAN SCOTT (1846 - 1901).

Title: PORTRAIT OF COMMODORE GEORGE H. PERKINS (1836 - 1899).

Created: Circa 1880.

Medium: Oil on canvas.

Signed lower right “Julian Scott”.

Work Size: 33.5” x 26” Frame: Old but not original frame.

1601 - ALLEN TUCKER (AMERICAN, 1866 - 1939) CITY CONSTRUCTION. Artist: ALLEN TUCKER (American, 1866 - 1939).

Title: CITY CONSTRUCTION. Medium: Oil on canvas.

Signed lower left “Allen Tucker”.

Work Size: 30” x 20” Frame: Contemporary silver gilt wood frame.

Framed: 31 - 1/2” x 26 - 1/2”. Condition: Good, with minor stretcher mark along top. 3,000 - 5,000 Julian Scott served as a Union Army drummer during the Civil war where he received the Medal of Honor for his actions at the Battle of Lee’s Mills. Julian Scott was injured early in the Civil War and took up painting and began studying at the National Academy of Design. Scott returned to the war in the spring of 1864, but this time solely as an artist. He was named an honorary aide-de-camp to Gen. William F. Smith in Gen. Benjamin Butler’s “Army of the James” near Richmond.

After the War, he continued to paint battlefield scenes and other paintings of a military nature. The sitter, George Hamilton Perkins (1836 – 1899) from New Hampshire was an officer in the United States Navy during the American Civil War SEE WEBSITE FOR whose conduct during the August 1864 Battle of Mobile Bay was a major factor in the capture of the Confederate ironclad Tennessee. Following the War, he continued ADDITIONAL PHOTOS in active duty and in 1896 received a Congressionally authorized promotion to the retired rank of commodore in recognition of his gallantry and skill during the Battle of Mobile Bay three decades earlier. George Perkins is shown standing with his elbow leaning on his sword holding papers in his pocket. Small repair and inpainting to the upper left background. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 43 1/2” x 36 - 1/4” x 4”. Condition: Good. 2,000 - 8,000

186

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1602 - PORTRAIT OF A GENTLEMAN. Title: PORTRAIT OF A GENTLEMAN. Created: 20th century.

Medium: Oil on canvas.

Unsigned.

Work Size: 39” x 29” Frame: Original frame.

Portrait of a gentleman with a hand resting in his coat, wearing a locket and carrying a cane. Heavily crazed varnish. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 53 - 1/2” x 43 - 1/2”. Condition: Good. 1,500 - 8,000 1603 - FRANK ENGLISH (AMERICAN, 1854 - 1922) CANAL SCENE. Artist: FRANK ENGLISH (AMERICAN, 1854 - 1922).

Title: CANAL SCENE. Created: Circa 1900.

Medium: Watercolor on paper.

Signed lower right “F F English”.

Work Size: 19” x 27” Frame: Modern frame.

LOT - 1602

LOT - 1603

Watercolor on paper by Frank English (1854 - 1922), circa 1905. English was born in Louisville, Kentucky and attended the Pennsylvania Academy of Fine Arts in 1881 to 1882 and studied under Thomas Eakins and Thomas Anshutz. He is primarily known for his watercolors depicting the countryside around his home, Claymont, near the Delaware River and his travels to England, Holland and Nova Scotia. In 1904 he moved to Philadelphia and five years later settled in Bucks County. He exhibited at the Pennsylvania Academy of the Fine Arts, the Art Club of Philadelphia, and was included in the Panama-Pacific International Exposition in San Francisco in 1915. Frame: 29” x 37” Condition: Very good. 1,300 - 3,500 1604 - MICHAEL COLEMAN (AMERICAN, B.1946) HUNTER’S CAMP IN THE ROCKIES Artist: MICHAEL COLEMAN (AMERICAN, B.1946).

Title: HUNTER. Created: Last quarter, 20th century.

Medium: Gouache on masonite.

Signed lower right “Michael Coleman”.

Work Size: 17” x 30” Frame: Original frame.

Michael Coleman (b.1946) is a contemporary artist born and living in Provo, Utah. Coleman is known for his landscapes of rich colors in a combination of realism and atmospheric styles, often with animals.

He has exhibited in numerous gallery shows, including a one-person show at the Kennedy Galleries in New York, and was given a retrospective at the Buffalo Bill Historic Center. Gouache on masonite. Label from J.N. Bartfield Galleries, New York on reverse. Frame: 25 1/2” x 38 - 3/4”. Condition: Very good.

1,300 - 3,500

LOT - 1604

www.MorphyAuctions.com | July 14, 2020

187

LOT - 1605

1605 - JOHN SWIENTOCHOWSKI (AMERICAN, 1911 - 2002) PORTRAIT OF DANIEL BOONE IN KENTUCKY MOUNTAINS. Artist: JOHN SWIENTOCHOWSKI (AMERICAN, 1911 - 2002).

Title: PORTRAIT OF DANIEL BOONE IN KENTUCKY MOUNTAINS. Created: 1952 Medium: Oil on canvas.

Signed lower right “JOHN SWIENTOCHOWSKI 1952”.

Work Size: 39.5” x 31.5” Frame: Original frame.

A portrait of frontiersman Daniel Boone by the illustrator John F. Swientochowski. Sweintochowski was born in New York City and was a graduate of Wilmington High School, Delaware and the Wilmington Academy of Art. He studied with Gayle Hoskins and N.C. Wyeth. Mr. Swientochowski was also an illustrator of history books, especially about Delaware history and rifles. He also wrote various books about Delaware history and the Indians. Frame: 44 - 1/4” x 36 - 1/4” Condition: Very good. 1,300 - 5,000

188

LOT - 1606

1606 - FRANK BELING. TROPICAL FOREST .

Artist: FRANK BELING. Title: TROPICAL FOREST. Created: Circa 1920.

Medium: Oil on canvas.

Signed lower right “Frank Beling”.

Work Size: 19.5” x 15.5” Frame: Modern frame.

A depiction of a lush, tropical forest. Frame: 28 - 3/4” x 24 - 1/2”.

Condition: Very good. 1,300 - 3,500

www.MorphyAuctions.com | July 14, 2020

1607 - WILFORD CONROW (AMERICAN, 1880 - 1957) PORTRAIT OF ETHEL CUTLER FREEMAN (1886 - 1972).

Artist: WILFORD CONROW (AMERICAN, 1880 1957).

Title: ETHEL CUTLER FREEMAN 1886 - 1972).

Created: 1937 Medium: Oil on canvas.

Signed upper right “W A CONNOR”.

Work Size: 34” x 27” Frame: Original frame.

Portraitist Wilford Conrow studied at the Academie Julian in Paris under Laurens, Morisset, and P. Tudor-Hart. World War I interrupted his progress, and after attending training camp at Plattsburg, he was commissioned in the Engineer Corps of the Army. After the War, Conrow became a portraitist commissioned by business, intellectual and society leaders. This example is of Ethel Cutler Freeman (1886 - 1972) an anthropologist who specialized in the Seminole Indians of Florida and an esteemed writer and lecturer on the subject. In 1937, the year of this portrait, she became an associate anthropologist of the American Museum of Natural History. Frame: 47” x 39 - 3/4”. Condition: Excellent. Very good 1,300 - 5,000

LOT - 1607

LOT - 1608

1608 - ALDRO THOMPSON HIBBARD (AMERICAN 1886 - 1972) WINTER NEAR GLEBE MOUNTAIN, VERMONT. Artist: ALDRO THOMPSON HIBBARD (AMERICAN 1886 - 1972).

Title: WINTER NEAR GLEBE MOUNTAIN, VERMONT. Created: 20th century.

Medium: Oil on canvas.

Signed lower right “A.T. Hibbard”.

Work Size: 22” x 32”.

Frame: Modern frame.

Aldro T. Hibbard studied at the Massachusetts Normal Art School (1909), the Massachusetts College of Art; and at the Boston Museum School. Despite the fact that Hibbard was a remarkably gifted baseball player and was asked to join pro teams, he gave up sports to become a professional painter and instructor.

In 1915, Hibbard was instructor of painting at Boston University. He was a Founding Member and Director of the Rockport Art Association (MA) Summer School of Drawing and Painting (1921-1928), which later became The Hibbard School of Painting. Hibbard is best known for his post-impressionistic winter landscapes of New England as in this example of a bucolic scene of a farmstead at the base of Glebe Mountain in Vermont. This landscape sketch is typical of his spare style and brooding palette and skillfully captures the sparseness of the Vermont countryside in winter. Solo exhibitions include: Buffalo Fine Art Academy (1914) Guild of Boston Artists (1919, 1922, 1924, 1926, 1928, 1953, 1965); Brockton Public Library (1917); Macbeth Gallery (NY 1930); Boston Art Club (1916); Legendsea Studios (Hibbard’s gallery); Roger Curtis Gallery, Gloucester, MA (1971 - 1977); Vose Galleries of Boston (1979); Doll & Richards (Boston) and more. Provenance: Purchased directly from the artist. Frame: 37 - 3/4” x 27 - 3/4”.

Condition: Very good. 2,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

189

LOT - 1609

1609 - KEN DAVIES (CONNECTICUT, MASSACHUSETTS, BORN 1925) BELLOWS. Artist: KEN DAVIES (CONNECTICUT, MASSACHUSETTS, BORN 1925).

Title: BELLOWS. Created: 20th century.

Medium: Oil on board.

Signed lower right “Ken Davies”.

Work Size: 36” x 30” Frame: Modern frame.

On reverse is a label from Hirschl & Adler Galleries in New York and Whistler’s Daughter Art Gallery in New Jersey. A trompe l’oeil painting of a fireplace vignette including a pair of bellows, an oil can and a set of fireplace implements against a plaster background. Born in New Bedford, Massachusetts, Kenneth Davies became a noted still-life painter and long-time art teacher, living in Madison, Connecticut. He attended the Massachusetts School of Art in Boston, and after two years in the Army, studied at the Yale School of Fine Arts, graduating in 1950. His teaching career began at the Whitney School of Art and continued at the Paier School in New Haven, Connecticut where he served as Dean. A reviewer in Art Digest, wrote: “Kenneth Davies’ trompe l’oeil* paintings exhibit a visual observation so acute and a technical handling so precise that the spectator is not willing to give up the illusion that he can actually grasp a pencil or tear a piece from a torn envelope until he is within a foot of the canvas.” Frame: 43 - 1/4” x 37” x 2”. Condition: Very good. 2,000 - 4,000

190

LOT - 1610

1610 - FREDERICK SANDS BRUNNER (AMERICAN, 1866 - 1954) PORTRAIT OF JANET. Artist: FREDERICK BRUNNER (AMERICAN, 1866 - 1954).

Title: PORTRAIT OF JANET. Created: Circa 1920.

Medium: Oil on canvas board.

Signed: Label on reverse.

Work Size: 22” x 14” Frame: Reproduction frame.

Oil on canvas board portrait by Frederick Sands Brunner. Brunner was born in Boyertown, Pennsylvania and attended the Pennsylvania Museum and School of Industrial Art graduating with a diploma in illustration in 1909. Brunner studied at the Pennsylvania Academy and exhibited there as well. He was a staff artist for the Ladies Home Journal for 13 years and then moved to freelance work, providing illustrations for Coca Cola, Kellogg and others. He was commissioned to illustrate two Red Cross posters during World War II. During his working life, Brunner also painted several portraits including this charming image of baby Janet. Label on reverse: “F. SANDS BRUNNER/720 LOCUST ST/PHILA PA/PORTRAIT ....JANET”. Canvas repair and inpainting in upper left. Frame: 32 - 1/2” x 24 - 1/4”.

Condition: Good. 1,000 - 4,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1612

LOT - 1611

1611 - RAOUL DE LONGPRE (FRENCH, 1843 - 1911) PEONIES AND LILACS. Artist: RAOUL de LONGPRE (FRENCH, 1843 - 1911).

Title: PEONIES AND LILACS. Created: Circa 1880.

Medium: Pastel on board.

Signed lower right: “Raoul de Longpre fils”.

Work Size: 19” x 27” Frame: Modern frame.

1612 - MICHELLE BERKOWITZ (AMERICAN B. 1967) SUPER MOON. Artist: MICHELLE BERKOWITZ (AMERICAN B. 1967).

Title: SUPER MOON. Created: Circa 2000.

Medium: Acrylic on canvas.

Signed lower right “MAB”.

Work Size: 24” x 30” Frame: Modern frame.

De Longpre was a specialist in floral still lives, especially informal arrangements. Raoul M. De Longpre was born in Lyons, France into family of “fleuristes” persons associated with flower painting whose center was Lyons. His father, Jean Antoine, decorated fans and exhibited floral still lifes in Paris and Lyons. By the time he was twelve he was earning a living painting flowers on fans for a firm in Paris. He worked and studied with his brother, Paul De Longpre, who became a major figure in flower painting and settled in California. At age 21, Raoul De Longpre began exhibiting in the Paris Salon. Whether or not he traveled to America is unknown, but his paintings circulated widely in America, likely through the efforts of his brother. His works today are in museum collections including the National Museum of American Art in Washington, D.C. Not examined out of frame. Large repair to upper right background. Frame: 27 - 3/4” x 35 - 3/4”. Condition: Fair. 1,000 - 4,000

Philadelphia native, Michelle A. Berkowitz, studied art and design drawing, painting, three dimensional design, and large installations at Drexel University. She received a BS in Interior Design in 1989.

Continuing in the design field, Berkowitz became a professional member of ASID and NCIDQ. In 2010, the James A. Michener Museum had an exhibition of her work. Berkowitz has returned to her roots in painting. Her preferred medium is acrylic and she specializes in industrial landscapes still life subjects. See website for complete biography. Frame: 36 - 1/2” x 30 - 1/2”. Condition: Very good.

1,000 - 5,000

www.MorphyAuctions.com | July 14, 2020

191

LOT - 1613

LOT - 1614

1613 - LOT OF 2: CHARLES HENRY RICHERT (AMERICAN 1880-1974) TWO WATERCOLOR LANDSCAPES Artist: CHARLES HENRY RICHERT (AMERICAN 1880-1974) Title: TWO WATERCOLOR LANDSCAPES Created: Circa 1960 Medium: Watercolor on paper Signed: Both signed lower right “C H RICHERT” Work Size: Both 14” x 19” Frame: Modern frames Pair of watercolors by the Maine artist Charles Henry Richert. Richert was born in Boston, Massachusetts and during his early years lived in Arlington and Belmont, Massachusetts. He studied at the Massachusetts Normal Art School, and with Joseph De Camp, Ernest L. Major, and R. Andrew. Later in his life Richert moved to Ellsworth, Maine and opened a studio there.

From there he painted many scenes of the coastal area around Blue Hill Bay and Bar Harbor, Maine. Larger Frame: 23 - 1/4” x 28 - 1/4”. Condition: Very good 1,000 - 4,000 192

LOT - 1615

1614 - MICHELLE BEROWITZ (AMERICAN B. 1967) AMAR VIDA (LOVE & LIFE) Artist: MICHELLE BEROWITZ (AMERICAN B. 1967) Title: STILL LIFE Created: Circa 2000 Medium: Acrylic on canvas Signed upper right “M A Berkowitz) Work Size: 24” x 30” Frame: Modern frame Philadelphia native, Michelle A. Berkowitz, studied art and design drawing, painting, three dimensional design, and large installations at Drexel University. She received a BS in Interior Design in 1989.

Continuing in the design field, Berkowitz became a professional member of ASID and NCIDQ. In 2010, the James A. Michener Museum had an exhibition of her work.

Berkowitz has returned to her roots in painting. Her preferred medium is acrylic and she specializes in industrial landscapes still life subjects. See website for a complete biography. Frame: 30 - 3/4” x 36 - 3/4”.

Condition: Very good Very good 1,000 - 5,000

www.MorphyAuctions.com | July 14, 2020

1615 - CONTINENTAL LAKESIDE VILLAGE Title: CONTINENTAL LAKESIDE VILLAGE Created: Circa 1875 Medium: Oil on canvas Work Size: 26” x 36” Frame: Period frame A Continental naive painting of a village cluster along a lake with farms, foothills and mountains in the distance. A handful of people watching a sailboat from the lakeside. CONDITION: Relined. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 33 - 1/2” x 43 - 1/2”.

Condition: Very good 1,000 - 4,000

LOT - 1616

LOT - 1617

LOT - 1618 1616 - M. KEENIG (DUTCH, DATES UNKNOWN) DUTCH SKATING SCENE Artist: M. KEENIG Title: SKATING SCENE Created: 1840 Medium: Oil on canvas laid on board Signed lower right “M. KEENIG 1840” Work Size: 12.5” x 18” Frame: Original frame

1618 - LOT OF 2: ANDERS ZORN (1860-1920) DAL RIVER AND GIRL WITH GUITAR Artist: ANDERS ZORN (1860-1920) Title: DAL RIVER, GIRL WITH GUITAR Created: 1919 Medium: Ink on paper Signed lower right “ANDERS ZORN” Work Size: 5.5” x 8.25”; 12” x 8.75” Frame: Period frame

Featuring a landscape scene in winter. Gallery label affixed to reverse inscribed Garfield Galleries (689 Yonge Street (Toronto 5, Ontario / Artist: M. Keenig 1840 / Title: “Skating Scene” / Restored : May 1965. Stamped on verso. CONDITION:Inpainting throughout sky, and on edges. Antique frame is restored. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 18 - 1/2” x 23 - 3/4”. Condition: Good 1,000 - 4,000

Both signed lower right. Zorn was reared in the rural Swedish province of Dalarna. A chance meeting with Isabella Stewart Gardiner initiated a long friendship and patronage. In November of 1893, the Frederick Keppel Gallery on East 16th Street in New York City held the first American exhibition of Zorn’s work and ignited Zorn’s popularity in this country. Not examined out of frame.Dal River label on reverse from Staton Brothers, Philadelphia identifies this as an artist proof.

Some toning. Girl with Guitar label on reverse Newman Galleries, Philadelphia. Frame: 14 - 1/4” x 11 - 1/2”. Condition: Good 1,500 - 2,500

1617 - GEORGE LOFTUS NOYES (AMERICAN, 1864-1954) GLOUCESTER HARBOR. Artist: GEORGE LOFTUS NOYES (American, 1864-1954) Title: GLOUCESTER HARBOR Created: 1951 Medium: Oil on canvas Signed lower left “G.L. Noyes” Work Size: 14” x 18” Unframed Signed, dated and titled on verso “G.L. Noyes August 1951 / Gloucester Harbor” Framed: 14” x 18 - 1/4” x 1”. Condition: Very good, stable surface. 1,500 - 2,500

www.MorphyAuctions.com | July 14, 2020

193

LOT - 1619

LOT - 1620

1619 - LOT OF 2: ANDERS ZORN (1860 - 1920) THE SWAN AND A CLIFF Artist: ANDERS ZORN ((1860 - 1920) Title: THE SWAN AND A CLIFF Created: 1915 and 1909 Medium: ink on paper Signed lower right “Zorn” Work Size: 9” x 12”; 10.5” x 7” Frame: Original frame Signed lower right. Anders Zorn, the celebrated painter and print-maker, rose from humble beginnings to become a celebrity in Europe and America. member of the Zorn was born out of wedlock to a German brewer and a Swedish peasant woman. He was reared in the rural Swedish province of Dalarna, and although he later traveled extensively, he felt most at home in his native town of Mora in 1896.

In 1893, on his first trip to America, Zorn visited New York City. The self-made artist subscribed to American values and immediately felt welcome in America. A chance meeting with Isabella Stewart Gardiner This chance meeting initiated a long friendship and patronage. In November of 1893, the Frederick Keppel Gallery on East 16th Street in New York City held the first American exhibition of Zorn’s work and ignited Zorn’s popularity in this country. The Swan with label on reverse from M. Knoedler & Co., New York dated 1915. A Cliff dated 1909 with label on reverse from Henri Antobille Art Galleries, New York Frame: 18” x 14 - 1/2”. Condition: Good 1,500 - 2,500 1620 - DON STONE (AMERICAN 1929-2015) WINTER LANDSCAPE Artist: DON STONE (AMERICAN 1929-2015) Title: WINTER LANDSCAPE Created: 20th century Medium: Tempera on masonite Signed lower right “DON STONE” Work Size: 35” x 23” Frame: Original frame Tempera on masonite. Don Stone painted from a summer studio on Monhegan Island, Maine, and a winter studio in Exeter, New Hampshire. Considered the dean of the Monhegan artist community, his landscapes and water scenes are painted in an impressionistic style.

He was elected to full membership in the National Academy of Design (N.A.), the American Watercolor Society (Dolphin Fellow), American Society of Marine Artists (Fellow), Salmagundi Club (Honorary Member), and the New England Watercolor Society (Lifetime Honorary Member). Labels from Whistler’s Daughter Art Gallery, Basking Ridge, NJ. on reverse. Frame: 43” x 30 - 3/4” x 1 - 3/4”. Condition: Very good 1,500 - 3,000 194

LOT - 1621

1621 - WILLIAM THOMAS SMEDLEY (AMERICAN 1858-1920) THE PLANTERS WERE NOT ENERGETIC COTTON GROWERS....

Artist: WILLIAM THOMAS SMEDLEY (AMERICAN 1858-1920) Title: THE PLANTERS WERE NOT ENERGETIC COTTON GROWERS....

Created: Dated 1899 Medium: Ink of paper Signed lower right “WTS 1899” Work Size: 6.5” x 12” Frame: Modern frame William Thomas Smedley, a freelance artist, was an illustrator of books and major magazines and a portrait painter of New York society. He attended the Pennsylvania Academy of Fine Arts and began as an illustrator for Harper’s and was a contributor to major magazines such as, Scribner’s and The Ladies Home Journal. Ex: Kennedy Galleries, New York. Smedley was a member of several artist’s societies and received many awards for his work. Frame: 13 - 1/2” x 19 - 1/2”.

Condition: Very good 750 - 2,500

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1622 - ORLANDO SCHUBERT (AMERICAN, 1844-1928) SHERMAN’S BUMMERS Artist: ORLANDO SCHUBERT (AMERICAN, 1844-1928) Title: SHERMAN Created: Circa 1890 Medium: Oil on canvas Signed lower right “O Schubert” Work Size: 16” x 12” Frame: Reproduction frame Orlando Schubert was a Cleveland artist, especially known for his marine paintings. As a young man he worked on boats in the Great Lakes. By 1873 he had returned to Cleveland and painted a well-regarded watercolor of Cleveland’s lakefront. He joined the group of local artists in the old City Hall known as the “Old Bohemians” and was a charter member of the Brush and Palette Club. Schubert then left Cleveland to study and paint in Munich for 4 years. Upon his return he ran a print shop in Cleveland to support his painting. Upon his retirement he moved to St. Petersburg, Florida. Sherman’s Bummers was a name given to those soldiers under the command of William Tecumseh Sherman during his southern campaign in 1864. Sherman’s “scorched earth” policy destroyed everything that was appropriated and burned thousands of acres in their path. CONDITION: Several areas of restoration and inpainting. Frame: 22 - 1/2” x 18 - 1/2”.

Condition: Good 750 - 3,000 1623 - LOT OF THREE: CHARLES HENRY RICHERT (1880-1974) WATERCOLORS ON PAPER. Artist: CHARLES HENRY RICHERT (1880-1974) Title: THREE WATERCOLOR LANDSCAPES Created: Circa 1960 Medium: Watercolor on paper Signed: All signed on bottom “C H RICHERT” Work Size: 9.5” x 6.5”; 9” x 12”; 14.5” x 19.5”

LOT - 1622

LOT - 1623

Lot of three watercolors by the Maine artist Charles Henry Richert. Richert was born in Boston, Massachusetts and during his early years lived in Arlington and Belmont, Massachusetts. He studied at the Massachusetts Normal Art School with Joseph De Camp, Ernest L. Major, and R. Andrew.

Later in life Richert moved to Ellsworth, Maine and opened a studio there.

From there he painted many scenes of the coastal area around Blue Hill Bay and Bar Harbor, Maine. Largest Frame: 21 - 3/4” x 26 - 3/4”. Condition: Very good 750 - 2,500 1624 - WILLIAM LIEPSE (AMERICAN, 1897-1980) ILLUSTRATION ART SATURDAY EVENING POST Artist: WILLIAM LIEPSE (AMERICAN, 1897-1980) Title: ILLUSTRATION ART OF A MOTHER AND SON Medium: Oil on canvas Signed lower left “W LIEPSE” Work Size: 36” x 28” Frame: Original frame An illustration for a story called “Tick-a-Lock; Iron Bars”. Originally from Indiana, William Liepse attended the Art Institute of Chicago for three years beginning in 1917. He moved to New York in the early 1920’s to become an illustrator for The Saturday Evening Post where he had a long and successful career including illustrating the original Charlie Chan novels.

Oil on canvas, signed lower left. CONDITION: Minor tear and repair in the lower skirt. Frame: 41 - 3/4” x 33 - 3/4”. Condition: Very good 750 - 2,500

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LOT - 1624

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LOT - 1625

LOT - 1626

1625 - LOT OF 2: PAIR OF BOOK ILLUSTRATIONS BY J.B. GRAFF Artist: J.B. GRAFF (AMERICAN) Title: PAIR OF BOOK ILLUSTRATIONS Created: CIRCA 1900 Medium: Oil on artist board Signed lower right “J B GRAFF” Work Size: 8.5” x 11.5”; 8” x 11” Frame: Period frames A pair of illustrations for the book Antonia by George Sand (1804-1876) published by George Barrie & Son and printed in Philadelphia for subscribers only. The illustrator, J.B. Graff was a popular book and magazine illustrator in the late 19th and early 20th century. French illustrations of the Belle Epoque were extremely popular and the leading example of this French influence in America was the Barrie firm of Philadelphia. Each of these paintings has a label on the reverse from the Barrie company describing the the particulars for publication. Larger Frame: 18 - 1/2” x 15 - 1/2”. Condition: Very good 750 - 3,000

LOT - 1627

1626 - PAUL HALLWIG (AMERICAN, 1865-1925) PORTRAIT OF A GENTLEMAN Artist: PAUL HALLWIG (AMERICAN, 1865-1925) Title: PORTRAIT OF A GENTLEMAN Created: Circa 1890 Medium: Oil on canvas Signed: On bottom stretcher Work Size: 30” x 25” No frame

1627 - ALFRED GIFFORD (AMERICAN, DATES UNKNOWN) THE SPIRIT OF ‘76 Artist: ALFRED GIFFORD (AMERICAN, DATES UNKNOWN) Title: THE SPIRIT OF Created: 1907 Medium: ink on paper Signed lower right “ALBERT GIFFORD 1902” Work Size: 20.5” x 24.5” Frame: Appears to be original frame

Hallwig was born and raised in Baltimore and established himself as a portrait painter, having studied under his father, Oscar Hallwig.

He received a degree from the Maryland Institute and studied at the Academy of Fine Arts, Munich. CONDITION: Relined. Scattered minor inpainting. 30” x 25”. Condition: Very good 750 - 2,500

Ink on paper, signed: Alfred Gifford, Jr./1908”. Sketch of a patriot loading shot in to his rifle in front of a boy with a pitchfork and another soldier. CONDITION: Water staining to edges, some foxing and mild staining. Not examined out of the frame. Frame: 24 - 1/2” x 20 - 1/2”. Condition: Good 750 - 2,500

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LOT - 1628

LOT - 1629

1628 - AFTER JAMES JEFFREYS (ENGLAND, 1751-1784) GIBRALTAR, SEPTEMBER 14, 1782 Artist: AFTER JAMES JEFFREYS (ENGLAND, 1751-1784) Title: GIBRALTAR, SEPTEMBER 14, 1782 Created: Circa 1784 Medium: Engraving Work Size: 20” x 28.5” Frame: Modern frame

LOT - 1630

Published as the Act directs, October 7th, 1789 by J Emes & E. Woodlett, London & by W. Jeffreys, Maidstone, Kent. Painted by James Jeffreys/Engraved by John Emes. Depicting the “Grand Assault” of The Great Siege of Gibraltar which was an unsuccessful attempt by France and Spain to capture Gibraltar from the British during the American Revolution. The climactic battle called “The Grand Assault” on 13 September, 1782 pitted newly designed Spanish battering ships against the English defenders. This action involved huge numbers—60,000 men, 49 ships and ten of the newly invented floating batteries—against the 5,000 defenders.

The assault was a disastrous failure, resulting in heavy losses for the Bourbon allies. This print captures the hours after the battle with a battering ship up in smoke and the defeated Spanish and French soldiers clinging to the remnants of their ships. Hand colored. Not examined out of frame. Frame: 24” x 32 - 1/2”. Condition: Good 750 - 2,500 1629 - STREETS OF CHATEAU-THIERRY, WORLD WAR I Title: STREETS OF CHATEAU-THIERRY, WORLD WAR I Created: 1918 Medium: Watercolor on paper Work Size: 12” x 14.5” Frame: Period frame Inscribed on reverse: Streets of Chateau-Thierry /May 31st to June 1st 1918/ US 2nd Division/ Picture by/ Sgt. Creur - 315 Inf/ For/ Geo. O Robertson QM Corp. Not examined out of frame. Frame: 13” x 15 - 1/2”. Condition: Very good 750 - 2,500 1630 - FREDERIC E. RAY, JR. (AMERICAN, 1920-2011) THE VIKINGS Artist: FREDERIC E. RAY, JR. (AMERICAN, 1920-2011) Title: THE VIKINGS Created: 1965 Medium: Oil on board Signed lower right “F-RAY-65 Work Size: 30” x 22” No frame Signed “F. RAY-65” on lower right. Illustration for the cover of American History Illustrated, January 1969, titled “The Vikings by Frederic Ray.” CONDITION: Wear at corners. Frame: 30” x 21 3/4”. Condition: Very good 600 - 1,800

LOT - 1631 1631 - NANCY CHU WOO (CHINESE/AMERICAN, 1941-) ABSTRACT. Ink on paper. Unframed, signed lower right in script having calligraphy lower left. Note: Ms. Woo has had exhibitions at several museums including the Shanghai Art Museum, Shanghai, China. Image measures 36 - 1/2” x 30 - 1/2”, overall 43 - 1/2” x 36 - 3/4”. Frame: 44 - 1/4” x 37”.

1,000 - 1,500

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LOT - 1632

1632 - GEORGE RIECKE (AMERICAN, 1848-1930) SHEEP IN A WOODED LANDSCAPE. Artist: GEORGE RIECKE (American, 1848-1930) Title: SHEEP IN A WOODED LANDSCAPE. Created: Circa 1900 LOT - 1633 Medium: Oil on canvas Signed lower right “Geo. Riecke” Work Size: 26” x 46” Frame: Substantial period carved and gessoed giltwood frame Little is known about this artist, a painter of rural landscape, except that he was active in New Orleans between 1887 and 1902 and was a member of the Artists Association of New Orleans. In 1900, he exhibited his work at the National Academy of Design in New York. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Framed: 41” x 60” x 4 - 3/4”. Condition: Craquelure, otherwise very good (not lined). 1,000 - 2,000 1633 - NICHLAS EGGENHOFER (AMERICAN, 1897-1985) THE GUIDE. Artist: NICHLAS EGGENHOFER (American, 1897-1985) Title: THE GUIDE Created: 1977 Medium: Gouache Signed and dated lower right “N. Eggenhofer 1977” Work Size: Sight: 9” x 13” Frame: Carved wood, matted under glass Framed: 22” x 18” x 2 - 1/2”. Condition: Very good, not examined out of frame. 1,000 - 2,000

198

LOT - 1634 1634 - PORTRAIT OF WALTER STEWART, COMMANDER OF THE 13TH PENNSYLVANIA Title: WALTER STEWART COMMANDER OF THE 13TH PENNSYLVANIA Medium: Oil on canvas Work Size: 24.5” x 29” Frame: Original frame under later Victorian frame.

After Charles Wilson Peale. On the reverse there is an inscription, “COPY NO 2 S.W.” Deaccessioned from the Insurance Company of North America. Heavy craquelure and inpainting. Walter Stewart was Director of the Insurance Company of North American from 1792-1796. Frame: 36” x 31 - 3/4” x 3”. Condition: Good 1,000 - 3,000

www.MorphyAuctions.com | July 14, 2020

LOT - 1636

LOT - 1637

LOT - 1638

LOT - 1635

1635 - NUDE WOMAN DANCING Title: NUDE WOMAN DANCING Created: 20th century Medium: Oil on heavy canvas Work Size: 23” x 44” Frame: Modern frame Frame: 50” x 29” x 2”. Condition: Very good 1,000 - 2,000 1636 - ATTRIBUTED TO FRANCIS DANIEL DEVLAN (PENNSYLVANIA,NEW JERSEY 1835-1870) MULLEY COW Artist: ATTRIBUTED TO FRANCIS DANIEL DEVLAN (PENNSYLVANIA,NEW JERSEY 1835-1870) Title: MULLEY COW Created: Third quarter 19th century Medium: Oil on artist board Unsigned Work Size: 12” x 10” This portrait is unsigned, but attributed to Francis Devlan for Colonel Thomas Zimmerman (1838-1914) of Reading, PA. Francis Daniel Devlan was born in New Jersey and he came to Reading, Pennsylvania with his family around 1840. He began drawing at an early age, and eventually drew many cartoons for Frank Leslie’s Illustrated Newspaper during the Civil War. But he is most well known for his keen oil paintings of cows and bulls, in vivid landscapes. Examples of his works can be seen at the Reading Public Museum and Art Gallery - from which this painting was deaccessioned - and at The Historical Society of Berks County. Labels on reverse including Reading Public Museum. Inpainting on left edge, on sky and lower right. Frame: 18” x 15 - 1/2”.

Condition: Good 1,000 - 3,000

1637 - GEORGE WILLIAM SOTTER (PENNSYLVANIA 1879-1953) SPRING VALLEY HOME Artist: George William Sotter Title: Spring Valley Home Created: 1934 Medium: Pencil on paper Signed lower left “G Sotter Work Size: 7.5” x 5.5” Frame: Period frame Graphite on paper. Dated on reverse 1934 with a personal inscription from George Sotter and his wife. George W. Sotter lived in Holicong, Pennsylvania, near New Hope. He painted landscape scenes of Bucks County and became part of the New Hope School. He also fashioned stained glass windows that remain intact in cathedrals, churches, and monasteries throughout the country. In his early youth, Sotter painted the rivers and mills of Pittsburgh, PA, where he was born in 1879. He came to Bucks County in 1902, to study under Edward W. Redfield, the premier painter of the New Hope School. That same year, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy under William Merritt Chase, Thomas Anshutz, and Henry G. Keller. Minor toning.

Frame: 9 - 3/4” x 7 - 3/4”. Condition: Very good 1,000 - 2,000 1638 - RUBENS PEALE (AMERICAN 1784-1865) STILL LIFE WITH FRUIT Artist: Rubens Peale (Attributed) Title: Still Life of Fruit Created: First half, 19th century Medium: Pastel on Velum Signed lower left “R Peale” Work Size: 11.5” x 15.5” Frame: Period frame, original stretcher Frame: 24” x 20” x 2”. 1,000 - 3,000

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1639 - MILNE RAMSEY (AMERICAN 1847-1915) COUNTRY ROAD WITH TREES. Artist: MILNE RAMSEY (AMERICAN 1847-1915) Title: COUNTRY ROAD WITH TREES. Created: Last quarter 19th century Medium: Oil on Canvas Signed lower right with a presentation to “Mrs. Shinn” Work Size: 31” x 24.5” Frame: Modern frame

LOT - 1639

Born in Philadelphia and living there for most of his career, Milne Ramsey was a still life, landscape, and figure painter. Ramsey received his art training at the Pennsylvania Academy of Fine Arts and then spent over ten years working and traveling in Europe including study in Paris in the early 1870s with Leon Bonnat.In the 1870s, he was a teacher at the Philadelphia School of Art and Design for Women.

He was President of the Philadelphia Sketch Club for two years during the time when T. Eakins and N.C. Wyeth were members. Relined, scattered inpainting throughout. Frame: 37 - 1/2” x 31”. 1,000 - 2,000 1640 - ELISHA TAYLOR BAKER (AMERICAN 1827 - 1890) SHIPWRECK ON THE COAST. Artist: ELISHA TAYLOR BAKER (AMERICAN 1827 1890) Title: SHIPWRECK ON THE COAST. Medium: Oil on Canvas Signed lower left “E Baker” Work Size: 36” x 21” Frame: Old, in fair condition.

A marine painter, Elisha Baker grew up in Colchester, Connecticut and spent time at sea. From 1868 to 1880, he was a marine painter working in New York City. He also traveled around New England and became known for his depictions of ship portraits, yachts and steamboats. Relined, craquelure throughout. Inpainting to sky and other minor areas.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 44 - 1/2” x 29 - 1/2” x 3 - 1/2”.

Condition: Fair 1,000 - 2,000

LOT - 1640

LOT - 1641

200

1641 - ATTRIBUTED TO ANDREW NEWELL WYETH (AMERICAN 1917 - 2009) INK SKETCH Artist: TTRIBUTED TO ANDREW NEWELL WYETH (AMERICAN 1917 - 2009) Title: INK SKETCH Created: Circa 1930 Medium: Ink on paper Unsigned Work Size: 10” x 11.5” Frame: Modern frame With an inscription on the reverse: “Andrew Wyeth/ Drawn for Mrs. Sterling Turner/During Conversation/ while visiting at Wilton, N.H./Painted approx. 25 years ago/about 1930-1934/A.W.” An ink sketch of a Civil War soldier and an African American outside of a plantation home. Not examined out of frame.

Stain on right edge, minor toning. Frame: 20” x 18 - 1 4”. Condition: Very good 1,000 - 2,000

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LOT - 1643

LOT - 1642

LOT - 1644 1642 - EUROPEAN FRAMED PAINTING OF MAN WITH DOG. Title: MAN WITH DOG Created: First half, 19th century Medium: Oil on mahogany panel Unsigned Work Size: 10.5” x 9” Frame: Original frame with losses Frame: 15” x 16 - 1/2”. Condition: Good 1,000 - 1,500 1643 - FRAMED PAINTING OF SAILBOATS AND LIGHTHOUSES Created: 1876 Medium: Oil on canvas Signed lower right “WDP Work Size: 18” x 10.5” Frame: Period frame

1644 - AFTER CURRIER AND IVES, THE AMERICAN GAME OF BASEBALL Title: THE AMERICAN GAME OF BASEBALL Created: 20th century Medium: Ink on paper Work Size: 18” x 28” without margins Frame: Modern frame Reprint of “The American Game of Baseball”; colored lithograph.

Originally published by Currier and Ives in 1865. Showing the 1865 championship game between the Mutual Club of Manhattan and the Atlantic Club of Brooklyn. This game was played before a huge crowd (some reported almost 20,000 spectators) at the Elysian Fields in Hoboken, New Jersey. Frame: 27 - 5/8” x 36 - 1/4” x 1 - 1/2”.

Condition: Very good 1,000 - 2,000

Painting of two ships in rough seas with two lighthouses in the background. Canvas with abrasion. Inpainting on edges, in sky and a repair to the left and above the smaller lighthouse. Frame: 23 - 1/4” x 16 - 1/4”. Condition: Good 1,000 - 2,000

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LOT - 1645

LOT - 1646

LOT - 1647

1645 - JOHN CHARLES MAGGS (BRITISH 1819-1896) THE SARACEN’S HEAD, LONDON Artist: JOHN CHARLES MAGGS (BRITISH 1819-1896) Title: THE SARACEN Created: Mid-19th century Medium: Oil on canvas under glass Signed lower left “JC Maggs” Work Size: 16” x 20” Frame: Original frame

1646 - JOHN MAGGS (BRITISH 1819-1896) CORN STREET, BRISTOL 1830 Artist: JOHN CHARLES MAGGS (BRITISH 1819-1896) Title: CORN STREET, BRISTOL 1830 Created: Mid-19th century Medium: Oil on canvas Signed lower left “JC Maggs” Work Size: 16” x 20” Frame: Original frame

1647 - VINCENTE DE GARCIA PAREDES (SPANISH, 1845 - 1903) SELF PORTRAIT Artist: VINCENTE DE GARCIA PAREDES (SPANISH, 1845 - 1903) Title: SELF PORTRAIT Created: Last quarter 19th century Medium: Watercolor on paper Signed lower left “V.de Paredes” Work Size: 12” x 10” Frame: Original with minor losses

John Charles Maggs was best known for his coaching scenes. He painted a series of famous coaching inns, and also a series of 80 metropolitan inns, in which he exploited the picturesque and historical aspect of his subject. Here he has depicted a coach passing the Saracen’s Head Inn in London with a group of citizens visiting outside. As in all of his coaching scenes, here Maggs has captured the movement and traveling conditions of the day. The Inn, on Aldgate High Street was demolished in 1868. It stood on a street that lead to one of the eight gates of the city and was an important traveling route in and out of the city of London. Not examined out of frame. Label on reverse: Newhouse Galleries, New York.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 25 - 1/2” x 21” x 2 - 1/2”. Condition: Very good 1,000 - 2,000

John Charles Maggs was best known for his coaching scenes. He painted a series of famous coaching inns, and also a series of 80 metropolitan inns, in which he exploited the picturesque and historical aspect of his subject. Here he has depicted a coach passing the Saracen’s Head Inn in London with a group of citizens visiting outside. As in all of his coaching scenes, here Maggs has captured the movement and traveling conditions of the day. The Inn, on Aldgate High Street was demolished in 1868. It stood on a street that lead to one of the eight gates of the city and was an important traveling route in and out of the city of London. Not examined out of frame. Label on reverse: Newhouse Galleries, New York.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 25” x 21” x 2 - 1/2”. Condition: Very good 1,000 - 2,000

Not examined out of frame This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 22” x 19 - 1/4” x 2 - 1/4”.

Condition: Very good 1,000 - 2,000

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LOT - 1649

LOT - 1648

1648 - CARL WILLIAM PETERS (AMERICAN 1897-1980) IRONDEQUOIT CREEK, ROCHESTER, NEW YORK. Artist: CARL WILLIAM PETERS (AMERICAN 1897-1980) Title: IRONDEQUOIT CREEK, ROCHESTER, NEW YORK. Created: Mid-20th century Medium: Oil on canvas Signed lower right “Carl W Peters” Work Size: 25” x 30”.

Frame: Modern frame A post-impressionistic view of Irondequoit Creek in New York state, an area Peters favored for several of his landscapes. Carl Peters was one of America’s successful artists, a master landscapist and genre painter within the realist tradition, represented in his time by the American Scene and regionalist movements. Peters also executed a series of murals under government sponsorship during the Depression era. Some critics have said that his drawings that were executed on the front lines in war-torn France in 1917-18 rival those of John Singer Sargent. For his urban and rural snow scenes, Peters was the winner of three Hallgarten Prizes at the National Academy of Design. He also won numerous other prizes throughout his career, including the first ever Fairchild Award in Rochester (1924). He exhibited his works regularly at the National Academy, the Pennsylvania Academy of the Fine Arts, the Corcoran Gallery, the Art Institute of Chicago, the Syracuse Museum of Fine Arts, the Fort Worth Museum, the Rockport Art Association and the Memorial Art Gallery of the University of Rochester. Frame: 38” x 33” x 1 - 1/2”. Condition: Very good 1,000 - 2,000

1649 - VASE OF FLOWERS ATTRIBUTED TO MARTHA WALTER Artist: MARTHA WALTER (American, 1875-1976) Title: VASE OF FLOWERS Created: Circa 1940 Medium: Oil on canvas board No frame Unframed oil on canvas depicting a vase of flowers attributed to the American artist Martha Walter (1875-1976). A Philadelphia native, she studied at the Pennsylvania Museum and School of Industrial Art and the Pennsylvania Academy of Fine Arts, where she was taught

by William Merritt Chase. There she won several awards and a scholarship which she used to travel abroad and began a lifetime of interest in travel. She settled in Gloucester, Massachusetts. She also had a studio in New York and taught at Chase’s New York School of Art. Walter is known for her use of color and her intimate portrayals of small children. Martha Walter’s estate was represented in the late 1950’s by David David Gallery in Philadelphia. 25” x 30”. Condition: Good Good 1,000 - 2,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

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LOT - 1650

LOT - 1651

1650 - LENARD KESTER (AMERICAN, 1917-1997) PORTRAIT OF A MAN WITH MUSTACHE Artist: LENARD KESTER (AMERICAN, 1917-1997) Title: PORTRAIT OF A MAN WITH MUSTACHE Created: 1937 Medium: Oil on canvas Signed lower right: “Lenard Kester Work Size: 30” x 24” Frame: Frame not original.

Lester was a California artist who worked in oil and watercolor. Born in 1917 in New York City, he studied at the Cooper Union School of Design. In the late 1930’s he moved to Los Angeles, California and worked with Walt Disney and became known for being one of the contributors to the “California Style” movement. He has held twenty-six one-man exhibitions in museums and art galleries throughout the U.S.A., including the Oakland Museum, Boston Museum of Modern Art, Los Angeles Museum, M. H. De Young Museum in San Francisco and Knoedler Galleries in New York. CONDITION: Canvas loose.

Several holes; in unrestored condition. Frame: 35 - 1/4” x 29 - 1/4”.

Condition: Fair 500 - 1,500

204

1651 - MARTHA WALTER (AMERICAN, 1875-1976) VASE OF POPPIES Artist: MARTHA WALTER (American, 1875-1976) Title: VASE OF POPPIES Medium: Oil on artist board Signed lower right “MARTHA WALTER” Work Size: 23” x 29” No frame An unframed impressionist painting of a vase of poppies on a blue background, attributed to Martha Walter (1875-1976). A Philadelphia native, she studied at the Pennsylvania Museum and School of Industrial Art and the Pennsylvania Academy of Fine Arts, where she was taught by William Merritt Chase. There she won several awards and a scholarship which she used to travel abroad and began a lifetime of interest in travel. She settled in Gloucester, Massachusetts.

She also had a studio in New York and taught at Chase’s New York School of Art. Walter is known for her use of color and her intimate portrayals of small children. Martha Walter’s estate was represented in the late 1950’s by David David Gallery in Philadelphia.

CONDITION: Minor losses at edges. 29” x 23 - 1/4”. Condition: Very good 500 - 1,500

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LOT - 1652

LOT - 1653

1652 - FRANK HAMILTON TAYLOR (AMERICAN, 1846-1926) THE ELM TREATY TREE Artist: FRANK HAMILTON TAYLOR (AMERICAN, 1846-1926) Title: THE ELM TREATY TREE Created: 1915 Medium: Watercolor on paper laid down on cardboar Signed: Printed label on reverse Work Size: 20” x 27” No frame Sepia watercolor by Frank Hamilton Taylor after the 1800 original print by J.J. Barralet, drawn by Thomas Doughty. The Penn Treaty took place in 1683 on the banks of Shackamaxon reputedly under the “Treaty Elm”, felled in a storm in 1810. The tree became a national symbol of freedom and goodwill and was revered in popular history.

A printed label on the reverse with an explanation by Taylor. Taylor moved to Philadelphia after the Civil War to take an internship in a lithography firm. By the 1870’s Taylor had his own lithography business while working for the Daily Graphic as a “special artist” hired by the newspaper to sketch important events. By the 1880’s Taylor had begun writing articles as well as illustrating them. Taylor built a strong reputation as a historian and artist and was a member of the Philadelphia Sketch Club for 55 years. He collaborated on many guidebooks and was asked to write several publications by institutions such as the City of Philadelphia, the Poor Richard Club (for whom he wrote a dictionary of Philadelphia) and the Philadelphia Maritime Exchange. 30 - 1/4” x 23”. Condition: Very good Good 500 - 1,500 1653 - VICTORIAN ALBUM BOOK IN A DISPLAY CASE Title: VICTORIAN ALBUM BOOK Created: Circa 1885 Medium: Leather bound with ormolu decoration.

Work Size: book: 16.5” x 12.5” A Victorian album housed in an engraved cover with ormolu decoration. Housed in a leather bound display case with beveled and engraved glass panels. The display case is missing the top. Box: 21” x 17 - 1/2” x 6”. Condition: Book: Very good; case: fair 500 - 1,500

LOT - 1654

1654 - GEORGE CLOWES EVERETT (AMERICAN 1865-1926) EVENING, GLOUCESTER HARBOR Artist: GEORGE CLOWES EVERETT (AMERICAN 1865-1926) Title: EVENING, GLOUCESTER HARBOR Created: Circa 1890 Medium: Oil on canvas Signed lower left “Geo. C. Everett” Work Size: 5.5” x 11.5” Frame: Original frame George Clowes Everett was an early member of the artist colony on Monhegan Island, Maine, a popular art colony and tourist destination.

This painting depicts a fiery sunset over Gloucester harbor in Massachusetts. In gilt and gesso wood frame inside a red velvet lined display box. Some wear to edges and corners of painting. Gilt and gesso frame with cracks. Not examined outside of display frame.

Frame: 20 - 1/4” x 25 - 3/4” x 3 - 3/4”. Condition: Good Good 500 - 1,500

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LOT - 1655 1655 - CHARLES HAZARD (AMERICAN 1948-2018) LOT OF 14 GETTYSBURG SKETCHES Artist: CHARLES HAZARD (AMERICAN 1948-2018) Title: GETTYSBURG SKETCHES Created: 2007 Medium: Graphite on paper Signed C HAZARD Work Size: Various, approximately 16” x 30” to 22” x 30” Unframed Charles Hazard was a Baltimore Sun artist and a Civil War historian. He was an expert on the Battle of Gettysburg and the National Park Service commissioned him to create 14 drawings of the battle. The drawings are on display at the Museum and Visitor Center at the Gettysburg National Military Park. This group of sketches were preparatory drawings by Hazard for the Gettysburg series. Frame: 35” x 30”. Condition: Very good 7,500 - 15,000 206

www.MorphyAuctions.com | July 14, 2020

LOT - 1656

LOT - 1657

1656 - GC ROHRBACH PORTRAIT OF A DOG. Artist: G C ROHRBACH Title: PORTRAIT OF A DOG Created: Dated 1916 Medium: Oil on canvas Signed lower right “GC ROHRBACH 1916” Work Size: 27” x 29.5” Frame: Period frame with losses Frame: 36” x 38”. Condition: Good 1,000 - 2,000 1657 - LUCIEN ADRION (FRENCH, 1889 - 1953) JARDINS DE LA VILLE DE PARIS. Artist: LUCIEN ADRION (French, 1889 - 1953) Title: JARDINS DE LA VILLE DE PARIS Medium: Oil on canvas Signed lower Left “Adrion” Work Size: 24” x 32” Frame: Molded gilt wood frame with fabric liner.

Minor damage and wrinkling to canvas. Needs to be re-stretched.

Framed: 32” x 39 -1/2”. Condition: Good colors, with T shaped restoration, 2” tear, canvas loose. 800 - 1,200 1658 - LOEPOLD SCHMUTZLER (GERMAN, 1864 - 1941) THE COURTING COUPLE. Artist: LOEPOLD SCHMUTZLER (German, 1864 - 1941) Title: THE COURTING COUPLE Medium: Oil on canvas Signed lower left “LEO SCHMUTZLER PARIS” Work Size: 30” x 20-1/2” Frame: Modern, composite and giltwood frame.

LOT - 1658

Provenance: Private collection, Beverly Hills, California. Framed: 39” x 29 -1/2. Condition: Professionally cleaned, no damage, restoration or in-painting noted. Examined under black light. 500 - 1,000

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LOT - 1659

LOT - 1660

LOT - 1661

LOT - 1662

1659 - AMERICAN SCHOOL (19TH CENTURY) FOLK ART PORTRAIT OF A SEATED GENTLEMAN. Artist: AMERICAN SCHOOL (19th century) Title: FOLK ART PORTRAIT OF A SEATED GENTLEMAN Medium: Oil on canvas Unsigned Work Size: 30” x 25-1/4” Frame: Period giltwood frame Half length portrait of a gray haired gentleman with blue eyes seated facing left with his hands clasped at his waist. Nice folk art portrait of a jolly sitter. Tear and repair to sitter’s right shoulder. Minor inpainting.

