In a world where sustainability and luxury often seem at odds, One Za’abeel serves as an example of how ecofriendly practices can enhance, rather than diminish, a luxurious lifestyle.
22
Where Past Meets the Present
Dive into the rich cultural heritage of the UAE through the lens of Sir Wilfred Thesiger at Erth.
28 Paving the Way Forward
Architect and former Abu Dhabi resident Vinu Daniel demonstrates how architecture can be a force for good.
34 A Greener Future
We speak to various architects and academics to see how the future of sustainable design and architecture is shaping up.
47 At Home with: Omar Nakkash
We interview the founder of Nakkash Design Studio in a space where his love for family, art, design, music, and culture intersect.
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Editor’s
Advancement in design is driven by a collective effort that pushes boundaries and moves us forward. This issue is dedicated to those who choose the challenging path for the greater good. We create with the hope that others will follow, that people will wake up and take notice, and eventually to imbibe these innovations in their practices across disciplines.
This theme takes front and centre in our cover story which features Indian architect and former Abu Dhabi resident Vinu Daniel. Looking beyond minimalism as a moodboard; Daniel examines what needs to change at a grassroots level. In a world where even being minimalist has a cost, he breaks down the surrounding environment to serve as the foundation for future builds.
We also interview leading academics and architects on sustainability in their practices and their visions for the future; and explore building for the future of tomorrow. We also shed light on the iconic buildings thriving in urban environments.
In our interiors section, we showcase designs that soothe the soul, taking you through homes across the UAE, Canada, Italy, Greece and India. We also feature home décor that adds personality to your space, making your house truly feel like a home. This month, we also debut our ‘at home’ section, where we’ve interviewed interior designer Omar Nakkash at his residence on growing up in the UAE, as well as his inspirations and interests that drive his creativity and practice at Nakkash Design Studio.
The identity Design Awards 2024 are also open for submissions. We look forward to receiving your entries and to celebrating the best projects in the MENA region across architecture, interior design, and product design. The deadline for submissions to be recognised as one of the top design talents in the region is 15 September – see you there!
Aneesha Rai Editor identity
On the cover Skylight of Nisarga Art Hub by WALLMAKERS. Photography by Syam Sreesylam
Grasshopper Console
Piero Lissoni, 2021
Tulip™ Armchair
Eero Saarinen, 1957
Red Baron by Knoll
Piero Lissoni, 2018
Photography by Federico Cedrone
Rooted in Culture
Emirati architect Reem
Al Qamzi blends function and culture in her work in a contemporary context
WORDS – ANEESHA RAI
Reem Al Qamzi’s journey into the local architecture scene began at the Dubai Municipality in the Building Permit section, where she gained a deep understanding of building codes and regulations. “I was exposed to a lot of designs and projects, which taught me a lot, but I always missed the creative side,” she recalls. The birth of her first child prompted a pivotal decision. “Six months into being a mother, I started missing design again and decided to start my own architecture studio. I felt that this option would give me greater flexibility, balancing being with my daughter and doing design work. And so, the journey with R.Qitects began. I still remember when it was just me, my baby in a stroller and a colleague who believed in me, in a humble office.”
Al Qamzi’s design philosophy at R.Qitects is deeply rooted in a desire to enhance the end user’s experience. “Architecture needs to serve functional purposes and at the same time enhance the end user’s experience on so many different levels. It should evoke the senses and emotions,” she explains. Her approach involves a thorough understanding of the site, its context and its culture. “We imagine how it would be to be this client experiencing this space. Our local culture and notions of hospitality and privacy take centre stage in our designs.” She highlights her residential projects as embodiments of the firm’s ethos. “Our residential projects are culturally sensitive spaces, inviting and welcoming yet respectful of privacy boundaries. Masses are solid and heavy on the external façade, yet open and airy with pocket gardens and courtyards inside, reminiscent of traditional Emirati homes.” One notable project is the HMS Private Hospital, which blends international standards with Emirati cultural sensitivity. “Every suite considers how the end users want to use it, maintaining privacy while welcoming guests during happy occasions,” Al Qamzi says. As a female leader in a traditionally male-dominated field, Al Qamzi has faced unique challenges. “It was overwhelming to be on a site as the only female. Sometimes older male colleagues didn’t always take me seriously,” she admits. Balancing her professional and personal life has also been demanding. “I want to be involved in every detail of our projects but also to be there for every detail of my children’s lives and milestones.”
Her advice to aspiring female architects is powerful: “Push all your ‘buts’ and ‘what ifs’ aside and give your dreams a go. View challenges as opportunities to hone and develop your craft. It has taken me a long time to view setbacks as strengths, and ever since this shift in mindset, I started feeling very empowered.” Al Qamzi is particularly excited about upcoming projects, including a multi-use project aiming for Gold LEED accreditation. “This building consists of showrooms, offices and warehouses, and it’s been our first experience with such a large-scale project aiming for LEED certification. It’s been an amazing learning curve for the team.” Another exciting venture is a new hospital concept set to be completed in 2028.
Al Qamzi’s work not only enhances the architectural landscape of the UAE but also sets a benchmark for integrating modern aesthetics with traditional values.
SCAN ME
Landscaping
Villa Extension
Sustainability Meets Luxury at One Za’abeel
We take you inside one of Dubai’s most eco-friendly and structurally striking landmarks
WORDS – ANEESHA RAI
In a world where sustainability and luxury often seem at odds, One Za’abeel serves as an example of how eco-friendly practices can enhance, rather than diminish, a luxurious lifestyle. Developed by ICD (Investment Corporation of Dubai) with the architects at Nikken Sekkei, this iconic landmark sets new benchmarks for sustainability in urban development. One Za’abeel’s commitment to sustainability is evident in every facet of its design and operation. The development incorporates a range of eco-friendly features designed to increase energy efficiency and reduce waste. Electric vehicle charge points, a condensate water collection system from AC units for ir-
rigation, and a unique façade system to reduce heat gains are just a few of the sustainable initiatives in place.
One Za’abeel’s efforts to conserve energy and water, use green materials, and prioritize user health and well-being earned it the prestigious LEED Gold certification in December 2023. Additionally, the development was named “Sustainable Residential Development” and a “Five Star Winner” for “Sustainable Commercial Development of the Year” at the 2023 MENA International Property Awards.
Achieving such high standards of sustainability requires collaboration with experts in the field. WSP ME, the Architect of Record for One
Za’abeel, have played a crucial role in integrating sustainable practices into the development. Their expertise ensures that One Za’abeel not only meets, but exceeds international standards for eco-friendly design and operation.
One Za’abeel’s approach to energy management is both comprehensive and forwardthinking. The installation of an extensive electricity and cooling metering network allows for the measurement and management of 100% of energy consumption. This system enables continuous monitoring and optimisation of energy use, ensuring that the development remains efficient and sustainable over the long term.
At One Za’abeel, sustainability does not come at the expense of luxury. The development’s hospitality offerings, such as the One&Only urban resort and the SIRO wellness hotel, incorporate sustainable practices while providing an unparalleled level of comfort and style. From personalised nutrition plans and state-of-the-art recovery treatments to breathtaking views and first-class amenities, One Za’abeel proves that luxury and ecofriendliness can coexist beautifully.
One Za’abeel stands as a shining example of how sustainable development can elevate the standard of living while protecting the environment. Its innovative design, commitment to sustainability, and luxurious offerings set a new benchmark for mixed-use developments worldwide. As Dubai continues to grow and evolve, One Za’abeel remains a symbol of the city’s forward-thinking approach and its dedication to a greener, more sustainable future.
