NATHAN MOSURE
PORTFOLIO
CONTENTS STUDENT WORK GRADUATE EARTHLY MATTERS
3-14
BALNEO IMPOSITION
13-22
A.R.T.C.
23-30
SPATIAL CITY
31-36
UNDERGRADUATE OVER-THE-RHINE BREWERYÂ
37-44
JESSE OWENS NORTH GYM
45-52
LONDON PUBLIC LIBRARY
53-60
PROFESSIONAL WORK WITTENBERG UNIVERSITY ST. COLUMBA CATHEDRAL WALGREENS STARBUCKS
61-66 67-68 69-70 71-74
ADDITIONAL WORK SKETCHBOOK PENCIL DRAWINGS PAINTINGS
75-78 79-82 83-84
NATHAN MOSURE EDUCATION
PORTFOLIO
issuu.com/mosure
SUMMARY: Passionate about multi and single family residential design. Accomplished
PHONE
(330) 719-1665
backround of commercial retail design, with a growing civic and institutional design
nmosure@designgroup.us.com
porfolio. Experienced in all phases of drawing and the realm of 3D BIM software.
Bachelor of Science in Architecture | City & Regional Planning Minor Degree Awarded: 05/08/2016
Master of Architecture
The Ohio State Universtity
Degree Awarded: 05/05/2019
EXPERIENCE
The Ohio State Universtity Knowlton School of Architecture
GPA: 3.6
Knowlton School of Architecture
Project Associate, DESIGNGROUP Columbus, OH
June 2019 - Present
• Collaborate in PG4 designs within Civic, Higher Education, Municipal, and Office Space industries. • Contribute in program integrity, design intent, and technical excellence in all stages of projects. • Produce graphic presentations for kick off, schematic design , design development, and progress meetings with clients including Ohio State University, Columbus State, and the City of Columbus. • Engage in client relations, attending meetings and communicating design to acheive all objectives.
SKILLED IN REVIT AUTOCAD PHOTOSHOP ILLUSTRATOR INDESIGN RHINOCEROS LUMION VRAY SKETCHUP CURA/3D PRINTING WRITING SPECS TEXTURE-MAPPING SURVEYING
Graduate Architect, MS Consultants Inc. Columbus, OH
August, 2017 - June, 2019
• Lead BIM designer and production manager in the Quest Diagnostics client account. • Training colleagues in skills necessary to complete Revit design and CD production tasks. • Assisted in schematic design production for the Stambaugh Hotel renovation in Youngstown. • Production lead in CD sets including new builds, remodel, and in-line retrofit Aldi grocery markets. • Coordinating across all building systems disciplines including Mech, Elec, Plumb, Struct, and Civil E.
Architecture Associate, CR Architecture + Design Cincinnati, OH
May, 2016 - August, 2017
• Lead BIM designer and production manager for a series of fourteen Walgreens stores incorporating Med-Express urgent care facilites into existing Walgreens in WV, VA, TX, NV, and NE. • Facilitated to General Cotractors in the production of building permit sets, reviews, and revisions. • Trained colleagues in attaining Revit skills necessary to model and produce construction documents. • Assisted in BIM production for the Twin Lakes Indepenent Living expansion in Mason, Ohio. • Designed and produced new and remodelled Starbucks Coffee Shops across the United States.
CAD Technician, AC Dellovade Pittsburgh, PA
December, 2015
• Produced drawings for developers in the construction phase of a 30m dollar Capital One Bank in VA. • Drafted Plan, Section, Elevation, and Detail drawings for AC Dellovade to install Centria wall panels.
Laborer - Consultant, Marucci and Gaffney Excavating Youngstown, OH
Summer, 2013 & 2012
• Assumed responsibility in construction crews including: carpenters, cement finishers, plumbers, steel framers, and electricians in the construction of an 11,000 square foot locker room building. • Developed skills in reading architectural drawings, and identifying problems in the construction site. • Oversaw the entire process of surveying a site and constructing a building from the ground up.
Project Surveyor, MS Consultants Inc. Youngstown, OH
Summer, 2011
• Surveyed the site and field material Vallourec Star’s 1 million sf Brier Hill Expansion was built on. • Plotted and marked critical points on site for structural steel and machinery equipment to be placed. • Became skilled in working with surveying equipment including: levels, theodolite lasers, prisms, tripods.
VOLUNTEER Voice In Prevention Guest Speaker, National ThinkFirst Injury Prevention Foundation The Ohio State Wexner Medical Center
June 2013 - Present
• Contributed over 120 hours guest speaking to high school students encouraging the youth to use their minds to protect their bodies as it pertains to anti drug use, and car safety.