Framed: 37” x 33” x 2 - 1/2”. Condition: Old restoration, craquelure, two small patches and discolored varnish. 500 - 1,000 1660 - JAMES KING BONNAR (AMERICAN, 1883/85-1961) THE HARBOR. Artist: JAMES KING BONNAR (American, 1883/85-1961) Title: THE HARBOR Medium: Oil on canvasboard Signed lower right “James K Bonnar” Work Size: 20” x 24” Frame: White painted wood frame.

Inscribed on verso “The Harbor by James K. Bonnar $85”. Framed: 24-1/4” x 28-1/2”. Condition: Very good. 400 - 800 208

1661 - PAUL JACOULET (FRENCH, 1902-1960) CHAGRINS D’AMOUR. KUSALE, EST CAROLINES. Artist: PAUL JACOULET (French, 1902-1960) Title: CHAGRINS D Created: 1940 Medium: Color woodblock print Signed in pencil in plate lower left “Paul Jacoulet” Work Size: 16-1/4” x 12-3/4” Frame: Bamboo frame, linen mat under glazing English title: Sorrows of Love. Kusale, Est Carolines (Miles, 70). Edition of 150. With red butterfly seal. Title imprinted lower right in margin with carvers seal for Kentaro Maeda. Framed: 22” x 18 -1/2”.

Condition: Good, with minor toning 400 - 800 1662 - EUROPEAN SCHOOL (EARLY 20TH CENTURY) HORSES FEEDING IN BARNYARD. Artist: EUROPEAN SCHOOL (Early 20th Century) Title: HORSES FEEDING IN BARNYARD Medium: Oil on canvas Signed indistinctly lower left “G. Narliziez” Work Size: 9-3/4” x 12-3/4” Frame: Period gesso and giltwood frame Framed: 19” x 22 - 1/4” x 3 - 1/2”. Condition: Good condition, lined, good under ultraviolet light. 300 - 600

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1663 - W. J. BROWN (AMERICAN, 19/20TH CENTURY) SUNLIT LANDSCAPE. Artist: W. J. BROWN Created: 1905 Medium: Oil on board, 1905.

Signed lower right “W.J. Brown 1905”.

Work Size: 8” x 11” Frame: Gesso and giltwood frame with embossed twigs.

Framed: 18” x 14 - 1/2” Condition: Very good to excellent.

300 - 600 1664 - PORTRAIT OF SAINT CECILIA. Title: Portrait of Saint Cecilia Medium: Oil on canvas

LOT - 1663

Old Master style unattributed portrait of St. Cecelia, the patron saint of musicians. Oil on canvas.

Frame: 30” x 35 - 1/4”.

1,000 - 2,000 LOT - 1664

LOT - 1665

LOT - 1666

1665 - FRAMED PAINTING OF “DEER HOUND” BY J.A. WHEELER (BRITISH 1821-1903) Artist: J.A. Wheeler (British 1821-1903) Title: Deer Hound Medium: Oil on Canvas

1666 - ABSTRACT LANDSCAPE PAINTING IN THE STYLE OF SCHAMBERG. Artist: Unknown Title: Abstract landscape Painting in the style of Schamberg.

Medium: Oil on wood Work Size: 10 1/2” x 14 1/2”.

Oil on canvas, Circa 1870. John Alfred Wheeler was born in Andoversford, Gloucestershire in 1821. He was the founder of a dynasty of painters which included two sons and two grandsons. He specialized in portraits of dogs and horses as well as sporting scenes.

He also produced a number of military paintings featuring horses.

By 1877, he had moved to Hanwell, London where he achieved considerable success earning commissions from wealthy patrons such as the Duke of Portland, the Duke of Westminster, the Earl of Caithness and Baron Rothschild. Wheeler also spent time living in Bath during the late 1880’s to early 1890’s. This painting of a deer hound includes an inscription on the reverse: Deer Hound/ The property of His Grace The/ Duke of Beaufort/ painted by J.A. Wheeler. Condition: partially relined, reduced in size from a larger painting. Frame: 22 - 1/2” x 22 - 1/2”. 1,000 - 2,000

Painting appears to be in the style of Morton Livingston Schamberg (Philadelphia, 15 October 1881 – Philadelphia, 13 October 1918), Landscape with Bridge. Paint analysis was completed on March 26, 2020 which determined that the green paint could not date any earlier than 1938. Frame: 16” x 12” x 1”. Condition: Excellent (Excellent). 100 - 500

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LOT - 1667

LOT - 1668

LOT - 1669

1667 - FRAMED FOLK ART POLYCHROME WOOD CARVING FOR THE DIAMOND STATE, DELAWARE COAT OF ARMS, DATED 1871.

Wonderful early American folk art polychrome wood carving of the Delaware Coat of Arms, framed and dated 1871. Nice folky look with great color and original patina. Carved in high relief from one solid block of wood. Inscribed “The Diamond State” across top, with “Liberty and Independence” state motto in center of seal. Hand painted, and marked across bottom “My adopted state, Delaware Coat of Arms, 1871, Cut out of the solid by Thomas J. Snyder of Newport, Del.”. Hand carved details include a band of tools and Masonic imagery across bottom. Hand made frame appears to be original to the piece. Dimensions: 19” by 16” by 2 - 3/4” deep. Framed: 22” by 19” by 3 - 3/4” deep. Frame: 22” x 19” x 3 - 3/4”. (Very Good - Excellent). 1,000 - 2,000 1668 - FOLK ART PAINTING OF FORT SUMPTER. Oil on bed ticking, circa 1900, homemade frame. Signed indistinctly. 17 - 3/4” x 13 - 3/4” x 1”. 1,000 - 2,000 1669 - OIL ON CANVAS OF GEORGE WASHINGTON AND HIS FAMILY. Medium: Oil on canvas Work Size: 25” x 35” Frame: Period frame After Edward Savage (1761-1817) Oil on canvas Circa 1830 The family portrait of the Washington family and one of their slaves quickly became an icon after it was completed in 1796 by Edward Savage. This version is a skillful copy true to the original. 31 - 3/4” X 41 - 3/4” X 2”.

Condition: Relined, very good 3,500 - 5,500 210

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SOLD $296,250

FINE & DECORATIVE ARTS Inviting Consignments for Our December 9 & 10, 2020

Tiffany Dragonfly lamp SOLD $515,475

SOLD $30,750

SOLD $141,450

SOLD $104,550

SOLD $104,550

2000 N. READING ROAD | DENVER, PA 17517 | 877-968-8880 | INFO@MORPHYAUCTIONS.COM

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JULY 15, 2020 Wednesday Session | Auction Starts at 10:00am LOTS: 2,001 - 2,662 Items on Display Approximately 4 weeks prior to Auction Date. Please Call to Confirm.

Monday - Friday

9:00am - 4:00pm 9:00am - 2:00pm

Sunday, July 12 Auction Day Preview Begins at 8:00am

∙ 20% BUYER’S PREMIUM ∙ PROV IDED C ERTAI N C ONDI TION S ARE M E T

AUCTIONEERS: Shaye Krispine Angel Lopez Dan Morphy

DIVISION CONSULTANTS: Kelly Kinzle Americana, Folk Art, & American Decorative Arts Consultant

Peter Thomson Antique & Modern Silver Consultant

Ron Ciarmello Arts & Crafts Furniture and Fine Jewelry Expert

James Infante Amphora Pottery Consultant

Dudley Browne Lamp & Glass Expert

John Morphy, M.D. General Antiques Consultant

M o r p h yA u c t i o n s . c o m | 8 7 7 - 9 6 8 - 8 8 8 0

2001 - MATCHING PAIR OF STEUBEN PERFUME BOTTLES. 12 - 1/4” tall with stopper. Brilliant gold iridescence with blue-green highlights and original matching stoppers. Magnificent and quite rare matching pair with no damage, scratches, chips, cracks or repairs. 12” T x 3 1/2” D. 6,000 - 10,000 2002 - MATCHING PAIR OF STEUBEN PERFUME BOTTLES WITH ATOMIZERS. 9” tall with beautiful gold iridescence with blue-green iridescence at bottom and top.

Magnificent and quite rare pair with no damage, scratches, chips, cracks or repairs. 9” T x 3 - 3/8” D. (Excellent). 5,000 - 7,000 2003 - STEUBEN MUSIC BOX PERFUME BOTTLE WITH ATOMIZER. 9” tall. Brilliant gold iridescence with blue-green highlights and atomizer. Rare music box plays well and winds on bottom. No damages, scratches, cracks, chips or repairs. 9” T x 3 1/2” D. (Excellent). 3,000 - 5,000

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2001

LOT - 2002 214

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LOT - 2003

LOT - 2004

LOT - 2005

LOT - 2006

LOT - 2007

2004 - STEUBEN JADE PERFUME BOTTLE. 10” tall with original stopper. No damage, scratches, cracks, chips or repairs, but small factory made indentations. 10” T x 2 - 3/4” D. (Excellent). 1,000 - 2,000 2005 - STEUBEN ORIENTAL POPPY PERFUME BOTTLE. 10” tall with original stopper. Ribbed body with no damage, scratches, cracks chips or repairs. 10 “ T x 2 - 7/8” D. (Excellent). 1,000 - 2,000

2006 - PAIR OF RARE PAPERWEIGHT ART GLASS PERFUME BOTTLES. Probably Stueben, but unmarked. Both are 7 - 1/2” tall large cut glass diamond shape with ribbon over mica filled paperweight. Quite heavy, quite rare and spectacular. The first has a small chip on top inside lid and outer point of stopper, the second has two small bottom chips on perimeter. Both: 7 - 1/2” x 4 - 1/2” x 4 - 1/2”. 2,500 - 6,000 2007 - TIFFANY PERFUME BOTTLE. Blown glass Tiffany Favrile “Lay-Down” perfume by Tiffany Studios decorated with allover prunt decoration against a very heavily iridescent gold ground with an applied metal top. The stopper is original to the perfume and has not been replaced. The bottle is unsigned. 4 - 1/2” T x 1 - 1/2” D. (Excellent). 5,000 - 7,000

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LOT - 2008

LOT - 2009

2008 - RARE WEBB CAMEO FALCON HEAD PERFUME BOTTLE. Webb blank carved by Max Erlacher of Corning, New York. Sterling gilt top marked G. Kellen on top of box lid inside fitted box.

Turn top to open. 7” long. No damage. Box: 8” x 2 - 1/2” x 2”. 8,000 - 15,000 2009 - WEBB CAMEO SWAN PERFUME BOTTLE. Light blue with dark blue beak. 18K Yellow Gold with hallmarks, marked “S.M.” for Sampson Mordan. RD# 11109. 9” long.

In original fitted box with “Thomas Webb & Sons” written on silk liner. No damage exquisite detail and condition. Box: 10” x 3 1/2” x 2 - 1/4”. (Excellent). 6,000 - 10,000 2010 - RARE THOMAS WEBB BLOWN MOLD PERFUME BOTTLE. Original silver cap. Appears to be depiction of Neptune’s face in relief. Beautiful detail and color. 5” x 1 - 3/4” x 1 - 3/4”. (Near Mint). 5,000 - 8,000

216

LOT - 2010

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LOT - 2011

LOT - 2012

2011 - WEBB CAMEO GLASS FALCON PERFUME BOTTLE. Ruby glass with gold painted highlights and ferns. Silver-hinged top with hallmarks. 7” long. No damage or repairs. 7” x 1 - 3/4” x 1 - 1/2”. (Excellent).

2,000 - 4,000

LOT - 2013

2012 - WEBB CAMEO GLASS FALCON PERFUME BOTTLE. Dark ruby at neck goes to lighter red and yellow beak. Initials on top, no hallmarks. 7 - 1/2” long.

No damage. 7 - 3/4” x 1- 3/4” x 1 - 1/2”. (Excellent).

2,000 - 4,000 2013 - THOMAS WEBB CAMEO GLASS ENGLISH PERFUME BOTTLE. 11” long with floral design and screw cap marked “S. M.” for Sam Morden, with hallmarks.

Impressive size and workmanship.

No damages, repairs, cracks or scratches. 11” x 2” x 1 - 3/4”.

(Excellent). 4,000 - 6,000

LOT - 2014

2014 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 10 - 1/2” long with beautiful flower and butterfly and Gorham sterling cap with hallmarks.

No damage, repairs, cracks or scratches. Impressive size in excellent condition. 10 - 1/2” x 1 - 1/2” x 1 - 1/4”. (Excellent).

3,000 - 6,000 2015 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 3 - 1/2” long with floral design, 14k white gold screw cap and enamel work in fitted case. No damages, repairs, scratches or cracks. 3 - 1/2” x 1 - 3/4” x 1 3/4”. (Excellent). 3,000 - 5,000

LOT - 2015

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LOT - 2016

LOT - 2017

LOT - 2018

LOT - 2019

LOT - 2020

LOT - 2021

2016 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 3 - 3/4” tall with glass stopper. Yellow background with cut red floral design. No damage, repairs, scratches or cracks. 3 - 3/4” x 1 - 1/2” x 1 - 1/4”. (Excellent). 2,000 - 4,000

2019 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 6” long with floral motif and heavy 18k gold screw-top marked “S.M.” for Sam Morton. No damage, repairs, scratches or cracks. 6” x 1 1/2” x 1 - 1/4”. (Excellent). 2,000 - 4,000

2017 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 7” long with ruby glass background, beautifully carved flower and glass stopper with silver lid. No damage, repairs, cracks or scratches.

7” x 1 - 1/2” x 1 - 1/4”. (Excellent). 2,000 - 4,000

2020 - THOMAS WEBB CAMEO GLASS ENGLISH PERFUME BOTTLE. 6 - 1/2” long, blue background with floral design and Gorham sterling screw cap with hallmarks. No damage, repairs, cracks or scratches. 6 1/2” x 1 - 1/2” x 1 - 1/4”. (Excellent). 2,000 - 4,000

2018 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 6 - 3/4” long, beautifully carved with blue background, floral motif, sterling cap and hallmarks. 6 - 3/4” x 1 - 1/2” x 1 - 1/4”. (Excellent).

2,000 - 4,000

2021 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 5 - 1/2” long with floral motif and butterflies, sterling cap marked “T. J.” with hallmarks. No damages, repairs, cracks or scratches. 5 - 1/2” x 1 - 1/2” x 1 - 1/4”. (Excellent). 1,500 - 3,000

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LOT - 2022

LOT - 2023

2022 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 7” tall with bamboo design and screw cap marked “T. J.” and with hallmarks. No damage, repairs, cracks or scratches. 7” x 1 - 1/2” x 1 - 1/4”. (Excellent). 1,500 - 3,000 2023 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 5 - 1/4” long, has blue background with acorns and hinged cap with hallmarks. No damage, repairs cracks or scratches. 5 - 1/4” x 1 3/4” x 1 - 1/2”. (Excellent). 1,500 - 2,500 LOT - 2024

2024 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 8” long, Floral design with butterfly and Gorham sterling screw cap. No cracks, damages or repairs, but there is a minor scratch below butterfly and a dent in the cap. 8” x 1 - 1/2” x 1 - 1/4”. (Excellent).

1,500 - 3,000 2025 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 5” tall with original stopper and acid stamped “Webb Cameo” on bottom. No damages, repairs, scratches or cracks. 5” x 3 - 1/4” x 3 - 1/4”. (Excellent). 1,000 - 2,000

LOT - 2025

LOT - 2026

2026 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 5” tall with original stopper and floral motif. No damages, repairs, scratches or cracks. 5” x 3 - 1/4” x 3 - 1/4”. (Excellent).

1,000 - 2,000 2027 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE WITH GORHAM SILVER TOP. 3 - 3/4” tall with floral motif and hallmarks on Gorham silver top. No damage, repairs, scratches or cracks. 3 - 3/4” x 1 - 1/2” x 1 - 1/2”..

(Excellent). 1,000 - 2,000

LOT - 2027

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LOT - 2028

LOT - 2029

2028 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 3 - 3/4” long with silver screw-top marked “S. M.” for Sam Morden, with hallmarks and fern and floral motif with bee.

No damage, repairs, scratches or cracks. 3 - 3/4” x 1 - 1/2” x 1 1/4”. (Excellent). 1,000 - 2,000 2029 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 4” long, with floral motif and no damage, repairs, scratches or cracks. 4” x 1 - 1/2” x 1 - 1/4”.

(Excellent). 1,000 - 2,000

LOT - 2030

LOT - 2031

LOT - 2032

LOT - 2033

2030 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 4 - 1/4” tall with floral pattern, sterling screw-top and no damage, repairs, cracks or scratches. 4 - 1/4” x 3 - 1/2” x 3 - 1/2”. (Excellent).

1,000 - 2,000

2032 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 5 - 1/2” with glass stopper and sterling cap with hallmarks. No damages, repairs, scratches or cracks. 5 - 1/2” x 1 - 1/2” x 1 - 1/4”.

(Excellent). 1,000 - 2,000

2031 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 2 - 5/8” long with sterling cap with hallmarks, glass stopper, floral design and in original fitted case. No damage, repairs, scratches or cracks. 2 - 5/8” x 2” x 1 - 1/4”. (Excellent). 1,000 - 2,000

2033 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE. 4” long with ruby background, floral motif and Gorham sterling silver cap with hallmarks. No damage, repairs, cracks or scratches. 4” x 1 1/2” x 1 - 1/4”. (Excellent). 1,000 - 2,000

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2034 - LOT OF 2: THOMAS WEBB CAMEO PERFUME BOTTLES. Both are cylinder shaped and 2 - 3/4” tall.

One is ruby glass with fruit decoration and glass stopper, the other is with a floral motif and has a chip on the bottom rim. Each: 2 3/4” x 3/4” x 3/4”. (Excellent). 500 - 1,000 2035 - THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLE WITH FLORAL MOTIF. 3” tall bottle with floral motif, marked “A. W. P.” with hallmarks. No damage, repairs, cracks or scratches, but minor dents to lid. 3” x 2 1/2” x 2 - 1/2”. (Excellent). 800 - 1,500 2036 - GLASS FISH PERFUME BOTTLE. c. 1884 Parker & Acott. Blue glass with silver mica with raised scales, face and fins. Silver tail screws to reveal perfume bottle. 5 - 3/4” long. Area of minor raised gold losses. 5 3/4” x 1 - 1/2” x 1”. 1,000 - 2,000

LOT - 2034

LOT - 2035

LOT - 2036

LOT - 2037

2037 - LOT OF 2: MINIATURE THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLES. Lot consists of two miniature Thomas Webb cameo English perfume bottles. The first is 2” tall with a floral motif and screw cap. The second is 2” tall with an unusual design, marked “L. B.” with hallmarks. Both with no damage, repairs, scratches or cracks. Each: 2” x 1 - 1/2” x 1 1/2”. (Excellent). 500 - 800

LOT - 2038 2038 - LOT OF 3: PERFUME BOTTLES. Two are Thomas Webb and the other is Pairpoint. The Pairpoint is 3” tall with original stopper. The second is with a web and leaf design and is 3” tall. The third is with a white background with red carving and is 4” tall. No damage, repairs, cracks or scratches. Largest: 4” x 1 - 3/4” x 1 1/4”. (Excellent). 500 - 800

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2039 - RARE VIENNESE ENAMEL PARROT PERFUME BOTTLE. c. 1860. Parrot perched on crystal rock. Head opens to reveal bird stopper. Deep rich colors and magnificent details and workmanship.

5 - 1/2” tall. No enamel loss or damage. Previous Bourner Collection.

5 - 1/4” x 2 - 3/4” x 2 - 1/4”. (Excellent). 4,000 - 6,000 2040 - RARE PAIR OF BIRDS STERLING AND GLASS PERFUME BOTTLES. c. 1882 by William Leuchers. Both have heads with glass eyes that open to reveal bottle and stoppers. “W.L.” stamped on both with hallmarks. 6” long. No damage or repairs. Each: 6 - 1/2” x 4” x 1 3/4”. (Excellent). 3,000 - 5,000

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2039

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LOT - 2041

LOT - 2043

LOT - 2042

LOT - 2044

LOT - 2045

2041 - RARE ENAMELED OPERA GLASSES VINAIGRETTE AND DOUBLE PERFUME BOTTLE. English. Initials “T.J.” marked twice. 2 - 1/2” tall. No damage or losses to enamel work. 2 - 1/2” x 2 - 1/2” x 1 - 1/4”.

(Excellent). 1,000 - 3,000 2042 - LOT OF 2: SMALLER THOMAS WEBB CAMEO ENGLISH PERFUME BOTTLES. Lot consists of two smaller Thomas Webb cameo English perfume bottles. The first is 2” tall with blue background, floral motif and screw cap marked “C. S. P. S.”. The second is 2 - 3/4” tall with ruby glass background, screw cap and floral motif. Both without damages, repairs, scratches or cracks. Larger: 2 - 3/4” x 2 - 1/2” x 2 - 1/2”. (Excellent).

600 - 1,000 2043 - .800 SILVER AND CRYSTAL CHICKEN PERFUME BOTTLE. Head unscrews to reveal bottle with glass stopper. 3” tall. No damage or repairs. 3” x 1 - 3/4” x 1 - 3/4”. (Excellent).

600 - 900 2044 - RARE PISTOL-SHAPED PERFUME BOTTLE. c. 1880. 6 - 1/2” long silver plate pistol-shaped perfume bottle with compartment to hold perfume. Pulling trigger dispenses perfume at end of barrel. No damage or repairs. 6 - 3/4” x 3” x 1 - 1/2”. (Excellent). 500 - 1,000 2045 - GALLE PERFUME BURNER. Galle perfume burner is decorated on front and back with maroon and lavender flowers, stems and leaves, set against a shaded pastel yellow background. Signed on the side with etched signature “GALLE”. It is complete with its original burner, wick and openwork bronze cap. Marked on the collar of the burner “LAMPE BERGER MADE IN FRANCE”. Very good to excellent condition. 6 - 7/8” x 4” x 2 - 1/2”. 2,500 - 3,500

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2046 - BURGUN & SCHVERER CAMEO VASE. Burgun & Schverer vase is decorated with cameo flowers, stems, and leaves on two-thirds of the vase. The flowers are done in pink and white glass and are wheel carved. The green leaves and stems support the flowers and are set against a frosted light green background with internal decoration of red swirls. The vase is further decorated with clear glass cameo pinwheels and is finished with clear glass cameo icicles dripping from the lip, as well as random patches of martele. Signed on the underside with gold thistle mark “VERRERIE D’ART” along with “BS & COMPANY” within a Cross De Lorraine Depose. There are five microscopic flea bites to arms on the pinwheels, otherwise very good to excellent. 9 - 1/4” x 5” x 5”.

7,000 - 9,000 2047 - VALLERYSTHAL CAMEO VASE. Vallerysthal vase has bulbous body and tall slender neck. The vase is decorated with pink cameo flowers on the front and back. The vase is further decorated with red stylized feathers on each side and teardrops dripping down each side of the neck. The body of the vase is pinched on the front and back. Signed on the underside with an etched flower in the polished pontil and etched “VALLERYSTHAL” below. Very good to excellent condition. 12 - 1/2” x 6” x 6”.

3,000 - 4,000 2048 - EMILE GALLE NANCY-PARIS VASE WITH FLORAL MOTIF. 8 - 1/4” tall with flowers and leaves, signed “Galle” on base and with paper sticker on bottom. No damage, scratches, cracks, chips or repairs. 8 - 1/4” T x 2 - 1/8” D. (Excellent). 600 - 1,200 2049 - GALLE CAMEO VASE WITH GREEN LEAVES. 11 - 1/2” tall, signed on the base “Galle”. No damage, scratches, cracks, chips or repairs. 11 - 3/8” T x 3 - 3/8” D. (Excellent).

600 - 1,200 2050 - DAUM NANCY FLORAL VASE. A wheel carved and etched red decorated floral vase by Daum Nancy. The vase is signed “Daum Nancy France”. 8” T x 4” D. (Excellent). 500 - 700

LOT - 2046

LOT - 2047 224

LOT - 2048

LOT - 2049

www.MorphyAuctions.com | July 15, 2020

LOT - 2050

LOT - 2051

LOT - 2052

LOT - 2053

LOT - 2054

2051 - DAUM NANCY ART DECO BOWL. Daum Nancy internally decorated bowl has applied pedestal foot leading to a wide flared bowl with mottled orange shading up to yellow. The vase is further decorated with four internal gold foil designs, and finished with irregular top rim. Signed on the side of foot “DAUM NANCY” with Cross of Lorraine. Condition: Very good to excellent, light scuffing on underside from shelf wear. 8 - 1/2” x 11” x 11” 400 - 600 2052 - DAUM NANCY COVERED DISH. A Daum Nancy Art Nouveau carved cameo cut glass covered dish decorated with leaf and vine decoration throughout. The dish is signed “Daum Nancy”. 3 - 3/4” T x 5 - 3/4” D. (Excellent). 2,000 - 3,000

2053 - DAUM NANCY VASE. A Daum Nancy Art Nouveau carved cameo cut glass vase with floral decoration throughout against a decorated a multicolored etched background. The vase is signed “Daum Nancy”. 5 - 1/2” T x 4” D. (Excellent). 2,000 - 3,000 2054 - DAUM NANCY LANDSCAPE PILLOW VASE. A Daum Nancy Art Nouveau carved cameo cut Landscape Pillow Vase decorated with all-over landscape decoration against a purple-togreen etched background. The vase is signed “Daum Nancy”. 5” x 5” x 2 - 3/4”. (Excellent). 2,000 - 3,000

www.MorphyAuctions.com | July 15, 2020

225

LOT - 2055

LOT - 2056

2055 - DAUM CAMEO BLACKBERRY VASE. Monumental Daum vase is decorated with a cameo blackberry bush with multicolored leaves, thorned stems and clusters of blackberries, all against a mottled yellow and white background. Signed on the side in cameo “DAUM NANCY” with the Cross of Lorraine. Very good to excellent condition. 21” x 6” x 6”. 5,000 - 7,000

2056 - DAUM VITRIFIED CAMEO GLASS VASE. Monumental Daum vase is decorated with cameo leaves, stems and berries descending from the lip. The vitrified leaves are done in shades of yellow and green while the berries are shades of red and orange.

All set against a mottled brown and yellow background. Signed on the side in cameo “DAUM NANCY” with the Cross of Lorraine. There is a small acid burn on the edge of the foot from the making, otherwise very good to excellent. 19 - 1/2” x 6” x 6”. 5,000 - 7,000

226

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SEE WEBSITE FOR ADDITIONAL PHOTOS

2057 - DAUM CAMEO AND ENAMELED WHEAT VASE. Daum vase has cameo decoration with stalks of wheat rising up the side. The stalks and leaves are enameled in brown and green, while the wheat itself is enameled in shades of amber, yellow and green. Vase is further decorated with one small enameled dragonfly.

All set against a mottled purple and cream background. The foot of the vase has cameo and gilt decoration and stylized flowers, leaves and scrolls. Signed. Some wear to gilt trim on foot; otherwise very good. Provenance: The late Ed Mervish to current owner. 11” x 5” x 5”.

12,000 - 15,000

LOT - 2057

www.MorphyAuctions.com | July 15, 2020

227

2058 - DAUM CAMEO AND MARTELE BOWL. Daum bowl is decorated with purple cameo flowers, stems, and leaves rising from the foot. Each flower has a center applied purple glass cabochon. All set against a martele opalescent background. Signed in the polished pontil with etched signature “DAUM NANCY” with the Cross of Lorraine. The martele work extends to the bottom side of the bowl. Very good to excellent condition. 4” x 5 - 1/2” x 5 - 1/2”. 4,000 - 6,000 2059 - DAUM NANCY AUTUMN LEAF VASE. Daum Nancy French Art Nouveau carved cameo Autumn Leaf vase decorated with yellow-orange autumn leaves against a white blue etched background. The vase is signed “Daum Nancy”. 9 - 3/4” x 3 - 3/4” x 4 - 3/4”. (Excellent).

3,000 - 5,000 2060 - DAUM NANCY CHERRY BLOSSOM VASE. A Daum Nancy French Art Nouveau cameo-carved and enameled cherry blossom vase decorated with white cherry blossoms budding on a branch with leaf decoration against a yellow orange background. The vase is signed “Daum Nancy”. 3 - 1/2” x 8” x 8”. (Excellent). 2,000 - 3,000

LOT - 2058

LOT - 2059

2061 - DAUM NANCY FLORAL VASE. Daum Nancy French Art Nouveau carved cameo, enameled and etched vase in an egg form decorated with carved red floral decoration with gilt enameled branches against an etched green to purple background. The vase is signed “Daum Nancy”. 4 - 1/4” T x 4 - 3/4” D. (Excellent). 2,000 - 3,000

LOT - 2060 228

LOT - 2061

www.MorphyAuctions.com | July 15, 2020

2062 - DAUM NANCY FLORAL VASE. Daum Nancy French Art Nouveau carved-cameo enameled and etched vase in an egg form, decorated with carved floral decoration against a white to yellow etched background. Vase is signed “Daum Nancy”. 5” T x 3 - 3/4” D. (Excellent). 2,000 - 3,000 2063 - DAUM NANCY BLEEDING HEART VASE. Daum Nancy French Art Nouveau carved cameo and enameled bleeding-heart vase with all-over bleeding-heart decoration against a multi-colored background. The vase is signed “Daum Nancy”. 8 - 1/2” T x 3 1/4” D. (Excellent).

1,800 - 2,000 2064 - CAMEO VASE AFTER DAUM. Cameo vase in the manner of Daum Nancy has red and green cameo leaves and stems rising from the foot and supporting clusters of blueberries. All set against an acid-textured mottled light green background. The vase is marked on the side in cameo with a spurious “DAUM NANCY” signature. Very good to excellent condition. 14” x 4 - 3/4” x 4 3/4”. 1,000 - 1,500

LOT - 2065

LOT - 2062

LOT - 2063

LOT - 2066

2065 - CAMEO GLASS VASE AFTER DAUM. Cameo glass vase in the manner of Daum Nancy is decorated with cameo grape vines and clusters surrounding the vase, with an applied glass spider resting in the middle of its web. All against a frosted light blue background.

Signed on the side in cameo with a spurious “DAUM NANCY” signature. Very good to excellent condition. 5 - 7/8” x 4” x 4”. 2,500 - 3,500 2066 - GALLE CAMEO GLASS VASE. Galle vase has cameo decoration of stems, leaves and berries descending from the lip and wrapping around two-thirds of the vase. The stems and leaves are olive green while the berries are various shades of blue, all set against a pastel yellow frosted background. Signed on the back side in cameo “GALLE”. Small restoration to upper rim. Very good to excellent condition. 8 - 1/8” x 4 - 1/4” x 3 - 1/2”. 1,500 - 2,500

LOT - 2064

LOT - 2067 2067 - GALLE CAMEO COVERED BOX. Galle scenic box has a cameo scene on each side panel showing brown cameo trees and land with blue cameo mountains in the background. The scenes on the front and back includes a blue lake. The box is topped with a pyramid shaped lid with blue cameo mountain peaks against a cream colored background.

The lid is further decorated with cameo birds soaring above the mountain tops. Signed on the side in cameo “GALLE”. Box is very good to excellent, lid has cracked corner with missing 1/2” shard on interior. 5 - 3/4” x 7 - 1/2”. 600 - 1,200

www.MorphyAuctions.com | July 15, 2020

229

2068 - CAMEO VASE AFTER DAUM. Cameo vase in the manner of Daum Nancy has green cameo leaves descending from the lip, along with red cameo berries, all set against an acid-textured mottled yellow and brown background. The vase is marked on the side in cameo with a spurious “DAUM NANCY” signature. Very good to excellent condition. 11 - 1/2” x 4 - 1/4” x 4 - 1/4”. 600 - 800 2069 - DAUM CRYSTAL “DAUPHIN” (DOLPHIN) SCULPTURE. A French Crystal “Dauphin” (Dolphin) by Daum created the effect of a Dolphin jumping completely out of the water with its original chrome stand holding up the Dolphin. The Dolphin is signed “Daum France”. 17” x 17” x 10”. (Excellent). 600 - 800 LOT - 2068

LOT - 2070

LOT - 2069

LOT - 2071

2070 - DAUM CRYSTAL IMPERIAL LIMOUSINE. A French crystal and etched Imperial Limousine Desk Paperweight designed by Xavier Froissart for Daum, c. 1987. Signed “Daum France”. The Limousine Imperial was the 4th of 13 Standard Large Automobiles Daum produced for general this model epitomizes the enormous luxury sedans of the 1920’s which were reserved for royalty, heads of state, and VIPs of that time. This is one of the largest cars Daum produced. The car is signed “Daum France”. Scale 1:14. 4 3/4” x 17” x 5 - 1/2”. (Excellent). 600 - 800 2071 - DAUM CRYSTAL MERCEDES BENZ 500SEL. A French crystal and etched Mercedes Benz 500 SEL was the 12th of 13 Standard Large Automobiles Daum produced for general distribution. This model was designed by Xavier Froissart in tribute to the largest and most luxurious of the Mercedes 4-door sedans of its time. The car is signed “Daum France”. C. 1989. Scale 1:14. 4” x 14” x 5”. (Excellent). 600 - 800 2072 - DAUM CRYSTAL COUPE RIVERIA. A French crystal and etched Coupe Riviera paperweight was the first car Daum produced and was considered a styling design, not based on any particular car in real life. This car was designed by Xavier Froissart in 1984 and is signed “Daum France”. Scale: 1:14. 4 - 1/4” x 15 - 1/4” x 6 - 1/2”. (Excellent). 400 - 600 230

www.MorphyAuctions.com | July 15, 2020

LOT - 2072

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2073

LOT - 2074

LOT - 2075

LOT - 2076

LOT - 2077

2073 - STEVENS AND WILLIAMS CAMEO VASE. Stevens and Williams vase has beautifully detailed cameo flowers, stems and leaves encircling the body of the vase against a frosted yellow background. Vase is further decorated at the lip, neck and foot with white glass bands. Signed on the underside with Stevens and Williams Art Glass logo. Condition: there are several tiny open bubbles from the making in the white bands on the lip and neck, otherwise very good to excellent. Vase is 6” T. 6” x 5 - 1/2” x 5 - 1/2”. 500 - 1,500

2076 - TWO DAUM GLASS VASES. Lot consists of a large glass vase with pulled ends and heavy applied decoration running from each end across the body. The vase is done in transparent green glass and is inscribed on the underside “LA MARQUISE DE SEVIGNE”. Vase is also marked on the side near foot with etched signature “DAUM NANCY FRANCE” with the Cross of Lorraine. The lot also contains a transparent green glass vase with square foot and slightly flaring lip. Signed on the side of the foot “DAUM NANCY FRANCE” with the Cross of Lorraine. Condition: both are very good to excellent. Largest: 14-3/4” x 6-3/4” x 7” 400 - 600

2074 - GALLE SCENIC COVERED BOX. Galle cameo glass box has brown and green cameo trees lining the shores of a pond, with green cameo canoes in the pond. The box is complete with a cameo glass lid with brown and green cameo birds in flight. Box is signed on the side in cameo “GALLE”. There is a professional repair to a 1” section of the upper rim of the box and a tiny fleabite on the rim of the lid. 7” x 3”. (Good). 400 - 800 2075 - CAMEO AND ENAMELED VASE AFTER GALLE. Cameo vase in the manner of Galle has cameo floral design on front and back. The cameo flowers, stems and leaves are enameled in shades of purple and the decoration is set against a clear internally decorated background. Vase is marked on the side in cameo with a spurious “GALLE” signature. Very good to excellent condition. 11 3/4” x 3 - 1/4” x 3 - 1/4”. 400 - 600

2077 - GALLE CAMEO COVERED BOX. Galle glass covered box is decorated with cameo floral decoration with purple flowers, leaves and stems against a clear frosted background. The lid has a flash of internal yellow in the center. Signed on lid with cameo “GALLE” and on side of box in cameo “GALLE”.

Condition: Some very tiny fleabites on lid rim and box rim, otherwise very good. 2 - 1/2” x 6” x 6” 500 - 750

www.MorphyAuctions.com | July 15, 2020

231

2078 - MONUMENTAL DAUM ART DECO VASE. This trumpet-shaped vase is done in a deep smoky amber glass.

Deep acid-textured panels set between clear amber glass ribs.

Vase rests on a heavy square base. Vase is signed on the side of the foot “Daum Nancy France” with the Cross of Lorraine.

16-1/2” x 12-1/4” x 12-1/4” (Very Good - Excellent).

500 - 1,500 2079 - DURAND LADY GAY ROSE VASE. Durand vase in the Lady Gay Rose design has bands of gold iridescent waves surrounding the cylindrical body of the vase against a rose-colored background. The vase is finished on the interior of the mouth in gold iridescence. Unsigned. Size: 11 - 5/8” T. 11 - 5/8” x 5” x 5”.

(Very Good - Excellent).

500 - 1,500

LOT - 2078

LOT - 2079

LOT - 2080

LOT - 2081

LOT - 2082

2080 - DURAND GOLD LUSTRE VASE. Strong iridescence. Signed on pontil “Durand #1722-8”. 7 - 7/8” x 4 - 3/4” x 4 - 3/4”. (Excellent).

400 - 800

2082 - DAUM NANCY HALL LIGHT CHANDELIER. An Art Deco etched and carved glass and wrought iron chandelier by Daum decorated with an acid-etched and carved oversized shade set with in its original wrought iron hardware.

The shade is signed “Daum Nancy”.

36” x 17” x 17”. (Excellent).

2,000 - 3,000

2081 - LARGE RED MAPLE LEOPARD VASE BY PHILIP MOULTHROP. A Large American Crafts “Red Leopard Maple” turned wood vase by Philip Moulthrop in spherical form and in excellent condition. The vase is signed “Philip Moulthrop/Red Leopard Maple/9850”.

11 - 1/4” T x 15” D. (Excellent). 4,000 - 6,000

232

www.MorphyAuctions.com | July 15, 2020

LOT - 2083

LOT - 2087

LOT - 2084

LOT - 2085

LOT - 2088

2083 - G. ARGY-ROUSSEAU IVY BOWL. G. Argy-Rouseeau pate-de-verre bowl is decorated with purple leaves under stylized dark purple arches with star medallions between, all encircling the exterior of the bowl, against a mottled clear and purple translucent background. Signed on the side “G. ARGY-ROUSSEAU” and “FRANCE” on the underside. Condition: Very good to excellent. 2 5/8” x 6” x 6”. 1,250 - 1,750 2084 - BERGEN & SCHVERER FLORAL VASE. Cased cameo glass with floral design. Opaque background that shades into a darker amethyst color. Beautiful condition, nice detail.

6”d x 9 - 1/4”t. (Excellent). 1,000 - 3,000 2085 - AUSTRIAN ART NOUVEAU STYLE OF LOETZ VASE. An Austrian Art Nouveau iridescent decorated vase. The vase is the Style of Loetz. The vase is unsigned. 6” T x 3” D. (Excellent).

1,500 - 2,500

LOT - 2086

LOT - 2089 2086 - LOETZ ART GLASS SQUATTY VASE. No damage or repairs. Size: 5 - 1/2” T. 5 - 1/2” x 5 - 1/2” x 5 1/2”. (Excellent). 600 - 900 2087 - LOETZ CAMEO GLASS VASE. Cut with lilac bushes, butterflies and leafage on opaque ground.

Signed in relief “La Loetz”. Beautiful condition and color. 14” x 5 1/4” x 5 - 1/4”. (Excellent). 500 - 1,000 2088 - RICHARD LOETZ CAMEO ART GLASS VASE. Scenic vase with tree and sailboat. Signed on side of vase. 6 - 1/4” x 4” x 3 - 1/2”. (Excellent). 400 - 800 2089 - LOETZ ART NOUVEAU GLASS VASE. Loetz Austrian Art Nouveau hand blown glass vase with copper overlay. Crafted from Loetz iridescent green crackle glass. Features red glass cabochons mounted on three sides of vase. 6 - 1/2” x 8” x 8”. (Excellent). 1,000 - 1,400

www.MorphyAuctions.com | July 15, 2020

233

2090 - EXQUISITE LIMOGE FRANCE CORONET FISH SERVING PLATE SIGNED SENA. 24 - 3/4” long, 11” wide with gravy boat and underplate.

9” long beautiful artwork with ten panels of fishing gear. No damage, chips, cracks or losses.

Largest: 24 - 3/4” x 11” x 2 1/8”. (Excellent). 500 - 800

LOT - 2090

LOT - 2091

LOT - 2092

LOT - 2093

LOT - 2094

LOT - 2095

2091 - QUEZAL INNOVATION LINE VASE. A Quezal blown glass “Innovation Line” vase decorated in earth-tone colors cased in a clear paperweight layer further signed “Quezal”. 6 3/4” T x 4 - 1/4” D. (Excellent). 1,000 - 1,500 2092 - QUEZAL ART GLASS FLOWER FORM VASE. Green pulled feather exterior with gold iridescent interior. No signature. 9 - 1/2” x 7” x 7”. (Excellent). 400 - 800 2093 - LOT OF 3: STEUBEN GLASS PIECES. Lot of three consists of two stemed Rosaline goblets, 5 - 1/2” and 7” tall, and a Steuben ivory dome-footed vase, 6 - 1/2” tall. No damage.

Largest: 6 - 1/2” x 8 - 1/2” x 6 - 1/4”. (Excellent). 600 - 1,000 234

LOT - 2096

2094 - STEUBEN CLEAR GLASS FOOTED BOWL. 10” dia., 6” tall. No scratches or damage. 6” T x 10” D. (Excellent).

600 - 1,000 2095 - STEUBEN GOLD AURENE BUD VASE. Nice iridescence. Signed under base. 6” x 2 - 3/4” x 2 - 3/4”.

(Excellent). 300 - 600 2096 - AURENE ART GLASS VASE WITH HEARTS AND VINES. Beautiful form with blue-green iridescence. #254. 7 - 1/4” tall. No damage, scratches, chips or cracks. 7 - 1/4” x 3”. (Excellent).

800 - 1,500

www.MorphyAuctions.com | July 15, 2020

2097 - MURANO GLASS MALLARD. A mid-century modern Italian glass “Anatra Selvatica” (Mallard Duck) sculpture designed by Ferro Toso. Decorated in a black and silver foil decoration with deep red coloration throughout in the body and further decorated with silvery - gold coloration of the head with applied eyes and beak all cased in a thick layer of clear glass. 6 - 1/2” x 12” x 5”.

(Excellent). 600 - 800 LOT - 2097

LOT - 2098

LOT - 2099

2098 - LOT OF 2: TIFFANY FAVRILE PASTEL WINES. Lot consists of two matching Tiffany pastel wines, each with inverted saucer foot with ribbons of opalescence. The vertically ribbed stems lead to pale blue-green pastel bowls with vertical ribbons of opalescence. Each wine is signed on the underside “L.C. Tiffany-Favrile”. Each: 8” x 3” x 3”. (Very Good - Excellent). 1,000 - 1,500

2099 - LOT OF 6: TIFFANY GOLD FAVRILE DECANTER AND TUMBLER SET. Tiffany Favrile decanter and tumbler set includes a gold Favrile decanter signed “L. C. T. Tiffany Favrile” under base. All five tumblers are also signed. Comes with original matching stopper. Beautiful condition. Largest: 11 - 1/2” x 5 - 1/2” x 5 - 1/2”. (Excellent).

500 - 1,500

www.MorphyAuctions.com | July 15, 2020

235

LOT - 2100

LOT - 2101

LOT - 2102

2100 - TIFFANY FLOWER FORM VASE. Tiffany Favrile glass vase has a translucent gold iridescent inverted saucer foot. The stem and body of the flower form vase have green pulled feathers rising from the foot against a creamy white background. The interior of the lip is done in yellow glass. Signed on the underside “L. C. TIFFANY-FAVRILE 2384 P”. Some tiny black inclusions are visible at the bottom of the stem from the making, otherwise very good to excellent. Size: 11” T. 10 - 7/8” x 3 - 5/8” x 3 - 5/8”. (Very Good - Excellent). 1,500 - 3,500 2101 - TIFFANY STUDIOS FAVRILE RUFFLED FLOWER FORM VASE. Tiffany Favrile ruffled flower form vase with decorated pulled-feather against a white graduating to a gold flower into a pulled-feather stem finished with an applied iridescent gold foot. The flower form is signed “L.C.T.”. 12 - 5/8” x 5” x 5”. 2,000 - 3,000 2102 - TIFFANY FURNACES RARE SILVERED BRONZE VASE. A late and very rare Tiffany Studios silvered bronze pottery vase decorated with floral banded decoration against a silvered bronze background internally finished in pottery. The vase is signed “Louis C. Tiffany Furnaces INC. 125S”. 7” T x 5 - 1/2” D. (Excellent).

1,000 - 1,200 2103 - TIFFANY FAVRILE CARVED CAMEO FOOTED BASE. A Tiffany Favrile cameo carved and wheel-cut leaf and vine decoration throughout. The base is signed “L.C.Tiffany Favrile 7459B”.

6 - 1/4” T x 8” D. (Excellent). 2,000 - 3,000

236

www.MorphyAuctions.com | July 15, 2020

LOT - 2103

LOT - 2104

2104 - TIFFANY ART GLASS PAPERWEIGHT VASE. Beautiful floral and leaf design. Marked “L. C. Tiffany Favrile 2737 Gi”. 8 - 1/2” tall. No damage, scratches, chips or repairs. 8 - 1/2” T x 4 - 3/4” D. (Excellent).

10,000 - 20,000

www.MorphyAuctions.com | July 15, 2020

237

LOT - 2105

2105 - TIFFANY PAPERWEIGHT VASE WITH INSERT. A rare Tiffany Favrile reactive paperweight vase by Tiffany Studios decorated with red-green, further decorated with gold iridescent window technique cased as a paperweight further decorated with a Tiffany Favrile ruffled insert. The vase retains its original blown-out aperture and is signed. Was not drilled.

8 - 3/4” T x 4 - 3/4” D. (Excellent). 15,000 - 20,000

238

www.MorphyAuctions.com | July 15, 2020

LOT - 2106

2106 - TIFFANY STUDIOS LARGE VASE, SIGNED. A rare monumental Tiffany Favrile peacock vase decorated with all-over stylized peacock feather decoration against an iridescent yellow-mustard background. The vase is in excellent condition and is signed. 22 - 1/2” T x 10” D. (Excellent). 50,000 - 70,000

www.MorphyAuctions.com | July 15, 2020

239

LOT - 2107

2107 - TIFFANY STUDIOS JACK IN THE PULPIT VASE. An exceptional American Art Nouveau “Jack-in-thePulpit” vase by Tiffany Studios decorated with a large organic opening fully iridized gold, shaded to purple or pink and edged in the curved areas with light tones. The edges of the opening is further embellished with an onion finish. The vase is signed “7783B L.C.Tiffany Favrile” and retains an original foil label. 19” x 9 - 1/2” x 5”. (Excellent).

15,000 - 20,000

240

www.MorphyAuctions.com | July 15, 2020

LOT - 2108

LOT - 2109

LOT - 2111

LOT - 2110

LOT - 2112

2108 - TIFFANY & CO. BLUE ART GLASS RIBBED VASE. Stamped “Tiffany & Co.” 8” tall. No damage, chips, scratches or repairs. 8” T x 5” D. (Excellent). 800 - 1,500 2109 - TIFFANY ART GLASS VASE. Pulled-feather design with blue-green, gold and purple iridescence.

Marked “L. C. Tiffany #8009”. 6 - 3/4” tall. No damages, chips, scratches or cracks. 6 - 3/4” T x 3 - 3/4” D. 800 - 1,500 2110 - STAG AND HOLLY RED SPATULA-FOOTED BOWL. This extremely rare vintage red carnival glass bowl was manufactured

by Fenton and has nice iridesence. The bowl has no chips or cracks. 8” x 8” x 3 - 3/4”. (Excellent). 1,200 - 1,600

LOT - 2113

2111 - BERNHEIMER BROTHERS BLUE MANY STARS ADVERTISING BOWL. This rare vintage blue carnival glass bowl was made by Millersburg and has awesome even iridescence. The bowl has no chips or cracks.

10” x 10” x 3”. (Excellent). 1,400 - 1,800 2112 - HANGING CHERRIES AMETHYST COMPOTE. This Millersburg vintage amethyst compote is pristine and stunning in every aspect. The show-stopping iridescence cannot be matched. This compote is free of chips or cracks. 6 - 3/4” x 6 - 3/4” x 6 - 3/4”.

(Excellent). 1,000 - 1,400 2113 - WEBB AND SONS AMETHYST CUT ENAMELED FUNERAL TRUMPET VASE. Extremely rare two piece vase. Monumental in size. No damage or repairs. Perfect condition, free of any wear, tear or imperfections. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 50” x 11” x 11”. (Near Mint).

2,000 - 2,500

www.MorphyAuctions.com | July 15, 2020

241

LOT - 2114

LOT - 2116

LOT - 2117

2114 - ORANGE TREE SCROLL BLUE WATER SET. This vintage seven-piece blue water set manufactured by Fenton. This pattern is sometimes referred to as Orange Tree Variant. The entire set is in excellent condition with no chips or cracks. The iridescence is above average and even on the tankard pitcher. The tumblers have nice iridescencec and a few normal manufacturer’s flea bites on the bases.

Largest: 11 - 5/8” x 7” x 5 - 1/2”. (Excellent).

700 - 1,000 2115 - STRAWBERRY STIPPLED AMETHYST PLATE. This vintage amethyst plate manufactured by Northwood has outstanding even iridescence and no chips or cracks.

The plate has the rare ribbed exterior. 9 - 1/4” x 9 - 1/4” x 1 - 3/4”. (Excellent). 700 - 1,000

242

LOT - 2115

LOT - 2118

2116 - PEACOCK AND FOUNTAIN PUNCH BOWL AND BASE AND FRUIT BOWL. Included is a vintage two-piece Northwood purple punch bowl and base with super iridescence inside and out. The bowl and base are free of chips and cracks. Also included is a purple fruit bowl with awesome iridescence inside and out. The bowl has some iridized straw marks from the manufacturing process. The fruit bowl has no chips or cracks. Largest: 10 - 3/4” x 10 - 3/4” x 6”. (Excellent). 700 - 1,000 2117 - PAIR OF SCHNEIDER VASES. Pair of Charles Schneider vases in the Jades pattern show internal gold grape clusters with dark brown leaves against a bright mottled orange and yellow background. Both vases signed on top of feet “SCHNEIDER”. Condition: Both very good to excellent. Each: 9 - 1/2” x 4” x 4” 600 - 800 2118 - CHERRY CHAIN WHITE CHOP PLATE. This vintage Fenton white carnival glass chop plate has outstanding pastel iridescence. The chop plate is flat and measures 11” in diameter. This chop plate has no chips or cracks and is quite rare. 10 - 3/4” x 10 - 3/4” x 1 - 1/2”.

(Excellent). 500 - 800

www.MorphyAuctions.com | July 15, 2020

2119 - ENAMELED VASE ATTRIBUTED TO MOSER. Beautiful floral enamel over amethyst base. 15 - 3/4” x 5 - 3/4” x 5 - 3/4”.

(Excellent). 500 - 1,000 2120 - DRAGON AND LOTUS RUFFLED RED BOWL. This rare vintage Fenton carnival glass bowl has above average iridescence and presents well. The ruffled bowl has no chips or cracks. 8 - 3/4” x 8 - 3/4” x 2 - 5/8”.

(Excellent). 450 - 650 2121 - PEACOCK NORTHWOOD MARIGOLD PUNCH BOWL AND BASE AND FRUIT BOWL. Includes a vintage two-piece Northwood marigold punch bowl and base with super iridescence inside and out. The bowl and base are free of chips and cracks. Also included is a vintage marigold fruit bowl with awesome iridescence inside and out. The fruit bowl has no chips or cracks.

Largest: 10 - 3/4” x 10 - 3/4” x 6”.

(Excellent). 350 - 550 2122 - FROSTED ROPE VASE. Possibly Lalique. 9” x 5 - 1/4” x 5 - 1/4”.