HARMONY IN NATURE
Ghaf Woods by Majid Al Futtaim integrates state-of-the-art design and environmental considerations
AN ECOLOGICAL TAKE ON DUBAI’S URBAN LANDSCAPE
In a city synonymous with towering skyscrapers and bustling urban life, Majid Al Futtaim has proven that when it comes to design and placemaking, standing out from the crowd will take you far. Designed as a haven for those seeking harmony with nature, Ghaf Woods –Dubai's first-ever forest-living community – offers residents every amenity that families or individuals could need, while creating a life orchestrated by nature. Ghaf Woods blends the
luxury and convenience of modern living with the tranquillity and sustainability of nature –and the resultant unparalleled residential experience is taking the city by storm.
ARCHITECTURAL EXCELLENCE, CREATED IN HARMONY WITH NATURE
Dubai's architectural trends are constantly evolving, and Majid Al Futtaim is at the forefront of this transformation. The company’s latest trailblazing project exemplifies archi-
tectural excellence while continuing to focus on today’s consumer needs. Ghaf Woods stands out by integrating innovative design with environmental consciousness. The development showcases a seamless blend of indoor and outdoor living, where treetops soar higher than homes – offering residents breathtaking views and a unique sense of harmony with their surroundings. The architectural design of Ghaf Woods cleverly focuses on sustainability and nature, without compromising on comfort and design. Every element, from the wellness-
focused amenities to the farm-to-table dining options, is designed to provide a premium lifestyle while promoting ecological balance. Large windows and open-plan layouts ensure that natural light floods each home – reducing energy consumption while enhancing each discerning resident’s core living experience.
A COMMUNITY BUILT FOR WELLBEING
In a world that’s becoming increasingly disparate, Ghaf Woods’ thriving ecosystem has been designed with wellbeing and community in mind. With 15 square metres of open space per resident, the development is set to exceed WHO standards by an impressive 40 per cent.
But what of entertainment? Lifestyle? Outdoor living? Can forest living really meet the modern needs of today’s families and young professionals? With ample room for outdoor activities and relaxation, Ghaf Woods includes a children’s nature garden, primary school, mosque, skatepark, restaurants and retail spaces galore. Additionally, thanks to the clever integration of productive landscapes – where fruit and vegetables are grown within the community itself – the development supports a truly sustainable lifestyle, while enhancing its residents’ sense of harmony with nature.
INSPIRED BY TRADITION, DESIGNED FOR THE FUTURE
Ghaf Woods pays homage to the traditional elements of Emirati culture, with the Ghaf tree symbolising resilience and heritage. This reverence for tradition is woven into the contemporary fabric of the development. The use of locally sourced materials and sustainable building practices reflects a commitment to reducing environmental impact and preserving the natural beauty of the area.
Even to the uninitiated, it’s clear to see that Ghaf Woods is not just another residential project; it is true testament to the growing desire for greener, healthier living spaces. As urban dwellers increasingly seek respite from the harsh realities of city life, this development offers a sanctuary where nature and luxury coexist harmoniously. The trailblazing community of Ghaf Woods is set amidst an abundance of up to 35,000 trees, significantly improves air quality while reducing temperatures to promote a healthier, more active lifestyle. In fact, residents of Ghaf Woods benefit from a microclimate that’s up to five degrees cooler than the rest of Dubai, with air that’s 20% cleaner than the surrounding urban environment.
Majid Al Futtaim's commitment to enhancing physical and mental wellbeing through access to nature is part of its dedication to fostering communities that promote health and connection to the environment. This effort
aims to improve the residents’ and the wider communities’ health and address global concerns such as air pollution, resonating especially with younger generations and families.
A VISION ALIGNED WITH SUSTAINABLE GOALS
As well as the inherent value in a deeper connection to nature, our collective awareness around the need to cut car dependency is growing – so much so that Dubai is committed to developing interconnected ‘five-minute cities’, where residents can meet 80% of their daily needs via a short walk or bike ride.
Ghaf Woods embodies this vision of walkability and access to nature with extensive amenities that include eight kilometres of forest trails, a 3.5-kilometre mountain biking loop, resort-style pools and wellness pavilions.
A HUB OF INNOVATION IN DUBAI’S GREEN LANDSCAPE
Imagine waking up to the sound of birdsong, enjoying a morning jog through tree-lined paths or unwinding in a community park that feels like your own private retreat. In a city that never stops innovating, Ghaf Woods redefines what it means to live luxuriously: epitomising the shift towards developments that are mindful of their environmental footprint, while refusing to compromise on luxury and comfort. Majid Al Futtaim understands that luxury is not just about opulence but about quality of life, health and a deeper connection to the wider environment. We anticipate that this pioneering community, with its unique blend of modern amenities and natural beauty, is set to become a beacon of sustainable living that will undoubtedly inspire other developments to follow suit.
Designing a Sustainable Future
SAY Studio has designed a LEED® Gold certified office for Siemens Energy
WORDS – ANEESHA RAI
Siemens Energy is a global leader in power generation, transmission and renewable energy, committed to advancing sustainable, reliable and affordable energy systems in the Middle East and worldwide. For its Dubai office, spread across five buildings in the Sustainability District of Expo City, Siemens Energy aimed to create an immersive brand experience reflecting its vision. Collaborating with SAY Studio, the 5,990-square metre project achieved LEED® Gold certification in early 2024, excelling in water use reduction, innovation, regional priority, location and transportation, as well as integrative process credits.
As interior designers, SAY Studio worked closely with specialist partners like Platinum SDI to meet all criteria, focusing on water efficiency, atmosphere, materials and resources, indoor air quality, lighting and more.
The project surpassed industry baselines. An early commissioning process ensured system performance, saving an estimated 20 per cent more energy through natural light, lowwattage lighting and automatic controls. Water use was reduced by 45 per cent using waterefficient sanitary fixtures.
Every stage, from concept to construction, aimed for the most positive impact. This included operational waste storage for segregation at source; recycling or reprocessing 85 per cent of construction waste; and using third-party Environmental Product Declaration (EPD) verified products, Forest Stewardship Councilcertified wood, low chemical-emitting interior finishes and biophilic design principles to enhance occupant comfort. Innovative materials like WoolWood and pressed leaf panels provide function and aesthetic character to the space.
As Laila Al-Yousuf, Design Director of SAY Studio, emphasises, “As designers, it is our duty to positively impact users through our work. Every project is approached with sustainability in mind, which is why we love working with clients like Siemens Energy. They embrace the responsibility to build a better future, and we take great pride in helping to make this possible.”
Siemens Energy’s campus in the Sustainability Pavilions in Expo City marks an exciting step for this leading energy firm in the region. The design demonstrates that sustainability needs to be integrated from the outset, requiring time, collaboration with the right partners and a clear client vision to accomplish.
Photography: Oculis Project
Transforming Education
Dubai-based Kidzink is redefining education through design, one school at a time
WORDS – ANEESHA RAI
Charlotte Borghesi’s journey into educational design began with a simple, but profound question: “How can we create learning spaces that truly inspire and empower students?” It was this question, along with a twist of fate, that led the mother to seven to acquire both her children’s nursery and Kidzink, an educational furniture company near closure due to owner retirement. In just seven years, Borghesi transformed Kidzink into a leading global force in educational design, merging innovative principles with a deep understanding of educational needs. The firm is now an awardwinning design, architecture, and educational furniture manufacturing firm, specialising in creating dynamic, adaptable, and sustainable learning environments.
With a mission to inspire and empower, Kidzink has left its mark on schools in 23 countries across the Middle East and Europe, redefining what it means to create spaces that foster creativity, community, and collaboration. Today, with three offices across the Middle East and Europe, a dedicated manufacturing facility, and over 200 professionals, Kidzink’s vision is to transcend functionality, transforming traditional educational spaces into vibrant hubs of creativity and learning.
