FEATURING SELECTED ITEMS FROM SOME OF THE NATION’S FINEST COLLECTIONS
INCLUDING THE GEORGE PITMAN EDWARD H. BOHLIN COLLECTION AND THE RON & LINDA GILLETT COLLECTION OF COWBOY ARTIFACTS
JUNE
Preview
AUCTIONEERS: DIVISION CONSULTANTS:
Dan Morphy
Shaye Krispine
Angel Lopez
1001 -
7 NATIVE AMERICAN BASKETS
a) Makah basket with canoes and birds, 2 1/2” x 4”;
b) Pima Ella, with geometric designs, faded, 6” tall x 6” at the shoulders;
c) Tapered Pima basket with 4 swastikas, 5 1/2” x 7” top, 4” bottom;
d) Pima basket with Gils Monsters, 2” break at the top, 4 1/4” x 5 1/2”, very dark;
e) A Northwest Coast, Tlinget basket, polychrome, damage to the top, 2 1/2” x 5”;
f) Pima tray, shallow basket, 11” x 10 1/4” oval;
g) Small basket with triangle design, 2 1/2” x 4 1/4”.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $1,500)
Klamath River Basin basketry women’s hats, both are 7” across and 3 1/2” deep. Clean bold lines and designs, no damage evident.
Provenance: Ex Paul Friedrich Collection
(Estimate: $1,000 - $1,500)
a) A Yokuts cone burden basket 15” across top, 17” tall. One small hole present;
b) Yokuts bottleneck basket, flat top, the sides decorated with a rattlesnake design. 13” across and 5 1/2” tall;
c) Yokuts basket bowl ringed with alternating diamond patterns and bold zig-zag lines. 13” across at top and 5 1/2” tall.
Provenance: Ex Paul Friedrich Collection
(Estimate: $2,500 - $3,500)
A large unique design Maidu basket, with a 16” swell at center, 12” opening, and stands 9 3/4” tall. Only a few wraps missing from the rim, otherwise very fine.
Provenance: Ex Paul Friedrich Collection
(Estimate: $2,000 - $3,000)
1005 - LOT OF 3 NATIVE BASKETS
a) An oval Pima polychrome basket, 2 color step design, 3 1/2” tall and 12” and 9 1/4”, excellent condition with bound edge;
b) A small Northern California Maidu basket, 5 3/4” x 2 1/4”;
c) A tightly woven and crisp condition Maidu bowl, 4 1/2” diameter by 3” tall.
Provenance: Ex Paul Friedrich Collection
(Estimate: $1,000 - $1,500)
1006 - LARGE YOKUTS GATHERING BASKET
An impressive Yokuts gathering or cooking basket, double triangle design throughout, 18” diameter by 19 1/2”. Excellent condition, no visible breaks.
Provenance: Ex Paul Friedrich Collection
(Estimate: $2,000 - $3,000)
1008
A coiled basket with triangle designs, feather covered, along with beads, shell and abalone dangles. 8” x 4”. Some bad loss and broken cotton string.
Provenance: Ex Paul Friedrich Collection
(Estimate: $1,000 - $1,500)
A heavy cast bracelet with traditional Greek-key design and large oval coral inset. Well-marked “Abraham/Begay/Navajo Sterling.” Measures 2 1/2” x 1 3/4” x 2”.
Abraham Begay (Navajo) was born in 1953 in Ganado, Arizona. He has been active in making traditional and contemporary jewelry since 1976. Abraham has won numerous awards and recognition through various juried competitions and can rightfully claim the role of a Master Silversmith.
(Estimate: $1,200 - $1,600)
1007 - MAIDU BASKETRY BOWL
A fine California basket with bold and sharp continuous quail top knot design. 8” diameter by 5” tall.
Provenance: Ex Paul Friedrich Collection
(Estimate: $1,500 - $2,500)
1009
A double strand Heist necklace with a series of 24 natural turquoise nuggets on the drops and 20 on the bottom loops. Silver beads and hook clasp. 18” long.
(Estimate: $1,200 - $1,600)
1011 - SOUTHWESTERN SILVER AND LAPIS CONCHO BELT
Consisting of 8 cast (1 1/2”) conchos with single lapis raised radiant centers encircled with 20 more cabochons, 9 butterfly concho spacers (1” x 1 1/2”) and completed by a (3 1/2” x 2”) buckle, marked “Buffalo Dancer / Sterling” with an image of a buffalo. 41 1/2” overall in length.
(Estimate: $500 - $800)
1012 - ZUNI BELT WITH SILVER AND TURQUOISE CONCHOS
A Zuni “Cluster” concho belt with (11) 2 1/4” diameter sunface conchos, sterling wire and cluster inlay of turquoise teardrop stones along with a circle of round stones. The buckle is 2 1/4” and the belt is 46 1/2” overall in length. Circa 1970s, excellent condition.
(Estimate: $2,000 - $3,000)
1013 - NAVAJO TRADITIONAL CONCHO BELT
A circa 1930s Navajo concho belt reminiscent of its “first phase” ancestors. Featuring 8 conchos measuring 3” x 2 1/2” with domed centers and central diamond opening, stamped outline with rope twist design and scalloped perimeter. The buckle measures 3” x 2 3/4” with 10 lemon seed repousses. Measures 39” in length overall.
(Estimate: $1,200 - $1,800)
1014 - TAMMY GARCIA (B. 1969)
Roadrunner
Polychrome bronze 10 1/4” x 5 1/2” x 2 1/8”
Signed: Tammy Garcia 10/35
Tammy Garcia, a member of the Tafoya family, is a renowned sculptor and potter living in Taos, known for using ancient and historic Pueblo motifs in her designs.
Provenance: Masters of the American West / Fine Art Exhibition and Sale / February 2014
(Estimate: $1,500 - $2,500)
Red coral with 6 butterfly conchos (1 5/8” x 2 1/2”) and 5 oval conchos (3” x 2 3/4”). Buckle measures 3” x 2 1/2”, marked “Navajo / R. Martinez / Sterling”. 46 1/2” overall in length.
(Estimate: $1,200 - $1,800)
5 oval conchos (3 1/2” x 3”) and 6 butterfly spacers (1 3/4” x 3”). Buckle measures 3 1/2” x 3” and marked “A. Cadman / Sterling” with scalloped edges and serpentine embossing, overall 51 1/2” in length.
(Estimate: $2,500 - $3,500)
A Navajo concho belt, circa 1970 by Ray Fierro, with 8 conchos (2 1/2” x 2”), 9 butterflies (1” x 2”) and blue green natural turquoise. Buckle measures 2 3/4” x 2 1/4” and marked “R”. 53” in length overall.
(Estimate: $1,500 - $2,500)
A circa 1970’s Juliana Williams Navajo concho belt with 8 round conchos (2 3/8”) and 9 alternating butterfly spacers (1” x 2 3/8”). The “JW” marked buckle measures 2 3/4” x 2 1/2”. Featuring silver wire rope twists and stabilized turquoise, 37” overall length.
(Estimate: $2,000 - $3,000)
1019 - LOT OF 3 SOUTHWEST BELT BUCKLES
a) A rectangular buckle mounted with turquoise and coral stones, classic stamped Navajo designs by Bruce Morgan, 3 5/8” x 2 1/2”; b) A solid silver buckle with turquoise, coral and bear claw mountings accented with rope edges. No markings, 4” x 2 1/2”; c) Marked Double Eagle, a large teardrop stone (2” x 3 1/8”), 3 1/2” x 2 1/2”overall.
(Estimate: $800 - $1,400)
1020 - WALLACE JR. SILVER AND TURQUOISE CONCHO BELT
A circa 1980 Navajo concho belt with 13 domed and rolled heavy gauge conchos (1 7/8” x 1 1/2”) and a domed butterfly buckle with a square turquoise stone bezel set in the center (3” x 2 1/4”), 42” in length. Marked on the buckle “Wallace Jr. / Sterling”.
(Estimate: $1,200 - $1,800)
1021 - NAVAJO TURQUOISE CONCHO BELT BY JULIANA WILLIAMS
Blue-green stabilized turquoise radiating stones and sterling silver consisting of 8 conchos (2 1/2”), 9 butterflies or bowties (1” x 2 1/2”) and matching buckle, marked “JW Sterling” (2 1/2”). Measuring 46 1/4” in length overall.
(Estimate: $2,000 - $3,000)
1022 - EASTER SILVER BROOCHES
A wonderful and scarce collection of Native silver brooches. Bottom to top left: 6 1/2” Woodlands German silver brooch with clasp and a scalloped perimeter, a 4” pierced round brooch with clasp, a 3” Delaware open concha used as hair or clothing ornament, a 2 1/2” pierced silver star brooch with clasp and cartouche: CA for Charles Arnoldi of Montreal (1779 - 1817), a 1 1/2” Iroquois silver star brooch. Lower right: a 2 1/2” Creek ear wheel of Council Fire design with 8 spokes, excavated in Checotah, Oklahoma, a 2 1/2” rocker engraved silver brooch with clasp and cartouche CA, three (3) Seminole pierced necklace pendants, 1 1/4” each. A 1 3/4” coin silver ear wheel.
Pictured: Bridles of the Americas Vol.1 by Ned & Jody Martin and Robert Bauver, page 48, figure 3.7.
(Estimate: $2,000 - $4,000)
Southern Plains German silver concha belt with twelve hand-formed 2 1/2” conchas and buckle on commercial leather, possibly Comanche or KiowaArapahoe.
(Estimate: $1,200 - $1,800)
a) 9 conchos measuring 2 1/4” x 2 1/2”, buckle measures 2 3/4” x 3 1/2;
b) 10 conchos measuring 1 1/4” x 1 3/4, 10 spacers measuring 1 1/4” x 1/2” and buckle measuring 1 1/2” x 2”; c) 6 conchos measuring 2” x 2 1/4”, 7 spacers measuring 2” x 1 1/4” and buckle measuring 2 1/2” x 2 3/4”.
(Estimate: $1,000 - $2,000)
1025 - NAVAJO STERLING SILVER BRIDLE
Award winning Navajo bridle and bit by Willie Shaw, done in the traditional manner with beautifully engraved and stamped elements. Winged frontlet with striped naja, terminals with a fleur de lis tip and pierced conchos. Attached is a handmade turquoise mounted gal-leg bit overlaid with silver and copper. “First Award / 21st Annual Navajo Tribal Fair / Arts and Crafts / 1967” ribbon.
(Estimate: $2,500 - $3,500)
1026 - NAVAJO SILVER AND TURQUOISE BRIDLE
A circa 1940 Navajo bridle, with naja believed to be by Vidal Aragon (Nwewa, 1923-2015); with oval conchos and frontlet and side spacers with irregular shaped turquoise inserts. Featuring fully covered cheeks with leaf terminals. Shows use with scratches and some dents. The bridle is a Crockett-Renalde with Navajo punted turquoise.
(Estimate: $2,500 - $3,500)
1027 - EARLY NAVAJO COIN SILVER CONCHO BELT
A desirable transitional Navajo concho belt with 7 diamond-slot and coin silver conchos crafted in the old style. Each concho is 3 1/2” x 4 1/4” with a 3” x 4 1/4” buckle. The belt is 41 1/2” overall. Circa 1910-1915.
(Estimate: $5,000 - $7,000)
1028 - NAVAJO STERLING SILVER AND TURQUOISE BRIDLE
A very decorative and well executed bridle with multiple mounting of turquoise on the cheeks, conchos, frontlet and terminals. The double naja with bar is accented with turquoise tips. Very interesting stamping patterns on the edges and silver spacers. Attached is a Mexican or Spanish-style iron ring bit with multiple jingle-bobs and danglers.
(Estimate: $2,000 - $3,000)
1029 - NAVAJO SILVER AND TURQUOISE BRIDLE
An extra fancy and showy bridle and bit by an unknown Navajo artist, most likely mid-century. Several mounted turquoise stones on each element of the mountings along with stamped designs. The heavy frontlet has a horseshoe-shaped naja. The unusual monogramed “CNK” bit with silver overlay has added turquoise mounting.
(Estimate: $2,500 - $3,500)
1030 - LOT OF 4 NAVAJO KETOHS
A grouping of sterling silver and turquoise mounted ketohs:
a) 4” x 2 3/4”
b) 4 3/4” x 2 1/4”
c) 3 5/8” x 2 1/2”
d) 3 5/8” x 2 5/8”
(Estimate: $1,500 - $2,500)
A circa 1930s Two Grey Hills / Crystal weaving, 44” x 69”.
(Estimate: $1,000 - $1,500)
Colorful and well woven in multicolored cross patterns in rich forest green, brown, red, black and natural. Circa 1930s-1940s, 57” x 37”.
(Estimate: $1,000 - $1,500)
A bright step diamond pattern Klagetoh textile in gray, black and red. Circa 1940s, 55” x 40”.
(Estimate: $800 - $1,200)
Finely woven 1920s room-sized Navajo regional-style rug. Measures 88” x
(Estimate: $1,500 - $2,000)
A circa 1900 Crystal (J.B. Moore), 48” x 77”, red with diamonds and crosses. Natural cream border.
(Estimate: $1,000 - $1,500)
Multicolored triangle and diamond design, double beaded drops, loom beaded wrap. Pink, turquoise, blue, yellow, and red as dominant colors. Stands 17” tall on the custom stand. Menominee women pulled their hair back into a single braid, which was then threaded through a leather tube beaded with geometric designs, to which two beaded pendants were attached. The tube was usually beaded with an overlay stitch, while the pendants were woven with beads. The pendant pattern here represents otter tracks, the diamonds representing footprints, the long rectangles signifying the animal’s tail dragging in the mud. The designs were worked in quills before beads were introduced through trade.
(Estimate: $1,000 - $1,500)
A Navajo weaving of natural color, a runner with diamond and step designs, 33” x 99”. Cleaned and restored.
(Estimate: $1,500 - $2,500)
Brightly colored and in a striking and unusual pattern. Circa early 20th century with a bold red and black border. A very powerful design. Some issues on the edges. 116” x 67”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $3,000 - $4,000)
early 20th
(Estimate: $1,200 - $1,800)
An early Crystal-style rug, feathers, combs, arrows and serrated corner elements. Nice tight weave with no evident damage. 79” x 48”. Moore had considerable influence in the development of Navajo rugs as a form of art. Both the Two Gray Hills and the Crystal styles of rug evolved from Moore’s designs.
(Estimate: $3,000 - $4,000)
An early 1900s transitional textile with a swastika design with bold red diamonds. Striped ends with black and white patterns. Some slight edge wear. 75” x 52”.
(Estimate: $1,500 - $2,500)
1042 - HARRY SCHAARE (1922-2008)
Untitled (Cavalry charge) Oil on panel
24” x 36”
Signed lower right: Schaare
©1981
Framed to 30 3/4” x 42 3/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $3,000 - $4,500)
1043 - JAMES HUGH MARTEN (1886-1971)
Untitled Oil on canvas panel
39” x 49” sight
Signed lower left: J. Hugh Marten
Framed to 46 1/4” x 56 1/2”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1044 - JAMES LEE COLT (1922-2005)
a) Cowboy on Horseback Gouache on paper
11” x 8”
Signed upper right: J. Colt Framed to 24 1/4” x 18 1/4”
b) On the Mesa Gouache on paper
11” x 8”
Signed lower right: J. Colt and verso stamped with artist stamp Framed to 20 1/2” x 17 1/2”
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $1,500)
Young Saguaro Oil on board
11” x 14”
Signed lower left: Matt Smith Framed to 15 1/4” x 18 1/4”
Provenance: Prix De West Invitational / National Cowboy & Western Heritage Museum
(Estimate: $1,000 - $2,000)
Mimbres Cricket Oil on canvas 11” x 14”
Signed lower left: E. BABER and titled in ink on verso Framed to 15 3/4” x 19 1/2”
(Estimate: $800 - $1,200)
Border Patrol Oil on canvas
24” x 30”
Signed lower left and on reverse card: Eric Michaels Framed to 32” x 38”
(Estimate: $3,500 - $4,500)
1048 - ROBERT LINDNEUX (1871-1970)
Unexpected Trouble Oil on canvas
38” x 34 1/4”
Signed lower right: Robert Lindneux and dated 1919
Framed to 44” x 40”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $8,000)
1049 - SHELDON PARSONS (1886-1943)
Sangre de Christos Oil on Board 9” x 12”
Signed lower left: Sheldon Parsons, dated 1959
Framed to 16 1/2” x 19 1/2” Circa 1959.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $2,000 - $4,000)
1050 - ELSIE PALMER PAYNE (1884-1971)
Original Elsie Palmer Payne and Marie H. Kann / Beverly Hills tag on reverse
Provenance: Estate of DeWitt Clinton McCall III from Evelyn Payne Hatcher (daughter of the
1051 - ALSON SKINNER CLARK (1876-1949)
The Burro Pencil on paper 7” x 5”
Signed and dated lower right: Alson S. Clark, 1910
Framed to 13 1/4” x 11 1/4”
Additional drawing on the verso, believed to be a study for the painting “High Nonn / The Burro” painted by the artist in 1925.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $1,500)
1053 - WILLIAM MATTHEWS (B. 1949)
Buffalo
Watercolor
18 1/2” x 18 1/2”
Signed lower right: William, M.
Framed to 29 1/8” x 28 3/4”
Rag edge with pin holes in each corner.
(Estimate: $6,000 - $8,000)
1052 - WILLIAM MATTHEWS (B. 1949)
Hat Etiquette
Watercolor on paper
15” x 13 1/2”
Signed lower right: William, M.
Framed to 27” x 22”
(Estimate: $6,000 - $9,000)
1054 - DON OELZE (B. 1965)
A New Day Oil on canvas
28” x 20”
Signed lower left: OELZE Framed to 36” x 28 1/4”
(Estimate: $8,000 - $10,000)
1056 - EDWARD BOREIN (1872-1945)
Lot of three (3) Edward Borein artworks:
a) Pen/ink of 4 saddled horses (PE brand on one)
7 1/4” x 11”
Unsigned
Framed and matted to 14” x 17 3/4”
b) “Umatilla Horse Dance”, Galvin 164
Etching/drypoint
5 1/4” x 8 13/16”
Annotated in pencil lower left: “Pony Dance”
Framed and matted to 13 1/2” x 16 1/2”
c) “Wishing Well”, Galvin 275 / Charles O. Middleton Home, Beverly Hills
Etching
7 1/4 x 9 7/8”
Signed in pencil lower right
Framed and matted to 14 3/4” x 17 3/4”
(Estimate: $1,500 - $2,000)
1057 - EDWARD BOREIN (1872-1945)
Lot of two (2) Edward Borein Signed Etchings:
a) “Mexican Charro” Galvin 267
Etching/drypoint
6 3/8” x 5 5/8”
Signed in pencil lower right
Framed and matted to 14” x 12 3/4”
b) “Hacienda Gate” Galvin 269
Etching/drypoint
4” x 5”
Signed in pencil lower right
Framed and matted to 14 1/2” x 14 3/4”
(Estimate: $1,000 - $1,500)
1055 - EDWARD BOREIN (1872-1945)
Lot of three (3) Borein pencil drawings:
a) Pencil drawing of 2 Indians with baskets
5 7/8” x 8 3/4”
Unsigned
Framed and matted to 12” x 14 1/2”
b) Pencil drawing of 9 figures, cowboys and Indians
6” x 8 3/4”
Unsigned
Notated in pencil upper right corner “Chin Lee/Arizona 1917”
Framed and matted to 12” x 14 3/4”
c) Pencil drawing of 2 Indians on horses
4 1/2” x 8 3/4”
Signed lower right: Borein/ Arizona /17
Framed and matted to 11 3/4” x 14 3/4”
(Estimate: $1,000 - $2,000)
1058 - NICHOLAS S. FIRFIRES (1917-1990)
Leave My Calf Alone Oil on canvas
24 1/2 x 18 1/2”
Signed and dated lower left: Nicholas S. Firfires, 1960 Framed to 23” x 29”
Nicholas S. Firfires was born in Santa Barbara and grew up on ranches in Santa Barbara and San Luis Obispo County. A descendant of California vaqueros, Nick learned all the skills of working cowboys: breaking horses, herding cattle, and working cow ponies before he graduated from Santa Maria High School. Mr. Firfires’ other passion was drawing animals, cowboys, Native Americans, vaqueros and Western scenery. Later he wrote, “I soon realized that painting a bronc stomper breaking a horse was more important to me than doing the job myself.” Nicholas Firfires was a founding member of the Cowboy Artists of America and a member of the Rancheros Visitadores.
(Estimate: $3,000 - $5,000)
1059 - NICHOLAS S. FIRFIRES (1917-1990)
Turning Him Around Acrylic on canvas
12” x 15”
Signed and dated lower left: Nicholas S. Firfires, 1969 19” x 23”
(Estimate: $2,500 - $3,500)
1060 - NICHOLAS S. FIRFIRES (1917-1990)
Whiskey and Stogies
Watercolor
8 1/2” x 12 1/2”
Signed lower left: Nicholas S. Firfires
Framed to 13” x 17”
Circa 1940s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $1,200 - $1,600)
1061 - NICHOLAS S. FIRFIRES (1917-1990)
Polo
Gouache
12” x 12”
Signed lower right: Nicholas S. Firfires
Framed to: 20 1/4” x 20 1/4”
Circa 1960s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $1,000 - $1,500)
1062 - NICHOLAS S. FIRFIRES (1917-1990)
Bay Horse
Gouache
19 1/2” x 15 1/2”
Signed lower right: Nicholas S. Firfires CA (Cowboy Artists of America)
Framed to 25” x 22”
Circa 1960s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $1,500 - $2,000)
1063 - NICHOLAS S. FIRFIRES (1917-1990)
Ranch Boss
Watercolor
20” x 18”
Signed lower left: Nicholas S. Firfires CA (Cowboy Artists of America)
Framed to 28” x 27”
Circa 1960s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $1,500 - $2,000)
At the Fair Oil on canvas
11” x 14”
Signed lower left: Nicholas S. Firfires
Framed to 19” x 22” Circa 1970s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $800 - $1,200)
Sycamore on Jack Creek - Hearst Ranch Oil on canvas
14” x 18”
Signed lower left: Nicholas S. Firfires
Framed to 20” x 24” Circa 1970s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $700 - $1,000)
Let ‘R Buck Ink
12” x 10”
Signed lower right: Nicholas S. Firfires
Framed to 19 1/4” x 16 1/4”
Original artwork for RV Christmas card Circa 1960s.
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $800 - $1,200)
When Longhorns Ruled Oil on canvas
24” x 30”
Signed lower left: Nicholas S. Firfires
Framed to: 26 1/2” x 32 1/2” Circa 1960s
Provenance: From the Nicholas Firfires Estate, with letter of provenance from the family
(Estimate: $2,500 - $4,500)
1068 - FABULOUS SIGNED W. F. CODY “BUFFALO BILL” PHOTOGRAPHS
a) A large, oversized image of Cody, signed in the upper right: “W. F. Cody / “Buffalo Bill” / Last Picture taken on “Duke” / 1902 / To. Frank McGrann”, crisp clear image. A fabulous look at Cody. Image is 16” x 20 1/4” and framed to 25 3/4” x 30” in what appears to be the original frame and mat. The image is signed in ink, lower right. Photo by Stacy / Brooklyn NY;
b) A collection of 4 original mounted images of Cody on pressed cards. All measure 7” x 4 3/4” and are matted in one frame, measuring 13 1/2” x 29 1/4” overall.
(Estimate: $4,000 - $8,000)
1069 - LOT OF VARIOUS BUFFALO BILL CODY MEMORABILIA
A lot of seven (7) objects related to the great Wild West showman William F. “Buffalo Bill” Cody:
a) A hand tinted 14 1/4” x 11 1/8” image of Cody holding his Winchester;
b) A tin “Cody” embossed license plate sign or topper, white with black lettering;
c) Two (2) color lithographs of Cody, image 12 3/8” x 9 1/4”;
d) Book, “The Last of the Great Scouts” by Helen Whitmore Cody, signed by Mary Jester Allen (Cody’s niece), 1931, copyright 1899;
e) A fabulous, signed image of Cody in a hunting camp, 7 1/4” x 9 1/2” image size on 10 3/4” x 13 3/4” photo card by Stacy. Written in Cody’s hand “The life I love. Camp head of Shoshone River Wyo. Nov. 20th, 1901, W.F. Cody”;
f) A great original photograph of the famous Buffalo Bill’s Wild West band in front of their painted wagon. 8 3/4” x 15 1/2” image;
g) A nice and striking image of Cody by Stacy. Buffalo Bill on horseback riding his silver saddle. Signed by him below the image “W.F. Cody on Duke”. Image is 4 1/2” x 6 1/2” and the card is 7 3/4” x 9 3/4”.
(Estimate: $2,000 - $4,000)
1070 - TOMPKINS’ REAL WILD WEST LITHOGRAPH POSTER
Action packed and colorful scene of cowboys and cowgirls, ropers and bucking broncs. Lithograph is 28” x 42” and mounted on linen.
(Estimate: $1,000 - $1,500)
1071 - TOMPKINS’ REAL WILD WEST LITHOGRAPH POSTER
Bright and colorful Wild West poster titled “Picturesque Portrayal of Frontier Sports and Pastimes Including Fancy Shooting, Riding, Roping and Bronc Busting”. Lithograph is 28” x 42” and mounted on linen.
(Estimate: $1,000 - $1,500)
1072 - BUFFALO BILLS WILD WEST LITHOGRAPH POSTER
A scarce poster titled “A Colony of Genuine Mexican Vaqueros” by A. Hoen & Co. Baltimore, U.S.A. for Buffalo Bill’s Wild West and Congress of Rough Riders of the World. Circa 1893-1894. Colorful image of mounted vaqueros overlooking Cody leading the group of other vaqueros along the road. Subtitled “Brought direct at great Expense from Old Mexico by Buffalo Bill as one of the Realistic Features of his Picturesque Wild West”. Poster is 21” x 29” mounted on acid free paper and framed to 23 1/2” x 31 1/2” A crease shows down the center of the poster.
(Estimate: $6,000 - $8,000)
1073 - 1890 E. L. MCCLAIN M.F.G. CO. ADVERTISING CALENDAR
Colorful and fabulous graphics of a standing horse in front of a farrier’s anvil. “’Success’ The Horse’s Friend / ‘The Elixir of (Horse) Life.’” 1890. Advertisement for the “E. L. McCLain M’F’C Co. / Greenfield, O”. Lithograph is 23” x 14” sight, and framed to 30” x 20 1/2”.
(Estimate: $1,000 - $1,500)
1075 - COWGIRL WITH REVOLVER FRAMED LITHO POSTER
A lithograph on linen of a well dressed cowgirl. Copyright 1904 by M. F. Tobin, a 19 1/2” x 15 1/2” image and framed to 30” x 26 1/4”
(Estimate: $1,000 - $1,500)
1074 - HELMAR TURKISH CIGARETTES FRAMED ADVERTISEMENT
The iconic Cowgirl with sombrero graphics on an original lithograph, measuring 25 1/2” x 17 1/2”. Embossed “Helmar / Turkish Cigarettes” at the bottom of the scarce original frame. “Copyright 1907 by S. Anargyros.” Image by Albert H. Sonn (1867-1936), printed signature and ‘07 date. Some water stains, but the colors are still strong. Framed to 29 3/4” x 21 1/2”.