(Excellent). 300 - 500

LOT - 2119

LOT - 2120

2123 - WEDGWOOD MAJOLICA PLATES. Lot consists of three Wedgwood majolica plates, one with grape leaves, strawberries and grape clusters; one with six panels, each with Chrysanthemum flowers; and one plate with three panels, each with bird on branch chasing an insect, each bird panel separated by a fan shaped section in yellow and brown glaze. Each of the plates is signed with impressed signature “WEDGWOOD”. Condition: Chrysanthemum plate has small chip to foot, otherwise all are very good to excellent.

Each: 8 - 3/4” x 8 - 3/4” x 1/2”.

300 - 600 2124 - HARVEY LITTLETON GLASS VASE. Spiral configuration. 4” x 4 - 1/2” x 1 3/4”. (Excellent). 300 - 600

LOT - 2121

LOT - 2123

www.MorphyAuctions.com | July 15, 2020

LOT - 2122

LOT - 2124

243

2125 - LALIQUE BOWL COTE D’OR. Decorated glass dish with female nudes among vines and grapes.

Signed “Lalique France”. 15 3/4” D. (Excellent). 500 - 1,000 2126 - LONGWY VASE. Cylindrical vase with all over floral decor in colors of orange, red, yellow, and blue against a blue background. The vase is further decorated with two applied cobalt blue handles in the form of elephant heads.

Signed on the underside “REHAUSSE DECOR A LA MAIN LONGWY FRANCE”. Vase 13 1/2” T. Condition: very good to excellent. 6”d x 13 - 1/4”t.

400 - 600

LOT - 2125

LOT - 2126

LOT - 2128

LOT - 2127

LOT - 2129

2127 - MOUNT JOY ENAMELED ART GLASS VASE. Decorated and etched with floral highlights.

Signed under base “Mount Joy”. 12 - 1/4” x 4 - 1/4” x 4 - 1/4”. (Excellent).

400 - 800 2128 - LOT OF 6: GLASS PAPERWEIGHTS. Includes four millefiori weights, one flower and one small opaque flower. Largest: 3 1/4” x 2 - 1/2”. (Excellent - Near Mint).

400 - 800 2129 - LALIQUE ASH TRAY WITH LADY HEAD DESIGN. Frosted Lalique glass lady head fastened onto a chrome ashtray. Made to mimic the car mascot “Victoire” from 1928. 4 - 3/4” T, 7” Dia. 4” x 9” x 7 - 3/4”. (Excellent).

300 - 600 2130 - KRALICK VASE. The Kralick vase has open bubbles on the surface from the making, otherwise very good to excellent condition. Unsigned. 12” x 6 - 1/4” x 6 - 1/4”. 200 - 300

LOT - 2130

LOT - 2131

LOT - 2132

2131 - CORREIA GLASS IRIDESCENT VASE. Feather comb decor. Signed under the base. 8” x 5” x 5”. (Excellent). 200 - 400 2132 - THOMAS WEBB ART GLASS SYRUP PITCHER. c. 1890’s. White apple blossom flower on cranberry glass. 7 - 1/2” x 5 - 1/4” x 5”. (Near Mint).

200 - 400

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2133 - MURANO FIGURAL GLASS HEAD ON WOODEN BASE. Multicolored head is signed “Murano” on lower back. Comes with iridescent and Loetz-type glass. Mounted on wooden base.

12” x 9” x 16” (Excellent). 1,000 - 3,000 2134 - RUDDSPEED ROLLS ROYCE GRILL DECANTER WITH BOX. A vintage Rolls-Royce polished chrome-plated radiator grille decanter manufactured by Ruddspeed LTD (England) circa 1960. Features a screw top radiator cap, a front placed enameled badge and chrome shutters. The decanter is signed “Ruddspeed LTD (England)”. The decanter retains its original fitted box. 10 - 1/2” x 6 - 3/4” x 3”. (Excellent). 1,200 - 1,400

LOT - 2133

LOT - 2134

SEE WEBSITE FOR ADDITIONAL PHOTOS

2135 - TIFFANY STUDIOS GRAPEVINE OVERLAY TABLE LAMP. Tiffany Studios table lamp has domed shade with acid-etched bronze overlay in the grapevine pattern set against green slag glass. The bronze is finished in a rich brown patina with green highlights. Shade rests on a Tiffany Studios cast bronze base. Base has a round foot with ribbed design and a ribbed torpedo-shaped body supporting a single socket and three-arm spider. Base is finished in a rich brown patina with subtle green highlights. Base is signed on underside “Tiffany Studios New York 3206”. Shade is signed “Tiffany Studios New York”. Shade: 12” Dia. Base: 21” T. 15” x 7 - 1/4” x 7 - 1/4”.

(Excellent). 4,000 - 8,000

LOT - 2135

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2136 - TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Acorn pattern with a single band of acorns surrounding the side of the shade.

The acorns are done in amber glass against a light amber background.

The band is bordered at top and bottom with rows of geometric panels shading from light amber at the bottom to darker amber panels at the top. Signed on the interior rim “TIFFANY STUDIOS NEW YORK”. The shade rests on a contemporary bronze stick base in the manner Tiffany Studios model 533 with three-socket cluster, and pierced heat cap. The base is finished in a dark brown patina with subtle green highlights.

Signed on the underside with spurious signature “TIFFANY STUDIOS NEW YORK 533”. Condition: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent. 20 - 1/2” x 15 3/4” x 15 - 3/4”. 4,000 - 8,000 2137 - PAIRPOINT PUFFY ROSE BOUQUET TWO COLOR LAMP. Pairpoint table lamp has puffy shade with red roses against a background of green, yellow and orange leaves. Shade is signed on side of fitter “Patent Applied For”. The shade rests on an original Pairpoint brass base with three-dimensional lily feet and a reposse band of water lilies encircling the platform. The lamp has a two-socket cluster and three arms support the shade ring. Base is signed on the underside “Pairpoint Mfg. Co. Quadruple Plate” along with the Pairpoint logo and numbered 3037. Shade: 12 - 1/2” Dia. 21 - 1/2” x 13 - 1/4” x 13 - 1/4”. (Excellent). 5,000 - 10,000

LOT - 2136

2138 - HANDEL 6749 TREES ON WATER TABLE LAMP. Handel lamp with exceptional reverse painted shade chipped ice seaside landscape of tall tan birch trees and foliage, large body of water and sailboats against a blue sky with cumulus white clouds supported by a heavy bronze finish Handel base, which features three applied Nouveau handles at base and three sockets with acorn pulls.

Shade is signed “Handel 6749”. Shade: 18” Dia. Overall: 25” T. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 23 - 1/2” x 18” x 18”. (Excellent).

5,000 - 8,000

LOT - 2137 246

LOT - 2138

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2139 - TIFFANY STUDIOS SIX LIGHT CANDELABRUM. Tiffany Studios patinated bronze and blown glass candelabrum decorated with triple blown-out green glass candle cups atop a bronze organic six-branched candelabrum and further decorated with a snuffer set within the center post. The candelabrum is signed “Tiffany Studios New York”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 14 - 1/2” x 21” x 4 - 1/4”. (Excellent). 6,000 - 8,000 2140 - REVERSE PAINTED HANDEL 6639 HARBOR TABLE LAMP. Beautiful scenic lamp with harbor, boat and town scene. Shade is signed “Handel 6639”, base is signed “Handel”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 22” x 18” x 18”.

(Excellent). 6,000 - 9,000

LOT - 2139

2141 - TIFFANY STUDIOS CHANDELIER. Tiffany Studios patinated bronze and glass chandelier decorated with a single gold iridescent Tiffany Favrile diamond optic pattern stalactite shade. The shade is suspended on three chains and a pig-tailed collar.

The shade is signed. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 39 - 1/4” x 6 - 1/4” x 6 1/4”. (Excellent). 6,000 - 8,000

LOT - 2140

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LOT - 2141 247

2142 - TIFFANY STUDIOS NAUTILUS DESK LAMP. A Tiffany Studios patinated bronze nautilus desk lamp decorated with a nautilus shell shade set with in a patinated bronze base by Tiffany Studios. The base is signed “Tiffany Studios New York”. 14 - 1/2” x 8” x 7”. 8,000 - 12,000 2143 - TIFFANY STUDIOS DAMASCENE TABLE LAMP. Tiffany Studios patinated gilt-bronze and favrile glass damascene table lamp decorated with a nicely iridized green damascene shade with touches of gold iridescence throughout. The shade rests a top a four-armed gilt-bronze and further acid-etched webbed foot base.

The shade is signed “L.C.T. Favrile” and the base is signed “Tiffany Studios New York 641”. The lamp is in excellent condition and finished in its all original gilt-bronze patina. 17 - 1/2” T x 12” D. (Excellent).

15,000 - 20,000

LOT - 2142

LOT - 2143 248

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LOT - 2144 2144 - TIFFANY STUDIOS EARLY ENAMELED TABLE LAMP. An extremely rare and early Tiffany Studios “Enameled” lamp decorated with a very large and early Tiffany Favrile pulled feather decorated shade a top a early copper and enameled decorated Tiffany Studios base. The shade and the base is signed “Tiffany Studios New York D826” and further impressed with the Tiffany Decorating Company monogram. 19 1/4” T x 8 - 1/2” D. (Excellent). 20,000 - 25,000

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LOT - 2145

2145 - TIFFANY STUDIOS PEONY CHANDELIER. Tiffany Studios leaded glass chandelier has red, pink and white peony blossoms encircling the entire cone shade. The chandelier has an extraordinary variety of different types and textures of glass to give the flowers rich depth and artistry, including confetti, granite textured, drapery, mottled glass and more. The shade is finished at the top and bottom with bronze beaded trim, accompanied by bronze Tiffany hardware with a center rod supporting a six-socket cluster, three chains suspend the shade from a viking ball at the top of the rod. There is a permanently attached small loop at end of rod above viking ball. The bronze hardware and trim are finished in rich brown patina with subtle green highlights. Shade signed on inside rim with applied tag “TIFFANY STUDIOS NEW YORK”. The fixture comes with a separate bronze ceiling cap and short rod. Condition: Shade is very good to excellent with only a few tight hairlines. Hardware good with minor wear to patina and aforementioned loop modification, and one missing set screw in separate ceiling cap. Shade is 28” Dia. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 43” x 30” x 30”. 65,000 - 80,000

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LOT - 2146

2146 - TIFFANY STUDIOS POPPY TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with red and pink poppies and a band of green leaves, all set against a nicely mottled light blue background. The center of each poppy is overlaid on the exterior with acid-etched bronze panels while the green leaves are overlaid on the interior with acid-etched bronze panels, creating the detailed veins in the leaves when shade is lit.

Signed on inside lip “TIFFANY STUDIOS NEW YORK 1461”. The shade rests on a Tiffany Studios bronze base with round platform and stylized leaves, forming six legs leading to the riser and three-socket cluster. The bronze has a rich brown patina and is complete with an original acid-etched cap. Signed on the underside “TIFFANY STUDIOS 382”. Shade is very good to excellent condition with fewer than five tight hairlines. Base has replacement bottom plate which is tack soldered and glued in place; otherwise, very good condition with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord.

Size: Shade 17” Dia., base 22” T. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 22 - 1/2” x 17 - 1/2” x 17 - 1/2”.

(Very Good). 100,000 - 150,000

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LOT - 2147

2147 - SIGNED TIFFANY STUDIOS DAFFODIL TABLE LAMP #1497. c. 1910. Primarily mottled green and yellow colored conical glass decorated with inverted blossoms continuing to a geometric border.

Tag stamped “Tiffany Studios New York 1497”. Comes on a Tiffany Studios #587 signed turtleback lamp base. Faux-turtleback bronze base has a gold dore finish, three-arm light cluster with original socket castings, signed “Tiffany Studios New York 587”. Gold dore might have been refinished at some point in time. Beautiful example. Overall excellent condition with some broken pieces of glass. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 20 1/4” d x 25 1/2” t.

(Excellent). 40,000 - 60,000

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LOT - 2148

2148 - TIFFANY STUDIOS ART NOUVEAU DESK LAMP. Tiffany Studios patinated bronze and Favrile desk lamp decorated with a Tiffany Favrile glass iridescent pulled feather decorated stalactite shade. The patinated bronze base is decorated with an organic swivel stem with stylized curly decoration at the top and set into a decorated base. The shade is signed “L.C.T.” and the base is signed “Tiffany Studios New York.”. Ref: Similar lamp sold at Sotheby’s New York – December 11th, 2018 – Lot #12. 25 - 1/2” x 14” x 7”.

(Excellent). 25,000 - 30,000

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LOT - 2149

2149 - TIFFANY STUDIOS “ART DECO” PATTERN DAMASCENE DESK LAMP. Tiffany Studios gilt-bronze, enameled and glass Art Deco pattern damascene desk lamp decorated with an blue Art Deco enameled pattern decoration on the foot of the base.

The base finished in its acid etched gilt-bronze finish is further decorated with a Tiffany Favrile iridescent blue damascene decorated shade.

The base is signed and the shade is signed “L.C.Tiffany Favrile”. 14 - 1/2” T x 8” D. (Excellent). 18,000 - 24,000

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LOT - 2150

2150 - HANDEL UNDERWATER LAMP WITH MERMAID BASE. Handel lamp has reverse painted shade with fish swimming among aquatic plants against a mottled green background with chopped ice texture exterior. The shade rests on an original cast bronze base with a mermaid holding a giant clamshell on her shoulder, supporting the ribbed stem that leads to a three-socket cluster and a fleur-dis-les cap.

Base is finished in a rich red-brown patina with subtle green highlights. Shade is signed “Handel 6807”. Base is unsigned. There is a stitched label that reads “Handel” attached to bottom felt. 22 - 1/4” x 15 - 1/2” x 15 1/2”. (Excellent). 20,000 - 25,000

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LOT - 2152

LOT - 2151 2151 - TIFFANY STUDIOS CHANDELIER. Tiffany Studios patinated bronze and glass three-light chandelier decorated with three matching Tiffany Favrile pulled feather shades. The shades are signed “L.C.T.”.

28” x 15” x 15”. (Excellent). 8,000 - 12,000

256

2152 - TELESCOPIC DOUBLE CANDLESTICK. Tiffany Studios patinated bronze and favrile telescopic double candlestick decorated with two matching heavily ribbed iridescent Tiffany Favrile glass ruffled tulip shades atop a telescopic base decorated with bronze candle cups. The shades are signed “L. C. Tiffany Favrile” and the base is signed Tiffany Studios New York”. 19 - 1/4” x 10” x 5 - 1/4”. 7,000 - 9,000

www.MorphyAuctions.com | July 15, 2020

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2153

LOT - 2154

2153 - HANDEL BUTTERFLY AND ROSE TABLE LAMP. c. 1900. Beautiful lamp with reverse painted shade signed “6688”.

Comes on a three-light chamfered flared patinated bronze base with a pierced Chinese-style circular foot. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 24 - 3/4” x 18” x 18”. (Excellent). 6,000 - 9,000

2154 - TIFFANY STUDIOS RED ENAMEL DAMASCENE LAMP. This is a beautiful Tiffany Studios desk lamp with an 10 - 1/4” red and orange damascene shade with dramatic optic ribs extending down from the top. The iridescence is beautiful and jumps off the shade. The shade is signed “L. C. T. Favrile” under the rim. The base has matching red enamel at base. Base is signed “Louis C. Tiffany Furnaces, Inc. #18”. The shade is original to the base. Beautiful example. 10 - 1/4”d x 16 - 1/4”t. (Excellent). 5,000 - 10,000

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LOT - 2155

LOT - 2156

LOT - 2157 2155 - HANDEL TULIP SIGNED PALME #7040 TABLE LAMP. Handel table lamp has dome shade with reverse painted decoration of brightly colored tulips in shades of purple, blue, yellow and orange with shaded tulip leaves surrounding the flowers against a black background. Exterior of shade has chipped ice finish. Signed on the inside edge “Handel 7040” and artist signed “Palme”. Shade rests on an original tree trunk handle base with vertically ribbed stem and three socket cluster. Base is unsigned. Shade: 16” Dia. 24 - 1/4” x 16” x 16”. (Excellent). 4,000 - 6,000

258

2156 - PAIR OF ART NOUVEAU ELECTRIFIED CANDELABRUMS. A pair of Art Nouveau silvered cast bronze electrified candelabrums, each decorated with five tulip-shaped white alabaster shades each atop heavily decorated silvered Art Nouveau motif bases. Each: 21 1/2” x 10 - 1/2” x 10 - 1/2”. (Excellent). 3,000 - 5,000 2157 - PAIR OF TIFFANY STUDIOS SCONCES. Tiffany Studios pair of patinated double-arm cast bronze sconces.

Each sconce decorated with two iridescent Pulled Feather decorated Tiffany Favrile glass bell shaped shades. All four shades signed “L.C.T.”. Each: 10 - 1/2” x 13” x 8 - 1/2”. (Excellent). 9,000 - 12,000

www.MorphyAuctions.com | July 15, 2020

LOT - 2158

2158 - TIFFANY STUDIOS SIX LIGHT ELECTRIFIED CANDELABRUM. Tiffany Studios patinated bronze and glass electrified candelabrum decorated with six Tiffany Favrile pulled feather chimney shades a top a bronze organic electrified candelabrum further decorated with electrified jeweled candle holders. The shades are all signed “L.C.T.” and the candelabrum is signed “Tiffany Studios New York”. 16” x 22 - 1/2” x 4 - 1/2”. (Excellent).

18,000 - 24,000

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259

LOT - 2159

2159 - TIFFANY STUDIO DRAGONFLY LAMP. Tiffany Studios table lamp has leaded glass shade in the dragonfly design. Each dragonfly has purple and cream striated glass wings, light blue bodies and cabochon glass eyes. The shade is further decorated by acid-etched bronze overlay on each wing, all set against a lightly mottled yellow and cream background.

Signed on inside rim “Tiffany Studios New York”. The shade rests on a Tiffany Studios bronze base with torpedo-shaped body supported by three bronze fingers rising from the square platform foot. The base is finished in a reddish-brown patina. Signed on the underside with applied round bronze tag “Tiffany Studios New York 444”.

Shade: 17” Dia. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 20” T x 17” D. (Excellent).

20,000 - 30,000

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LOT - 2160

2160 - CLEMATIS TABLE LAMP. An incredibly rare American Art Nouveau patinated bronze and leaded stained glass “Clematis” Table Lamp by Tiffany Studios. The shade is decorated with an intense mix of all-over blue, purple and pastel clematis against a warm sunset background with pastel colored glass mixed with some confetti glass against a heavily mottled blue-grey-purple trellis background. The shade is signed “Tiffany Studios New York” and base is signed “Tiffany Studios New York 553”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 32 - 1/2” x 25 - 3/4” x 25 - 3/4”. (Excellent). 80,000 - 100,000

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2161 - TIFFANY STAINED GLASS WINDOWS. Suite of two leaded glass windows attributed to Tiffany Studios depict an undulating stream in shaded blue and white glass. One window has tall poplar trees bordering the stream along with lily flowers in the foreground and a mountain in the background. The poplar trees are done in mottled green, orange and yellow glass while the lilies are in shaded purple, blue and white glass with mottled green leaves. The second window shows the stream winding through rolling hills and meadows. All done in mottled maroon, blue, green and orange glass. The window is further

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LOT - 2161

decorated with blue, white, purple and red flowers in the foreground. Both windows are unsigned. A photo of a Tiffany window showing similar examples of poplar trees and lilies can be found in the book “Tiffany Windows” by Alistair Duncan, page 55, photo 42. Both windows come in loose panels. These windows were located in a house in Philadelphia that was taken down in the 1970’s. They have been in storage since the 1970’s. 5 Panels to each window. There are several pieces of broken glass on each window. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 41” x 80”. (Excellent). 100,000 - 250,000

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LOT - 2162

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2162 - TIFFANY STUDIOS POPPY TABLE LAMP. An American Art Nouveau patinated bronze and leaded stained glass “Poppy” table lamp by Tiffany Studios decorated with all over red, pink, to white poppy blossoms in various stages of bloom among a band of green filigree leaves against an intense mottled blue background further decorated with a confetti glass green border and wire mesh centers. The shade sits a top a patinated “Decorated Library” table lamp base. The shade is signed “Tiffany Studios New York 1531-11” and the base is signed “Tiffany Studios New York”. Provenance: Shade: Private Collection, Ophir Gallery Inc. 2005 - Englewood, NJ; Associated Artists LLC - Southport, CT; Walter Buck - Southport, CT; Sotheby’s New York - Important Works of Art by Louis Comfort Tiffany - December 5th, 1998, Lot #764. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 26 - 1/2” T x 20” D. (Excellent).

80,000 - 100,000

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265

LOT - 2163

2163 - TIFFANY MOSAIC PLANTER. An extremely rare bronze and Favrile glass Mosaic “Arrowhead Fern” Jardinière by Tiffany Studios decorated with inlaid mosaic iridized green-blue Favrile “damascene glass” with arrowhead decoration finished in a rich patinated bronze patina. The planter retains its original copper liner and is signed “Tiffany Studios New York 835.” Provenance: Private Collection Max & Judy Foote. Sotheby’s New York “Tiffany” Sale #N0906; Lot #328; December 18th, 2013. Private Family, New Jersey. Thence by descent to the present owner. Additional Info: The design and creation of the example photographed has been accredited to “Clara Driscoll” One of the “Tiffany Girls”. References: Photographed in “Tiffany Lamps and Metalware An Illustrated Reference to Over 2000 Models” by Alastair Duncan, page 396, plate 1601 and 1608. “Tiffany Desk Sets”

by William R. Holland Schiffer Publishing Ltd., page 233. 4” T x 12” D. (Excellent). 55,000 - 65,000

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LOT - 2164

2164 - TIFFANY STUDIOS MOSAIC SAMPLE PANEL. An extremely rare and large Tiffany Favrile Mosaic plaque decorated with Favrile glass, stained glass and inlaid mother of pearl throughout with a stained glass rosette in the center with gold Favrile mosaic glass background and inlaid mother of pearl decoration. This panel most likely was displayed in the Tiffany Studios Mosaic Room as a sample of the work which could be produced by the studios. The plaque was allegedly removed from Laurelton Hall by, The Robinson Brother Antiques in Mamaroneck, NY and then purchased by William Spinks. William Spinks.

Robinson Brother Antiques. Laurelton Hall. 30” x 22 - 1/2” x 1 - 1/4”. (Excellent). 35,000 - 45,000

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267

LOT - 2165

2165 - HANDEL 7816 POPPIES AND BUTTERFLIES ON FIGURAL LAMP BASE. Handel table lamp has reverse painted shade with orange, yellow and pink poppies against a greenish-blue floral background with a butterfly hovering over the poppies. The exterior of the shade is finished in chipped ice. Shade is signed on the interior “Handel 7816”.

Also artist signed twice, “Palme”.

The shade rests on a rare Handel waterbearer figural base, depicting a woman kneeling with a water jug on her shoulder.

The base is complete with a four-socket cluster and heatcap with square cutouts. Base is finished in rich brown and signed on the side of the foot with impressed block letters “Handel”.

Beautiful example. Shade: 18” Dia. Base: 24” T. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 25 - 1/4” x 18” x 18”.

(Excellent). 25,000 - 40,000

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LOT - 2166

2166 - PAIR OF TIFFANY SCONCES/ CHANDELIERS. Tiffany Studios patinated cast bronze and glass chandeliers/ sconces decorated with an over sized early pulled feather shade suspended from three ball chains accompanied with very organic hardware which allows them to be either suspended as sconces and or chandeliers. Comes with one shade signed “L.C.T.”. 33 - 1/2” x 5 - 1/2” x 5 - 1/2”.

(Excellent). 10,000 - 20,000

www.MorphyAuctions.com | July 15, 2020

269

LOT - 2167

2167 - REVERSE PAINTED HANDEL UNDERWATER ON MERMAID BASE. Handel lamp has reverse painted shade with fish swimming among aquatic plants against a mottled green background with chipped ice texture exterior. The shade rests on an original cast bronze base with a mermaid holding a giant clamshell on her shoulder, supporting the ribbed stem that leads to a three-socket cluster and a fleur-dis-les cap. Base is finished in a rich red-brown patina with subtle green highlights. Shade is signed “Handel 6807”. Base is unisgned.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 22 - 1/2” x 15 5/8” x 15 - 5/8”. (Excellent).

15,000 - 25,000

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2168 - TIFFANY LAMP SENIOR FLOOR BASE. Base is signed “Tiffany Studios, New York”. Nice original green patina. Heatcap is believed to be original. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 77 - 1/2” T x 18” D. (Excellent). 10,000 - 15,000 2169 - HANDEL REVERSE PAINTED BIRD OF PARADISE #7120 TABLE LAMP. Beautiful shade, signed “Handel 7120”. Stylized birds of paradise in flight amidst berry-laden blossoming branches and tones of bright blue, green, brown and yellow, all on a mottled dusky pink ground. The domical shade in chipped, lightly sanded finish, painted on the interior. Comes on a heavily textured lamp base. Shade: 18” Dia. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 23” T x 17 - 3/4” D. (Excellent). 8,000 - 15,000

LOT - 2168

LOT - 2169

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271

LOT - 2170

LOT - 2171

2170 - PAIR OF TIFFANY STUDIOS SCONCES. Tiffany Studios pair of patinated cast bronze sconces with built in switch and backplates. Each sconce decorated with Pulled Feather decorated Tiffany Favrile glass shades. Both shades signed “L.C.T.”.

Each: 14” x 6 - 1/2” x 4”. (Excellent). 8,000 - 12,000 2171 - TIFFANY STUDIOS FAVRILE GLASS INKWELL. A rare Tiffany Studios blown glass and bronze inkwell decorated with gold iridescent body and lid set within its original gilt bronze stand.

The inkwell is signed “Tiffany Studios New York”. 6 - 1/4” T x 6 - 1/4” D. (Excellent). 8,000 - 12,000 2172 - TIFFANY STUDIOS BLOWN-OUT INKWELL. A rare and Early Tiffany Studios patinated bronze and blown glass inkwell decorated with green blown-out glass decoration with in a patinated bronze pumpkin framework. The inkwell is signed “Tiffany Studios New York”. 4 - 1/2” T x 8” D. (Excellent). 7,000 - 9,000

LOT - 2172

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2173 - TIFFANY STUDIOS SPANISH PATTERN DESK CLOCK. Spanish pattern mantle clock by Tiffany Studios decorated with a pagoda roof and two winged griffins on the side finished in its original gilt-bronze finish and retains its original key. The clock is signed “Tiffany Studios New York 1896” and the dial is also signed “Tiffany Studios New York”. 8” x 5” x 3”.

(Excellent). 6,000 - 8,000 2174 - TIFFANY DOUBLE XX ENAMELED DESK SET. A rare Tiffany Studios five piece gilt bronze and enameled “Double XX” pattern desk set by Louis C. Tiffany Furnaces compromising of a picture frame, letter rack, blotter ends, cigarette box, and a utility box, all decorated with enameled blue Double XX design. All pieces are signed “Louis C. Tiffany Furnaces Inc. Favrile”, further signed with the Louis C. Tiffany Furnaces monogram and all are numbered. 8” x 5 - 1/2” x 1 - 3/4”. (Excellent). 6,000 - 9,000

LOT - 2173

LOT - 2174

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LOT - 2176

LOT - 2175

LOT - 2177

2175 - TIFFANY STUDIOS ADJUSTABLE DESK LAMP. A Tiffany Studios cast bronze and patinated adjustable desk lamp decorated with a Tiffany Favrile Damascene glass shade. The shade is signed “L.C.T.” and the base is signed “Tiffany Studios New York”. 21” T x 9 - 3/4” D. (Excellent). 7,000 - 10,000

2177 - TIFFANY STUDIOS SPANISH CALENDAR FRAME. Tiffany Studios bronze calendar frame is done in the Spanish pattern with ornate decorations, scrolls and mythical beasts surrounding the bust of a man. The frame is finished in a gold patina and shows some remnants of green polychrome. The frame retains its original back and stand. Signed on the back side “TIFFANY STUDIOS NEW YORK 1888”.

There is wear to the patina on the front, otherwise very good condition.

5 - 3/4” x 6” x 1/2”. 1,000 - 1,500

2176 - PAIR OF TIFFANY STUDIOS SCONCES. Tiffany Studios pair of patinated single arm cast bronze sconces. Each sconce decorated with iridescent Pulled Feather decorated Tiffany Favrile glass bell-shaped shades. Both shades signed “L.C.T.”. Each: 11” x 8” x 5 - 1/2”. (Excellent). 6,000 - 8,000

274

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2178 - TELESCOPIC DOUBLE CANDLESTICK. Tiffany Studios patinated bronze and Favrile telescopic double candlestick decorated with two matching heavily ribbed iridescent Tiffany Favrile glass ruffled tulip shades atop a telescopic base decorated with bronze candle cups. The shades are signed “L. C. Tiffany Favrile” and the base is signed “Tiffany Studios New York”. 19 - 1/4” x 10” x 5 - 1/4”. (Excellent). 7,000 - 9,000 2179 - TIFFANY STUDIOS FIVE LEG COUNTERBALANCE FLOOR LAMP. Beautiful five leg counterbalance lamp with green linenfold shade.

Shade is signed “New York Patent Applied For 193”. Lamp base is signed “Tiffany Studios 468”. Original green patina. Beautiful condition. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 54” x 24” x 17”.

(Excellent+). 6,000 - 12,000

LOT - 2178

LOT - 2179

www.MorphyAuctions.com | July 15, 2020

275

LOT - 2180

LOT - 2181

2180 - HANDEL REVERSE PAINTED JUNGLE BIRD TABLE LAMP. Handel table lamp has reverse painted dome-shaped shade with two brightly colored parrots with orange, yellow and blue plumage. The parrots are resting among pastel colored flowers with the shadow of trees in the background, all against a turquoise blue background.

Signed on the interior edge “Handel 7028”. Original finish to base.

Beautiful example. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 24” x 18” x 18”. (Excellent). 6,000 - 9,000 2181 - TIFFANY STUDIOS COLONIAL TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the colonial pattern with a single band of square green panels surrounding the bottom of the shade against a caramel and cream geometric background. Signed on the inside rim “TIFFANY STUDIOS NEW YORK” The shade rests on a simple Tiffany Studios bronze stick base with hexagonal stem and three socket cluster. The base has a statuary patina and is topped with a replacement pierced heat cap. Signed on the underside “TIFFANY STUDIOS NEW YORK 534”. Shade measures 16” diameter. Base measures 22” tall. 22” x 16” x 16”. 4,000 - 8,000 2182 - TIFFANY STUDIOS COUNTERBALANCE DESK LAMP WITH DAMASCENE SHADE. c. Early 1900’s. Patinated bronze base with blue Favrile 8” glass shade. Shade is signed “L. C. T. Favrile”. The shade is original to the Base. Beautiful condition. 11” x 8” x 11”. (Near Mint). 3,000 - 6,000

LOT - 2182 276

www.MorphyAuctions.com | July 15, 2020

2183 - HANDEL FLOOR LAMP. Assembled slag glass shade with geometric metal overlay design on a twisted column base. Shade and base signed. Nice patina. Shade: 22” Dia. Base: 65” T. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 64” x 24” x 24”. (Excellent). 3,000 - 6,000 2184 - REVERSE PAINTED HANDEL DESERT SCENE WITH FIGURES FLOOR LAMP. Nice scenic image of desert scene with figures, palm trees and ruins.

Shade is signed “Handel 6825”. Base is signed “Handel Lamps No. 979664”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 58 - 3/4” x 17 3/4” x 17 - 3/4”. (Excellent). 2,000 - 4,000 2185 - TIFANY STUDIOS MINIATURE TREE TRUNK LAMP BASE. Tiffany Studios gilt bronze and acid-etched miniature tree trunk base

by Tiffany Studios. The base is signed “Tiffany Studios New York 544”.

18” T x 6 - 3/4” D. 8,000 - 10,000

LOT - 2183

LOT - 2184

www.MorphyAuctions.com | July 15, 2020

LOT - 2185

277

LOT - 2186

LOT - 2187 2186 - TIFFANY BRONZE POTTERY LAMP BASE. Tiffany bronze pottery lamp base is decorated with four nude men, one carrying a basket of flowers, two of them playing a flute, and the fourth carrying a scepter. The base is further decorated with stylized stems and flowers. The base has a single applied rope handle and is completed with a riser and six-socket cluster. The bronze is finished in a reddish brown patina.

Signed on the underside with remnants of a paper label Bronze Pottery. Also signed with the incised LCT Pottery mark. Size: 12” to top of bronze pottery and 8-1/4” for the riser and socket cluster. Condition: there are four tiny scrapes to the bronze covering; otherwise very good to excellent. 22-1/4” x 11” x 9” 7,500 - 12,500 2187 - HANDEL 7036 BIRDS OF PARADISE TABLE LAMP. Domical shade in chipped and sand-finished glass decorated with two Birds of Paradise with blooming peonies. Striking shades of purple, pink, ruby and buttercup yellow on a blue background. Correct bronze metal Handel base. Shade is signed “Handel 7036”. Shade: 18” Dia. Beautiful condition, no flakes, chips or damage. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 23 - 3/4” x 17 - 3/4” x 17 - 3/4”. (Near Mint). 6,000 - 9,000 2188 - TIFFANY STUDIOS FLORAL LAMP BASE. Tiffany Studios gilt bronze and acid-etched floral decorated lamp base. The base decorated with dogwood floral design. The base is signed “Tiffany Studios New York 690”. 16” T x 5” D. (Excellent). 2,500 - 3,000

LOT - 2188 278

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LOT - 2189

LOT - 2190

LOT - 2191

2189 - TIFFANY FLOOR COUNTERBALANCE LAMP BASE. c. Early 20th Century. New York.

Counterbalance floor lamp base.

Patinated bronze, single socket.

Nice patina. Base is stamped “Tiffany Studios New York 468”.

Base: 55 - 1/2” T. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

15” d x 54”. (Excellent).

2,000 - 4,000 LOT - 2192 2190 - TIFFANY STUDIOS ADJUSTABLE 2 ARM STUDENT LAMP. Tiffany Studios bronze student lamp houses two Quezal art glass shades, each shade has a white pulled feather design descending from the fitter against a gold iridescent background. The Tiffany Studios student lamp base has a round platform foot with artichoke design. The two arms are finished with two acid etched shade holders. The base is finished in statuary patina and is signed on the underside “TIFFANY STUDIOS NEW YORK 318”. Shades are both very good to excellent.

Base is very good with some minor wear and discoloration to patina.

Base measures 26” T. x 22” W. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 26 - 1/4” x 21 - 3/4” x 7 - 3/4”. 2,000 - 3,000

LOT - 2193

2191 - PAIR OF TIFFANY STUDIOS TRIPOD CANDLESTICK LAMPS. Pair of tripod ball-footed candlestick lamps in gold dore finish.

Lampshade has a spiderweb motif design. Lampshade is signed “Tiffany Studios”. Each: 17” x 5 - 1/2” x 5 - 1/2”. (Excellent).

1,500 - 3,000 2192 - LOT OF 10: TIFFANY DESK SET AND CANDELABRAS. Lot of Tiffany pieces includes six pieces of a Zodiac desk set, a pair of 10 - 1/2” tall candle sticks and two 4 - 1/2” tall silver candle or shade holders. Minor wear overall. Largest: 4 - 1/2” D. x 10 - 1/2” T. 800 - 1,500 2193 - FRAME ATTRIBUTED TO TIFFANY. Iridescent blue Favrile glass border around a bronzed frame. No signature, but glass is definitely Tiffany. 11 - 1/2” x 9 - 1/2” x 1”.

(Excellent). 1,000 - 2,000

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279

2194 - TIFFANY TURTLEBACK TILES AND BRONZE HOLDER. Lot includes six turtleback tiles with beautiful blue-green iridescence. 2” x 2” each. Also included is a gold Dore bronze vase holder, marked “Louis C. Tiffany Furnaces Inc. Favrile #158”. Base 5 - 1/4” diam. No damage or repairs. L: 4” x 5 - 1/2” x 5 - 1/2”. (Excellent).

400 - 800 2195 - TIFFANY STUDIOS BRONZE INKWELL. Nice figural crab inkwell with gold patina. Signed “Tiffany Studios New York”. 7 - 1/2” x 7 - 1/4” x 1 1/2”. (Very Good). 400 - 800 2196 - TIFFANY STUDIOS PICTURE FRAME IN GRAPEVINE. Tiffany Studios picture frame in grapevine pattern with green glass and beading. Properly stamped “Tiffany Studios New York” and signed “Tiffany Studios New York 946”. The oval portion measures 3 - 3/4” by 5 - 1/2”, overall 8” by 10”. 10” x 8” x 3/4”. 1,000 - 3,000

LOT - 2194

LOT - 2195

LOT - 2196

LOT - 2197

2197 - TIFFANY STUDIOS GIMBAL CANDLE HOLDER. Tiffany Studios bronze Gimbal candle holder has a double-hinged assembly, allowing the candle to remain upright while walking or using while on a ship or train. The candle holder has a handle and also a snuffer. The bronze is finished in a brown patina and the candlestick is signed with Tiffany logo on the inside of the handle. 6” tall. Bronze is in very good to excellent condition. 6 - 1/2” x 7” x 4”.

(Excellent). 1,000 - 3,000 2198 - REVERSE PAINTED PAIRPOINT PUFFY HUMMINGBIRD TABLE LAMP. c. 1900. Stratford basket-weave shade in frost and yellow, decorated with yellow and red roses and two hummingbirds in flight. Shade is signed “Pairpoint”. Sits on a marked Pairpoint base. 21 - 1/2” x 13 - 1/2” x 13 - 1/2”.

(Excellent). 2,000 - 3,000 2199 - PAIRPOINT PUFFY PAPILON FULL SIZE GREEN TABLE LAMP. Beautiful Pairpoint dark green Papilon shade with bright flowers and butterflies. Beautiful detail. Base and shade are signed “Pairpoint”.

Shade: 14” Dia. 20 - 1/4” x 14 - 3/4” x 14 3/4”. (Excellent). 2,000 - 4,000 280

LOT - 2198

www.MorphyAuctions.com | July 15, 2020

LOT - 2199

2200 - TIFFANY STUDIOS HARP DESK LAMP. A Tiffany Studios patinated bronze Harp desk lamp decorated with a kapa shell shade. The base finished in a statuary brown patina as well as the shade. The base is signed “Tiffany Studios New York”. 14” T x 7 - 1/4” D. (Excellent). 1,500 - 2,000 2201 - TIFFANY STUDIOS HARP FLOOR BASE. Tiffany Studios patinated bronze five-legged spade harp floor base. The base is signed “Tiffany Studios New York”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

58” x 15” x 15”. (Excellent).

1,500 - 2,500 2202 - TIFFANY STUDIOS LAMP PARTS. A box lot of assembled lamp parts and pieces by Tiffany Studios. Ashtray part, Lily sconce and backplate, large canopy, three wheels, one set of spider arms, two shade holders, band and bamboo reproduction finial.

6 - 3/4” x 12” x 12”. (Excellent).

1,500 - 2,000 2203 - TIFFANY STUDIOS COLONIAL TABLE LAMP BASE. A gilt cast bronze and acid etched “Colonial” pattern Table lamp base by Tiffany Studios.

Base is signed “Tiffany Studios New York 534”. 22” T x 8” D. (Excellent). 1,200 - 1,500

LOT - 2200

LOT - 2202

www.MorphyAuctions.com | July 15, 2020

LOT - 2201

LOT - 2203

281

LOT - 2204

LOT - 2205

LOT - 2206

LOT - 2207

2204 - TIFFANY STUDIOS 532 BRONZE LAMP BASE. Three-socket base, stamped “Tiffany Studios New York 532” under base. Nice finish. 8” Dia., 22” T overall. 25 - 1/4” x 10” x 10”.

(Excellent). 1,000 - 2,000 2205 - TIFFANY STUDIOS 532 BRONZE LAMP BASE. Three-socket base, stamped “Tiffany Studios New York 532” under base. Nice finish. 8” Dia., 22” T overall. 26 - 1/4” x 10” x 10”.

(Excellent). 1,000 - 2,000 2206 - TIFFANY STUDIOS 532 BRONZE LAMP BASE. Three-socket base, stamped “Tiffany Studios New York 532” under base. Nice finish.

8” Dia., 22” T overall. 25” x 10” x 10”.

(Excellent). 1,000 - 2,000 2207 - TIFFANY STUDIOS BRONZE STICK BASE. Tiffany Studios lamp base has cast bronze foot with simple hexagonal shaft leading to the three-socket cluster. The base is finished in a brown patina with green highlights and topped with a heat cap. Base is signed “Tiffany Studios New York 531”. 27 - 1/2” x 12” x 12”. (Excellent). 1,000 - 2,000 2208 - TIFFANY STUDIOS BRONZE LAMP BASE. Tiffany Studios lamp base comes in original gold dore finish. Stamped “Tiffany Studios New York 531”. 26 - 1/2” x 10 - 3/4” x 10 - 3/4”. (Excellent). 1,000 - 2,000

282

LOT - 2208

LOT - 2209

2209 - TIFFANY STUDIOS BRONZE URN LAMP BASE. Bronze with brown-green patina. Marked “Tiffany Studios New York D827”. 9” x 7” x 7”.

(Excellent). 1,000 - 1,500

www.MorphyAuctions.com | July 15, 2020

LOT - 2210

LOT - 2213

LOT - 2211

LOT - 2214

2210 - TIFFANY STUDIOS TABLE LAMP BASE. Nice bronze base signed “Tiffany Studios New York D827”. Original patina. 13” x 8” x 8”. (Excellent). 1,000 - 2,000 2211 - TIFFANY STUDIOS ZODIAC LAMP BASE. Base has raised scrolling decoration with medallions depicting signs of the Zodiac. Mottled gilt finish. Base stamped “Tiffany Studios New York 537”. 17” x 6 - 1/2” x 6 - 1/2”. (Excellent). 1,000 - 1,500 2212 - TIFFANY STUDIOS FAVRILE GLASS CANDLESTICK LAMP. c. 1900. Candlestick lamp with blue Favrile glass, twisted base and blue satin shade with bronze interior. Signed “L. C. T. Favrile” under base. 11 - 1/2” x 5 - 1/2” x 5 - 1/2”. (Excellent). 1,000 - 2,000 2213 - TIFFANY STUDIOS BRONZE HARP DESK LAMP BASE. Signed “Tiffany Studios New York 418” under base. Original bronzed patina. 12” x 9 - 1/2” x 5”. (Excellent). 400 - 800

LOT - 2212

LOT - 2215

2214 - AUSTRIAN SECESSIONIST DESK LAMP. Austrian Secessionist silvered bronze desk lamp with secessionist design decorated with an iridescent red-purple Palme Koning shade with applied purple decoration throughout. 17” x 10 - 1/2” x 8”.

(Excellent). 2,200 - 3,200 2215 - COUNTER BALANCE DESK LAMP. Tiffany Studios desk lamp has a Favrile glass damascene shade decorated with iridescent platinum waves against a dark green swirled background. The shade is new and mounted on a Tiffany Studios counter-balance bronze base with leaf motif on ball and base, re-wired with older plastic cord. Shade signed on the fitter rim “L C T”, Base is signed on underside “TIFFANY STUDIOS NEW YORK 415”. Condition: Shade is very good to excellent with no cracks found, a few minor flakes on fitter rim. Base is very good to excellent with minor wear and discoloration to patina from normal age and use. Shade 8” Dia. 12 1/2” x 6 - 1/2” x 16”. 2,000 - 3,000

www.MorphyAuctions.com | July 15, 2020

283

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2216

LOT - 2217

2216 - LOETZ TABLE LAMP BY LEOPOLD BAUER. Loetz Austrian Art Nouveau Table lamp designed by Leopold Bauer decorated with a very large blue-green iridescent mushroom shape shade a top a blue-green iridescent and bronze base. Both the shade and base are

by Loetz. 29 - 1/2” T x 13 - 1/2” D. (Excellent). 8,000 - 10,000

2217 - MAJORELLE AND DAUM NANCY ART NOUVEAU TABLE LAMP. A French Art Nouveau gilt bronze lamp base by, Majorelle decorated with a signed Daum Nancy etched and carved domed shaped shade. The shade is signed “Daum Nancy”. 25 - 1/2” x 13 - 1/4” x 13 - 1/4”. (Excellent). 5,000 - 7,000

284

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LOT - 2219

LOT - 2220

LOT - 2218 2218 - MULLER CAMEO ROSE LAMP. Muller lamp is decorated on the base and the shade with cameo glass roses, stems and leaves, all done in deep purple glass. The roses are then enameled in red for detail. When lit the roses show the bright red color and have some purple highlights, giving them a beautiful appearance. The lamp is complete with its original metal collar and three-arm spider. Signed on both the shade and the base in cameo “MULLER FRES LUNEVILLE”. Very good to excellent condition. 13” x 5 7/8” x 5 - 7/8”. 4,000 - 6,000 2219 - AUSTRIAN ART NOUVEAU TABLE LAMP. Austrian Art Nouveau patinated bronze and glass table lamp attributed to Gustav Gurschner decorated with an iridescent orange mushroom shaped shade produced by Loetz atop a highly stylized Art Nouveau patinated bronze table lamp base. 22” T x 10 - 1/2” D. (Excellent). 3,500 - 4,500 2220 - QUEZAL CHANDELIER ARTS & CRAFTS. A patinated bronze and glass decorated Arts & Crafts chandelier with four matching Steuben glass decorated shades set within a patinated bronze hammered Arts & Crafts chandelier. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 42 - 1/2” x 19” x 19”. (Excellent).

3,000 - 4,000

LOT - 2221 2221 - STEUBEN AMERICAN ART NOUVEAU CHANDELIER. An American Art Nouveau Stueben chandelier decorated with six pulled feather decorated shades by Steuben atop an American Art Nouveau gilt bronze chandelier. Shades are signed with the Steuben fleur-de-lis signature. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 44” x 25 - 1/2” x 25 - 1/2”. (Excellent). 2,500 - 3,500

www.MorphyAuctions.com | July 15, 2020

285

LOT - 2222

LOT - 2223

LOT - 2224

LOT - 2225

LOT - 2226

2222 - PAIRPOINT PUFFY VENETIAN HARBOR SCENE TABLE LAMP. Fancy Chesterfield style shade. Has a ribbed exterior, reverse painted with a vibrant and bold panoramic Venetian harbor scene around the border. The top surface has a three-color geometric pattern on four panels. Comes on a brass square baluster-form base signed “Pairpoint Mfg. Co.”. Shade is unsigned. Shade: 16” Dia. 22 - 3/4” x 15 - 3/4” x 15 - 3/4”. (Excellent). 2,000 - 3,000

2224 - PAIR OF ART DECO BOUDIOR LAMPS. A pair of Art Deco bronze and glass Deco boudoir lamps each decorated with acid-etched glass cylindrical shades further etched with a nude crouching female, each set within a patinated bronze base.

Each: 10 - 5/8” x 6” x 6”. (Excellent). 1,800 - 2,000

2223 - PAIRPOINT PUFFY REVERSE PAINTED ROSE LAMP. Puffy Venice shade, reverse painted with large open red roses on the four main panels and on the top with smaller scattered roses with leaves and stems on a green background. Shaded is signed. On a Pairpoint stick base. 21 - 1/2” x 14 - 1/2” x 14 - 1/2”. (Excellent).

2,000 - 3,000

286

2225 - PAIR OF ART NOUVEAU DESK LAMPS. A pair of French Art Nouveau patinated “Wishbone” bronze desk lamps each decorated with matching art glass shades by Daum Nancy.

The shades are both signed “Daum Nancy” with the Cross of Lorriane.

Each: 15” x 7” x 5”. (Excellent). 2,000 - 3,000 2226 - ART NOUVEAU SCULPTURAL SCONCE BY JONCHERY AND PALME KONIG. A period Art Nouveau patinated and parcel gilt cast bronze sculptural single sconce decorated with three matching Palme Koning lily shades set with in a cast three-armed gilt and patinated bronze sconce decorated with an Art Nouveau maiden. The sconce is signed “Jonchery”. The shades and sconce are in excellent condition. 19” x 15 - 1/2” x 11”. (Excellent). 2,000 - 2,500

www.MorphyAuctions.com | July 15, 2020

LOT - 2227

LOT - 2231

LOT - 2228

LOT - 2229

LOT - 2232

LOT - 2230

LOT - 2233

2227 - MULLER CAMEO GLASS VASE. Muller scenic vase has green cameo glass trees rising from the foot up to the lip.

An opening in the trees frames a scene of children playing in a field next to a lake or river. The pink and white sky reflects in the water, while gray clouds form in the distance. The back side of the vase has another scene of the lake with a small boat tied to shore. Vase is signed on the back side “MULLER FRES LUNEVILLE”. Very good to excellent condition. 13 - 1/4” x 6 - 3/8” x 6 - 3/8”. 1,500 - 2,500

2231 - PAIR OF LOETZ AUSTRIAN ART NOUVEAU HAMMERED SCONCES. A pair of Loetz Austrian Art Nouveau hammered copper sconces each decorated with matching Loetz decorated shades. The sconces are hammered copper with a very heavily stylized fleur-de-lis motif. Each: 13 - 1/2” x 4” x 7”. (Excellent). 1,200 - 1,500

2228 - ART NOUVEAU LAMP ATTRIBUTED TO DAUM NANCY. Patinated bronze desk lamp with leaf decoration throughout the base further atop a black marble plinth decorated with a French Art Nouveau blue-green etched glass shade attributed to Daum Nancy. 19 - 1/4” x 11 - 1/2” x 6”. (Excellent).

1,500 - 2,500

2232 - PAIR OF LOETZ AUSTRIAN ART NOVEAU HAMMERED SCONCES. Beautiful bronze sconces with corn husk pattern. Comes with two slag glass shades. Each: 13 - 1/2” x 4” x 7”.

(Excellent). 1,200 - 1,500

2229 - LOETZ DESK LAMP. Loetz Austrian Art Nouveau gilt cast bronze desk lamp decorated with an Austrian glass Loetz decorated heart and vine shade. Shade and base in excellent condition.

14 - 3/4” x 8” x 6”. (Excellent). 1,200 - 1,500

2233 - ART NOUVEAU STYLE BUBBLE BOY SCONCE. An Art Nouveau Style patinated metal sconce of a boy blowing a bubble. The sconce is further decorated with a blown glass shade. 13 - 1/4” x 8 - 1/2” x 7”. (Excellent).

1,200 - 1,500

2230 - LOETZ COUNTER-BALANCE DESK LAMP. Loetz Austrian Art Nouveau silvered bronze counter-balance desk lamp decorated with a rare Loetz decorated shade. The base and shade are in excellent condition.

15 - 1/2” x 12 - 1/2” x 6”. (Excellent). 1,200 - 1,500

www.MorphyAuctions.com | July 15, 2020

287

LOT - 2234

LOT - 2237

LOT - 2235

LOT - 2238

2234 - MULLER CAMEO GLASS TABLE LAMP. Muller table lamp has internally decorated glass shade and base with a clear glass exterior with stylized cameo flowers forming a band on the bottom half of the shade with a matching band around the top of the base. Shade is signed on the side in cameo “MULLER FRES LUNEVILLE”. The base is mounted with an iron collar and three-arm spider. Shade is 10-1/2” diameter, and lamp is 21-1/2” tall. Rewired with contemporary plastic cord. Two screws on the iron collar are stripped. 23 -1/2” x 10 -1/4”. (Very Good). 1,000 - 2,000 2235 - LOETZ DESK LAMP. Loetz Austrian Art Nouveau patinated bronze wall sconce and or desk lamp. The sconces/lamps have a gimbal mechanism which allow them to be displayed either way. The metal is decorated in Austrian Art Nouveau motif decorated with a loetz oil spot decorated shade. 11” x 7” x 6”. (Excellent). 1,000 - 1,200

288

LOT - 2236

LOT - 2239 2236 - PAIRPOINT PUFFY REVERSE PAINTED BOUDOIR DESK LAMP. Turn of the century Pairpoint boudoir lamp with puffy pink shade with reverse painted butterflies and flowers. Signed shade and base. 14 1/4” x 8 - 1/4” x 8 - 1/4”. (Excellent). 1,000 - 1,500 2237 - BRONZE HANGING CHANDELIER WITH TIFFANY SHADE. Chandelier comes in a scrolling rope design with art glass chandelier shade signed “L. C. T.”. 25” x 14” x 14”. (Excellent). 1,000 - 2,000 2238 - LOETZ HANGING LAMP FIXTURE WITH LOETZ SHADES. Unique bronze rope-style decorated fixture with green/yellow iridescent shades. 21” x 12” x 12”. (Excellent). 1,500 - 2,000 2239 - ART NOUVEAU BRONZE LAMP. Nicely detailed gold gilt bronze Art Nouveau lamp with floral style receptacles and blown-glass inserts. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 19 - 1/2 x 18” x 18”. (Excellent). 2,000 - 3,000

www.MorphyAuctions.com | July 15, 2020

LOT - 2240

LOT - 2241

LOT - 2243

LOT - 2242

LOT - 2244

2240 - PAIR OF DORE BRONZE CANDELABRA SCONCES. Nicely detailed floral design sconces with three receptacles on each.