At the heart of Kidzink’s design philosophy is a commitment to sustainability and inclusivity. The company ensures that all its projects are environmentally responsible, utilising sustainable materials and energy-efficient solutions. Extending this mission, the company has developed its own Artificial Intelligence
(AI) software to help design sustainable, community-oriented schools in developing countries, democratising the design process for communities most in need. Inclusivity is also prioritised, with designs that accommodate diverse learning styles and abilities, promoting accessibility and environmental stewardship.
Kidzink’s design approach incorporates flexible layouts, ergonomic and sustainable furniture, crafted locally using premium materials and cutting-edge technology. In 2024, the company launched KODA (Kidzink Office of Design and Architecture), a dedicated architectural practice offering a comprehensive suite of services. “With the launch of KODA, we now offer an all-encompassing suite of services that is unrivalled globally. Centreing students and their experiences, we are a singular partner for forward-thinking educational institutions, helping them stay at the forefront of education through crafting environments where both learners and educators thrive,” said Borghesi.
KODA alone has already undertaken 22 projects, including the newly opened Dubai British School (DBS) Jumeira, a 24,900 sq m school that exemplifies Kidzink’s design philosophy. The school’s design, enriched by Kidzink’s furnishings, embraces community partnership with interactive and collaborative spaces, reflecting parent company Taaleem’s ethos. DBS Jumeira is on track to receive Gold LEED certification, with furnishings made from 100% sustainable sources. As education continues to evolve, Kidzink remains dedicated to staying ahead of the curve. The company is actively integrating the latest trends, including acoustic design and AI, while focusing on holistic well-being and fostering creativity and critical thinking within school communities.
IN FULL BLOOM
BloomingBox launches its Japanese autumn-themed collection in September
WORDS – ANEESHA RAI
The latest exquisite collection by BloomingBox will feature a range of meticulously designed flower assortment boxes, floral vases, trays, home items and hampers that celebrate the elegance and tranquillity of Japanese aesthetics. The new collection will introduce two distinct flower assortment boxes, Aki and Kouyou, capturing
the essence of Japanese design and blending the beauty of autumnal coloured blooms with refined craftsmanship. Inspired by the Japanese art of Ikebana, the Kokoro vase embodies a sense of harmony through its minimalist design and appreciation for asymmetry in nature, adding to the home décor of any space. The vase features a Kenzan, an essential Japanese
floral tool that holds the flowers in place, allowing for a minimalist yet elegant arrangement. The collection will also feature hampers in collaboration with renowned brands such as Yoku Moku, Royce’ Chocolate, Rituals, Avantcha, Kinokuniya and Miyabi, offering a delightful blend of floral elegance and premium products, making them perfect for gifting.
Building Truly Sustainable Cities
Amal Ayoub, Director of Masterplanning and Urban Design at Arquitectonica, offers her insights
When discussing sustainability in urban design, the focus often narrows to environmental aspects, with the risk that the equally vital economic and social pillars are overlooked. As architects, it is our responsibility to create cities that are socially, economically and environmentally sustainable. Striking this balance can achieve inclusive, equitable and liveable places for current and future generations.
Photography: Robin Hill
Our cities should prioritise social wellness by embracing diverse cultures, ensuring safety, respect and value for everyone. This includes providing access to affordable housing, healthcare, education, recreation and green spaces. Building robust and resilient economies involves efficient city infrastructure and mobility, applying green strategies to reduce long-term costs, create job opportunities and support local businesses. How do we, as architects, ensure all pillars of sustainability are met? By prioritising creativity and comprehensive analytical thinking, while applying empathetic design strategies. At Arquitectonica our process includes rigorous re-
search of sustainable principles and analysis of site conditions and local regulations. Modelling tools help optimise for energy efficiency, thermal comfort and indoor air quality, while the continuous monitoring of building performance keeps us at the forefront of emerging technologies and innovations. We can also analyse how the project resonates with international trends and attracts foreign investment, as well as its promotion of biodiversity, impact on historical contexts and technological advancements.
We evaluate our project’s scale of influence by assessing its impact on the daily lives and interactions of its residents, workers and visitors, as well as its contribution to its surroundings, the community, alignment with national policies, and potential as a model for sustainable development. Sometimes, one scale of influence contradicts another. In these cases, we give precedence to collective wellbeing over user experience, such as prioritising soft mobility over vehicular infrastructure. A healthy urban structure is connected, allowing people to travel and experience different places rather
than be disconnected from wider society. Our ultimate goal is to establish functional environments that deliver meaningful experiences for all. Arquitectonica’s ethos is nature before architecture. Our project, Lakeside Village Student Community Housing for University of Miami, Florida, U.S., exemplifies sustainability in the built environment. Located on a sensitive coastal watershed in a hurricane zone, it showcases passive solar cooling and rain gardens, and is LEED Gold certified. Giving priority to pedestrian pathways, it connects key nodes through the landscape and raises living spaces on pilotis to create public courtyards. The green roofs support pollinators, reduce water runoff, insulate the building and absorb CO₂ to clean the air. Wellness, too, is a critical component. The sculptural hurricane stairs promote movement while taking on a free-flowing form that represents the motion of students.
Only by being conscious of the meaning of sustainability, and of our duty to provide for present and future generations, can we achieve truly impactful cities.
Where Past Meets the Present
Dive into the rich cultural heritage of the UAE through the lens of Sir Wilfred Thesiger at Erth
WORDS – ANEESHA RAI
This page – A portrait of His Highness Sheikh Zayed bin Sultan Al Nahyan by Thesiger graces the lobby; Right page – Erth received a contemporary new look in 2021 to feature a flagship resort, ballroom and recreational facility
The Arabian Gallery has collaborated with the Erth hotel in Abu Dhabi to curate an exquisite selection of prints showing UAE life through the lens of the legendary British explorer, author, and photographer, Sir Wilfred Thesiger. This collaboration offers Erth guests a deep and immersive experience that intertwines the rich history of the UAE with the contemporary elegance of the hotel. Before Erth opened to the public after renovations in 2021, it was part of The Armed Forces Officers Club & Hotel built in the 1980s to help realise the vision of His Highness Sheikh Zayed bin Sultan Al Nahyan.
Upon entering the Erth hotel lobby, guests are greeted by a striking photograph of His Highness Sheikh Zayed bin Sultan Al Nahyan, captured by Thesiger, setting the tone for the entire visual journey. Thesiger’s photographs, carefully curated and displayed throughout the hotel suites, offer a visual narrative of the
This page (top left) –The camels slithering down the dune print by Thesiger; (right) – Authentic echoes of Emirati design and architecture permeate throughout the property; Right page – A peregrine falcon print by Thesiger in the Al Hidra suite
This page (from top) –Moving the family print by Thesiger; Each print accentuates the five distinctly styled suites
UAE’s timeless beauty and history. Each meticulously chosen print serves as a window into the past, allowing guests to connect with the region’s cultural roots. The juxtaposition of these black-and-white images against the modern design of the Erth hotel and its contemporary suites creates a compelling contrast, providing the perfect canvas for Thesiger’s work. This harmonious blend of past and present enriches the guest experience by offering a slice of history in every room.
The integration of Thesiger’s work into the Erth hotel’s interior is more than just an aesthetic choice; it is a conscious effort to weave the narrative of the UAE’s heritage into the fabric of the guest experience. As Sheikha Al Kaabi, CEO of Erth, eloquently puts it, “These pieces are a testament to the rich cultural tapestry of the UAE, and by integrating them into our guest suites and hotel lobby, we are offering our guests a deeply connected and uniquely memorable experience.”
Thesiger’s life was marked by his extraordinary travels across Arabia, particularly between 1945 and 1950, where he famously crossed the Empty Quarter (Rub’ Al Khali), and documented in a best-selling book called ‘Arabian Sands’. His adventures earned him numerous accolades, including the Founder’s Medal of the Royal Geographical Society and the Lawrence of Arabia Medal of the Royal Central Asian Society (now the Royal Society for Asian Affairs). His photographs – over 5,000 of which were taken during his Arabian travels – are renowned for their stark realism and evocative power. His portraits of Bedouins and sweeping desert landscapes, often captured in high-contrast black and white, tell the story of a bygone era with unparalleled authenticity. Thesiger’s work reflects his deep respect and admiration for the people and landscapes he encountered, making his images not just historical records but moving tributes to the Arabian Peninsula.