(Estimate: $1,200 - $1,600)
1076 - FINE SHOE REPAIRING HAND PAINTED DOUBLE SIDED WOOD ADVERTISING SIGN
Vintage painted plywood double sided wood sign for “Fine Shoe Repairing” (blue and white) and “4102 / Shoe Repairing Neatly Done” (yellow, black and red); nice boot graphic. Sign measures 46” x 19 1/4” overall. Some paint loss, weather wear and edge damage on the wood.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $600)
1077 - ONEACTAH TRIBE “ORDER OF THE REDMAN” BANNER
A beautiful hand painted, double sided silk and embroidered lodge (Wigwam) banner for the “Imp’d O.R.M.” - Oneactah Tribe / No. 104 / Union, N.Y.” Measuring 42” x 56” with gold gilt, fringe, twisted drops and fancy bindings. A colorful central image of an Indian with feather headpiece done in an oval. The other side in bright purple “Oneactah Tribe / No. 104 / Imp’d Order of Red Men / Instituted / 29th Sun Beaver Moon / -G.S.D.. 395- / Union, NY.” Scarce, especially in this condition. Bright, vibrant colors, original rope hangers, pole, and tassels. By the Wm. H. Horstmann Co. Phila, PA. (1893-1940).
Included with the banner is the original ledger book containing the notes from the ORM meeting of August 1, 1906 regarding the design and purchase of the banner.
Read excerpts from the page regarding the banner online at morphyauctions.com.
The Order of the Redman is the oldest fraternal organization in America open only to “free white males of good moral character...” For more information, go to http://www.redmen. org/redmen/info/.
(Estimate: $3,000 - $5,000)
1078 - FIGURATIVE HORSEHEAD TRADE SIGN
A wonderful gold gilt zinc horsehead saddlery, livery or harness shop trade sign. Very detailed and one of the largest we have seen. 34” tall by 27” deep by 14” wide without the old wood backing. Marked “J. W. Fiske”.
J. W. Fiske & Company of New York City was the most prominent American manufacturer of decorative cast iron and cast zinc in the second half of the nineteenth century.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,500 - $3,500)
1079 - OTTO ERNST CARD SUIT STUDDED CHAPS
A very nice pair of card suit batwing chaps by the famed Sheridan, Wyoming maker Otto F. Ernst. Brass stud decoration on leather overlays, double leather backed conchos. 38” in length.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1080 - AL FURSTNOW FANCY SHOW CHAPS
Flashy studded and overlaid brown on brown show batwings. Studs edging the overlay scroll design, outside pockets and belt bottom. Slotted conchos down the legs and across the belt. Measures 40” top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1081 - N. PORTER BATWING CHAPS
A fine pair of two-tone overlaid batwings by N. Porter, Phoenix, AZ. Tan with white scroll decoration, leather backed conchos and outlined outside pockets. The belt is nicely scroll and flower carved. Excellent color and condition.
(Estimate: $1,200 - $1,800)
1082 - F. A. MEANEA, CHEYENNE POMMEL BAGS
A great pair of well-marked early pommel / saddle bags bearing the cartouche “F. A. Meanea Cheyenne”. These have wonderful color and only very slight wear around the pommel throat. Meanea’s identifiable line tooling with end dots. 9” x 3 1/2” x 13”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $2,000)
1083 - D.E. WALKER VISALIA SADDLE
Well-marked “D.E. Walker / Maker / Visalia, Cal.” saddle, serial numbered “A3344” on the cantle. Very tight floral tooling in the classic Visalia style with large, rounded skirts, high cantle and attached matching saddlebags. 15” seat, 4 1/2” monogrammed “N R T” on the cantle above the cartouche. Circa 1930s with original matching tooled cinch and stirrups.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1084 - POWDER RIVER “BEAR TRAP” SADDLE
A true mountain saddle by “Powder River Saddles / Trade Mark / Made By Denver Dry Goods Co. / Denver, Colorado”. Line tooled with a 12 1/2” seat and 4 1/4” cantle. Featuring large swells and the initials “LOH” carved into the cantle. Great even brown color overall, shows use, 4 holes remain in the cantle from a previous name plate.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,000)
1085 - HAMLEY & CO. PENDELTON, OREGON “GOLD SEAL” SADDLE
The classic floral tooled Pendleton saddle. Good color with some age cracking on the surface. The “silver” over-polished seal is attached under the gullet, the 15” seat is marked with the “Hamley & Company / Pendleton / Circle H” cartouche. 3” cantle.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,200 - $1,600)
1086 - KNOX & TANNER CO. WYOMING SADDLE
A Rocky Mountain or Wyoming stock saddle with sweeping round skirts and patterned stamped design throughout. Attached maker plaque on the cantle “Knox & Tanner Co. / Makers /Rawlins, Wyo.”. Covered stirrups (tapaderos), double rigging and wide swells in the “bear trap” style. Retains a great even brown color. Comes with a fine braided and fringed quirt and a tasseled rawhide reata. 13 1/2” seat and 5 1/4” cantle.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1087 - HAMLEY BLACK & WHITE PINTO CHAPS
Canvas lined, leather backed, black and white Pendleton, Oregon 38” long angora chaps with pockets and basket stamped billet with six slotted, scalloped silver conchos with raised berry design and latigo strings. Hair appears very stable and in overall very good condition with some inconspicuous reinforced stitching along the seam on the offside. Circa 1920s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1088 - G. S. GARCIA WOOLIE CHAPS
A pair of brown angora chaps shown in the 1924 catalog as No. 1 “Chapareras”, floral belt as shown. Marked on the end of the belt “G. S. Garcia / Elko, NV”. Good lush hair, canvas back with one repair, shows some use.
(Estimate: $1,500 - $2,500)
1089 - 1890S FRINGED SHOTGUN CHAPS
43” long shotgun chaps with early Wyoming styling and scalloped outside pockets. Overall good condition for age.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,200)
1090 - EARLY FRINGED SHOTGUN CHAPS
Flashy spaghetti fringe decorates an early style pair of shotgun chaps with fringed outside pockets, slotted nickel conchos down each leg and 3 conchos per side on the old-style tooled belt. Measures 38” top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,000)
1091 - MILES CITY SADDLERY CO. SADDLE
A large square skirted and wide swelled stock saddle with added silver trim. Stamped #497 with the “Miles City Saddlery Co. / Miles City, Mont. / Makers / Original Coggshall Saddles” cartouche. The saddle features a silver cantle plate with a longhorn steer and scowled edge conchos on each side and corner decorations with prison style engraving. It is simply tooled with a 14” seat and 5 1/2” cantle.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,500)
Fabulous early classic California style saddle with deep seat, high horn and large flower pattern tooling. A beautiful even brown patina color with the oval seat mark of “John Clark / Portland”. 5 1/2” cantle and 14” seat.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,500 - $3,500)
1093
Maker marked with the rectangular cartouche “Al Furstnow / Miles City, Mont.” and marked “206”. A wonderful example of the famous Montana maker. 14” seat and a 5” cantle with tooled brand.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,500)
1094 - AUGUST BUERMANN O.K. SPURS
The Buermann pattern No. 85 with “Buermann / O.K.” marked clearly on the bands. Marked “Pat’d” on the rear of the band. These retain about 80% of the original nickel finish and have the original heel chains. Nice vintage straps attached.
(Estimate: $700 - $900)
1095 - LOT OF 4 OK PATTERN SPURS
a) A mismatched pair of OK pattern spurs, one heavily rusted, the other marked “Buermann” and “OK”. Leather straps. b) These 2 spurs are not a pair, but are a “well-matched” pair of single OK pattern Buermann spurs. One spur is marked with the “OK” on the side of the band, the other between the buttons. Neither have a Buermann mark. Carved leather straps.
(Estimate: $200 - $300)
1096 - NORTH & JUDD “BUFFALO HEAD” SPURS
Anchor brand stamped Hercules bronze “Buffalo Head” spurs. Shown in the early 1900s catalog as “New Up-To-Date Spurs” pattern No. 13781/2, with 1 1/2”, 10-point rowels, original brass double heel chains, basket-stamped 2-piece leathers. Fine condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $600 - $900)
1097 - OVERLAID CALIFORNIA SPURS
Fully engraved overlays in a scroll pattern. Floral carved two-piece leathers with domed Bohlin-style engraved 1 5/8” silver conchos. Fine condition. Circa 1950s, tie down slots cut into the bands.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $400 - $600)
1098 - O. CROCKETT MARKED CURB BIT
A well marked Model #120 inside marked “O. Crockett” bit with engraved silver overlay. Original rings and medium curb mouth.
(Estimate: $700 - $900)
1099 - CROCKETT PENDLETON SPURS
Desirable and impressive catalog Pat No. 189 “The Pendleton” with Cheyenne heel bands, 2” 20-point rowels and floral carved 2-piece leathers. Marked “Crockett” on the side of the band. Fine condition. Circa 1930s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,200 - $1,800)
1100 - UNMARKED TEXAS GAL-LEG BIT
A copper and silver mounted gal-leg curb bit, possibly McChesney made. The top of one thigh mounting is missing.
(Estimate: $400 - $600)
1101 - THE CODY SPECIAL CROCKETT SPURS
Inside marked, desirable double mounted #159 pattern Crocketts with 1” to 1 1/4” tapered band mounted with a 3-stripe overlay. A 2 1/2” shank with 2” rowels. Studded straps attached.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,500)
1102 - CROCKETT SILVER OVERLAID STAINLESS SPURS
Silver mounted 1950s Crockett spurs with 1 1/8”, 20-point rowels and swinging buttons. Marked on the edge of the band “Crockett” “Stainless”. Straps with 3 piece buckle sets and scalloped bucking horse conchos. Fine condition. Circa 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $400 - $600)
1104 - EDDY HULBERT SNAKE SPURS
A pair of open band snake spurs marked under the button “E H” in Eddy’s curved fashion. Hulbert classic engraving on their full overlay mountings. 1 1/4” band and a 2 1/4” shank, 2” rowels with engraved silver washers. Vintage straps with domed silver conchos.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $5,000)
1103 - WYOMING STYLE SILVER DOME SPURS WITH BEADED STRAPS
Three silver floral engraved domes mounted atop wider tapered 1” heel bands, securing a four-stripe, inlaid partial drop 2 1/2” shank with 2 1/4” 10-blunt point iron rowels and heel chains. One-piece Native American deer hide straps beaded in red, yellow and blue designs atop a predominant white ground. Very good condition, circa 1930s.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $900 - $1,400)
1105 - MCCHESNEY DOUBLE GAL LEGS
Double mounted, double gal legs with great patina, 1 1/2” 14-point spoke rowels, upturned heart buttons, period straps. Fine condition. Circa 1920s.
(Estimate: $1,500 - $2,500)
SPURS
Kelly Bros. & Parker pattern No. 46 Texas spurs, Well marked on both spurs at the back of the 7/8” bands, the 2 1/2” shank holds a massive 3” rowel with 20 points. Attached are vintage and period dove wing straps.
(Estimate: $1,000 - $1,500)
1106 - J.C. PETMECKY MARKED TEXAS SPURS
A pair of iron Texas style spurs by one of the most sought-after makers in Texas. These are done in a long shank version of the classic “OK” pattern he was famous for. Marked on the shanks “J. C. PETMECKY”, these spurs have 5/8” to 1/2” tapered bands with double strap buttons and a 1 3/8” rowel.
Joseph Carl Petmecky (1840-1929) was in Austin, Texas from 1856 to 1860, left to fight in the Civil War, then returned to Austin in 1865.
(Estimate: $2,000 - $3,000)
1107 - FULL MOUNTED MCCHESNEY PATTERN NO. 1 SPURS
All original with twisted shanks, five-point star rowels, rich patina, circa 1920s.
(Estimate: $800 - $1,200)
1109 - CROCKETT “THE MEXICANO” SOMBRERO SPURS
Crockett’s popular No. 256 sombrero pattern Texas spurs with swinging buttons, 2 7/8”, 20-point rowels. Very good condition. Circa 1930s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,200)
1110 - L.D. STONE & CO. MARKED HORSE BIT
Birds head iron bit, well-marked inside of both cheeks “L. D. Stone & Co. / San Francisco”, deep chasing in a leaf pattern, double slobber chains. Mouthpiece is now a half breed style with copper rollers.
(Estimate: $800 - $1,400)
1111 - MIKE MORALES MARKED BIT
Silver inlaid classic Morales-style bit with the Portland, Oregon maker mark stamped inside the slobber bar. High-half breed, inlaid cheeks. Very good condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1112 - NOTEWORTHY CALIFORNIA OVERLAID BIT MADE FOR DWIGHT STEWART
Beautifully silver overlaid and intricately engraved California bit, marked “M. A. C.” and dated 1989, made for the renowned California horseman, Dwight Stewart. This beautifully engraved bit shows minimal use and is truly a work of art. Stewart has been featured in many articles and books and is well-regarded in the horse field. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $2,000)
1113 - PAIR OF PRISONMADE BITS
a) Overlaid spade with floral engraving reminiscent of Walla Walla Washington State Penitentiary, 9” x 5 1/4” x 1 1/4”, newer brass roller and copper braces, circa 1920s; b) Canon City, Colorado inlaid half breed bit with their trademark coin silver construction and floral engraving, 8” x 5 1/2” x 2”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
1114 - N. PORTER, PHOENIX, ARIZ. MINIATURE SADDLE
20” high with a 6” seat, this enchanting early 1940s salesman sample saddle has square skirts, tapaderos, rigging and even sheepskin lining and is an exact replica of a full-size Porter saddle from the same period. Good overall condition, including custom display stand and miniature saddle blanket.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
1115 - ROY LUTTRELL STAGECOACH
A scale copy of the “Kinnear - Tombstone - Territory” Stagecoach by miniature master Roy Luttrell. Wood, iron and leather with highly detailed pin striping and painted door panels. Comes with all the miniature accessories the frontier traveler would need, including luggage, tableware and bags of gold. In November of 1878, Jo Do Kinnear pioneered a stage line from Tucson to Tombstone. In the 1890s, the depression made Tombstone a virtual ghost town and the stage line was no longer a viable business. The stagecoach measures 38” long x 9 1/2” wide and 14” high. Comes enclosed in a glass and oak showcase.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $5,000 - $6,000)
1116 - MEXICAN OWL BRIDLE
The concha ornament on this Mexican bridle is decorated with the owl motif. The silver technique is called repoussé, used by the best craftsman in Mexico. All mounted on a piteado stitched leather bridle. The beaded horsehair reins are decorated with dyed cotton balls.
Pictured: Bridles of the Americas Vol.1 by Ned & Jody Martin and Robert Bauver, page 4, left photo.
(Estimate: $1,500 - $2,500)
1118 - MEXICAN SPURS
1960s chevron silver inlaid spurs with central twisted silver rope. Mounted with fancy Piteado floral stitched straps. 1 1/8” bands, 1 1/4” shanks and 1 1/2” rowels. Unused condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $500 - $600)
1117 - ARGENTINA SILVER BRIDLE WITH LARGE COPA BIT
Argentina circa 1890s silver bridle with traditional Copa bit. Pure silver was used in its construction. The bit features a large floral slobber bar on single rollers, the sides are decorated with 3 (JBL) gold letters and the mouthpiece is a half breed with roller. The silver cheeks are spaced by 3 flowers in high relief.
(Estimate: $2,500 - $4,500)
1119 - DARK RED MEXICAN SOMBRERO
A very handsome antique Mexican beaver felt sombrero in a great rich red color and 5 cord braided band. Marked inside the sweatband “Modesco Marquez Sucesor”. The brim is 6 1/2” and the crown is 9” tall.
(Estimate: $1,500 - $2,000)
1120 - MEXICAN FIGURAL “JAGUAR” BIT, BRIDLE & SPUR SET
Both grand in stature and regal in artistry, this leather Mexican headstall is adorned with two large 4” round sterling silver floral repoussé pattern conchas near the top and a second super-sized 8” pair by the nose, just above the bit. The headstall is attached to a striking, well detailed Jaguar figural ring bit with silver inlaid spots and rein chains. Over 4000 Jaguars are believed to still roam wild in Mexico, where they remain the most powerful cat in the Americas, once defied across pre-Hispanic civilizations. Made en suite with the Jaguar Bit, this distinctive pair of Jaguar themed Mexican spurs is designed with cut-out figural heel bands, tower-shaped shanks securing a large, open 12-prong rowel. Includes charming Jaguar theme spur straps piteado stitched with Maguey Cactus fiber attached via cat-face swinging buttons. Both pieces are set on custom stands which are included.
(Estimate: $12,000 - $18,000)
1121 - GREGORY PERILLO (B. 1929)
Native American Portrait Oil on canvas
23 1/2” x 17 1/2”
Signed lower right: Perillo
Framed to 30 1/2” x 24 1/2”
(Estimate: $400 - $600)
1122 - THEODORE ROOSEVELT LAMBERT (1905-1960)
Inuit Man in Fur Parka Oil on canvas
11 3/4” x 7 3/4”
Signed and dated lower right: T. R Lambert, 1945
Framed to 16 1/4” x 12 1/4”
Condition: Generally good. Craquelure throughout, stretcher bar creases along the four edges.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $2,500 - $3,500)
1123 - A.D.M. COOPER (1856-1924)
Group of Nudes (Water Nymphs)
Mixed media on board
12” x 19 1/4”
Signed and dated bottom center/right: A. D. Cooper 1908
Framed to 22 1/2” x 32 1/4”
Astley David Middleton Cooper was born in St Louis, Missouri on December 22, 1856. After attending Washington University, he traveled throughout the West as an illustrator for Frank Leslie’s Illustrated Newspaper . In his later years he painted allegorical scenes with semi-nude women, landscapes and several trompe l’oeil studies, and became well known for large saloon nudes. He died September 10, 1924.
(Estimate: $2,500 - $3,500)
Circa 1890 - 1910 Navajo blanket woven of Germantown wool. Serrated geometric side patterns with two diamonds in center, flanked by small black and white stepped boxes on a deep red background. Measures 80” x 44” with no visible damage or bleeding.
(Estimate: $3,000 - $4,000)
A fine Bisti region saddle blanket with fabulous corner designs, 2 with bridled horses and the other 4 winds over lightning. Done in gray and natural with bright accents. Blue tassels intact. 53” x 34”.
(Estimate: $1,000 - $1,500)
A brightly colored “Sunday” saddle blanket with multicolored fringe along the back edge. Bold red with arrow motif in black and yellow. Excellent condition with the original tassels intact. Measures 26 1/2” x 32”.
(Estimate: $1,000 - $1,500)
1127 - PATRIOTIC PICTORIAL CREE BEADED CUFFS
A fine pair of beaded wrist cuffs, with crossed American flags on a blue field on one side and red and green flower design on the other. Some fringe remains. 7” long x 5 1/2” wide.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,400)
1129 - 3 PAIR OF FRINGED GAUNTLETS/GLOVES
Lot of three (3) pair of colorful Plateau gauntlets. Measuring 16”, 13” and 11”, all in a floral motif, circa 1930s - 1940s, all in very good condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,200 - $1,800)
1128 - BEADED PLATEAU PICTORIAL GAUNTLETS
Impressive 16” in overall length, these fringed and pictorial gauntlets feature red, white and blue ribbon of polychrome beads with American bald eagle holding crossed arrows, all surrounded by floral design on a sky-blue background and topped by “WB” alongside the date “1926.” Fine overall condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,200 - $1,800)
1130 - TWO PAIR OF BEADED FLORAL GAUNTLETS
a) A pair of fringed floral beaded gloves in multi-colored designs. Bright flowers of blue, green, red, and white. 16 1/2” x 8 1/2”; b) Large and bold gauntlets with flowers, green leaves and berries. The long side fringe is beaded with blue and red tubular beads. Measuring 16 1/2” x 9 1/2”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,500)
1131 - SIOUX/NORTHERN PLAINS BOYS BEADED PANTS
A pair of fringed and beaded britches worn by a Native performer for the Buck Jones Wild West Shows and Roundup Days, circa 1929 as noted by the Buck Jones family. Blue and white tipis along the edges, triple leaf designs down each leg in green and blue. Leather suspenders attached. Size: 13 1/2” waist x 18 1/2” long.
Provenance: From the Buck Jones Estate
(Estimate: $1,500 - $2,000)
1132 - NORTHERN PLAINS QUILLED AND BEADED BABY MOCCASINS
Great little pair of baby moccasins with bright quillwork done in geometric patterns with beaded fringe, 3 1/2” long.
(Estimate: $500 - $800)
1134 - VINTAGE LAKOTA SIOUX BEADED HIDE FEMALE DOLL
Original beading decorated with a knife scabbard, moccasins and shawl, featuring shell adornment and fringed dress. Measures 13 1/2” tall x 9” wide at the widest point.
(Estimate: $1,000 - $1,500)
1136
1133 - NORTHERN PLAINS BEADED POSSIBLE BAG
A circa 1900 bag with fully beaded front. The top flap and bag corners have cone and hair drop decorations. Bold and bright cross and diamond motif on the front panel in red, blue, and yellow beads on a white beaded field. 12” x 20”, comes with a custom wall mount.
(Estimate: $1,200 - $1,800)
1135 - CHILD’S BEADED AND FRINGED HIDE JACKET
A wonderful little Northern Plains fringed coat with beaded and decorated edges. Beaded in red, white and blue, with leather covered buttons and a fringed and beaded flap pocket. The jacket is 20” tall and on the custom form and stand it is 25” x 27”.
(Estimate: $1,500 - $2,500)
PIECES
Three (3) examples of turn of the century Plateau basketry:
a) A double sided flat bag with diamond, triangle and morning star designs. Trade cloth edge binding (some missing), 12” x 10 1/2”, comes with wall mount;
b) Flat bag with yellow, red, and purple colors, arrow and diamond patterns, 9 1/4” x 6 1/2”, comes with wall mount;
c) A round bag or container, 6 1/4” tall and 4” diameter, nice bold designs.
Included is a copy of The Plateau Bag: A Tradition in Native American Weaving , Johnson County Community College Gallery of Art
(Estimate: $1,500 - $2,000)
1137 - PLATEAU BEADED PICTORIAL VEST AND TIE
A pictorial vest with bull elk (brown) and paint horse (blue and white) figures surrounded by flowers and vines on a sky-blue background. Excellently executed beaded designs on a fabric base with cotton lining. A tie and collar with beaded flowers on blue comes with the vest and makes a nice set. The vest measures 17” x 24”, the tie is 12” long x 7 1/2” collar.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1138 - TWO PAIR OF FLORAL AND PICTORIAL GAUNTLETS
a) A swell cuff pair of rose patterned embroidered gauntlets with fringe measuring 15 1/2” x 8 3/4” wide;
b) A pair of bright and bold gauntlets with red breasted blackbirds on the cuff and floral patterns on the glove. 11” wide x 17” long.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,200)
1139 - WESTERN SIOUX (LAKOTA) BEADED SADDLE BLANKET
Late 1800s to early 1900 colorful and traditional saddle blanket with muslin and cloth base, Native tanned leather fringe, bell decorations, and 5” wide beaded strips. Done in multicolored geometric designs. 60” x 28 1/2”.
(Estimate: $2,000 - $3,000)
1140 - SOUTHERN PLAINS INDIAN BOW CASE AND QUIVER
A fine, circa 1860s - 1870s Southern Plains bow case and quiver set. All original construction on brain tanned bison, sinew sewn, with no visible restoration. Retains a period correct recurve bow and two original iron tipped arrows. Entire case was previously rubbed with yellow ochre and exhibits an extra-long beaded and red trade cloth tab from the quiver opening. Possible Innermontaine / Plateau or Southern Cheyenne origin. The condition is very good, supple with no issues.
(Estimate: $15,000 - $20,000)
1141 - PLAINS INDIAN GUNSTOCK WAR CLUB
Circa 1840s -1860s large gunstock club with blacksmith forged iron spontoon blade. Blade exhibits two pronounced basal processes curling forward toward the tapered point and is set into lead or pewter and then pinned. Club was painted green overall at one point in time. Color is now worn off or very transparent where it remains. Top of club has a small sinew and quill wrapped buckskin adornment. Gunstock clubs were widely dispersed and found across North America from the Southern to the Eastern Plains tribes. Heavier and thicker types of gunstock clubs were used in the Northern Plains, while the Sioux in the Midwest and tribes moving east to the Great Lakes region typically used slimmer profile versions. Measures 31” overall with a 11” blade.
(Estimate: $3,000 - $6,000)
1142 - W. M. CHURCHILL JR. (20TH C.)
Defiant (Native woman with beaded and fringed dress)
Wood carving 37” x 12” x 8 1/2”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1143
High Plains Neighbors
Wood carving 14 1/2” x 32” x 14 1/2” 2” wood base
A sculptor, painter, ceramist and leather carver, John Kittelson (b. 1930) was a self-taught artist who was born on a dirt farm in Arlington, South Dakota. As a child, John’s earliest exposure
to sculpture was playing with wood toys hand-carved by his father. He later traveled to California and then to the Black Hills, where he worked as a horse trainer and bronc rider. John and his wife settled in Cheyenne, Wyoming, where he worked as a carpenter and dabbled in painting and wood carving while working as a saddle maker. In 1965, Kittelson sent in slides of his carvings to the Cowboy Artists of America and became one of the first fifteen founding members.
(Estimate: $2,000 - $3,000)
1144 - DAVE POWELL (B. 1954)
A pair of mixed media sculptures by Dave Powell depicting 2 Northern Plains warriors, these models are handcrafted in wood, leather, hair, and cloth by Dave:
a) Native man with horn head dress and 1866 Winchester, 25 1/4” x 9” x 6 on 4” wood tree trunk base;
b) Native man with eagle head piece, bow quiver and lance. 24 3/4” x 9” x 8 1/2” on 4” wood tree trunk base
Dave Powell, born in Kalispell, Montana, is son to one of the most well-known Cowboy artists of all time, Ace Powell, and his wife, renowned artist Nancy McLaughlin Powell. Dave is not only an accomplished fine artist, he was known for his work in Hollywood as a costume and prop designer. A student of Montana history, his art depicts the way life was in the real Old West. Dave is a past member of the Cowboy Artists of America (CAA).
(Estimate: $2,000 - $3,000)
1145
Created by noted saddle maker Carson Thomas, this 1/2 scale saddle depicts a Kiowa saddle with rawhide covered tree, studded and fringed horns and center rigging. A hide saddle blanket sits over the custom stand. 24” tall (on stand) by 14” wide. Attached name plaque on stand.
(Estimate: $1,000 - $1,500)
1146 - SOUTHERN PLAINS GERMAN SILVER ON A BRIDLE ARMATURE
German silver commercial bridle pieces manufactured by Plume Trading & Sales Co. in New York. There was such a demand for fancy silver bridles that several companies were making these German silver bridles in large numbers. Corner and edge stamping on each element including the naja. in triangular patterns. Mounted on a custom art display.