Original gold dore. Each: 26” x 15 - 1/2” x 8”. (Excellent).

2,000 - 3,000 2241 - REVERSE PAINTED ON GLASS CANOE SCENE LAMP. c. Late 19th Century. American. Lovely domed glass lampshade, possibly Glass Company from Pennsylvania. Scene is transfer decorated from the inside and shines through frosted glass. Depiction is of a forest and lake inhabited by Native Americans. From either side, one can view a figure in a canoe and a tipi. Early bronze base. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 26” x 18” x 18”. (Excellent).

1,000 - 2,000 2242 - SEXTANT APPLIED TO LAMP. Original sextant box and contents on base with woven cloth shade.

Shade intact. 30” tall with base. 30” x 15 - 1/2” x 15 - 1/2”.

(Excellent). 400 - 600

2243 - AMERICAN LEADED GLASS CHANDELIER. Leaded glass chandelier has large dome shade featuring an irregular boarder with stylized Tulips in colorful striated red, blue, green and amber glass with a stylized green leaf trim bordering the Tulips on top; all against a geometric background of amber and cream colored glass. The shade is further decorated with a ring of red striated glass near the aperture. The shade is suspended from a contemporary ceiling cap and chain. Chandelier is illuminated by a single socket.

Shade is 27-1/4” in diameter. Very good with fewer than 10 tight hairlines. Top cap shows corrosion. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 27” x 16”. 300 - 500 2244 - EARLY 20TH CENTURY LEADED CHANDELIER WITH RED TURTLEBACK MOUNT. Leaded glass shade with diamond motif around border. Shade has a Tiffany Studios stamp, but shade is definitely not Tiffany. Displays well. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 21” x 16 - 3/8” x 16 3/8”. (Excellent). 800 - 1,200

www.MorphyAuctions.com | July 15, 2020

289

2245 - BRONZE FLOOR LAMP BASE. Beautiful bronze lamp base with footed base. Three socket with original hardware. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 66” x 12 - 1/2” x 12 - 1/2”. (Excellent). 500 - 1,000 2246 - TIFFANY AND STEUBEN ART GLASS LAMP. Decorated art glass base has gold twisted iridescent decoration on the inverted trumpet foot against a white iridescent background with rolled foot and single gold socket and shade fitter and gold cloth cord, signed on underside with etched “LCT FAVRILE C-2021” Art glass tulip shade with ruffled rim is decorated with green pulled feather design outlined in iridescent gold against a white background with a gold iridescent interior, unsigned but attributed to Steuben. Shade and base with no cracks or chips. 17” T. 200 - 400 2247 - LARGE LOT OF TIFFANY LAMP TOPS. Lot consists of mixed Tiffany lamp tops and one Handel lamp top in excellent condition. Largest: 3 - 1/2” T x 5 - 1/2” D. (Excellent).

500 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2245 290

LOT - 2246

www.MorphyAuctions.com | July 15, 2020

LOT - 2247

LOT - 2248

LOT - 2249

LOT - 2250

LOT - 2251

2248 - TIFFANY STUDIOS CAP WITH FAVRILE BALL. Circular pierced cap surmounted by a bronze mount with gold Favrile ball art glass finial. Unmarked. 3” Dia. 3 - 7/8” x 3 - 7/8” x 1 - 3/4”.

(Excellent). 600 - 1,200 2249 - LOT OF 4: PAIRPOINT LAMP BASES. Lot of four Pairpoint lamp bases includes a tree trunk base, an ivy engraved base and two stick bases. Largest: 17 - 3/4” x 5 - 1/2” x 4”. (Excellent). 300 - 600

2250 - LOT OF 3: LAMP SHADE BRACKETS. Lot of three original brackets with patina. 3 - 1/2” T x 12 - 1/4” D. (Very Good). 200 - 400 2251 - LARGE LOT OF MIXED LAMP SOCKETS. Includes Handel, Tiffany and other makers. Largst: 7” x 5” x 3”.

(Excellent). 400 - 800

www.MorphyAuctions.com | July 15, 2020

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LOT - 2252

LOT - 2253

2252 - SOMERS STAINED GLASS PANEL BELL & ROSES. This contemporary stained glass window created by Somers Stained Glass is done in a Belcher style and features center vase with red roses in highly textured glass with green striated leaves. All set against background of small triangular glass panels in rich jewel tones.

Window is finished with shaded gold glass scroll work trim with colored glass, cabochon and faceted jewels. Signed near bottom with applied brass tags “Trish R. Somers” and “Original Somers Stained Glass, Deer Park, New York”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 31 - 3/4” x 25 - 3/4” x 1/2”. 800 - 1,500 2253 - SOMERS STAINED GLASS PANEL OF SHIP IN OCEAN SCENE. This contemporary stained glass boat window created by Somers Stained Glass by Tricia Somers featuring a beautiful Clipper sip on rough seas set against a rich sunset. The mist of the water is felt by the heavily textured rippled glass made with double layers in order to achieve depth and dimension, set against a sunset sky which is created in rich coloration, the sails on the boat are a soft white mottled glass.

Extra copper details soldered directly to this window to create a more realistic image of this beautiful boat. Signed with applied brass tag “Original Somers Stained Glass by Tricia Somers”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 36 - 1/4” x 26 - 1/2” x 1/2”. 800 - 1,500 LOT - 2254 2254 - SOMERS FLORAL LEADED GLASS LAMP. Massive contemporary stained glass table lamp by Somers Stained Glass has rich golden heavily textured flowers with mottled and textured green glass leaves, all set against a rich shaded blue-green geometric glass background. Large shade is finished with beaded border on lower rim. Signed with applied brass tag “Original Somers Stained Glass Deer Park N.Y.” Shade rests on a contemporary adjustable cast bronze base with root and ball foot leading to adjustable stem and three-light cluster. Base is complete with pierced heat cap and is finished in deep brown patina, unsigned. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 33” x 28 - 3/4” x 28 - 3/4”. 2,000 - 4,000 292

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2255 - CONTEMPORARY MISSION STYLE LEADED GLASS SHADE. Contemporary leaded glass shade by Porcelli Studios is done in the mission style with a geometric field of light lavender glass. The shade is further decorated with six medallions of confetti glass plated with mottled red glass. When the shade is lit, the lavender panels glow orange and the confetti medallions glow red. Unsigned. 16-3/4” diameter. Condition: Very good to excellent. 8” x 16 - 3/4” x 16 3/4”. 1,500 - 2,500 2256 - CONTEMPORARY PRAIRIE STYLE TABLE LAMP. Contemporary prairie style table lamp by Porcelli Studios has rectangular shade with Frank Lloyd Wright inspired geometric design in amber, green, and white glass. The shade rests on a heavy bronze base with prairie design with straight, clean lines and square block feet. Each end is fitted with a green glass panel. Shade and base are unsigned. Condition: Both shade and base are very good to excellent. Shade is 33-1/4” x 19” x 7”. Lamp is 25”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 24” x 24” x 18”. 3,000 - 5,000

LOT - 2255

LOT - 2256

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293

LOT - 2257

294

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2257 - ORIGINAL PLASTER MODEL FOR “THE MOUNTAIN MAN” BY FREDERIC REMINGTON Title: THE MOUNTAIN MAN Signed: Copyright by Frederic Remington Plaster, signed “Copyright by Frederic Remington”. Completed in 1903, cast by 1907. 29” high, 19.5” wide”; 11.25” deep. This work is several inches higher than Remington’s earlier bronzes because he wanted to emphasize the high, steep slope of the mountain path. Approximately 81 bronze castings exist today. The Mountain Man depicts a dramatic moment in the daily life of a frontier trapper, in which he and his mount work together to descend a precarious slope. Cast by New York’s Roman Bronze Works foundry in the lost-wax technique, the earliest “Mountain Man” statuettes are sharply delineated with a rich variety of textures, from the fringed buckskin garment to the animal’s hairy coat to the rocklike base. Losses, cracks and repairs. A rare opportunity to purchase an original Remington sculpture. Provenance: Guernsey’s Auction : “The Roman Bronze Works Collection” September 17, 1988, Lot 209. 29” x 16” x 14”. 50,000 - 100,000

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295

2258 - ORIGINAL PLASTER MODEL OF ‘THE SCALP”

BY FREDERIC REMINGTON (1861-1909) Artist: FREDERIC REMINGTON (1861-1909) Title: THE SCALP Created: 1898 Medium: Plaster Signed: Frederick Remington Work Size: 24” high, 19.5” wide, 9” deep

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Plaster, signed “Frederic Remington”, 24” high, 19.5” wide, 9” deep. This sculpture was created in 1898 and originally cast by the Henry-Bonnard Bronze Company. Seventy-six bronzes were cast of this piece. The legacy of Frederic Remington’s sculpture is evident by the numerous bronzes that have been cast or derived from his models. His sculptures are valuable not only as artistic creations but also as tangible documents of the American West. In his life time, Remington sculpted a total of 25 statues in bronze realizing his own vision of western action. Just as importantly, he invented new ways of supporting his works that ignored the traditional relationship between sculptures and their bases. Remington’s fourth bronze, and his first of a Native American subject, was copyrighted in December 1898 as “The Triumph.” The more common title, “The Scalp,” refers specifically to the lock of hair that the figure, mounted bareback on a horse, holds aloft in his right fist. Losses, cracks and repairs. A rare opportunity to own an original Remington sculpture. Provenance: Guernsey’s Auction: “The Roman Bronze Works Collection” September 17, 1988, Lot 213A. 24” x 21” x 10”. Condition: Losses, cracks and repairs. 50,000 - 100,000

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LOT - 2258

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297

2259 - FREDERIC REMINGTON (AMERICAN 1861-1909) THE OUTLAW. Artist: FREDERIC REMINGTON (AMERICAN 1861-1909) Title: THE OUTLAW Created: 1906 Medium: Plaster Signed “FREDERIC REMINGTON” Work Size: 23” x 15” x 8.25” This piece depicts a cowboy breaking in a newly saddled horse that is bucking in resistance. One of Remington’s more popular sculptures, this piece has great movement and detail. Original plaster sculpture. This sculpture was cast approximately 50 times. Early 20th century. Marked: “Copyright by Frederick Remington”. A rare opportunity to own an original Remington sculpture. Losses, cracks and repairs. Provenance: Guernsey’s Auction: “The Roman Bronze Works Collection” September 17, 1988, Lot 210. A portion of the proceeds will go to benefit the Mount America Foundation. 23” x 16” x 14”. Condition: Losses, cracks and repairs. 50,000 - 100,000 298

www.MorphyAuctions.com | July 15, 2020

LOT - 2259

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299

2260 - RUSTY PHELPS BRONZE STATUE. Title: Troopers Fighting for Their Lives.

Dates: (American, 1963 - ).

Signed: Rusty Phelps 75 with copyright sign.

Limited Edition: 2/15.

Bronze figural group depicting an Indian on horseback with lance fighting two downed troopers. The horse leaping over one of the soldiers, all on a naturalistic rock work base. The one trooper’s rifle has broken off at his hands, the piece is present; otherwise good condition with untouched surface and chocolate brown patina. From the Ray Bentley Collection. 21” x 19” x 14”. (Good). 500 - 1,000 2261 - LOUIS CHALON TANNHAUSER BRONZE SCULPTURE Louis CHALON (1866-1940) “Tannhauser” bronze statue on a green marble base.

Signed L. Chalon This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 25” x 19” x 12”. (Excellent).

3,000 - 6,000 2262 - LANCERAY RUSSIAN BRONZE WINTER TROIKA. Eugeny Lanceray Russian Bronze grouping Winter Tilted Troika has a three-horse drawn sleigh with two men and a young boy in the back. The horses are pulling back as their ride is interrupted by a pair of dogs. Mounted on a green marble base. Signed in Cyrillic for Eugeny A. Lanceray.

Foundry signature for “F. Chopin” and dated 1874. In very good condition with no breaks or repairs, has a nice medium-dark brown patina. 9 - 1/2” T by 19” W, 39 lbs. 9 - 1/2” x 18 - 1/2” x 9 - 1/4”. (Excellent).

8,000 - 16,000 LOT - 2260

LOT - 2261

LOT - 2262 300

www.MorphyAuctions.com | July 15, 2020

LOT - 2263

2263 - BRONZE BUST OF GEORGE WASHINGTON Unmarked, 19th century or 20th century. Height: 14”, width: 10”.

Detailed portrait bust with a nice, patinated surface. 14” x 10 1/2” x 6”. 2,500 - 7,000 2264 - MARGUERITE BY AGATHON LEONARD. A French Art Nouveau gilt bronze sculpture, “Maguerite”, by Agathon Léonard of Margeruite, placing a flower in her hair. The sculpture is signed “A. Leonard” and further signed with the “Siot Decauville Paris” foundry seal. References: The identical sculpture is photographed in “Agathon Léonard Le geste Art Nouveau” by Ingelore Böstge and Emmanuelle Héran, page 42. 10” x 5” x 5”. 5,000 - 7,000

LOT - 2264

2265 - AFTER EDWARD BERGE (AMERICAN, 1876-1924) MAIDEN WITH FAUN Artist: AFTER EDWARD BERGE (AMERICAN, 1876-1924) Title: Maiden with Faun Created: 20th century Medium: Bronze Work Size: Height: 44” Sculptor Edward Henry Berge is mainly known for his bronze monumental works and figures, created in the traditional manner.

Berge was born in Baltimore, Maryland in 1876. He studied at the Maryland Institute (currently known as the Maryland Institute College of Art or MICA) and was part of the first class of the Rinehart School of Sculpture. He then traveled to Paris and enrolled in the Académie Julian for three years and studied under Charles Raoul Verlet and Auguste Rodin. Berge was a member of the National Sculpture Society and the National Arts Club. He died in his native city in 1924. This is later recast of this sculpture. Frame: 11” x 12” x 43 - 1/2”. Condition: Very good 2,500 - 10,000

SEE WEBSITE FOR ADDITIONAL PHOTOS LOT - 2265

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2266 - LIFE SIZE VENUS STATUE Stamped on base: Del Nero, Roma with additional words in Greek. 20th century bronze copy of Venus. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

60” x 22 - 1/2” x 16”.

3,000 - 6,000 2267 - MAXIMILIEN LOUIS FIOT (FRENCH, 1886 - 1953) COMBAT D-AIGLES. A bronze sculpture of combatant eagles in flight above an outcropping. Incised signature on base “M. FIOT”. Foundry mark “SUSSE FRERES PARIS”. Size: 28” T. x 33” L. overall. Condition: Very good with original surface and even dark patina. 28” x 33” x 13”. (Very Good). 1,000 - 2,000 2268 - JEAN-BAPTISTE GERMAIN (FRENCH, 1841 - 1910) BRONZE “RERUM PATRIA CUSTOS” Title: RERUM PATRIA CUSTOS Dates: 1906 Signed GERMAIN JB” on base French sculptor, student of Dumont Gumerego. 1866 to 1909 exhibited at the annual Salon (Association of French Artists). He created mainly statues, busts and bas-reliefs in bronze and marble. 38 - 1/2” x 22” x 16”. (Excellent). 1,000 - 3,000

LOT - 2266

LOT - 2267

2269 - AUGUSTE MOREAU (FRANCE 1834 1917) ART NOUVEAU BRONZE STATUE. Dates: Circa 1900 Signed”MOREAU” Bronze statue of a young girl holding tablet and writing instrument in a flowing dress. Auguste Moreau was born in Paris in 1834, the youngest son of sculptor and painter Jean-Baptiste Moreau. He studied with his father and also under Aimé Millet, Augustin Drumont and Jean Thomas. Each of the three Moreau brothers - Hippolyte, Marthurin and Auguste - have become renowned for the quality and the beauty of their figurative sculpture. In 1861, Auguste made his debut at the Salon where he would exhibit regularly until 1913. His subjects were primarily young maidens sensuously clad in swirling diaphanous dress and usually decorated with flowers and birds or allegorical and genre scenes incorporating cupids and young children 9 - 1/2” D x 29” T. 1,000 - 3,000

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LOT - 2268

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LOT - 2269

LOT - 2270

LOT - 2271

LOT - 2272

2270 - WILLIAM ZORACH (AMERICAN 1887 - 1966). BRONZE BUST OF GENTLEMAN. Title: BRONZE BUST OF A GENTLEMAN Dates: 1949 Signed “ZORACH 1949” on reverse.

Born in Eurburg, Lithuania on Feb. 28, 1887, William Zorach was brought to the U.S. in 1891. He grew up in Cleveland and later worked as a lithographer while studying at night at the Cleveland School of Art. A bronze casting of a middle-aged gentleman.

Signed “ZORACH 1949” on reverse. 20” x 9 - 1/2” x 7 - 1/2”. 1,000 - 3,000 2271 - M. MOREAU. BRONZE AND MARBLE SCULPTURE. Mathurin Moreau (French, 1822 - 1912) bronze sculpture of a lying Cupid whispering into a woman’s ear. The woman is seated on a gilt bronze mounted carved marble pedestal and wears a long flowing dress with a jug beside her. Has a light brown patina, finely carved pure white marble pedestal. Inscribed on the marble “M. Moureau”. Size: 24 - 1/2” T. 24 - 1/2” x 8 - 1/2” x 8 - 1/2”. (Excellent).

1,000 - 3,000 2272 - PAUL LUDWIG KOWALCZEWSKI BRONZE STATUE. Title: Plea of an Ancient Warrior.

Dates: (Germany, 1865 - 1910).

Signed: Proper Left Side “P. Kowlczewski”.

Sculpture representing a warrior gesturing skyward, spear held in his right hand, knife at his belt, standing on rock work base, joined to black, green and white marble socle with on an octagonal base. Very good, undisturbed surface showing appropriate wear and olive brown patina. 20-1/4” x 6 -1/4”. 600 - 1,000 2273 - LARGE CAST MARBLE STATUE OF WOMAN WITH BOWL & PITCHER. On a contemporary onyx pedestal. 20th century. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 68” x 9 - 3/4” x 9 - 3/4”. 500 - 1,000

www.MorphyAuctions.com | July 15, 2020

LOT - 2273

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LOT - 2274

LOT - 2275

2274 - LOT OF 2: COLD PAINTED BRONZE FIGURES. Lot consists of two whimsical Bergman cold painted bronze figures. The first depicts two cats at a dining table, one reading a newspaper while the other reaches for a teapot. The cats and newspaper are cold painted in shades of black, gray, and white, while the table and stools are left in patinated bronze. The second figure depicts two frogs sitting at a picnic table playing cards. The frogs are cold painted in shades of green, while the cards are done in red, black and white, and the picnic table and benches are in shades of brown. The cats are marked on the underside with the Bergman logo Vienna Bronze while the frogs are marked Geschutzt Austria. Condition: both are very good to excellent. Largest: 2-1/2” x 3” x 2-3/4” 500 - 750 2275 - BERGMAN BRONZE HORSE CARRIAGE AND 2 MEN IN COACH. No damage, nice paint and detail. 7” x 4” x 2 - 1/2”. (Excellent). 500 - 1,000

LOT - 2276

2276 - FIGURAL BRONZE OF SEATED LADY WITH CHILD ON BACK. Bronze mounted on marble base is signed “S. Leonard La Voltera”. Nice detail.

Original patina. 15” x 24 - 3/4” x 7 - 1/4”.

(Excellent). 500 - 1,500 2277 - 20TH CENTURY COPY OF BRONZE EAGLE BY J. MOIGNIEZ Signed J. MOIGNIEZ for Jules Moigniez (1835 - 1894). With painted and gilded highlights on a black marble and onyx base.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 32 - 1/2” x 20 3/4” x 16”. 500 - 1,000 2278 - 20TH CENTURY COPY OF A BRONZE EAGLE

BY MOIGNIEZ. Signed J. MOIGNIEZ for Jules Moigniez (1835 - 1894). With painted and gilded highlights on a green marble base. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 31 - 1/2” x 18 - 1/4” x 18”.

500 - 1,000 304

LOT - 2277

www.MorphyAuctions.com | July 15, 2020

LOT - 2278

2279 - TROMBONE PLAYER SIGNED BRONZE SCULPTURE. A magnificently designed and detailed bronze by A. Matthews of what looks to be a New Orleans trombone jazz player.

Bronze is signed “A. Matthews” and is numbered “43/88”. 17 1/2” x 13 - 1/2” x 24”.

1,000 - 2,000 2280 - AMPHORA RISING SUN PORTRAIT VASE. THE ALLEGORY OF AUSTRIAHUNGARY” applied portrait profile of a woman with ornate crown and rising sun. RSTK mark.

9 - 3/4 high. Illustrated in “The House of Amphora”, Scott, page 89. Circa 1902. 9 - 3/4” x 6 1/4” x 6”. (Mint). 2,000 - 3,000

LOT - 2279

LOT - 2280

2281 - PAUL DASCHEL MONUMENTAL MACKINTOSH ROSE VASE. Matte and high-fired glazes. Raised Scottish roses with jeweled beading. PD mark, impressed “1206-7”.

12 - 1/2” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland page 405, and “The House of Amphora”, Scott, page 247. 12 - 1/2” x 10 - 1/2” x 10 - 1/2”. (Mint). 2,500 - 3,500 2282 - STELLMACHER SALAMANDER VASE. Eduard Stellmacher Design. Two applied Salamanders on vase with fern handles. Fern in relief on the vase. Cream and gold glazes. Marked with raised Stellmacher medallion monogram and Stellmacher Teplitz mark, incised signature on body of the vase.

16 - 1/8” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 376. A similar model in “The House of Amphora”, Scott, page 228.

Circa 1905. 16 - 1/8” x 13” x 13”. (Mint).

4,000 - 6,000

LOT - 2281

LOT - 2282

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LOT - 2284

LOT - 2283 2283 - AMPHORA MONUMENTAL BUTTERFLY AND WEB VASE. A Rare Monumental “Gres Bijou” example. Applied enameled butterflies, insects, and webs with inset jewels and iridized glazes. Amphora Oval mark, impressed 3728-D RSTK mark. 18 - 3/4” high. This vase is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 262. Similar examples of the “Gres Bijou” decoration is illustrated in “The House of Amphora”, Scott, pages 180-181. Circa 1904. 18 3/4” x 11” x 11”. (Mint). 10,000 - 15,000 2284 - MONUMENTAL AMPHORA BLOWOUT PORTRAIT VASE. A carved portrait on a baluster form monumental vase with raised and applied flowers. Multicolor glazes with gold accents. Amphora Oval mark, impressed “0294-06”, painted “326”. 18 - 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 125. Circa 1902. 18 - 1/4” x 10” x 10”.

(Mint). 4,000 - 5,000 306

www.MorphyAuctions.com | July 15, 2020

LOT - 2285 2285 - EXPERIMENTAL AMPHORA VASE. A “Polar Series“ tall vase.

Reticulated throughout and transparent glazed. Extremely rare and in mint original condition. Amphora Oval mark, impressed “8771-23”. 16” high. Illustrated in “The House of Amphora”, Scott, page 201. 16” T x 5 - 1/2” D. (Mint).

2,000 - 4,000

LOT - 2286

LOT - 2289

LOT - 2287

LOT - 2290

LOT - 2288

LOT - 2291

2286 - 1900 PARIS EXPO AMPHORA PACIFIC LOBSTER VASE. A 1900 Paris Exposition Rock Lobster vase with applied rock lobster and kelp. Green with reddish brown glazes. Amphora Austria mark, Paris Expo mark, Turn mark. 9 - 3/4” high. Illustrated in “The House of Amphora”, Scott, page 102. Circa 1900. 9 - 3/4” x 7” x 7”. (Mint).

1,200 - 1,800

2289 - AMPHORA SECESSIONIST VASE. Seccessionist styled trees in relief. Blue, green, and red iridized glazes with gold gilt highlights. Amphora Oval, impressed “D - G 3772”. 14 - 3/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 222. Circa 1900. 14 - 3/4” x 5 - 1/2” x 5 - 1/2”.

(Mint). 800 - 1,000

2287 - AMPHORA JEWELED BUTTERFLY AND WEB VASE. Baluster form with multi colored glazes and enameling, raised webs highlighted with gold gilt. As with preceding lot, interesting application of thick blue glaze above butterflies. Amphora Austria Oval mark, RSTK mark, impressed “3774-29. 11 - 1/4” high. Circa 1900. 11 1/4” T x 5 - 1/2” D. (Mint). 1,000 - 2,000

2290 - AMPHORA DOUBLE-SIDED PORTRAIT VASE. The two stylized handles finished in gold gilt. There is a portrait on each side of the vase. The body of the vase highly decorated. RSTK mark. 10 - 5/8” high. Circa 1901. 10 - 5/8” x 5” x 5”. (Mint).

1,500 - 2,500

2288 - AMPHORA SEA PLANT VASE. Applied raised lines with various sized circle medallions. Gold, green, cream and ochre glazes. Amphora Oval mark, RSTK mark, impressed “630”. 14 - 7/8” high. A similar model illustrated in “The House of Amphora”, Scott, page 157. Circa 1900. 14 - 7/8” x 8 - 1/4” x 8 1/4”. (Mint). 1,000 - 1,500

2291 - ERNST WAHLISS DRIPPING CRYSTALS VASE. Two handled vase with applied and carved decoration to mimic crystals growing from the body of the vase. Impressed “9246”, painted “9041-11.”. 9 - 7/8” high. Illustrated in “The House of Amphora”, Scott, page 289. Circa 1908. 9 - 7/8” T x 8 - 1/2” D. (Mint).

800 - 1,200

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LOT - 2292

LOT - 2295

LOT - 2293

LOT - 2296

2292 - PAUL DACHSEL THREE-HANDLED VASE. Stylized carved geometric patterns with three extruded handles. Matte and enamel green glazes.PD purple mark, impressed “1083-10”. 7 - 1/4” high. An example is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 426. Circa 1906. 7 - 1/4” T x 5 - 1/4” D. (Mint). 600 - 1,000 2293 - AMPHORA “LIFE IN THE FOREST” VASE. Gold gilt handles with applied enameled bees, applied Mackintosh roses, forest background. RSTK mark. 7 - 3/4” high. Examples of this decoration illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 50 - 55. Circa 1899. 7 - 3/4” x 5” x 4”. (Mint). 800 - 1,200 2294 - AMPHORA MICE VASE. Mice frolicking on a raised leafy vase with with applied branch handles. Cream, gold and green iridized glazes.

Amphora Crown mark, Amphora Oval, Austria Oval. Impressed “4522-54”. 15 - 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 325. 15 - 1/4” x 10” x 10”. (Mint). 1,200 - 1,500 308

LOT - 2294

LOT - 2297

2295 - AMPHORA SECESSIONIST CANDLESTICK. Blue-green iridized glazes, Amphora Oval mark, Austria Oval mark, impressed numbers “566-20”. 13 - 1/2” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 217. Circa 1900. 13 - 1/2” x 7 - 1/4” x 7 - 1/4”. (Mint). 1,000 - 1,400 2296 - AMPHORA EDDA VASE. Eduard Stellmacher design. Cream glazes with hints of brownish reds. Raised Edda mark, Amphora Oval, impressed “3620-1”, painted “7901 298 Rm Im”.

Similar examples are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 212, and “The House of Amphora”, Scott, page 176. Circa 1901. 9 - 1/2” T x 6” D. (Mint). 600 - 800 2297 - AMPHORA GINKO PITCHER WITH APPIED JEWELED BUTTERFLY. Applied enameled butterfly with enamel jewel on a stylized ginko pitcher with extruded handle. Deep blue green iridized glazes. Amphora Crown mark, Amphora Oval, Austria Oval, impressed “3324-52”. 6 - 3/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 270. Circa 1900. 6 - 3/4” x 6” x 3 - 1/4”. (Mint). 700 - 900

www.MorphyAuctions.com | July 15, 2020

LOT - 2298

LOT - 2301

LOT - 2299

LOT - 2302

2298 - AMPHORA ELEPHANT HEAD VASE. Stylized elephant head handles on a stylized raised multi glazed vase.

Amphora Crown mark, Austria Oval mark, impressed “2188-44”. Matte and high-fired glazes. 9 - 3/4” high. Circa 1904. 9 - 3/4” x 5” x 3 1/2”. (Mint). 1,500 - 2,000 2299 - PAUL DACHSEL FLORAL VASE. Stylized vase with raised decoration and enameled dandelions at rim.

Rich blue, red and green matte and enamel glazes. PD mark, impressed “112-1”. 8” high. Similar examples illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 398, and “The House of Amphora”, Scott, page 241. Circa 1904. 8” T x 4 - 3/4” D. (Mint). 1,000 - 1,500 2300 - AMPHORA PITCHER WITH RAISED FLOWERS. Intricate applied floral handle and raised flowers on the pitcher. Gold and cream glazes. Crown mark, Amphora Oval mark, Austria Oval mark, impressed “5360-44”. 12 - 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 190. Circa 1900. 12 - 1/4” x 6 - 1/2” x 5 - 1/2”. (Mint). 400 - 600

LOT - 2300

LOT - 2303

2301 - ONE-HANDLED RED LEAF VASE. One-handled Red Leaf Vase with applied red glazed leaves on brown and cream glazed body. Amphora Oval mark, Austria Oval mark, impressed “9517”. 6 - 3/4” high. Illustrated in “The House of Amphora”, Scott, page 155. Circa 1900. 6 - 3/4” x 5” x 4 - 3/4”.

(Mint). 400 - 600 2302 - PAIR OF AMPHORA HANDLED BIRD VASES. The first is with two applied bird handles, the other with a bird sitting at top with extrude tail handle. Amphora Crown mark, Amphora Oval mark, Austria Oval mark, impressed “15015-G”.

8 - 1/4” high. The second with impressed numbers “1501”. 9 - 1/2” high. Circa 1910. Larger: 9 - 1/2” x 6” x 4 - 1/4”. (Mint).

200 - 300 2303 - AMPHORA FLORAL VASE WITH HANDLES. Raised flowers and four applied twisted stem handles. Oval Austria mark, Oval Amphora mark, impressed “8765-55”. 9 - 1/4” high.

Circa 1901. Rare form. 9 - 1/4” T x 5 - 3/4” D. (Mint). 500 - 800

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2304 - AMPHORA CURRANT VASE. Gold and reddish iridized body with applied black currants on the base and rim. Marks glazed over on the underside. 9” tall. A similar example is illustrated in “The House of Amphora”, Scott, page 144. Circa 1908. 9” x 3 - 1/2” x 3 - 1/2”. (Mint). 500 - 700 2305 - AMPHORA FOUR-HANDLED VASE. Organic Form with four extruded handles. Blue, green and grey glazes. Combed bottom. RSTK monogram, Amphora Oval, impressed “3353”. 10 - 7/8” high. Circa 1900. 10 - 7/8” x 6 3/4” x 6 - 3/4”. (Mint).

500 - 700

LOT - 2304

LOT - 2307

LOT - 2305

LOT - 2308

2306 - AMPHORA “THE FATES” BUST. Eduard Stellmacher design. “The Fates”, cream glaze. Painted “379”.

15 - 3/4” high. Illustrated in “The House of Amphora”, page 55. Circa 1900. 15 - 3/4” x 7” x 6 - 1/2”. (Mint). 600 - 1,000 2307 - AMPHORA VASE WITH INTRICATE FLORAL DESIGN. A rare Paul Dachsel designed vase. Gold gilt stylized handle, applied plum trees with enameled flowers. Ivory based body, iridized green bottom with extruded handles around the base. Crown mark, Austria Oval mark, RSTK mark, impressed numbers “3817-41”. 10 - 3/4” high.

Examples of the decoration are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 205, and “The House of Amphora”, Scott, page 71. Circa 1899. 10 - 3/4” x 6 - 1/2” x 5 - 1/2”. (Mint).

600 - 1,000 310

LOT - 2306

LOT - 2309

2308 - AMPHORA JEWELED BUTTERFLY AND WEB “SEMIRAMIS” VASE. Three applied butterflies, raised webs and jewels, with a twisted tryptic form. Amphora Oval mark, Austria Oval mark, combed RSTK mark. 7 3/4” high. Examples of this decoration are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 266-267, and in “The House of Amphora”, Scott, page 182. Circa 1904. 7 - 3/4” x 6 - 1/2” x 6 - 1/2”. (Mint). 1,000 - 1,500 2309 - AMPHORA EDDA VASE. Drip Glaze Edda Vase with thick application of pastel colored glazes running down body of vase like melted ice cream. Superb example of this glaze application on this interesting form. Raised Edda mark.

Amphora Oval mark. Impressed “3622”. 9” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 213. Circa 1900. 9” T x 6 - 1/2” D. (Mint). 1,000 - 2,000

www.MorphyAuctions.com | July 15, 2020

2310 - ERNST WAHLISS CENTERPIECE. Large tray with Art Nouveau Nymphs on each side. Gold gilt and high-fired blue glazes on porcelain. Painted numbers “4682-223-4”. 2 - 3/4” high, 16” long, 9” wide. Circa 1900. 16” L x 9” W x 2 - 3/4” T. (Mint). 1,000 - 1,500

LOT - 2310

LOT - 2311

LOT - 2312

2311 - AMPHORA FATES VASE. Eduard Stellmacher design.

Raised Sirens, insects and stars on the body of the vase, with cream glazes and gold gilt.

Raised Amphora mark, RSTK mark, incised “E. D. Stellmacher” prominently displayed on body of vase, impressed “845”. 11 - 3/4” high. A similar vase is illustrated in “The House of Amphora”, Scott, page 46. Circa 1902. 11 - 3/4” x 5 - 1/4” x 5 - 1/4”. (Mint).

800 - 1,200 2312 - AMPHORA BULBOUS SEAWEED VASE. Applied seaweed on body of vase. Metallic iridized glazes.

Amphora Oval mark underglaze, impressed “3261-6”. 9” high.

Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 229 and “The House of Amphora”, Scott, page 162. Circa 1901. 9” x 8 - 1/2” x 8 - 1/2”. (Mint). 1,200 - 1,600 LOT - 2313

2313 - PAUL DACHSEL FOUR-HANDLED TREE VASE. Stylized carved trees with four extruded handles. Black matte and iridized glazes with gold gilt and black enameled leaves. Impressed “1049/7”. 9 - 3/4” high. Similar examples are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 426-426 and in “The House of Amphora”, Scott, pages 249 and 252. 9 - 3/4” T x 7 1/2” D. (Mint). 1,500 - 3,000

LOT - 2314

2314 - PAUL DACHSEL ARROWROOT LEAF VASE. Tall stylized vase with matte glazes and enameled leaves. PD mark, “2023-1”. 15 - 7/8” high. Similar model illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 408. Circa 1908. 15 7/8” T x 8 -3/4” D. (Mint). 2,500 - 3,500

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2315

LOT - 2316

2315 - PAUL DACHSEL TALL TREE VASE. Stylized carved trees, green glazes with enameled highlights in gold gilt. PD mark, “106-7”. 17” high. Illustrated in “The House of Amphora”, Scott, page 254. Circa 1906. 17” T x 8” D. (Mint).

3,000 - 4,000

312

2316 - PAUL DASCHEL CHAMELEON VASE. Rare Paul Dachsel Two Handled Chameleon Vase in matte green and white enamel glazes. PD mark. Impressed “57”. 15 - 3/4” high.

Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland.

Circa 1906. 15 - 3/4” x 10 - 1/2” x 9 - 1/4”. (Near Mint).

6,000 - 9,000

www.MorphyAuctions.com | July 15, 2020

LOT - 2317

LOT - 2318

2317 - AMPHORA MONUMENTAL PORTRAIT VASE. The Flower Woman, a portrait in profile of a woman with enameled chrysanthemums her hair with a forest background on the body of the vase. RSTK mark, Oval Amphora mark, impressed “628”. 18” high.

Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 98. Circa 1900. 18” T x 10” D. (Mint). 12,000 - 15,000

2318 - EDUARD STELLMACHER MONUMENTAL WRAPPED WING DRAGON VASE. Rare applied high-fired green and pearlized white glazed dragon on reddish brown body. Stellmacher Teplitz mark. Impressed “9”.

Painted “333-92/W”. Model illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland pages 370-372. Circa 1905. 20” x 12” x 12”. (Mint). 12,000 - 15,000

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313

LOT - 2319

LOT - 2320

2319 - AMPHORA SPIDER LADY VASE. An extremely rare example of this intricately decorated vase. High fired glazes on a porcelain body with applied jeweled portrait, jeweled spider, webbing and gold gilt. Remnants of RSTK mark, impressed “583”.

15 - 7/8” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 84 - 85 and in “The House of Amphora”, Scott, page 94.

Circa 1900. 15 - 7/8” T x 7 - 1/2” D. (Near Mint). 9,000 - 12,000

2320 - PAUL DASCHEL, MONUMENTAL CERAMIC AMPHORA TREE VASE WITH PINECONES. Paul Daschel, Monumental Ceramic Amphora Tree Vase Decorated With Applied Green Pinecones, Austria. Circa 1908. Impressed under base “2032, 7”. The Model is illustrated in “Monsters and Maidens Collectors Edition” by Byron Vreeland, on page 408. An additional example of the Model is illustrated in “The House of Amphora” by Richard Scott on page 270. 20 - 1/2” high by 10” deep. 20 - 1/2” x 9 - 1/2”. (Excellent - Near Mint). 5,000 - 8,000

314

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LOT - 2321

LOT - 2324

LOT - 2322

LOT - 2325

2321 - AMPHORA PORTRAIT VASE. A beautiful woman in profile with enameled flowers in her hair, ornate enameled dress. The body of the vase with applied trees and flowers in pastel colors. RSTK mark, Amphora Oval mark, impressed “631”. 11 - 3/4” high. Circa 1901. 11 - 3/4” T x 6 - 1/2” D. (Mint).

4,500 - 6,000 2322 - PAUL DACHSEL FOUR-HANDLED VASE. Secessionist designed tree vase with matte and enamel glazes.The enameled tree trunks are joined by the enameled four handles as if branches on the tree. Purple PD mark, impressed “1152-13”. 12 7/8” high. Circa 1908. 12 - 7/8” x 9 - 1/2” x 9 - 1/2”. (Mint).

1,500 - 2,000 2323 - AMPHORA PORTRAIT VASE. “Lady in the Lake” series. High fired enamel glazes. RSTK mark, impressed “76-11”. 5 - 5/8” high. Similar examples illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 116-118.

Circa 1900. 5 - 5/8” T x 6” D. (Mint). 1,000 - 1,500

LOT - 2323

LOT - 2326 2324 - AMPHORA BUTTERFLY VASE WITH RETICULATED FLORAL TOP. Designed by Paul Dachsel. An intricate vase with applied enameled butterfly on a Secessionist applied background with a reticulated high fired canopy of flowers at the top. RSTK mark, impressed “651-41”. 8 - 3/4” high. Similar examples of the decoration illustrated in “Monsters and Maidens”, Vreeland, page 269, and “The House of Amphora”, Scott, page 77. Circa 1901. 8 - 3/4” T x 4 - 3/4” D. (Mint).

1,000 - 1,500 2325 - AMPHORA EXOTIC FISH VASE. Applied exotic swimming fish in cream colored glazes. Amphora Oval mark, impressed numbers “4112-10”. 11 - 1/2” high. Similar examples illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 331, and “The House of Amphora”, Scott, page 98.

Circa 1900. 11 - 1/2” x 7 - 1/2” x 7 - 1/2”. (Mint). 800 - 1,200 2326 - ERNST WAHLISS SEA NYMPH EMERGING FROM A SHELL. A sculpture of a mermaid emerging from a seashell. High fired and matte glazes on a porcelain body. EW make, impressed “9/ 4742” and Made in Austria. 9 - 1/2” x 16” x 10”. Circa 1900. 9 - 1/2” T x 16” L x 10” D. (Near Mint). 1,500 - 2,000

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LOT - 2327

LOT - 2328

LOT - 2329

2327 - AMPHORA JEWELED BUTTERFLY AND WEB VASE. Applied enameled butterflies, webs, insects and inset jewels. Amphora Austria mark, Crown mark, impressed numbers “3775-28”.

9 - 3/4” high. Examples of the decoration are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 178 181. Circa 1900. 9 - 3/4” T x 5 - 3/4” D. (Mint). 800 - 1,200 2328 - AMPHORA PAUL DACHSEL DRIP GLAZE VASE. Organic form with four extruded handles.

Pastel multi colored drip glaze over a reddish brown body. Incised PD on the body of the vase, RSTK monogram, impressed numbers “3549”. 9 - 1/4” high.

A similar vase is illustrated in “The House of Amphora”, Scott, page 168. Circa 1900. 9 1/4” T x 7 - 1/2” D. (Mint). 800 - 1,200 2329 - AMPHORA POPPIES IN BLOOM VASE. A Paul Dachsel design, decorated with painted and applied poppies on an ivory porcelain body, with matte gold highlights.

RSTK mark, impressed “549-22”. 6 1/8” high. A similar example illustrated in The House of Amphora, Scott, page 66. Circa 1900. 6-1/8” T x 5-1/2 ”T x 3-3/8”.

(Mint). 600 - 1,200 2330 - AMPHORA FLORAL VASE WITH RETICULATED TOP. Design attributed to Paul Dachsel.

Reticulated floral top with stylized hyacinth flowers. Metallic iridized glazes. Amphora Oval mark, impressed numbers “0648-52”.

14 - 1/2” high. Illustrated in “The House of Amphora”, Scott, page 126. Circa 1897. 14 - 1/2” T x 6 - 3/4” D. (Mint). 1,000 - 1,500

316

LOT - 2330

LOT - 2331

2331 - AMPHORA IRIS VASE. Tall Iris vase with extruded flower and handle, applied leaves on body of vase. Watercolor matte glazes. RSTK mark, remnants of retailer label ”A. Miero, Marsailles, France”, impressed numbers “500-13”. 17 - 3/4” high. Similar model illustrated in “The House of Amphora”, Scott, page 130. Circa 1900. 17 - 3/4” x 6 - 1/2” x 5”. (Mint). 1,000 - 1,500

www.MorphyAuctions.com | July 15, 2020

LOT - 2332

LOT - 2333

LOT - 2335

LOT - 2336

2332 - AMPHORA EDDA VASE. Dark green, blue, red and cream glazes. Raised Edda mark, Amphora Oval mark, impressed “3622-1”. 9” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland , page 213.

Circa 1901. 9” T x 6 - 3/4” D. (Mint). 800 - 1,200 2333 - AMPHORA GRES BIJOU VASE WITH TWO HANDLES. Iridized glazes with reticulated top, two applied handles and enameled flowers with inset jewels. Amphora Crown mark, Austria Oval Mark, RSTK Monogram, Impressed “3354-20”. 9 - 1/4” high.

Illustrated in “The House of Amphora”, Scott, page 190. Circa 1900.

9 - 1/4” T x 5 - 1/4” D. (Mint). 600 - 900 2334 - AMPHORA SEAWEED VASE. Applied seaweed on body of vase. Metallic iridized glazes.

Amphora Oval mark, impressed “3516”. 6 - 7/8” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 230.

Circa 1901. 6 - 7/8” x 3 - 1/2” x 3 - 1/2”. (Mint). 500 - 700

LOT - 2334

LOT - 2337

2335 - AMPHORA FLORAL VASE. Design attributed to Paul Dachsel. Stylized leaves in relief around the vase. Interesting application of the blue, green and gold glazes. RSTK mark, Crown mark, Austria Oval mark, Amphora Oval mark, impressed numbers “3011-58”. 8 - 1/4” high. Illustrated in “The House of Amphora”, Scott, page 140. Circa 1902. Rare form. 8 - 1/4” x 6 - 1/2” x 6 - 1/2”.

(Mint). 800 - 1,200 2336 - AMPHORA WATER LILY VASE. Footed Vase with iridized, high-fired pastel glazes and stems forming four handles. Crown mark, Oval Amphora mark, Oval Austria mark, impressed “3956-45”. 8 - 3/4” high. Illustrated in “The House of Amphora”, Scott, page 140. Circa 1902. 8 - 3/4” T x 6 - 1/2” D. (Mint). 400 - 600 2337 - AMPHORA EDDA PITCHER. Cream, gold and brownish green glazes. Raised Edda mark, Amphora Oval and impressed “3919”. 11 - 1/2” high. Similar examples illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 214-215.

Circa 1900. 11 - 1/2” x 6 - 1/2” x 6 - 1/2”. (Mint). 600 - 900

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LOT - 2338

LOT - 2339

LOT - 2341

LOT - 2342

2338 - AMPHORA CANDLESTICK. Watercolor glazes, design attributed to Paul Dachsel. RSTK mark, Amphora Oval mark and impressed number “3538”. 8 - 1/4” high.

Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 217, and a similar example illustrated in “The House of Amphora”, Scott, page 171. Circa 1900. 8 - 1/4” T x 5” D. (Mint).

500 - 700

LOT - 2340

LOT - 2343

2341 - AMPHORA SECESSIONIST CANDLESTICK. Organic form with raised decoration and Blue-green iridized glazes with gold gilt. Amphora Oval mark, Austria Oval, RSTK monogram (faint), impressed numbers “3540-35”. 10 - 3/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 218. Circa 1900. 10 - 3/4” x 6” x 6 - 1/4”. (Mint). 800 - 1,200

2339 - AMPHORA DRIP GLAZED FLORAL VASE. Footed organic form with pastel colored drippy glazing. RSTK monogram, impressed “35-2-42-G”. 7 - 1/8” high. Information on Drip Glazes can be found in “The House of Amphora”, Scott, pages 66-69.

Circa 1900. 7 - 1/8” T x 6” D. (Mint). 700 - 1,000

2342 - PAUL DACHSEL VASE WITH APPLIED ENAMEL IRISES. Paul Dachsel designed modernist reticulated top and two handled vase with applied enameled Irises on each side vase. Light blue green glazes with gold gilt highlights. Impressed PD mark, Made in Austria, “1015-1”. 15 - 1/4” high. Circa 1906. 15 - 1/4” x 6 - 3/4” x 7 3/4”. (Mint). 600 - 1,200

2340 - AMPHORA EDDA VASE WITH APPLIED GRAPES. Tall “Edda Series” with applied grapes and grape leaves. Cream body with pastel and deep blue glazes.Raised Edda mark, Amphora Oval, impressed “6614-56”. 17 - 3/4” high. Similar examples of the decoration are illustrated in “The House of Amphora”, Scott, pages 202-204. Circa 1900. 17 - 3/4” x 7” x 6 - 1/2”. (Very Good).

500 - 700

2343 - AMPHORA FATES VASE. Eduard Stellmacher design. With applied flowers, raised and applied Sirens and butterflies swirling around the vase. Cream and gold glazes. Raised Amphora mark, RSTK mark, painted “A. 608. 1029”. 10 - 1/2” high. A similar model is illustrated in “The House of Amphora”, Scott, page 48. Circa 1902. 10 - 1/2” x 4 - 3/4” x 4 - 3/4”. (Mint).

600 - 900

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LOT - 2344

LOT - 2347

LOT - 2345

LOT - 2346

LOT - 2348

2344 - AMPHORA PORTRAIT VASE. Matte and enamel glazes, with a young woman wearing a colorful decorated headdress. Amphora Oval mark, RSTK mark. 6 - 1/2” high. Circa 1897. 6 - 1/2” T x 4” D. (Mint). 800 - 1,200 2345 - AMPHORA PAUL DACHSEL DESIGNED TWO HANDLED SPIDER AND INSECT VASE. Applied stylized gold gilt handles with intricate enameled spiders, and insects on both sides of vase. Impressed “PD” mark on body of vase.

Remnants of RSTK mark on the underside. Austrian Oval. This vase is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 271. 6 - 1/2” high. 6 - 1/2” x 3 - 3/4” x 3 - 3/4”. (Mint). 1,000 - 1,500 2346 - AMPHORA PORTRAIT VASE. An early example of a portrait vase on an ivory porcelain body with green brown and blue high fired glazes. RSTK mark, impressed “474-12”. 6 1/4“ high. A similar model illustrated in The House of Amphora, Scott, page 84.

Circa 1895. 6 - 1/4” x 5 - 1/4” x 5 - 1/4”. (Mint). 700 - 1,200

LOT - 2349 2347 - PAUL DACHSEL CANDLESTICK. Stylized floral form with three extruded leaves at base carved shaft to flower form bobeche. Blue-green glazes. Floral motif. PD mark, “1008-1”. 8 - 1/4” high. A similar example is illustrated in The House of Amphora, Scott, page 252. Circa 1906. 8 - 1/4” T x 5 - 1/2” D. (Mint). 1,000 - 1,500 2348 - AMPHORA PORTRAIT VASE. “The Allegory of of Germany” portrait vase also known as “The Eastern Warrior” portrait vase. Beautifully executed on a Paul Dachsel designed form with a reticulated canopy of high fired enameled flowers at rim. RSTK mark, impressed numbers.

Illustrated in “The House of Amphora”, Scott, page 92 and “Monsters and Maidens: Collectors Edition”, Vreeland, page 72.

Circa 1900. 7” T x 3 - 1/2” D. (Mint). 2,000 - 3,000 2349 - AMPHORA FATES FOOTED VASE. Applied flowers and Fates in relief swirling around the vase.

Cream glazes with gold gilt. Raised Amphora mark, RSTK mark, impressed “2007-41”. 6 - 1/2” high. An example illustrated in “The House of Amphora”, Scott, page 49. Circa 1902. 6 - 1/2” x 8 - 1/2” x 8 - 1/2”. (Mint). 800 - 1,200

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2350 - ERNST WAHLISS CENTERPIECE. Embracing Nymphs, blue green glazes and gold gilt. Equisitely modeled. 4 - 1/2” high, 14 - 1/2” long, 6” depth. Ernst Wahliss Blue Crown Mark, impressed “4752-6”, impressed Made in Austria.

Circa 1900. 4 - 1/2” x 14 - 1/2” x 6”. (Mint). 1,000 - 1,500

LOT - 2350

LOT - 2353

LOT - 2351

LOT - 2354

2351 - AMPHORA SWIRLING WATER DRAGON VASE. Matte Eduard Stellmacher Design. Matte green glazes. Amphora Crown mark, Amphora Oval mark, Austria Oval mark, Round Amphora Turn mark and impressed number “4544”. 11 - 7/8” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 309. Circa 1901. 11 - 7/8” x 6” x 6”. (Mint). 1,200 - 1,600 2352 - AMPHORA CONFETTI VASE. A confetti vase with two extruded handles at the midsection. Confetti multicolor glazes with applied gold gilt decoration. RSTK monogram, Amphora Oval mark, “3342-56-G”. 15 - 1/2” high. Circa 1902. 15 1/2” x 12” x 8”. (Mint). 1,000 - 1,500 2353 - AMPHORA JEWELED FLORAL VASE. A “Gres Bijou” vase with applied flowers and jewels on a carved body, matte and enamel glazes with an intricate applied decoration on the mid section. 7” high. Amphora Crown mark, Amphora Austria Oval mark, impressed “3786-29”. Similar model illustrated in Monsters and Maidens , Vreeland, page, 202 and The House of Amphora , Scott, page 183. Circa 1904. 7” x 5” x 5”. (Mint). 1,000 - 2,000 320

LOT - 2355

LOT - 2352

LOT - 2356

2354 - AMPHORA LOBSTER VASE. Eduard Stellmacher Design. Interesting green glazes. Numbered 6601, 14 - 1/4” high. A similar model illustrated in “The House of Amphora”, Scott, page 102. Circa 1900. 14 - 1/4” x 8” x 6 - 1/2”. (Mint).