ORGANIZATIONS Paris Abroad | 2013 AIAS | 2013 - Present
To reverse what the Anthropocene has lead us into, thousands of Carbon Capture facilities must be built and maintained. The project is set in the near future off the Yangtze River in North East China. A visiting retreat Club House for the Carbon Capture Storage Plant factory workers, in the denatured land of Nanjing. China’s Carbon Emissions are among the highest in the world, and the remote site offers both grounds for building and prime land for storing carbon dioxide in a land who’s air is saturated with CO2 . Factory workers come to enjoy time off from the vigorous work they perform for months on end at the CCSP. The building was designed using a method which examined the aesthetic effect in the space between raster and vector images. In the same way google earth’s satellite images stitch together raster images to create accurate geometry in the earth’s surface, the massing and surfaces of the building are the liminal result of the perceivable difference between raster and vector images turned 3 Dimensional Space. Using Photoshop as a tool to create 2D images that imply spatiality in high resolution raster bitmaps and pulling them into a spatial arrangement. The resultant form and shapes create a type of speculative realism. Walls, floors, roofs, and furniture are perceived as both a flat graphic affect in their gradients and an ambiguous space that melts together its components. Raster images can be shot at resolutions so high they require an extended zoom to reveal pixilation. Technology such as google earth and 3D scanning devices capturing these images make it possible to recreate the built environment as well as the natural in very little time. Architecture must use these technologies to build with the same veracity. It can create a world where the denatured landscape and architecture may not be distinguishable from each other at all.
3
EARTHLY MATTERS GRADUATE III | Final Master Project Instructor: Stephen Turk Best in Studio Award Recipient
4
THE ZOOM
ORIGINAL PLASTIGLOMERATE
PIXELATE MAX MIN WAVE MAX
PIXELATE MAX MIN WAVE MAX WAVE MAX MIN EDGE
5
Z1
AFFECT
Z2
Z2
WAVE EDGES OUTLINE SHARPEN Z1 ORIG.
Z1
6
FRONT
REAR
EXPLODED PLAN ISO CUBE EXCERSIZE EXHIBITS TRAITS FROM PLAN TRANSFORMATION ON PREVIOUS PAGE IN 3DIMENSION. RECREATING THE RASTER AFFECT, GRADIENTS DISTINGUISH SPACE RATHER THAN FLAT GRAPHICS.
7
TOP
BOTTOM
EXPLODED SECTION ISO VECTOR EDGES BECOME PLANES, EXTRUSIONS, AND WARPED SURFACES. THE CUBE MELTS, OSCILATING BETWEEN RASTER & VECTOR CONTROLLED SPACES. THE OBJECT AS A WHOLE CAN BE PERCEIVED AT VARYING SCALES, STRENGTHENING THE ZOOM AFFECT.
8
DE - NATURING THE SITE ORIGINAL
PIXEL>MAX>WAVE>MAX
PIXEL>MAX>WAVE>MAX> WAVE>MIN>BLUR>WAVE
HEIGHT FIELD - AXONOMETRIC
PIXEL>MAX>WAVE>MAX> WAVE>MIN>BLUR>WAVE> SHARPEN>MAX>PIXEL
HEIGHT FIELD
9
IN THE SAME WAY GOOGLE EARTH’S SATELLITE IMAGERY STITCHES TOGETHER RASTERIZED IMAGES AND VECTORAL EDGE DETECTION TECHNOLOGY, PHOTOSHOP FILTERS ARE APPLIED TO 2 DIMENSIONAL IMAGES. FINE TUNING THE FILTER’S PERAMETERS AND TOLERANCES, THE TRANSFORMATION SCRIPT IS CONTROLLED IN SUCH A WAY THAT CREATES IMPLIED 3DIMENSIONALITY. THE LANDSCAPE IS DENATURED, CREATING AMBIGUITY IN NATURAL AND UNNATURAL. PLASTIGLOMERATE ROCKS SERVE AS THE SYMBOL FOR THIS NEW A ESTHETIC. AN ANTHROPOGENIC MARKER, THE OBJECT IS NEITHER PART OF NATURE NOR OUR HUMANITARIAN FABRICATIONS. BLURRED GROUND THAT COMBOUNDS SCALES , CREATING DETAIL AT EXTREME TOLERANCES. RESOLUTION SO HIGH PIXELATION IS LOST ENTIRELY PRODUCING THIS NEW FORMAL ARCHITECTURE.