Pictured: Bridles of the Americas Vol.1 by Ned & Jody Martin and Robert Bauver, page 55, figure 3.25.
(Estimate: $1,000 - $2,000)
1147 - NAVAJO COIN SILVER BRIDLE
This is an early bridle, as the individual silver pieces are wide, indicative of an 1890s piece. The top corner side and brow piece are constructed using two pieces of silver - these exist on early bridles. The pierced domed conchos are 3”. The ring bit is also Navajo-made, with copper barrels.
Pictured: Bridles of the Americas Vol. 1 by Ned & Jody Martin and Robert Bauver, page 105, figure 5.15.
(Estimate: $3,500 - $4,500)
1148 - SOUTHERN PLAINS COPPER BRIDLE
Southern Plains copper bridle with minimal rocker engraving, with a replaced naja. Attached is an iron Mexican ring bit. Both copper and brass were used for early Indian pieces and are extremely rare. This is the only known copper bridle.
Pictured: Bridles of the Americas Vol. 1 by Ned & Jody Martin and Robert Bauver, page 59, figure 3.35.
(Estimate: $2,500 - $3,500)
1149 - NAVAJO SILVER BRIDLE
A traditional Southwest style silver bridle done with an unusual design of silver chains across the face drop. The repoussé stamping on the brow plate and the large cheek conchos is very classic. Tipi designs are stamped into the silver on each edge and the frontlet has traditional repoussé leaves along with stamped arrows. The bit, most likely an iron Crockett, is overlaid with silver stamped in the Navajo style.
(Estimate: $2,000 - $3,000)
1150 - KIOWA ROCKER & STAMPED ENGRAVED GERMAN SILVER BRIDLE
The side silver pieces are exceptionally narrow, typical of Kiowa bridles. The side star motif conchos and spacers are edge stamped with half circles, and the frontlet is also done in the star design. The tapered terminals have dangling crescent najas. Very simple and traditional.
Pictured: Bridles of the Americas Vol.1 by Ned & Jody Martin and Robert Bauver, page 89, figure 4.35.
(Estimate: $2,500 - $3,500)
1151 - SIOUX QUILL AND BEADED OVERBRIDLE ON MILITARY LEATHER
Very rare to find both military and Indian Sioux bridle together. Dyed porcupine quills in a geometric pattern across the brow with down feathers and cones, topped by a band of beaded decoration. The drops on the cheeks are quilled, as is the face drop. Retains the original military Shoemaker low curb bit and brass U.S. conchos.
(Estimate: $5,000 - $7,000)
1152 - BRAIDED & HITCHED HORSEHAIR BRIDLE
Indian-made using red, white and blue-dyed horsehair. Incorporating both spiral and zig-zag designs in the hitching, multiple colors in the braided elements. The tassels are attached in the center with a hair burst rosette. The colors are indicative of the traditional Native made bridles. The rosette is another indication of its Indian manufacture. The bright yellow and orange tassels indicate the Florence, Arizona origin of the bridle pieces.
Pictured: Horsehair Bridles by Ned & Jody Martin, page 168.
(Estimate: $3,000 - $4,000)
1153 - DEER LODGE HORSEHAIR BRIDLE WITH 18 TASSELS
Multicolored elongated diamond pattern with triple headband, double round tapered cheeks, closed reins with slider and typical hardware store iron bit. Circa 1900s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
1154 - WALLA WALLA, WASHINGTON HITCHED HORSEHAIR BRIDLE
Multicolored pink, green, orange and blue, with flat headband, brow and noseband, multiple natural beige and pink tassels, split reins with American flags. Early glass horsehead rosettes. Attached to inlaid kissing bird bit with severed half-breed. Fine overall condition, one wear spot on the reins. Circa 1910.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $4,000 - $6,000)
Wood with multi-color paint
26” x 8” x 6 1/4”
Signed: R Gallagher 4” base
A colorful vintage wood carving by Ralph (1926-2000)
Provenance: Ex: Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
Wood with multi-color paint 61 1/2” x 13” x 10”
Carved signature: John Gallagher 9 1/2” base
Carved holding a Winchester 1866 rifle
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $5,000 - $8,000)
Carved wood with multi-color paint
40” x 10” x 9”
Carved signature: J. Gallagher 8” base
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,500 - $6,500)
1158 - LUIS B. ORTEGA TWO-TONE REINS
Distinctive natural and dark brown closed working reins with romal with multiple decorative knots measuring 91” overall. The names “Ora Rhodes” and “Luis B. Ortega” are carved inside the popper. Very good condition, circa 1960s-1970s.
(Estimate: $2,000 - $2,500)
1159 - LUIS B. ORTEGA SHOW REINS
Impressive and virtually unused at 90” long, Ortega 8-strand closed show reins with 1/2” wide romal adorned with multiple braided knots in varying sizes and shapes, including natural, tea/coffee stained, all red or with red interweaves. A very nice pair of fancy reins from the rawhide master braider and marketer.
(Estimate: $3,000 - $5,000)
1160 - LUIS B. ORTEGA FANCY QUIRT
Measuring 31” overall including the maker-signed leather popper, this Ortega braided rawhide show quirt has both natural and red decorative knots. Overall fine condition, with some darker staining on the upper section.
(Estimate: $1,500 - $2,000)
1162 - ALFREDO COMPOS HORSEHAIR QUIRT
Stunning multicolored geometric diamond pattern horsehair quirt by the renowned Washington state master hitcher featuring a centered tassel and American flags so detailed that you can make out the stars. Signed and dated inside the hair hitched handle “AC99-31”, indicating it was made by Alfredo in 1999 and was the 31st piece that he ever made.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
Alfredo Campos (b. 1935) from Federal Way, Washington, is one of the world’s foremost horsehair hitchers. In 1999, Alfredo received national recognition for his work through a National Heritage Fellowship from the National Endowment for the Arts. Born in 1935 in Tucson, Arizona, Campos grew up on his family’s ranch, immersed in Western ranching life and skills. He was first drawn to making horse gear with rawhide. Years later, after a move to the Pacific Northwest he became aware of horsehair hitching, teaching himself this complex art form by trial and error, through the study of historic prison pieces, and by referring to Eugene Barnett’s book, The Art of Horsehair Hitching. In 1984 an article about Alfredo and his hitching appeared in Western Horseman magazine and sparked an increased interest in this art form.
(Estimate: $3,000 - $4,000)
1161 - LUIS B. ORTEGA SHOW REINS
Split closed rawhide reins with romal measuring 91” total length. Natural, red and tea-stained knots in varying sizes, including some with interweaves. “Luis B Ortega” carved inside the leather popper. Very good, lightly used condition, circa 1960s-1970s.
(Estimate: $2,500 - $3,500)
1163 - LUIS B. ORTEGA RAWHIDE HACKAMORE
13” long with 1/2” cheeks, this very distinctive and attractive Ortega bosal with bold, contrasting and tapered finely braided and detailed coffee-stained brown noseband and heel knot accented with natural and red zigzag interweaves. Top portion of bosal attached to a natural rawhide braided hanger with two-tone knots while lower portion connected to an all-natural braided black horsehair rope. Very fine condition, circa 1950s-1970s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
1164 - LUIS B. ORTEGA RAWHIDE HACKAMORE
14” long Ortega working/show rawhide braided 1/2” wide bosal, with 16-strand natural cheeks and 32-strand wider tapered noseband and heel knot designed with zig-zag red interweaves. The bosal is affixed to a braided leather hanger at the top and an artfully designed, braided all-natural multicolored long horsehair rope at the heel knot. Excellent condition, circa 1960s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
1165
Measuring 18” in overall length, this fine Ortega 16-strand, split-ear braided headstall features multiple natural buttons, some with red interweaves and wear leathers on the loops for the bit. Excellent condition, circa 1970s.
(Estimate: $2,000 - $3,000)
A fancier and more complex 14” long Ortega rawhide bosal with 16-strand cheeks, 32-strand noseband and heel knot with both red and tea-stained interweaves creating a lovely contrast. Fine condition, circa 1960s-1970s.
(Estimate: $1,500 - $2,000)
(Estimate:
Ortega braided rawhide show hobbles with red and yellow interweaves and measuring 13” across. Excellent condition, circa 1980s.
(Estimate: $1,500 - $2,000)
1169 - HARRY JACKSON (1924-2011)
Algonquin Chief and Warrior
Mixed media and bronze
13 1/2” x 14” x 30”
Signed and dated in bronze: ©Harry Jackson 1971 / marked A.C.W.P 7P
1 1/2” marble base
Sculpture comes with oak wood pedestal, 19 1/2” x 17 1/2” x 35 1/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $6,000 - $9,000)
1170 - HARRY JACKSON (1924-2011)
The Foreman Bronze
12 1/2” x 11” x 18”
Signed and dated in bronze: ©Harry Jackson 1974 with 33 edition mark Title and artist name stated on the brass plinth
3 5/8” wood base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,500 - $3,500)
8 1/4” x 3 3/4” x 8 3/4”
Signed and dated in bronze: “©HJ 58” and numbered 28
Title and artist name on the brass plinth
(Estimate: $1,500 - $2,500)
1171
Trapper
Bronze 16 3/4” x 9” x 22”
Signed and dated in bronze: ©Harry Jackson 1970 w/ 38 mark 1 1/2” marble base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $8,000 - $12,000)
8” x 2 3/4” x 8 1/2”
Title and artist name on brass plinth
(Estimate: $2,000 - $2,500)
1174 - HARRY JACKSON (1924-2011)
Two Champs II
Bronze
13 1/4” x 15” x 21 1/2”
Marked in bronze: Clayton Danks on old steamboat TWO CHAMPS
1907/1909 Cheyenne Wyoming. Stamped “WFS Italy”
Signed and dated in bronze: Harry Jackson 1977
Marked below the signature “Sculpture reduction by Gary Shoop”
1 1/2” black granite base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $8,000 - $12,000)
Safe and Sound Bronze
22 1/2” x 10” x 19”
Title and artist name on the front of brass plinth. Double signed and dated in bronze: ©Harry Jackson 1982/1983. Stamped “SAS 24P”
1 3/4” wood base
Sculpture comes with oak wood pedestal, 22” x 14” x 35”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $10,000 - $15,000)
Bronc Stomper
Painted media and bronze
13” x 5 3/4” x 16 1/4”
Signed and dated in bronze: H. Jackson ‘59 with mark “8.P.”
3/4” marble base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $5,000 - $7,000)
1177 - E. WILLIAM GOLLINGS (1878-1932)
The Whiteman’s Eyes Etching
11” x 8 1/2”
Signed lower right, titled lower left, dated “1930” in plate
Framed to 17” x 15 1/4”
(Estimate: $2,000 - $3,000)
1178 - E. WILLIAM GOLLINGS (1878-1932)
A Go Getter Etching
14 3/4” x 11”
Signed lower right: E. W. Gollings, titled lower left
Framed to 20 3/4” x 16 5/8”
(Estimate: $2,000 - $3,000)
1179 - E. WILLIAM GOLLINGS (1878-1932)
A Rough Voyage Etching
13” x 9 1/2”
Signed and dated lower right:1929, titled lower left
Framed to 19 1/2 x 15 1/2”
(Estimate: $2,000 - $3,000)
1180
- FREDERIC REMINGTON (1861-1909)
Untitled (Frontiersman) Pen and ink sketch
11” x 7 1/2”
Signed lower left: Frederic Remington with bucking horse
Framed to 22 1/2” x 19”
(Estimate: $3,000 - $4,000)
1181 - EDWARD H. BOHLIN FILIGREED LONGHORN TROPHY BUCKLE
Maker-marked with the shield cartouche on the swinging plate and “Bohlinmade” on the tip, this impressive and intricate sterling silver and 3-color gold oval buckle measuring 3 1/2” x 2 3/4” and fits a 1 1/2” belt with twisted yellow gold rope edge is artistically mounted with a centered raised Texas Longhorn encircled with filigreed floral vine patterns plus four rose gold flowers inset with blue sapphires. The cut-out initials “GEP” are set atop the longhorn and could be easily replaced by the new owner if they wished. The buckle includes a “Bohlinmade” made and marked floral tooled leather belt measuring 39”.
Provenance: Ex George Pitman Collection
(Estimate: $3,000 - $4,000)
1182 - EDWARD H. BOHLIN “ARIZONA” BUCKLE SET WITH BELT
Maker-marked “Edward H. Bohlin / Hollywood” in the shield mark on each piece, this charming 1” cactus pattern, 3-piece sterling silver ranger style buckle set is overlaid in three-color green, yellow and rose gold including the raised “GP” initials for the late George Pitman. The floral tooled two-tone belt measures 43 1/2” and is adorned with round heavy gauge Indian Head silver conchos. The buckle is 3” x 2 3/4”.
Provenance: Ex George Pitman Collection
(Estimate: $2,500 - $3,500)
1183 - EDWARD H. BOHLIN 3-COLOR GOLD & STERLING BUCKLE SET
Stamped with the early “Bohlinmade/Hollywood/Calif” maker-mark, this classic pattern 5AA sterling and 3-color 10K & 18K gold, 3-piece, 1” buckle set is overlaid with engraved rose gold scroll work, green and yellow gold flowers, a yellow gold twisted rope edge and an oval shield monogrammed with the initials “MHW”. The buckle is attached to a floral carved ranger style belt mounted with 8 sterling silver Indian Head conchos. The buckle is in fine original condition, the belt has been spliced and extended in the middle to accommodate a wider girth. The belt is 45” long, the buckle is 2 1/2” x 2 1/4”.
Provenance: Ex George Pitman Collection
(Estimate: $2,000 - $3,000)
1184 - MARIO NARDINI (B. 1940) REMINGTON PEDESTAL
Tribute to Remington
Bronze
21 3/4” x 14” x 35 1/4”
Inscribed in bronze: “Frederic Remington”, and on both sides © A.S.B
(Estimate: $1,500 - $2,500)
1185 - MARIO NARDINI (B. 1940) REMINGTON PEDESTAL
Tribute to Remington
Bronze
22” x 14 1/4” x 36”
Inscribed and dated in bronze: “Mario Nardini” ©1-30-90
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,500 - $2,500)
1186 - GRANT SPEED CA (1930-2011)
A Narrow Escape from Hostiles
Bronze
11 1/2” x 12” x 12”
Inscribed in bronze: UG Speed © 1980 CA 20/40 1 5/8” wood base
(Estimate: $1,500 - $2,500)
1187 - DAVE MCGARY (1958-2013)
Strikes with Thunder Painted bronze
11” x 7” x 12 1/4”
Titled on the front on brass plinth. Signed in bronze: © McGary 1989, 14/100 8” wood base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
High Pass
Bronze
40” x 12” x 23 3/4”
Title and artist name on the front of brass plinth. Inscribed in bronze: ©Scott Rogers “The High Pass”, dated 2012 and numbered 11/30 1 3/4” wood base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $9,000 - $11,000)
Far and Away
Bronze
48” x 16” x 18 1/2”
Titled and signed in bronze, dated 2021 and numbered CA 3/30
Sculpture is incised in the bronze with petroglyph images
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $18,000 - $22,000)
1190 - EDWARD H. BOHLIN CHEYENNE STERLING BUCKLE SET ON BOHLIN BELT
3-piece sterling silver Cheyenne pattern buckle with branded gold initials, marked with large shield “Edward H. Bohlin / Hollywood, Cal.” buckle is 1” wide, on a 44” floral carved “Edward H. Bohlin / Hollywood” marked brown belt. Excellent condition, circa 1980s - 1990s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1191 - EDWARD H. BOHLIN PARADE BELT & BUCKLE
Bohlinmade Burbank sterling and two-color-gold pattern 5A buckle set with raised scrollwork, twisted rope edge and initials “DR” in raised pink gold. Mounted with six flowers with inset natural rubies. Belt measures 42” overall in length, with mounted diamonds and half-diamond patterns. Excellent condition, circa 1983.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $4,000 - $5,000)
1192 - BOHLINMADE BURBANK BUCKLE SET
Three-piece, 1” sterling silver and 14K gold “Bohlinmade / Calif. / Burbank / Sterling/ 14K” marked buckle set with initial “S” on the shield. Exterior rope pattern scrollwork on an “Edward H. Bohlin” floral carved black belt that fits a 32” - 34” waist. Excellent condition. Circa 1980s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
1193 - 3 DAZZLING EDWARD H. BOHLIN STERLING HATBANDS
Pictured in James H. Nottage’s Bohlin Bible “Saddlemaker to the Stars” , these 3 impressive and oversized Bohlin hat bands belong to Ernest, Anna and Emily Specht, who inherited their father’s property in Bell Gardens, California, farmed the land and became wealthy through their real estate and water rights. The three siblings lived together and never married but appeared at Palamino horse shows and in many parades as a group, wearing the most extraordinary of all Bohlin gear, including these regal, special order hatbands. Ernest rode a famous stallion by the name of “King Cortez”, who cost $5000 in 1960 and stood 17 hands high weighing 1,600 lbs. The 3 bands are on their 3 hats -- the first hat bears the name of Anna Specht, Bell, California inside; the second hat was made by Davis, and it is 10X, with the Edward H. Bohlin mark inside; and the third hat is stamped “Especially Made for Ernest Specht”. This lot also includes photos of the 3 siblings parading in their ornate outfits, on their big horses and wearing these hats and hatbands.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $6,000 - $8,000)
1194 - EDWARD H. BOHLIN’S FAMOUS “BEJEWELED HORSE CROWN” PLUS MORE
a) A solid silver “Bohlinmade” and marked bejeweled crown, worn by Ernest Specht’s (see previous lot), famous Palamino horse “King Cortez” in multiple parades around California; b) Edward H. Bohlin silver mounted black leather flaps; c) A marked Bohlin solid silver flag holder. All three items are in excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $6,000)
1195 - CALIFORNIA PARADE SADDLE
Elegant in both design and execution, this round-skirted, floral carved show/parade saddle displays early Brydon Bros (Los Angeles) styling, has a silver wrapped and initialed horn, silver mounted stirrups, and is additionally enhanced with a matching square-skirted silver mounted corona. The intricately and artistically engraved 4 3/4”cantle with the gold “JCM” initials features world-class craftsmanship, though apparently unmarked. A wide array of small and large round conchos and spots are peppered over and around the skirts and along the perimeter of the fenders. The non-matching breast collar features a centered gold horsehead while the bridle does appear to be mounted with Bohlin silver and has a Bohlin maker-marked bit. One would conclude this attractive
and appealing California parade saddle ensemble is a “mix and match” assemblage of 1920s to 1950s leather and silver from multiple high-quality makers of the era. The seat is 14”.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $8,000 - $14,000)
1196 - HARRY ROWELL BROWN SHOW SADDLE
When not parading or trail riding, George Pitman’s personal “go-to” saddle was this very attractive and comfortable silver-mounted show style made by the popular Hayward, California saddle shop of the Rowell Saddle Company in the late 1950s. Artistically floral tooled with stylized Cheyenne roll for maximum comfort, the front is fully silvered and intricately engraved, while the skirts and fenders are trimmed in heavy gauge sterling diamond and half-diamond conchos with corner plates featuring raised jewelers bronze horseheads. The saddle is in very fine, rideable condition, with a 14” seat, 2” cantle and a 3 1/2” Cheyenne roll.
Harry Rowell was born in Peterborough, England and joined the British Navy while still in his teens. After discharge, Rowell went to Canada and then headed west to California, arriving in 1912. Harry was a rancher, rodeo producer and livestock provider, succeeding in each of those ventures. In 1940, he went into the saddle making business with his partner Victor Alexander in Hayward, California. In 1942 Alexander left, and the shop name was changed to the Rowell Saddle Co. Harry prospered in Hayward, building a solid reputation for saddles and buckles while sponsoring several popular Bay Area rodeos. Rowell moved his saddle shop from Hayward to Castro Valley, where it remained until the early 1960s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1197 - STRIKING TWO-TONE TEXAS STAR PATTERN PARADE SADDLE
Deeply floral carved brown two-tone parade saddle with inset “Edward H. Bohlin / Hollywood” seat plate heavily and artfully adorned with both Bohlin and non-Bohlin diamond conchos and corner-plates featuring prominent three-dimensional Texas stars. The impressive ensemble includes a full silver serape, grand breast collar, bridle with Bohlin marked bit, 27” long tapaderos with silver caps and comfortable padded seat. Fine, rideable condition, owned by C. J. Smith of C.J.S. Film Studios. A 15” seat and 2 1/2” flat cantle.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $15,000 - $20,000)
1198 - DAZZLING FRANK COENEN CALIFORNIA PARADE SADDLE
Stunning, breathtaking and “over-the-top” are just a few of the many adjectives that have been used to describe this extraordinary parade saddle created by the “other” renowned Southern California Danish saddlemaker and silversmith, Frank Coenen. Challenging Ed Bohlin’s domination of the California parade saddle market in the 1940s, the fellow Swede set out to compete at the very top echelon with his very exclusive and limited production models. This two-tone brown marvel with artistically sculpted floral craving is lavishly adorned with very heavy gauge sterling silver mountings plus gold and silver three-dimensional figures. While the cantle and front swells, horn and gullet are fully covered in silver, the skirts and rear jockey are decorated with ornate sterling plates enhanced with raised stylized scrollwork, plus figures including a “Let ‘er Buck” cowboy, longhorn, and multiple gold horseheads. The lovely, elegant and intricate domed and tiered conchos run vertically and horizontally across the regal silver serape and again on breast collar hangers, with a slotted version of the same appearing at base of the latigo string ties and again securing the tapaderos. The ends of the serapes are further enhanced with multiple silver danglers in a simulated bell pattern with protruding threaded ends. The stylized scroll mountings are prominently placed both independently and atop heavy silver plates throughout the saddle. No detail is spared on this remarkable assemblage, down to details like latigo strings covered with dozens of fine silver ferrules. The matching bridle and massive breast collar replicate the saddle in quality and stature, including a fine curb overlaid bit and heavily ferruled closed reins with romal. The saddle and accessories are in overall excellent condition and include a brown and beige two-tone wool Corona and custom wooden display stand. 16” seat, 2 1/2” cantle.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $80,000 - $120,000)
Awards/Accolades: Equestrian Blue Ribbon winner at the 1997 (108th) Pasadena Tournament of Roses Parade
Frank Coenen, saddle maker and silversmith extraordinaire, emigrated from Denmark to the USA in the early 20th century entering the saddle business in Southern California in 1906 during that transitional period between the traditional utilitarian tack of the old west and the rapid ascent of the flashier Hollywood cowboy. A fellow Scandinavian like Edward H. Bohlin, Coenen became one of Bohlin’s chief rivals, producing some of the finest sterling silver parade outfits of the era, including the multiple gold-medal winning saddle for the 1939 World’s Fair in New York City. Frank’s stunning, heavy gauge sterling silver repousse creations were coveted by the most discriminating Hollywood clientele of the day like Tom Mix, Will Rogers and Wallace Beery. Several of his Coenen’s most renowned saddles tell a story or chronicle historical events like his illustrious San Fernando model with its 22 completely different cowboy scenes. Legendary silver saddle collector extraordinaire, Mort Fleischer, of Scottsdale, AZ validated the Coenen legacy when he chose a Coenen saddle for the cover of his collection book, Fine Art of the West, written by Byron Price and published in 2004.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
1199 - EARLY EDWARD H. BOHLIN PARADE SPURS
Mounted on earlier iron instead of the later stainless, this fine pair of 1930s “Bohlinmade Hollywood, California” marked spurs are double-sided with cookie-cutter rowels, inset with scalloped engraved silver washers. The spurs are attached to brown floral carved two-piece leathers with three-piece Bohlin marked buckle sets. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $4,000 - $5,000)
1200 - EDWARD H. BOHLIN PARADE SPURS
Impressive fully mounted, maker marked “Bohlinmade / Hollywood / Calif.”, “Sterling” parade spurs with initials “BC” inside diamond on the band. Includes 2” inlaid cookie-cutter rowels, fine black floral carved two-piece leathers affixed with three-piece Bohlin 5/8” maker marked buckles that have the same initials on them. Excellent condition, circa 1940s - 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1201 - EDWARD H. BOHLIN SILVER OVERLAID
Bohlinmade / Hollywood / Calif. maker marked spurs with 1 3/4” cookie-cutter rowels, two-piece leathers mounted with 1 3/4” scalloped and domed concho plus smaller non-Bohlin spots attached and McCabe buckles. Fine condition, circa 1940s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1202 - LUCKY CARSON’S STUNNING STERLING PARADE VEST, CHAPS & GAUNTLETS
Dazzling Hollywood Saddlery parade outfit made for stunt man and cowboy Vaudeville promoter Lucky Carson in the late 1930s. Consisting of a black vest and 41” long matching batwing chaps plus gauntlets, this incomparable “over-the-top” sterling mounted get-up is adorned with heavy gauge, finely floral engraved multiple rows of round conchos in graduated sizes separated by silver plates and spots, creating a dramatic and majestic effect. Fine condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $15,000 - $20,000)
1203 - CROCKETT 1950’S PARADE SPURS
Silver overlaid with 2” Monel rowels, engraved sterling washers and swinging buttons affixed to un-tooled leathers, adorned with Bohlin silver conchos. Fine condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,200)
1204 - CROCKETT STERLING PARADE SPURS
Sterling silver mounted stainless steel parade spurs with clover leaf rowels and swinging buttons, affixed to fancy black two-piece leathers adorned with silver diamonds and a 3” sterling concho, attached via a silver three-piece buckle set. Excellent condition. Circa 1940s - 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,400)
1205 - CONTEMPORARY TOM MIX BOHLIN STYLE PARADE SPURS
Full sterling mounted, double-rowel spurs with 1” and 2 1/4” cookie-cutter rowels, 1 1/8” gold Indian head conchos on the 1 5/8” rope edge heel bands and “Let’er buck” cowboys on the square rope-edge conchos that are affixed to two-tone floral carved leathers. Unused condition. Circa 1980s - 1990s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1206 - CROCKETT-STYLE PARADE SPURS W/ GREAT STRAPS
Double-mounted sterling overlaid spurs with Bohlin-style Indian head round conchos on the heel bands, clover leaf rowels and swinging buttons, attached to impressive Olsen-Nolte style sterling silver and 14K gold mounted two-piece brown leathers. Excellent condition. Circa 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1207 - GEORGE PITMAN’S PERSONAL PARADE SPURS
Fully mounted stylized silver overlaid on stainless blanks with scalloped heel bands, affixed to lavish sterling overlaid two-piece straps, bound by three-piece “Bohlinmade” and marked horseshoe buckle sets. Gold initials “GEP” sits atop the 2” rope-edged conchos. Excellent condition, circa 1970s - 1980s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,500)
1208 - EDWARD H. BOHLIN MISSION-THEMED CONCHO BELT
Unusual “Bohlin / Hollywood” marked 36” long black floral carved belt measuring 2 3/8” wide and mounted with six, 2” square California Mission-themed conchos patterned after Bohlin’s renowned Mission saddle. Fine condition, circa 1950s - 1960s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1210 - EDWARD H. BOHLIN INDIAN HEAD BUCKLE WITH CROSSED ARROWS
Measuring 3” x 4 1/8”, this regal, well-maker-marked Bohlin Hollywood buckle features a centered raised Indian Chief in sterling silver with 14K yellow gold feathered headband, surrounded by crisscrossed arrows adorned with green gold (electrum) feathers on one end and rose gold arrowhead tips on the other. Excellent to new condition.