1,800 - 2,500 2355 - AMPHORA LIGHTING BOLT VASE WITH APPLIED BERRIES. A double walled reticulated lightning bolt vase with applied berries and leaves in matte and high fired glazes. Amphora Crown mark, impressed “5782-45”, original Amphora paper label on body of vase.

Some minor roughness to leaves and tip of one small stem missing. 16” high. Circa 1902. 16” x 8” x 8”. (Very Good). 1,500 - 3,500 2356 - AMPHORA PORTRAIT VASE. A grape inspired profile portrait vase. Beautiful Woman with flowing hair and enameled grapes around her. Remnants of RSTK mark, Amphora Oval mark, impressed “630”. 14 - 3/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 101. Circa 1900. 14 - 3/4” T x 7 - 1/2” D. (Mint). 4,500 - 6,000

www.MorphyAuctions.com | July 15, 2020

LOT - 2357

LOT - 2358

2357 - AMPHORA EDDA VASE. Cream and greenish brown glazes. Raised Edda m, Amphora Oval mark, impressed “3618-D”. 11 - 1/2” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 214, and another example, “The House of Amphora”, Scott, page 175. Circa 1900. 11 - 1/2” T x 7 - 1/2” D. (Mint).

800 - 1,200 2358 - AMPHORA 1900 PARIS EXPOSITION DRAGON VASE. Marked with Paris 1900 Expo mark, Amphora Austria mark, Turin mark, impressed numbers 3-4105. 17” high. Extremely rare model from Paris 1900 Expo. Similar models are illustrated in “Monsters and Maidens: Collectors Edition” by Byron Vreeland, pages 286 - 291, and “The House of Amphora” by Richard Scott, page 105. 17 - 1/2” x 13 - 3/4” x 9 - 1/2”.

(Mint). 10,000 - 15,000 2359 - MONUMENTAL AMPHORA VEILED LADY VASE. “Veiled Lady“ portrait vase, a rare example beautifully executed. RSTK mark, Oval Amphora mark. 17 - 3/4” high.

Similar examples of the series are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 86-91. Circa 1904. 17 - 3/4” T x 10” D. (Mint). 12,000 - 18,000

LOT - 2359

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321

LOT - 2360

LOT - 2361

2360 - AMPHORA MONUMENTAL SAURIAN AND FROG VASE. A Rare Sea Monster and Frog Vase designed by Eduard Stellmacher, executed in high fired and matte green glazes. Amphora Crown mark, Amphora Oval. Austria Oval, impressed 4536. 22” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 303.

22” x 11” x 11”. (Mint). 6,000 - 8,000 2361 - AMPHORA OCTOPUS AND SEAHORSE VASE. Eduard Stellmacher Design. Applied Octopus with Tentacles capturing a Seahorse. Amphora Crown mark, Amphora Oval mark, Austria Oval mark. Impressed numbers “4537-50”. 16 - 1/2” high. A similar model illustrated in “House of Amphora”, Scott, page 101.

Circa 1901. 16 - 1/2” x 8” x 8”. (Mint). 6,000 - 8,000 2362 - AMPHORA STARFISH VASE. Paul Daschel designed with four applied starfish in motion. Cobalt blue and gold glazes. Amphora Oval mark. Impressed “3640” (marks partially obscured from glaze). 15 - 1/4” high. A similar model Illustrated in “The House of Amphora”, Scott, page 102. Circa 1900.

15 - 1/4” x 9 - 1/2” x 9 - 1/2”. (Mint). 4,000 - 6,000

LOT - 2362 322

www.MorphyAuctions.com | July 15, 2020

LOT - 2363

LOT - 2366

LOT - 2364

LOT - 2365

LOT - 2367

2363 - AMPHORA PORTRAIT VASE. “The Allegory of Russia” portrait vase, also known as “The Renaissance Princess” portrait vase. Beautifully executed. RSTK mark, Amphora Oval mark, impressed “574”. 11 - 1/4” high. Illustrated in “The House of Amphora”, Scott, page 90. Circa 1900. 11 - 1/4” x 7” x 5”. (Mint).

2,500 - 3,500 2364 - AMPHORA MONUMENTAL FATES VASE. Raised Sirens swirling in the wind around the vase. Cream and reddish brown glazes with hints of gold gilt. Raised Amphora mark, remnants RSTK, impressed “3743/26” . 17” high. A similar model is illustrated in “The House of Amphora”, Scott, page 47. Circa 1902. 17” x 8 - 3/4” x 8 - 1/2”.

(Mint). 2,000 - 3,000 2365 - AMPHORA JEWELED FLORAL VASE. Carved green body with applied flowers inset with jewels. Amphora Oval mark, Austria Oval mark, impressed “3767”. Called the “Dornenkrone” (CROWN OF THORNS) decoration. Similar examples of this decoration are illustrated in The House of Amphora, Scott, page183. 8-1/2 “high, 12 inches diameter. Circa 1900. 8 - 1/2” x 12” x 12”. (Mint). 1,400 - 2,000

LOT - 2368

2366 - AMPHORA PORTRAIT VASE. Tall full face portrait of a woman with daises in her hair on a forest background. Matte glazes. RSTK mark, Amphora Oval mark, Amphora Turn mark, impressed “571-5”. 14 - 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 105. Circa 1900. 14 - 1/4” x 7 - 3/4” x 7 1/2”. (Mint). 1,500 - 2,000 2367 - AMPHORA EDDA VASE WITH GOLD GILT BRONZE MOUNTS. Cream glaze with cranberry highlights on gilt bronze floral mount.

Raised EDDA mark, Amphora Oval mark, impressed “3621-55”.

11- 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 213, and “The House of Amphora”, Scott, page 177. Circa 1900. 11 - 1/4” T x 6 - 1/4” D. (Mint).

1,200 - 2,000 2368 - AMPHORA PORTRAIT VASE. Young woman with free flowing hair and elaborate headdress.

Matte and pastel enamel glazes. RSTK mark, Amphora Oval mark, impressed “634”, painted “FK”. 10 - 1/2” high. Circa 1901. 10 - 1/2” T x 4 - 1/2” D. (Mint). 1,500 - 2,000

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LOT - 2369

LOT - 2370

LOT - 2371

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2372

LOT - 2373

2369 - AMPHORA SEAWEED VASE. Applied seaweed on body of vase. Metallic iridized glazes. Amphora Oval mark, impressed numbers “3259-G”. 10 - 3/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 229, and “The House of Amphora”, Scott, page 162. Circa 1901. 10 - 3/4” x 7” x 7”. (Mint). 1,500 - 2,000 2370 - AMPHORA 1900 PARIS EXPOSITION CORN VASE. Stylized ear of corn in matte and high fired multicolor glazes.

Amphora Austria mark, Paris 1900 RSTK mark, Turn mark. 11 - 1/2” high. An example is illustrated in “The House of Amphora”, Scott, page 134. Circa 1900. 11 - 1/2” T x 5 - 1/2” D. (Mint). 1,200 - 1,600 2371 - AMPHORA “LIFE IN THE FOREST” PITCHER. Gold gilt handle with applied enameled bees, applied Mackintosh roses, enameled flowers on forest background. RSTK mark, Amphora Oval mark. 9” high. Examples of this decoration illustrated in “Monsters and Maidens; Collectors Edition”, Vreeland, pages 50 - 55.

Circa 1899. 9” x 6” x 5”. (Mint). 1,000 - 1,500 324

LOT - 2374 2372 - AMPHORA PORTRAIT VASE. “Lady of the Lake” series. High fired enamel glazes. RSTK mark. 6 - 1/2” high. Examples of the series are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 116 - 118. Circa 1900.

6 - 1/2” x 3 - 1/4” x 3 - 1/4”. (Mint). 1,000 - 1,500 2373 - AMPHORA FATES CENTERPIECE. Raised Sirens Swirling around the bowl. Cream, green blue glazes with gold accents. Raised Amphora mark, impressed “3750-G”. 4” high, 8 1/2” diameter. Circa 1902. 4” x 9” x 8 - 1/2”. (Mint). 800 - 1,200 2374 - AMPHORA EDDA VASE. Exceptional example with multi colored drippy and iridized glazes.

Raised Edda mark, Amphora Oval, impressed “3625-G”. 6 - 1/2” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 211. Circa 1901. 6 - 1/2” T x 9” D. (Mint).

1,200 - 1,800

www.MorphyAuctions.com | July 15, 2020

LOT - 2375

LOT - 2378

LOT - 2376

LOT - 2379

2375 - PAUL DACHSEL RED PINECONE VASE. A Paul Dachsel tree vase with green enameled tree trunks and red iridized pinecones on a yellowish body. PD mark, “2-237”. 11 - 1/4” high. A similar example is illustrated in “The House of Amphora”, Scott, page 271. Circa 1908. 11 - 1/4” T x 8” D. (Mint). 1,200 - 1,800 2376 - AMPHORA SPIDER AND ENAMELED FLOWER VASE. A carved and applied spider and flower vase. Iridized and enamel glazes with inset jewels. RSTK mark. Amphora Oval. Impressed “3263-C”. 7 - 3/4” high. Examples of the decoration are illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 230 and “The House of Amphora”, Scott, page 165. Circa 1904. 7 - 3/4” T x 5 - 1/2” D. (Mint). 800 - 1,200 2377 - AMPHORA JEWELED BUTTERFLY AND WEB “SEMIRAMIS” VASE. Twisted form with applied enameled butterflies, webs and inset jewels. Combed bottom. Amphora Crown mark, Austria Oval mark, RSTK, impressed “3543-58”. 6 - 1/2” high. This vase is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 265, and “The House of Amphora”, Scott, page 182. Circa 1904. 6 - 1/2” x 6” x 6”. (Mint). 1,200 - 1,600

LOT - 2377

LOT - 2380

2378 - AMPHORA FATES VASE. Eduard Stellmacher design. Swirling Fates in relief with applied flowers and figures. Pastel colored matte glazes. Raised Amphora mark, impressed “2000”. 9 - 1/4” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 189, and a similar example in “The House of Amphora”, Scott, page 48. Circa 1902. 9 - 1/4” T x 4 1/4” D. (Mint). 800 - 1,200 2379 - AMPHORA SECESSIONIST CANDLESTICK. Blue, green red drippy glazes. RSTK monogram. 11” high. Illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 217. Circa 1900. 11” x 6 - 1/2” x 6”. (Mint). 800 - 1,200 2380 - AMPHORA JEWELED BUTTERFLY AND WEB VASE. Exceptional example of this “Gres Bijou” Butterfly and Web Vase.

Crisp execution, vibrant multicolored glazes. Interesting application of thick blue glaze above the butterflies. Amphora Austria mark, Crown mark, impressed “8777-28”. 7 - 3/4” high. Examples of the model is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 255 & 259 and additional information on the Edda series in “The House of Amphora”, Scott, pages 178 - 181. Circa 1900. 7 3/4” T x 5” D. (Mint). 1,000 - 1,500

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LOT - 2381

LOT - 2382

2381 - AMPHORA FLORAL HANDLED VASE. Amphora vase has four large porcelain flowers creating the lip of the vase, the flowers have open-work between each petal and the gilt stems flow downward, creating handles for the vase. The vase is further decorated with hand painted red, purple, yellow, and blue flowers with green stems and leaves on the front of the vase, with a single red lily on the back, all against a cream colored background.

Marked on the underside with impressed “AMPHORA’.

Very good to excellent condition. Vase is 10” tall.

10” x 5 - 3/4” x 5 - 3/4”. (Very Good - Excellent).

400 - 600 2382 - AMPHORA PAUL DACHSEL VASE. Dachsel designed two-handled vase. Great example of high-fired drippy glaze. RSTK mark, Amphora Austria mark, impressed numbers “552”. 11 - 3/4” high. Illustrated in “The House of Amphora”, Scott, page 169. Circa 1900. 11 - 3/4” x 10 - 1/2” x 8”.

(Mint). 1,500 - 2,000 2383 - LOT OF 2: AMPHORA FLORAL VASES. One in the form of a one handled-vase. Amphora Austria mark, Turn mark, Paris Expo mark. 10 - 1/2” high. The second Solifleur. Amphora Crown mark, Amphora Oval mark, Austria Oval mark and remnants of RSTK mark. 8 - 1/8” high. Circa 1900 and 1902.

Larger: 10 - 1/2” x 6 - 1/4” x 5 - 1/4”. (Mint).

800 - 1,200

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LOT - 2383

2384 - AMPHORA TWO-HANDLED RED LEAF VASE. Amphora Crown mark, impressed numbers “95”. 12 - 3/4” high. An example is illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 221. Circa 1900.

12 - 3/4” x 6” x 6”. (Mint).

800 - 1,200 2385 - AMPHORA BUTTERFLY AND WEB VASE. Gres Bijou Series “Semiramis” Vase with enameled applied butterflies, insects, jewels and webs. Deep blue green iridized glazes with gold accents.

Amphora Oval mark, remnants of RSTK mark, impressed “3638”. 6 - 1/2” high. Examples illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 254 - 264, and in “The House of Amphora”, Scott, pages 178 - 179. Circa 1904. 6 - 1/2” T x 4 - 1/2” D. (Mint).

800 - 1,200

LOT - 2384

LOT - 2385

LOT - 2386

LOT - 2387

2386 - PAUL DACHSEL TREE VASE. Stylized carved tree trunks and branches. Iridized green glazing.

PD mark, impressed “1069”. 9 1/4” high. Circa 1906. 9 - 1/4” T x 5 - 1/2” D. (Mint).

800 - 1,200 2387 - PAUL DACHSEL DESIGNED ROYAL VIENNA PORCELAIN VASE. Vase with closed water lily leaves, stems of leaves forming four handles. Cream, green gold in iridized and matte glazes.

Royal Vienna mark, impressed “9491-H”. 12 - 1/4” high.

Examples of the model illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, page 466, and “The House of Amphora”, Scott, page 287.

Circa 1911. 12 - 1/4” T x 6 3/4” D. (Mint). 1,500 - 2,000

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LOT - 2388

LOT - 2389

LOT - 2391

LOT - 2390

LOT - 2392

LOT - 2393

2388 - AMPHORA ORGANIC VASE WITH FOUR HANDLES. Applied decoration and four handles at the neck. Cream and gold glazes. RSTK monogram, Amphora Austria mark, impressed numbers “886-62”. 12 - 7/8” high. Illustrated in “The House of Amphora”, Scott, page 157. Circa 1900. 12 - 7/8” T x 6” D. (Very Good).

1,500 - 2,500

2391 - LOT OF 2: AMPHORA FLORAL VASES. The first with multicolored iridized glaze. Amphora Crown mark, Austria Oval, impressed numbers. 9 - 3/4” high. The other is an iridized solifleur vase. Amphora Crown mark, Amphora Oval, Austria Oval, impressed “3917-50”. 7 - 7/8” high. Circa 1900. Larger: 9 - 3/4” x 5 - 1/4” x 5 - 1/4”. (Mint). 800 - 1,500

2389 - AMPHORA FLORAL VASE. With raised flowers and three external handles. Amphora Crown mark, Amphora Oval mark, Austria Oval mark, impressed “3685-42”. 7 1/2” high. Circa 1901. 7 - 1/2” T x 4 - 1/2” D. (Mint). 300 - 500

2392 - AMPHORA DRAGON VASE. Applied Dragon is decorated in blue, green, reddish brown and gold glazes wrapped around a cream glazed body with natural crazing.

Amphora Oval mark, RSTK mark, impressed ”4105 - 52”. 18” high.

Similar models illustrated in “Monsters and Maidens: Collectors Edition”, Vreeland, pages 285-291, and “The House of Amphora”, Scott, page 105. Circa 1900. 18” x 12” x 10 - 1/2”. (Near Mint). 6,000 - 8,000

2390 - AMPHORA PAUL DACHSEL DESIGN FLORAL VASE. A stylized gold gilt two handled, raised flower, hand enameled vase.

RSTK mark. 8 - 7/8” high. An example of the decoration is illustrated in “The House of Amphora”, Scott, page 64. Circa 1895. 8 - 7/8” T x 5 - 1/4” D. (Mint). 600 - 1,200

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2393 - ERNST WAHLISS PAUL DACHSEL GINKO LEAF VASE. Stylized ginko leaves carved on vase with four extruding leaf stems as handles. Orange, green, brown, beige and gold glazes. Ernst Wahliss red mark, impressed “9482”, painted “9786A-10” 8 - 3/8” high.

Circa 1911. 8 - 3/8” T x 5” D. (Mint). 600 - 1,000

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LOT - 2394

LOT - 2397

LOT - 2395

LOT - 2398

LOT - 2396

LOT - 2399

2394 - STELLMACHER CANDLESTICK WITH BEETLES AND APPLIED FLOWERS. Eduard Stellmacher candlestick with applied flowers around the bobeche and beetles in relief on the shafts. Stellmacher Teplitz mark, impressed “46-K”. 10 - 1/2” high. Illustrated in “Monsters and Maidens”, Vreeland, page 360. Circa 1906. 10 - 1/2” T x 7 - 1/4” D. (Mint). 1,500 - 2,000

2397 - PAUL DACHSEL BUTTERFLY VASE. A Rare Paul Dachsel stylized vase with applied enameled butterflies over modernist branches. Blue green body with ivory mid section serving as background for the branches, gold highlights. Purple PD Mark on underside. 13 - 1/2” high. Circa 1908. 13 - 1/2” x 7 - 1/2” x 7 - 1/2”. (Mint). 1,500 - 2,500

2395 - AMPHORA SECESSIONIST PITCHER. Stylized design with raised decoration, iridized green-blue glazes with gold gilt. Amphora Crown, Austria Oval, Amphora Oval, RSTK mark, impressed “3539-55”. 6 - 1/2” high. Circa 1902. 6 - 1/2” x 5 - 3/4” x 5 - 1/2”. (Mint). 600 - 1,000

2398 - ROOKWOOD CATFISH PILLOW VASE. Vase depicts two catfish in water. Glazed. This item has two very small nicks on the back side top edge. 6 - 1/2” x 7 - 1/2” x 3 - 3/4”.

400 - 800

2396 - AMPHORA ORCHID VASE. Sculpture of an open orchid. Cream color glazes. Oval Amphora mark.

10 - 1/4” high. Circa 1900. 10 - 1/4” x 7” x 6 - 1/4”. (Near Mint).

800 - 1,200

2399 - SCHNEIDER VASE IN METAL FRAME. Art glass vase by Charles Schneider has lobbed body of mottled light blue and clear glass with red flecks encased by a wrought metal cage.

Signed on the side “SCHNEIDER” and on the underside with “FRANCE”.

Condition: Very good to excellent with a few tiny fleabites to inside rim. 8 1/4” x 10 - 1/2” x 10 - 1/2” 400 - 600

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2400 - ERNST WAHLISS PORTRAIT PITCHER. Portrait pitcher by Ernst Wahliss shows the profile of a young woman with curly hair and white flowers around her shoulders. Subtle flowers rise from behind her, all against a blue-shading-to-cream background.

Top of pitcher is molded in the form of an eagles head, with scrolls surrounding it and an applied handle on the backside, all done in gold. The back side of the pitcher is decorated with a single spray of flowers. Marked on the underside with crown logo, “EW TURN WEIN” and “MADE IN AUSTRIA DEPOSE”. Condition: Very good to excellent.

7 - 3/4” x 5 - 5/8” x 3 - 3/4”. 400 - 800 2401 - TURQUOISE GROUND FAMILLE ROSE CHARGER. Chien-Lung mark, China. The charger with shallow rounded sides and an openwork rim, it is finished with meandering vines and blossoms all done on a turquoise glazed ground. The underside with matching design and stands on a slightly splayed foot with rose colored leaf accents ending at a smooth foot rim. Qianlong seal in iron red. The underside bears numerous labels.

One marked “3/1967...S Marchant LOT - 2400 Chien Lung 18th Century”, another marked “Nathan Bentz Collectors Chinese Art”, and is also accompanied with a paper receipt from the London San Knight Antique Gallery Museum, dated 1970. There is scattered wear to the glaze and rubbing to the gilt. 15 1/2” Dia. (Very Good). 2,000 - 6,000

LOT - 2401

2402 - SCALLOPED DEEP CELADON BOWL WITH GADROONED SIDES. Late 19th to early 20th century. Japan or China. This nice stepped bowl with overall craquelure with ornamentation of two raised koi in the center. The foot is unmarked. Size: 2 - 1/4” T x 9” Dia. Condition is very good with overall even craquelure. Glaze is intact, no flecks, fleabites or other imperfections. 9 - 1/4” x 9 - 1/4” x 2 - 1/4”. (Very Good). 1,200 - 1,800 2403 - DOUBLE LOOP-HANDLED JUG. Approximately 5 gallon capacity alkaline glazed jug.

Probably southern, 19th century. Beautiful alkaline glaze with red, blue and brown. Spall cracks at shoulder, chip to spout. 19” x 12”. 20” x 12 - 1/2” x 12 - 1/2”.

1,000 - 2,000

LOT - 2402

LOT - 2403

2404 - CATTEAU DEER VASE. Catteau vase has spherical form and is decorated with a band of deer done in light and dark blue glaze, all against a cream colored crackled background. There are stylized leaves descending from the neck and the vase is finished with a blue glazed foot and neck. Signed on the underside “CH. CATTEAU. KERAMIS MADE IN BELGIUM D.943”. Condition: very good to excellent. 9” x 9” x 9” 750 - 1,000 2405 - CATTEAU DEER VASE. Catteau vase has a wide band decorated with grazing deer done in dark blue, light blue, and black glaze. All set against a cream colored crackled background. The top and bottom of vase are decorated with Art Deco design in blue, green, and black glaze. Signed on the underside “CH. CATTEAU D.943” along with a marker’s mark “BOCH FRES. LALCOUVIER MADE IN BELGIUM”. Condition: very good to excellent. 12-1/4” x 8” x 8” 750 - 1,000 330

LOT - 2404

www.MorphyAuctions.com | July 15, 2020

LOT - 2405

2406 - LALIQUE HESPIRIDES VASE. Lalique Hespirides vase has honeycomb pattern encircling the body of the vase with nude maiden or maidens within each honeycomb, all done in a deep aqua blue glass. Signed on the undersigned with etched signature “LALIQUE FRANCE”. The vase is complete with its original box. The glass is very good to excellent. Box has torn corners and torn hinge. Vase 9” T. Box: 5 - 3/8” x 11” x 6 - 3/4”. 1,500 - 2,500 2407 - LIMOGES PATE-SUR-PATE VASE. Limoges vase has cobalt blue body and is decorated with a band of white pate-sur-pate musicians surrounding the vase. Signed on the underside “LIMOGES FRANCE”. Condition: very good to excellent. 7-1/2” x 5-1/2” x 5-1/2” 500 - 750 2408 - VANCE POTTERY MERMAID VASE. An impressive mermaid vase, which was made by the Vance Faience Company of Tiltonville, Ohio in 1898.

This finely molded pottery vase was glazed in shades of gold, tan and dark brown, and it features four art nouveau mermaids standing amongst swirling waves of water, tangled in fishing nets, with dangerous-looking fish swimming nearby. It has a ruffled top and an impressed mark to base “Vance F. Co. No. 118”. It measures 12” tall by about 10 1/2” across at its widest. It is a very finely cast, with a good glaze. 12” x 9 - 1/2” x 9 1/2”. 500 - 700 2409 - LOT OF 2: ART POTTERY VASES. Lot consists of two art pottery vases including a Gouda vase in the Diana pattern with all over decoration of stylized flowers, stems and leaves against a tan background. The vase is marked on the underside “820 DIANA MS HOLLAND GOUDA”. Lot also includes a Linthorpe vase designed by Christopher Dresser.

The vase has green and white colors flowing from the lip down the side of the vase all against a brown background. Signed on the underside “LINTHORPE CH. DRESSER 6 H”. Both vases are very good to excellent. 8” x 3 - 1/4”. Larger: 8” x 4” x 4”. 400 - 600

LOT - 2406

LOT - 2407

LOT - 2408

LOT - 2409

LOT - 2410

LOT - 2411

2410 - DOUBLE HANDLED STONEWARE STORAGE JAR Capacity #5. Alkaline glazed with a mottled finish. Two lug handles. Last quarter of the 19th century. Possibly by the Rushton family of Rusk County, Texas. 19” x 11”.

Several rim chips. 19 - 1/2” x 11 - 1/2” x 11 - 1/2”.

1,000 - 2,000 2411 - TWO-HANDLED STORAGE JAR Alkaline-glazed stoneware two-handled storage jar. Stamped “J.R,” for potter, Joseph C.D. Rushton (1841-1909). According to Southern ceramics scholar, Joey Brackner, Rushton’s father, Joseph Clifford Rushton (1810-1868), learned the potter’s trade in Edgefield, SC, before establishing a pottery circa 1834 in the community of Cedric, located on the border of Chambers and Randolph counties, Alabama. He potted there with his son, Clifford, the pitcher’s maker, until his death in 1868. Clifford Rushton moved to Texas due to his father’s death and the arrival of Reconstruction, potting in Rusk County until his death in 1909. Capacity mark #3. Circa 1873-1900. Provenance: Harmer Brooke Galleries, New York City. 14.5” x 9”. Condition: 1” pit stone repair.

Minor roughness and glaze loss to top rim. 15” x 10” x 10”. 1,000 - 2,000

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2412 - STELLMACHER POTTERY LEOPARD KETTLE AND PITCHER. Lot consists of: first, a Stellmacher pottery handled pitcher decorated with spotted leopard perched on rocks against a green glaze background, over blue and brown circular bands at the foot. Signed on the underside “STELLMACHER POTTERIE TEPLITZ 2111 6”; second, Stellmacher pottery tea kettle with applied handles and spout, decorated with spotted leopard against a green glaze background over a brown matte band encircling the foot. Signed on the underside “STELLMACHER POTTERIE TEPLITZ”.

Condition: Both are very good to excellent with no visible repair or restoration under black-light exam.

Larger: 6 - 3/4” x 8 - 1/2” x 8 1/2”. 600 - 1,200

LOT - 2412

2413 - STELLMACHER LOBSTER POTTERY BOWL. Stellmacher round pottery bowl is decorated with a red lobster set against a mottled gray background.

Signed on the underside with Stellmacher Teplitz logo and numbered “2005 232”. Condition: Very good to excellent with no evidence of repair of restoration under black-light exam. 4 - 3/8” x 7 - 3/8” x 7 - 3/8”. 300 - 800

LOT - 2413

LOT - 2414

LOT - 2415 2414 - LOUWELSA WELLER PLANTER AND PEDESTAL. Beautiful example with floral design. Signed under base. Larger: 20” x 12” x 12”. (Near Mint). 400 - 800 2415 - LOT OF 3: LOUWELSA WELLER VASES. All three vases have floral design and are signed. Largest: 9” x 7 1/2” x 7 - 1/2”. (Near Mint). 300 - 500

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LOT - 2416 2416 - ROYAL DOULTON FLAMBE VASE. Large Royal Doulton flambe vase has scene of a shepherd and sheep in a meadow with a hilly background and wildflowers in the foreground, all against a red sky. The back side of the vase is decorated with wildflowers and meadow. Signed on the underside “ROYAL DOULTON, ENGLAND, FLAMBE”. Condition: there are some light scratches to the glaze on the side of the vase, as well as scratches to the inside of the mouth. 12” x 10-1/2” x 10-1/2” 400 - 600

www.MorphyAuctions.com | July 15, 2020

2417 - LOT OF 2: ROYAL DOULTON FIGURINES. Two Royal Doulton figurines depict a man and a woman. The man is believed to be modeled after Cardinal Wolsey and is wearing a long robe and hat with a roll of paper in his hand.

The figurine is white porcelain while the robes and hat have a tan wash on them. The lady is wearing a long, green gown and a pink hat with a long cape draped over her arm and flowing to the ground. Each piece is marked with a crown mark “DOULTON BURSLEM ENGLAND”.

The bishop is signed on the side of the base “C. NOKE”, while the lady is signed on the side of the base “NOKE”. There is a small flake to the bottom back corner of the base of the lady, otherwise very good to excellent. Man 13 - 1/4” T., Lady 12 - 1/2” T. 13 1/4” x 4” x 3 - 1/2”. 400 - 600

2418 - ROYAL DAULTON CHANG POTTERY BOWL. Royal Daulton bowl in the Chang design has a cream colored crackled interior which spills over to the exterior forming a heavy dripped design against a mottled amber, purple, red and brown background. The bowl is signed on the underside “ROYAL DAULTON NOXE”. Condition: Very good to excellent. 3 - 3/4” x 9 - 1/4” x 9 - 1/4”. 300 - 600

LOT - 2417

LOT - 2420

LOT - 2418

LOT - 2421

LOT - 2419

LOT - 2422

2419 - ROSEVILLE JARDINIERE Large, arts and crafts Roseville Pottery “Mostique” tan jardiniere.

Condition: good. Larger: 18” x 13” x 13”. 300 - 500 2420 - BRETBY POTTERY DRAGON VASE. Large Bretby pottery vase has a dragon resting its head on the shoulder of the vase while its body and tail wrap around. The vase is further decorated with subtle flowers, stems and leaves done in a reddish-brown glaze with gilt highlights. The dragon is completed with white opalescent glass eyes. Signed on the underside with impressed mark “BRETBY” with sunrise logo, “England 2022”. Condition: Very good to excellent. 15 - 3/4” x 10” x 10”. 250 - 500 2421 - EARLY PORCELAIN VASE WITH SCENE OF SEATED WOMAN. c. Early 1900’s. Vase is signed “C. O. Baird, Philadelphia”. 15 - 1/2” x 8” x 8”. (Excellent). 400 - 800 2422 - FRAMED HAND PAINTED PORCELAIN PLAQUE. Plaque is signed “WAGNER”, and the back of the porcelain is signed “NEAPOLITANER”. The plaque measures 5” x 4”, and is in a brass frame which is 11” tall. 11” x 8 - 1/2”. (Excellent). 300 - 600

LOT - 2423 2423 - PAIR OF SEVES PORCELAIN & BRONZE FLORAL CANDELABRAS. Each holds four candles and is made of porcelain with hand painted angels and floral background. They stand 16” tall on bronze claw feet.

Each: 16 - 1/2” x 10” x 10”. (Excellent). 300 - 800

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LOT - 2424 2424 - LOT OF 4: RARE PIECED SEVRES PORCELAIN LAMP. Rare French Sevres Porcelain Lamp with pedestal and a vase with a lid as well as Reroscene lamp which can be interchanged. Features an exquisite painting of a Victorian scene on the vase. Signed in initials “BB” with “S” underneath. Base with bronze feet and angels with porcelain center. Vase is artist signed “H. POITENIN” and 67” tall. A magnificent piece, with no damage, scratches or repairs.

Quite sturdy overall. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 67” x 20” x 20”. (Excellent).

8,000 - 15,000

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2425 - RARE FRENCH SEVRES PORCELAIN PEDESTAL TABLE. This table has a 20” diameter porcelain top decorated with cherubs, and artist signed “COLLOT”. The angels play various musical instruments. The porcelain mid portion of the pedestal stand is decorated with angels. Highly decorated bronze acrownments. No damage, scratches or repairs. A magnificent piece. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 30 - 1/2” x 20” x 20”. (Excellent). 3,000 - 6,000 2426 - RUSSIAN ENAMEL KOVSH. Russian silver kovsh has enameled flowers with red and white petals, and green leaves surrounding the body and handle of the kovsh. The lip and foot are outlined in light blue enameled dots. The piece is hallmarked on the underside with maker’s initials “HA” and what we believe is a silver purity mark, but is illegible. Very good to excellent. Size: 3 - 3/4” x 2 x 1 - 1/2”. 4” x 2 - 1/4” x 1 - 1/2”. 750 - 1,500

2427 - EDWARD FRANCIS MCCARTEN CANDLESTICKS. American Art Nouveau patinated bronze candlesticks, each depicting a nude, one a young boy and the other a young girl, each holding an amphora and gracefully poised on a sphere atop a fluted circular foot. The candlesticks are signed “E. McCartan” and further impressed “Roman Bronze Works”. Each: 17” T x 5 - 1/2” D. (Excellent).

3,000 - 5,000

LOT - 2425

LOT - 2426

LOT - 2427

2428 - RARE MAGNIFICENT MAJOLICA STRAWBERRY CENTERPIECE. Two birds perched on top eating strawberries. Two separate condiment insert dishes and three ladles. 15” long, 8 - 1/2” tall and 8” wide. Possible small chip to corner leaf, but no other harm to this exquisite piece. Largest: 15” x 8 - 1/2” x 8”.

2,000 - 6,000

LOT - 2428

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LOT - 2429

LOT - 2430

LOT - 2431

2429 - AUSTRIAN ART NOUVEAU BIRD CENTER DISH. An Austrian Art Nouveau patinated bronze and marble whimsical center dish decorated with a patinated bronze handle decorated as a branch of a tree with three patinated birds perched set within a marble dish. Unsigned. 6” T x 13” D. 1,500 - 1,800 2430 - ART NOUVEAU PAIR JAPANESE MONKEY SNAKES. Pair of Japanese Art Nouveau white metal and further gold plated candlesticks decorated as tree a tree with monkey and snake decoration. Candlesticks unsigned. Each: 15 - 3/4” x 6” x 4 - 1/2”.

(Excellent). 1,500 - 2,500 2431 - LAUGHING BUDDHA. An early 20th Century Japanese cast bronze statue of a laughing seated Buddha finished in its original parcel gilt bronze and patinated finish. The sculpture is unsigned and is period to early 20th century. 14” x 16” x 13”. (Excellent). 1,500 - 2,500 2432 - LOT OF 5: EARLY MAJOLICA CHINA ANIMAL PIECES. Lot of Majolica China animal pieces includes: first, a bear with nozzle over barrel, 4” tall; second, a sitting camel with two baskets, 6” long by 3 - 1/2” tall; third, rabbits, one with holes for toothpicks, 3 - 1/2” tall; fourth, a rat beside basket c. 1875, marked “W & R L”; fifth, a bird is nest covered bowl c. 1870, 4” dia. and 2 - 1/2” tall. All without repairs or damages. Largest: 5 - 1/2” x 4” x 3 - 1/2”. (Excellent).

800 - 1,200 336

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LOT - 2432

LOT - 2433

LOT - 2434

2433 - PATE-SUR-PATE FRAMED PLAQUE. Porcelain plaque has white pate-sur-pate decoration of a centaur playing a flute while three maidens dance. The white pate-sur-pate is set against a blue background and the plaque is signed in the front “M. CHAUFUAM”. The plaque is housed within a contemporary frame. We believe the plaque to be Limoges but cannot tell because paper has been glued to the back of the plaque. Condition: plaque is very good to excellent. Frame has some wear and chipping to finish. 12-1/2” x 11” x 1-7/8” 500 - 750

LOT - 2435

LOT - 2436

LOT - 2437

2434 - GUSTAV GURSCHNER “OPHELIA” FIGURAL ART NOUVEAU BOWL. c. 1910. Head of a sleeping woman with hair shaped into a bowl with glass button on forehead. Bronze-colored cast iron, signed on the edge “Gurschner depose Vienne”. 3 - 1/4” x 5 - 1/4” x 8”. (Excellent).

300 - 600 2435 - LONGWY CHARGER. Longwy charger has center medallion of three cranes standing in a pond with aquatic plants at their feet and a distant shore and trees in the background, all against a cream colored sky. The medallion is surrounded by colorful flowers, stems, and leaves. The flowers are done in shades of yellow, orange, green, and blue, with gilt stems, all set against an emerald green background. Signed on the underside with circular mark “DECOR A LA MAIN EMAUX DE LONGWY FRANCE, MADE IN FRANCE”. Also marked “ROHAUSSE” and the initials “SM”.

Condition: Very good to excellent, with some crazing and discoloration to underside. 3/4” x 14” x 14” 200 - 300 2436 - CHARLOTTE RHEAD CHARGER. Pottery charger designed by Charlotte Rhead has a center medallion of blue leaves and light brown berries against a creamy yellow background. The stepped rim of the charger is decorated with alternating bands of cobalt blue and light blue. Marked on the underside “CROWN DUCAL ENGLAND” along with the artist’s signature “CR RHEAD” and numbered A3714. Condition: very good to excellent, with some crazing to the glaze. 2-3/8” x 17-1/2” x 17-1/2” 200 - 400 2437 - LOT OF MISCELLANEOUS VICTORIAN ANTIQUES. Lot of miscellaneous Victorian antiques includes a Royal Bayreuth Oyster Pearl hat pin holder, 5” tall; a pair of sterling Posie holders for carraige or car with English import marks, 8” tall; a ceramic fish, 4” tall; a Meriden silver plate owl salt, 3” tall; and finally, a Meriden figural napkin ring #27 with birds, 3 - 1/2” tall. Largest: 4” x 3 - 1/2” x 3 - 1/2”. (Excellent). 100 - 300

LOT - 2438 2438 - WEDGEWOOD FAIRYLAND LUSTRE PLAQUE. Wedgwood Fairyland Lustre plaque in Elves in a Pine Tree pattern has elves sitting on branches in a pine tree, one smoking a pipe with two other elves at the base of the tree all against a midnight lustre background. The plaque is further decorated with a purple frame around the center images. The purple frame is decorated with gilt tracing, all in a gold colored wooden frame. Signed on the back side with Portland vase mark “Wedgwood England”. Sight: 7-1/2? w x 10-1/2?. Some minor wear to finish on frame. Frame: 13 - 1/2” x 10 1/2”. (Very Good - Excellent). 1,000 - 3,000

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2439 - LOT OF 8: VICTORIAN UMBRELLA HANDLES. Lot consists of eight umbrella handles. Four carved wood in form of birds with glass eyes, one of antler with carved dog, one glass with enamel of lady, one of Asian silver, and one of marbleized glass. Fine detail. Largest: 18 - 1/4” x 2 - 1/2” x 1 - 1/2”. (Excellent). 500 - 1,500 2440 - LARGE ORIGINAL METTLACH CRUSADERS 3.8L DRINKING STEIN BY HEINRICH SCHLITT, NO. 2122.

Large original Mettlach 3.8 litre drinking stein with the ‘Crusaders’ imagery and decorative pewter lid, marked with artist’s signature “Heinr. (Heinrich) Schlitt” on the side. Model #2122, Circa late 1800’s. Beautiful original condition, having only a few small blemishes around base. Marked with impressed “Mettlach” & “VB” (Villeroy & Boch) stamps and mold number “212” under base.

Additionally impressed with 87 & 98, and marked 26 in gold under base. Height measures 19.5” at tallest point. Diameter measures 7.25” at base. 19 - 1/2” x 9 - 1/2” x 9”. (Excellent).

1,000 - 2,000 2441 - LOT OF 2: JEWELRY BOXES. Lot of two jewelry boxes. The first is a sterling and enamel oval lidded box with floral design, 2 - 3/4” dia. with hallmarks. The second is a burl walnut hinged box with detailed metal lizard on top - which appears to be sterling - and jewel opener. 4 1/2” x 3” x 2”. No damage or repairs to either. Larger: 3” x 4 1/2” x 3”. (Excellent). 200 - 400 2442 - LOT OF 2: FRENCH ENAMELED STERLING HEELS. 2 - 3/4” in fitted box, hallmarked and marked “ARTALON patent applied”. No enamel damage, losses or repairs. Case: 2 - 7/8” x 4 - 3/4” x 3 - 1/4”. (Excellent).

200 - 400

LOT - 2439

LOT - 2440

LOT - 2441

LOT - 2442

2443 - RARE PHOTOGRAPH OF JOHN F. KENNEDY APPROXIMATELY 10 MINUTES PRIOR TO HIS ASSASSINATION. November 22, 1963 photo shows John F. Kennedy and Jackie in convertible and Mark Shepard Jr., CEO of Texas Instruments, holding cigarette outside the car.

The negative is included. A rare piece of historical significance.

12” x 9”. Frame: 12” x 9”.

(Excellent). 1,000 - 2,000

LOT - 2443 338

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2444 - EARLY MECHANICAL PULLER AND WINDER. c. 1850. With crank handle and brass gears on wrought iron base.

25” tall. Larger: 25 - 1/2” x 17” x 15”. (Excellent). 600 - 1,000 2445 - ON THE MARCH TO THE SEA ENGRAVING Drawn by F.O.C. Darley (1822-1888). Engraved by A.H. Ritchie. With vignette of Sherman in title margin. Circa 1868.

Publisher: Hartford: Published

by L. Stebbins. Civil War scene picturing Union General William Tecumseh Sherman’s notorious campaign across Georgia in 1864 and 1865 depicting the pillaging and destruction of countryside near the Atlantic coast. 45” x 31” image size with margin. See Nancy Finlay’s Inventing the American Past: The Art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32. Not examined out of frame. Some toning and several scratches in the upper right of sky. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Frame: 39” x 53 - 1/2”.

500 - 1,000

LOT - 2444

LOT - 2445

LOT - 2446

2446 - LOT OF 12: CARD PLACE HOLDERS. Nicely etched frosted glass placeholders with bronze bases. Signed “Made in Austria” on base. Box: 7” x 4 - 3/4” x 2 - 1/2”. (Excellent).

300 - 600 2447 - LOT OF 2: EARLY IRON PIECES. Lot consists of a branding iron by D. Whittenmore, 16 - 1/2” long, and an early axe signed “_”, c. 1850, 13” long blade and 10” long handle. Both in excellent condition. Larger: 22 - 1/2” x 10” x 2”.

(Excellent). 300 - 500 LOT - 2447

LOT - 2448

LOT - 2449

2448 - LOT OF 2: WROUGHT IRON CHAINS AND HOOKS. The first piece has a hook 15” long with 30” chain and a second hook also 15” long. The second piece has a 7” long hook, a 35” long chain, and a second 9” hook. Both pieces hand-wrought, c. 1880. Each: 15 1/2” x 5 - 1/2” x 1”. (Excellent). 300 - 500

2449 - PAIR OF EARLY ICE SKATES. Lot consists of two skates. The first has a wooden shoe base with wrought-iron oval shaped skate and leather straps, 10” long. The second has a wooden shoe base with wrought-iron skate and curl on end, 14 - 1/2” long. Both c. 1860. Both skates worn but excellent condition. Largest: 2 - 3/4” x 14 - 1/2” x 3”. (Excellent). 200 - 400

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2450 - LOT OF 10: SHAKER TOOL BOX, SMALL OVAL BOX AND EIGHT BOOKS. Tool box with two hinged lids, interior fixed tray compartment. Nailed construction. Pine with bentwood handle and small wooden knobs.

Original green paint removed and re-surfaced, Missing battened end on one lid. Width: 14.5”, length: 18.25, height: 12” Oval three-fingered box, pine and maple with a thin yellow wash.

Width: 5.25, length: 3.25” height: 2.25” Lot of eight books on Shaker culture and decorative arts: Shaker Style by John S. Bowman Inner Light: The Shaker Legacy by Linda Butler and June Sprigg The Book of Shaker Furniture by John Kassay A Shaker Sister’s Drawings by Cora Helena Sarle Shaker Furniture by Edward and Faith Andrews Shaker by June Sprigg and David Larkin Shaker Design by June Sprigg And a pamphlet entitled: Old Shakertown and the Shakers. 13” x 15” x 19”. 1,000 - 2,000

LOT - 2450

2451 - DREW AND ST JOHN STEAMERS ADVERTISEMENT PUBLISHED BY CURRIER AND IVES New York, published by Currier and Ives, circa 1878. Chromolithograph advertisement for Drew and St. John’s Steamers, a line between New York and Albany. Facsimile signature lower left C.R. Parson for Charles Richard Parsons (1844-1918).

Good color. Good condition with foxing.

Literature:Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c. 1983, no. 2694 Frame: 25” x 31 1/4”. 500 - 1,000 2452 - ANDERSONVILLE PRISON CAMP SUMPTER, GA Lithograph published by Henry Seibert & Bro, New York; undated. Circa 1885. Sight size: 57.5” x 37.5”. Framed size: 65” x 45”. This is an extremely detailed drawing of Andersonville Prison with hundreds of figures and includes the palisade fences with guard towers in the foreground with the background occupied by a Confederate encampment including artillery, tents, buildings and marching troops. Three sides of the border are occupied with nineteen vignettes of prison life, undoubtedly depicting specific memorable scenes, particularly gruesome is number one showing a wagon load of bodies at a cemetery. The bottom of the print is inscribed “ANDERSONVILLE PRISON. CAMP SUMTER, GA. / AS IT APPEARED AUGUST 1ST 1864, WHEN IT CONTAINED 35,000 PRISONERS OF WAR / DRAWN FROM MEMORY BY THOMAS O’DEA. LATE PRIVATE CO. E. 16TH. REGT. MAINE INF. VOLS. / TO THE PARENTS, WIDOWS, ORPHANS, AND FRIENDS, OF THOSE WHO PERISHED IN THIS PRISON AND TO THE REMAINING SURVIVORS, IS THIS PICTURE RESPECTFULLY AND FRATERNALLY DEDICATED.” The left end of this inscription has the emblem of the National Association of Ex-Prisoners of War and the right side, the badge of the GAR. Condition: water stains, small tears, foxing. Original frame missing some cast plaster details. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

Frame: 45 - 1/2” x 65”. 500 - 1,000 340

LOT - 2451

LOT - 2452

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LOT - 2453

2453 - LOT OF 7: ENDSLEIGH COTTAGE BLUE TRANSFERWARE PLATES. Includes various scenic and historical plates. 9 - 3/4” D. (Excellent+).

500 - 1,000 2454 - LOT OF 4: EARLY BOOKS “RITES & PRAYERS”.

BOOK OF RITES AND PRAYERS. From the label affixed to the last page of the book: The copy was made by a piest at Daigo ji (a temple) in Karok 12 (1336) as the words were dictated by his master priest. It belonged to the priest of Dekijoji of the Province of Kozuke in Keicho 11 (1605). Fair condition with later case. BOOK OF JAPANESE WOODBLOCK PRINTS, attributed to Suzuki Harunobu (Japanese:c.?1725 – 15 July 1770). Containing 17 hand colored woodblock prints. Silk wrapped cover in later case. Good condition.

BOOK OF JAPANESE WOODBLOCK PRINTS attributed to Hokusai (1760-1849). Containing 50 hand colored woodblock prints. Silk covered boards; in a later case. Fair condition. BOOK OF CHINESE STONE PRINTS, circa 1874. Containing 16 white on black stone prints.

Cover boards separated. Largest: 10” x 5 - 1/2” x 1”.

1,000 - 10,000 2455 - LOT OF 2: CODEX FEJERVARY-MAYER TEXT & MANUSCRIPT. Codex Fejervary-Mayer Manuscrit Mexicain Precolombien des Free Public Museums of Liverpool (M12014) Publie en chromophotographie par Le Duc de Loubat. Paris 1901. A pre-Colombian picture manuscript published by the Duke of Loubat. Included is the original “compliments of” card by the Duke of Loubat. Largest: 7 - 1/2” x 7 - 1/4” x 1/4”.

100 - 300

LOT - 2454

LOT - 2455

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2456 - LOT OF 6: EARLY BOOKS INCLUDING CHARLES DICKENS. Includes: ”KEARSLEY’S COMPLETE PEERAGE of England, Scotland and Ireland; together with An EXTINCT PEERAGE of the THREE KINGDOMS, etc.” London: Printed for GEO. KEARSLEY, No. 46 Fleet Street, June 1799. Condition: Poor, missing spine, boards separate, pages loose. ”ESSAYS. BY R.W. EMERSON First and Second SERIES” (2 vols) Philadelphia: David McKay, Publisher. No date. Condition: First Series: boards separate, spine deteriorated, overall wear. Second Series:boards separate, spine deteriorated, overall wear. ”Christmas Books and Stories by CHARLES DICKENS Volume 1.” New Century Edition. Boston: Dana Estes & Company. Publishers. #360 out of 1000 copies. No apparent date. Condition: woven cover in good condition. Very minor toning. ”Francesca Colonna” Charles Nodier.

Chicago: Privately printed, 1929. Theodore Wesley Koch. Condition: very good, with case. ”THE NOTE BOOK OF ELBERT HUBBARD” Wm. H Wise & Co., New York, NY. 1927, The Roycrofters. Good condition with minor wear. Largest: 10 - 1/2” x 8 - 1/2” x 1”.

200 - 600 2457 - LOT OF 3: EARLY BOOKS INCLUDING GEOMETRY TEXT. RENATI DES-CARTES, “GEOMETRIA, EDITIO SECUNDA”, Circa 1659. In Latin. Amstelædami, : Apud Ludovicum & Danielem Elzevirios, 1659-1661. Vellum cover. Good condition.

Ex-Libris bookplates from Francis J Hennessy and Comes De Solms (Count of Solms).

Thurnier Buch. Von Anfang, Ursachen, ursprung und herkommen, der Thurnier im heyligen Römischen Reich Teutscher Nation. Frankfurt am Main: Georg Rab for Sigmund Feyerabend & Simon Huter, 1566. Vellum cover. Generally good, damage to first several pages.

Ex-Libris bookplates from Georg Edward and Francis J Hennessy. Hermogenis ars Rhetorica absolutísima. (Aristotle’s Rhetoric) in Greek and Latin. Paris: 1583. Tooled vellum with latches intact.. Good condition. Stamped: Northwestern University Library. Largest: 12” x 8 - 1/2” x 2”. 2,000 - 5,000

LOT - 2456

2458 - SHIPS ENGINE REPEATER. Circa 1954. Wheelhouse engine repeater or chadburn for the Clan Mackenzie, a destroyer escort. Impressive piece with naval history. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 46” x 16 - 1/4” x 10 1/2”. 1,000 - 1,500

LOT - 2457 342

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LOT - 2458

2459 - LOT OF 9: PORTRAITS ON IVORY AND PURSES. Lot of nine consists of seven ivory portraits and two leather and metal purses, c. 1870’s. Portraits range from 2” - 4”. Purses are 4”.

5 - 1/4” x 4” x 1”. 400 - 800 2460 - CAST-IRON BLACK AMERICANA MUSICIAN SAMBO BANJO PLAYER BLINKING EYE CLOCK. Superb piece of Folk Art depicting black man playing banjo. Wearing green vest with striped pants. Original eyes. Mechanical connection would provide the up and down motion of the eyes when clock was running. No Key. Attributed to Bradley and Hubbard, circa 1880. Touch up to eyes.

10 - 1/2” x 4 - 3/4” x 16”.