HEIGHT FIELD MASSING STUDIES
EXPLODED ISOMETRIC 10
B
A
11
SECTION A 12
B 13
SECTION B 14
Located on an abandoned spillway of the Akosmbo Dam, the Balneo Imposition Resort seeks to provide its guests with an experience unlike your prototypical vacation destination. The massive bar structure sits directly atop the industrial site, reconnecting the nearly 400 foot structure to the world’s largest man-made Lake the North and River Volta directly South. Within the 26-story structure guests are accommodated by five different levels of public pools; each with a different theme for which they can indulge in Balneo Therapy. The levels included are Indonesian, Japanese, Turkish, Roman, and the Contemporary roof level featuring a 50 meter infinitypool. The resort is organized using a proportion system both in plan and section, allowing for a modular system for the room units as well as the programmatic scheme. Each public bath level removes a section of the proportion grid, connecting the bath levels with the natural landscape through open terraces. The Balneo Imposition Resort reconnects the people of Ghana and its guests to Lake Volta and River Volta in three ways: • Reactivating the spillway it asserts itself on. • Mimicking the scale of the Akosombo Dam, and • The use of Balneo Therapy and natural water which surround it.
15
BALNEO IMPOSITION GRADUATE II | Comprehensive Studio Instructors: Andrew Cruse & Bart Overly
16
17
LAKE AKOSOMBO
INFINITY POOL
ROOF
LOBBY - GALLERY LEVEL 17
ROMAN BATHS - GYM LEVEL 13
TURKISH BATHS - SPA LEVEL 9
JAPANESE REFELCTION - MEDITATION LEVEL 5
INDONESIAN BATHS - SUN BATHING LEVEL 1
RIVER AKOSOMBO
18
SUMMER SOLSTICE 112°
WINTER SOLSTICE 67°
SHADING
SOLAR EVALUATION
SUMMER SOLSTICE 112°
WINTER SOLSTICE 67°
45
°S
EAST ELEVATION 19
LO
PE
PROPORTIONS OF PLAN AND ELEVATION EQUALING 25’x25’ SQUARES IN A REPEATING GRID CREATE A PLAN ROTATED ON ITS SIDE SEEN FROM THE ABANDONED SPILLWAY IT SITS ON. THE LARGE STRUCTURE IMPOSES ON THE INDUSTRIAL STRUCTURE MIMICKING BOTH ITS MONUMENTAL SIZE AND RUSTIC MINIMAL AESTHETIC.
FLOOR PLANS
SOUTH ELEVATION 20
21
22 LOFT SUITE EFFICIENCY C C
Two-Story Suite Plan (First Floor) Scale: 1/4” = 1’ - 0”
C
Two-Story Suite Plan (First Floor) Scale: 1/4” = 1’ - 0”
Two-Story Suite Plan (Second Floor) Scale: 1/4” = 1’ - 0”
D D
Two-Story Suite Plan (First Floor) Scale: 1/4” = 1’ - 0”
E
E
Two-Story Suite Plan (Second Floor) Scale: 1/4” = 1’ - 0”
Double Bed Scale: 1/4” = 1’ - 0”
D
Double Bed Scale: 1/4” = 1’ - 0”
Double Bed Scale: 1/4” = 1’ - 0”
F F
Two-Story Suite Plan (Second Floor) Scale: 1/4” = 1’ - 0”
THE DOUBLE
E
FAMILY SUITE CO-LIVING
Single-Bed Scale: 1/4” = 1’ - 0”
CF
Single-Bed Two-Story Suite Plan (First Floor) Scale: 1/4” = 1’ - 0” Scale: 1/4” = 1’ - 0”
Single-Bed Scale: 1/4” = 1’ - 0”
F
Double Bed Scale: 1/4” = 1’ - 0”
D
B
Suite Plan Scale: 1/4” = 1’ - 0”
B
Suite Plan Scale: 1/4” = 1’ - 0”
A
Villa Plan Scale: 1/4” = 1’ - 0”
A
Villa Plan Scale: 1/4” = 1’ - 0”
UNIT PL AN OPTIONS:
Single-Bed Scale: 1/4” = 1’ - 0”
E
Two-Story Suite Plan (Second Floor) Scale: 1/4” = 1’ - 0”
Audubon Recreation and Terrain Center’s form is derived from a series of complex geometries and the resultant spaces between them. Deforming regular shapes so tirelsy that both the original geometry that the series of shapes started as nor the steps taken in transforming them are recognizable. There are three main wings of the building which containing an auditorium, a restaurant and museum space, and finally a training facility that transitions into a visiting artists and athletes residential tower. The complex is positioned to the West end of the existing Audubon Park South of downtown. It connects the park to downtown as an extension of the Scioto Mile that wraps into the pedestrian river walk and onto the accessible roof terrain. Curved edges and twisting geometries frame public terraces while encouragingciatop the green roof. The twisting freeform of the three parts symbolize organic growth found in nature which surrounds it.