(Estimate: $2,000 - $3,000)
1209 - PAIR OF EDWARD H. BOHLIN MARKED COWBOY HATS
a) A 7X “Davis” (since 1900) tan hat, with a hatband composed of non-Bohlin square conchos, connected by a Bohlin-marked buckle, circa 1950s; b) 1930s “Eddy Hats DeLuxe”, size approximately 7 1/8, with a Montana crease showing early cowboy character.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $700 - $900)
1211 - 1930S SHERIFF’S MOUNTED POSSE CALIFORNIA PARADE SADDLE
This charming two-tone brown, round skirted parade saddle with a 16” seat and sweeping silver trimmed 5” cantle was artfully rebuilt in Southern California in the early 1990s using the original Brydon Bros floral craved styling and floral patterns, then re-mounted with the original A.A. Cuen silver. It was made in 1930 for Teddy A. Arrigonie of Montebello, California and features his name and 1930 date on the swells caps and on the heart-shaped seat plate, plus both fender corners are adorned with a sterling cut-out heart with an interior “A”. The distinctive tapaderos are mounted with an oversized 6 1/2”, 6-point Deputy Sheriff / Los Angeles County badge/emblem with a prominent 3-dimensional gold iconic California grizzly bear. The heavy gauge silver mountings of A.A. Cuen’s Out West Saddlery silver mountings include multiple card suits conchos along the full perimeter, plus a decoratively wrapped twisted silver wire horn with concho. The saddle is maker-stamped on the back of the tapaderos “Out West Saddlery / A.A. Cuen / Maker / Los Angeles”. The matching headstall continues the silver card suit theme while adding a 3-piece horse drop connecting the brow to the nose band. The headstall is affixed to a fancy silver mounted spade bit attached to a set of split reins with romal adorned with engraved silver ferrules. This parade ensemble includes an extra set of two-tone floral carved Stirrups with a “Let ‘er Buck” domed and scalloped sterling concho, plus a flattering brown and beige wool Corona. Very fine, rideable condition.
Alberto A. Cuen was one of three brothers, including Rafael & Perfecto, all sons of Don Ventura Cuen of Panama. In the late 1800s, Don Ventura Cuen sold his ranch property in Panama to cattle baron Henry Miller with the agreement that any of the Cuen sons could have lifelong jobs on the ranch if they so desired. It was Rafael who stayed on and worked the ranch as a wagon boss for 46 years for a division of the legendary Miller & Lux operation. The Cuen family had owned and operated the ranch and were all top hand Vaqueros, well known for their ranching and riding expertise. Perfecto Cuen went on to ride for Miller’s 101 Wild West Shows, making his way far from the family ranch in Panama, while Alberto Cuen went on to become a well-rounded and famous saddle maker in his making numerous saddles for the working Vaqueros on the Miller & Lux Ranches for many years. By the time Alberto A. Cuen opened his shop - the Out West Saddlery in Los Angeles, CA in the 1920s - he had a large clientele of Old Vaqueros and working Cowboys, plus an emerging Hollywood cowboy market. A. A. Cuen made saddles only under the Out West Saddlery maker mark for about 15 years, and after his death in the 1940s the shop remained opened for a short time by his daughter.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $10,000 - $15,000)
1212 - (A&C) PAIR OF COLT SINGLE ACTION ARMY REVOLVERS INSCRIBED TO LUCKY CARSON
a) S/N 23277, circa 1876. Classic 4 - 3/4” configuration, balance of legends obfuscated by reapplied nickel finish, with portion of patent information legible. Kidney-shaped ejector rod head, hammer polished and now void of checkering, front sight recontoured. Replacement barrel. Solid silver cast and chased grips with rampant Colt motif, acanthus scrollwork, and a Federal eagle holding bundles of arrows and olive branches, surmounting a ribbon that reads “E Pluribus Unum”. Inscribed on the backstrap “LUCKY CARSON”. b) S/N 210669, circa 1901. Classic 4 - 3/4” configuration, barrel cut down from a longer barrel with one line address and front sight appropriately moved. Ejector rod housing with kidney-shaped ejector rod head, affixed by a screw to the barrel which is through the barrel and retained by a nut in the barrel. Left side of frame with 2-line 3 date patent information, somewhat obfuscated. Sterling silver grips with scroll and floral motifs with hatch shading and rocker accents; right grip further decorated with a relief gold steer head and “GP” enclosed in a rocker vignette at top. Right grip is further marked on interior with a small plaque with “Edward H. / Bohlin / Hollywood. CAL” in a sheriff’s badge. Inscribed on the backstrap “LUCKY CARSON” en suite with (a). FULL CONDITION REPORT ONLINE.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,500 - $5,500)
1213 - (A) COLT SINGLE ACTION ARMY REVOLVER WITH EDWARD H.BOHLIN GRIPS
Manufactured in 1883. This gun has a two-line address on top of the barrel, “COLT’S PT. F. A. MFG. CO. / HARTFORD, CT. U.S.A.”, and a roll die caliber designation on the left side of the barrel, “45 COLT”. Three-line patent dates on the left side of the frame. The gun has been converted from a .45 to a .22 long rifle. The barrel and cylinder have been sleeved. The trigger guard and backstrap are from a different gun. The serial number on them is 3404825. The center pin is an aftermarket pin. The front sight profile has been cut down. 4 - 3/4” barrel with a six shot fluted cylinder. It has a wonderful set of Edward H. Bohlin silver grips with a bull’s head motif on the right grip. The grips are engraved with a scroll and foliate design. CONDITION: This gun retains most of the reapplied nickel finish. Bright and shiny bore with sharp lands and grooves. Grips are very nice but don’t fit the gun very well.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $2,000)
1214 - (C) RAY “CRASH” CORRIGAN BOHLINMADE GUN RIG WITH HIS COLTS
Ray’s famous Edward H. Bohlin screen-worn rig with his two Colt Single Action Army revolvers. The rig is mounted throughout with horsehead and rope edge sterling conchos and is marked on the reverse of each holster with the early “Bohlinmade / Calif. / Hollywood” cartouche. The buckle has gold flowers with inset stones and has “RAY” in gold at the center, as do the 2 smaller buckles on holsters. The buckle is marked with the same early mark along with “STERLING” and “10-K.” Classical 4 3/4” configuration with legends obliterated by refinish, only retaining the 2-line 3 date patents on left side of frame with encircled Colt. Edward H. Bohlin solid silver grips engraved with floral engraving and mounted with relief gold work depicting classic Western iconography, including a steer head with gemstone eyes, a cowboy on a bucking horse, “RAY” and a five-petal floral. Interior of grips with Bohlin’s early “Bohlinmade / Calif. / Hollywood” football stamp, “STERLING” and “10-K”. CONDITION REPORT ONLINE. Included are 7 books, including Corriganville Movie Ranch, The Quarterly Corriganville: The World’s Most Famous Movie Ranch and Ray “Crash” Corrigan among others, his makeup kit and 2 framed collages featuring images of Ray wearing the rig.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $20,000 - $30,000)
1215 - HERMANN H. HEISER, DENVER, COLO BATWING CHAPS
Adorned with celestial crescent moon and star overlays, three brass conchos with latigo strings on each leg, brass studs on the perimeter with smaller studs on the pockets. 37” long. Some stains showing from real cowboy use, circa 1930s.
(Estimate: $600 - $800)
1216 - FANCY PARADE CHAPS WITH BOHLIN SILVER
Ornate silver mounted black parade chaps with floral carved billet, fully and lavishly adorned and trimmed with Bohlin sterling silver conchos in multiple six-pointed star patterns. Fine wearable condition. Measuring approximately 40” in overall length and 17” wide at the broadest part of each wing.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1217 - WILD WEST SHOW “TEX” CHAPS
An ornate 42” tall two-tone batwings with “Tex” in raised engraved silver letters down each wing. Multiple slotted conchos across the billet, pocket and wings. Perimeter mounted with small, diamond-engraved conchos. Lot includes 8 1/2” tall high quality two-tone matching cuffs with scalloped gold horse head conchos. Both are in excellent condition. Circa 1920s1930s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1218 - RARE “SYNDERMILLER” ORANGE ANGORA CHAPS
A showy and bright pair of woolies with vivid orange hair, 3 slotted conchos on each side of the belt and sporting the very rare mark of “Snyder-Miller Mfg. Co. / Grangeville, Idaho” in a crescent cartouche. The saddlery was operating for only a short time in the beginning of the 1900s.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $3,500 - $5,500)
1219 - C. P. SHIPLEY PURPLE ANGORA CHAPS
A pair of bright purple woolies with leather top section and marked “C. P. Shipley / Kansas City”. Border tooled belt and in excellent condition, some slight fading to the hair, but still retains nice strong color. 38” from top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1220 - CLARK BLACK WOOLIE CHAPS
A lust pair of angora chaps with canvas lining and leather legs. Basket stamped belt with “Clark” stamp on the billet. 39” top to bottom.
(Estimate: $1,500$2,000)
1221 - FABULOUS WHITE ANGORA CHAPS
Unmarked and in “as new” condition, these are a stunning pair of bright white woolies with floral tooled belt mounted with 2 slotted nickel conchos. Striped canvas lining and leather legs.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1222 - SILVER INLAID TRANSITIONAL SPURS
Mexican/ California spurs often referred to as “transitional spurs” due to the similarities between Sonoran and early California patterns, this early fully inlaid pattern vaquero spurs in fine condition have 8-point spiked rowels and simply engraved inlays. includes two-piece floral carved leathers adorned with domed and scalloped floral pattern conchos.
(Estimate: $600 - $900)
1223
Fully mounted, silver inlaid with double crescent moons separated by domed spot on front and inlaid band verso, 12-point rowels, two-piece, basket stamped leathers with domed, scalloped and engraved conchos. Good overall condition, circa 1920s-1930s.
(Estimate: $800 - $1,000)
1224 - LOT OF 2 PAIR OF SPURS
a) August Buermann double-mounted, silver inlaid and engraved iron spurs with 1 3/4”, 10-point rowels attached to newer longhorn carved spur straps, adorned with ornate, silver-threaded domed conchos. Fine condition; b) Ricardo (Denver) maker-marked nickel silver spurs mounted with gold, ruby eyed horse heads affixed to matching buttons, with 3-piece sterling buckle sets. Fine condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1225 - HAMLEY CO (PENDLETON, OR) SILVER INLAID SPURS
Classic Morales one-piece construction, measuring 1/2” to 5/8” tapered bands with 2 1/2” shanks and 2” 14-point rowels. “Hamley Co” maker marked. Floral carved, age-cracked, two-piece straps adorned with domed and engraved conchos. Good condition, circa 1910-1920.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,000)
1226 - CARLOS FIGUEROA, LOS ANGELES, CALIFORNIA SPURS
Multi-metal, double-mounted, silver, brass and nickel Southern California spurs with 12-point rowels, vaquero heel chains, and two-piece leathers adorned with large domed and scalloped Visalia style engraved silver concho. The band is 1”, the shanks 2 1/8” and the rowels are 1 3/4”. Excellent condition, circa 1930s.
A similar pair is shown on page 175 of California Bit and Spur: A History and Development by Lou Kosloff.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,200 - $1,800)
1227 - G. S. GARCIA, ELKO, NEV MARKED SPURS
Stamped with the early small Garcia maker stamp at the base of the heel band, this uncommon coin silver inlaid catalog pattern No. 23 with stylized multi-spot design has 1/2” to 1 1/8” tapered band plus long, narrow 2” shanks securing 2 1/8” 16-point filed spoke rowels, vaquero double heel chains and well-worn two-piece leathers with nickel conchos. Overall, very good condition, circa 1915-1925.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $3,000 - $4,000)
1228 - UNMARKED “TARGET PATTERN” CALIFORNIA SPURS
Very fine “Dandy” inlaid spurs, a pattern first debuting in the 1890s G.S. Garcia Elko, Nev catalog as pattern No 75A and the Visalia (San Francisco) 1923 catalog as Pat No. 255. Always considered “top-of-the line” in just about any catalog, this particular pair features delicate and intricate Hernandez engraving, stylized step-tiered shanks securing 2” 12-point spoke rowels and chased off-side. Spurs affixed to two-piece, basket-stamped period leathers with large Visalia style domed and engraved scalloped conchos. Very fine condition, circa 1915-1920. 1” tapered band with 3” shanks.
Pictured: David R. Stoecklein’s THE SPUR: history, art, culture, function (2003), page 102 (left).
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1229 - CALIFORNIA SPURS ATTRIBUTED TO JOSE FIGUEROA (1880-1951)
Unmarked silver inlaid and overlaid Jose Figueroa 1920s Southern California style spurs with domed single sculpted three-dimensional raised flower on the 7/8” front band, elongated rectangular verso, inlaid bold and thick 2 1/4” stylized rowels inset with 1890s Morgan silver dollars. Maple leaf pattern carved two-piece leathers affixed to stationary silver buttons and adjust via 3-piece, 1/2” silver buckle sets. Very fine condition.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1230 - A. BUERMANN MARKED CARD SUIT CALIFORNIA HALF-BREED BIT
A G. S. Garcia-style inlaid bit with Jello mold conchos, pictured in the Garcia catalog as Pattern No. 99. The mouthpiece is marked with the A B Star and “Hand Forged Steel”. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,200 - $1,800)
1232 - GARCIA-STYLE HALF-BREED BIT
Artistically engraved California-style bit with cut out floral cheeks, silver spots and domed, scalloped conchos. This is pictured in multiple Garcia catalogs over decades as Pattern No. 3. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1233 - A. J. SCHELL (1880 - 1945) GERLACH, NEV. EARLY LOOSEJAW SPADE BIT
Rare inlaid maker marked bit, artistically engraved and in fine overall condition, except that the inlay on the slobber bar appears to be a later restoration. Circa 1920s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $2,000)
1231 - AUGUST BUERMANN MARKED JELLY MOLD / HEART BIT
A G. S. Garcia pattern bit made by August Buermann, with jelly mold conchos, inlaid and engraved open heart cheeks and a solid round slobber bar. Marked with the Buermann star and called “The Colorado” in the Buermann catalog. Slight wear with some surface rust.
Provenance: The Roger Wilmot Collection, sold as part of the Roger Wilmot Estate
(Estimate: $1,000 - $1,500)
1234 - ELMER MILLER (1914 - 1992) EAGLE BIT
Maker marked “E. Miller Nampa, ID” overlaid stainless spade bit with gold colored miniature eagle on slobber bar. Unused condition, circa 1960s1980s.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $2,000 - $3,000)
1235 - MILLER BIT & SPUR DOUBLE-HEART PATTERN SPURS
1236 - MILLER BIT & SPUR SPADE BIT
Elmer Miller’s fine 1980s replication of an early Tapia style silver inlaid California spade bit in near-new condition with floral engraving, slobber chains and rein chains. Measuring 8” x 5” x 2”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
Elmer Miller (1914-1992) maker marked heart and button pattern inlaid Nampa, Idaho 1980s spurs with 2 1/2”, 20-point spoke rowels, jingle-bobs, heel chains, a 1/2” to 1” tapered band and 2 1/2” shanks and basket stamped two-piece leathers, excellent condition, circa 1980s.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
1237 - GARCIA SALINAS MARKED SPADE BIT
A very showy sterling and gold mounted 1930s-1940s overlaid California lose jaw bit on a Monel base in excellent condition. Maker marked “Garcia / Saddlery Co. / Salinas, Calif.”.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1238 - CALIFORNIA SPADE BIT
A heart and crescent inlaid bit with large single dome and outline of silver dots. Restored mouthpiece.
(Estimate: $1,000 - $1,500)
1240 - DIABLO MARKED OVERLAID BIT
Silver mounted spoon spade Monel bit. Very fine condition, circa 1940s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $600 - $800)
-
Finely inlaid eagle bit with rein chains manufactured in the 1980s as part of Vogt’s popular “Pro Equine” line. Excellent unused condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $700 - $1,100)
1241 - UNMARKED MIKE MORALES SPADE BIT
A silver inlaid “S” shank with 1 1/4” domed concho, inlaid slobber bar and a small spoon spade.
(Estimate: $800 - $1,400)
1242 - RARE J. TAPIA (1856 - 1931) PARROT SPADE BIT
Classic Jesus Tapia (1856-1931) double parrot pattern engraved bit from the coveted early California maker. Large domed conchos with engraved rim above the figural cheeks. 100% original condition with one missing inlay on the slobber bar.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,500 - $3,500)
Silver inlaid classic California spade with silver spots and distinctive Carlos Figueroa-style engraving. Very fine condition, circa 1940s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,200 - $1,800)
Marked inside the cheek with the small “G.S. Garcia / Maker / Elko, NV” cartouche and exhibiting the work or John Estrada. John made this style while working for Goldberg-Staunton in Sacramento, as well as Garcia in Elko (1896 - 1906). It is a fancy California inlaid spade with harp pattern and is in very fine condition, with three slobber chains and a professionally and artistically restored floral chased spoon.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,000 - $3,000)
A dainty bit with flowing cheek design. The domed conchos show classic Visalia Stock Saddle Co. engraving. The mouthpiece has a high port with the original 4” ring attached. Engraved silver inlays throughout.
(Estimate: $1,000 - $1,500)
1247 - ELI
Lion Cub Bronze 4” x 4”
Signed and dated “1920” on verso / signed on base: “Eli Harvey 09” 1/2” bronze base
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $1,500)
1246 - JIM MEANS WELLS FARGO OVERLAND STAGE MODEL
Wood with iron hardware, leather interior and hand-painted with the “Wells Fargo & Co. Overland Stage” & “U.S. Mail (Eagle)” lettering along with detailed pin striping. Plate on the frame “Jim Means / Builder / Clyde, Calif.” 16 1/2” x 11” x 9 1/2”. Comes with one miniature suitcase.
(Estimate: $2,000 - $3,000)
1248
Standing Bear Bronze 9” x 5”
Signed and dated “1920” on verso /signed on base: “1920 by Eli Harvey” 1/2” bronze base
Pictured: California Artists 1935 to 1956 by DeWitt Clinton McCall III , page 155. A copy of the book is included with this bronze.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $1,500)
1249 - HARRY JACKSON (1924-2011)
Pony Express II
Mixed media and bronze 16 1/2” x 10” x 13”
Double signed and dated in bronze: “©Harry Jackson 1980” w/ “PE II 46F” mark and stamped “WFS Italia” 1 1/4” marble base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $8,000 - $10,000)
1250 - HARRY JACKSON (1924-2011)
A Lack of Slack Bronze
22” x 13 1/2” x 14 1/2”
Signed in bronze: ©Harry Jackson, dated 1973, edition of 5 1 1/4” marble base
Sculpture comes with oak wood pedestal, 25 1/2” x 17” x 39 1/2”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $3,000 - $5,000)
1251 - BILL NEBEKER (B. 1942)
Sunfishin’ Son Of A Gun Bronze
10” x 8” x 13”
Titled on the front of brass plinth / signed and dated in bronze: “Bill Nebeker” ©2020 5/30 2 1/2” wood base
(Estimate: $3,500 - $4,000)
1252 - FRED FELLOWS CAA (B. 1934)
No Bed of Roses Bronze
19” x 9” x 20 3/4”
Title and artist name on the front of brass plinth/ inscribed in bronze: “Fellows” CA 83 and numbered 6/50
1 3/4” wood base
Sculpture comes with oak wood pedestal, 20 3/4” x 16 3/4” x 38 1/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $2,000 - $3,000)
1253 - GRANT SPEED (1930-2011)
The First Feel of the Hackamore Bronze
28” x 9 1/2” x 18”
Title and artist name on the front of brass plinth / signed and dated in bronze: “UG”/ “Speed ©1974 CA” and numbered “20-30” 1 3/4” wood base
Sculpture comes with oak wood pedestal, 28” x 15” x 36 3/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $3,000 - $4,000)
1254 - HARRY JACKSON (1924-2011)
Plantin’
Bronze
29” x 13” x 10 3/4”
Title and artist name on the front of brass plinth / inscribed in bronze: ©Harry Jackson 59 and numbered 5
2 1/4” wood base
Sculpture comes with oak wood pedestal, 33 3/4” x 18” x 36”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $20,000 - $30,000)
1255 - JOE DE YONG (1894-1975)
Check Horse in High Corral Pen and ink illustration
11 3/4” x 17 3/4”
Signed on right: JOE DE YONG
Framed to 20 3/8” x 26 1/2”
(Estimate: $1,000 - $2,000)
1256 - NICK EGGENHOFER (1897-1985)
Team and Buggy
11 1/2” x 8 1/2”
Signed lower left / noted on reverse “Western Stories about 1938”
Framed and matted to 18 5/8” x 14 3/4”
Old tag attached, Black & whitewash / Entry by Paul Masa
(Estimate: $1,000 - $1,500)
1257 - OLAF WIEGHORST (1899–1988)
Canyon De Chelly/Arizona/1961
Watercolor/pen & ink
10 1/2” x 8”
Signed: “O-W” with artist brand
Framed to 17 1/2” x 15”
(Estimate: $1,200 - $1,800)
1258 - OLAF WIEGHORST (1899–1988)
New Perce Indian on Appalossa
Watercolor/ pen on board
10 1/8” x 8 1/8”
Signed lower left, titled on reverse
Framed to 18 1/4” x 16 1/4” x 1 1/2”
Included is a 1969 first edition of Olaf Wieghorst by William Reed and signed by Olaf, with dust jacket.
(Estimate: $3,000 - $4,000)
1259 - OLAF WIEGHORST (1899-1988)
Indian Chief Gouache on paper
11” x 8 1/2”
Signed lower center: “O.W.”
Framed to 23” x 19 1/2”
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,500 - $2,500)
1260 - OLAF WIEGHORST (1899-1988)
Bucking Bronco
Watercolor/ pen & ink on paper
10” x 6 1/4”
Signed lower left: O. Wieghorst with artist cipher
Framed to 16 1/4” x 14”
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,500 - $2,500)
1261 - MARK MAGGIORI (B. 1977)
Untitled (Two mounted riders)
Art print on fine matte paper
8 1/2” x 12”
Signed lower right: Mark Maggiori
Framed to 18 3/4” x 22 3/4”
(Estimate: $4,000 - $6,000)
1262 - MARK MAGGIORI (B. 1977)
Untitled (Cowboy on horseback)
Pencil on paper
12 1/2” x 8 1/4”
Signed and dated lower left: Mark Maggiori, 2020
Framed to 21 1/2” x 17”
(Estimate: $4,000 - $6,000)
1263 - MARK MAGGIORI (B.1977)
Untitled (Native on horseback)
Acrylic on canvas
11” x 13 1/2”
Signed lower right in artist’s monogram: “MM”
Framed to 14 3/4” x 17 1/2”
(Estimate: $15,000 - $25,000)
1264 - MARK MAGGIORI (B. 1977)
Untitled (Monument valley views)
Acrylic on wood block 8” x 10”
Signed and dated lower left in artist’s monogram: “MM” 2017
Framed in wood shadow box 14 5/8” x 16 5/8”
(Estimate: $5,000 - $8,000)
1265 - WILL RODERICK JAMES (1892 - 1942)
Roping Wild Cow
Pencil sketch 12” x 9”
Unsigned Framed to 15 3/8” x 12 1/4”
Provenance: Montana / Snook Family Estate
(Estimate: $1,000 - $2,000)
1266 - WILL RODERICK JAMES (1892 - 1942)
Cowboy on Horseback
Pencil sketch 7” x 4 1/2”
Unsigned Framed to 11 3/4” x 9 3/8”
Provenance: Montana / Snook Family Estate
(Estimate: $1,000 - $2,000)
1267 - W. STEVE SELTZER (B.1955)
The Lone Scout Oil on board 10” x 12”
Signed lower right: W.S. Seltzer Framed to 14 1/2” x 16 1/2”
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $1,000 - $2,000)
1268 - GILBERT GAUL (1855-1919)
Untitled (Indian by campfire)
Oil on canvas
39 1/2” x 29 1/2”
Signed lower right: Gilbert Gaul
Framed to 47 1/4” x 37 - 1/4”
William Gilbert Gaul (1855-1919)
Born in Jersey City, New Jersey on March 31, 1855, Gilbert Gaul studied in New York City at the Art Student League and National Academy of Design under John George Brown. In 1882, he was elected a member of the National Academy of Design.
Although based in New York City, he made many trips to the American West from 1882 through 1891, living on Army posts and with Indian tribes and recording the various lifestyles, going as far as California. He was one of the five special agents who took the census of 1890 among the Indians, illustrating the “Report on Indians Taxed and Indians Not Taxed” with a strong portrait of Sitting Bull he painted from life. He was hired as an illustrator for Harper’s and Century magazines. Gaul was best known for his military scenes and Western subjects and as a painter of highly realistic western scenes showing interaction between Caucasian people and Indians.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $35,000 - $55,000)
1269 - DEER LODGE HITCHED HORSEHAIR BRIDLE
A Montana State Penitentiary bridle with flat cheeks featuring a teal, pink and purple zig-zag pattern. Overall this multi-colored bridle has about 8 colors, including a black XX pattern on the brow. Orange on the face drop and reins. The reins are extra large and have been repaired at the ends. The bit is a very nice silver inlaid California-style roller port bit with a sunburst motif center surrounded by silver dots.
(Estimate: $3,500 - $4,500)
1270 - EARLY 1900S BLACK & WHITE HORSEHAIR BRIDLE
Featuring bold and well-defined geometric patterns, this impressive early bridle has 3-strand headband, double round cheeks, 15 horsehair tassels and celluloid rings, all connected to an iron period “bird” spade bit and early glass rosettes. Shows very minor loss, but otherwise fine condition. Split reins and romel intact.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1271 - RAWLINS WYOMING CALFSKIN AND HORSEHAIR BRIDLE
A fabulous Wyoming Penitentiary bridle. The cheeks and the 7 braided strand brow band display small rectangular hitched horsehair panels with bright pink, turquoise, and white diamonds edged by purple hair. The bridle has intricate knots, loops and colored tassels throughout and a central leather heart face plate below 2 color tassels. The rein terminals have calfskin strings to form tassels. The condition is excellent and the colors bright.
The horsehair hitching appears to be comparable to an example known to have been hitched by inmate Herbert Brink circa 1928, who was sentenced to be hanged. (See page 137, Horsehair Bridles by Ned & Jody Martin). Attached is a unique handmade heavy iron half breed bit cut into symbols which appear to be “SP” (State Penitentiary?).