This collaboration between the Arabian Gallery and the Erth hotel makes its mark by demonstrating how art and design can come together to create a meaningful connection between past and present - offering guests not just a place to stay but an opportunity to immerse themselves in the cultural legacy of the UAE. thearabiangallery.com
Photography by Mark Mathew, Ahmed Abdelwahab
Behind the Dirham
Mason
Rempfer captures the spirit of the UAE with work that is as nostalgic as it is evocative
WORDS – ANEESHA RAI
With every piece merely the size of a dirham, American artist Mason Rempfer’s showcase debut at Khawla Art Gallery is a landmark moment for the gallery, as it is the first time a non-MENA region artist is exhibiting. Rempfer, who now calls the UAE home, has woven a narrative that resonates deeply with the rich history and culture of the Emirates. Upon his arrival, Mason's understanding of the UAE was broad but undefined. However, as he immersed himself in the fabric of Emirati life, he discovered the nation's true essence – not
just through its iconic heritage, architecture and traditions, but also through the stories shared by both locals and fellow residents.
His artwork reflects this intimate connection, capturing the spirit of the UAE with a familiarity that suggests a lifelong bond with the land. Mason's pieces bring to life the traditional architecture, the intricate designs of henna, the elegance of Emirati attire and the vibrant natural landscapes. But his exploration doesn't stop there; he delves into the subtleties of daily life, from the comforting taste of laban up to the sweet indulgence of lugaimat
and the lively characters of the fareej. ‘Behind the Dirham’ is not just a tribute to the past, but also a reflection of the dynamic evolution of the UAE. Rempfer's work juxtaposes timeless traditions with the nation’s contemporary marvels, capturing iconic landmarks like the Burj Khalifa and the Museum of the Future. Each piece, meticulously cra ted to the size of a dirham, embodies a small yet potent symbol, rich with emotion and narrative. You can catch the exhibition from 10 September to 18 October 2024 at Khawla Art Gallery, Building 11, Dubai Design District.
Paving the Way Forward
Architect and former Abu Dhabi resident Vinu Daniel demonstrates how architecture can be a force for good
WORDS – ANEESHA RAI PHOTOGRAPHY – SYAM SREESYLAM
Ask Vinu Daniel, the founder of Wallmakers, about trends in sustainable architecture and he will reject the idea. “We are not influenced by trends; rather, our ideologies, the client’s interests and, importantly, the site and its context, influence and guide our work. We have noticed quite a few trends in sustainable architecture, but try not to get too influenced by these, because their impact can be fleeting, and our focus has always remained on the more substantial and enduring factors,” he says.
This philosophy ensures that Wallmakers’ creations are timeless, sustainable and deeply rooted in their environmental context. An example is the 3-Minute Pavilion that Daniel showcased for the Sharjah Architecture Triennial 2023. The pavilion was constructed from 1,425 discarded tyres packed with desert sand,
Previous spread – Chuzhi skylight; This page (right) – Nisarga Art Hub; (below) – The traditional “Kerala roofs” were broken to accommodate skylights that stream in the light
This page (right) – Reclaimed laterite blocks from demolished buildings form the verandah in front of the home reminiscent of the old “Muttams” of traditional Kerala homes; The bathroom; (below) – The kitchen
highlighting the potential of using local and waste materials, not only serving as a passage that emphasises the massive amount of waste humans produce but also demonstrating how these materials can be repurposed into beautiful, habitable spaces. Currently, Daniel’s firm is engaged in a variety of projects, including schools, commercial spaces, residences, hospitality venues and cultural buildings. Regardless of the project’s scale or type, the approach remains consistent: a thorough understanding of the site and its natural context. “At the start of every project, extensive research and development are conducted to better understand its
environment, explore what the area within a five-mile radius offers, adhere to our ideology of sourcing materials locally, and develop designs that harness the natural conditions of the site,” Daniel explains.
This meticulous process minimises environmental impact and maximises sustainability. A prime example of this is Chuzhi, a project located in Shoolagiri, a village in Tamil Nadu, India. Chuzhi features swirls of precast poured debris earth-composite bottle beams fashioned from 4,000 discarded plastic bottles. The design creates a subterranean home that integrates seamlessly with the rocky topography and thick vegetation, preserving the natural ecosystem while providing a private, comfortable living space.
Advancements in sustainable materials and construction techniques are at the heart of Wallmakers’ philosophy. Daniel and his team continually experiment with unconventional materials such as waste, discarded tyres and even toys. “We consider this a crucial factor that is going to mould the future of the construction industry,” says Daniel. These innovations enhance the durability and safety of the buildings while showcasing the potential of alternative materials in modern architecture. The Nisarga Art Hub, for example, is a community residency for art and cultural events. Located near a paddy field, the Hub features traditional Kerala roofs modified to accommodate skylights, providing natural light while maintaining the roofs’ insulating properties. The walls are made with Wallmakers’ patented Shuttered Debris Wall technique, which uses construction debris and local soil, demonstrating the effective use of sustainable materials.
“Old technologies that have become obsolete are subtly modified and revived; new technologies are incorporated for more efficient implementation and improving comfort,” Daniel notes. This blend ensures that the studio’s designs are both cutting-edge and rooted in proven methods, optimising efficiency and sustainability. An illustrative project is Toy Storey in Vadakara, North Kerala. This circular home features a veranda supported by toys and old Mangalore tiles, utilising 6,200 discarded toys to preserve the childhood memories of the community. The central courtyard and the composite CSEB-Toy Jaali wall allow for constant cross-ventilation and better insulation, exemplifying the integration of traditional and modern techniques.
Daniel acknowledges the significant challenges that lie ahead in sustainable architecture. “Building sustainably is a challenge even today, as people would generally prefer the easier but unsustainable way to get their building done,” he observes. Wallmakers is preparing to address these challenges by continuously innovating and advocating for sustainable
practices. Incorporating advanced techniques while maintaining affordability and designing to adapt to climate change impacts are ongoing challenges that the firm actively tackles.
Daniel believes that architects have a significant responsibility in promoting sustainability. He is critical of the current education system for not emphasising this responsibility enough – but remains hopeful. “We see a lot of architects, after a few years of practice – or, very rarely, even at the beginning of their career, like me – come to understand the role we play
in society and in preserving our planet,” he reflects. Daniel looks forward to seeing more architects make better, more sustainable choices, driving the industry toward a greener future.
Through Wallmakers, Vinu Daniel continues to demonstrate how architecture can be a force for good, blending aesthetic elegance with environmental responsibility. His unwavering commitment to sustainability, as well as the innovative use of materials and a holistic approach to design, set Wallmakers apart as a leader in the sustainable architecture movement.
This page (from top) – The cantilevered verandah is held up by corbelling toys; The Japanese-style inspired shoji screens become translucent partitions providing light and visual connectivity for the private half of the home
Photography by Syam Sreesylam, Althaf Rasheed
Form Meets Function
Gaggenau and Cosentino unveil the Essential Induction cooktop
WORDS – ANEESHA RAI
Gaggenau, renowned for its professional-grade home appliances, has joined forces with Cosentino, a global leader in sustainable surfaces, to introduce the revolutionary Essential Induction cooktop. This cooktop is the outcome of years of teamwork between the R&D teams of both companies. The result is a state-of-the-art combination of Gaggenau’s advanced induction technology with Cosentino’s ultracompact carbon-neutral Dekton surfaces. Visually striking, this unique, innovative product offers a single, uninterrupted worktop surface, free of barriers, frames or gaps. The cooktop’s design allows it to blend effortlessly into any living space, providing not just a cooking surface but a multifunc-
tional area for preparation, serving and socialising. At just 12mm thick, the Dekton surface is both sleek and durable, making it an ideal partner for Gaggenau’s high-performance induction modules. The availability of a wide variety of colours and finishes enables several options that will appeal to both homeowners and designers. Gaggenau’s iconic stainless steel or black control knobs complement the cooktop, offering precise control and a sleek finish. Beneath the surface, two sizes of induction modules – 21 cm and 28 cm – accommodate a wide range of cookware, ensuring versatility in any kitchen.