(Excellent). 1,000 - 2,000

LOT - 2460

LOT - 2459

LOT - 2461

2461 - RARE AND UNIQUE FULL-BODY TIN STANDING HORSE WEATHER VANE WITH PROVENANCE. c. Late 19th to early 20th century. American. The standing or walking horse with cast zinc ears, bridle, reins and molded saddle. The full molded tail realistically posed. The horse retains good original gold gilting and traces of early paint. Offered with museum stand. Purportedly, the weather vane was mounted above the carousel of the Atlantic Highlands Park, New Jersey. Whether on top of the carousel center or the peak of the roof that usually protected these carousels from the elements, is unclear. The carousel was dismantled between 1920 - 1930, at which time a workman retrieved it for himself. It remained with his family until the 1950s, when it was sold to an antiques dealer from Red Bank, New Jersey, who retained it for his collection. He eventually sold it in the 1970s to a collector who in turn sold it to a friend who was an antiques dealer/ adviser. He is the author of the early history of the horse. The current owners purchased the horse from this individual. A photocopy of the letter accompanies this lot. From a private west coast collection. Surfaces as described. Old shallow dents along right side of body. Corrosion pitting to end of tail. Otherwise very good. Size: 33” T. x 32” L.; 36” T. with stand. 35 - 1/2” x 32” x 6 - 3/4”. (Very Good). 1,000 - 3,000

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LOT - 2462

LOT - 2463 2462 - FULL BODY FOLK ART COPPER COCKEREL WEATHER VANE. c. Mid 20th century. French or possibly Canadian. An interesting and unique form with pronounced molded comb and wattle. The seams are joined by rivets, the sheet copper tail also riveted, the tail feathers hammered. Offered with a museum stand. From a private west coast collection. Dark copper patination with verdigris. Size: 20” T. x 20” L.; 25” T. with stand. 24 -3/4” x 19 -1/2” x 5”. (Excellent). 1,000 - 3,000 2463 - 2 PIECE HORSE WEATHERVANE. Full bodied copper trotting horse weathervane with cast zinc head. Circa 1880. Traces of old overpaint, partially removed. Soldered repairs to mane. Tail possibly replaced. On a modern wall mounted bracket. 19” x 30 - 1/2” x 2”. 1,000 - 2,000 2464 - EARLY FULL-FIGURED EAGLE WEATHER VANE MADE OF COPPER. Turn of the century nice full-figured spread-winged eagle weather vane comes with original directionals and nice display stand. Early repainted gold gilt. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

64” x 30” x 28”. (Excellent). 1,000 - 3,000

2465 - EARLY LEATHER BOOT AND SPUR TRADE SIGN. Shoe 13” long and boot 23” tall. Boot has losses to leather at top and a loose spur. 24” x 14” x 7”. 600 - 1,200 2466 - LOT OF 3: MONEY, CRICKET & GAMBLING BOXES. Lot of three early Victorian pieces consists of: first, a wood and metal money box with hinge, lock and handle, c. 1860, 7” tall by 10” deep; second, a cricket box, 8” x 8” x 6”; and third, a wooden gambling box with leather dice throwers, having wear from age, 10” x 6” x 5”. Largest: 9 - 3/4” D. x 7 - 1/4” T. (Excellent). 400 - 800

LOT - 2464

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LOT - 2465

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LOT - 2466

LOT - 2467

2467 - TORTOISE AND GOLD FILLED KNOB WALKING STICK CANE WITH MONOGRAM. Gold filled knob with initials “J A” on top of knob. The handle is 2” high and 1 - 3/8” across the top. Below the handle the entire shaft is tortoise shell. The overall length is 35 - 3/4” with 1 - 1/3” horn ferrule. The condition is very good only due to minor shrinkage. It would otherwise be excellent. 35 - 3/8” x 1 - 3/8” x 1 - 3/8”. (Very Good). 1,500 - 3,500

LOT - 2468 2468 - AN EARLY 19TH CENTURY SWORD WALKING STICK CANE WITH STAG HORN TOP. c. 1810. The handle is 2 - 1/8” high and 1 - 5/8” in diameter. A scalloped shell decoration is carved on the top. There is a 1/4” thin silver collar, silver eyelets and silver mounts where the sword withdraws. The shaft is one step malacca with a 3” lined brass ferrule. The triangular small sword blade is 26 - 1/2” long. Curt Stein in his book “Canes and Walking Sticks” describes the small sword cane as follows: “among the rarest of sword canes are those with the so called ‘small sword’ blade”. The overall length is 34 - 1/2” and it is in very good condition. Most likely American. 34 - 3/4” x 1 3/8” x 1 - 7/8”. (Very Good). 1,600 - 2,000

LOT - 2469

2469 - CARVED IVORY “DUKE OF WELLINGTON” WALKING STICK CANE. This beautifully carved ivory walking stick cane of the “Duke of Wellington” has a 3” high carved ivory handle.

The decorated sterling collar is 2 - 1/2” high with English hallmarks. The handle is mounted on rosewood with a 1 - 3/8” metal collar. The overall length is 32 - 1/2”. This piece is exceptional even with some wear on the collar. 32 - 1/2” x 1 - 1/2” x 2 - 1/2”. (Excellent). 2,000 - 4,000

LOT - 2470 2470 - CARVED IVORY FIST HOLDING A WOODEN TELESCOPE WALKING STICK CANE. The fist is holding a wooden telescope that is 3 - 1/2” long. The ends of the telescope are filled with ivory.

The fist measures 1 - 1/2” wide by 1 - 3/4” high. The shaft of rosewood has six ivory ring separators and a 1 - 1/2” metal ferrule. The overall length is 34 - 1/2”. This is an exceptional walking stick cane. 34 - 1/2” x 3 - 1/2” x 1 - 1/2”. (Excellent). 2,500 - 4,000

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LOT - 2471 2471 - CAPTAIN’S WHALE BONE AND WHALE TOOTH “GOING ASHORE” WALKING STICK CANE WITH SOLID GOLD EYELETS. This is a very heavy whale bone “going ashore” cane. This type of cane was usually reserved for the captain of the vessel. The type of bone used is called Panbone. Panbone is the strongest part of a whale’s jaw bone. The top is fashioned from the tooth of a whale. The cane was soaked in tea to achieve the beige color. There are two solid gold eyelets. The overall length is 34 - 3/4”. It never had a ferrule. 34 - 7/8” x 1 - 1/2” x 2”. (Excellent). 4,000 - 8,000

LOT - 2472 2472 - SOLID GOLD 14K ART DECO KNOB WALKING STICK CANE. The handle is engraved with lines in the typical manner of the Art Deco period and stamped 14K. It measures 2” high by 1” across the top. It is mounted on a shaft of ebony with a 1 - 1/4” horn ferrule. The overall length is 36 - 1/2”. 36 - 1/2” x 1” x 1”. (Excellent). 1,200 - 2,000

LOT - 2473 2473 - SILVER AND ENAMEL DECORATIVE WALKING STICK CANE. c. 1900. The fine, delicate handle is 2 - 3/4” long and 1 - 5/8” in diameter. It is pale blue and is French hallmarked at higher than sterling content. The shaft is smooth partridge wood with a 1 - 1/4” white metal ferrule. The overall length is 34 - 1/8”. It is in very good shape. 34” x 1 - 3/8” x 1 - 3/8”. (Very Good). 1,000 - 1,400

LOT - 2474 2474 - OUTSTANDING LADIES TORTOISE AND GOLD FILLED KNOB HANDLE, WITH CAMEO AND ORIGINAL TASSEL. This is an outstanding solid tortoise ladies cane with cameo resting on top of the decorated golf filled knob handle. The knob handle is 1” high and 3/8” across the top. 5 - 3/4” below the handle is a gold decorated separator 1/4” high with a ring that holds the original twisted brass tassel. At the end of each tassel is a brass decoration cap. The overall length 36” with a 1” horn ferrule. The condition is excellent. 36” x 7/8” x 7/8”. (Excellent). 1,000 - 3,000

LOT - 2475

2475 - 18K GOLD CHILDREN’S DECORATED CROOK HANDLE WALKING STICK CANE WITH INSCRIPTION. This crook handle tested at 18K. The inscription reads “Willie”. The handle is decorated in “C” scrolls and is 3 - 3/4” long by 1 - 3/4” high, mounted on a shaft of ebony with a 1/4” brass ferrule. The overall length is 24”. See “Cane Curiosa” by Catherine Dike, pages 291 and 292, and “Canes Through the Ages” by Monek, page 160. 24” x 2 - 1/4” x 3/8”. 1,000 - 2,000

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LOT - 2476 2476 - VERY LARGE WHALE TOOTH SAILOR MADE WALKING STICK CANE WITH WOOD SEPARATORS. The whale tooth is 4 - 3/4” high by 1 - 3/4” across the top. There are two wood ring separators on the tooth. It is mounted on a shaft of ship’s wood with a 1 - 3/4” ferrule made of whale tooth. The overall length is 36”. A great example of a sailor-made cane. 36” x 2” x 2”.

(Excellent). 1,000 - 2,500

LOT - 2477 2477 - LOT OF 2: PORCELAIN KNOB PORTRAIT WALKING STICK CANES. First is a c. 1880 porcelain knob walking stick caine with portrait of a woman. The porcelain knob is cobalt blue with gold decorations on the lower portion of the handle. On the top of the knob painted on a background of light blue is a portrait of a woman wearing a hat.

The handle is 2 - 3/8” high and 1 - 1/2” across the top with a 1/4” silver collar. The handle is mounted on a shaft of rosewood with a 1” metal ferrule. The overall length is 34 - 1/2”. The condition is excellent.

Second is a c. 1880 porcelain knob cane with a portrait of Cupid.

The porcelain knob is maroon with white decorations on the lower portion of the handle. On the top of the knob painted on a sky blue background is a portrait cupid wearing a green robe. The handle is 1 - 1/2” high and 1 - 3/8” across the top with a 1/8” gold collar. The handle is mounted on a shaft of rosewood with a 1 - 3/4” horn ferrule.

The overall length is 34”. The condition is excellent. Larger: 34 - 1/2” x 1 - 1/2” x 1 - 1/2”. (Excellent). 1,000 - 1,500

LOT - 2478

2478 - OUTSTANDING ALL IVORY LARGE BALL/KNOB WALKING STICK CANE. The large ivory ball/knob handle is 1 - 3/4” high by 2” across the top. It has a 1 - 1/4” high carved ivory collar. The shaft is segmented ivory with a 1 - 3/4” decorated ivory ferrule. The overall length is 35 - 1/2”.

This piece would make a fine addition to any collection. 35 - 1/2” x 2 - 1/4” x 2 - 1/4”. (Excellent).

900 - 1,500

LOT - 2479 2479 - PICNIC CANE. The chased silver handle is 2 - 5/8” high by 1 - 3/4” across the top. Once handle is unscrewed, a slip case which holds a rosewood handled knife and fork is revealed. The knife and fork can be separated from its slip case. The maker mark on the knife is “WHW Riggs patent”. The name inside the cartouche is “Barin”. The handle is mounted on the shaft of malacca with a 3 - 3/4” silver and iron ferrule. The overall length is 36”. The condition is excellent. See “Cane Curiosa” by Catherine Dike, page 25 and 26, “Canes from the 17th to 20th Century” by Snyder, page 138 and “Walking Sticks” by Kleyer, page 173. 36” x 1 - 3/4” x 1 - 3/4”. (Excellent). 900 - 1,800

www.MorphyAuctions.com | July 15, 2020

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LOT - 2480

2480 - GOLD FILLED “L” HANDLE DOG HEAD PRESENTATION WALKING STICK CANE. c. 1868. The inscription reads “Presented to my friend H. H. Lamport 12 Sept 1868”. The handle is 3 - 1/4” long by 2 - 1/2” high. The dog’s neck has a detailed collar with buckle. The handle is mounted on a shaft of ebony with a 1 - 3/8” metal ferrule. The overall length is 35”. 35” x 3 - 1/2” x 1”.

(Excellent). 800 - 1,200

LOT - 2481 2481 - CARVED BIRD HEAD SWORD WALKING STICK CANE. The carved head is 2 - 1/2” high with a 3/8” brass collar. There is a 4 - 1/2” wood shaft handle with a 7/8” brass separator. By pulling on the handle a four-sided 27 - 1/2” sword blade is revealed. The shaft is bamboo with a 3/4” replaced brass ferrule. The overall length is 37 - 1/2”. 37 - 1/2” x 2 - 1/2” x 1”.

(Excellent). 800 - 1,200

LOT - 2482 2482 - LOT OF 2: LARGE GOLD FILLED PRESENTATION KNOB WALKING STICK CANES. The first is a large gold filled very ornate presentation knob cane with inscription, which reads “Presented to R. B. Richardson by the members of the Pacific Stock Exchange as a token of friendship”. The ornate handle is 2 - 3/4” high and 1 - 3/4” across the top. It is mounted on an ebony shaft with a 1 - 3/4” metal ferrule. The overall length is 35 - 1/2”. It is in excellent condition. The second is a c. 1891 large ornate gold filled knob presentation cane with hallmark and inscription, which reads “Presented by the S C A to their Pres’dt [name illegible] may 5 1891”. The ornate handle is 2 - 7/8” high by 1 - 3/4” across the top. The hallmark is as follows: 2 S (with heavy line going through it) 99 4 X K The handle is mounted on a shaft of ebony with a 1 - 1/8” ferrule. The overall length is 37” and the condition is excellent.

Larger: 37” x 1 - 3/4” x 1 - 3/4”. (Excellent). 800 - 1,500

LOT - 2483 2483 - LOT OF 3: SILVER AND IVORY WALKING STICK CANES. First is an early silver capped handle walking stick cane with swivel/swing clevis and initials. The silver capped cane has the initials “N L” engraved on the top of the cap. The cap is 7/8” high and 7/8” across the top. There is a swivel/swing clevis and a silver separator. The handle is mounted on a shaft of stepped malacca with a 1 - 1/2” brass ferrule. The overall length is 34 - 3/4”. A wonderful early antique in very good condition.

Second is a children’s ivory topped handle walking stick cane. The ivory handle is 1 - 1/2” high by 1/2” across the top. The handle is mounted on a shaft of malacca with a 1” brass ferrule. The overall length is 21 - 1/2”.

The condition is excellent. See “Cane Curiosa” by Catherine Dike, pages 291 and 292 and “Canes Through the Ages” by Monek, page 160. Third is an ivory knob cane with sterling collar. The ivory handle is 1 - 5/8” high by 1 - 1/2” across the top. The replaced sterling silver collar is 3/4” high. The stepped bamboo shaft has two silver eyelets and a 2” brass and iron ferrule. The overall length is 33 - 1/2”. The condition is excellent. Largest: 34 - 3/4” x 1” x 1”. (Very Good - Excellent). 800 - 1,500 348

www.MorphyAuctions.com | July 15, 2020

LOT - 2484 2484 - SILVER ASHTRAY/CIGARETTE HOLDER GADGET WALKING STICK CANE. The silver handle is 2 - 1/4” high with a flip lever on top. By flipping lever an area for the cigarette ash as well as a silver cigarette rest is revealed. The handle is mounted on a shaft of imitation snakewood with a 1 - 1/2” horn ferrule. The overall length is 35 - 1/2”. The condition is excellent. 35 - 1/2” x 2” x 2”.

(Excellent). 700 - 1,400

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2485 2485 - GOLD FILLED PRESENTATION CANE. This cane is a gold filled very ornate large knob presentation cane. This is a large very ornate knob inscribed “J W Lambert by men’s bible class Cong’l Church Gray”. The handle is 2 - 3/8” high and 1 - 5/8” wide across the top. The shaft is stepped bamboo with a 1 - 1/2” metal ferrule. The shaft has been painted black. The overall length is 35 - 1/4”. The condition is excellent. 36 - 1/2” x 3 - 3/4” x 3/4”. (Excellent).

350 - 650

LOT - 2486 2486 - OPERA HANDLE WALKING STICK CANE. This cane is a gold filled ornate opera handle cane with inscription. The gold filled handle is inscribed “W G Lewis”. The handle is very ornate and measures 3 - 1/2” long and 2” high. There is a hallmark of a star inside of a circle and under the circle is the number 201. The handle is mounted on a shaft of rosewood with a 1” metal ferrule. The overall length is 36 - 1/2”. The condition is excellent. 36 - 1/2” x 3 - 3/4” x 3/4”.

(Excellent). 700 - 1,300

LOT - 2487

2487 - MOTHER OF PEARL AND SILVER OPERA GLASS WALKING STICK CANE. Handle is 2 - 3/4” long. Shaft is 33 - 1/2” with a 1” replaced metal ferrule. The overall length is 33 - 3/4” long. The condition is excellent. 36” x 3 - 3/8” x 2”. (Excellent). 600 - 900

www.MorphyAuctions.com | July 15, 2020

349

LOT - 2488

2488 - BOAR’S TUSK WALKING STICK CANE ON ROSEWOOD SHAFT. The boar’s tusk is 9 - 1/2” long and is mounted on a rosewood shaft shaped to match the sides of the tusk.

The overall length 35 - 1/2” with a 2 - 1/4” ivory ferrule. The condition is excellent. See “Canes from the 17th to the 20th Century” by Snyder. 35 - 1/4” x 6 - 1/2” x 1 - 1/2”. (Excellent). 600 - 1,200

LOT - 2489

2489 - SOUVENIR/GADGET CROOK HANDLE WALKING STICK CANE. c. 1904. Yale 1904 35th Reunion. Yale class reunion map cane 1904. Back of shaft with 14” aperture containing a spring-rolled cloth reunion map. Made by Sole Distributors: In-A-Cane Display Company, 53 State Street, Boston, MA. The overall length is 35 - 3/4” with a 1/2” brass ferrule. See “Canes Through the Ages” by Monek, page 255. 35 - 3/4” x 5” x 1 - 1/4”. 600 - 1,200

LOT - 2490 2490 - LOT OF 2: GOLD FILLED TAU HANDLE ON SNAKEWOOD AND ORNATE GOLD FILLED KNOB WALKING STICK CANES. First is a c. 1888 gold filled Tau handle walking stick cane on snakewood shaft, inscribed: “F. A. Palmer Dec 25, 1888”. Snakewood is very rare and found only in Guyana in northeast South America. It is prized among can collectors. It is considered the aristocrat of shaft materials. The handle is 3 5/8” long and 2” high with ornate “C” scroll designs on the handle. Mounted on a snakewood shaft with 1 - 1/2” metal ferrule. The overall length is 35 - 1/2”. The condition is excellent. The second is an ornate gold filled knob walking stick cane, engraved “SBM”. Ornate design with three flat panels and three other panels in “C” scrolls. There is a maker mark “T V & D”. The handle is 2” long and 1 - 1/8” across the top. Mounted on an ebony shaft with a 1 - 1/2” metal ferrule. The overall length is 35 - 1/2”. The condition is good. Larger: 35 - 1/2” x 4” x 3/4”. (Good - Excellent). 600 - 1,000

LOT - 2491 2491 - LOT OF 2: GOLD FILLED KNOB WALKING STICK CANES. First is a gold filled ornate knob cane on snakewood shaft with monogram. The monogram is “B C S”. The knob handle is 2 - 1/2” high and 1 - 1/2” across the top. It is mounted on a shaft of snakewood with a 1 1/2” silver and iron ferrule. The overall length is 35 - 1/4”. The condition is excellent. The second is a gold filled large ornate knob walking stick cane with hallmark. The knob handle is 2 - 1/2” high and 1 - 1/2” across the top. The hallmark is “2 7 M”. The handle is mounted on an ebony shaft with a 1 - 1/4” metal ferrule. The overall length is 36”. The condition is excellent. Larger: 36” x 1 - 1/2” x 1 - 1/2”. (Excellent).

600 - 900 350

www.MorphyAuctions.com | July 15, 2020

LOT - 2492 2492 - RUSSIAN AGATE TOP DECORATIVE WALKING STICK CANE. This is a c. 1880 Russian agate top decorative walking stick cane. The 2” handle shows striations of dark browns, tan, cream, etc. There is a 1” beautiful collar of decorated gold gilt with a smooth cartouche. A silver crest with wild boar is overlaid on the collar, perhaps a family crest. The shaft is ebony with a 1 - 1/4” white metal ferrule. The overall length is 36 - 1/4” and it is in very good condition. It is continental. 39 - 1/2” x 3/4” x 3/4”. (Very Good). 300 - 600

LOT - 2493 2493 - ENGLISH CARRIAGE WALKING STICK CANE. This is a c. 1905 English carriage walking stick cane of leather and wood with silver knob and collar and maker mark. The maker mark is “S & A”: Shaine & Adeney, makers to the King and Queen, 185 Picadidily, London. The silver knob is 1 - 1/4” high by 3/4” across the top. There is a 1” silver collar; an 8 - 1/2” leather handle, showing some wear, sits between the knob and the collar. It is mounted on a shaft of Hawthorne wood with a 2 - 1/2” silver and iron ferrule. The overall length is 39 - 1/2”. The condition is very good. 39 - 1/2” x 3/4” x 3/4”. (Very Good).

300 - 600

LOT - 2494

2494 - LEATHER AND WOOD HANDLE SWORD WALKING STICK CANE WITH ORIGINAL TASSEL. The leather part of the handle is 3 - 3/4” high with a 1/2” high metal separator. The tassel is attached by a ring to the leather section. Below the leather handle is a section of wood 3 - 3/4” long with a 1 - 1/8” separator. The lower shaft is 26 - 1/2” long. The four-sided blade is 25” long. The overall length is 35 - 1/4” with a 3/4” brass ferrule. The condition is excellent. 36 - 1/2” x 1” x 1”. (Excellent). 600 - 1,200

LOT - 2495 2495 - TRAIN CONDUCTOR’S WATCH WALKING STICK CANE. There is a removable silver cap with clear celluloid cover that is 1/2” high by 2” across. Upon removing cap a pocket watch with second hand and in working order is revealed. The face of the watch reads “Chronometer maker to the admiralty M. Ehrhardt London”. The handle is mounted on an ebony shaft with a 1” replaced metal ferrule. The overall length is 36”. The condition is excellent. See “Canes from the 17th to the 20th Century” by Snyder, page 102. 36” x 2 - 1/4” x 2 - 5/8”. (Excellent). 600 - 900

www.MorphyAuctions.com | July 15, 2020

351

LOT - 2496 2496 - LOT OF 2: GOLD FILLED WALKING STICK CANES. First is a gold filled ornate knob handle walking stick cane with inscription. The inscription reads “H. M. Humphrey”. The knob handle is decorated in a fan pattern with leaves. The knob handle is 1 - 1/2” high by 1 - 1/2” across the top. The handle is mounted on a shaft of malacca with a 1 - 1/2” metal ferrule.

The overall length is 35”. The condition is excellent. The second is a gold filled decorated knob cane on a snakewood shaft with inscription. The knob handle is 2” high by 1 - 1/2” across the top. The inscription reads “J. Pease”. The handle is mounted on a shaft of snakewood with a 1 - 1/2” sterling ferrule. The overall length is 35”. The condition is excellent. Larger: 35” x 1 - 1/4” x 1 - 1/4”. (Excellent). 700 - 1,000

LOT - 2497 2497 - GADGET TOOL WALKING STICK CANE WITH SIX METAL TOOLS RESIDING IN THE TOP OF THE HANDLE. c. 1850. When handle is unscrewed, a packet which holds miniature tools is revealed. By unscrewing the remainder of the handle, a bit-drive is revealed. The wooden shaft has two eyelet holes and a 1” replaced metal ferrule. The overall length is 35 - 3/4”. The condition is excellent. See “Can Curiosa”

by Catherine Dike, page 247, item 25/1. 36” x 1 - 1/2” x 1 - 1/2”. (Excellent). 700 - 1,200

LOT - 2498 2498 - WALRUS IVORY KNOB CANE. This cane is a walrus ivory knob Captain’s going shore cane with inset of abalone. The walrus ivory handle is 2 - 1/4” high and 1 - 5/8” across the top. In the center of the knob is a round disk of abalone. The handle is mounted on a heavy shaft of exotic wood with a 1 - 3/4” walrus ivory ferrule. The overall length is 36 3/4”. The condition is excellent. 36 - 3/4” x 1 - 3/4” x 1 - 3/4”. (Excellent). 400 - 750

LOT - 2499 2499 - LADIES RHINESTONE AND SILVER KNOB WALKING STICK CANE. This cane is a Ladies’ rhinestone and silver knob cane with original tassel. It is mounted on a thin ebony shaft with a 1 - 1/4” horn ferrule. The handle decorated with inset rhinestones is 3/4” high by 2” across the top.

The overall length is 36 - 1/4”. The condition is excellent, though it is missing one stone. 36 - 3/4” x 1 - 3/4” x 1 - 3/4”. (Excellent). 400 - 750

352

www.MorphyAuctions.com | July 15, 2020

LOT - 2500 2500 - SILVER CHASED NEW ORLEANS DAGGER WALKING STICK CANE. The chased handle is 2 - 3/8” high by 1 - 1/2” across the top. Below the handle is a 3/4” high ivory separator at the end of which is a 1/2” brass decorated ring with button release. When button is depressed dagger can be removed from ebony shaft. There is a four-sided sword blade still showing some bluing. The blade is 12 - 1/2” long. The ebony shaft is 29” long with a 1 - 1/4” horn ferrule. The overall length is 32 5/8”. 32 - 5/8” x 1 - 3/4” x 1 - 3/4”. (Excellent). 800 - 1,200

LOT - 2501

2501 - BEAUTIFUL CHASED GOLD FILLED “L” HANDLE WALKING STICK CANE WITH INSCRIPTION AND MAKER MARK. The handle is inscribed “Lewis Porter, Brockton Mass”. The handle is 1 - 3/4” high by 3 - 1/2” long. The maker mark is “R F S & Co.”. It is mounted on a shaft of ebony. The overall length is 34 - 1/2” with a 1 - 1/4” metal ferrule. See “Canes in the US” by Catherine Dike, pages 236 and 238. 34 - 3/8” x 3 - 1/2” x 1”. (Excellent). 800 - 1,500

LOT - 2502 2502 - UNUSUAL TORTOISE SHELL KNOB SWORD WALKING STICK CANE. Unusual tortoise shell knob sword cane, The tortoise knob has a gold horseshoe inlay. The tortoise knob has a gold horseshoe inlay. The blade, which is 13” long, is quite spectacular and unusual. It has a squared and twisted configuration and is engraved, blued and gilted.

The blade inserts into a shaft of stepped malacca. The handle is 3/4” high by 1 - 1/4” across the top with a 1/8” brass collar. There is a 1” metal ferrule. The overall length is 34 - 3/4”. The condition is very good. 35” x 1 - 3/8” x 1 - 3/8”. (Very Good). 800 - 1,200

LOT - 2503 2503 - LARGE DECORATED SILVER HANDLED GAMBLER’S WALKING STICK CANE WITH IVORY COLLAR, INITIALS, AND HALLMARK. The silver handle is 1 - 5/8” high by 1 - 5/8” across the top. The long ivory collar measures 2 - 3/8” high. The initials are “HDR”. By unscrewing the silver cap, a compartment that holds five ivory dice is revealed. Each die is inscribed “Drysack sherry” and is sided with a King, Queen, Jack, ten and a nine - a Royal Flush. The shaft is made of ebony with a 1” replaced metal ferrule. The condition is excellent. 37 - 3/4” x 1 - 3/4” x 1 - 3/4”. (Excellent). 1,100 - 1,800

www.MorphyAuctions.com | July 15, 2020

353

LOT - 2504 2504 - 18 CT GOLD HAMMERED KNOB WALKING STICK CANE. The handle is 1 - 3/8” high by 2 - 3/8” across the top. It is stamped “18 CT P.G”. The handle is mounted on a shaft of malacca with a 1” horn ferrule. The overall length is 36”. The condition is very good, with a small dent in the center of the handle. 36” x 1 - 1/2” x 1 - 1/2”. (Very Good). 1,000 - 1,500

LOT - 2505 2505 - GAMBLER’S IVORY KNOB WALKING STICK CANE. This gambler’s cane comes complete with cup, spinning wheel top, set of small dice and a pencil. You gently unscrew the top to find the spinning wheel and the dice (the cup/top half holds these pieces). Then, if you hold the shaft at the brass collar and very gently turn the ivory cup holding it at the base of the cup and then twist, the cup will unscrew from the brass collar. Remove it from the shaft and you will find a very thin pencil resting in the shaft. The knob handle is 1 - 1/2” high by 1” across the top. There is a brass collar and is mounted on a rosewood shaft with a 1” replaced metal ferrule. The overall length is 35 - 1/4”. The condition is excellent. 35 - 1/4” x 1 - 1/4” x 1 - 1/4”. (Excellent). 1,200 - 1,900

LOT - 2506

2506 - ROCK CRYSTAL LADIES WALKING STICK CANE WITH JEWELS, ENAMELING, AND GOLD. c. 1908. The handle is 2” long. 12 carved smooth panels. Seed pearls are arranged in a floral pattern with a single cabochon sapphire between the,. A 1/4” band of pale blue enameling follows and then a 5/8” gold collar, English hallmark 9 carat. The shaft is ebonized hardwood with a 3/4” ivory ferrule. Length is 33 - 3/4” and the condition is excellent. Comes with a protective red leather box guard for the handle. 34” x 1 - 1/2” x 1 - 1/2”. (Excellent). 1,800 - 3,500

LOT - 2507 2507 - GAMBLER’S ROULETTE WALKING STICK CANE. The top of this cane looks like an unopened faced pocket watch, but it is the face and action of a roulette wheel. Under the glass it reads “Monaco-Roulette:. By slowly winding the stem (not too tight) and then pressing the stem the needle will start to spin and then stop at a number. The stick is in perfect working order. It is mounted on a beautiful wooden shaft with a 1” replaced metal ferrule. The overall length is 35 1/2”. The condition is excellent. 35 - 1/4” x 2 - 3/4” x 2”. (Excellent). 1,500 - 3,000

354

www.MorphyAuctions.com | July 15, 2020

LOT - 2508 2508 - UNUSUAL DOCTOR’S SYRINGE WALKING STICK CANE WITH LARGE BRASS HANDLE. One end of the handle holds the syringe, the other holds five glass vials. The vials are noted as follows: 1. hypodermic tablets (manufactured by: The British Drug House Ltd. London.), 2. hypodermettes R. Pilocarpin nitrate-poison (manufactured by: P. Harris Co., Ltd., Birmingham), 3. morphine sulfate 35 - 7/8” x 5 - 1/4” x 1 - 1/4”. 2,000 - 3,000

LOT - 2509 2509 - EXTREMELY RARE AND IMPORTANT NARWHAL WALKING STICK CANE WITH SILVER KNOB CAP. c. 1840 - 1850. The tusk has a good natural twist. The tusk is polished and has a beautiful patina. The Narwhal tusk was treasured as perhaps coming from the legendary Unicorn and was so rare and expensive that only royalty could possess one in times gone by. It was believed to have magical powers. The silver knob is 1 - 1/8” high and 1 - 3/4” across the top. The overall length is 38 - 1/2” with small original 1” brass ferrule. The condition is pristine. 38” x 2” x 2”. (Excellent). 5,000 - 8,000

LOT - 2510 2510 - AN IMPORTANT AMERICAN ASSASSIN’S WALKING STICK CANE. c. 1851. The device is designed so that the sleeve rides over the bottom portion of the ebonized shaft. There is a 1 - 1/2” iron ferrule which is stamped “Hudson Patent, September 9, 1851”. There is a slit in the bottom of the ferrule which hides the assassin’s blade. The curios works in the following manner: when the palm of the hand, which has been placed on the knob handle, is turned to unlock the device, it is then given a sharp push and a 3” blade shoots out of the ferrule delivering its attack. The overall length is 36”. All mechanics work and the condition is very good. This is a rare piece and may be one of the earliest gadget canes ever patented in America. 33 - 1/2” x 1 - 1/4” x 1 - 1/4”. 4,000 - 6,000

LOT - 2511 2511 - ELEGANT 18K CHASED TAU HANDLE WALKING STICK CANE WITH MONOGRAM AND FRENCH HALLMARK. The gold Tau handle is 1 - 5/8” high by 3” long. It has a monogram that we have been unable to make out.

The handle also has a French hallmark, a side profile of a man’s face with a hallmark that we also cannot determine. The handle is mounted on a shaft of malacca with a 1” metal ferrule. The overall length is 36 3/4”. A truly elegant cane in excellent condition. 36 - 3/4” x 3” x 1”. (Excellent). 2,500 - 5,000

www.MorphyAuctions.com | July 15, 2020

355

LOT - 2512

2512 - IVORY AND SOLID GOLD TAU HANDLE WALKING STICK CANE. The ivory handle is 4 - 1/4” long by 1 - 1/4” high mounted on an ebony shaft with a 1 - 1/4” horn ferrule.

It has a very ornate 18K gold collar that is 1” high. The collar has a cartouche with a monogram and the following maker mark: J. B. ?. 15 .625 and a small ship’s anchor to the right of .625. The overall length is 35”. 35” x 4 - 1/4” x 1 - 1/8”. (Excellent). 2,000 - 3,000

LOT - 2513 2513 - SOLID GOLD 14K “L” HANDLE PRESENTATION WALKING STICK CANE. c. 1889. Very ornate handle that is 3 - 1/2” long and 2” high. The inscription reads “E. Decker” on the side of the handle. In the front of the handle the inscription “Nellie, Lizzie, Geo, Burt, Fred Green Christmas 1889”. The handle is mounted on a beautiful rosewood shaft with a 1 - 1/2” metal ferrule. The overall length is 33 - 1/2”. The condition is excellent. 33 - 1/4” x 3 - 5/8” x 1”. (Excellent). 1,400 - 2,200

LOT - 2514 2514 - FINELY CARVED IVORY FIGURINE WALKING STICK CANE DEPICTING A STANDING LION DRESSED AS A KING. The standing lion king is 1 - 5/8” high and is in a long coat with pockets, his arms are behind his back and in his hands he holds a carved royal staff. There is a crown on his head. The lion king is standing on a round carved ivory disc. Below the disc is a chased silver collar that is 1 - 1/4” high. The handle is mounted on a shaft of ebony with a 1 - 3/8” metal ferrule. The overall length is 37 - 1/8”. This is an outstanding cane. 37 - 1/8” x 1 - 1/2” x 1 - 1/2”. (Excellent). 1,200 - 2,000

LOT - 2515

2515 - CARVED IVORY 1000 FACE CANE. Signed “San Tama” (mountain jewel) sterling collar with hallmark. Made in the early 1900’s for export from Japan. The ones sent to the U.S. were marked sterling. Rosewood shaft with horn ferrule. Length is 33 - 1/2”.

One of the best we have seen. 33” x 1 - 3/4” x 1 - 3/4”. (Excellent). 1,000 - 2,000

356

www.MorphyAuctions.com | July 15, 2020

LOT - 2516 2516 - VERY UNUSUAL TORTOISE SHELL VENEER WALKING STICK CANE. Tortoise shell veneer with bone collar and bone ferrule. This is a very unusual cane. The handle is 1/2” high and 2” across from the top. A piece of mother of pearl adorns the top of the handle. 5 - 1/4” down from the handle is a collar made of bone. The overall length is 37 - 1/2” with a 1 - 1/2” bone ferrule. There is a 3” long area of shell loss on bottom. 37 - 1/2” x 2” x 2”. 1,000 - 3,000

LOT - 2517 2517 - FOLK ART SNAKE CANE. 38” long painted snake cane. Beautiful detail and original surface. Late 1800’s. 38”L. (Excellent). 1,000 - 2,000

LOT - 2518 2518 - 14K GOLD KNOB WALKING STICK CANE WITH INITIALS. 14K Gold knob with the initials “J P K” engraved on the top of the knob handle. The handle is 1 1/4” high and 1 - 3/8” across the top. The handle is mounted on a beautiful rosewood shaft with a 1 - 1/2” horn ferrule. The overall length is 36”. The condition is excellent. 36” x 1 - 1/2” x 1 - 1/2”.

(Excellent). 1,000 - 2,000

LOT - 2519 2519 - IVORY KNOB WALKING STICK CANE WITH INSCRIBED SILVER DECORATED AND SCALLOPED COLLAR, EYELETS AND ORIGINAL LEATHER WRIST CORD. On the scalloped collar the inscription reads “Samuel White Feb 4 1725/6”. The ivory handle is 1 - 7/8” high and 1 - 3/8” across the top. The original wrist cord is held together at the ends with a tear-shaped carved piece of ivory. The ivory handle is mounted on a shaft of malacca with a 3 - 1/2” long brass ferrule. The overall length is 32 - 1/2”. A wonderful early antique in excellent condition. 32 - 1/2” x 1 - 1/2” x 1 - 1/2”. (Excellent). 1,000 - 2,500

LOT - 2520 2520 - CARVED IVORY PISTOL GRIP LIBERTY BELL COMMEMORATIVE WALKING STICK CANE. c. 1853. The pistol grip handle is 5 - 3/8” high with the Liberty Bell and 13 stars carved on the ivory. There is a 3/4” silver collar mounted on a shaft of exotic wood with a 1 - 1/4” brass and iron ferrule. The overall length is 38 - 1/2”. This is an outstanding cane. 38 - 1/2” x 1 3/4” x 1 - 1/4”. (Excellent). 1,000 - 2,500

www.MorphyAuctions.com | July 15, 2020

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LOT - 2521 2521 - SILVER CROOK HANDLE GADGET LIGHTER WALKING STICK CANE. Handle is 5” long mounted on a shaft of ebony with a 1 - 1/4” horn ferrule. The overall length is 34 - 1/8”. See “Cane Curiosa” by Catherine Dike, page 77, item 7/108. 34 - 1/8” x 3 - 3/4” x 1”.

(Excellent). 1,000 - 2,000

LOT - 2522 2522 - SOLID GOLD LARGE ORNATE KNOB WALKING STICK CANE WITH HALLMARK. The ornate knob handle is 2 - 3/8” high and 1 - 1/2” across the top and is unmarked. The hallmark is a crest with the numeral 2 above it. Under the hallmark is the number 48 with the letter A off to the side. The knob has three unmarked side panels. The handle is mounted on a shaft of ebony that is 32” long. There is a 1 - 1/4” metal ferrule. The overall length is 35 - 3/4”.

35 - 3/4” x 1 - 5/8” x 1 - 5/8”. (Excellent). 1,000 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2523 2523 - LADIES IVORY AND WHALEBONE CANE. This cane is a Ladies’ ivory and whale bone knob cane with silver collar. The ivory knob is 2 - 3/8” high by 1 - 1/2” across the top. It has a 3/8” silver collar with the letter “L” inscribed.

The ivory handle is mounted on a shaft of solid whale bone with a long 3 - 3/4” metal ferrule.

The overall length is 35 - 3/4”. The condition is excellent. 35 - 3/4” x 1 - 1/4” x 1 - 1/4”.

(Excellent). 500 - 1,000

LOT - 2524 2524 - LADIES IVORY AND WHALEBONE CANE. This cane is a Ladies’ ivory and whale bone knob cane. The ivory handle is 2” high and 7/8” across the top. It is mounted on a shaft of whale bone. The overall length is 34 - 3/8”. It never had a ferrule. The condition is excellent. 35 - 3/4” x 1 - 1/4” x 1 - 1/4”. (Excellent). 500 - 1,000

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LOT - 2525 2525 - LOT OF 3: GOLD FILLED KNOB CANES. First is a gold filled knob decoration cane. The decorated knob handle is 1 - 1/2” high by 1 - 1/8” across the top. The handle is mounted on a shaft of mahogany with a 2” metal ferrule. The overall length is 33 - 1/8”. The condition is excellent. Second is a gold filled eight-sided knob cane with initials. The initials are “S A”. The eight panels are unmarked. The handle is 1 - 1/2” high by 1 - 1/8” across the top. It is mounted on a shaft of stepped bamboo with a 1 - 1/2” horn ferrule.

The overall length is 34 - 3/4”. The condition is excellent. Third is a Ladies’ delicate gold filled knob cane with maker mark. The delicate knob is 3/4” high by 3/4” across the top. The maker mark is “R F S & Co.”. It is mounted on a shaft of rosewood with a 2 - 1/2” brass ferrule. The overall length is 33 - 3/4”. The condition is excellent. See “Canes in the U.S.” by Catherine Dike, pages 236 and 238. Largest: 34 - 3/4” x 1 - 1/8” x 1 - 1/8”. (Excellent). 1,000 - 1,800

LOT - 2526 2526 - LOT OF 2: GOLD FILLED PRESENTATION CANES. First is a gold filled ornate knob cane with initials on snakewood shaft. The initials are “C W”. The handle is 2 - 1/4” high by 1 - 3/8” across the top. It is mounted on a shaft of snakewood with a 1 - 1/8” metal ferrule. The overall length is 35”. The condition is excellent. Second is a c. 1866 gold filled decorated knob presentation cane. The inscription reads “To J. N. Stephenson by his pupils Dec 10, 1866”. The knob handle is 1 - 7/8” high by 1 - 1/4” across the top. It is mounted on a shaft of ebony with a 3” brass and iron ferrule. The overall length is 35 - 3/4”. The condition is excellent. Larger: 35 3/4” x 1 - 1/4” x 1 - 1/4”. (Excellent). 900 - 1,500

LOT - 2527 2527 - LOT OF 3: LADIES IVORY AND IVORY KNOB WALKING STICK CANES. First is a Ladies’ ivory knob cane with silver collar. The knob handle is 1 - 3/4” high by 1 - 3/8” across the top. The silver collar is 3/4” high. The handle is mounted on a shaft of rosewood with a 1 - 1/4” thin metal ferrule. The overall length is 34 - 1/4”. The condition is excellent. Second is a c. 1843 ivory knob cane with silver collar and eyelets with inscription. The inscription on the silver collar reads “J C Stone 1843”. The ivory handle is 1 - 5/8” high by 1 - 3/8” across the top. There is a 3/8” silver collar. The shaft of exotic wood has two silver eyelets and a 2 - 1/2” brass ferrule. The overall length is 33 - 1/2”. The condition is excellent. Third is an ivory knob cane on imitation snakewood shaft. The ivory handle is 1 - 7/8” high by 1 - 1/2” across the top. It is mounted on a shaft of imitation snakewood with a 1 - 1/2” brass ferrule. The overall length is 35 1/2”. The condition is excellent. Largest: 35 - 1/2” x 1 - 1/2” x 1 - 1/2”. (Excellent).

900 - 1,500

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LOT - 2528

2528 - CARVED IVORY TWO FACES WALKING STICK CANE. Carved ivory two faces walking sick cane with 1/4” metal collar mounted on a shaft of rosewood with a 2 3/4” long metal ferrule. There are two decorative silver eyelets adorning the shaft. The overall length is 37 - 3/8”. 37 - 1/2” x 1” x 1”. (Excellent). 800 - 1,200

LOT - 2529 2529 - 14K SOLID GOLD KNOB PRESENTATION 50 YEAR WALKING STICK CANE. Monogram cannot be determined. The knob handle is hallmarked on the side as follows: 1858 - 1908 (U925X14K). The knob is 5/8” high and 1 - 3/8” across the top. The shaft is malacca with a 2” horn ferrule.

The overall length is 33”. 33” x 1 - 1/4” x 1 - 1/4”. (Excellent). 800 - 1,500

LOT - 2530

2530 - CARVED IVORY “L” HANDLE PRESENTATION WALKING STICK CANE WITH SILVER DECORATIONS. The inscription reads “From The Journal Benevolent Union - Frank Reddy”. The carved ivory handle is 5” long by 1 - 1/2” high with a 1” high silver collar. The shaft is malacca with a 1 - 1/2” horn ferrule. The overall length is 34”. 34” x 5 - 1/4” x 1”. (Excellent).

800 - 1,500

LOT - 2531

2531 - WHALE BONE AND SILVER KNOB WALKING STICK CANE WITH SILVER EYELETS. The mushroom-type silver cap is 1 - 3/4” high by 1 - 1/8” across the top and stamped “2 A”. There are two silver triangular eyelets and a 1 - 1/4” metal ferrule. The overall length is 32”. 32” x 1 - 1/4” x 1 - 1/4”.

(Very Good). 800 - 1,500

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LOT - 2532

2532 - LOT OF 4: ANTIQUE BULBTOP CANE, UMBRELLA & LADIES DAINTY CANES. Lot consists of: first, a cane with large globular handle with a silver presentation; second, an umbrella with carved mushroom head for the handle; third, a 35” long cane with etched gold filled handle; forth, a 24” long cane with pewter handle. Largest: 36 - 1/4” L. (Excellent). 300 - 500

LOT - 2533 2533 - IVORY HANDLE WATCH WALKING STICK CANE. The ivory top is 1 - 1/2” high with a 3/8” section that unscrews to remove the watch. It is mounted on a shaft of ebony with a 1” horn ferrule. The length is 35 - 3/4”. The ivory top is missing its glass cover and a small piece of ivory is missing from the wind-up area section of the watch. See “Canes From the 17th to the 20th Century” by Snyder, page 102. 35 - 3/4” x 1 - 5/8” x 1 - 5/8”. 800 - 1,500

LOT - 2534 2534 - STERLING SILVER GOLF “SUNDAY STICK” WALKING STICK CANE. Often called “Sunday Sticks”, these pieces were used to stroll on golf courses on Sunday when they were classed for the Sabbath. The chased silver handle is in the shape of a golf club. The handle is 3” long by 1 - 1/8” across. It has a 1” silver collar and is mounted on a shaft of exotic wood with a 3/4” bone ferrule. The overall length is 35”. 35” x 2 - 1/4” x 1 - 1/2”. (Excellent).

800 - 1,200

LOT - 2535 2535 - UNUSUAL WOOD PISTOL-GRIP DAGGER CANE. The wood handle is 3 - 3/4” high and when pulled from shaft reveals a very unusual large three-sided dagger that is 11” long. The wooden shaft has a 1 3/4” brass separator and a 7/8” replaced brass ferrule. The overall length is 35 - 1/2”. 35 - 1/2” x 2 - 1/4” x 1 - 1/2”. 800 - 1,200

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LOT - 2536 2536 - EARLY WOODEN FOLK ART CANE WITH CARVED SNAKE AND SNAIL, C. LATE 1800’S. Early wooden folk art cane with hand carved snake pursuing snail in bone or ivory. Circa late 1800’s. Great detail to carving. Cane is in excellent original condition, having a wonderful rich dark patina.

Retains it’s original brass end cap. Snake measures just over 10” long.

Overall cane length is 36-3/4”. Includes old worn cotton protective sleeve. 36 - 3/4” x 1 - 3/8” x 1 - 3/8”. (Excellent). 600 - 1,200

LOT - 2537 2537 - TORTOISE KNOB CANE. This cane is a tortoise knob cane with 14K stars inset in the tortoise handle. The handle is 3/4” high by 1 3/8” across the top. The handle is mounted on a thin shaft of malacca with a 3/4” horn ferrule. The overall length is 33”. The condition is excellent. 34 - 1/2: x 1 - 3/4” x 1 - 3/4”. (Excellent). 400 - 750

LOT - 2538 2538 - IVORY KNOB WALKING STICK CANE. This cane is a c. 1868 ivory knob handle walking stick cane with Liberty coin and inscription. Ivory knob with silver collar and Liberty coin dated 1857 inserted into the top of the ivory handle. The collar is inscribed “Benjamin Potter March 19, 1868”. The handle is 2” high and 1 - 1/2” across the top. The inscribed collar is 3/8” high. The handle is mounted on a shaft of rosewood with a 2 - 1/8” metal ferrule. The overall length is 34 - 1/2”. The condition is excellent. 34 - 1/2: x 1 - 3/4” x 1 - 3/4”. (Excellent). 400 - 750

LOT - 2539 2539 - L HANDLE WALKING STICK CANE. This cane is a “L” handle cane with collar and silver cap at the handle. The handle is 4 1/4” by 1” high. The collar is 1” high and hallmarked sterling with the letter “M” inside a circle. The handle is mounted on a stepped bamboo shaft with a 1 - 3/8” metal ferrule.

The overall length is 35 - 1/2”. The condition is excellent. 35 - 1/2” x 1” x 4 - 1/4”.

(Excellent). 400 - 600

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LOT - 2540 2540 - IVORY TOPPED KNOB CANE. This cane is an ivory topped knob cane on natural tree branch. The handle is 1 - 1/2” high by 1 - 1/2” across the top. It has a 5/8” metal collar and two silver eyelets on a shaft of natural tree branch. The length is 37” with an extremely long 6 - 1/2” metal ferrule. The ferrule would date this cane c. early 1700’s. The condition is excellent. 37” x 1 - 1/2” x 1 - 1/2”. (Excellent). 400 - 600

LOT - 2541 2541 - LOT OF 3: GOLD FILLED LADIES AND DECORATED KNOB CANES. First is a Ladies’ gold filled decorated knob cane with maker mark. The knob handle is 1 - 1/4” high by 3/4” across the top. The maker mark is “RFS & Co.”. The handle is mounted on an ebony shaft with a 1 - 3/8” metal ferrule. The overall length is 34 - 3/4”. The condition is excellent. See “Canes in the U.S.”

by Catherine Dike, pages 236 and 238. Second is a Ladies’ decorated gold filled “L” handle cane. The decorated handle is 2 - 3/4” long by 1 - 1/2” high. It is mounted on a shaft of ebony. The ferrule is missing.

The overall length is 35”. The condition is excellent. Third is a gold filled highly decorated knob cane with initials and hallmark. The initials are “A E C”. The handle is 1 - 1/2” high by 1 - 1/8” across the top. The hallmark is “S (with a heavy line through it) 2 A / 50”. The handle is mounted on a shaft of ebony with a 1 1/2” metal ferrule. The overall length is 35 - 3/4”. The condition is excellent. Largest: 35 - 3/4” x 1 - 1/8” x 1 - 1/8”. (Excellent). 800 - 1,500

LOT - 2542 2542 - LOT OF 2: IVORY KNOB PRESENTATION WALKING STICK CANES. First is an ivory knob presentation walking stick cane with collar. The inscription on the collar reads “To N. D. B. from C. C. R.”. The handle is 1” high by 1 - 1/4” across the top. The ivory collar is 1 - 3/4” high with normal age crack. The handle is mounted on a shaft of rosewood with no ferrule. The overall length is 35 - 3/4”. The condition is very good. Second is a carved ivory knob walking stick cane with silver collar and square silver eyelets. The carved ivory handle is 2 - 3/8” high by 1 - 1/4” across the top. The silver collar is 3/8” high. The exotic wood shaft has two square silver eyelets and a 1 - 3/4” brass and iron ferrule. The overall length is 34 - 1/2”. The condition is excellent. Larger: 35 - 3/4” x 1 - 1/2” x 1 - 1/2”. (Very Good - Excellent). 800 - 1,200

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LOT - 2543 2543 - SOLID GOLD KNOB WALKING STICK CANE WITH MONOGRAM. Monogram cannot be determined. The knob handle has a maker mark as follows: B S (with small boat design between the letters) - Briggs London - M J. The handle is mounted on a light-colored shaft of malacca with a 1 - 3/8” horn ferrule. The overall length is 37 - 1/4”. 37 - 1/4” x 1 - 1/4” x 1 - 1/4”. (Excellent).

700 - 1,500

LOT - 2544 2544 - LOT OF 2: SILVER FOIL CHASED HANDLE AND ART DECO AGATE WALKING STICK CANES. First is an extremely long silver foil chased handle knob cane with monogram. The six-sided handle is 3/8” high by 1 - 1/2” across the top. The silver handle is 11 1/2” long and mounted on a shaft of ebony with a 1 - 1/4” horn ferrule. We cannot determine the monogram. The overall length is 36 - 3/8”. The second is an Art Deco agate cane set in a hammered sterling silver handle. Large orange colored agate stone set in hammered sterling silver handle. The handle is marked “Stumpf & Sohn” 800 Danzig. The handle is 3 - 1/4” high mounted on Partridge wood shaft with a 1 - 3/8” metal ferrule. The overall length is 35 - 1/4”. Larger: 36 - 3/8” x 1 - 1/2” x 1 - 1/2”.

(Excellent). 700 - 1,200

LOT - 2545 2545 - LOT OF 2: GOLD FILLED PRESENTATION CANES. First is a c. 1884 gold filled knob presentation cane. The gold filled knob is marked “R F S & Co.”. The inscription reads “John Smith January 22, 1884 from [?] & [?]”. The knob handle is eight-sided and measures 2 - 1/8” high and 1 - 1/2” across the top. It is mounted on a shaft of ebony with a 1 - 3/8” metal ferrule. Four sides are unmarked and the other four have a floral leaf design. There are also four small triangles with designs on the curve of the handle.

The overall length is 32 - 1/4”. The condition is excellent. The second is a c. 1889 gold filled eight-sided knob cane, dated and inscribed. The inscription reads “Dr. C. E. Francis, 1889”.

The gold handle has eight sides and measures 2 - 1/2” high by 1 - 1/4” across the top. It is mounted on an ebony shaft with a 1 - 3/4” metal ferrule. The overall length is 36”. The condition is excellent. Larger: 36” x 3/4” x 3/4”. (Excellent). 700 - 1,200

LOT - 2546 2546 - CARVED IVORY WALKING STICK CANE WITH FLORAL AND WHEAT MOTIF. c. 1895. English. The elephant ivory handle is 6” long and 1” across the top. It is beautifully carved with floral leaf festoons, a floral bouquet and a tied sheaf of wheat.

The carving has been shaded to highlight it. There are inked owners initials also on the handle. There is a 1/4” silver collar on a thin ebonized shaft with a 7/8” horn ferrule.