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $7,000 - $10,000)
A colorful, bright and stunning bridle with an unusual and unique construction technique. Looped sides with separate brow band tassels. The color combinations are unusual also, with radiant pink, green, orange and white tassels on double round cheeks, flat diamond design brow and nose bands, original reins and romel, all in excellent condition.
(Estimate: $7,000 - $9,000)
1273 - A FLORENCE ARIZONA PRISON HORSEHAIR BRIDLE
Demonstrating unique artistic styling, this 27” long multicolored, geometric pattern hitched hair headstall is typical of those produced by inmates at both the Arizona Territorial Prison in Yuma and later at the State prison in Florence. The face drop has a hitched dome with star design and the forehead drop has an acorn dangle. The rosettes are hitched over wood. No reins, but attached to an early California unmarked straight cheek Las Cruces style finely inlaid bit.
Provenance: Per family’s notes, this multicolored bridle was woven for Rhoda Agatha Rindge by Francisco Ruiz at the turn of the 20th century. Frederick Hastings Rindge Estate, Rancho Malibu and Los Angeles, CA. Through Bonhams, Los Angeles, Rindge Family Property Sale, October 2019.
(Estimate: $3,000 - $5,000)
1274 - NAVAJO HITCHED HORSEHAIR BRIDLE WITH ROAD RUNNER SILVER BIT
A stunning black and natural Native made hitched horsehair bridle. From: Horsehair Bridles: A Unique American Folk Art , p. 170, fig. 10.13: “This tag indicates the provenance that this bridle was made by a Navajo Indian in the Alamosa area of New Mexico and purchased by Harold Streets, an Indian trader and the owner of the Taos Inn in the 1940s.” The spiral pattern using natural colors is a commonly used Indian motif. The Roadrunner bird motif is used as a decorative design by the Navajo and forms the cheeks of a masterfully made coin silver overlaid bit.
Pictured: Horsehair Bridles: A Unique American Folk Art by Ned & Jody Martin, page 170, figure 10.13.
(Estimate: $4,000 - $6,000)
1275 - MILES CITY SADDLERY SADDLE
As new contemporary floral tooled loop seat saddle marked “Miles City Saddlery / Miles City, Mont. / Makers / Original Coggshall Saddles” #498, 15” seat, 5” cantle. A beautiful tribute to the old time Montana saddles. Tooled and studded stirrups, laced leathers, detailed in every way.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $3,000 - $4,000)
1276 - MILES CITY SADDLERY FLORAL CARVED SADDLE
A contemporary loop seat saddle with an intricately tooled floral pattern throughout, great carved cowboy on a bucking horse on the fender, large, rounded skirts, attached matching saddlebags and cantle pouch. 17” tapaderos and outside stirrup leathers. Marked on the seat and cantle “Miles City Saddlery / Miles City, Mont. / Makers / Original Coggshall Saddles”. 15 1/2” seat, 5” cantle. In “as new” condition.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $3,500 - $4,500)
1277 - RARE EARLY ALBERT ESPINOSA (1858 - 1937) CALIFORNIA SPURS
Highly coveted early California spurs with 2” 12-point beveled spoke rowels. Features Albert’s trademark silver buttons recessed with punched circles, Vaquero heel chains and early 2-piece leathers. All original, fine condition, circa 1880s - 1890s.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $4,000 - $6,000)
1278 - UNMARKED CALIFORNIA NARROW BAND SPURS
Artistically designed with Hernandez-style engraving inlays across the entire top, 2” inlaid rowels with engraved and scalloped washers. Brass heel chains, two-tone floral carved leathers, mounted with 1 5/8” scalloped and domed conchos. Excellent condition, circa 1920s.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $3,000 - $4,000)
1279 - DANDY PATTERN CALIFORNIA SPURS
Fully mounted silver mounted California style spurs with floral leaf pattern engraving, inlaid and stylishly sculpted circular rowels, heel chains, and silver inlaid stationary buttons affixed to lovely Frank Schultz, Victor, Montana maker-marked two-piece straps with Mexican Peso conchos. Excellent condition. 3/4” band x 2 1/4” shank x 1 3/4” rowels.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1280 - J. TAPIA EARLY CALIFORNIA SPURS
Jose Tapia (1831-1902) fully mounted 1880-1890s California spurs illustrative of the strong Spanish Colonial and Mexican influence on Jose’s earliest Los Angeles work. More elongated in structure than Tapia’s later styles, but still exhibiting Jose’s engraving, fanciful and distinctive iron work, inlaid floral buttons, and tapered pierced 1” heel bands with 8 buttons circling a central stylized spot in a modified target pattern motif. Partial birds-head drop shanks secure oversized filed 3” 12-point rowels with iron jingle-bobs. Buttons attached to well-worn two-piece floral carved straps with flattering but contemporary domed and scalloped Tapia style conchos. A rare early pair from the highly coveted Southern California maker.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $10,000 - $15,000)
Rare spade slightly bent with replaced conchos on the cheeks and braising at the right mouth juncture. Spread eagle with Union shield for the cheeks. Circa 1900s.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $2,500 - $3,500)
1283 - UNMARKED MIKE MORALES STYLE CALIFORNIA SPURS
Distinctive and stylized heel band adorned with three raised 8-petal silver flowers, separated by narrow inlaid stripes leading to a sweeping silver inlaid multi-tiered and engraved shank securing a 14-point filed spoke rowel, separated by an engraved and scalloped coin silver washer. Includes one-piece dove wing leathers with scattered conchos attached to raised and engraved fixed silver button. Fine condition, circa 1920s-1930s. 1” band with a 3” shank and 2 1/4” rowels.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,000)
1282 - HERNANDEZ CALIFORNIA GAL LEG SPURS
Early 1900s silver inlaid Gal Leg pattern California spurs with chased off-side, 14-point rowels, partial drop shanks, heel chains, and stationary buttons affixed to rare, two-piece floral carved “J.W. Kirwan/Lusk/Wyo.” straps with domed and scalloped silver conchos. Variations of this pattern appear in multiple L.D. Stone and Main & Winchester (San Francisco) saddlery catalogs beginning as early as 1893. 1” bands and 2 1/4” shanks holding 2” rowels.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,000)
1284 - MORALES PATTERN INLAID CALIFORNIA SPURS
Unmarked inlaid spurs with three-button 3/4” bands, separated by vertical silver stripes attached to 2 3/4” inlaid shanks securing 2 1/2” 12-point rowels, protected by engraved and scalloped silver washers. Spurs affixed to flattering two-piece floral carved leathers with nickel spots and adorned with domed and scalloped silver conchos with ruby-colored stone centers. Marked on straps “T5”. Fine overall condition, circa 1920s-1930s.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,000)
1285 - MEXICAN/CALIFORNIA “TRANSITIONAL” STYLE SPURS
Typical silver inlaid pattern with centered domed raised floral spot and surrounding inlays with punched dot patterns. A popular Cal/Mex style manufactured from the early 1900s through the 1940s. Spurs are in fine condition, affixed to worn leathers with newer scalloped 2” silver conchos. 3/8” bands, 2” shanks with 2” rowels.
(Estimate: $600 - $900)
1286 - FABULOUS JESUS TAPIA CALIFORNIA SPURS
Undeniably one of the highlights of the Gillett collection is this outstanding pair of Jesus Tapia (1856-1931) inlaid Los Angeles, Calif spurs, with the artisan’s distinctive design elements, including classic engraving, intricate filigreed cut-out floral silver inlays on both the stylized rooster-head 2 3/4” shanks and bands encircled by a twisted coin silver inlaid rope, filed 14-point 2 1/4” iron rowels, and trademark flat silver inlaid, flower centered stationary buttons attached to two-piece floral carved russet-colored leathers. Very fine original condition, circa 1915-1920.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $30,000 - $40,000)
1287
Kid Rodelo Oil on panel
18 1/2” x 15 1/2”
Signed lower right: Bama Framed to 32” x 27 3/4”
Used on the cover of Kid Rodelo by Louis L’Amour. Includes an original Bantam book and a CD of the motion picture based on the book.
(Estimate: $15,000 - $25,000)
1288
Hoof Trails and Wagon Tracks Oil on canvas panel 26” x 12”
Signed lower right: McCarthy Framed to 41 1/2” x 30 1/2”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $10,000 - $15,000)
(1883-1960)
Home on the Range Oil on panel
19 1/2” x 21 1/2”
Signed lower right: Lon Megargee Framed to 22 1/2” x 24 1/2”
(Estimate: $15,000 - $25,000)
(1894-1975)
High Stepper Watercolor
12 1/2” x 15 1/2”
Unsigned Framed to 13 1/2” x 16 1/2” Circa 1940s
Provenance: From the Estate of Buck Jones
(Estimate: $1,000 - $1,500)
1291 - KEN OTTINGER (B. 1945)
2’s Company
12 1/2” x 7 1/2” x 11”
Signed in bronze: Kenneth H. Ottinger ©1981, 9/20 2” wood base
(Estimate: $1,000 - $1,500)
Winter of ‘87
Bronze
20” x 9” x 16”
Signed and dated: ‘86 w/ copyright mark and 6/24
2” wood base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $1,500)
1293 - DAVID LEMON (B. 1945)
On Wings of Eagles
Bronze
19” x 8” x 26”
Signed in bronze: Lemon, ©1996 Legends, 250/250 1/2” wood and black granite plinth
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,200 - $1,600)
1294 - ROBERT SUMMERS (B. 1940)
Spirit of the Plains
Bronze
19 3/4” x 13” x 13 1/2”
Titled on the front of brass plinth / signed and dated in bronze: “Robert Summers” 1912 3” wood base
(Estimate: $1,000 - $1,500)
(1931-2006)
Signed lower left: Joe Beeler Framed to 29 1/4” x 39”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $8,000 - $14,000)
1296 -
Signed lower right: Hoffman Framed to 37 1/4” x 50 3/4”
Provenance: Robert Pamplin Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $25,000 - $35,000)
Posse Oil on board
24” x 18”
Signed lower left: McCarthy
Framed to 34 1/4” x 28 1/4”
Frank McCarthy
From his home in Sedona, Arizona he researched and studied his Western subjects, and he developed a genuine interest in the history of the West and became one of the most well-respected artists depicting the American West. In 1975, he was elected a member of the Cowboy Artists of America, and in 1998, he resigned from the organization. In 1997, he was indicted into the “Illustrators Hall of Fame.” He is also a member of the Northwest Rendezvous Group and has exhibited at the National Cowboy Hall of Fame and the Western Heritage Center and had a retrospective at the Gilcrease Museum in Tulsa, Oklahoma.
(Estimate: $20,000 - $30,000)
1298 - FRED FELLOWS CAA (B. 1934)
Taking a Closer Look Oil on canvas panel 30” x 48”
Signed lower right: Fellows CA and dated ©81 / titled on the front plaque Framed to 40” x 58”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $6,000 - $9,000)
Riding the Whirlwind Oil on canvas
48” x 36”
Signed lower right: Buckeye Blake, dated ‘05
Framed to 53” x 41 1/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $8,000)
1300 - BILL NEBEKER (B.1942)
The Joker Bronze 12” x 14” x 10”
Signed in bronze: “Bill Nebeker 17/30 2003” 2” rotating wood base
(Estimate: $1,500 - $2,500)
1301 - GRANT SPEED (1930-2011)
During the Chilly Hours of the Dawn Bronze 41” x 10” x 17 1/2”
Signed and dated: “UG. Speed 1975” with mark CA and “14-30” / title and artist name on the front of brass plinth 1 1/2” wood base
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $6,000)
Eye of the Storm
Bronze with color patina
30 3/4” x 12” x 16”
Signed in bronze: “BM”, limited edition: 7 of 30
Sculpture comes with an oak wood pedestal, 37 1/4” x 20 1/4” x 36 1/4”
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $4,000 - $6,000)
Judges of the Plains (c.1877) by James Walker
Judges of the Plains Considered Walker’s masterwork depicts the ranchero powers of the area covering Ventura and Los Angeles counties. The most prominent families are represented: the Sepúlvedas, Verdugos, Picos, del Valles, and Lugos.
Francisco Xavier Sepúlveda (1742 - 1788) was a Mexican colonial soldier and patriarch of the prominent Spanish Mexican Sepúlveda family in the early days of Las Californias and Alta California in present-day Southern California. In 1781, Francisco, along with his wife María Candelaria de Redondo and 6 children, accompanied the José de Zúñiga Expedition into upper Las Californias. Sepúlveda’s eldest son, Juan José Sepúlveda (1764 -1808), and his fifth son, Francisco Sepúlveda (1775 - 1853), became progenitors of two distinguished branches of the family. Francisco Xavier Sepúlveda died in the Pueblo de Los Ángeles and was buried at the Mission San Gabriel Arcángel cemetery on 26 January 1788.
José María Verdugo (1751 - 1831) was a soldier from the Presidio of San Diego who was assigned to the Mission San Gabriel Arcángel at the time his land was granted by the Spanish Empire in 1784. Verdugo came to California with his brother, Mariano Verdugo, in the 1769 Rivera expedition. In 1784, Verdugo requested and received a grant from his army commander Governor Pedro Fages to settle and graze his cattle on what became Rancho San Rafael, also known as La Zanja. Corporal Verdugo’s grant consisted of eight square leagues (36,402 acres) of land stretching roughly from the Arroyo Seco in present day Pasadena to the Mission San Fernando. In 1798 he retired from the army to become a full-time rancher, and title to his property was established by Spanish Governor Diego de Borica. After a long illness, Verdugo died on 13 April 1831, at Mission San Gabriel, leaving his property to his son Julio Antonio Verdugo and daughter María Catalina Verdugo. He was buried at the cemetery at Mission San Gabriel Arcángel, 43 years after Sepúlveda.
Pío de Jesús Pico (1801 - 1894) was a first-generation Californio rancher and politician, born in Alta California at the Mission San Gabriel Arcángel to parents who emigrated from the part of New Spain that is now Mexico. After the death of his father in 1819, Pico settled in San Diego, California. He married María Ignacia Alvarado there on February 24, 1834. His younger brother was General Andrés Pico. Pío Pico was the last governor of Alta California under Mexican rule, serving from 1845 to 1846. He was also elected to one term (1853) on the Los Angeles Common Council.
Ygnacio Ramón de Jesus del Valle (1808 - 1880) was born in Jalisco, Mexico. His father, Antonio del Valle, was a soldier in the Spanish army who came to California in 1819 and was mayordomo (administrator and/or foreman) of Mission San Fernando Rey de España. Ygnacio joined the army as a cadet in 1825 at the Presidio of Santa Barbara. In 1828 he was promoted to second lieutenant and transferred to the Presidio of San Diego. In 1832, his commander became involved in a power struggle with the commandant of the Presidio of Monterey, where Antonio served. Ygnacio’s side won the conflict on the battlefield, causing a rift between father and son, and they never spoke again. Del Valle was a rancher and landowner in the eastern Santa Clara River Valley, California, United States, as well as an alcalde of Los Angeles. His estate, Rancho Camulos, is now a registered as a National Historic Landmark.
José del Carmen Lugo (1813 - c. 1870) was a major 19th century Mexican Californio landowner in Southern California. Lugo was the son of Antonio Maria Lugo, who was the son of original immigrant Francisco Salvador Lugo. Lugo, in a joint venture with his brothers José María and Vicente Lugo and Cousin Diego Sepúlveda, began colonizing the San Bernardino Valley and adjacent Yucaipa Valley. The land covered more than 250,000 acres in the present-day Inland Empire. By 1842, the Mexican governorship of California was about to change. To protect their land, the Lugo family applied for and received the Rancho San Bernardino Mexican land grant of 35,509 acres. In August 1849 he was elected Justice of the Peace of Los Angeles and served until January 1850. Lugo’s fortunes changed for the worse in later years. In 1854, he signed a note at five per cent interest per month, compounded monthly, and mortgaged all of his property including his home in Los Angeles. He lost his house and his land in Los Angeles to cover the note. José del Carmen Lugo died in poverty in 1870.
Conservation Report
The work has been professionally cleaned to remove heavy layered yellowed varnish.
There has been inpainting to repair flaking around the area of the stretcher bars in the areas which would have been covered by the frame as the result of friction with the frame.
The largest area is in the upper left-hand corner, and is a tapering area about 6” long, tapering in a wedge shape from 1” to 1/8” wide.
James Walker Exhibitions And Catalogues
The American West
Painters from Catlin to Russell
An exhibition and catalogue
Los Angeles County Museum Of Art
Exhibits 1971, catalogue published 1972
Participating (exhibiting) Museums
Los Angeles County Museum Of Art
M. H. de Young Memorial Museum
The Saint Louis Art Museum
“Judges Of The Plains”
Oil on canvas 30 3/16” x 50 3/16”
Lent by Carl Schaefer Dentzel Northridge, California Plate #112, page 107
Whitney Museum of American Art
“The American Frontier” Images and Myths
1973
Title Page
“Judges Of The Plains” Published in 1961
Showing a group of 7 rancheros and foreman judging cattle.
James Walker
“The Judges of the Plains” Page 151
James Walker
Carl Schaefer Dentzel
Elizabeth Waldo-Dentzel
Multicultural Arts Studio
Provenance: From the artist to the Ignacio del Valle Family, Rancho Camulos, Fillmore, California, where full size color photographic prints of the original panting hangs today in the Camulos Adobe Museum.
Then to the Rubel Family, who purchased the Rancho Camulos, from the del Valle family in 1924.
Later purchased from the Rubel family, by Carl Schaefer Denzel through a Los Angeles art broker.
Purchased by the current owner from the Dentzel Family in 2012.
Carl Schaefer Dentzel (1913-1980) served as director of the Southwest Museum, Highland Park, California from 1956 until his death in 1980, and was integral in the founding of the Los Angeles Cultural Heritage Board in 1962. Privately, Dentzel assembled large and important collections of Western American art and photographs, and Asian and Native American artifacts.
Full condition report available online at morphyauctions.com
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
JAMES WALKER (1818-1889)
Born in Northamptonshire, England, Walker came to the United States as a young child around 1824. By the mid-1840s, he was living in Mexico City, where he began to execute genre works based on colonial Mexican heritage. At the onset of the Mexican War in 1846, Walker was trapped behind enemy lines for six weeks, the only American painter present in the city during its siege.
Following the Mexican War, Walker established a studio, first in New York and subsequently in Washington, D.C. Bolstered by his connections in the nation’s capital, the artist completed a series of Mexican War battle scenes and, in 1857, was commissioned by Captain Montgomery C. Meigs to paint The Battle of Chapultepec , a work measuring over seventeen feet in width, for the United States Capitol.
From 1862 through the Civil War, Walker made sketches of Civil War scenes and battles.
Walker’s commission to create a massive painting of The Battle of Gettysburg … Completed in 1870, Walker’s grand canvas captures the dramatic conclusion of the three-day battle (July 1-3, 1863) which marked a turning point in the war’s tide. The Battle of Gettysburg embarked on a cross-country tour.
On the heels of this considerable success, James Walker moved to San Francisco in the 1880s. There, scenes of cattle drives, cowboys, and the western landscape captured his imagination and occupied his brush. Walker died in Watsonville, California.
Walker’s works are represented in the collections of the Corcoran Gallery of Art, Denver Art Museum, Gilcrease Museum, United States Department of the Interior and West Point Museum.
1303 - JAMES WALKER (1818-1889)
Judges of the Plains Oil on canvas
30 3/16” x 50 3/16”
signed J. Walker lower left
Framed to 39 1/2” x 59 1/2”
(Estimate: $400,000 - $500,000)
1304 - EDDIE HULBERT (1898 - 1960) BRIDLE WITH OLSEN-NOLTE BIT
Rare, impressive and highly coveted, this 1930s - 1940s bridle is lavishly adorned with Hulbert’s silver, exemplified by his very distinctive engraving, especially apparent on the buckles. The bridle has numerous adornments, including scalloped conchos, ferrules and a floral cut-out face drop. The bridle is attached to an Olsen-Nolte silver overlaid Monel spade bit. Overall, a very impressive package from the renowned Montana maker. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1305 - G. S. GARCIA HEADSTALL, INLAID BIT & HORSEHAIR REINS
Fine Garcia high half-breed bit, well maker marked “G. S. Garcia / Elko / Nevada” on the mouthpiece. Excellent condition. This identical split ear headstall is pictured in the 1911 Garcia catalog No. 13 as Pattern No. 5, mounted with card suit conchos of hearts, diamonds, spades and clubs, plus classic Garcia buckles. The package includes a set of two-tone natural brown and black diamond pattern closed horsehair reins with tassels. Very fine condition, circa 1915 - 1925.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $4,000)
1306 - 19TH CENTURY SPANISH BRIDLE
Exceptionally detailed with intricate silverwork on headstall, affixed to solid silver delicate mesh reins. The reins attach to an early 1900s fully engraved spade bit. Leather restored, otherwise all original fine condition. Includes solid oak display stand.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $3,000 - $5,000)
1307 - G.S. GARCIA EAGLE BIT ON EARLY CALIFORNIA HEADSTALL
Overlaid spade bit maker marked “G.S. Garcia” inside one iron cheek with the customary “Elko Nev” absent from the other side, probably as a result of moisture corrosion. This flashy catalog Garcia pattern No 75-eagle bit features the highly desirable, charming and restored “two silver fish, one bucket and two ducks” slobber bar. The bit is attached to a flattering early California style silver mounted headstall with a variety of engraved conchos, buckles, spots, plus a prominent brow plate and braided split leather reins.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $6,000)
1308 - UNMARKED SILVER INLAID CALIFORNIA SPURS
A popular early pattern appearing in multiple early saddlery catalogs including F.M. Stern (San Jose), G.S. Garcia (Elko, Nev) and Visalia Stock Saddle Co (San Francisco), inlaid with 2” 10-point rowels and double heel band buttons on the front, narrower iron band verso, heel chains, nickel studded un-tooled damaged leathers, fine condition, circa 1920s.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,400)
1309 - FANCY NICKEL STUDDED BATWING CHAPS
Very decorative studded star, heart, arrow and horseshoe designs on batwing chaps with Heiser stamp on belt. Fine condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $2,000)
1311 - EDWARD H. BOHLIN “SUNBURST” PARADE CHAPS
Pictured in Bohlin’s 1930 catalog as “Chaps No. 17” and (humbly) described in the Bohlin catalog as being “internationally famous for their appearance”, these brown, floral trimmed chaps with a rising sun motif on the corners, pockets and billet, are mounted with four silver slotted Bohlin conchos on each wing. There is slight leather flaking, but are otherwise in good, stable condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $4,000 - $5,000)
1310 - MILES CITY CARD SUIT CHAPS
The famous cartouche of “Miles City Saddlery Co. / Makers / Miles City, Mont.” on an excellent pair of studded card suite batwings, with scalloped edges decorated with brass studs and a basket-stamped belt with nickel conchos. Outside pockets with leather buttons are surrounded by studs. The chaps measure 37” top to bottom and have great rich brown color.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1312 - BUCKHOUSE DECORATED BATWING CHAPS
A big and showy pair of batwings adorned with leather stitched overlays, all with nickel studs, a laced edge and outside pockets. The nickel conchos are leather backed down the legs and along the belt. Measures 38” top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
1313 - R. T. FRAZIER STUDDED CHAPS
The amazing “No. 4200” studded exhibition chaps. This is the model of chaps that folks fawn over while visiting the Museum of Northwest Colorado, which holds one of the only known pair. The only difference is the lettering down the leg. These have almost 2000 silver studs and 38 conchos decorating the legs. The engraved buckle was done in Canon City, Colorado State Penitentiary. These were the most expensive chaps that R. T. Frazier sold circa 1910 and were marketed as “a fine showy chap for show business”, most likely a Wild West favorite. The place on the legs where lettering was custom offered is filled with tooled leather circles. The belt has been changed, not affecting the look of the chaps and the pocket snaps are “R.T. Frazier / Pueblo.” Measuring 38” long from top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $10,000 - $15,000)
1314 - SENTINEL BUTTE CHECKERBOARD WOOLIE CHAPS
A pair of rare black and white angora chaps with a floral tooled / basket stamped and bound edged belt, long, lush full hair, amazing condition and scarce design. Decorative leather fringe down each leg. Two conchos on each side of the belt. Sentinel Butte Saddlery in North Dakota in the early 20 century was the largest stock saddle maker in the United States until 1918, when it moved to Billings, Montana. They closed in 1920.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $6,000)
1315 - F. M. STERN CHILD’S BATWING CHAPS
Well-marked pair of studded chaps by “F. M. Stern / Maker / San Jose, Calif.”, measuring 30” and in nice soft condition with great color.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,200 - $1,800)
1316 - HAMLEY & CO. STUDDED BATWING CHAPS
A special-order pair of Hamley chaps with overlaid and studded edges and “ID” studded in the corner, perhaps for Idaho or as initials. Marked on the belt with the Hamley logo and “520 / 282”. There are 3 nickel conchos on the belt. Very nice condition with some surface finish flaking. 38” from top to bottom.
1317 - OTTO ERNST WYOMING BATWING CHAPS
Well-marked with the “Otto F. Ernst / Maker / Sheridan, Wyo.” cartouche, these have scalloped edges with studs on the belts, laced edges and pinwheel type design overlaid with leather and studs, nice two-tone chaps in very good condition. 36 1/2” top to bottom.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,500)
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $2,500)
1318 - 1927 D. E. WALKER FLORAL TOOLED PRESENTATION SADDLE
An important piece of California history. A fine silver mounted trophy saddle maker marked “D.E. WALKER / MAKER / VISALIA, CAL.” and “K.D. MATHIOT - 1927” engraved on the silver cantle presentation plaque. A very fancy silver cantle binding, bucking horse engraved silver swells and cut out in flight American eagle corner plates. The extensive tooling includes a cowboy on a bucking horse on the fenders, and a Greek theatrical mask on the cantle. A “KD” brand decorates the set in several places including a high relief on the horn cap. The saddle has a 15” seat and 6” and comes with a matching martingale and bridle. The highly decorated silver mounted bridle includes an unmarked silver inlaid crescent cheek bit in the style of G. S. Garcia, held by California style snake attachments. Also included is a very well-done rawhide reata.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $10,000 - $15,000)
K. D. Mathiot, a long-established Monterey, California breeder of Palomino horses, owned and operated the 240-acre Rancho Carmelo Dude Ranch located a mile east of the Carmel Valley Village. Rancho Carmelo Dude Ranch promotional literature proclaimed it as the first dude ranch in California. It was established in 1928 and was in operation until the mid 1960s. K.D. built a small store and tavern in the 1930s which guests of the dude ranch and local cowboys gathered for drinks and camaraderie in an old west atmosphere and became known as the “Bucket”. The Bucket was known by locals as the “Cowboy” or “Bucket of Blood” tavern, the latter name stemming from the many fights that were to have occurred there.