23
A.R.T.C. Graduate II JosĂŠ Oubrerie
24
COMPLEX FORM FINDING SIX INDISTINGUISHABLE OBJECTS FR SW EE F EE OR UN M P -A
LTE
TR PR AING ISM U L D
CU
BE
HA SH LF S EL PH
SH RE EARE ST VOLV D RE VE TC ED RT HE ICA D LLY
RE PR CTA NG I
L BE N SQ T CO UISH MP ED RE SS ED
TA SM P ST ERE RE TC D HE D
RE FU CTA
N
TW STRU GU ELO ISTE M LAR NG D AT ED
CUBE STUDY AN ASSEMBLAGE OF COMPLEX OBJECTS BOUNDED BY THE SIX PERPENDICULAR CONGRUENT SURFACES OF A CUBE CREATE VOIDS THAT ARE A RESULT OF SHAPES WITH SURFACES WHICH ARE DIRECTLY OPPOSED TO CONGRUENCY. THE RESULTANT VOIDS ARE BOTH CONTROLLED AND CHAOTIC; SPACES THAT CANNOT BE MEASURED, ONLY EXPERIENCED. THE SIX OBJECTS ARE PLACED WITHIN THE CUBE BUT DO NOT
INTERSECT, ALLOWING EACH OF THE UNIQUE FORMS TO EXIST IN THEIR ORIGINAL STATE. INTERSTICIAL SPACES THAT CAN GO ON ENDLESSLY INTO AND AROUND THE OBJECTS SURROUNDING THEM.
25
UL
AR
ER
E
IS CO TOR BO NE - TED DIF OLEA FER N EN CE
AR
RE
D
MAIN RECREATION TOWER
VISITING ARTIST & ATHLETE CONDOS
CONSTITUENTS TO THE WHOLE
PUBLIC GALLERY & CULTURAL CENTER
AUDITORIUM
26
SCIOTO RIVER
AUDU B
ON PA
RK
EAST ELEVATION
27
MAIN ENTRANCE
NORTH ELEVATION
28
28 1/32 “ = 1’
LEVEL 01 |GROUND - PARK ENTRANCE
GROUND LEVEL PARK ENTRANCE
BASEMENT LEVEL
LEVEL 00
LEVEL 01 |GROUND - PARK ENTRANCE 1/32 “ = 1’
DN
30
LEVEL 00
LEVEL 6 ROOF TERRACE
1/32 “ = 1’
LEVEL 2 RIVER WALK ENTRANCE
LEVEL 00
Rather than a design that is master planned from the start and then remains static after initial construction, this new proposal for Spatial City was envisioned as a system of design with a specified rule set. By operating in this way, the project can adapt to a multitude of emergent conditions with a specified solution to accommodate the new circumstance. The 1ST RULE of the system was to utilize a modular unit component. Shaped like a honeycomb in plan, this six-sided module fits within a 25’ x 25’ grid with two chamfered edges. Modules can either be set side by side (on one level) or stacked vertically to attain the necessary square footage for larger units with more bedrooms. This allows for the creation of units as small as a 250 SF studio to a 1500 SF 3-bedroom unit. The 2ND RULE determined the development of the section of the building. When moving up a floor, rather than merely stacking the modules like an extrusion, the floor of modules were offset 5’ in either direction. This performs in 3 ways: 1.) It creates difference and identity for each floor of the community. 2.) It produces a visually rich environment through the play of light and shadow. 3.) Different conditions of cover vs. exposure lend varying degrees of publicness and privateness to the outdoor spaces of the units, circulation, and open spaces.