The overall length is 36” and the condition is excellent. 36 1/8” x 1 - 1/8” x 1 - 1/8”.

(Excellent). 1,500 - 2,500 364

www.MorphyAuctions.com | July 15, 2020

LOT - 2547 2547 - OPERA GLASS TELESCOPE WALKING STICK CANE WITH MOTHER OF PEARL. This opera glass telescope walking stick cane with mother of pearl is mounted on a shaft of rosewood with a 1” replaced metal ferrule. The telescope is in perfect working order. The overall length is 36”. The condition is excellent. 35 - 3/4” x 3” x 1 - 5/8”. (Excellent). 600 - 900

LOT - 2548 2548 - WINE MERCHANT’S GADGET WALKING STICK CANE. c. 1850’s. When handle is unscrewed, a vinaigrette is revealed. When second section of the handle is unscrewed, a corkscrew is revealed.

There is a 3/4” brass separator. The handle is mounted on a shaft of ebony with replaced 1” metal ferrule. The overall length is 35 - 1/2”.

The condition is excellent. See “Cane Curiosa” by Catherine Dike, page 241, item 24/20. 35 - 1/2” x 1” x 1”. (Excellent). 600 - 900

LOT - 2549 2549 - IVORY KNOB ROUGE GADGET WALKING STICK CANE. Rouge Gadget Stick c. 1850’s. The ivory knob is 1 - 1/4” high by 1 - 3/8” across. By unscrewing the top, a compartment holding rouge is revealed. Under the removed cap is a mirror. The ivory handle is mounted on a shaft of exotic wood with a 1” horn ferrule. The overall length is 35 - 1/2”. The condition is excellent.

See “Cane Curiosa” by Catherine Dike, page 184, item 17/34. 35 - 1/2” x 1 - 5/8” x 1 - 5/8”. (Excellent).

900 - 1,800

LOT - 2550 2550 - SHARK VERTEBRAE WITH HORN KNOB WALKING STICK CANE. The horn knob handle is 1 - 1/2” high by 1” across the top. The overall length is 34 - 1/2” with a 1 - 1/4” horn ferrule. 34 - 1/2” x 1” x 1”.

(Excellent). 600 - 1,200

LOT - 2551 2551 - SMALL IVORY FIST HOLDING BATON WALKING STICK CANE. The ivory fist is 1” long by 1 - 1/8” high. There is a 3/4” brass collar below the fist. It is mounted on a wooden shaft with a 2 - 3/4” brass ferrule. The overall length is 33 - 1/8”. 33 - 1/8” x 1 - 1/4” x 3/4”. (Excellent). 600 - 1,200

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LOT - 2552 2552 - IVORY “L” HANDLE DAGGER WALKING STICK CANE. The ivory handle is 1 - 3/4” high by 3 - 1/4” long. There is a 3/8” metal collar and a 3/8” metal separator. The dagger rests in a shaft of stepped bamboo with a 7/8” metal ferrule. By holding the shaft and twisting the handle, it unlocks and reveals a triangular dagger which measures 11 - 3/4”. The overall length is 35”. 35” x 3 - 1/4” x 1 - 7/8”. (Excellent). 600 - 1,200

LOT - 2553 2553 - CARVED ELEPHANT IVORY AND STERLING SILVER WALKING STICK CANE. This cane is a carved elephant ivory and sterling silver walking stick cane with inscription. The end of the silver handle is shaped like a horses’ hoof with a dagger through the hoof. There is a sterling silver collar.

The inscription reads “E.W. Day”. He was reported to be a well-known jockey. The stick was sold to a collector by a member of the Day family. The shaft is made of Fetlock with a metal ferrule. The length is 30” and it is in excellent condition. 35” x 5” x 1”. (Excellent). 300 - 600

LOT - 2554 2554 - SHARK VERTEBRAE AND WOOD WALKING STICK CANE. This cane is a shark vertebrae and wood crook handle walking stick cane. The vertebrae shaft has a detailed wood separator. The overall length is 35” long with a 2/4” replaced metal ferrule. The condition is excellent. See “Canes from the 17th to the 20th Century” by Jeffrey Snyder, Page 89. 35” x 5” x 1”. (Excellent). 300 - 600

LOT - 2555

2555 - GOLD FILLED “L” HANDLE PRESENTATION CANE. This cane is a c. 1888 Gold filled “L” handle highly decorated two-panel presentation cane.

Presented to “C. H. Warner by the class of 88 ?? NY June 20th”. The other panel is not engraved. The highly decorated handle is 3 - 3/8” long by 2 - 1/4” high. It is mounted on an ebony shaft with a 1 - 1/4” metal ferrule. The overall length is 35 - 1/2”. The condition is excellent. 35 - 1/2” x 3 - 1/2” x 3/4”. (Excellent). 300 - 500

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LOT - 2556

2556 - LADIES GOLD FILLED PRESENTATION CANE. This cane is a c. 1884 Ladies’ gold filled knob presentation cane. Inscribed “TLU to Doctor O’Hare 4/7/84”.

The handle is 1 - 5/8” high by 7/8” across the top. The nicely decorated knob is mounted on a think ebony shaft and has a 1 - 1/4” metal ferrule. The overall length is 34 - 1/4”. The condition is excellent. Larger: 34 - 1/4” x 1 - 5/8” x 7/8”. (Excellent). 300 - 500

LOT - 2557 2557 - LOT OF 2: GOLD FILLED LARGE KNOB AND GOLD FILLED TAU HANDLE PRESENTATION CANES. First is a c. 1891 gold filled ornate large knob presentation cane. Unable to read inscription. Dated Jan 26, 1891. Ver large handle measures 3” high and 1 - 1/2” across the top. The knob is mounted on an ebony shaft and has a 1 - 3/8” ferrule. The overall length is 35”. The condition is excellent. Second is a c. 1903 gold filled ornate Tau handle presentation/retirement cane. Presented to “John H. Brace”. Inscription at back end of handle “with best wishes of his coworkers”. At the front of the handle is “1870 1903”. This handle has extremely ornate designs and is stamped “77”. It is mounted on an ebony shaft with a 1” replaced metal ferrule. The overall length is 36”. The condition is excellent. Larger: 36” x 4” x 3/4”. (Excellent). 600 - 1,200

LOT - 2558 2558 - LOT OF 2: GOLD FILLED FINGER OPERATED OPERA HANDLE AND GOLD FILLED WALKING STICK CANES WITH INSCRIPTION. First is a gold filled ornate finger fitted opera handle walking stick cane with initials “AK”. The handle is 2 - 1/4” high by 3 - 3/4” long. It is mounted on the shaft of ebony with a 1 - 1/4” metal ferrule. The overall length is 34 - 3/8”. The condition is excellent. The second is a gold filled decorated knob walking stick cane with inscription and maker mark. The decorated knob handle is inscribed “Rev R. Cheney”. The handle is 2” high and 1 - 3/8” across the top. The maker mark is “RFS & Co.”. The handle is mounted on an ebony shaft with a 1 - 3/8” metal ferrule. The overall length is 34 - 3/8”. The condition is excellent. See “Canes in the US” by Catherine Dike, page 238 - Rest, Fenner Smith & Co., New York, 1868 1908. Larger: 34 - 3/8” x 3 - 3/4” x 3/4”. (Excellent). 600 - 900

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LOT - 2559 2559 - LOT OF 2: GOLD FILLED 50 YEAR AND PRESENTATION WALKING STICK CANES. First is a c. 1891 large gold filled ornate knob 50 year walking stick cane, dated and with initials. The initials are “A. L. L.”. 1841 - 1891. The ornate knob handle is 2” high by 1 - 5/8” across the top. The handle is mounted on an ebony shaft with a 1 - 1/2” metal ferrule. The overall length is 36”. The condition is excellent. The second is a gold filled presentation knob cane with maker mark. The inscription reads “J G B from H”. The handle is 1 - 3/4” high by 1 - 1/8” across the top. The maker mark is “F J K Co.”. It is mounted on a shaft of ebony with a 1” brass ferrule. The overall length is 33 - 1/2”. The condition is excellent. Larger: 36” x 1 - 3/4” x 1 - 3/4”. (Excellent). 600 - 900

LOT - 2560 2560 - LOT OF 2: SHEFFIELD SILVER KNOB AND BONE KNOB WALKING STICK CANES. First is a c.1800’s Sheffield silver knob walking stick cane from the early 1800’s. The handle is 3” high by 1 - 1/4” across the top. It is chased with a hunting scene - two dogs and a lion with a background of leaves and vines. The handle is mounted on a shaft of malacca with two silver eyelets and a 3 - 1/2” brass and iron ferrule. The condition is excellent. The second is a bone knob walking stick cane with dots of bone inlay on a shaft of rosewood.

The handle is 1 - 3/4” high by 1 - 1/8” across the top. The beautiful rosewood shaft has inlaid dots of bone decorating the length of the shaft. There is a 2 - 1/2” horn ferrule.

The overall length is 36”. The condition is excellent. Larger: 36” x 1 - 1/4” x 1 - 1/4”.

(Excellent). 600 - 1,200

LOT - 2561 2561 - LOT OF 2: STAG HORN AND HORN WITH MOTHER OF PEARL WALKING STICK CANES. First is a c. 1837 stag horn knob handle walking stick cane with inscription. There is a silver collar with the inscription “T C 1837”. It is mounted on a shaft of stepped malacca and has a silver separator. There are also two silver eyelets with the original wrist cord. The handle is 2 - 3/4” high by 1 - 5/8” across the top. The collar is 3/8” high and the separator is 3/8” high. There is a 2 - 1/4” silver and iron ferrule. The overall length is 34 - 1/4”. Condition is very good for this antique piece. The second is a horn and mother of pearl walking stick cane. The carved knob with mother of pearl in center has five panels of horn and five panels of mother of pearl. The handle is 1 - 3/4” high by 1 - 3/8” across the top. It is mounted on a shaft of rosewood with metal eyelets and a leather wrist strap. The ferrule is 2 - 3/8” silver and iron. The overall length is 35 - 1/2”. The condition is excellent. Larger: 35 - 1/2” x 1 - 1/4” x 1 - 1/4”. (Very Good - Excellent). 600 - 900

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LOT - 2562

2562 - LOT OF 2: PISTOL GRIP AND WICKER WALKING STICK CANES. The first is a pistol grip walking stick cane of exotic wood. This cane came from the collection of Nathan Ancell, the founder of Ethan Allen. The overall length is 35 - 1/4” with a 1 - 1/2” metal ferrule. The condition is good. Second is a country wicker crook handle walking stick cane. The wicker is the basket weave pattern interwoven and held in place by line copper wires. The overall length is 34 - 1/4” with a 1 1/2” brass ferrule. The condition is very good. Largest: 34 - 1/4” x 5” x 1”. (Good - Excellent). 400 - 800

LOT - 2563 2563 - IVORY WALKING STICK CANE. This cane is an early sailor-made ivory, whale bone and baleen oval knob walking stick cane.

The decorated oval handle is 2 - 5/8” high by 1 - 5/8” across the top. The handle is mounted on a wooden shaft with a 2” metal ferrule. The overall length is 32 - 1/4”. 34 - 1/4” x 5” x 1”.

(Good - Excellent). 300 - 600

LOT - 2564 2564 - LOT OF 3: STERLING, ART DECO, AND TAU HANDLED WALKING STICK CANES. First is a c. 1901 sterling silver knob cane. Knob is hallmarked 1901, maker mark “J. M. C.”. The handle is 2 - 1/2” high and 1 - 1/2” across the top. The overall length is 36” with a 1 - 1/2” metal ferrule. The condition is good.

Second is a c. 1920’s American Art Deco sterling five-sided knob walking stick cane with monogram on snakewood shaft. The entire cane is fashioned in five sides. The handle is marked sterling and is 2 - 1/2” high and 1 1/8” across the top. It is decorated in the scrolls and angles in the Art Deco manner. The overall length is 35” and there is a 1 - 1/2” metal ferrule. Third is a Tau handle hammered sterling silver cane. The hammered sterling silver Tawu handle is 3 - 1/4” long by 5/8” wide. The handle is mounted on a shaft of malacca with a 2” metal ferrule. The overall length is 34 - 3/4”.

The condition is excellent. Largest: 34 - 3/4” x 3 - 1/2” x 3/4”. (Good Excellent). 600 - 1,000

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LOT - 2565 2565 - LOT OF 2: CARVED IVORY “L” AND IVORY EIGHT-SIDED KNOB HANDLED WALKING STICK CANES. First is a beautiful carved ivory “L” handle of a flower with sterling collar. The carved handle depicts a beautiful flower that is opened. The 1” high silver collar is inscribed “Wm Dahl”. The handle is 3 - 1/4” long by 1 - 3/8” high. The handle is mounted on a light-colored shaft with a 1 - 1/2” metal ferrule. The overall length is 35 - 3/4”. The condition is excellent. The second is a c. 1882 ivory eight-sided knob handle walking stick cane with silver collar, dated and inscribed. The eight-sided handle is 1 - 3/4” high by 1” across the top. There are two heart-shaped silver eyelets. The 1/4” high collar is inscribed “Edward Meacohn Beverly 1832”. The handle is mounted on a shaft of malacca with a long brass ferrule that measures 2 - 1/2”. The overall length is 37 - 1/4”. The condition is excellent. Larger: 37 - 1/4” x 1 - 1/8” x 1 - 1/8”. (Excellent). 600 - 900

LOT - 2566 2566 - LOT OF 2: LADIES IVORY AND IVORY KNOB WALKING STICK CANES. First is a Ladies’ ivory handle walking stick cane. The ivory handle is 4 - 3/8” high by 1 - 1/4” across the top. There is a 1/2” gold collar mounted on a thin shaft of light-colored natural branch with a 1” metal ferrule. The overall length is 34 - 1/8”. The condition is very good. Second is an ivory knob walking stick cane. The ivory handle is 2 - 3/4” high by 1 - 1/2” across the top. There is a normal age crack in the handle. Mounted on a shaft of ebony - missing the ferrule. The overall length is 33 - 3/4”. The condition is good. Largest: 34 - 1/8” x 1 - 1/4” x 1 - 1/4”. (Good Excellent). 600 - 1,000

LOT - 2567

2567 - BABY SPERM WHALE TOOTH WALKING STICK CANE. This cane is a baby sperm whale tooth walking stick cane. The baby sperm whale tooth is 3 - 1/4” long by 1” high. There is a 1” high horn collar. The wooden shaft has a 1 1/8” horn ferrule. The overall length is 33 - 3/4”. The condition is excellent. 34 - 1/8” x 1 - 1/4” x 1 - 1/4”. (Good - Excellent). 300 - 600

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LOT - 2568 2568 - LOT OF 3: GENTLEMAN’S ART DECO AND IVORY HANDLED WALKING STICK CANES. First is a c. 1920’s Gentleman’s Art Deco ivory oval knob walking stick cane with a 14K collar and inscription. The inscription on the shaft is “A K Chauncey”. The oval ivory handle is 3/8” high by 1” across the top. It has a thin gold collar stamped 14K. The handle is mounted on a shaft of dark mahogany with a 1 - 1/4” horn ferrule. The overall length is 35 - 3/4”. The condition is excellent. Second is a large ivory handle cane. The ivory handle is 5 - 3/8” high by 1” across the top. There are cracks in the ivory on both sides of the handle. The handle is mounted on a shaft of rosewood with a 2” ivory ferrule. The overall length is 35 - 1/2”. The condition is good. Third is a c. 1920’s gentleman’s Art Deco octagon ivory knob cane with small gold collar. The octagon handle is 1 - 1/4 high by 1 - 1/8” across the top and has a thin gold collar. The handle is mounted on a shaft of ebony with a 1 - 3/8” horn ferrule. The overall length is 36 - 1/4”. The condition is excellent. Largest: 36 - 1/4” x 1” x 1”. (Good Excellent). 600 - 1,200

LOT - 2569 2569 - LOT OF 3: IVORY AND WALRUS KNOB HANDLED WALKING STICK CANES. First is an ivory knob handle cane with hallmarked sterling silver collar. The ivory handle is 2” high by 1 - 1/8” across the top. The collar is 3/8” high with hallmarks and stamped sterling. It is mounted on a wooden shaft with a 1 - 1/2” ivory ferrule. The overall length is 37 - 1/8”. The condition is excellent. Second is an octagon ivory knob cane. The ivory handle is 2 - 1/2” high by 1” across the top. It is mounted on a shaft of tiger wood with no ferrule. The overall length is 34 - 1/2”. The condition is very good. Third is a walrus knob handle cane. The knob handle is 1 3/4” high by 1 - 1/4” across the top. It is mounted on a shaft of mahogany with a 1” ferrule. The overall length is 33 - 1/4”. The condition is very good. Largest: 37 - 1/8” x 1 - 1/8” x 1 - 1/8”. (Very Good - Excellent). 600 - 1,200

LOT - 2570

2570 - LOT OF 3: IVORY ART DECO, SILVER CAP HANDLE, AND STAG “L” HANDLE WALKING STICK CANES. First is a c. 1920’s gentleman’s Art Deco ivory and onyx knob cane. The oval ivory and onyx handle is 1 - 1/4” high by 1 - 3/8” across the top. It has a 1/8” silver collar stamped sterling. The handle is mounted on a shaft of ebony with a 1 - 1/4” horn ferrule. The overall length is 35 - 3/4”.

A beautiful example of a gentleman’s Art Deco cane. The condition is excellent. Second is a c. 1720 - 40 silver cap handle cane with inscription.

The inscription reads “M. MORGU”. The silver cap is 1/2” high by 1” across mounted on a shaft of tiger wood with a 2 - 1/8” brass ferrule. The overall length is 35”. The condition is very good for a piece this age. Third is a stag “L” handle cane with chased silver collar. The handle is 4” long by 1 - 3/4” high. The chased silver collar is 1 - 3/8” high. The handle is mounted on a shaft of stepped bamboo with a 1 - 1/4” brass and iron ferrule. The overall length is 33 - 3/4” long. The condition is very good. Largest: 35 - 3/4” x 1 - 1/4” x 1”. (Very Good - Excellent).

600 - 1,200

www.MorphyAuctions.com | July 15, 2020

371

LOT - 2571

2571 - LOT OF 3: SILVER HAMMERED KNOB WALKING STICK CANE, HORN FOUR-SIDED KNOB WALKING STICK CANE, AND CHASED/FIGURAL STERLING UMBRELLA. First is a sterling silver hammered knob cane with maker mark. The hammered sterling silver handle is 1 - 3/4” high by 3/4” across the top. The maker mark is “RFS & Co.” and stamped “sterling”. The handle is mounted on a shaft of malacca with a 1 - 1/4” metal ferrule. The overall length is 34”. The condition is excellent. See “Canes in the U.S.” by Catherine Dike, pages 236 and 238. Second is a horn four-sided knob cane. There is an unmarked inscription plate in the center of the knob handle. The knob handle is 1 - 3/8” high by 1 - 1/2” across the top. It is mounted on a four-sided shaft of rosewood with a 1” metal ferrule. The overall length 36”. The condition is excellent. Third is an umbrella with a chased/figural sterling silver endocarp and collar on natural branch handle inscribed “CM Nelson”. There is a chased figural collar stamped “sterling”. The silk material has been replaced. The condition is excellent. Largest: 36 - 3/8” x 4 - 1/4” x 1 - 1/2”. (Excellent). 600 - 1,000

LOT - 2572 2572 - SILVER KNOB DECORATED WALKING STICK CANE. This cane is a decorated silver knob handle walking stick cane with cartouche and initials.

The highly decorated silver knob handle is 2 - 1/4” high by 1 - 3/4” across the top. The initials in the cartouche are “G. L. G.”. The handle is mounted on a shaft of malacca with a 1 - 1/2” horn ferrule. The overall length is 36 - 1/4”. The condition is excellent. Larger: 37 - 3/4” x 1 - 3/4” x 1 - 3/4”. (Excellent). 300 - 500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2573

2573 - SILVER KNOB DECORATED CANE. This cane is a c. 1865 silver decorated knob cane with an 1865 half dollar as part of the knob. The handle is 1 - 1/2” high by 1 - 3/4” across the top. The handle is mounted on a shat of ebony and has two silver decorations in the form of leaves in the place that normally the eyelets would be. The overall length is 37 - 3/4” with a 2” metal ferrule. The condition is excellent. 37 - 3/4” x 1 - 3/4” x 1 - 3/4”. (Excellent). 300 - 500

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LOT - 2574

2574 - LOT OF 3: BOAR’S TUSK AND SNUFF BOX HANDLE WALKING STICK CANES. First is a boar’s tusk cane. The boar tusk is 7 - 1/4” long and mounted on a shaft of bamboo with a 3/4” metal ferrule. The overall length is 36 - 1/2”. The condition is excellent. Second is a boar’s tusk cane with silver collar. The tusk is 8 - 1/2” long. There is a replaced metal end cap (not sterling) at the wide end of the tusk. The tusk and silver collar mounted on a shaft of malacca with a 1” replaced metal ferrule. The overall length is 33 - 1/4”. The condition is good. See “Canes from the 17th to the 20th Century” by Snyder, page 197. Third is a snuff box handle cane made of celluloid to resemble stag horn handle. The cane has a decorated silver collar and cartouche with unreadable initials. At one end of the handle is a silver button. By pressing the button the top lid pops open revealing an empty compartment that could hold snuff. The handle is mounted on a shaft of bamboo with a 1” horn ferrule. The overall length is 34”. The condition is very good. Largest: 36 - 1/2” x 4 - 3/4” x 1”. (Good - Excellent). 600 - 1,000

LOT - 2575

2575 - CHASED GOLD FILLED AND BONE OPERA HANDLE CANE. This cane is a chased gold filled and bone opera handle cane with maker marks. The bone handle is 4 - 1/2” long by 1” high and adorned with chased gold filled end caps. One cap is 3/4” long by 1” high and the other is 1” long by 1” high. Both caps are stamped with the maker mark “W H C” 8c GP. There is a chased gold filled collar with uninscribed cartouche. The collar is 1 - 1/8” high and also stamped with the maker mark “W H C” 8c GP. The handle is mounted on a shaft of ebony and has a 3/4” brass ferrule. The overall length is 34 - 1/2” and the condition is excellent. 35 - 1/2” x 1” x 3/4”. (Good Excellent). 300 - 600

LOT - 2576 2576 - LADIES STERLING AND MOTHER OF PEARL WALKING STICK CANE. This cane is a ladies’ sterling silver and mother of pearl walking stick. Unusual shaped silver handle stamped “sterling”. The top of the handle is round with two mother of pearl discs on each side. Each other of pearl disc measures 3/4”. The chased handle is mounted on a thin ebony shaft and has an unmarked cartouche. The handle measures 2”. The shaft is 32” long with a 2 - 1/2” silver and iron ferrule. The overall length is 35 - 1/2”. The condition is good.

35 - 1/2” x 1” x 3/4”. (Good - Excellent). 300 - 600

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LOT - 2577

2577 - LOT OF 3: CANES WITH IVORY TOPS. Includes a cane with “L” shaped handle, a horse’s hoof cane and a dog-headed sword cane. Largest: 32 - 1/4” L x 2” D. (Excellent). 500 - 1,000

LOT - 2578 2578 - HORN AND MALACCA WALKING STICK CANE. c. 1725. The polished horn handle is 2” high and 1 - 5/8” in diameter. The 5/8 scalloped silver collar is initialed “T.H.”. There are two round eyelets with large openings, probably for a thick braided wrist cord.

The long single bark malacca shaft terminates in a bronze ferrule a full 7” long. It is 39 - 3/4” in length, a typical “Staff Length” of the period. The origin is probably English. A wonderful early antique in very good condition. 39 - 1/2” x 1 - 1/2” x 1 - 1/2”. (Very Good). 650 - 1,500

LOT - 2579 2579 - LIQUOR FLASK MALACCA WALKING STICK CANE. c. 1875. The cane being topped by a threaded copper cap, concealing a hidden compartment containing a tiny stemmed glass. The upper portion of the shaft when turned and removed reveals a clear cylinder glass with silver mounted cork stopper. The overall length is 34” with a 3/4” metal ferrule. The condition is excellent. See “Canes from the 17th to the 20th Century” by Snyder, page 139. 34” x 1 - 1/4” x 1 - 1/4”.

(Excellent). 700 - 1,400

LOT - 2580 2580 - ROUND HANDLED MATCH HOLDER GADGET WALKING STICK CANE. c. 1825. One end of the metal top has a small knob that, when pulled down, reveals a compartment to hold matches. The other end of the handle has a striker for the matches. The handle is 2” high by 2” across. It is mounted on a shaft of ebony with a 1” metal ferrule. The overall length is 35”. The condition is very good.

35” x 2 - 1/4” x 2 - 1/4”. (Very Good). 650 - 1,200

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LOT - 2581 2581 - IVORY KNOB SWORD WALKING STICK CANE WITH GOLD EYELETS. The ivory handle is 1 - 3/4” high by 2 - 1/8” across. There is a 3/8” silver collar. The sword rests in a stepped malacca shaft with two gold eyelets and a 2 - 1/4” decorated brass ferrule. The three-sided blade is 17 - 1/4” long with some bluing still showing. The cane is missing two metal separators. The overall length is 32 - 1/2”. 32 - 1/2” x 1 - 3/8” x 1 - 3/8”. 500 - 1,000

LOT - 2582

2582 - CROOK HANDLE BAMBOO HORSE MEASURE WALKING STICK CANE. The measure is extracted by a push plate at the shoulder revealing the measure, which is calibrated in inches and hands. There is a working level to ensure the device is held properly when measuring the horse. The cane is made of pepper bamboo and has a 1” brass ferrule. The overall length is 35 - 1/2”. 35 - 1/2” x 5” x 1 - 1/2”. (Excellent). 900 - 1,800

LOT - 2583 2583 - LOT OF 2: ART DECO STERLING AND WICKER KNOB WALKING STICK CANES. First is a c. 1920’s Art Deco sterling silver triangular knob walking stick cane with initials. Decorated handle is 2” long and 1” across the top. Marked sterling. The initials are “ABA”. It is mounted on a beautiful triangular shaft to match the handle. The overall length is 35 - 3/4” with a 1 - 1/2” metal ferrule. The condition is excellent. The second is a wicker knob walking stick cane. An outstanding all-wicker cane. The knob handle is 3 - 1/4” high and 1 - 3/8” across the top. The workmanship is beautiful. The overall length is 35” with a 3/4” metal ferrule. The condition is excellent - we’ve never seen another one like it. Larger: 35 3/4” x 1” x 1”. (Excellent). 500 - 800

LOT - 2584

2584 - LOT OF 2: STAG HANDLED KNOB WALKING STICK CANES. First is a stag head knob cane with silver collar and initials. The stag handle is 2 - 1/2” high by 1 - 1/2” across the top. The replaced sterling silver collar is 1” high. The handle is mounted on a shaft of malacca with two silver eyelets and a 3 - 1/4” brass and iron ferrule. The overall length is 34 - 1/2”. The condition is excellent. The second is a c. 1795 stag handle knob cane with inscription plaque and silver eyelets. Set on top of knob is silver plaque that is not inscribed. The handle is 2 - 3/4” high with a 3/8” silver collar decorated in the ropetwist pattern. The handle is set on a shaft of stepped malacca with two silver eyelets and a replaced tassel. There is a 1/2” silver separator also decorated in the ropetwist pattern and a 3 - 3/4” brass and iron ferrule.

The overall length is 35”. The condition is excellent. Larger: 35” x 1 - 1/4” x 1 - 1/2”. (Excellent).

500 - 1,000

www.MorphyAuctions.com | July 15, 2020

375

LOT - 2585

2585 - LOT OF 2: BOAR’S TUSK ON ROSEWOOD AND STAG OPERA HANDLE WITH SILVER COLLAR WALKING STICK CANES. First is a boar’s tusk cane on rosewood shaft. The tusk is 8” long by 1 - 1/4” at the widest part of the tusk. The handle is mounted on a shaft of rosewood shaped to match the design of the tusk. There is a 2 - 3/4” walrus ferrule. The overall length is 36 - 1/4”. The condition is excellent.

See “Canes from the 17th to the 20th Century” by Snyder, page 197. Second is a stag opera handle cane with silver collar. The stag handle is 5” long with a 1 - 1/8” high collar. It is mounted on a wooden shaft with a 1 - 3/8” silver ferrule. The overall length is 33 - 1/4”. The condition is very good. Larger: 36 - 1/4” x 5 - 3/4” x 1”. (Very Good - Excellent). 500 - 900

LOT - 2586 2586 - IVORY FIGURAL CARVED CANE. c. Late 1800’s. Nice carving of a fist holding the head of a snake with snake’s body wrapped around the top of the cane. 36 - 1/2” x 1 - 3/4” x 1 - 1/2”. (Excellent). 400 - 800

LOT - 2587 2587 - LOT OF 4: CANES. Includes three ivory canes and one wooden cane with an ivory head. All four in excellent condition. Largest: 36 - 1/4” L x 1 - 1/4” D. (Excellent).

400 - 800

LOT - 2588 2588 - LOT OF 3: CARVED HANDLED CANES. Includes an ivory dog head, an ivory west west wind and a wooden eagle.

Largest: 34 - 1/2” x 2- 1/4” x 1”. (Excellent). 400 - 800

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LOT - 2589 2589 - BONE AND ANTLER CARVED CANE. c. Late 1800’s. Bone and antler carved cane with black figure being bitten by alligator. Nice detail carving.

36 - 3/4” x 6 - 1/4” x 1 - 1/4”. (Excellent). 400 - 800

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2590 2590 - A SOUVENIR WRITING WALKING STICK CANE WITH STANHOPE CANE. This stanhope contains a picture of Avalon from South Catalina Island in it when you look through the glass at the top of the cap. The cane contains a ink pen, pencil and an ink pot. The overall length is 27” with a 3/4” metal ferrule. See “Cane Curiosa” by Catherine Dike, page 158, item 14/10, and “Canes Through the Ages” by Monek, page 262. 27” x 3/4” x 3/4”. (Excellent). 400 - 700

LOT - 2591 2591 - LOT OF 2: LARGE SILVER KNOB WALKING STICK CANES. First is a large silver knob cane on shaft of Koa wood. Koa wood comes from Hawaii and is golden brown with dark streaks and a lustrous sheen. Occasionally develops a perfect fiddleback figure. The unmarked silver knob handle is 7/8” and 1 - 7/8” across the top. It is mounted on a shaft of Koa wood with a 3/4” metal ferrule. On the shaft is a label that we cannot read. This could have been a sample or store cane.

Overall length is 36”. The condition is excellent. Second is a c. 1901 large silver knob cane with inscription.

The inscription reads “DH KINE Manila P.A. 1901”. The silver handle is 1 - 1/2” high by 2” across the top.

The handle is mounted on a shaft of rosewood with a 1” brass ferrule. The overall length 36 - 1/4”. The condition is excellent. Larger: 36 - 1/4” x 2 - 1/4” x 2 - 1/4”. (Excellent). 400 - 800

LOT - 2592 2592 - LOT OF 2: IVORY KNOB PRESENTATION WALKING STICK CANES. First is a c. 1860 large ivory eight-sided knob walking stick cane with inscription. A small 2/3” silver dot is inset on top of the handle with the inscription “A. Beebe 1860”. The Beebe family was a well-known fishing family in New England. The ivory handle is 3 - 1/2” high and 1 - 3/4” across the top. There is a 1/8” silver collar. The handle is mounted on a rosewood shaft with a 1” ivory ferrule. The overall length is 35”. The condition is excellent. The second is a c. 1854 ivory knob presentation walking stick cane with silver collar. The inscription on the collar reads “Presented to George Upton by James C. Mallier Jan. 1, 1854”. The ivory knob handle is 1 - 1/2” high and 1 - 3/8” across the top and mounted on a light-colored wood shaft with a 3/4” metal ferrule. The silver inscribed collar is 1/2” high. The overall length is 31 - 3/4”. The condition is excellent. Larger: 35” x 1 - 3/4” x 1 - 3/4”. (Excellent). 400 - 800

www.MorphyAuctions.com | July 15, 2020

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LOT - 2593 2593 - LOT OF 2: CROOKED HANDLE SIGNAL LIGHT AND CROOK HANDLE FLASHLIGHT GADGET WALKING STICK CANES. First is a crooked handle signal light gadget cane. Made of crook hardwood, there is a 1 - 1/2” amber plastic end piece which contains a bulb.

There is a 3/4” woven copper wire collar fashioned in a turkshead knot which, when turned, would engage the batteries stored in the shaft and activate the amber end piece. Such devices were used for signaling a companion of your whereabouts. See “Cane Curiosa” by Catherine Dike, page 151, 13/24, and “Canes Through the Ages” by Monek, page 275. Second is a crook handle flashlight walking stick cane. The crook handle flashlight cane made of hardwood has a 2” metal band down on the shaft. When the metal band is pushed upward, the receptacle for the light is revealed and the flashlight is engaged. A similar example is shown on page 152, 13-29 of “Cane Curiosa” by Catherine Dike. There is a 1 3/8” metal ferrule. The overall length is 35 - 1/4”. The condition is excellent. Larger: 35 - 3/4” x 5 - 1/4” x 1”. (Excellent). 400 - 800

LOT - 2594

2594 - LOT OF 2: DECORATIVE WALKING STICK CANES. First is a leather crook-handled cane. The leather rings are tightly woven around a flexible metal shaft. The overall length is 34” including a 1 - 1/2” metal and iron ferrule. The condition is excellent. See “Cane Curiosa” by Catherine Dike, page 158, item 14/10. Second is a c. 1976 “Jimmy Carter For President” campaign cane. Made of pot-metal, it has a handle that measures about 7” long. On one side in raised letters it reads “Jimmy Carter” and on the other “For President”, under which is the name of the maker, “S. B. Outlaw”. At the bottom, there is a Democrat Donkey and “’76”, the year of the campaign. The shaft is brown-stained hardwood with a 1” white plastic ferrule. The overall length is 35 - 1/4” and the condition is excellent. Largest: 35 - 1/4” x 4 - 3/4” x 1”. (Excellent). 200 - 400

LOT - 2595

2595 - LOT OF 2: CHILDREN’S OPERA AND CROOK HANDLED CANES. First is a children’s opera handle cane. The celluloid handle is 2 - 3/4” long by 1” high. There is a 1/8” metal collar. The handle is mounted on a wooden shaft with a 1 - 1/8” silver and iron ferrule. The overall length is 21”. The condition is excellent. See “Cane Curiosa” by Catherine Dike, pages 291 and 292, and “Canes Through the Ages” by Monek, page 160. Second is a children’s crook handled cane. The handle is made of horn and is 5 - 1/2” long. There is a 3/8” silver collar marked “sterling”. The handle is mounted on a shaft of bamboo with a 1 - 3/8” metal ferrule.

The overall length is 22 - 3/4”. The condition is excellent. See “Cane Curiosa” by Catherine Dike, pages 291 and 292, and “Canes Through the Ages” by Monek, page 160. Largest: 22 - 3/4” x 5 - 1/2” x 1 - 3/8”. (Excellent). 200 - 400 378

www.MorphyAuctions.com | July 15, 2020

LOT - 2596 2596 - FIGURAL WOODEN FOLK ART CANE WITH HAND HOLDING SNAKE. c. Late 1800’s. Very nicely carved and detailed cane with fist holding the head of a snake that wraps around the length of the cane. 35 - 1/2” L x 1 - 1/2” D. (Excellent). 300 - 600

LOT - 2597 2597 - LOT OF 4: IVORY ROUND HANDLED CANES. All four canes have ivory heads. Largest: 38” L x 1 - 3/4” D. (Excellent). 300 - 600

LOT - 2598 2598 - LOT OF 4: GOLD FILLED HEADED CANES. Nice assortment. Largest: 36” L x 1 - 1/2” D. (Excellent). 300 - 600

LOT - 2599 2599 - STERLING KNOB TRAVELING WALKING STICK CANE WITH INITIALS. The shaft consists of four sections that unscrew to reveal the linkage to bend the cane so that it might be packed in a carpetbag or luggage by the user. It is marked “sterling, 26 gauge” with the initials “JCG”. There is a 1 - 3/8” metal ferrule. The overall length is 34 - 1/2”. 34 1/2” x 1 - 1/8” x 1 - 1/8”. (Good). 300 - 600

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LOT - 2600 2600 - LOT OF 2: WHALE BONE AND WHALE TOOTH WALKING STICK CANES. The first is a whale bone and sterling handle cane with hallmark. The whale bone handle is 5 - 1/4” high with a 7/8” silver cap and a 7/8” high sterling collar. The hallmark is “J G LTD Birmingham 1919”. It is mounted on a rosewood shaft with a 1 - 1/2” walrus ferrule. The ivory has an age crack. The overall length is 35 - 1/2”. The condition is very good. The second is a long octagonal whale tooth and carved horn knob walking stick cane. The carved horn knob is 3/4” high by 1 - 3/8” across the top. The whale tooth is 4” long with two horn separators. Larger: 38” x 1 - 1/2” x 1 - 1/2”. (Very Good - Excellent). 300 - 600

2601 - LOT OF 3: WOODEN CANE STANDS. All three wooden cane stands are made of oak.

Largest: 30” x 16” x 11 - 1/2”. (Excellent). 300 - 600 2602 - LOT OF 4: WOODEN CANE STANDS. All four wooden cane stands are made of oak.

Largest: 28 - 1/4” x 15 - 1/2” x 11”. (Excellent).

300 - 600 2603 - LOT OF 3: WOODEN CANE STANDS. All made of oak. Largest: 30” x 12 - 1/4” x 12 1/4”. (Excellent). 300 - 600

LOT - 2601

LOT - 2602

380

LOT - 2603

www.MorphyAuctions.com | July 15, 2020

LOT - 2604

2604 - LOT OF 2: CHILDREN’S “L” AND CHILDREN’S CROOK HANDLED WOODEN WALKING STICK CANES. First is a children’s “L” handle cane. The handle is made of horn and has a 5/8” sterling collar mounted on an ebony shaft with a 1 - 1/4” metal ferrule. The overall length is 25 - 3/4”. The condition is very good. See “Cane Curiosa” by Catherin Dike, pages 291 and 292, and “Canes Through the Ages” by Monek, page 160. The second is a children’s crook handle wooden cane. The end of the handle has a sterling silver cap.

The overall length is 26 - 1/4” with a 1 - 1/4” metal ferrule. The condition is excellent. See “Cane Curiosa” by Catherine Dike, pages 291 and 292, and “Canes Through the Ages” by Monek, page 160. It is very hard to find children’s canes in good condition, if at all. Larger: 26 - 1/4” x 3 - 3/4” x 3/4”. (Very Good - Excellent). 300 - 600

LOT - 2605 2605 - LOT OF 3: LARGE SILVER KNOB AND WOODEN KNOB WALKING STICK CANES. First is a large silver knob walking stick cane with initials. The initials on the top of the knob are “I H B”. The knob is 2” high by 1 - 1/8” across the top. It is mounted on a shaft of malacca with a 1 - 3/8” metal ferrule. The overall length is 35 - 1/4”. The condition is excellent. Second is a large silver knob cane with hallmark. The silver handle is 1 - 1/2” high by 1 - 1/2” across the top. The hallmark is “B.J.”. The handle is mounted on a haft of exotic wood with a 1 - 1/2” metal ferrule. There may have been eyelets on this shaft that have since been closed. The overall length is 35 - 3/8”. The condition is excellent. Third is an all-wood knob cane. The shaft is made of hardwood. There is a 2 - 1/4” copper and iron ferrule.

The overall length is 39”. The condition is excellent. Largest: 39” x 1 - 3/8” x 1 - 3/8”. (Excellent). 300 - 600

LOT - 2606 2606 - LOT OF 3: GLASS PARADE, SILVER KNOB, AND CROOK HANDLE COLLAPSIBLE UMBRELLA WALKING STICK CANES. First is a glass parade cane. Overall length is 35 - 1/4”. The green glass knob and shaft is decorated with white and red lines wrapping around the shaft. Glass canes are fine walking sticks crafted completely out of blown glass. Known as “end of day” canes, these wonderful glass creations were crafted by master glass blowers using materials left over at the end of their day making other glass wares. The glass blowers used these canes to exhibit their skill and craftsmanship. The condition is excellent. Second is a silver knob cane with English hallmark. The handle is 2 - 1/4” high by 1 - 1/2” across. It is mounted on a shaft of exotic wood with a 1” metal ferrule. The overall length is 34 - 1/2”. The condition is good.

Third is a crook handle collapsible umbrella cane made of maple. The bottom portion telescopes into a baton which could be carried in one’s pocket when using the cane as an umbrella. The overall length is 35 - 3/8” with a 1 - 1/4” horn ferrule. The condition is very good. Largest: 35 3/8” x 5 - 1/4” x 1”. (Good - Excellent). 300 - 600

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2607

LOT - 2608

2607 - DANCER BY AGATHON LEONARD FOR SEVRES. French Art Nouveau bisque porcelain sculpture the Dancer sculpted by Agathon Leonard and made by Sevres. The sculpture is signed “SEVRES HR.”. Reference: cf. Ingelore Böstge, Agathon Léonard, Le Geste Art Nouveau, 2003, pp.40, 42, 44-45, 52. E. Baumgart, La Manufacture Nationale de Sèvres a l’Exposition Universelle de 1900. 16 3/4” x 9” x 6”. (Excellent). 4,000 - 6,000

2608 - GUSTAV GURSCHNER FIGURAL BRONZE CANDLESTICK. c. 1902 - 1904. Standing figure of a young woman in floor-length antique-style robe carrying two vases arranged as lamp holders. Original finish. 16” x 7” x 7”. (Excellent). 2,000 - 4,000

382

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LOT - 2609

2609 - 30” FRANKLIN TERRESTRIAL GLOBE ON STAND Publisher: Troy, NY: Nims & Knight. Circa 1890. Full title: The Franklin Terrestrial Globe 30 Inches in diameter Containing All the Geographical Divisions & Political Boundaries to the present date. Nims & Knight, Troy, N.Y. Oak stand with carved lion’s heads with an X-stretcher base with a central compass frame. Metal lithographed chapter ring showing the signs of the zodiac, directions and calendar; brass meridian. Losses and repairs to globe surface. The X stretcher is sagging. The compass is missing needle. The printed background of compass is replaced and has losses. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 46” x 40” x 40”.

10,000 - 20,000

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383

2610 - SHAKER DROPLEAF SEWING TABLE. Butternut, cherry and pine, and possibly basswood, circa 1840.

Probably Hancock, Massachusetts.

A fine example of Shaker sewing furniture with a rear drop leaf to expand the cutting surface.

Unusual drawer configuration with one long drawer under the top followed by a block of small two over two drawers separated by a large square central drawer over a larger bottom drawer.

All are molded, lipped and dovetailed, with cherry wood pulls. Rare, distinctive shaped apron on front and sides. Paneled sides of butternut. Square to turned cherry legs with a medial swell. Possibly Hancock, MA. These sewing tables have been attributed to David Terry, a family elder at Hancock. Height: 28”; width: 35”; depth: 17” (closed), 23” (open). Retaining traces of the original red finish.

Top abraded. Appears to retain the original knobs. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

28” x 35” x 16”. (Excellent).

5,000 - 10,000

LOT - 2610

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 2611

LOT - 2612

2611 - SHAKER MAPLE AND PINE TWO-DRAWER SORTING TABLE Circa 1840. Elegant tray top over two drawers. Top drawer with two compartments, bottom drawer with eight compartments. These tables were used to sort everything from medicine to seeds. Height: 26.5”; width: 28.5; depth: 19.5”. Refinished with traces of original red paint.

Appears to retain original knobs. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 28 - 1/2” X 19 - 1/2” x 26 - 1/2”. (Excellent). 2,000 - 4,000

2612 - LOT OF 2: SHAKER LOW BACK DINING CHAIRS With wooden tilters. Two-slat backs, maple, circa 1850. Unusual form.

Seats replaced. One missing tilters. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Each: 25 - 1/2” x 18 - 1/2” x 16 - 1/2”. 1,000 - 2,000

384

www.MorphyAuctions.com | July 15, 2020

LOT - 2613

LOT - 2614

2613 - LOT OF 2: SHAKER ROCKING CHAIRS. Largest: 4 slat ladder back with rush seat, possibly original.

Lebanon, New Hampshire. Maple. Circa 1840. One finial replaced; repair to one side seat rail. Smallest: Ladies armless slipper rocker. Replaced woven tape seat. Maple. Circa 1860. Proper right rear stile broken and repaired at middle splat. Proper left rocker broken and re-glued. Retaining an old finish except for repaired areas. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 23” x 23 - 1/2” x 45 1/2”. 500 - 2,000 2614 - PENNSYLVANIA CHIPPENDALE DRESSING TABLE Walnut, circa 1780. Fine carving including applied central shell, shell-carved knees and ball and claw feet. Notched and molded top. A nice example of Pennsylvania craftsmanship of the period. Older surface; most brasses possibly original.

Height: 30”; width: 35”; depth: 21”. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 29 - 3/4” x 35” x 21”. Very Good 2,000 - 3,000 2615 - LOT OF 2: A GOOD PAIR OF LOUIS XV-STYLE MARBLE TOP FRUITWOOD COMMODES WITH TRUMEAU MIRRORS. 20th century. France. Each case fitted with three drawers with serpentine fronts. Drawers mounted with cast-brass foliate handles. The case sides serpentine and paneled. The case overall with additional cast-brass ornamentation of corner mounts on the palasters and sabots. Each fitted with a grey, LOT - 2615 white and brick-red breschia marble top with molded edge.

The trumeau mirrors, each with molded crest above a shaped panel with inset painting depicting a lush terrace scene with columns and flower-filled urns, centering a classical fountain with a tree-filled background. The painting is above a shaped mirror plate and each frame in gold-toned paint with gilt highlights. Size: Commode - 32” T. x 42” W. x 18 - 1/2” D. Trumeau mirrors - 56 - 1/2” T. x 40” W. Condition: Very good to excellent with untouched surface. Hardware and cast-brass mounts all original, as are the mirror plates. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 42” x 17” x 32” (Very Good - Excellent). 1,000 - 2,500

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2616 - GOOD SOUTHERN INLAID WALNUT SUGAR CHEST. First quarter 19th century. American, probably South Carolina. The hinged lid with carved eight petal flower head within a contrasting string-inlaid border opening to the storage area. Dovetailed box with similar floral carvings on sides and front, set upon a table stand fitted with a pair of aligned short drawers with contrasting inlaid escutcheon and line borders. Raised on ring-turned swelled columnar legs with turned cuffs. Includes locks and keys. Chest is 34” tall x 26” long x 18” deep. The top with butterfly repairs to an old seam crack. There is loss to one end of a curved strip of string inlay. Surfaces have been cleaned, re-polished and restored. Generally good. 34” x 26” x 18”. 1,000 - 2,000 2617 - CHEST OVER BOOKSHELF Possibly Shaker. Butternut, circa 1840. Unusual form with a lift top chest with one divider and breadboard ends over a three-shelf bookcase. Sturdy and well-made. Height: 36”; width: 27”; depth: 10.5”. Refinished, interior of box painted. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 27 - 1/4” x 10 - 1/2” x 36 - 1/4”.

(Excellent). 1,000 - 2,000

LOT - 2616

2618 - CHIPPENDALE CARD TABLE Probably English. Mahogany with oak and pine secondary woods. circa 1770. Elaborate carving including gadrooning on apron which flows into Rococo style acanthus leaves and C-scrolls on the knees and extending down the front of the legs terminating in well-executed ball and claw feet. Interior pockets under the hinged top.

Missing interior felt. One rear leg knee return replaced.

Several screws added to knee returns. Drawer guides rebuilt and interior of drawer possibly rebuilt. Appears to retain the original brasses. Various repairs and rebuilt drawer runner. Veneer damage to skirt. Nicely grained mahogany and very fine carved elements. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 28” x 31 1/2” x 32”. 1,000 - 2,000

LOT - 2617 386

LOT - 2618

www.MorphyAuctions.com | July 15, 2020

LOT - 2619 2619 - GEORGIAN STYLE SET OF EIGHT DINING CHAIRS English, late 19th century. Set of two arm and six side chairs. Outstanding marquetry inlaid splats with elaborate Rococo style C-scrolls, shell and acanthus carving. Balloon slip seats in yellow damask upholstery with additional crewel work covers. Shell carvings on seat fronts and knees with ball and claw feet. Armchairs have shaped and carved armrails. Good condition with sun fading; repair to one crest rail. Small losses to inlay on three chairs. Height: 41”, width: 27”, depth: 22” See lot 20080999 for matching settee. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. Largest: 41 - 1/2” x 51” x 26”. 1,000 - 2,000

LOT - 2620

LOT - 2621

2620 - GEORGIAN STYLE SETTEE. English, late 19th century double back settee. Outstanding marquetry inlaid splats with elaborate Rococo style C-scrolls, shell and acanthus carving. Balloon slip seats in yellow damask upholstery with additional crewel work covers. Shell carvings on seat fronts and knees with ball and claw feet. Very good condition. Height 40”, width 50.5”, depth: 24”. See lot 20080728 for matching chairs. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 40” x 50 - 1/2” x 24”. 1,000 - 2,000

2621 - LOUIS XV ROCOCO GOLD-GILT ARMCHAIR. 20th century. Continental. The deeply carved back, the scrollwork, and leafy crest centering a cartouche paint decorated with a scene of a courting couple within a landscape. The crest is flanked by cupid busts, the back joined to horizontal padded arms on scrolled supports with acanthus carved knees, centering a trapezoidal over-upholstered seat.

The chair raised on molded cabriole frontal legs, and backswept rear legs on casters. All surfaces original. Champagne striped silk fabric “as new”. Very good overall. CORRECTION: Title updated This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 37” H x 28” W. Seat Height: 17” H. 300 - 600

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2622 - LOUIS XV GILTWOOD VANITY BENCH. 20th century. Continental. The overupholstered shaped side panels with molded crest rails joined to molded styles, foliate and acanthus carved, centering the over-upholstered seat, raised on cabriole legs on casters.

Striped champagne silk fabric with small tears in seat. Painted surfaces intact. Structurally very good.

CORRECTION: Title updated This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

31” H x 28 - 1/2” W x 21” D. 300 - 600 2623 - MARBLE TOP TABLE WITH CARVED FLORAL MOTIF. Oriental hardwood table, 20th century. Good condition. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 41” x 15 - 3/4” x 15 - 3/4”. 300 - 800

LOT - 2622

LOT - 2623

2624 - UNUSUAL GOLD D’ORE BRONZE CLOCK WITH ANGEL & GLOBE. Clock is decorated with a large angel flying above a globe of the world with a clock center. The equator of the globe has a center strip which moves right to left and displays Roman numerals in order to show the time. Includes a key and pendulum. Missing the back cover of the clock. 20 - 1/2” x 14 - 1/2” x 6 - 1/2”. (Excellent). 500 - 1,000 2625 - SIMON DE CHARMES LONDON WALL CLOCK. Quite early open brass clock by Simon de Charmes, London, with single weight, c. 1850. Newer wooden holder, one hand missing.

16” x 6 - 1/2” x 8”. 400 - 800

LOT - 2624

LOT - 2625

2626 - 8-DAY 16-JEWEL RUBY TIME AND STRIKE CLOCK. Clock contains Pearl inlay with a small piece of wooden pearl missing under the number 12. Measures 10” in diameter, excellent condition. From the Ray Bentley Collection. 16” x 11” x 4”. 100 - 300 2627 - EARLY FIGURAL CLOCK WITH BISON ON TOP. Early turn of the century clock by Ansonia is in working order. Detailed figural bison mounted on top of clock. Original feet. Includes bison head mouth on both sides. 16 - 1/2” x 16 - 1/2” x 6 - 3/4”. (Excellent).

1,000 - 3,000

388

LOT - 2626

www.MorphyAuctions.com | July 15, 2020

LOT - 2627

2628 - LOT OF 2: THOMAS MERCER CLOCK & WILMINGTON COMPASS. The Thomas Mercer clock is a naval clock in working condition and comes in original case. The Wilmington compass is signed on the dial, in working condition and also comes in original case.