The Essential Induction cooktop’s unique features include enhanced surface protectors – which magnetically connect to the cookware
to guarantee optimal performance. The cooktop’s dot provides more than just a visual guide; it also gives the user intuitive feedback on the cooking zone’s status, which includes heat levels and residual heat, enhancing both safety and the user experience. When not in use, the cooktop returns to its original state: a smooth, uninterrupted surface ready for any kitchen activity. The Essential Induction cooktop debuted at Milan Design Week 2024, where Gaggenau featured it as the centrepiece of the installation ‘The Elevation of Gravity’ at Villa Necchi Campiglio’s glass pavilion. With its seamless design and cutting-edge technology, the Essential Induction cooktop from Gaggenau and Cosentino sets a new standard in kitchen design.
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Greener Future
identity speaks to various architects and academics to see how the future of sustainable design and architecture is shaping up
ow do we tackle sustainability in contemporary architecture and design without compromising aesthetics? Architects and designers often find themselves straddled between limited timelines, client budgets and extensive research on the authenticity of materials. “‘Sustainable design’ is a paradox,” shares Professor Louise Valentine, Head of School of Design at the School of Textiles and Design at Heriot-Watt University Dubai. “The concept of sustainability is a benchmark for quality, and our interpretation of it enables us to gauge a designer’s commitment to design excellence… Across the world, we see two crises fundamentally changing our lives: the climate crisis and the diversity, equity and inclusivity crisis. As we explore this juncture with bold imagination and ambition, the next responsibilities for design will unfold, and the necessary discoveries about what constitutes sustainability will be made.”
Current trends
Jonathan Ashmore, Founding Principal at ANARCHITECT, observes a significant shift in client awareness and preferences. “We have seen more demand for unique, contextual and wellconsidered design solutions over the quick-tomarket ones, which also shows a more progressive respect for sustainability in regional
WORDS – ANEESHA RAI
Both pages –
The Serai Wing by ANARCHITECT
Top – Gardens by the Bay by Wilkinson Eyre
Left – 8 Bishopsgate by Wilkinson Eyre
architecture.” He notes that repurposing and transforming existing buildings not only reduces carbon footprint but also breathes new life into structures, ensuring their historical and cultural relevance. Jeffrey Meawad, Founding Architect at JM Design & Architecture, adds, “Sustainable architecture has evolved to incorporate energy-saving techniques, natural design elements and smart technology. It’s crucial for us to adapt to these changes and integrate sustainable practices into our work.” Meawad emphasises the importance of using natural materials and minimising waste, such as in the Mariolino by the sea Bodrum restaurant and beach bar, where natural materials and abundant greenery were used.
Innovative materials and technologies
Ashmore confirms the value in sourcing natural materials locally to reduce environmental costs and to draw on the contextual vernacular of construction materials used historically. “For example, in regions where stone is abundant, we explore innovative structural uses of this material with progressive engineers. Similarly, we use low-carbon mixtures for concrete and, where suitable, employ rammed-earth construction methods.”Meawad underscores the vital role of understanding clients’ needs and integrating sustainability into the design process. “For instance, we designed a roof covered with solar panels, serving as a striking design feature. Sustainable design can save money over time and inspire innovative ideas.” Ayman El Hibri, Director at WilkinsonEyre, agrees that it is important to select materials that have a low carbon footprint throughout their lifecycle. “Our approach includes using materials with high recycled content and recyclability. This commitment to sustainability is evident in projects like the Citibank project in Canary Wharf, London, where all materials used meet stringent Environmental Product Declaration criteria.”
Integration of sustainable design principles
Ashmore highlights too the adoption of passive design strategies. “Clients are more aware of energy consumption and are requesting materials with longevity and local sourcing. This approach reduces reliance on artificial energy sources and enhances the overall comfort and functionality of spaces.” Meawad stresses the value of understanding clients’ carbon footprints and incorporating basic sustainable principles like reducing, reusing and recycling. “We design spaces that maximise natural light to reduce power consumption, and use low-E [low-emissivity] glass to improve thermal efficiency.”El Hibri argues that sustainability must be an intrinsic part of archi-
tectural design. “Treating sustainability as an afterthought undermines its potential to effect meaningful change. Instead, it needs to be fully integrated into every stage of the architectural process, from initial design concepts to construction and eventual decommissioning.”
Annamaria Lambiri, Chair of the Department of Interior Design and Associate Professor of Interior Design at American University of Dubai, adds, “The attention to sustainable approaches in design supports the minimisation of environmental impact, the optimisation of buildings’ performance, and enhances occupants’ health and well-being.” She adds that sustainable initiatives focus on ecofriendly materials, energy-efficient solutions, renewable energy integration, waste reduction and water conservation.
Economic benefits and regulatory impacts
Ashmore explains that sustainable buildings often result in long-term savings through reduced energy consumption. “The use of energy-efficient systems and durable materials can lower operating costs over time and enhance property value.” Meawad concurs: “Sustainable design offers clear economic benefits, including lower energy bills, higher property values and long-term savings from reduced maintenance costs.” El Hibri also notes that sustainable buildings typically command higher market values due to lower operational costs and healthier spaces. “Projects like 8 Bishopsgate in London demonstrate that sustainability positively impacts rentability and marketability.”
Notable examples
Ashmore shares the example of The Serai Wing at Chedi Al Bait, a transformation of 1950s merchant houses into a twelve-suite boutique hotel. “This project showcases the careful balance of introducing contemporary architectural interventions into characterful and traditionally recognisable buildings,” he says.
Meawad mentions the Bosco Verticale in Milan and Beirut Terraces in Downtown Beirut as examples of sustainable architecture that enhance environmental quality and human experience. El Hibri, meanwhile, cites 8 Bishopsgate and Gardens by the Bay as projects that seamlessly integrate sustainability and aesthetics. “8 Bishopsgate is one of the first towers in the UK to achieve BREEAM Outstanding [certification], demonstrating exemplary embodied and operational carbon considerations.” The integration of sustainable design principles into contemporary architecture not only addresses environmental concerns but also enhances the aesthetic and functional quality of spaces. As Ashmore aptly puts it, “Sustainable design is not just about creating buildings; it’s about creating better futures.”
Below (from top) –Al Faya Lodge by ANARCHITECT; Mariolino by the sea by Jeffrey Meawad of JMDA
Photography by
Kevin Scott, Fernando Guerra
Designing Serenity
Maia Aoun has crafted a harmonious retreat in the heart of the Al Madam desert
WORDS – ANEESHA RAI PHOTOGRAPHY – NATELEE COCKS
Nestled in the expansive sands of Al Madam desert in Sharjah, UAE, lies a charming farmhouse that embodies tranquillity and seamless integration with the natural landscape. Spanning an impressive eight acres, the project to create it was led by interior designer Maia Aoun Sayad. The result? A holiday home that showcases a minimalist yet impactful design that resonates with its surroundings.