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
1319 - IMPRESSIVE EDWARD H. BOHLIN “DIAMOND SUPREME” PARADE SADDLE, GUN BELT AND GAUNTLETS
Debuting in Bohlin’s 1951 shop catalog with an astronomical price well over $5000, this iconic and regal parade saddle is 100% original and was made for Dominic Bressi (1903-1977), a prosperous road contractor from San Luis Obispo, whose name appears on the seat plate and gold initials “DB” on the back of the cantle. The black, floral carved saddle is made on a Miles City tree, with 14” swells and a 4” silvered cantle. It is heavily adorned with heavy gauge Bohlinmade diamond and half-diamond conchos and includes a raised buffalo head on the solid silver horn, plus three-dimensional rodeo scenes on both the saddle and oversized breast collar highlighting bull dogging, calf roping, and bronc and bull riding. The saddle set is further enhanced with a grand and lavish matching sterling silver serape with 12 tapered leather and silver danglers on each side, plus a matching bridle with half breed bit attached to split reins and romal, mounted with finely engraved square ferrules and adjustable diamond slide. Also included is a black and white wool corona and wooden display stand. Ensemble parade accessories include a well maker-marked matching single holster gun rig with a 1 1/2” 3-piece Bohlinmade buckle set securing the belt and a 1/2” 3-piece set on the single holster. The belt and holster are adorned with diamond conchos, trademark Bohlin silver spots and 39 silver bullets. The last - and certainly not least - is a fine pair of matching diamond-mounted gauntlets for the stylish rider to weather those cold New Year’s Day mornings while parading in the Pasadena Rose Parade. Excellent overall condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
Saddle Maker to the Stars, The Leather and Silver Art of Edward H. Bohlin , by James. H. Nottage, pgs 138-39
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $80,000 - $120,000)
1320 - THE LEGENDARY EDWARD H. BOHLIN JUSTIN DART “DISNEY” SADDLE
Custom ordered for self-made industrialist, political kingmaker and Presidential Medal of Freedom honoree, Justin W. Dart (1907-1984), this near-mythical Edward H. Bohlin silver and gold mounted parade saddle is adorned with multiple silver and gold figural conchos, but what sets it apart from all other Bohlin saddles is the Disney homage on the swell caps, depicting a gold “Cowboy” Mickey Mouse twirling a rope with the name “Walt Disney” in gold cursive letters just below the iconic mouse. While both historians and Bohlin collectors have speculated and argued for years if or how Dart was able to get Ed Bohlin to replicate the highly protected Disney trademarked mouse image, it is well known that both Justin Dart and Walt Disney traveled in similar California social and political circles and Dart’s wife, Jane Bryan, was a well-liked actress in Hollywood. However, the most obvious and deepest overlapping connection would probably be Ronald Reagan, who both men were closely associated with for many decades. Setting Mickey and Walt aside for now, the rest of this special order “San Gabriel” style parade saddle is rather impressive, with its gold-laden corner plates and square rope-edge silver conchos featuring gold bucking horses, longhorns, eagles, Indians, animals, buffalo, ranch brands, guns, dogs, religious imagery, a pipe (random) and several images that were obviously personal to Mr. Dart alone. The saddle is made on a Miles City tree, with a 15” seat, 15” swells, 5” cantle with twisted rope edge, 15” by 30” skirts, 9” fenders, and regal 24” long tapaderos. The horn replicates the rope edge of the cantle and gullet and is topped with Bohlin’s familiar gold buffalo head concho. The fully matching breast collar, bridle and overlaid curb bit were also personalized by the owner with a combination of gold figures that do appear in the Bohlin catalog and many others that were custom made by Ed for this very discriminating client. The unique saddle set includes a black and white corona, cinch and wooden display stand.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $125,000 - $175,000)
Justin Dart Sr. (1907 - 1984) was a self-made California millionaire who was one of a small group of men of similar backgrounds who played a key role in launching President Reagan into politics. A major political contributor and fundraiser, the jut-jawed Mr. Dart was a colorful and plain-spoken businessman to whom political observers accorded a prominent place in what they termed President Reagan’s “kitchen cabinet,” an unofficial group of friends, advisers and confidants. After starting in business as an employee of his father-in-law’s drugstore, Mr. Dart went on to become head of Dart Industries, a diversified commercial empire, which in 1980 earned profits of $172 million. After marrying Ruth Walgreen, a daughter of the owner of the Walgreen Drug Co., he was sent to Phoenix to learn the pharmacy business. Advancing swiftly in the company, he was made head of store operations by 1932. Although he and his wife were divorced seven years later, the chain’s founder, Charles Walgreen, left a substantial share of the business to his former son-in-law. Within a few years, Mr. Dart left Walgreen to join an old college fraternity brother in forming the United Drug Co., which operated four chains of stores. He moved to California in 1945 and renamed his company Rexall Drug Co. the next year. In 1969 it became Dart Industries, whose profits came from such products as Tupperware, Duracell batteries and West Bend pots and pans. In 1980, the concern merged with Kraft Inc., and Mr. Dart became chairman of the combined company. A gregarious man who was popular with other wealthy figures, Mr. Dart became important in California politics both as a contributor and fundraiser, and was widely regarded in his state as a political kingmaker. In many ways he appeared characteristic of those who were attracted to Reagan early on. Within the “kitchen cabinet”, Mr. Dart was perhaps distinguished for his opinionated outspokenness. In 1982 he sent a letter of apology to President Gerald Ford after a newspaper quoted Mr. Dart as saying in vivid language that the former president lacked intelligence. Mr. Dart was a director emeritus of United Air Lines and UAL Inc. Active in civic affairs, he was chairman of the board of trustees of the University of Southern California from 1967 to 1971, and was a trustee of the Los Angeles County Museum of Art and the Good Samaritan Hospital in Los Angeles. He also was a member of the board of the Eisenhower Medical Center in Palm Desert, Calif. After his divorce in 1939, Mr. Dart married actress Jane Bryan in 1940, with whom he remained married for 44 years.
1321 - HORSEHAIR AND BRAIDED LEATHER BRIDLE
Attributed to Walla Walla State Penitentiary, Washington, early 1900s polychrome horse head and braided kangaroo bridle with geometric designs, glass rosettes, and split reins. Hide stable, colors clear and sharp, with only negligible fading. Affixed to chased iron spade bit.
(Estimate: $2,000 - $3,000)
1322
Fabulous colorful Deer Lodge bridle with classic diamond designs in multiple bright unusual colors - such as pink and blue - against a black background. The domed conchos are hitched covered as is tradition, the reins transition from natural to black with a wide knot. The attached fancy California style bit is marked with “No. 6” in the old Larios style and has central heart, palms and floral conchos in silver for cheeks.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $7,000 - $9,000)
1323 - FABULOUS DEERLODGE MONTANA HORSEHAIR BRIDLE
Near mint 1920’s penitentiary-made hair bridle in multicolor designs, including pink, green, multiple shades of blue, purple, orange and yellow. Split reins with American flags, 10 natural hair tassels, curb strap, original hardware store iron bit, glass rosettes with hitching around the perimeters. Bright and bold colors. No noticeable fading.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $6,000 - $9,000)
1324 - WYOMING STATE PENITENTIARY HORSEHAIR BRIDLE
A fine and colorful hitched horsehair bridle from the Rawlins, Wyoming Prison. Double round cheeks with flat brow and nose bands, braided calfskin straps and transitional knots. A break in the leather top loop and a missing face knot, but otherwise a fine example. Wonderful colors in a diamond and cross X design. Attached is an early period chased “Kissing Birds” iron bit by August Buermann with matching split reins decorated with 16 calfskin knots.
(Estimate: $3,000 - $5,000)
1325 - O. CROCKETT ARROW PATTERN SPURS
Silver engraved mountings of the “Idaho” pattern No. 233 spur without the arrow shank. An impressive spur with 1” bands and a 2 1/2” shank holding 2 1/4” rowels. Heart strap buttons and clear maker marks inside each spur. The studded straps are marked “Kirwan & Nielson / Lusk, Wyo.” with a later stamp.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1326 - COW BOY KING - “1906” SPURS
A very unusual pair of spurs in a Texas style, bands with turned up buttons reminiscent of Kelly Bros. and tapered and gouged shanks in the style of J. B. Mull. Overlaid on one side with 2 panels, one with “1906”, the other with “COW BOY KING” on the 3/4” band, 2 engraved panels on the 2 1/4” shanks along with a Union shield. The button covers are 4-leaf clovers and the rowels are Mexican coins cut with sawtooth edges. The off side is overlaid with a version of the Kelly Bros. heart and diamond. Unknown, unique and well made.
1327 - BILL ADAMSON STEERHEAD SPURS
A crooked shank Texas spur with 1 1/4” bands with overlaid steerheads on an engraved plate. Marked “MAR 1986 / 3/12” and “Adamson” with brand. The shanks are 2” with overlay and the rowels are 2”. The buttons are covered in silver clovers. These appear to be Bill’s take on a Kelly Bros. Del Rio.
(Estimate: $1,200 - $1,600)
(Estimate: $1,000 - $1,500)
1328 - CARL ERICKSON, CANON CITY, COLORADO PRISON SPURS
Stamped with Erickson inmate No “9781” on the very top of the silver inlaid vine and leaf pattern birds head shanks, these rare maker-marked Colorado Penitentiary spurs have striped heel bands, 16-point 1 3/4” spoke rowels and upturned stationary floral buttons attached to worn two-piece basket stamped leathers. Overall, very good-fine condition, circa 1920s.
Provenance: Ex Ron & Linda Gillett Collection
Carl Erickson arrived in Canon City Penitentiary in 1915 already an experienced blacksmith. Like his contemporaries John Cox and Bob Baldwin, he had been convicted of murder and received a life sentence for slaying of his wife, Augusta. Erickson was born in Illinois in the 1860s, moving to Denver in 1887. He had a history of alcohol abuse, drunken disorderliness and domestic violence, which led to the killing. Carl remained in prison until the 1930s when his voluntary participation in a dangerous TB study earned him a full pardon at age 66.
(Estimate: $2,500 - $3,500)
1329 - SHIELD & STAR PATTERN CALIFORNIA SPURS
Unmarked California spurs with silver inlaid 1” heel band, featuring a centered stylized Union or Federal shield bracketed by silver circles with interior 6-pointed stars. Garcia style 1/4” curved shanks support large 2 1/4” 24-point filed rowels. Includes basket stamped two-piece leathers adorned with scalloped silver slotted conchos affixed to stationary buttons. Very good to fine condition, circa 1910-1920.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,500)
A chunky 1940s-1950s pair of single-mounted spurs with floral etched 40-point rowels and 2-piece deeply carved leather adorned with mother-of-pearl shield-shaped penitentiary style conchos. Excellent condition with 1” band, 2 3/4” shanks and 2” rowels.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
1331 - QUALEY BROS. MAKER MARKED IDAHO SPURS
Double-mounted overlay spurs, maker mark inside both heel bands “Qualey Bros.”, with Union shield designs, 1 1/2” 24-point spoke trademark Qualey rowels, double buttons and straps with domed 2” conchos. Straps and conchos probably original, circa 1920s - 1930s.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $7,000 - $9,000)
1332 - WELL MARKED QUALEY BROS PORT BIT ON EARLY HEADSTALL
Silver overlaid 1920s Joseph, Ida bit on split-ear headstall mounted with domed US dimes. Mouth appears changed and base of cheeks reinforced from inside, but still a nice piece from the highly coveted Idaho brothers.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,200 - $1,800)
1333 - PHOTOGRAPHS OF TOM AND NELS QUALEY
a) Tom Qualey (1904-1977) on “Mox Mox”. Spring of 1934 on the Joseph Plains in Hell’s Canyon near Grangeville, Idaho
13” x 11”
Framed to 21 1/4” x 18
b) Nels Qualey (1903-1972) on “Green Broke Horse”. Spring of 1934 on the Joseph Plains in Hell’s Canyon near Grangeville, Idaho
13” x 11”
Framed to 21 1/4” x 18
Not examined out of frame
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
TOM QUALEY (1904-1977) was born near Joseph, Idaho in 1903 and began making bits and spurs in the mid-1920s, primarily for his own use. By 1933, Tom had established himself as an accomplished maker who supplied bits and spurs to stockman, cattleman and cowboys in eastern Oregon, central Idaho and western Montana. From the early 1930s until 1937 he worked with two brothers, Knut and Nels, before dissolving the partnership in 1937. Tom was a master engraver who, according to saddle maker Ray Holes, was unequaled in his ability to do precise engraving, using only a forge, hammer, hacksaw and file.
Knut Qualey came from Norway as a blacksmith in 1900 to live in Idaho. The family homesteaded a ranch on Joseph Plains, Idaho and raised his nine children after his wife died in 1915. His sons Jens, Tom, Nels and Olaf would reshape old farm tools or wagon wheel rims into bits and spurs, with Tom being the most talented. Beginning in 1920, Tom and Nels (1903-1972) made bits and spurs in their spare time at the ranch, marking them “Qualey Bros”. In 1942, the ranch was sold and Nels stopped silver smithing, while Tom moved to Cottonwood, Idaho and built houses while also making bits and spurs.
1334 - QUALEY BROS. DOUBLE MOUNTED SPURS
A pair of stellar Qualey Bros. Grangeville, Idaho inside marked spurs with silver overlaid shield and dome mountings. The 1” band with central shield on one side. A 2 1/2” shank with the trademark split end holds an impressive 3” 48-point rowel. Straps with 3-piece buckle sets.
Pictured: David R. Stoecklein, The Spur: History, Art, Culture, Function , 2003, Page 106
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $10,000 - $15,000)
1335 - QUALEY BROS. BIT ON A RANCH-MADE RAWHIDE BRIDLE
A well-marked curb bit “Qualey Bros. / Joseph, IDA”. Inlaid stripes with scroll engraving, and a single dome with a re-soldered mouth. Attached to a cut-edge, single ear bridle and braided reins.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,500 - $2,500)
1337 - CALIFORNIA SHIELD PATTERN SPURS
Inlaid spurs with 1 3/4”, 20-point iron rowels, basket stamped 2-piece leathers with slotted engraved 1 3/4” conchos. Fine condition, circa 1930s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,200)
1339 - CRESCENT MOON INLAID SPURS
Unmarked, finely engraved 1960s California-style spurs with 1 3/4”, 20-point spoke rowels and great floral carved leathers adorned with 2” engraved domed conchos. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $600 - $800)
1336 - CALIFORNIA INLAID SNAKE SPURS
Unmarked silver inlaid California snake spurs with 2”, 12-point rowels attached to floral carved 2-piece leathers with Bill Heisman (Tuscon, Ariz) signed silver sombrero conchos. Right spur is in fine condition, left spur shows surface rust, probably resulting from exposure to west coast sea moisture.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,000 - $3,000)
1338 - TARGET PATTERN CALIFORNIA SPURS
Inlaid spurs attributed to Jose Figueroa (1880 - 1951) with 2 1/4” partial drop-shank securing 2” 10-point beveled spoke rowels. Fine condition, circa 1940s.
(Estimate: $1,500 - $2,500)
1340 - TRANSITIONAL (MEXICAN-CALIFORNIA) STYLE SPURS
Double-mounted spurs with three buttons on each heel band, 2” spoke rowels with double-size engraved round discs. Spurs affixed to early one-piece dove wing basket stamped leathers. Good condition, circa 1900s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $800 - $1,200)
Fully mounted with Juan Francisco’s trademark engraving and a target-pattern heel band front and double crescent moon off-side. Stylized shanks secure 2”, 12-point silver inlaid spoke rowels with engraved fixed buttons. Spurs are attached to original floral carved 2-piece leathers with Garcia-style and period domed conchos. This is arguably the best pair of Echavarria spurs that have come to market in many years. Excellent condition, circa 1900s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $20,000 - $30,000)
1342 - (A) DOCUMENTED COLT SINGLE ACTION ARMY FROM THE LEGENDARY 10 GUN SHIPMENT TO THE DALTON GANG
In the words of R.L. Wilson, this is “One of the most thoroughly documented of any antique American firearms, the history of the Bob or Emmett Dalton Single Action Army No 147306”, with an accompanying plethora of documents, affidavits, articles, factory letter, etc. Colt records show this gun by serial number having been shipped on August 18th, 1892 to Simmons Hardware for one A. E. Williams. The order was for a total of (10) nearly identical revolvers listed as factory engraved, 5 1/2, blue and case color, grips not listed. Serial listed numbers are 147290, 142298 (at Davis Museum), 147303, 147304, 147305 (Autry Museum, purported to be Emmett Dalton’s), 147306 (this gun, accompanied by an article on this revolver by R. L. Wilson and attributed to either Emmett or Bob; this gun is pictured on the cover of the June 1995 Gun Report by Bill Gerber, which is included and where he confirms this association), 147307, (which was purchased by H.W. Read after the raid of October 5th, 1892 and was put on display by him), 147308, 147311 and 147338 (which was part of the Pemberton Collection). All known examples except one are reported to have pearl grips. There are accompanying articles explaining that the gang had ordered these ten guns, two for each member of the gang who went to Coffeyville that fateful day on October 5th, 1892. They included Bob, Grat and Emmett Dalton, Dick Broadwell and Bill Powers. Bob, Grat, Dick Broadwell and Bill Powers were all killed that day. Emmett was captured having been shot approximately 23 times. Stories about these fancy shooting irons are based on eyewitness accounts, probate certificates and period stories, such as the March 17, 1942, letter from Martin to Davis, stating that Emmett’s old colt had been “used in all robberies by the Dalton gang until the day before the Coffeyville Robbery, when the give [five] outlaws used ten brand new .45 Colts.” Emmett Dalton’s estate, which had gone first to his writing partner Chuck Martin, then to Oceanside, Calif., chief of police Captain Harold Davis, and then to Davis’ daughter. Included in Dalton’s personal effects and photos was his U.S. deputy marshal’s badge. Davis had framed the badge and a 1935 photo of Emmett Dalton presenting Martin with the badge and his engraved .44-40-caliber Colt single-action revolver, Serial No. 83073. This was the gun he used until he acquired his fancy pair of Colts. “A controversial legend persists about the Daltons having ‘duded’ themselves up with new clothes, horses, saddles and fancy pistols so that they would look respectable when they robbed two banks at the same time.” According to Wilson, this gun, as well as the other known specimens, were engraved by famed Colt engraver Cuno Helfricht. It is finished in blue and case colors and fitted with two-piece pearl grips. It exhibits nearly full coverage engraving in typical Helfricht style. The frame displays bank note type scroll, as does the barrel, all done with punch dot background. Balance of engraving is in decorative border, sunburst type lines, alternating cylinder patterns, and dots. Screws are nitre blued. CONDITION: Outstanding. Matching numbers. Some muted case colors are showing with more in protected areas. Cylinder retains about 80% bright blue with high edge wear, some toning, minor surface wear, about what one would expect from a holstered gun. Barrel retains some bright blue with balance having flaked to patina with high edge holster wear. Ejector housing shows large percentage of blue, especially in protected area. Rear grip strap is patina while front strap retains mix of patina with bright blue. Nice flashes of case color remain on hammer. All edges and engraving are crisp. Pearl grips are nicely fitted, toned, with no cracks. Screws retains substantial fire blue. Action has all four clicks. The bore is bright. This gun, is of course, a black powder frame with locking screw in front. There is so much documentation that one could write an entire book simply on this gun and would be redundant to press all this information in this description. Nor is it prudent to tell the entire story of the Dalton gang or the Coffeyville raid as several books have been already written on this subject, one that has become one of the most noted events of outlawry of the Wild West. Simply put, this firearm is one of the most important weapons of that era to come to market and is truly a museum-worthy artifact.
(Estimate: $200,000 - $300,000)
MFG 1865. SERIAL NUMBER 10002. BARREL 24”. CALIBER 44RF. This commercial Henry has the following features. Late style comb, walnut stock has matching serial number stamped inside the wrist channel, as well as the late style small diameter cleaning rod hole. The left side of stock also features the factory sling swivel. The late style pointed heel brass butt plate has matching serial number inside along with late type internal reinforced bosses, as well as late type round head screws. The late style pronounced bevel frame has the larger type trigger pin. The lower tang is stamped with Oliver Winchester “W” stamp. Inside left lower tang has matching correct serial number, along with the same number that has one too many “0” X-ed out. Fonts are matching. Barrel has larger type two New Haven barrel legend along with matching serial number. The single leaf full buckhorn sight is not a listed Henry sight but Henry number 912 wears a similar semi-buckhorn type and sight is definitely of the period. Left side of barrel has standard sling swivel. The frame has proper late type large follower with milled flats. None of the screws are numbered, which is correct for an 1865 produced rifle. Standard hammer and front sight with full octagon barrel. CONDITION: NRA Fine. The barrel and tube are a grey brown spotted patina, cleaned at one time with some wiped-on finish, edges are soft. Barrel legends are crisp. Brass has mellowed but was probably cleaned as well some time back. Stock is excellent, refinished some time ago and does have scattered impressions and scars. Some screws show some marring. Top butt plate screw does not sit flush. Action works correctly. Bore is well defined but does have some abrasions. Lever & hammer are brown patina.
(Estimate: $15,000 - $20,000)
1344 - (A) WINCHESTER MODEL 1866 2ND MODEL SADDLE RING CARBINE
SERIAL 19106. MFG. 1868. Standard carbine features distinctive brass frame with brass rifle butt plate with trapdoor. 20” round barrel and full tube magazine. Front barrel band has integral sight. Folding ladder rear sight. Saddle ring & stud. Case color hammer & lever. Carbine has matching serial number in channel of stock. Butt plate has 9800 stamped inside. Matching walnut forearm. CONDITION: Very Good. The barrel and tube are a freckled patina with wiped on blue finish and no visible barrel address. Stocks are excellent with few abrasions having been refinished at one time. Brass is toning but was cleaned. Action works correctly. Bore has soft visible rifling but dirty with abrasions. This old 66 has a great look.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $3,500 - $4,500)
1345 - (A) FACTORY HOGGSON ENGRAVED NEW HAVEN ARMS MODEL 1860 HENRY LEVER ACTION RIFLE PUBLISHED IN THE WINCHESTER BOOK
SERIAL 7627. MFG 1864. BARREL 24”. CALIBER .44 RF. Matching serial number is found on top of barrel, inside left lower tang, on the stock channel, on back of stock under butt plate and on the butt plate. Brass frame and butt plate. All page numbers listed are from The Henry Rifle by Les Quick. Standard features include the left side barrel sling mount, large profile front sight (pg. 120), pointed heel brass butt plate with trap, large cartridge follower (pg. 81), Type E ladder rear sight (pg. 122). Scarce deluxe grain walnut stock with late type attached swivel on left side. Standard finish is blue barrel / tube. case color hammer and lever. There is an H inspector factory stamp on lower tang. The frame has typical Samuel Hoggson Germanic bank note scroll engraving with leaves, fruit and a dog on left side. On page 31 serial number 6065 and page 149 serial number 9389, you will find this same type of dog engraving. On page 156 & 157 serial numbers 6065 & 7158, you will find the same pattern of engraving on this rifle as well. This rifle is also pictured in the first edition George Madis Winchester book on page 43; the photograph is not very good, but is listed by serial as having rare deluxe walnut stock. CONDITION: Excellent. The barrel is a chocolate hue patina with sharp barrel legends and some usual age freckles and minor dings. The brass is nicely toned, and the engraving is crisp. The stock is excellent, stunning grain, most of the finish with usual minor impressions. You will find engraving not only on the frame, but the upper tang of butt plate as well. The lever and hammer colors have darkened. The action works perfectly, but hammer spring is weak. The bore is strong but has abrasions. A lovely Hoggson engraved Henry rifle.
Provenance: Ex Robert Maloy collection Ex Ron & Linda Gillett Collection
(Estimate: $45,000 - $65,000)
1346 - CHEYENNE BEADED SADDLE BLANKET ON CANVAS
Excellent condition with geometric beaded pattern with small hawk bells and purple ribbon. Shows good horse sweat marks. Has an original tag with Cheyenne identification.
(Estimate: $2,000 - $3,000)
1347 - LOT OF 4 NAVAJO TEXTILES
a) A red bordered small textile with a central bug-like design, 31 1/4” x 20 3/4”;
b) A single saddle blanket with red, brown, and white stripes, 28” x 24 1/2”;
c) Bright yellow with double diamond and cross center, 38 1/2” x 27 3/4”;
d) A double saddle blanket in striped pattern, staining and edge damage, 60 1/2” x 27 1/4”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,400)
1348 - 3 PAIR OF FRINGED BEADED GAUNTLETS
A lot of three (3) pair of gauntlets with beaded cuffs, measuring 15”, 14” and 11” in length. Two pairs have a floral motif, with the smaller pair featuring an American eagle. All in good condition with no bead loss. Circa 1930s - 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1349 - AN APSÁALOOKE (CROW) PICTORIAL BEADED SCOUT JACKET
Partially beaded on red stroud cloth, the face worked with tipis, horses, and warriors on horseback; the back with a battle scene and additional tipis and horses along the lower edge, with forked fringe at the cuffs and lower edge, length 28 1/2” and the underarm width is 19”.
Provenance: Morning Star Gallery, Santa Fe, NM
Pictured: The Clarion, America’s Folk Art Magazine , 1990, Vol. 15, No. 1, inside front cover
Ex: Joel and Kate Kopp Collection, New York
(Estimate: $8,000 - $12,000)
1350 - NORTHERN PLAINS BEADED KNIFE SHEATH
A circa 1870s-1880s Northern Plains, possibly Bannock, knife case. Sinew sewn, parfleche hide construction with panel beading showing some slight loss. Red and blue trade cloth trim with a single edge of white beads. Brass tack decorations along the beaded panel inside edge with traces of dark red/maroon pigment paint. Two beaded drops at the top opening are finished in green, greasy yellow and white. Sheath measures an impressive 13” long and 4 1/4” wide.
(Estimate: $2,500 - $4,000)
1351 - CROW BEADED AND PAINTED KNIFE CASE
Crow painted and beaded knife sheath, circa 1880s - 1890s. Constructed of Indian tanned buffalo, sinew sewn, with front entirely painted with cinnabar red pigment. Beaded throat panel and edge with classic Crow geometric designs and colors. 12 3/4” long and 4 1/2” wide.
(Estimate: $2,000 - $3,000)
1352 - NORTHERN PLAINS FULLY BEADED VEST
A very showy pictorial vest with bold stand out geometric designs, guidons and eagles or hawks at the shoulders. The back is beaded in the same colors of green, blues, reds, and yellow along with another bird of prey. 4 lines surround the bottom with fringe to finish the edge. Measures 21” across the chest and 22” from top to bottom.
(Estimate: $2,000 - $3,000)
1353 - HIDATSA / MANDAN WAR SHIRT
Constructed in the serape style, decorated over the shoulders and down the arms with geometric motifs, worked in natural and dyed porcupine quills. Embellished with rectangular bibs of banded strips of beadwork. The shirt is trimmed overall with ermine pendants attached with red wool trade cloth. The abundant population of porcupines in the upper Midwest and Great Lakes region gave rise to a variety of beadwork techniques. Quills were dyed with mineral, or vegetable dyes then worked into personal designs by women.