Largest: 7 - 1/2” x 7 - 1/2” x 7 - 1/4”. (Excellent). 800 - 1,200

LOT - 2628

LOT - 2629

2629 - TIFFANY & CO FRENCH CRYSTAL REGULATOR CLOCK BY P.MARTI, 1889.

Late 19th century Tiffany & Co. French crystal regulator clock with 4 beveled glass panels in gilt metal/ brass case and original mercury filled/weighted pendulum. Movement signed on back plate ‘’P.Marti et Cie., 1889’’. White enameled dial with painted swag floral decorations, marked “Tiffany & Co” with Louis XV style hands. Arabic hour chapter with outer quarter-hour divisions. Case stamped “31” inside.

Movement marked “Medaille D’Argent” & “Made in France 4317 5 2”. Key not present. Front and rear beveled glass panels with chipped corners. Floral ivy banding to top and bottom of case. Measures 11 7/8” in height by 6 3/4” wide x 5 3/8” deep at base. Overall in very good original condition with some light pitting and discoloration to top and base. 12” x 6 - 3/4” x 5 - 1/4”. (Very Good). 1,000 - 2,000 2630 - FINE SIGNED, 18TH CENTURY, JOHN WOOD, JR. GRANDFATHER CLOCK. Walnut tall case clock with quarter columns on ogee bracket base signed by prominent Philadelphia maker, John Wood, Jr. (1736-1793) circa 1770. The clock has an eight-day, brass dial movement with a moon phase dial and brass works, 8’3” height. Wood had a shop at the corner of Front and Chestnut Streets in Philadelphia and he advertised that he engaged London-trained workman capable of producing all kinds of watches and clocks. He also furnished the country trade with parts to make their own timepieces. Wood served as an officer in Washington’s Continental Army and was a distinguished member of the Grand Lodge of Free Masons. Condition: Refinished: rosettes and several pieces of molding restored. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 95 - 1/2” x 19” x 10 - 1/2”. 4,000 - 8,000

LOT - 2630

LOT - 2631

www.MorphyAuctions.com | July 15, 2020

2631 - THREE PIECE FRENCH ONYX AND GILT METAL CLOCK SET. Set includes a French clock with white onyx base and pillars, all with ormolu mounts. The clock has white porcelain dial with enamel decoration, marked “COMPTOIR GENERAL, J. PRATT PARIS”. the clock has white onyx urn at the top with ormolu mounts.

Accompanied by a pair of matching white onyx candlesticks with ormolu decoration and candle cups. Key is present.

Minor roughness to edges and corners of onyx, a back corner of clock platform with old repair, otherwise very good. Largest: 15 - 1/2” x 7 - 1/2”. 600 - 800 389

2632 - SESSIONS TIME/DATE OAK WALL CLOCK WITH ORIGINAL AMERICAN BISCUIT CO. ADVERTISING PANNEL. Beautiful Oak regulator wall clock with original American Biscuit Co. advertising front glass. All original condition, some signs of wear to the oak case, with original pendulum, in fine working condition. 37 - 3/4” x 18” x 5”. Excellent 600 - 1,200 2633 - WATERBURY CLOCK CO. REGULATOR OAK WALL CLOCK. A beautiful oak-case regulator wall clock by the Waterbury Clock Co. All original condition with signs of wear to the oak case and original makers label. Original pendulum and in fine working order.

38 - 3/4” x 16 - 1/2” x 4 - 1/4”. Excellent 300 - 600 2634 - JAEGER LECOULTRE ATMOS PERPETUAL CALENDAR CLOCK W/MONTH & MOON PHASES, CAL. 560.

Jaeger-LeCoultre “Classique Atmos Perpétuelle” Atmospheric perpetual calendar mechanical mantel clock. Caliber 560. White dial with black Roman numerals, month and moon phase complications.

Having 5 glass panels in gilt metal and gold tone brass case. Measures approximately 9” tall by 7.75” wide by 6” deep at base. Swiss made. Serial No. 740247. Excellent working order. 9” x 7” x 6”.

(Excellent - Near Mint). 2,000 - 4,000

LOT - 2632

LOT - 2633

2635 - JAEGER LECOULTRE ATMOS CENTURY PERPETUAL CLOCK W/CHINOISERIE MARINA MOTIF W/B&P. Jaeger-LeCoultre “Century” Atmospheric perpetual calendar mechanical mantel clock with black Chinoiserie “Marina” motif in original case with papers. Caliber 526-5. White dial with applied gold tone Arabic numerals. Having 5 Lucite panels in gilt metal and gold tone brass case.

Measures approximately 9” tall by 7” wide by 5.25” deep at base. Swiss made. Serial No. 191228. There are a few small marks to the case at front top left corner, and one small scratch to left side acrylic panel, otherwise in excellent condition. Includes original case, certificate booklet and instructions. Box: 10” x 8 - 1/4” x 6 - 1/4”. (Very Good - Excellent). 2,000 - 4,000

LOT - 2634 390

LOT - 2635

www.MorphyAuctions.com | July 15, 2020

LOT - 2637

LOT - 2636

2636 - DECORATIVE WOOD BASE WITH LACQUER FINISH. Nice floral design with oriental motif. 36” x 11” x 11”.

(Excellent). 400 - 800

2637 - AN EXCEPTIONAL SAROUK PALACE CARPET. c. Second quarter, 20th century.

Persia. The design of overall dense scrolling polychrome floral and vinery patterns on a rich plum field, within a deep indigo main border, woven with stylized lotus blossoms with pendant vinery. The pale mustard guardborders each with a row of polychrome flowerheads.

Size: 11’ x 21’ 6”. Condition: Very good to excellent, with rich, vibrant palette and full pile.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 11’ x 21’6”. (Very Good - Excellent). 2,000 - 3,000

LOT - 2638 2638 - FINE KASHAN ORIENTAL CARPET. The midnight blue arabesque medallion, with dense floral scrollwork in a wine red field, within midnight blue ivory and pale blue spandrels, all with dense lotus blossoms within a midnight blue main border of trelliswork vinery of lotus blossoms throughout, within six floral guardborders in ivory and indigo. Size: 9’ 4” x 13’ 8”. Condition: Overall very good, with strong color palette and nearly full, even pile. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 9’ 4” x 13’ 8”. (Very Good). 1,200 - 2,000

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2639 - A LARGE KIRMAN ORIENTAL RUG. c. Mid 20th century. Persia. This fine example, woven with an overall pattern of lotus blossoms amongst floral vinery in earth tones on a pale blue field within a wide, muted celadon main border of lotus. Size: 10’ 8” x 14’ 4”. Condition: Rug retains full pile with fine detailing; very good overall. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made. 10’8” x 14’4” (Very Good).

1,200 - 1,800 2640 - A FINE ISFAHAN ORIENTAL RUG. c. 20th century. Persia. The open field, woven with intricate floral vinery and lotus blossoms in tones of blue and green with red, ochre and yellow accents in the flowerheads. All on an ivory ground within a muted sand-color main border of scrolling floral vinery. The ivory guardborders of floral vinery with lotus blossoms.

Size: 10’ 8” x 14’ 4”. Condition: Very good to excellent with full pile and rich palette. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

10’8” x 14’4”. (Very Good Excellent). 1,200 - 1,800 2641 - FINE KAZAK ORIENTAL CARPET. NORTHWEST PERSIA. 20th century. This nice carpet with two rows of four pale indigo rondels, each decorated with stylized fruit-filled trees on rose-red field, the rondels alternating with geometric designs. The whole within multiple fruit and floral-filled guard borders, centering a pale indigo main border, with rose-red trelliswork. Size: 8’ 9” x 12”.

Condition: The rug has been cleaned, with subtle yet bold palette. The rug retains full pile with intact selvage and fringe; very good overall. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

8’ x 9” x 12”. (Very Good).

1,000 - 2,000

392

LOT - 2639

LOT - 2640

www.MorphyAuctions.com | July 15, 2020

2642 - STYLIZED HERIZ ORIENTAL RUNNER. The elongated rectangular field with dense floral latticework on a toned sand and beige ground within deep indigo and emerald green borders, centered by rose-red floral spandrels. The midnight blue main border with lotus blossoms alternating with sazleaf trelliswork within a deep wine-red guard border. Size: 3’ 4” x 9’ 5”. Condition: Carpet has been washed, with some overall light bleeding of the reds, which is within normal parameters.

Pile remains full. Selvage and fringe is intact. Good to very good overall.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

40” x 113”. (Good - Very Good).

500 - 1,000 2643 - NORTHWEST PERSIAN ORIENTAL RUNNER. 20th century. The runner designed with five aligned polychrome scorpion medallions, alternating with half-medallions of similar design with geometric centers on a rose-pink field within the main border of polychrome lightning bolts on an olive green ground, flanked by guard borders of triangular zig-zag trelliswork. Size: 3’ 1” x 9’ 6”.

Condition: Rug has been washed with minimal and slight running of colors; palette remains vibrant. Selvage and fringe intact with full pile throughout.

This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

37” x 114”. (Very Good). 400 - 800 2644 - A KURDISH ORIENTAL RUNNER. Early 20th century. The runner designed with a central row of delicate floral bouquets, flanked by flowering shrubs and stylized floral bouquets. The overall colors in earth tones of yellows, oranges, browns, greys, et cetera, on a mottled blue-grey ground within an ivory main border of stylized geometric floral latticework flanked by geometric guard borders of triangular design. Size: 3’ 3” x 11’ 2”. Condition: Rug has been professionally washed and cleaned, retaining nearly full, even pile.

Fringes have been replaced on one end, but shortened on the other end.

Selvage is intact. Good overall. This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.

39” x 134”. (Good). 400 - 800

LOT - 2641

LOT - 2642

LOT - 2643

LOT - 2644

www.MorphyAuctions.com | July 15, 2020

393

LOT - 2645

LOT - 2646

LOT - 2647

LOT - 2648

2645 - FANTASTIC VINTAGE HALLOWEEN POSTCARD ALBUM WITH OVER 100 CARDS. Fantastic vintage postcard album includes over 100 cards by Winch, Clapsaddle, Brundage, Raphel Tuck and others. Many quite rare cards with only minor wear. The best of the best. 9 - 1/8” x 7 - 5/8” x 2 1/4”. (Very Good - Excellent). 2,000 - 3,000 2646 - LARGE ALBUM OF OVER 400 VINTAGE POST CARDS. Includes many early fashion-related cards. 11 - 3/4” x 10 - 1/4” x 1 - 1/2”. (Excellent+ - Near Mint). 2,000 - 4,000 2647 - FANTASTIC VINTAGE HALLOWEEN POSTCARD ALBUM WITH OVER 90 CARDS. Many rare cards by famous artists in exceptional condition. 11 - 3/4” x 11 - 3/4” x 3 - 1/4”. (Excellent). 1,500 - 3,000 2648 - EXCEPTIONAL VINTAGE HALLOWEEN POST CARDS. 41 cards all by Raphael Tuck, including 11 Devil cards and many rare cards. Exceptional condition with only minor wear. 11 - 1/2” x 10 1/8” x 1 - 1/2”. (Excellent). 1,500 - 3,000

LOT - 2649

2649 - RARE VINTAGE HALLOWEEN POSTCARDS. 20 beautiful early postcards, all in excellent condition. 11 - 1/2” x 10 - 1/4” x 1 - 1/2”. (Excellent+). 1,400 - 3,000 2650 - FANTASTIC VINTAGE HALLOWEEN POST CARD ALBUM WITH OVER 90 CARDS. Collection includes 7 Vegetable People (Anthropomorphic), 5 Minsch, 19 Clapsaddle, 5 Brundage and other great artists. Excellent condition, though a few have creases. 12 - 3/4” x 14 - 1/2” x 2 - 1/2”. (Very Good - Excellent). 1,200 - 2,500 394

www.MorphyAuctions.com | July 15, 2020

LOT - 2650

LOT - 2651

LOT - 2652

LOT - 2653

LOT - 2654

2651 - 60 VINTAGE HALLOWEEN WITCH POST CARDS. Many rare cards by famous artists. All cards have witches with other subjects. Rare grouping in exceptional condition. 11 - 3/4” x 10 - 1/8” x 1 - 3/4”. (Excellent). 1,000 - 2,500 2652 - 88 VINTAGE SANTA POST CARDS FROM EARLY 1900’S. Many rare cards, mostly German. Wonderful colorful Santas in all colors. Many with transportation theme. Amazing condition and rarity, the best of the best. 11 - 1/2” x 10 - 1/2” x 2”. (Excellent).

1,000 - 2,000 2653 - 90 VINTAGE SANTA POSTCARDS. c. Early 1900’s. Many rare postcards, mostly German, with wonderful colorful Santas in all colors. Tucks, Clapsaddles and others. Amazing condition and rarity. 11 - 1/2” x 10 1/2” x 2 - 1/4”. (Excellent).

1,000 - 2,000

LOT - 2655

2654 - 250+ VINTAGE POSTCARDS. c. Late 1800’s to early 1900’s. Includes a lot of fashion, Christmas and animal related postcards. 11 - 3/4” x 10 - 1/4” x 1 - 1/2”.

(Excellent+ - Near Mint). 700 - 1,200 2655 - LOT OF 278 VINTAGE POSTCARDS FROM LATE 1800’S TO EARLY 1900S. Nice assortment of Uncle Sams, Valentines, St. Patrick’s Day and other various Victorian cards. 12 - 1/4” x 13 - 5/8” x 3 - 5/8”. (Excellent+ - Near Mint). 600 - 1,200 2656 - ALBUM OF 110 VINTAGE TRADE CARDS. Album of 110 Victorian style trade cards advertising various products.

11 - 1/2” x 10 - 1/2” x 1 - 1/2”. (Excellent+ - Near Mint).

500 - 1,000 LOT - 2656

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395

LOT - 2657

LOT - 2658

LOT - 2659

LOT - 2660

2657 - 340 VINTAGE BLACK AMERICANA POST CARDS. c. Early 1900’s. Approximately 50 real photos. Wonderful collection with many rare cards. Minor wear for age. 12 - 1/4” x 13 - 1/2” x 3 - 3/4”. (Very Good - Excellent). 500 - 1,000 2658 - OVER 110 VINTAGE TRADE CARDS. Mostly Victorian, advertising various products. 12 - 1/2” x 11 - 3/4” x 2 - 1/2”. (Excellent+ - Near Mint). 400 - 800 2659 - 80 VINTAGE FRENCH POSTCARDS. c. Early 1900’s. Includes 33 Paris Exhibition 1889 cards, 8 Would War I French battle postcards, mint and never used; 8 French Opera postcards, mint and never used; 10 Napoleon postcards, mint and never used; and 21 Cathedral Amiens postcards, mint and never used.

11 - 3/4” x 10 - 1/4” x 1 - 1/2”. (Excellent). 200 - 400

LOT - 2661

2660 - BOOK OF BLACK AMERICANA POSTCARDS. Nice assortment of a few hundred Black Americana postcards. Most are excellent plus to near mint condition. 12” x 13 - 1/2” x 3 - 3/4”.

(Excellent+ - Near Mint). 500 - 1,000 2661 - LARGE BOOKLET OF POSTCARDS AND EARLY TRADE CARDS. Most are product related. All are in excellent plus condition. 12” x 11 3/4” x 2 - 1/2”. (Excellent+). 500 - 1,000 2662 - LARGE ALBUM OF MOSTLY PATRIOTIC AND UNCLE SAM RELATED POSTCARDS AND TRADES CARDS. c. Late 1800’s - Early 1900’s. Nice assortment. 12 - 1/4” x 13 - 1/2” x 3 - 3/4”. (Excellent). 500 - 1,000 LOT - 2662 396

www.MorphyAuctions.com | July 15, 2020

ABSENTEE BID FORM Auction:

July 14 & 15, 2020 Fine & Decorative Arts

2000 N. READING RD • DENVER, PA 17517 P/ 717-335-3435 F/ 717-336-7115

www.morphyauctions.com

Step 1 - Circle Bidding Option Phone Line

Absentee Bid

Phone line: Morphy Auctions staff will call you 5 lots prior to the item(s) you wish to bid on.

Absentee: Morphy Auctions staff will execute your left bid(s) as if you were in attendance.

Step 2 - List Lot/Bid Information Lot #

Bid Increments: $0 - $500/$25 $200 - $500/$25

Please print clearly.

Description

Absentee Bid

Phone Emergency Bid

Applies to phone bidders only.

PLEASE NOTE ~

$500 - $1,000/$50 $1,000 - 2,000/$100

Step 3 - Fill Out Personal Contact Info

$2,000 - $5,000/$250 $5,000 - $10,000/$500 $10,000/Auctioneer’s Discretion

Emergency bids are executed only if Morphy Auctions is unable to contact the bidder via the phone number(s) provided.

Please print clearly.

Name Address City

State

Phone Line 1

Phone Line 2

Zip

Email I accept that all bids do not include the buyer’s premium of 23%. I accept that all bids are subject to the TERMS AND CONDITIONS OF SALE printed in the catalog. My signature ser ves as an agreement to the terms stated on this form.

Signature Print Name

Date

bidder

Terms & Conditions We advise all bidders to read the Terms and Conditions of the Sale before bidding with Dan Morphy Auctions LLC and/or its affiliates Morphy Firearms LLC, and Morphy Auctions, Las Vegas collectively referred to below as MORPHY’S. Those who bid are bound by those Terms and Conditions of the Sale, as amended by any oral announcement or posted notices, which together form the contract of the sale between the successful bidder (purchaser), MORPHY’S and the seller (consignor) of the lot.

TERMS OF SALE

When bidding on any lot offered by MORPHY’S, the bidder indicates acceptance of the following Terms of Sale. Any participation in the auction binds you to agreement of these terms whether or not you read or understand said terms. The Terms in writing contained herein are subject to change without notice and bidder agrees that the most recently published Terms of Sale as published or amended on the website at the beginning of the auction shall apply.

LIMITED GUARANTEE

TIMING

There will be no options for refunds of any type beyond 35 calendar days from the auction date. Paying late and thus receiving items late will not change the limitation on the dates above for refund consideration. Please also refer to POST SALE RETURN POLICY at end of terms.

FIREARMS – These terms do NOT apply to our firearms auctions. To view the terms and conditions for our Firearms Auctions, please go to: www.morphyauctions.com/firearmterms

MORPHY’S makes every effort to accurately describe all items offered in its sales. The descriptions carry a limited guarantee. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value. This limited guarantee covers authenticity, major restoration or repair not described, counterfeits, reproductions or major fabrications not disclosed in the description. Examples of what we do not guarantee against, imperfections, slight damages, handling marks, natural imperfections, undisclosed blemishes, finish differences, wood-to-metal fit issues, surface cracks or chips in wood, dings and dents, bore condition and other similar differences that are inherent in the antiques and collectible industry. All items are sold for display purposes. If electrical, mechanical, or other working parts are inoperable, even if working at the time of sale, we are not liable due to the inherent nature of the age of these antiques and items. It is the bidder’s responsibility (present or absentee bidders) to determine by inspection by themselves or a hired professional the exact condition of each item prior to bidding on the item. Should MORPHY’S deny an authenticity issue dispute of the buyer, and the buyer is not satisfied, the buyer may, at his or her own expense, obtain the written opinion of two mutually agreed upon recognized experts in the field of the disputed item. The final decision of those experts will determine any refund consideration. This limited guarantee is only available to the buyer of record. Please also refer to POST SALE RETURN POLICY at end of terms.

GAMING DEVICES - MORPHY’S may hold these items for up to 5 business days to allow state agencies to verify the buyer’s information. All auction participants are urged to check the legality of possession in and/or shipment of gaming devices to their state of residence. Ownership of gaming devices is prohibited in these states: Alabama, Connecticut, Hawaii, Nebraska, South Carolina, and Tennessee. If you become a high bidder on a gaming item, and you are from one of the prohibited states as listed here: • You must pay for your item, • You will not be able to take possession of the item (MORPHY’S cannot ship it to you or allow pickup), • MORPHY’S will consign the item in your name to the next appropriate auction.

If you do not pay for the item in full, MORPHY’S will block you from participating in future auctions. Any gaming device purchased at the auction shall be used for the purpose of display or social entertainment within the private home or residence of the buyer, and such devices shall not, in any event or manner, be exposed to the public for the purpose of gambling or be resold in the state of Nevada without a gaming distribution license. Proof of residence/ID is required for purchase of gaming devices.

Except as stated in the limited guarantee above, MORPHY’S will not be held responsible for typographical errors. Neither we nor the consignor, make any guarantees, warranties, or representation, expressed, or implied, in regard to the property or the correctness of the catalog or other description of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibition, literature or historic relevance of the property or otherwise.

It is the bidder’s responsibility to initiate contact with MORPHY’S in request for additional information regarding the items. Submit all questions regarding upcoming auction items at least 48 hours prior to the date of auction. We will make every effort to answer all submitted questions in a timely manner. We will do our best, but cannot promise that questions submitted within 48 hours of the auction date will be answered prior to the auction. The consigner and we make no representation or warranty as to whether the buyer acquires any reproduction rights in the property. All items will be available for preview approximately one (1) month prior to the auction.

SPORTS COLLECTIBLES • Return Considerations

o MORPHY’s is not responsible for a third party grading company agreeing or disagreeing with our assessment, and we cannot issue refunds or credits if cards do not receive a numerical grade or the exact grade that we describe. MORPHY’s strongly recommends that you personally evaluate any items that you are bidding on, and make your own determination about its grade. MORPHY’S offers no guarantee of grade for uncertified items sold and subsequently submitted to a third-party grading service.

o Cards sold referencing a third-party grading service are sold “as is” without any express or implied warranty. Certain warranties may be available from the grading services, and the Bidder is referred to them for further details: Professional Sports Authenticator (PSA), Sportscard Guaranty LLC (SGC), Global Authentics LLC, Beckett Grading Services (BGS), JO Sports, Inc.

o MORPHY’S will not accept return of certified items due to possible differences of opinion with respect to the grade offered by any third-party organization, dealer, or service. Grading does not qualify for return evaluation, nor do such complaints constitute a basis to challenge the authenticity of a lot. (continued...)

FIREWORKS – MORPHY’S can only ship Class 1 Division 1.4 and 1.6 Explosives (as described in the following website: http:// environmentalchemistry.com/yogi/hazmat/placards/class1.html) per the 49CFR 173.50 and can only ship these via FedEx. All items not shippable must be picked up by the buyer.

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Terms & Conditions

o MORPHY’s shall not be liable for any patent or latent defect or controversy pertaining to or arising from any encapsulated collectible. In any such instance, buyer’s remedy, if any, shall be solely against the service certifying the collectible.

o Under extremely limited circumstances related solely to authenticity, such as a highly significant cataloging error, a buyer, who did not bid from the floor, may request MORPHY’S to evaluate voiding a sale.

o Lots returned must be completely intact in their original form and undamaged holder, or there will be no credit. Certifications are void and returns are not accepted for any cards removed from their third-party grading holder.

o All elements of the MORPHY’S POST-SALE RETURN POLICY apply. There are absolutely no exceptions to this policy.

• On any lot presented with a Letter of Authenticity (“LOA”) issued by MORPHY’S

o The bidder shall solely rely upon the warranties of the authentication provider issuing the Letter or opinion, or on the warranties of the authentication provider of the bidder’s choice.

o Warranty inures only to the original buyer. Buyer may not transfer the rights afforded under the LOA, and it is null and void when Buyer transfers or attempts to transfer the lot.

o The LOA warranty is valid from date of the auction in which Buyer was awarded the lot to four (4) years after its purchase.

o The LOA warranty is valid as to its attribution to the person or entity described or to the lot’s usage, e.g. game worn.

o Claim procedure:

o Buyer must contact MORPHY’S within the warranty period, prior to submission of the lot as to his intent to make a claim, receive prior approval, and arrange secure shipment.

o Buyer must present with the claim, authoritative written evidence that the lot is not authentic as determined by a known expert in the sports field.

o If MORPHY’S concurs that the lot is not as represented, Buyer shall be refunded their purchase price.

o If the MORPHY’s denies the claim, the Buyer agrees to the AGREEMENT REGARDING GOVERNING LAW, VENUE, AND LEGAL RIGHTS noted herein.

o The LOA does not provide for incidental or consequential damages or other indirect damages. Any lot sold with a certificate of authenticity or other warranty from an entity other than Auctioneer or Morphy’s affiliates is subject to such issuing entity’s rules and such conditions are the sole remedy afforded to buyer.

• In the event MORPHY’s cannot deliver the lot, or subsequently it is established that the lot lacks title, provenance, or authenticity, MORPHY’s liability shall be limited to voiding of the sale and refund of purchase price. In no case shall MORPHY’s liability exceed the winning bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, MORPHY’S maximum liability shall be limited to any buyer’s premium earned on that lot.

• Due to changing grading standards over time, differing interpretations, and to possible mishandling of items by subsequent owners, MORPHY’S reserves the right to grade items differently than shown on certificates from any grading service that accompany the items. MORPHY’S also reserves the right to grade items differently than the grades shown in the prior catalog should such items be reconsigned to any future auction.

• There is a subjectivity to grading, especially the grading of cards. Every effort is made to verify the condition of each lot as it is described. MORPHY’S accepts items for auction after careful scrutiny by not only ourselves, but, when necessary, by other leading authenticators. We cannot guarantee that every card described by us

will in all cases receive exactly the same grade, or even be accepted for grading, from any third-party grading service. Similarly, we cannot guarantee that every card graded by one third-party grading service will in all cases receive exactly the same grade by another third-party grading service. Occasionally a lot description will include the words “we have submitted,” which is intended to be taken literally and give bidders great confidence that MORPHY’S has not “done anything” to the cards to alter or otherwise improve their appearance and ultimate grade. No warranty, whether expressed or implied, is made with respect to any grade, condition, or other adjectival descriptions, which can and do vary, even among experts.

• Large Autograph Group Disclaimer: When dealing with a single individual auction lot containing many items, these lots are offered with the explicit understanding that it is possible that there may be a small percentage which are not authentic. When authenticating large lots, such as a collection of 6,000+ signed 3 x 5 cards, or a set of 700+ signed baseball cards, great care has been taken in the authentication process, with all the greater attention focused on any items representing a concentration of value. It is always possible that on rare occasions a secretarial or stamped signature could be missed here or there. Without this disclaimer, as a practical matter, it would not be possible for MORPY’S to offer such lots at all. All bidders bidding on such lots do so with this understanding.

• Abbreviation/Definition/Condition Key: PR — Poor, GD — Good, VG — Very Good, EX — Excellent, NM — Near Mint, MT — Mint. NOTE: If an item has a multiple grade such as VG-EX, then that item falls somewhere in between those two conditions.

GOODS MADE FROM OR CONTAINING MATERIALS FROM PROTECTED SPECIES - MORPHY’S does not accept any responsibility or liability for the sale of items containing materials from protected species or for any omission in marking or labeling goods as containing materials from protected species. Such material includes, but is not limited to, ivory from elephants and walruses, tortoise shell, crocodile skin, whalebone, rhinoceros horn, some species of coral and certain woods. Restrictions on the importation, exportation, sale, transfer, and/or possession of goods containing materials from protected species derive from international, federal, and state laws and regulations promulgated thereunder. Laws include, but are not limited to, the Convention on International Trade in Endangered Species of Flora and Fauna (CITES), the Endangered Species Act (ESA) and the Marine Mammals Protection Act (MMPA). States currently restricting trade of protected species include, but are not limited to, California, New York and New Jersey.

Prospective buyers are on notice that several countries completely prohibit importation of property made, all or in part, of protected materials. Some countries require special permits, such as a CITES permit, from the relevant regulating authority in the countries of exportation and importation as well. Potential buyers intending to import the property into another country should be familiar with the relevant customs laws and regulations prior to bidding on goods containing material from protected species. Regulations may vary as the U.S. generally prohibits importation of articles containing material(s) from species it has designated endangered or threatened if the articles are less than 100 years old, subject to certain exceptions.

It shall be the potential buyer’s sole responsibility to research and satisfy the requirements of any laws and regulations that apply to the import and export of property as described in the aforementioned paragraphs. All buyers agree to comply with any and all domestic and international restrictions on the trade of protected species as a (continued...)

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Terms & Conditions condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the buyer’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. MORPHY’S is not able to assist the buyer in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance that an export license or certificate can be obtained. The inability or delay in obtaining permits, licenses or other permissions to import or export goods containing material from protected species will not constitute a basis for rescission or cancellation of the sale of said goods or the delay in payment of purchased items in accordance with these Bidder Terms and Conditions.

JEWELRY AND WATCHES • Jewelry Descriptions and Condition Reports: Lots being offered are sold as-is on the day of sale. Condition reports, either written or verbal, are provided as a courtesy only, and are not to be taken as fact or guarantees of condition or quality of the lots. All information provided is the opinion of the specialist at MORPHY’S, including but not limited to weights, grades, color, and clarity. All gemstones and diamonds are measured and graded in their setting unless stated otherwise. All weights and grades are approximate.

Buyers wishing to have a grading or gemological report from an independent, internationally recognized laboratory, such as the Gemological Institute of America (GIA) or the American Gemological Laboratories (AGL), may request one at their own expense or hire an independent adviser of their choosing.

• Watch Descriptions and Condition Reports: The physical characteristics, timing accuracy or functionality of timepieces cannot be guaranteed, and all items are sold as-is. o Any condition statement reflects the condition of the watch on the date of the report. Condition can change from the time of the report to the day of sale. o Photographs are for identification purposes only. Buyers may not use them as precise indications of size or condition. o The origin or authenticity of all components cannot be guaranteed. o Watches with waterproof or water-resistant cases – MORPHY’S may open cases to develop descriptions, and cannot guarantee that any watch is waterproof or water-resistant at the time of purchase. MORPHY’S recommends that the buyer have a professional watchmaker evaluate the watch at buyer’s expense. o Buyers must be aware that watches may need general service, change of battery, or further repair work for which the buyer is solely responsible. o Dials - All watches have the possibility that after their original date of manufacture they received reconditioning or replacement of dials or elements of the dial such as but not limited to standard or luminescent hour markers, hands, script, date or measurement indices, lacquer, and finish. Buyer is solely responsible for determining and understanding such condition issues.

• The lack of a condition report does not imply that the item or lot is free from imperfections, defects or wear and tear of the aging process. This includes but is not limited to: deficient stones, needed repair or defects.

• It is common and generally accepted in the jewelry industry that some diamonds and most gemstones have been enhanced with various treatments to improve their overall appearance. o These treatments include but are not limited to: heating, dying, oiling, laser drilling, HTHP, wax, bleaching, irradiation, resin or polymer impregnation and various other techniques. o Unless stated in the title, it is assumed that one or more

treatments have been performed to the stones. While many treatments are considered permanent, this cannot be guaranteed. o Please note that many treatments cannot be determined without sophisticated laboratory testing. Due to the various laboratories and developing scientific methods for testing, not all reports or certificates will have the same results for treatment type, extent of treatment and stability of treatment. o MORPHY’S makes no representations or warranties, express or implied, as to whether natural stones have been treated or enhanced, whether specifically referenced or not.

• Laboratory reports may accompany some lots o If a lot is accompanied by certificates or reports from internationally recognized and accepted gemological laboratories, it will be noted in the description. o Copies will be available upon request, with the original going to the successful bidder. o The reports cannot be guaranteed and are provided for informational purposes only. Results on reports may differ from laboratory to laboratory. o MORPHY’S accepts no responsibility for the accuracy, terms or information contained in such certificates or reports.

Grading Scale: Near Mint Plus 97% - 100% Near Mint 90% - 96% Excellent 80% - 89% Very Good 70% - 79% Good Below 70%

BIDDING RIGHTS & RESPONSIBILITIES

The auctioneer will determine the highest bidder. The auctioneer alone has the right to reopen the bidding of an item if deemed necessary due to a dispute. If there is a tie bid between the floor and Internet or absentee bid, the floor bid takes precedence.

MORPHY’S and its representatives reserve the right to remove those attendees who impede preview and/or the auction. Title to all merchandise shall pass to the highest bidder at the fall of the auctioneer’s hammer. The buyer will then assume all risk and full responsibility of the lot purchased once ownership has changed. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. MORPHY’S is not responsible for any errors in bids, omissions of bids, or failure to execute bids and shall have no liability to any bidder for any technical or other failure associated with the internet, absentee bidding, or telephone bidding.

• ABSENTEE BIDDING - MORPHY’S will accept absentee bids if pre-authorized by mail, fax or through www.morphyauctions. com online. Absentee bidders must use the absentee bid form and clearly mark the lot number, title and maximum bid amount.

Absentee bidding forms may be accessed online at www. morphyauctions.com. If there are two (2) identical bids placed on the same item, priority will be given to the first bid received.

All bids must be left in increments as explained on our bid form.

If a bid is “out of increment,” the auctioneer has the right to round the bid up to the next correct increment. Bidders may preview, register and place bids online through our website, www. morphyauctions.com. Absentee and online bids placed through www.morphyauctions.com will be auto charged to the credit card entered 48 hours after the end of the sale. If you wish to pay by another method please contact us within 48 hours after the sale.

Seller(s) agree to allow the Auctioneer to accept and execute absentee bids in a competitive manner for potential buyers and under the MORPHY’S absentee bidding terms and conditions.

During the live sale, the auctioneer will execute your absentee bid (continued...)

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Terms & Conditions competitively up to the maximum amount you have indicated.

• ONLINE BIDDING - Online bidding through www.morphyauctions. com, Live Auctioneers, Invaluable, Proxibid, or other bidding platforms may be available; all Terms and Conditions still apply.

A surcharge will be added for third party online platforms. Refer to your bidding platform of choice for the final buyer’s premium.

If there is a tie bid between the internet bidding venues and the floor, the floor bid takes precedence. If a credit card has been provided to one of the online bidding platforms, MORPHY’S reserves the right to use and charge the credit card if the winning bidder has not paid via another method by the 7 day term in Payment Terms below. Due to our fast paced auctions and bids coming from floor bidders, phone bidders, internet bidders and absentee bids, the auctioneer has the final word on all item(s) sold.

You (the bidder) assume the risk of winning an item online and not having the item actually sell to you. This is due to the final call of the auctioneer and the operator not being able to re-open that lot.

Online bidders are responsible for accidental bidding as if they bid normally.

• BID RESULTS – MORPHY’S will only contact successful bidders.

Please allow 24-48 hours post auction to receive your official invoice from MORPHY’S. The invoice will include item, hammer price, premium, packing and handling, shipping, insurance, and any other charges that apply. Please hold phone inquiries regarding bid success until after receiving your invoice. For verifications, MORPHY’S cannot provide winning bid information until the second business day after the auction. MORPHY’S will not provide bidder information to any outside sources.

• TELEPHONE BIDDING - Requests for phone lines must be received at least three (3) days prior to the auction date. MORPHY’S cannot guarantee phone lines but will make every attempt to accommodate those who wish to participate through that method.

Phone lines are provided on a first come first served basis. Please visit www.morphyauctions.com or call 717-335-3435 to request a call from our representatives during the live auction.

BID INCREMENTS

Bid increments listed are a general guideline. Actual increments are at the auctioneer’s discretion. If a lot does not receive a bid of 50% of the low estimate, the lot will be passed by the auctioneer. $0 - $500…................$25 $500 - $1,000….........$50 $1,000 - $2,000…......$100 $2,000 - $5,000…......$250 $5,000 - $10,000....…$500 $10,000 +…............... Auctioneer’s discretion

RESERVES

The majority of our items are unreserved, but occasionally items may carry a moderate reserve. Please note that when a lot carries a reserve, the reserve is usually somewhere below our low estimate. In the case of a reserved item, the seller has authorized the auctioneer to bid on their behalf until the reserve price is reached.

BUYER’S PREMIUM

A 20% buyer’s premium will be added to all successful bids and is payable by the buyer as part of the total purchase cost. A 3% merchant fee is also automatically applied to all invoices but can be discounted upon payment by cash, check, money order or wire transfer that is received within 7 days from the receipt of the invoice.

If the type of payment is split, invoice will reflect the 3% charge for merchant fees on the entire invoice. In addition, a surcharge will be added for certain third party online bidding platforms the bidder

utilizes. Refer to your bidding platform of choice for the final buyer’s premium.

SALES TAX

Lots delivered to you, or your representative are subject to all applicable state and local taxes, unless appropriate permits are on file with MORPHY’S. Bidder agrees to pay MORPHY’S the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by MORPHY’S five days prior to Auction, or tax must be paid; only if such form or certificate is received by MORPHY’S within 4 days after the Auction can a refund of tax paid be made. Lots from different auctions may not be aggregated for sales tax purposes.

PAYMENT, INTEREST & STORAGE FEES

Any invoice totaling more than $100,000 must be paid within three (3) days. All other merchandise must be paid in full within seven (7) days of the date of the invoice. Payments can be made by going to your account online at www.morphyauctions.com, call 877-968-8880 or mail payment to: Dan Morphy Auctions LLC 2000 N Reading Rd, Denver, PA 17517. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 30 days from the invoice date. All goods not retrieved by Buyer within 30 days after the invoice date, shall be subject to a storage fee of $50 per regular sized item per month or $100 per oversized item per month. Buyer authorizes MORPHY’s to sell, at their standard commission and consignment contract terms, any goods not retrieved after a 90 day period in any manner deemed appropriate by MORPHY’s and the proceeds will be applied to any outstanding balance due from the buyer.

Invoices will be auto charged to the credit card on file within 48 hours after the end of the sale. If you wish to pay by another method please contact us within 48 hours after the sale.

We accept Visa, MasterCard, Discover, American Express, personal checks, certified checks, wire transfers, money orders, and cash.

• Jewelry, Watches, Coin and Currency Items – We accept cash, wire transfer, check, certified checks and money orders only. No credit cards will be accepted for invoices containing these items.

• CREDIT CARD – We will not accept credit card payment for any jewelry, watch, coin or currency purchases. If a credit card is used as any form of total payment, invoice will reflect a 3% surcharge on the entire invoice. This charge is automatically added, but will be discounted if payment is received by cash, check, money order or wire transfer. MORPHY’s reserves the right to refuse to ship to a different address than the billing address on the credit card being used • CHECK - There will be a $30.00 service charge for returned checks.

Make checks payable to: Dan Morphy Auctions LLC. MORPHY’S reserves the right to hold items paid for by personal or company check until said check clears (14 days). MORPHY’S has the right to hold all checks over $2,000. Customers who have an established successful buying history with MORPHY’S may be exempt from this requirement. We will accept a personal or company check >$2,000 from a first time buyer if you provide a Bank Letter of Credit, available on our website, www.morphyauctions.com.

• WIRE TRANSFERS – There will be a $30 charge added to all wire transfers less than $2,000. Please add this amount to your invoice total before sending a wire transfer. (continued...)

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Terms & Conditions In the few situations where a successful bidder does not remit payment when due, MORPHY’S will proceed with the legal steps necessary to protect its interests and will block the bidder from future auction participation.

PACKING/SHIPPING

• It is the bidder’s responsibility to take shipping, handling, and insurance costs into consideration when bidding on items.

• BIDDERS PRESENT AND TAKING ITEMS AFTER AUCTION – Since item liability transfers upon a successful bid, items paid for must be packed, transported and/or removed by the buyer at his/her own risk after the close of the sale. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. If any employee or agent of MORPHY’S shall pack or transport the merchandise, it is fully at the risk and responsibility and expense of the buyer. MORPHY’S shall not be held liable for any loss or damage that may be caused by the said agent or employee.

• ITEMS NOT PICKED UP THE DAY OF THE SALE – Packaging, shipping, and insurance on all items that MORPHY’S agrees to ship to locations that can accept shipments will be made available as an added courtesy and at an additional cost. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. All applicable charges will be applied to the invoice. Shipping will be based on actual costs via FedEx, USPS, or other carriers required based upon the contents of the shipment. Packaging and insurance will vary in cost depending on the items on each invoice. All packages will be shipped with insurance. Standard items packed internally by MORPHY’s will ship approximately seven to fourteen (7-14) business days after payment is received. Oversize and breakable items, which MORPHY’s will indicate on the invoice, will ship based upon the buyer’s arrangement with a 3rd party shipper. MORPHY’s cannot combine standard item shipments with oversize and breakable item shipments. Again, if any employee or agent of MORPHY’S shall pack or transport the merchandise, it is fully at the risk and responsibility and expense of the buyer. MORPHY’S shall not be held liable for any loss or damage that may be caused by the said agent or employee.

• SHIPPING TERMS - MORPHY’S will ship items to the buyer at the listed address via FedEx or other carriers, FOB Denver, Pennsylvania or FOB other auction locations. Any risk of loss or damage to the item(s) during transit via FedEx, or any other carrier, in excess of the insurance provided by or purchased from MORPHY’S, is at the risk of the buyer. Any additional insurance coverage should be purchased by the buyer through the carrier. Buyer releases MORPHY’s from any and all claims for loss or damage to any item during transit and agrees to pay all costs of defense, including attorney’s fees, for any claims brought against MORPHY’S for loss or damage occurring during transit.

• INSURANCE - Shipping insurance is automatically added, which you can decline by contacting us and providing a signed waiver of insurance form. Insurance for all 3rd party shipments must be arranged through that carrier. Insurance provided or purchased through MORPHY’s applies only to shipments to the United States and Canada. Buyers must purchase their own insurance for shipments to other countries.

• INTERNATIONAL SHIPMENTS – MORPHY’S has the capability to ship to international bidders. By law, MORPHY’S cannot, and will not, declare lesser values for any international purchases and all shipments will include the invoice with purchase totals including the buyer’s premium and shipping cost. All international bidders

are responsible for knowing their country’s laws on importing items and for paying all customs and duties on the items.

• 3RD PARTY SHIPPING OVERSIZE ITEMS – Buyers will need to either pick up the items personally or arrange a 3rd party shipping service for oversize items. As a general guideline, the following will indicate which packages apply, as they are of a certain weight, length, or dimensional size.

• Dimensional size is length (the longest measurement) + (height x 2) + (width x 2). For example a 36” x 36” x 12” package = 36 + (36 x2) + (12 x 2) = 132” • USA home shipments must be <70 lbs. and <108” length and <165” dimensional size • USA business shipments must be <150 lbs. and <108” length and <165” dimensional size • International shipments must be <150 lbs. and <108” length and <130” dimensional size • There may be certain shipments that meet these requirements that will still require 3rd party shipping, and we will communicate the reason in those cases.

• 3RD PARTY SHIPPING OF BREAKABLE, DELICATE, FRAGILE ITEMS - MORPHY’S reserves the right to choose items and orders that it will pack, ship, and/or insure directly using our shipping department. Those items that MORPHY’S will not ship will require that the buyer either pick up the items personally or arrange a 3rd party shipping service. Examples of items that may apply after determination by our shipping department include but are not limited to: items with neon of any type (working or non-working), all glass display cases of any size; coin-operated, arcade and vending items with fragile parts and/or glass; signs with parts or protrusions beyond the main body of the sign, oversized vases (guideline – larger than fit in a 20” x 20” x 40” box), high value lamps and glass of all sizes, high value artwork including but not limited to paintings, statuary, sculpture, figurines, dioramas, and other intricate items; and items subject to impact by moisture and known handling issues in the supply chain. Under no circumstances will MORPHY’S be responsible for shipping damage to picture frames of any kind. For any buyers who wish to arrange for their own shipping, MORPHY’S must be notified at least seven (7) days prior to arrival of the shipping company name, arrival date and time. Pickup must be scheduled to begin and end within our normal business hours (9am – 4pm weekdays). Buyers must arrange weekend pickups in advance with MORPHY’S staff, and additional charges may be necessary for overtime. All 3rd party shippers must arrive with a copy of the invoice, • STORAGE FEE – MORPHY’S will charge a storage fee of $50 per item per month for any items awaiting pickup for more than 30 days following the invoice date. Buyer authorizes the MORPHY’s to sell, at their standard commission and consignment contract terms, any goods not retrieved after a 90 day period in any manner deemed appropriate by MORPHY’s and the proceeds will be applied to any outstanding balance due from the buyer.

• FIREWORKS – MORPHY’S can only ship Class 1 Division 1.4 and 1.6 Explosives (as described in the following website: http://environmentalchemistry.com/yogi/hazmat/placards/class1. html) per the 49CFR 173.50 and can only ship these via FedEx. All items not shippable must be picked up by the buyer.

(continued...)

bidder

Terms & Conditions AGREEMENT REGARDING GOVERNING LAW, VENUE, AND LEGAL RIGHTS

I hereby understand and agree that any controversy or claim arising out of or relating to MORPHY’S Bidder Terms & Conditions, which includes this provision (hereafter referred to as “Terms & Conditions”), MORPHY’S, or the breach thereof (hereafter referred to as “Claims”), shall be governed by and construed in accordance with the laws of the State of Pennsylvania, without regard to its conflict of law provisions. I hereby irrevocably submit to the personal jurisdiction of the appropriate court in Lancaster County, Pennsylvania in any action or proceeding arising out of or relating to the Claims and their enforcement, and I agree that any and all Claims must be adjudicated, heard, determined, and resolved in said court, and I hereby irrevocably waive any objection on the ground that any such action or proceeding in said court has been brought in an inconvenient forum. MORPHY’S failure to exercise or enforce any right or provision of these Terms & Conditions or any other legal rights, shall not constitute a waiver of such right or provision. Any waiver of any provision of these Terms & Conditions

by MORPHY’S must be made in writing and signed by an authorized representative of MORPHY’S specifically referencing the provision(s) contained within the Terms & Conditions to be waived. Headings used in the Terms & Conditions are for convenience only and are not to be relied upon. If any provision of the Terms & Conditions is found by a court of competent jurisdiction to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties’ intentions as reflected in the provision, and the other provisions of the Terms & Conditions shall remain in full force and effect. These Terms & Conditions will inure to the benefit of, and are intended to be, enforceable by MORPHY’S, its parents, subsidiaries, affiliates, successors, assigns, members, directors, officers, and licensees. There are no third party beneficiaries to these Terms & Conditions; a person or entity who is not a party or signatory to these Terms & Conditions has no rights under the Contracts (Rights of Third Parties) Act 1999 to rely upon or enforce any term or provision of these Terms & Conditions.

POST SALE RETURN POLICY

MORPHY’S engages knowledgeable experts to provide catalog descriptions on the merchandise we sell. Every effort is made to ensure those descriptions are accurate and that they fully disclose any exceptions to condition. Any buyer who has made their payment within the due date of 7 calendar days who wishes to report a problem must notify MORPHY’S within three calendar (3) days of receipt of their purchased item. Buyers who have not made their payment within the due date of 7 days may not return any items under any circumstances. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. Please refer to MORPHY’S limited guarantee herein. A Return Authorization Number (RA#) must be issued by MORPHY’S before you ship anything back to our address. Any items arriving without a return authorization will not be given a refund. The item in question must be shipped with the RA# on the outside and inside of the package, with full insurance, so it arrives at MORPHY’S within one week of the aforementioned authorization.

PRIVACY TO REVIEW OUR PRIVACY POLICY, PLEASE VISIT WWW.MORPHYAUCTIONS.COM/PRIVACY-POLICY All rights reserved. Entire contents copyright 2020, Dan Morphy Auctions LLC. Copyright includes, but is not limited to, print media, microform and electronic media, such as CD-ROMS and online computer services.

Please see www.MorphyAuctions.com to review a complete and most current list of terms and conditions.

All rights reserved. Entire contents copyright 2020, Dan Morphy Auctions LLC. Copyright includes, but is not limited to, print media, microform and electronic media, such as CD-ROMS and online computer services.

PA AH001884 NV 2000951.056-221 & 2000084.846

MEET THE TEAM

Dan Morphy

President & Founder

Gary Metz Consignment Assessment & Procurement

Andrew Harrison

Customer Experience Associate

Tucker Nelson

Tom Tolworthy

Director of Marketing

John Morphy, M.D.

Brian Estepp

John Morphy

Acquisitions/ Appraisals

Jae Lukens

Customer Experience Associate

Josh Dobroskey

Firearms Consignment Associate

Liz Crasten

Ben Brossman

Andrew Martin

Operations Associate

Sarah Stoltzfus

Chief Financial Officer

Firearms Consignment Associate

Photographer

Dana Costello

Chief Executive Officer

Transcriptionist

Ugo Liberti

Operations Associate

Acquisitions & Promotions

Abbe Shearer

Accounting Specialist

Logan Metesh Social Media Specialist

Ryan Kelly

Shipping Manager

Dan Zerbe

Operations Associate

Shaye Krispine

Director of Operations

Myles Welsh

Acquisitions & Promotions

Assistant General Manager Firearms

Sierra Perkins

Chris Hince

Accounting Specialist

Tasha Lopez

Senior Graphic Designer

Chris Sayres

Shipping Associate

Tommy Sage, Jr.

Head of Toys & Trains

Therese Hince Director of Sales

Cheryl Goyda

Firearms Administration

Caleb Enck

Kayla Specht

Consignment Associate

Becky Stellmach

Mary Beth Nocera

Angel Lopez

Daniel Cinelli

Joel Lazarus

John & Nancy Smith

Display Coordinator & Apprentice Auctioneer

Train Consultant

Liz Sayres

Firearms Acquisitions & Promotions

Consignment Manager

Graphic Designer

Scot Kauffman

General Manager Firearms

Lead Photographer

Operations Administration

Figural Cast Iron Consultants

Jamie Griffin

Customer Experience Manager

Emily Hamilton

Customer Experience Associate

Eric Wagner

Consignment Associate

Firearms Consignment Associate

Dana Moyer

Emily Malloy

Photographer

Ashley Messner

Operations Associate

John Mihovetz

Department Head & Expert Automobilia & Petroliana

Photographer

Nate Burkholder

Operations Associate

Brian Burke

Acquisitions & Promotions

Chris Hall

Antiques & Advertising Expert

Don Grimmer Acquisitions & Promotions

Kelly Kinzle

Americana, Folk Art, & American Decorative Arts Consultant

Peter Thomson

Antique & Modern Silver Consultant

Ron Ciarmello

Arts & Crafts Furniture and Fine Jewelry Expert

UPCOMING AUCTION SCHEDULE Fine & Decorative Arts July 14 & 15, 2020 David Geiger Arms & Armor Specialist

Michael Salisbury Firearms Expert

John Keene

Firearms Expert, NFA Specialist

Russ Withem

Firearms Expert

Willi Zahn

German Militaria & Firearms Specialist

Field & Range Firearms August 11, 12, & 13, 2020 Edged Weapons, Armor, & MIlitaria August 18 & 19, 2020

David Wyatt

German Military Artifacts (1813 to 1945) Expert

James Kochan

Specialist: Early Americana, Arms, & Militaria

Jeremy Hatch

Firearms Consultant

Josh Loewensteiner Firearms Consultant

Brian Manifor

Western Antiques & Weapons Expert

Automobilia & Petroliana October 7 & 8, 2020 Coin-Op & Advertising November 7 & 8, 2020 Extraordinary, Sporting, & Collector Firearms November 18 & 19, 2020

Jim Maley

Acquisitions & Promotions

Dave Conley Auctioneer

Field & Range Firearms December 1, 2, & 3, 2020 Fine & Decorative Arts December 9 & 10, 2020 Auction dates & consignment deadlines are subject to change. Please call to verify.

MORPHY AUCTIONS | 2000 North Reading Road • Denver, PA 17517 | Phone: 877-968-8880 • Fax: 717-336-7115

NOTES:

NOTES:

THANK YOU Morphy Auctions is honored that you are considering entrusting your collection to us. Through every step of the process, from appraisal to auction, we are devoted to you and your collection.

We are sure you will be proud of your collectionâ&#x20AC;&#x2122;s presentation and pleased with the unrivaled customer service provided by the Morphy staff. We look forward to doing business with you. Please contact us if you have any additional questions.

PLEASE NOTE: BIDDING IS NOT AVAILABLE IN THIS CATALOG. This digital catalog is only for viewing the items included in this auction.

To bid on any items you see in this catalog, visit www.MorphyAuctions.com and click on bidding.

TIFFANY

TIFFANY

JADEITE W. COGSWELL

REMINGTON