The client had initially approached Aoun with the concept of a farmhouse but without a defined vision. Given this ‘carte blanche’, Aoun was able to fully exercise her innovative approach, crafting both the architecture and interior from scratch. This autonomy allowed her to implement distinctive features such as a skylight in the shower area and large windows that merge the indoors with the outdoors, creating a living space that perfectly marries simplicity with functionality. “This project stands out from my previous work in interior architecture because it was designed entirely from scratch,” she notes.
Aoun’s inspiration for this project stemmed from being given the opportunity to design an environment in its entirety. Unlike her previous interior architecture projects, which were confined to existing structures, this farmhouse allowed her to shape the entire space, including the volume, landscape and even the pool.
“It was a unique opportunity to create a cohesive and holistic design, crafting every element from the ground up,” says Aoun. This holistic design approach enabled her to create a cohesive and harmonious retreat, meticulously crafted from the ground up. The design philosophy for the farmhouse focused on creating a harmonious contrast with the natural desert surroundings. Aoun opted for a predominantly white aesthetic, promoting a sense of peace and serenity. Each room in the farmhouse has direct access to the outdoors, ensuring a seamless connection with nature.
“To create a harmonious contrast with the natural surroundings, I opted for a predominantly white and peaceful aesthetic for the farmhouse,” Aoun elaborates. The kitchen, featuring a large horizontal window and a small door, allows residents to enjoy meals in different parts of the house, depending on the sun’s position
and the farm’s temperature. The landscape design was kept minimalistic and slightly white to blend with the desert environment, maintaining the natural and cohesive look.
One of the unique challenges Aoun faced involved the second phase of the project, which included expanding the farm to integrate new rooms, a gym and a collector’s garage. To address these challenges, Aoun meticulously planned the layout to ensure that these new elements blend with the existing design. “Strategic placement and thoughtful design are key to maintaining the aesthetic coherence and functional harmony of the farm,” she explains. By doing so, Aoun aims to create a comprehensive and cohesive environment that aligns with the client’s vision while preserving the farmhouse’s minimalistic and peaceful character. The furniture and materials chosen for this project were selected for their raw and natural qualities, incorporating elements like rattan, cotton, linen and straw carpets. “We customised the wallpaper to blend seamlessly with the desert surroundings, enhancing the overall harmony between the interior and the environment,” Aoun notes. These thoughtful choices not only align with the minimalistic and peaceful aesthetic but also provide a tactile connection to nature, reinforcing the farmhouse’s tranquil atmosphere.
Left page (from top) –The kitchen, featuring a large horizontal window and a small door, allows residents to enjoy meals in different parts of the house, depending on the sun’s position and the farm’s temperature; The farmhouse embodies tranquillity and seamless integration with the natural landscape
This page – The furniture and materials chosen for this project were selected for their raw and natural qualities, incorporating elements like rattan, cotton, linen and straw
WORDS – KARINE MONIÉ PHOTOGRAPHY –MARTIN TESSLER
LOOKING TOWARD THE FUTURE
Husband and wife Cedric and Mary Burgers – principal architect and creative director of Burgers Architecture, respectively – have designed a quintessential sustainable home for themselves and their two daughters
Left page – The dining area features a ‘Column’pendant light by Lukas Peet for A-N-D Light, a Radii’ dining table by Bensen, and ‘Wishbone’ dining chairs by Carl Hansen
Left page – The living space features a De Padova Mosaique Sectional couch, a Woodnotes ‘Grid Rug’, a marble plinth from Audio North America, the Lee armchair from Flexform, Bang and Olufsen speakers, and an antic piano; This page – The office features a Daphine Terra Floor Lamp from M2L, a Jean Prouvé Cite Lounge chair from Vitra, a ‘Le Bombole’, B&B Italia sofa, a BM Table Bench by Carl Hansen & Son, and a Salari carpet. The ceramic tigers are a Burgers family heirloom
We found an overgrown lot covered in brambles and old growth… a testy site with a creek that was central in an urban landscape (and walking distance to work and city amenities) despite its feeling of being an abandoned spot in the woods,” remember Cedric and Mary Burgers, who are established in West Vancouver, British Columbia, in Canada. This was the starting point of a personal project that quickly turned into the dream of creating a family, net-
zero house that merged both high performance and cosiness. “We asked each other: How far could we take this? Not just aesthetically, but what would it look like if we built something time-proof that also addressed a lot of the issues our kids could face in their lifetime, such as climate change and sustainability?” asks Mary, the creative director of Burgers Architecture. Cedric leads the firm as principal architect. Preserving the unique site proved to be one of the biggest and immediate challenges. The
endeavour implied both preserving all native species and planting new vegetation to support habitat for pollinators. The duo also had to adapt to the topography, which featured a steep slope that called for a layered, three-level home featuring a spacious courtyard at its centre, bordered to the west by a solar-heated swimming pool. “The home’s light footprint sits in a robust, living, breathing environment,” Mary says. Designed with entertaining in mind, the main floor acts as a fluid system of living spaces defined for separate experiences. The space connects to the lush surrounding landscape through expansive floor-to-ceiling windows that invite more natural light and create a backdrop of evolving natural ‘art installations’ all year round. “It is like a well-orchestrated play,” describes Mary. “From one mood to another, subtle interior shifts will allow guests to feel a change of pace between experiences: moving from the kitchen island for appetisers and a glass of bubbly to a seated dinner, and then enjoying an after-dinner drink in front of the wood-burning fire.”
The bedrooms, each with their ensuite bathrooms, occupy the upper floor. Meanwhile, the lowest level, which comprises a secondary suite and media room, opens to the garden and orchard that hosts apple trees, plums, pears, figs and peaches. A mix of contemporary pieces and family objects gives character to the carefully curated and authentic interior spaces, which feature a restrained palette of concrete floors, oak, marble, natural linens and soft whites for a peaceful atmosphere.
“Our goal was to see within our practice of architecture where we could push toward sustainable design without compromising beauty,” says the duo, who installed a renewable energy solar photovoltaic system that addresses all the building’s energy needs. “The rushing creek, protected old-growth trees, working vegetable garden and fruit orchard create dependent bonds between the home and its stewards of the land, a daily sensory and exploratory relationship that goes past the technical requirements of sustainable living while maintaining architectural integrity.”
TECHNICAL SHEET
Architecture: Burgers Architecture
Landscape Design: Ron Rule Consultants
Structural Engineer: Luiz Leon & Associates
Geotech: Phillips & Associates
Engineering Consultants Ltd.
Energy Consultant: Ecolighten
Passive House Consultant: Stitch Consulting & Design Inc.
This page (from left) – Bench by Christian Woo; The bedroom features a CC-Tapis ‘Tack Rug’; artwork by Bobbie Burgers; a Daphine Terra Floor lamp from M2L; a Flag Halyard lounge chair by Hans Wegner; and a ‘Pon’ side table by Anthom Design House
WORDS – ANEESHA RAI
Coming Home
We
interview the founder of Nakkash Design Studio in a space where his love for family, art, design, music and culture intersects
On entering Omar Nakkash’s library, you know this is a place that he cherishes the most at home. A wide selection of books, vinyl records, art and design objets (including an eye-catching Man Ray chess set from MOMA New York and a trinity lamp he debuted at Beirut Design Fair 2018), as well as a Honeycomb hi-fi turntable, his father’s vintage camera, family photos and an iconic Eames lounge chair and ottoman form the space. Nakkash’s library give you an insight into his interests: besides an envious selection of design books, he highlights a book called ‘Sidewalk’, which analyses urban life in New York city, as well as a signed copy of Gregory David Robert’s Shantaram. A painting rises above his vinyl collection, one that he picked up in Vietnam. Nakkash’s interest in art was piqued as a young child. “My first art piece was a gift from the artist Joan-Carles Roca Sans, who is based in Costa Brava, Spain. I met him while
vacationing with my parents in Spain. He took us behind the scenes at his atelier in the back of the gallery and walked me through his process. We discussed colour theory and explained forms and lines and so on. At the end of that afternoon, he gifted me a small piece, which was my first art piece.” Another favourite is a piece by Abdel Rahman Katanani, a Palestinian artist whose work captures the everyday life and realities of Palestinian refugees, reflecting a deep and poignant narrative that takes pride of place in Nakkash’s living room amongst some truly beautiful design pieces – including a table he designed himself, a Kenneth Cobonpue dining table and GUBI Beetle dining chairs. Nakkash doesn’t view art as an investment, saying: “For me, it’s not an asset class. Art is a necessity in the world. I look at it as an emotional reaction to what we’re seeing and obviously the content, you know – but more it’s like, how does this piece make me feel? What am I look-
ing at? Are they happy colours. or [what is] the scale of it? That’s how I see it.” His collection of vinyl records is enviable, and he has an eclectic taste in music. “I treasure my collection of old records, which began with my mom’s vinyl collection from her college days and has grown with additions I’ve made during my travels,” he says. Nakkash cites French Kiwi Juice (FKJ) as a current favourite. “I also love the classics… Italian music. And I love Al Green.”