Provenance: Butterfield and Butterfield Auction, San Francisco, circa 1980s
(Estimate: $25,000 - $35,000)
Hidatsa/Mandan War Shirt
The Hidatsa, along with the Mandan and Arikara people, inhabit the Fort Berthold Reservation of Western North Dakota. Their material culture and arts hold much in common, and in fact are difficult to distinguish for specific tribal attribution. For countless generations, quillwork (using both bird and porcupine quills) has been a primary technique of these allied tribes for elaborating many object types – primarily clothing, including shirts of the type offered here. Natural white porcupine quills along with the dyed quills such as the red, purple, orange, pink and blue are examples of the strips over the shoulders and down the sleeves of this shirt, are typically seen hues. On both neck bibs yellow, pale blue, white and red seed beads form decorative lanes. Structurally, this shirt follows traditional form that is essentially poncho-like, in that a basic opening in the center permits the garment to be pulled down over the head to rest on the shoulder. In other words, as with this shirt, a vertical opening such as down the front of the western style jackets and shirts is not present. In addition, the sides of the shirts, as well as the bottoms of the sleeves are typically not sewn closed. Native-tanned, smoke hide composes the body of this shirt – deer and elk being the preferred and typically used types. The quillwork of the shoulder and sleeve bands as well is done on such hide.
The use of pendants made from ermine pelts is significant. Generally, a strip of skin down the center of the back of the tanned ermine pelt is cut – including the black-tipped tail. The strip is usually sewn closed lengthwise, thus resulting in sleeve-like form. As on this shirt, a piece of red wool trade cloth is often included to highlight the tip of each pendant. In their brown summer color phase, this subspecies of Mustelidae is referred to as “weasels”. In winter, when their coats turn snow-like white they’re called “ermines”. Along with mink, otters, badgers, wolverines and others of the species, weasels/ermines are known to be largely meat eaters that prey mainly on other creatures. Native Americans in general interpret the aggressive personalities of these animals as warlike in character that can be conveyed to them as warriors of their respective tribes. Thus, the ermine pelt pendants on shirts (as well as on men’s leggings, and at the ends of warbonnet browbands), can be used wholly only by warriors who have previously led offensive or defensive war, or horse stealing expeditions. Hence highly decorated shirts – and especially those bearing ermine pendants, were reserved as formal wear on special occasions.
Benson Lanford
September 2022
1354 - LAKOTA SIOUX BEADED BRIDLE
Lakota Sioux multi-colored beaded bridle on brain tanned buffalo hide. Stepped checkerboard design beaded flat bands throughout with X pattern face drop, cotton tassels and flat beaded reins.
(Estimate: $2,000 - $3,000)
1355 - NORTHERN PLAINS QUILLED BRIDLE
Quilled and beaded over-bridle dye porcupine quills. Czech glass seed beads, brain-tanned leather things, tin cones, dyed bird fluff. The brow band and tin cone fringe are published in Hawk Hill Publication Horses and Bridles , page 122, figure 6.45.
(Estimate: $2,500 - $3,500)
1356 -
A pair of fully quilled arm bands with long drops, quilled with multiple feather and cone dangles. Done in red with purple accents on Native tanned hide. These are quite difficult to find, especially in this fine condition. From top to the boot of the drops they measure 15”.
(Estimate: $1,000 - $2,000)
1357 - CHEYENNE TOBACCO BAG
A Tsitsistas/Suhtai (Cheyenne) tobacco or pipe bag of hide construction with forked drops below the rolled opening and banded beadwork down the side. Beaded with a banded motif in the Cheyenne style on the lower third of the bag. The use of small seed beads indicates an early bag. 37 1/2” long including the fringe.
(Estimate: $18,000 - $24,000)
1358 - (C)COLT FRONTIER SIX SHOOTER SINGLE ACTION REVOLVER WITH SCRIMSHAW GRIPS AND BEADED HOLSTER
SERIAL 281863. MFG. 1906. CALIBER 44 WCF. BARREL 4 3/4”. Matching serial number on frame, trigger guard and back strap. Assembly number 2642 in gate. Top of barrel has correct two-line address. Left side barrel stamped “COLT FRONTIER SIX SHOOTER”. VP proof in trigger bow. Blue and case color finish. Scrimshaw ivory grips features a nude on right panel with ribbon on left panel reading “ A lovely woman is a sight to behold”. Comes with contemporary Indian-style beaded and fringe decorated holster. CONDITION: Very good. Metal is an overall blue brown, some light blue wipe on finish added over some salt and pepper surfaces. Legends are crisp. Action has the four clicks with solid half cock. Grips fit a bit shy to metal. Bore is well defined but frosted.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1359 - (A) COLT SINGLE ACTION ARMY REVOLVER WITH WELLMAN MONTANA HOLSTER
SERIAL 161940. MFG. 1895. BARREL 4 3/4”. CALIBER .38WCF. BLUE & CASE COLOR FINISH. Barrel has correct two line address. Front sight has been taken down a bit. Frame has two line patent dates with pony in circle Loading gate has 909 assembly number stamp. Matching numbers on frame, back strap and trigger guard. Correct style two piece gutta percha grips have wrong number etched in right panel. Left panel number could be matching, but hard to read. Grips fit like they were made for this gun, so could just be an error. The holster was made by William Wellman of White Sulphur Springs, Mont., who operated a shop there from 1880s through 1900. The holster is a border tooled, wide single loop, full skirt, open toe with a small repair where ejector housing wore through. There is a small hammer cutout as well. The cartouche is fairly bold and legible except William. CONDITION: Very Good. Has all four clicks with strong half cock. Rifling is sharp with some light residue. Metal is all soft patina with no original finish except a flash of blue on back strap. All legends are crisp. Grips are excellent.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $6,000)
1360 - (A) COLT FRONTIER SIX SHOOTER SINGLE ACTION REVOLVER WITH PRESENTATION FROM HECK THOMAS
SERIAL 72263. MFG. 1882. BARREL 7.5”. CALIBER 44-40. BLUE & CASE COLOR. This would have been an etched panel gun, but no longer visible. Caliber is stamped in trigger bow. Letter states shipped to Simmons Hardware Company, January 4, 1882, in shipment of 50 guns. Matching serial number on frame, trigger guard and back strap. Assembly number 6721 on loading gate. One line barrel address. Three-line patent dates on frame. Wears a set of one-piece ivory grips with Mexican snake & eagle on right panel. The back strap is presented “To Deputy US Marshal L.P. “BONES” ISBEL From H. Thomas Henry “Heck”. Thomas was a US Marshal during the 1880s & 90s for Judge Parker in Fort Smith, Arkansas. Levi Paschal Isbell (sp) was also a long time Marshall working at same time for Judge Parker. The inscription, style and age are of the period. Thomas is famous for taking out Ned Christie, tracking the Wild Bunch and killing Bill Doolin. Isbell is on the official historical list of Judge Parker’s Marshals, and his first-born son also became a Marshal. While not well known today, Isbell was one of Heck Thomas’ dear friends, and they went out on many a manhunt together. In the book Heck Thomas Frontier Marshal by Glenn Shirley, he is mentioned on 8 pages: on page 57, they went out together after boot leggers; page 60 mentions Isbell bringing five prisoners to Judge Parker, one a murderer; page 77 talks about their hunting in Indian Nation; and on page 87-88 Heck and Isbell had cornered the famed outlaw, Ned Christie. Isbell had his shoulder shattered by one of Christie’s bullets, and Heck saved his life and spent weeks with him while recovering. Finally, on page 147-148, they relay how Isbell brought Grat Dalton to trial. CONDITION: Very Good. Gun shows no original finish. Edges are soft, as this gun spent years in a holster. Gun has four clicks with solid half cock. Bore is defined but has abrasions. While Isbell is not a household name, Heck Thomas is one of the more famous Marshals of the old West.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $15,000 - $25,000)
GRIPS AND TOOLED HOLSTER
SERIAL 158719. MFG. 1894. BARREL 4 3/4”. CALIBER 38-40. Factory letter states gun shipped to Simmons Hardware, St. Louis on October 21, 1894, blue and case finish, grips not listed. Gun now sports a pair of MOP two-piece grips. Barrel has correct two-line barrel address. Also has the two-line patent dates on frame. Matching serial number on frame trigger guard and back strap with .38 WCF on left side of barrel. This gun is accompanied by an unmarked holster that is not a Bridgeport. This holster is a double loop, full skirt, sewn toe, hand tooled with circular designs and decorated with 9-silver conchos. It is in excellent condition. CONDITION: Very good. Barrel retains about 30% blue, as does the housing. Balance of gun is a butter smooth grey patina with sharp legends. Gun has all four clicks with solid half cock. Bore is sharp. It is noted in the article that old Yancy sent many a man to his maker, but was well liked and honest. He went on to become a local legend.
Provenance: Ex Ron & Linda Gillett Collection
This gun is attributed to a colorful poker player and sometimes sheriff, Yancy “Poker” Jackson, who plied his trade in the Tintic mining towns in Utah as early as 1896. He was hired by Hans Hassel to be the house man at his saloon that catered to miners in the area. In an article in the New Gun Week , April 27, 1987, this gun is listed by serial number as one of his tools of the trade. The writer E. Dixon Larson recalled his first meeting with Yancy in 1957. In another article in the Oklahoma State Trooper magazine of Summer 1988, Larson writes a story about the infamous Bridgeport holster, noting “Perhaps the most infamous documented use of the Bridgeport Holster was by Yancy Jackson”, again with photographs of Yancy, this gun, and his Bridgeport rig.
(Estimate: $5,000 - $7,000)
1362 - (A) COLT
MODEL 1877 LIGHTNING DOUBLE ACTION REVOLVER WITH RIG
SERIAL 61783. MFG. 1887. BARREL 3 3/8” CALIBER .38 COLT. Sheriff model, no ejector. Standard blue and case color finish and fitted with two-piece pearl grips. Matching number on frame, trigger guard and back strap. Assembly number 147 on loading gate. Gun would have been an etched panel, which is no longer visible. It is a six shot double action. The rig consists of what appears to be a handmade holster, lined, hand stitched and outlined in brads, double loop, full skirt, open toes. Holster is decorated with cattle brand carvings and a large B done in brads / tacks as well. Holster is too long for this gun and would have been for a 5 or 6” model. Cartridge belt is also handmade, decorated with stippling and a roller buckle. Cartridge loops accept a .38. Rig is rustic. CONDITION: Very Good. No original finish, now all plum patina but smooth. Two-line barrel address is sharp. Patent dates on left side frame are legible. Pearl grips are excellent and have a small ruby inset on left side. Action operates both single and double. Strong half cock. Bore is well defined but with abrasions.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $900 - $1,400)
1363 - (A) WELLS FARGO MARKED COLT SINGLE ACTION ARMY REVOLVER WITH O.J. SNYDER COLORADO RIG
SERIAL 151520. MFG 1893 BARREL 7.5”. CALIBER .45 COLT. BLUE CASE COLOR FINISH. All matching numbers on frame, trigger guard and back strap. Assembly number 986 on loading gate. Barrel has standard one line Colt address. Frame has two-line patent dates with pony in circle. Both sides of the frame are stamped “W.F.& Cos EX”, the left side stamp is directly over the patent dates. It is completely consistent with other documented fonts. The gun also sports a pair of vintage, two-piece ivory grips. The right-side panel has the familiar steer head carving. Grips have shrunk a bit and have a repaired toe on right panel. They also have swelled / bowed away from the frame a bit. The holster was made by O. J. Snyder of Denver and is stamped on the single loop. Snyder was a well-known saddler in Denver Co. from 1900-1930. It is tooled in the basket weave pattern, with a full skirt and sewn toe. The unmarked money cartridge belt measures 3” wide, but they accept a .38 caliber cartridge, so this belt would not have been worn with this gun. The belt features a California clip point buckle, is stamped with some catalog model numbers and measures 38” from post to farthest hole. Both are in excellent condition and close in color. CONDITION: Very Good. Gun has a butter smooth patina with no original finish remaining. Legends are all legible. Action has all four clicks and a strong half cock. Rifling is strong and well defined, but has minor abrasion.
Provenance: Ex Ron & Linda Gillett Collection
The written oral history of this gun states that it belonged to one Ray Boyd Sr., who punched cattle in the vicinity of the Shoshoni and Dubois Wyo. area near the Wind River Indian Reservation around the turn of the last century, and this gun was obtained from Ray Jr. He also states this it is accompanied by the rig Ray Sr. wore with this Colt.
(Estimate: $6,500 - $8,500)
1364 - (A) FINE NICKEL ETCHED PANEL COLT FRONTIER SIX SHOOTER SAA REVOLVER WITH MEANA WYOMING HOLSTER
SERIAL 46553. MFG. 1878. BARREL 7.5”. CALIBER 44 WCF. Nickel finish, ivory grips with steer head on right side, correct one line barrel address, three-line patent dates on frame, 4871 assembly number on gate, smooth oval ejector rod button. Case color hammer. All matching numbers on frame, cylinder, back strap, grip strap and barrel. Barrel has the desirable acid etched side panel. 44 Cal stamped in rear trigger bow. The holster is stamped “F.A. MEANEA CHEYENNE WYO”. Holster has distinctive throat, double loop, border tooled, toe plug. Holster is solid so we question the real age, does not appear to be 19th century. CONDITION: Fine. Barrel and housing retain at least 85% nickel with areas of finish freckling, some blending gray, sharp barrel legends. The frame retains about the same as barrel with like wear and handling. Cylinder remains at about 50% blending patina. Back strap is basically patina with flashes of nickel. The etched panel is readily legible. Action has all four clicks with solid half cock. Bore is strong with light frosting. Grips fit fairly well and are nicely aged.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $7,500 - $10,000)
SERIAL 110156. BARREL 4 3/4”. CALIBER .45 COLT. FINISH - SHIPPED SOFT. Factory letter states that this gun was shipped in the soft to Hartley and Graham of NYC on April 12, 1884, in shipment of 20 guns with rubber grips. Guns shipped to them in the soft were most often engraved by the same artists as the Colt factory. There is an interesting two-page letter dated 1980 from long deceased Chicago dealer, Ron Ogan, who states he wrote an article on this gun for the old Arms Gazette. This gun features about 2/3 coverage bank note style scroll engraving and was outfitted with two-piece ivory grips. Matching serial numbers on frame, trigger guard and back strap. No serial numbers on barrel or cylinder. Barrel has proper two-line Colt address. Frame has three-line patent dates. Trigger bow stamped .45. Assembly number 1191 on loading gate. The accompanying rig is not maker marked, but does have some catalog model numbers. The holster is a double loop, full skirt, sewn toe, border tooled with some stitching repairs. In addition, the holster is decorated with 22- 1/4” tacks, 2-1/2” tacks, 1 -3/4” concho and 1-7/8” concho. The cartridge money belt measures 3” wide, is border tooled and accepts a 44/45 carriage. The nickel-plated buckle is rectangle. The belt has overall age cracking. Belt measures 38” from post to outer hole. Color of rig is consistent. CONDITION: Very Good. There is no visible original finish remaining. Gun is now a clean, soft gray patina with lovely engraving. The ivory grips have shrunk a bit and show great color. Action has all four clicks with strong half cock. Very handsome cowboy rig.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $6,000 - $8,000)
1366 - (A) DFC INSPECTED COLT SINGLE ACTION CAVALRY REVOLVER WITH RIG AND FACTORY LETTER
SERIAL 95945. MFG. 1883. BARREL 7.5”. CALIBER .45 COLT. This gun has the US stamp on frame with 3-line patent dates. Top of barrel has single line address without the broken stamps. The “DFC” inspector stamp for David Clark is stamped under barrel, bottom of frame, side of cylinder and on the right panel of the walnut one-piece grips. Matching full or partial serial number stamped under barrel, frame, trigger guard, back strap and side of cylinder. Assembly number 2172 on loading gate. Inspector stamp “G” is found on trigger guard and back strap. There is a proof “P” under the barrel. The left grip panel has the date stamp 1883 with visible but not legible cartouche stamp. The font on the “5” under the barrel is not identical to the others, but the rest are the same. The “DFC” fonts are all the same. This gun was nickel plated at one time and there remains some flashes of nickel on the back strap, front of frame and cylinder. The case color hammer has darkened. The ejector button is round without any grooves. The factory letter states that this gun was shipped to US Government inspector located at the Colt plant on August 10, 1883, in a shipment of 150 guns as a standard blue gun. It comes with a civilian rig. The holster is not maker stamped, but does have some catalog model numbers. The holster is top quality russet saddle leather, single loop full basket weave with full skirt & toe plug. The cartridge belt is 3” wide, will accept 44-45 caliber cartridge, has a nickel-plated California clip point buckle and border tooled with maker cartouche “OTTO F. ERNST / MAKER / SHERIDAN WYO”. Otto bought out his partner in Sheridan in 1907. The belt measures 42” from post to outer hole. Belt has several hangers built in as well. Color of this rig is pretty close, given they were made by different makers. Rig is in excellent condition. CONDITION: Very good. As mentioned, there are traces of later nickel plating, otherwise gun a smooth grey patina with scattered freckling. All legends are crisp. Action has four clicks with strong half cock. Bore is strong and clean. Grips have a few chips at base.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $5,000 - $6,500)
1367 - (C) COLT FRONTIER SIX SHOOTER SINGLE ACTION REVOLVER WITH RIG
COLT SAA. 4 3/4” BARREL. SERIAL 191425. MFG. 1899. BLUE & CASE COLOR. GUTTA PERCHA GRIPS. Standard features include a 4 3/4” barrel with proper 2-line barrel address. All matching numbers grips are correct for this era gun but are numbered to another gun (341174), Left side of barrel stamped with roll die “COLT FRONTIER SIX SHOOTER”. This Colt has all four proper clicks including a strong half cock for loading. This hog leg comes with a rig that is matching. Both the holster and cartridge belt have a number 3 stamp which would have been the model. The holster is a double loop, full skirt with border tooling. The cartridge belt has matching color tone, is stamped 34 for waist size and 940 (another catalog number). The belt measures 2 1/2” wide and will accept a .32 or .38, but a .44 will bust out the loops. Belt is also border tooled and has a nickel California clip point buckle. The rig is in excellent condition with no visible repairs, but does have some minor age cracking. CONDITION: Very good. There is no visible original finish. Entire gun is dull grey. Legends are legible. There is overall scattered salt and pepper texture, mostly on left side and cylinder. Grips have been carved out at base for some unknown reason. Rifling is visible but soft with scattered abrasions.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $3,000)
1368 - A PAIR OF TWO-TONE BROWN INLAID COWBOY BOOTS
Special order boots with green and white inlays and engraved heavy gauge sterling silver elongated front and heel caps. Overall good condition, but with 1” tears that need repair/reinforcement at the rear dip. Circa 1940s - 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1370 - 2 PAIR OF FANCY COWBOY BOOTS
a) Black and white “Let’er Buck” cowboy boots, 12” high, 10 1/2” long, with “Edward H. Bohlin” mark engraved sterling heel cap covers. Very good condition, circa 1950 - 1960s; b) Goding Boot Company black cowboy boots, 11” high, approximately 11” long, with white inlaid stars and green leaves, Mexican-style silver toe caps with horse heads and red eyes. Good condition, with some age cracking.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1369 - RHINESTONE PARADE BOOTS & HAT
Showy special-order boots are 14” high, decoratively stitched and cut out bejeweled red, white and blue, with rhinestone studded mule ears and rhinestone heel caps. The blue-grey hat is “The Barrel Racer” model by Eddy Brothers, overlaid with rhinestone studded red roses and green leaves and adorned with a 1 5/8” wide rhinestone hat band. The perfect Pasadena parade set.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $2,000)
1371 -
Size 11 black boots with silver tips, red, white, green and red inlays and green trim across the top piping. 12 1/2” high & 12 1/2” long. Fine condition, circa 1950.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $600 - $900)
1372 - A PAIR OF DEER LODGE PRISON HITCHED AMERICAN FLAG CANES
a) A finely hitched horsehair covered cane or walking stick, crossed American flags at the top, center and bottom, classic Montana Penitentiary diamond patterns in pink, blue, and red on a light cream-colored background. Dice shaker top with a screw glass cover. Excellent condition, 33” long; b) Contemporary Montana Penitentiary hitched horsehair walking stick with crossed flags, top, center, and bottom, black background with bright colors. 35 3/4” long with a vintage engraved gold top.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,500 - $3,500)
1373 - DENVER POLICE CAPTAINS BADGE
A large and impressive vintage identified 10K gold plated Eagle topped shield badge, “Captain / Police / Denver” with added “Retired / 1388” on the ribbon. From the family of Edward T. Swank, ID with photo included. The badge measures 3” x 2”.
(Estimate: $1,200 - $1,800)
1374 - RICARDA (1948-2016) ELABORATE STERLING BUCKLE ON BROWN LEATHER BELT
Artistically designed and intricately engraved, 40” long, 1 1/2” wide, 3/4” opening and 33” to the middle hole. Engraved buckle measures 2 1/4” round featuring cut out star, 3/4” stylized keeper and 2” silver tip. Back center silver (seen in 9 1/2” back of belt leather) with 2 3/4” round medallion featuring star cut out and nestled in crescent moon with 16 spots linked with 3 silver chains to 2 conchos and leather end cover on tooled belt, all made and signed by “Ricarda”. Excellent, wearable condition, circa 1990s.
Ricarda Cause was a world class silversmith whose lifetime of work has been featured in books, on public television, and in western art galleries. She sold her pieces at the annual Cowboy Poetry Gathering and the Western Folklife Center has featured her work. As a child who grew up on a ranch in Winnemucca, Nevada, Cause admired her father’s workshop and “loved being out there with all the tools.” Inspired by her mother’s love of silver jewelry, Cause started with silver belt buckles. She later learned how to make silver bits and spurs and how to engrave. Later making more jewelry than bits and spurs, she continued to make exquisitely crafted belt buckles, bracelets, and concho belts. Cause made her home in Lakeview, Oregon. Mostly self-taught, Ricarda also attended school at Miller Bit and Spur, took a gun-engraving course, visited with every artist she met, and read every book she could find about silversmithing. As her expertise grew, so did her reputation as a world class silversmith. Exhibiting at many different western art shows, Ricarda was also featured in Range, Western Horseman, and a televised segment of PBS’s Oregon Art Beat. She especially enjoyed the entire creative process from envisioning a design to making it a reality.
(Estimate: $1,000 - $1,500)
1375
- WALTER BECKHAM PHOTOGRAPHS
Lot of 2 framed photographs:
a) Kodachrome Basin, 1982, Utah
10” x 14”
Framed to 20” x 24”
b) Cuba, New Mexico, 1982 16” x 20”
Framed to 25 7/8” x 29 3/4”
(Estimate: $1,000 - $1,500)
1376 - 1940S HORSEHAIR BELT WITH ENGRAVED SILVER HEART
4-piece silver engraved buckle set with cut-out stars and central heart. Two hearts on each side, mounted on a 1 1/2” wide tan, black, brown and red braided horsehair belt, approximately size 31”.
(Estimate: $1,000 - $1,500)
1377 - CUSTOM “EG” BIT MADE FOR DALE ROBERTSON
Specially made for the beloved cowboy actor, this special-order top-ofthe-line Eduardo Grijalva bit is stamped with the name “Dale Robertson” by the maker inside both cheeks, plus the initials “DR” on the outside cheek conchos. Splendid unused condition. Circa 1960s. Includes a hand-tooled leather album with Robertson’s name carved and photos of Dale at the Pitman residence in Rancho Santa Fe, California.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $2,000 - $3,000)
1379 - EDUARDO GRIJALVA (EG LOOSEJAW BIT)
Fine condition, circa 1950s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $900 - $1,200)
Large and showy loose-jaw bit marked “E. G.” with a half-breed with inlaid copper roller. Circa 1950s - 1970s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
Eduardo Grijalva inlaid loose-jaw spade bit. Snake style cheeks with 34 inlaid bars. Marked “EG” with the star. Very fine, 100% original condition. Circa 1950s - 1960s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1382 - REX SCHNITGER WYOMING SPURS
Grand in both size and stature, this hefty pair of Rex Schnitger (1877-1947) full-mounted Wyoming spurs exhibit Rex’s classic trademark styling, including Cheyenne split heel bands adorned with 5 domed spots engraved with 8-point stars, plus 2 3/8” 32-point rowels with engraved scalloped silver washer. Upturned buttons affixed to period floral carved 2-piece leathers. Fine original condition, circa 1920s. These are impressive and surely make a statement.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $6,000)
1381 - EDUARDO GRIJALVA LOOSE JAW BIT
Marked “Mexico / * / EG” with target pattern cheeks, open kissing bird style, with deep and precise engraving and a domed central concho. Slobber chain and rein chains appear original. Mouth has a medium port with copper roller. A beautiful bit with great presence.
Provenance: Ex Wiley & Janis Buchanan Collection
(Estimate: $1,000 - $1,500)
1383 - AUGUST BUERMANN “ROOSEVELT” SPURS
Model 1471, the famous and sought after “Roosevelt” pattern. Full inlaid sweeping bands to 1 1/8” at the shank. The 2 1/4” round shank holds the 2” 10-point rowels with silver washers. The spurs show heavy use and wear to the engraving, but they have a pleasant appeal and are a scarce and desirable pattern. Old basket stamped leathers with coin and studded leather conchos. The strap buttons have been replaced, as have the rowels and washers.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $4,000 - $5,000)
1384 - YUMA / FLORENCE TRANSITION BRIDLE
The diamond pattern was frequently used on Yuma bridles, as were the simple black and white colors. The cheeks are wide flat construction with other elements rounded. The small rosette found on Florence bridles is shown on this piece. This is one of the earliest rosettes with the traditional star motif on Arizona prison bridles. The combination of hitched horsehair and braided calf skin is unusual on Arizona pieces. In Horsehair Bridles , Mr. Martin writes “This bridle represents the transition from the made in Yuma prison to what was later to become some of the most innovative bridles made at the prison in Florence, Arizona.”
Pictured: Horsehair Bridles by Ned & Jody Martin, page 64, figure 4.34.
(Estimate: $3,000 - $4,000)
A leather and silver bridle with double chain headpiece, iron ring bit and braided reins. The hardware has simple edge stamping in the traditional way. The hand and seashell motif has great historical significance as these motifs were used by the crusaders on their passage to Jerusalem, which gave them protection when traveling through foreign countries.
Pictured: Details shown in Bridles of the Americas Vol. 1 by Ned & Jody Martin and Robert Bauver, page 25, figure 1.36.
(Estimate: $2,000 - $3,000)
Maker marked “G. S. Garcia” inlaid Elko, Nevada loose mouth spade bit with some restoration. Shown in the catalog as No. 66, but without the star. Circa 1920s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $900 - $1,400)
1387 - (A) MARTIAL COLT MODEL 1860 ARMY PERCUSSION REVOLVER WITH CIVIL WAR ACCOUTREMENTS
SERIAL 140930. MFG. 1863. All matching numbers including wedge. Several H & D inspector stamps. Rebated cylinder has roll die naval scene that is still sharp & crisp. Cut for shoulder stock. Standard blue and case color finish with brass trigger guard and steel back strap. Legible barrel address. Colt patent stamp on left side of frame. The cartouche stamps on both panels of one-piece walnut grips are visible, but not totally legible.