31
SPATIAL CITY GRADUATE III | HOUSING SEMINAR Instructor: Anne Pendelton-Julia Group Members: Kevin Stewart Vince Destofono Nathan Mosure
32
M
O
D
U
1 MODULE 2 STUDIOS
2 MODULES 2 BEDROOM
PIRVATE BALCONIES FACING OUTWARD WALK-WAYS & UNIT ENTRANCES INWARD FACING COURTYARDS
33
L
E
O
P
T
I
O
N
S
1 MODULE 1 BEDROOM
3 MODULES 3 BEDROOM
ECONOMIES
1 BEDROOMS
3 BEDROOMS
2 BEDROOMS
34
UNIT “FINGERS”
PEDESTRIAN WALKWAYS
COMMUNAL SPACES / VERTICAL CIRCULATION
35
ROOFTOP GARDENS
The 3RD RULE introduces a new programmatic component that consists of retail space, community amenities, and outdoor garden space. A 3-D steel grid structure intersects and connects the four fingers of housing on the site. The bars vary in section as they are suspended at different levels and built in varying heights. Part of these bars would be reserved for community amenities. The remaining portion would be left undetermined, open to to entrepreneurs within the community to lease out affordable space and build a micro-economy within the community. The grid-bar scheme is measured in terms of scale; the bars break up the length of the housing fingers, allowing for smaller subset communities to emerge within the project as a whole. The 4TH RULE controls the circulation, connecting the complex together to produce a rich outdoor environment that is both public and private in its experience. The circulation is conceived of as “streets in the sky� - wide elevated walkways that are open to light and air. These streets run parallel to the housing units and face inward toward a canyon-like courtyard space.
36
OVER-THE-RHINE BREWERY 3rd Year - Fall Semester Instructor: Kristy Balliet
37
Cincinnati, OHIO The brewery is designed using a rectangular module that is rotated and scaled down according to its relationship with the central production space. It’s pinwheel plan allows for each corner of the centralized space to branch out and become a smaller more intimate room, contrasting and competing with the main space where the beer is brewed. With an emphasis on the application of masonry, the material chosen coexists with the change in scale theme of the spaces. Standard old brick being the intimate spaces, and a larger stone in the main production room. The building gradually expands from each of the end corners, which bounds a sunken beer garden to the south.
38
SQUARE
4 QUARTERS REMOVED
PUSHED TO CORNERS
MODULAR TRANSFORMATIONS
PROCESSIONAL SHIFT IN SCALE
SECTION A 39
VOID FORMS BEER GARDEN
BOTTLING LINE
LOADING DOCK
COLD STORAGE
RENDER A
DRY STORAGE
PRODUCTION
M BAR
KITCHEN
W
BEER GARDEN RESTARUANT
A N
GROUND FLOOR
40
KEY PLAN
INTERIOR RENDERING BALCONY VIEW INTO BAR 41
42
SW ISOMETRIC
LARGE PROD
PUBLIC BAR - RESTAURA MODULE EXPANDING INTIMATE - SMALL SCALE ROOMS
43
EAST ELEVATION
SOUTH ELEVATION
DUCTION SPACE
ANT
EAST ELEVATION 44
JESSE OWENS NORTH 3rd Year Fall Semester | Zach Snyder
45
Columbus, OHIO The Gymnasium for Ohio State University is designed around, and with an emphasis on, the figure-8 track which cuts through the building in four instances. An open floor plan allows for views into and through the building whether standing inside or out. The eight foot wide track is an extension of the 2nd floor plate, allowing gym members to venture on and off as they please. Dedicated to the all time great Olympian Jesse Owens, the design encourages students to run and interact using the adjoined open programmed spaces.
46
SOUTH ELEVATION
47
NORTH ELEVATION
48
A B
GROUND FLOOR
SECTION A 49
PROGRAM
• 1 BASKETBALL COURT • 2 VOLLEYBALL COURTS • FREE-WEIGHT AREA • 3 RACQUETBALL COURTS • MACHINE/CARDIO AREA • FIGURE 8 TRACK • MEN & WOMEN LOCKER ROOM • PRIVATE CLASS AREA • JUICE BAR & SEATING • STORAGE/LOADING DOCK
SECTION PERSPECTIVE B
50
LEVEL 2
INTERIOR RENDERINGS TOP OF TRACK 51
ASCENDING DOWN LONG RAMP
OVERLOOKING BASKETBALL 52
LONDON PUBLIC LIBRARY 4th Year Fall Semester | Ann Pendleton-Jullian
53
London , ENGLAND The library was designed to connect the public Potter’s Field park to the North with the urban fabrication of Southwark. with its exaggerated corner’s and transparent skin, the body of books can be accessed from one of two interior open atrium. Competing with Norman Foster’s City hall, the building takes on a structural skin design allowing the public to capture views into and out of the Library.