Born and raised in Sharjah in the early 1990s, Nakkash completed his Bachelor’s in Design and Management from Parsons the New School for Design in New York. “Moving from Sharjah to New York was an eye-opening experience. I always say that Parsons was a great education, but the learning in New York City teaches you a lot. It teaches you to be tough, entrepreneurial, and to have grit. The city offers you everything from music and F&B to art, design, and culture. It was an amazing experience, and it has a lot to do with the person that I am today.” After his stint in New York, Nakkash moved to Lebanon and then studied a Master’s in Interior Design from the Scuola politecnica di design in Milan, Italy. “I couldn’t go from New York to Sharjah again. I worked there for a year and then I decided again to go to Italy. I tried to postpone the time between New York and moving back here. Once you move back to the UAE, you’re not going to move back anywhere else — it’s a oneway ticket. I knew that this is what I wanted to do. And given the family business and so on, I knew that my future was here.”
Along the main axis of Jumeirah Road in Dubai, six villas built in the 1980s had stood largely untouched for decades, awaiting the right owner to realise their potential. Khadija El Otmani, a partner at Driven Properties, took on the challenge of transforming these homes, aiming to give them a refreshed, contemporary look and distinct identities that resonate with modern tastes. El Otmani worked with Maryam Karji and her team at archiSENSE studio on the renovation project, which aimed to bring three distinct architectural styles to life: Mediterranean-inspired Ibiza and Mykonos Villas; and contemporary English style for the London Villas. Each of the six villas is situated across the Umm Suqeim and Al Manara neighbourhoods. The renovation focused on re-planning key interior spaces and enhancing both the façades and landscapes.
Situated in Umm Suqeim 1, the Ibiza Villa embodies a summery, comfortable and relaxed style. “The client narrative for this type was to have a summery, comfortable and relaxed style,” says Karji. This is evident in the use of
A Harmonious Synthesis
archiSENSE studio has transformed six villas in Jumeirah, realising three distinct styles
WORDS – ANEESHA RAI
Both pages – The Ibiza villas are characterised with the use of arches, white paint, micro-cement, wood and limestone touches
Left – The Mykonos Villa is a dual unit that required minimal modernization – the focus was on opening up spaces and altering the internal flow; Right – The English villas reflect classic English-style architecture with their symmetrical façades and squareshaped footprints
arches, white paint, micro-cement, wood and limestone touches. The design process began by creating a dialogue between the old and the new, celebrating existing architectural elements such as arches, which were further incorporated into the villa’s elevations and interior walls. The front elevation, featuring arches of various scales and a lap pool at the entrance, creates a dreamy juxtaposition between architecture and landscape. The reflection of the arches in the pool, set against Dubai’s bright sky, evokes the feeling of entering an intimate space. This ambiance is further enhanced by open-space planning and fluid internal flow, making the experience of
the spaces more connected and coherent. The arches define the boundaries between public and semi-public zones, allowing the landscape to permeate the villa’s internal layers, capturing the essence of Ibizan charm.
Located in Umm Suqeim 2, the Mykonos Villa is a dual unit that required minimal modernisation. “The caveat was that the improvements should not impact on the original characteristics of the structure,” explains Karji. The studio’s primary focus was on internal transformations, opening up spaces and altering the internal flow, which led them to transform the main enclosed kitchen into an open, exposed kitchen that merges with the living
spaces, adding depth and layers to the house. This change has made the kitchen a focal and intimate zone among the internal spaces, enhancing the overall living experience.
The London Villas, comprising three modular units in Al Manara, reflect classic English-style architecture with their symmetrical façades and square-shaped footprints. During the renovation, archiSENSE refined the exterior to preserve the original façade, pillars and slanted pitched roof while integrating additional elements into the historic structure. The renovation softened the villa’s hard edges and introduced additional elements such as window shutters, Georgian windows, black alu-
minium and white paint to emphasise style and character. The landscape was also completely redesigned, retaining many existing elements while adding a pool, cosy outdoor seating zones and symmetrical classic landscaping. By converting the original service zone – which previously housed storage, laundry and staff rooms – into an annex, the internal living zones more made more spacious, optimising the villa’s footprint. “In essence, the design intent was to achieve a harmonious synthesis of past and present,” says Karji, “allowing the historic charm of original architecture to coexist with the requirements of modern living in a seamless and well-integrated manner.”
Timeless Elegance
Curated
pieces from Michael Amini, Theodore Alexander and A.R.T. Furniture feature in Interiors
UAE’s new Neo-Classic collection
WORDS – ANEESHA RAI
Interiors UAE, a beloved name in the country’s furniture and home décor scene, has unveiled its latest offering, the Neo-Classic collection, which seamlessly blends timeless elegance with modern sophistication. Curated from leading global brands like Michael Amini, Theodore Alexander and A.R.T. Furniture, this collection brings together the best of classical beauty and contemporary practicality. Each piece in the collection is crafted with meticulous attention to detail, using the finest
materials to ensure both durability and luxury. This curated selection is designed to appeal to those who appreciate the harmony of traditional elements with modern aesthetics.
At the heart of the collection are key pieces from Michael Amini, a brand renowned for its luxurious and intricately designed furnishings. Established in 1988, Michael Amini infuses the collection with a touch of Hollywood glamour and global inspiration, making each piece a statement of style and sophistication.
The collection also features standout pieces from Theodore Alexander, a brand celebrated for its craftsmanship and meticulous artistry. Theodore Alexander offers a versatile range that caters to both traditional and contemporary tastes, ensuring that the Neo-Classic collection resonates with a wide audience. Adding to the collection’s allure are pieces from A.R.T. Furniture, a brand known for its artistic designs and commitment to quality since 2003. A.R.T. Furniture contributes a layer of global cultural richness to the collection, with artisanal finishes and thoughtful detailing that elevate each piece to a work of art.
Raed Dibs, CEO of Interiors UAE, expressed his enthusiasm for the new collection: “We’re proud to feature standout global brands such as Michael Amini, Theodore Alexander and A.R.T. Furniture. These brands not only set our collection apart in terms of impeccable design but also ensure lasting quality.” The Neo-Classic collection from Interiors UAE is more than just visually stunning; it’s designed with everyday life in mind. The collection offers functional sophistication, enhancing the beauty and practicality of any space.
Papyrus in Play
Dubai-resident Aya Moug is revolutionising material innovation through her brand, Byblos
WORDS
– ANEESHA RAI
While studying at Central Saint Martins in London, UK, Aya Moug developed her interest in sustainable and environmental design, and that is where the idea, trials and research for ‘the Papyri’ began. The result was Byblos – a material innovation brand that transforms papyrus plants along the Nile shores in Egypt into a hard and soft sustainable biomaterial that is not only histori-
cally significant but also incredibly strong and enduring. Its efficiency as a pollution filter and as an economical method for treating water waste make it an environmentally responsible choice. Papyrus offers a natural, local alternative to materials like wood, stone and marble. Additionally, the process of extracting and transforming papyrus into a sustainable biomaterial is relatively inexpensive compared to other materials of this nature.