CONDITION: Very good. The entire gun is a butter smooth grey patina with no cancer. There are several dings on both sides of the barrel. Brass has toned. Grips are excellent with some usual dings and traces of finish. Action does not advance the cylinder and needs attention. Rifling is crisp and bright. Display case consists of two cap tins, eagle belt buckle, box of six skin cartridges, a U.S. R. White cap pouch, an unmarked leather cartridge pouch and two paper wrapped loads.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $2,000 - $2,500)
Manufactured in 1909. This gun has a two-line address on top of the barrel, “COLT’S PT. F. A. MFG. CO. / HARTFORD, CT. U.S.A.”, and a roll die caliber designation on the left side of the barrel, “(BISLEY MODEL) 32 W.C.F.”. Two-line three date patent dates on the left side of the frame, “PAT. SEPT. 19, 1871 / JULY 2, 72 JAN. 19, 75”. Next to the patent dates is the Rampant Colt logo in a circle. There is a VP proof on the left front trigger bow. 4 - 3/4” barrel with a six shot fluted cylinder. Gold wash cylinder, hammer, center pin and trigger. Two-piece mother of pearl grips. Matching serial numbers observed on the frame, trigger guard and backstrap. CONDITION: This gun retains most of the reapplied Nickel finish. Most of the gold wash has flaked off. Good bore with well-defined lands and grooves. The right grip panel has a chip at the toe.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA Per George Pitman, this was from the collection of prominent actor John Carroll (1906-1979), shipped (blued) to Charles Ilfild Company, Las Vegas, New Mexico, October 25, 1909, in care of the Winchester Arms Co. According to an article by Paul Hentke in Gun World , July 1989, “Subsequently exported to Mexico where it was owned and later presented by President Miguel Aleman to his personal friend, John Carroll”.
(Estimate: $3,000 - $5,000)
1389 - (C) COLT SINGLE ACTION ARMY REVOLVER WITH IVORY GRIPS
Manufactured in 1921. This gun has a two-line address on top of the barrel,”COLT’S PT. F. A. MFG. CO / HARTFORD, CT. U.S.A.”. Roll die caliber designation on the left side of the barrel, “COLT SINGLE ACTION ARMY .45”. Two-line three date patent dates on the left side of the frame, “PAT. SEPT. 19, 1871 / JULY 2, 72 JAN 18, 75”. There is a rampant Colt logo on the left side of the frame and also a VP proof on the left front trigger bow. Matching serial numbers observed on the frame, trigger guard and the backstrap. Assembly number 705 is on the inside of the loading gate. It has two-piece ivory grips with the deep-dish brass Colt medallions. 4 - 3/4” barrel with a six shot fluted cylinder. CONDITION: This gun retains virtually all of the reapplied nickel finish. The front sight profile has been taken down some. Bright and shiny bore with sharp lands and grooves. The grips show age patina and fit the gun very well.
(Estimate: $1,500 - $2,500)
1390 - (A) INDIAN TACK DECORATED WINCHESTER
SERIAL 134458B. MFG 1883. CALIBER 44WCF. 3rd Model. Standard 20” barrel, full magazine, dove tail front sight, folding leaf express rear sight, walnut stock, replaced butt plate saddle ring & stud. Heavy use typical of Indian guns. The forearm has brass tacks along both sides, tip is shattered. The forearm is worn thin, missing the top portion of wood. There are remains of red ochre paint and a few tacks have been replaced. The stock was painted the same red. There are three Swastikas on right side done with a punch. Top of stock has been reapplied, and there are brass tacks in two rows at the butt and along the wrist at tang. Left side has a Swastika and four diamond patterns, also done with punch, with remnants of red ochre as well. There is a large chunk of wood missing on right side lower tang. All metal is dark brown with rounded edges. Dust cover is missing. Carbine still operates. Bore is thin and dark. Butt plate is a crude iron piece that does not fit well. Barrel legends are not visible. Metal has an overall dark textured finish. Markings are worn and faint, including the serial number. Has the Plains Indian look and decorations that we believe to be applied during the period of use. Carbine comes with a notarized letter from Mike Perez, stating that he first saw this gun in the collection of the Geronimo family and purchased it years later from Billy Gilbert.
Provenance: Ex Ron & Linda Gillett Collection
Diamond shapes in Navajo & Mescalero Apache design were believed to represent the sacred Navajo homeland of the Four Corners. The Navajo homeland was traditionally located between the four sacred mountains of the Navajo, which include Blanca Peak (Sis Naajini) to the east, Mount Taylor (Tsoodzil) to the south, San Francisco Peak (Dook’ o’ oosliid) to the west, and Mount Hesperus (Dib’ Nitsaa) to the north”. The swastika was used by many southwestern tribes, most notably the Navajo.
(Estimate: $3,500 - $5,000)
1391 - OSCAR CORTES WELLS FARGO OVERLAND STAGECOACH
Wood carving by Oscar M. Cortes of California. A detailed depiction of a 6-up team of horses pulling a Wells Fargo Overland stage over desert terrain. The model is 8 1/2” tall, 37” long, 11 1/2” wide and sits on a wood base that is 1 1/2” tall, 42 1/2” long and 11 1/2” wide. Cortes is well-known for his folk-art style of carving and attention to detail. Signed and dated 1983 on the carving.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $2,000)
1392 - CARVED INDIAN HEAD FRATERNAL WALKING STICK
Dartmouth College - 1921/ Phi Delta Theta, carved designs and names, 36” long overall. Buck Jones didn’t go to Dartmouth College, but this walking stick was a piece of folk art memorabilia he collected.
Provenance: From the Buck Jones Estate
(Estimate: $500 - $700)
1394 - BUCK JONES (1891-1942) BRANDING IRON
Measuring 24” long with the classic “BJ” brand, the branding iron comes from Mrs. Buck (Dell) Jones with letter of authenticity:
“To whom it may concern, The branding iron came from the property of Buck Jones, used on our ranch in Susanville, California…”
Signed by Mrs. Buck Jones with her address in North Hollywood.
1393 - BUCK JONES’ LEATHER AMMUNITION BOX
A William Read and Sons leather ammo box used by Buck Jones. Brass hardware, side handles, and a wonderful interior label for “William Read & Sons. Dealers in Guns and Shooting Tackle. / Boston.” Measures 9 1/2” x 11 1/4” x 8 3/4”.
Provenance: From the Buck Jones Estate
(Estimate: $350 - $450)
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $500 - $700)
1395 - (C) WINCHESTER MODEL 1892 SADDLE RING CARBINE
SERIAL 387723. MFG. 1907. CALIBER 44-40. Standard 20” full magazine, two-barrel bands, post front sight, folding ladder rear sight, blue finish, saddle ring & stud, gumwood stocks, carbine metal butt plate. CONDITION: Very Good. Frame is soft grey patina with age freckling. Barrel is all light brown patina. Tube shows 40% blue but drifting patina as well. Stocks are very good with numerous scattered dings and scars. Action works. Very strong and bright bore with just some minor abrasion.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,200 - $1,800)
1396 - (C) RARE 16” WINCHESTER MODEL 94 SRC TRAPPER IN .25-35
SERIAL 1045021. MFG. 1929. CALIBER 25-35. Barrel is 16”. Standard full magazine, two-barrel bands, post front sight, folding ladder rear sight, blue finish, gumwood stocks, metal carbine butt plate, saddle ring & stud. CONDITION: Very Good. Frame is gray patina with age spotting. Barrel & tube, smooth blue/ grey patina. Stock is loose and chipped at wrist, very shy to metal at lower tang, scattered dings, reapplied finish. Forearm has cracks on both sides. Action is fine. Bore is visible, but thin and with abrasions. Typical condition, as most trappers saw hard use - this is no exception.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $3,000 - $4,000)
1397 - (C) WINCHESTER MODEL 1894
SADDLE RING CARBINE IN .25-35
SERIAL 574282. MFG. 1912. CALIBER 25-35. Standard full magazine, two-barrel bands, post front sight, folding ladder rear sight, blue finish, gumwood stocks, metal carbine butt plate, saddle ring & stud. CONDITION: Very Good. Frame is gray patina. Barrel & tube, 20% blue mixing grey patina with some age spotting. Wood solid, numerous dings, reapplied finish. Action is fine. Bore is defined but frosted.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,200)
1398 - (C) WINCHESTER MODEL 1894
SADDLE RING CARBINE IN .25-35
SERIAL 459288. MFG. 1910. CALIBER 35-35. Standard carbine with full tube magazine, two-barrel bands replaced Marbles flat top rear sight, front sight black has an old coin for a blade, blue finish, saddle ring & stud, walnut stocks, rifle style metal butt plate. CONDITION: Good. Stock does not fit well and is taken from another gun. Wrist has cracks and chips. Numerous scattered dings. Replaced short wood forearm. Frame is gray patina with scattered age freckling. Tube has traces of blue, otherwise, that and barrel are freckled patina. Barrel legends are crisp. Action is crisp. Bore is defined but scattered abrasions.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $400 - $600)
1399
- (C) WINCHESTER MODEL 1873 SADDLE RING SHORT CARBINE
SERIAL 546740. MFG 1900. CALIBER 44WCF. BARREL 18”. The muzzle is rough, and tube set back is not correct. Barrel was cut and tube set back with recut front sight. Standard features include a two-leaf express rear sight, post front sight, blue finish, saddle ring & stud, walnut stocks, steel carbine butt plate with trapdoor. CONDITION: Good. Basically, an all-grey gun with flashes of blue on loading gate along with scattered age freckling. Forearm has some small cracks and numerous dents Stock has scattered dents with an “M” carved into left side. Action works. Bore is defined with scattered abrasions.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $700 - $1,200)
1400
- (A) WINCHESTER MODEL 1873 THIRD MODEL SADDLE RING CARBINE
SERIAL 322982. MFG 1889. BARREL 20”. CALIBER 44WCF. Standard features include round barrel, full tube magazine, folding ladder rear sight not dated, dove tail front sight, blue finish, two-barrel bands, saddle ring with stud, walnut stocks, steel carbine butt plate with brass door trap. CONDITION: NRA Very good. No original finish, now a smooth patina with some wiped-on finish. Barrel legends are legible. Lever re-blued long ago. Stock very good with impressions and fits OK, but hue and condition do not match forearm, which is darker and has numerous chips and scars. Stock most likely replaced, but it is an original period stock. Fine working order. Bore is thin with abrasions.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1401 - (A) WINCHESTER MODEL 1866 2ND MODEL SADDLE RING CARBINE
SERIAL 17055. MFG 1868. CALIBER 44 RF. BARREL 20”. This model has the serial number stamped inside lower tang on left side. The barrel is stamped “HENRYS PATENT OCT 16, 1860” & “KING’S PATENT MARCH 29, 1866”. Front barrel band has the integral front sight. Brass frame and rifle style butt plate with trap and 3-piece cleaning rod. Two leaf folding carbine rear sight. Frame has saddle ring and stud. Stocks are walnut. CONDITION: NRA Fine. The brass frame and butt plate have toned to the desired dark mustard tone. The barrel and tube are butter-smooth patina. Barrel legends are crisp. Lever and saddle ring are dark patina. Stocks are excellent with scattered impressions and scars with a sliver at right wrist at tang. Stocks are a hint shy of metal. Lever and hammer colors have turned soft brown. Screws are basically true with flashes of blue. Loading gate still has generous amount of blue. Action works correctly. Bore is well defined but dull with abrasions. Very clean example of early 66 carbine.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $8,000 - $10,000)
1402 - (A) WINCHESTER 1876 THIRD MODEL LEVER ACTION SHORT RIFLE
MFG. 1887. SERIAL 59159 OCTAGON BARREL 24”. CALIBER 45-75. Front sight and tube hanger setbacks appear correct, as does flat muzzle. Standard features include full tube magazine, 1876 dated ladder rear sight, dove tail front sight, brass lifter stamped with caliber, dust cover, walnut stock with rifle butt plate that has trap door. Standard blue finish. CONDITION: NRA Very good. Metal has no finish and is a smooth dark grey patina. Stock is excellent with some nice grain and was refinished at one time. Forearm also refinished with repaired crack on right side. Wood is a bit shy to metal. Barrel legends are legible. Action works fine. Bore is dark with abrasions.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1403 - (A) WINCHESTER MODEL 1876 LEVER ACTION RIFLE
SERIAL 29433. MFG. 1882. Standard 45-60, 28” octagon barrel, full tube magazine, semi buckhorn rear sight, blade front sight, walnut stock rifle butt plate, blue finish. Caliber stamped on brass lifter and barrel breech. Sharp factory legend on barrel. Dust cover intact. CONDITION. Very good. No original finish but edges are crisp. Overall, the metal is a gray-brown patina with age freckling throughout. Stock is proud to metal with scatted scars and stains. Forearm is also scarred and a bit loose. Action works correctly. Rifling is visible but numerous abrasions.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,300 - $1,800)
1404 - (A) WINCHESTER MODEL 1873 LEVER ACTION RIFLE
SERIAL 204753. MFG. 1886. CALIBER 38WCF. Standard 24” barrel, full tube, dove tail front sight, replaced patent 1901 flat top rear sight, CONDITION: Good. Metal is all grey patina with overall age freckling. Stock is refinished, shy to metal, large piece missing from left side wrist at tang. Forearm refinished, shy to metal, scattered dings. Action works. Bore defined but dirty. Missing main tang screw.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $700 - $1,100)
1405 - SOLID SILVER MEXICAN BELT WITH COCKFIGHTING & BULL RIDING THEMES
Heavy gauge silver belt with bull riding buckles and multiple cockfighting vignettes, solid and hinged in the back with 2 bull riders and horseshoe buckles. Rope edge on the 2” wide body. The belt measures 32”.
(Estimate: $600 - $800)
1406 - LOT OF 3 NATIVE AMERICAN-MADE ROPES
Three Native Americans ropes:
a) Plaited buckskin made by the Utes; b) A braided buffalo hair rope by the Comanche; c) A buffalo hide latigo rope used by Kiowas.
Pictured: Bridles of the Americas Vol. 1 by Ned & Jody Martin and Robert Bauver, page 30, figure 2.10.
(Estimate: $800 - $1,200)
Eastern Plains Indian pipe stem covered with diamond pattern hitched horsehair, most likely prison made. A hand-carved black pipestone pipe bowl. Rare to find what appears as a combination of Native and prison work. Stem is 23 1/2” long, the pipe bowl is 4” x 7 1/4”.
(Estimate: $1,500 - $2,500)
1408 - W. F. CODY “BUFFALO BILL” PHOTOGRAPH AND LETTER
A lot of 2 Buffalo Bill items:
a) An oversized original image of Cody on horseback in front of the Deadwood stagecoach by Ed Tangen, Boulder, Colo., 14” x 11”, framed to: 20” x 16 1/2”/glass front and back;
b) Handwritten and signed letter with original envelope. Cody to the artist Irving R. Bacon, Oct 14, 1909, regarding selling the painting “Conquest of the West” for $1500, signed on front “W.F. Cody” with a “PS” on the reverse signed “Bill”. Letter measures 11 1/2” x 8” and the envelope measures 3 3/4” x 6 1/2” with Buffalo Bill’s Wild West / Pawnee Bill’s Far East logo.
(Estimate: $2,000 - $3,000)
1409 - ROY ROGERS PERSONAL STETSON HAT
A 3X Stetson silver belly hat with the “Made by Stetson Especially for Roy Rogers” embossed stamp. The standard crease “Roy-style” hat.
Provenance: Letter from Stetson Hats, circa 2002
(Estimate: $1,500 - $2,000)
1410 - EDW. H. BOHLIN SADDLE BAG PURSE
Fully floral carved, cut out two-tone leather, with laced flaps with initials “BC” in a circle. Sterling buckle closures. Double opening handles at the top. Marked with the large 1980s-style “Edw. H. Bohlin, Co. / Maker / Burbank, Cal.” shield cartouche. Measures 21” x 9 1/2”. Outstanding condition. Circa 1983.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,500)
1411 - CHARLES M. RUSSELL (1864-1926)
A lot of three (3) bronzes:
a) The Texas Steer, 5” x 6 1/2”, unknown casting, signed in the bronze “CMR” with skull, marble base; b) The Texas Steer, 5” x 6 1/2”, unknown casting, signed in the bronze “CMR” with skull, marble base; c) Horsehead with bosel, 5” x 4 1/4”, bronze, signed on the underside “C. M. Russell (skull) 1918 / R.O. Jones / 24/24 / Roman Bronze Work. Inc. N.Y.”, wood plaque.
EX: Denver Art Museum (Sold 6/26/2009 / Cody Old West Art Auction, Lot 1030)
(Estimate: $1,200 - $1,600)
1412 - JACK LONG OSMER (B. 1932)
A lot of four (4) miniature bronze saddles:
a) 1870 Texas Trail Saddle, 6 1/2” #19/20, dated ‘71; b) 1870 Late California Saddle, 6 3/4”, #19/20; c) Spanish Colonist Stock Saddle 1600, 6”, not numbered; d) IOFI (sidesaddle), 8”, signed w/”PMC 1970”. All are mounted on 1” round wood bases.
(Estimate: $1,000 - $1,500)
Gene Autry Saddle
Bronze
1413 - LOT OF 3 MINIATURE ART SADDLES
a) Cheyenne Saddle - 1875, bronze by J. McCrea (b. 1947), 5” x 4” x 7”, overall: 10” x 8” x 10”;
b) End of Day, bronze by Dan Begg, 30/100, dated 2000, 8 1/2” x 5 1/2” x 8”;
c) Hand carved walnut saddle on fence post, 10 1/2” x 6” x 11 3/4”.
(Estimate: $600 - $900)
14 1/4” with stand (11” x 7 1/2” x 6” bronze)
Brass plinths on saddle stand read: “Gene Autry” and “Sculptured by Jack Osmer / Great Western Performers Series”
Highly detailed with swinging stirrups and the “S. D. Myers / El Paso, TX” makers cartouche on the seat and “Gene Autry” on the jockeys.
(Estimate: $600 - $900)
1415 - MEXICAN SALESMAN SAMPLE SADDLE ON WOOD POST
Miniature circa 1920s Mexican Charro saddle with traditional exposed rawhide cantle, flat horn, stamped leather designs with scalloped edges, a mini sword in the scabbard, inlaid stirrups, multi string cinch and a white and black saddle blanket. Sits on a fence rail for display.
(Estimate: $800 - $1,200)
1416 - LOT OF 6 CAST NATIVE AMERICAN FIGURATIVE BOOKENDS
A nice grouping of six sets of Indian themed vintage bookends including an 8” x 7” Archer/Scout, an unmarked Hertzel “Mounted Chief”, and a scarce squatting Native with pot (damaged leg). Varying sizes and conditions.
(Estimate: $1,000 - $1,500)
1417 - LOT OF FIGURATIVE CAST COWBOY BOOKENDS
A collection of eleven (11) horse and cowboy Western themed bookend sets and a single standing horse. Ropers, bucking horses, Will Rogers, assorted sizes and conditions.
(Estimate: $1,000 - $1,500)
1419 - LOT OF NATIVE AMERICAN FIGURATIVE BOOKENDS
A collection of four (4) high quality iron and bronze cast bookends and a sheet copper set of Indian Lodges. Included is a single Indian lancer. Nice condition, good patina on all.
(Estimate: $1,000 - $1,500)
1418 - LOT OF 8 NATIVE AMERICAN FIGURATIVE BOOKEND SETS
A grouping of eight (8) vintage cast bookend sets with Indian motif. Includes the 5 1/2” “Archery Teacher”, the 5 1/2” “Appeal to the Spirit” and (3) Chiefs with Headdress. All in nice condition with even patina.
(Estimate: $1,000 - $1,500)
1420 - LOT OF 2 NAVAJO TEXTILES
a) Colorful pieces with bold traditional patterns on a gray background, 60 3/4” x 39”;
b) A saddle blanket with 4 bright orange morning stars done on the withe background, 44 1/4” x 35 1/4”.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $800 - $1,400)
1421 - BUFFALO SKULL
A nice American bison skull with the original sheaths and nose plate. The classic old West home decoration with nice patina. Measures 25 1/4” wide from horn tip to horn tip and 28” long.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $400 - $600)
1422 - H.S. “ANDY” ANDERSON (1892-1960)
Lot of items related to Andy Anderson:
a) Photograph of Andy with Jimmy Stewart, 7 3/4” x 9 1/2”, signed (faded) top front “To Andy -Best Regards Jimmy Stewart”, framed to 9 1/2” x 11”;
b) A hand carved wooden plaque, Saguaro Cactus, 7 1/2” x 10”, signed bottom right “Andy”; c) Photograph, 9” x 7”, black & white, Andy with a hospital patient, signed on verso in graphite “Andy Anderson”, unframed;
d) A copy of How to Carve Characters in Wood by Andy , by Andy and signed by Andy, copyright 1953 with dust jacket.
Provenance: Estate of DeWitt Clinton McCall III
(Estimate: $600 - $900)
1423 - HEFTY 19TH C. INLAID AMOZOC MEXICAN SPURS
Double mounted, silver inlaid with double stripes down each heel band, stylized inlaid shanks, thick beveled blunt point rowels, lavish large silver swinging buttons securing two-piece Maguey cactus fiber piteado woven straps. Fine condition, circa 1880s.
(Estimate: $1,500 - $2,500)
1425 - LOT OF 6 RIFLE SCABBARDS
Six rifle / carbine scabbards, both antique and contemporary. Includes a few rare, marked pieces, “A.J. Williamson / Maker / Casper, Wyo.”, a “A. D. Seitzler & Co. / Makers / Silver City, NM”, a new “R.M. Bachman / Kalispell, Mont.”, a Royal catalog scabbard and two unmarked.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,200 - $1,800)
1424 - FIVE (5) PAIR OF MAKER-MARKED LEATHER COWBOY CUFFS
Includes two (2) pairs maker marked “F. A. Meanea. / Cheyenne, Wyo.”, one (1) pair marked “Clark Portland” on the snaps, one (1) pair marked “Wm. Ardell / Maker / Cripple Creek”, and the last pair marked “Heiser” on the rivets. All are in good to very good condition. The first pair of Meanea cuffs are missing the closure snaps. Circa 1900s - 1920s.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,500 - $2,000)
1426 - RANCHEROS VISITADORES LEATHER PLAQUE
Carved and stamped on leather with a sterling silver horse head, “RV” logo, “RANCHEROS VISITADORES” and “Santa Barbara, Cal”, this distinctive early 1930s California plaque commemorates the illustrious men’s riding group that started in Santa Barbara, visiting the various missions in that area. Excellent condition.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $500 - $700)
1427 - CREE FLORAL BEADED GAUNTLETS
A large pair of gauntlets artistically displayed in a shadow box, beaded with blue, green, red, green and white showing a blooming flowerpot. The long fringe edged cuffs are Native hide and trimmed with red fabric. They measure 16” x 8 1/4” and are framed to 23” x 28 3/4”. Not examined out of frame.
Provenance: Ex Ron & Linda Gillett Collection
(Estimate: $1,000 - $1,500)
1428 - C. MCJOHN & CO. COUNTER TOP ADVERTISING SHOWCASE
Oak and curved glass store showcase, etched “Jaques’ / Double Strength / Flavoring Extracts / Jaques, Atwood & Co. / Chicago.” Nickel corners, mirrored double doors. Name plate attached “C. McJohn & Co. / N.W. Show Case Mfy. / 47 to 49 State St. Chicago.” 35” x 28” x 22”.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,200 - $1,800)
1430 - WOODEN RACK WITH VARIOUS SADDLE CATALOGS
A wooden rack with miscellaneous reprint catalogs from Ron’s display room. Rack measures 49 1/4” x 17 1/2” x 6”.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $400 - $500)
1429 - LOT OF 2 SHELVED DISPLAY CABINETS
Two glass flat front showcases perfect for spurs. Ron showed some of his best spurs in these cases.
a) Marked on the glass “Kochs’ Toilet Requisites”
36” high x 21” wide x 6 1/2” deep
No key
b) Wooden display with glass shelving. Marked on both sides “Sanford’s Inn”
33” high x 37” wide x 11 1/2” deep
No key
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $1,000 - $1,500)
1431 - RED LEATHER TUFFED BUGGY SEAT
An antique buggy seat converted to a fine loveseat for the home. Mounted on the iron springs with a wooden rocker bottom. 34 - 1/2” high x 39 1/2” long x 28 3/4” wide.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $600 - $900)
1432 - BRONZE BUFFALO MOTIF DESK SET
A fabulous buffalo desk set with pen holder and bronze Art Deco cast inkwells mounted on a green marble base (broken), depicting 2 fighting bronze buffalo sitting atop a 20 1/4” x 9 1/2” x 1” base. Buffalo measure 13” long x 4” wide x 6 3/4” high. Set also includes a stamp blotter roller with laying down bison, 6 1/4” long” x 3 1/4” across x 4 3/4”, a matching letter or notebook holder with a charging buffalo, 7 1/4” x 4” x 4”, and a 12” long cast buffalo-topped letter opener.
(Estimate: $1,000 - $1,500)
1433 - LOT OF 8 ANTIQUE BRANDING IRONS
A nice collection of early hand forged and welded branding irons. All are approximately 18” and in varying degrees of rust and wear. Some very interesting brands. These are all made to be used with wood handles.
Provenance: From the Buck Jones Estate
(Estimate: $1,000 - $1,500)
1434
A collection of Native American design cast trays, plaques and one paper clip. All pieces depict a Native man in a headdress, some are advertising, some souvenirs. Pan-American 1901, Mohawk Trail, Seneca - New York, 4” to 5”, all with nice patina.
(Estimate: $800 - $1,200)
a) Unsigned Paul Herzel bucking broncs, 11 1/4” tall, dark patina; b) Coppertone, cowboy gunslinger and cowgirl, 6” tall; c) Jennings Bros, silver Art Deco cowboy ropers, 5 1/2” tall.
(Estimate: $1,000 - $1,500)
1436 - MISCELLANEOUS LOT OF EDWARD H. BOHLIN AND NON-BOHLIN PARTS
Conchos, buckles, seat plates, etc. Most are original, some are recast. A nice assortment for repairs, replacements and restoration.
Provenance: Ex George Pitman Collection, Rancho Santa Fe, CA
(Estimate: $1,000 - $1,400)
1437 - RON’S WOODEN BRIDLE RACK
A free-standing ranch-made wood rack with 11 pegs that Ron had built for his best bridles, customized with Ron’s “Triangle C” brand at the top. 59” high x 99 3/4” long x 10 3/4” wide.
Provenance: Ex Ron & Linda Gillett Collection
This is not a standard shippable item and will require 3rd party shipping or pickup arrangements to be made.
(Estimate: $500 - $800)
Circa 1950s original “Santa Fe / All the Way” travel poster, mounted on canvas. This colorful image of a Navajo child was part of a group of posters commissioned by the Santa Fe Railway to promote travel by train to the Western states. Poster is 23” x 17”, canvas 27 3/4” x 22”.
(Estimate: $700 - $900)
Jamie Griffin Customer Experience Manager