54
RIVER THAMES
CITY HALL B
POTTERS FIELD
CAFE
NORTH LOBBY
FACULTY
A
ENCOUNTER ATRIUM
DG
ER
D.
A
55
ER
LEY
ST.
B
TOW
TO O
BRI
LOBBY - RECEPTION
SECOND
THIRD
FOURTH
FIFTH
EXHIBITION ENCOUNTER SPACE
AUDIT. LOBBY
DIGITAL LIBRARY
CHILDREN'S CENTER
READING ROOMS
SECOND FLOOR
THIRD FLOOR
FOURTH FLOOR
FIFTH FLOOR
56
EXPLODED AXONOMETRIC 57
FORM AND CIRCULATION
BODY OF BOOKS
PUBLIC MASS JUTS OUT FROM BODY OF BOOKS
CORNERS SHIFTED
60
CIRCULATION UNRAVELS INTO PUBLIC ENTRANCES
HARSH-EXPANSIVE CORNERS 120
CITY HALL
POTTERS FIELD PARK
TOOLEY STREET PEDESTRIANS
NEW RESIDENTIAL DEVELOPMENT
SITE PLAN ANALYSIS 58
INTERIOR RENDERING NORTH ATRIUM - STUDY SPACE 59
㌀
60
OFFICE WORK Architecture Intern | Summer, 2015
INTERIOR LOBBY RENOVATION | STUDY AREA ADDITION 61
Springfield, OHIO
62
DARK STAINED HARDWOOD FLOOR • UPGRADED DESKS AND CHAIRS • PAINTED WALLS AND LOGOS • FLOOR BOARD TRIM • WINDOW PANEL ABOVE DOOR •
FLOOR BOARD TRIM •
CLASSROOM RENOVATION:
63
LOCKER ROOM RENOVATION: • UPGRADED LOCKER UNITS • HANGING LIGHT FIXTURES • PAINTED CEILING GRID & WALLS • HARD RUBBER FLOOR TILES • BLACK COMPOSITE BENCHES
64
65
66
ST. COLUMBA CATHEDRAL SANCTUARY RENOVATION
Youngstown, OHIO
– REMOVAL OF 4 FRONT FIXTURES – ROMAN CROSS – SET BACK PEWS ROWS 1 & 2 – FLOOD LIGHTS ALONG TRUSS – ALTAR ON PLATFORM – BISHOP’S CHAIR ON PLATFORM – NEW AMBOS – NEW CRUCIFIX FRAME – NEW BAPTISMAL FOUNTAIN
AMBOS
BAPTISMAL FOUNTAIN
BISHOP’S CHAIR
67
CRUCIFIX FRAME
ALTAR
VIEW FROM NAVE
EXISTING
PROPOSED
VIEW FROM CHOIR’S BALCONY
68
OFFICE WORK Associate | May, 2016 - August. 2017
53 69
Boulder, COLORADO
54 70
OFFICE WORK Associate | May, 2016 - August. 2017
71
Silverdale, WASHINGTON
72
OFFICE WORK Associate | May, 2016 - August. 2017
73
Silverdale, WASHINGTON
74
STUDY ABROAD | SKETCHBOOK TOUR OF WESTERN EUROPE May - June, 2013
MAISON LOUIS CARREE | Bazoches-sur-Guyonne, France
LYON-SAINT EXUPÉRY AIRPORT | Lyon , France 75
URBAN FABRICATION | Paris, France
KURSALL CONGRESS CENTRE | Gipuzkoa, Spain
SPHINX HOUSING | Huizen, The Netherlands 76
SAINT ENGELBERT | Köln, Germany
SAINT FRONT CATHEDRAL | Périgueux, France
CHURCH OF COLÒNIA GÜELL | Barcelona, Spain 77
PROMENADE PLANTEE | Paris, France
NOTRE-DAME COMPARISON | Paris v. Rouen
GUGGENHEIM MUSEUM | Bilbao, Spain 78
TATTOO DESIGNS C R O S S E S
INFINITE
MISCELLANEOUS
C A L L I G R A P H Y
79
“N” SPADE
CROSS OF CLUBS
FORTY-SEVEN
BLOOM
METALICA
W I N G S
DOWN THE BACK
ACROSS SHOULDER BLADES
80
PENCIL DRAWINGS
CHARCOAL
81
EBONY PENCIL
CHARCOAL
82
PAINTINGS
12” X 24” ACRYLIC ON STRETCHED CANVAS
83
24” X 18” ACRYLIC ON STRETCHED CANVAS
84
T h a n k Yo u .