Moug’s aim with Byblos is to save the papyrus plant from extinction while developing other sustainable materials. She envisions creating a new industry that is socially, culturally and environmentally responsible. “My work is a result of periods of time, inspired by [everything from] the Pharaohs and Egyptian history to contemporary design,” she explains.
One of Moug’s favourite projects is the Shen collection – a collection of tables made from papyrus pulp and designed for the 2023 edition of Downtown Design. She has crafted custom-made furniture pieces for the UAE royal family and has worked on the Formula 1 Royal Tower project. Currently, Moug and her team are developing their 2024 collection, which promises to bring new innovations in sustainable design. Her dedication to sustainable design and material innovation continues to drive Byblos forward, creating a future where environmentally responsible materials are at the forefront of industrial and consumer applications.
Top (from left) –Hathor – Mother of Byblos; The Byblos side table from the Shen collection
Whimsical Glass
Justine Menard adds a playful touch to objects through innovative glassblowing techniques
WORDS – ANEESHA RAI
Born and raised in Paris, Justine Menard’s creative journey began with a passion for fashion design and jewellery, eventually leading her to the enchanting world of glassblowing. Her early career saw her working as a stylist in Paris and London, followed by a deeper dive into jewellery design with courses at the Academy of Art University in San Francisco and Haute École de Joaillerie in Paris. However, it was a serendipitous encounter in New York that would shape Menard’s future path. While passing by UrbanGlass in Brooklyn, she discovered the art of glassblowing, a medium that captivated her
with its beauty, elegance and grace. This pivotal moment introduced her to a whole new world – one that was far more prominent in the United States than in her native France. Inspired by the work of Agustina Ros, who would later become her teacher, Menard relocated to Barcelona. There, she honed her craft at the Barcelona Glass Studio, learning under Ros and participating in various workshops. “I have worked with glass for a couple of years now, but I feel you never really finish learning; it’s endless and amazing at the same time,” Menard shares, reflecting on her ongoing journey with this challenging yet rewarding medium. Her
work primarily revolves around jewellery and objects, each piece exuding a purity and magic inspired by organic, feminine shapes. “My audience really connects to the poetry of glass and its beauty. I feel very grateful for all my clients who resonate with my art,” Menard says. Menard’s transition from fashion to glass was a natural progression, fuelled by her desire to express the myriad ideas in her mind. “I have always been creative and love working with my hands. On the side of my stylist job, I was doing jewellery with crystals and rocks, and after the pandemic I decided to focus more on this side and leave the fashion world,” she
explains. Her venture into object design began almost by chance when a friend asked her to create wine glasses for a dinner party. Despite never having done it before, Justine rose to the challenge and crafted 30 wine glasses, marking the beginning of a new chapter in her artistic career. “Glass teaches us that there is no limit, and we can always expand. I’m always open to expanding my art and my technique,” she adds. Drawing inspiration from brands like Griegst, known for its unique vision and design, Menard’s work is a blend of historical and contemporary influences that add a touch of whimsy without sacrificing practicality.
sloo Living
Sarah van der Loo takes us on her journey to sloo studio
WORDS – ANEESHA RAI
With a minimalist and earthy aesthetic, Sarah van der Loo’s pieces characterise a compelling rawness, each one unique with its own personality and identity, emphasising the natural beauty of the material and the perfect imperfections of the craftsmanship. “Most of my current work is inspired by Croatia’s beautiful nature, coastline and rich history, but I like to maintain a Scandinavian feeling as well,” van der Loo explains.
Born to a Croatian mother and a father with roots in Syria, Saudi Arabia and Jordan, van der Loo’s multicultural upbringing paints a vibrant backdrop to what has culminated into a growing ceramics brand. After growing up in Stockholm, Sweden, van der Loo lived in various countries including Egypt, Croatia, Syria, England and Spain before she finally settled in Dubai in 2010 with her husband, two children and their dog. Her move to Dubai marked the beginning of a 12-year tenure as a marketing and branding manager for a renowned Swedish flooring brand. However, it was her inherent passion for storytelling, symbolism, design and craftsmanship that truly defined her professional and personal journey.
“I have always been drawn to the subdued, minimalist and clean aesthetic,” van der Loo shares, reflecting on her personal style. “I guess you could call it Scandinavian-inspired, but with a little twist. I like to add something that disrupts the eye a bit – something imperfect, whether it’s in my clothing, interiors or ceramics.”
Her journey into ceramics began as a spontaneous and somewhat serendipitous decision. After leaving her corporate job, van der Loo felt a compelling urge to reconnect with her creative side, leading her to enrol in a ceramics class. “Working with clay felt like coming home to myself,” she says. “I absolutely love creating with my own two hands again. It’s a continuous journey of discovery and exploration.”
In 2023, van der Loo officially established sloo studio, marking the start of an exciting new chapter. Her creations, including signature pieces like the kava cup (named after the Croatian word for coffee), have been well-received, especially among designers and hospitality clients. The ethos of sloo studio is deeply rooted in Sarah’s diverse background and her connection to her heritage. As van der Loo continues to explore her creativity, she and sloo studio are set to leave an indelible mark on the world of ceramics, blending heritage, design and personal expression into each piece.
Left page – Earthy, tactile tumbler cups; This page (from top) – Sarah van der Loo, Founder of Sloo Studio; Kamen vase; Kava cups
The new buildings establish a strong bond with the existing structures through traditional gable roofs and a dynamic façade design
Blurring Boundaries
noa*’s vision for AEON in Lobishof, Italy renders itself into a dreamlike wellness retreat
WORDS – ANEESHA RAI PHOTOGRAPHY – ALEX FILZ
Boundaries can exist between past and future, between dream and reality, between inside and outside; yet noa* makes the invisible lines visible, turning separations into connections. This philosophy is at the heart of the renovation of the historic Lobishof, nestled between meadows and woods with views stretching from the Sciliar to the Rittner Horn, all the way to the Dolomites and to Merano in the Alps.
The 550-year-old farm, comprising an old inn, a residential house and a traditional barn, has now embarked on a new chapter with noa*’s architectural framework. From the outset, the farm’s rich history inspired the project’s development, creating a spatial analogy that links the new buildings to their historical roots. “The creation of an ambivalent tension between the centuries-old tradition of the rural complex and an exclusively modern statement was the basic principle underlying the design process,” explains architect Christian Rottensteiner. The landscape seamlessly flows through and becomes an integral part of the site, thanks to the design’s freestanding structures. The result is two buildings: one hosting public
areas with a reception, bistro, bar and wellness centre; the other providing private spaces with 15 guest suites. These buildings form a permeable courtyard context connected by an ingeniously hidden hallway that vanishes under an artificially created hill. The new buildings establish a strong bond with the existing structures through traditional gable roofs and a dynamic façade design. “Verticality and linearity are the leitmotivs of two strongly contrasting design approaches –at times creating the feeling of floating between worlds,” says Rottensteiner. Trapezoid windows and a slatted structure running the entire length of the building create a homogeneous appearance, transforming perceptions based on approach.
As guests step through the steel front door, they become immersed in an atmosphere that represents the future. The interior is characterised by a horizontal dichotomy of soft beige and mystical blue, symbolising the grounded past and the veiled future. “The past has grown like stone, wood and nature. The future, on the other hand, is veiled, mysterious and artificial,” explains interior designer Patrick Gürtler. This expressive division runs consistently through both buildings, creating a unique, polarising environment for guests to experience.
noa* aimed to showcase the strength of the ‘in-between’ through its design, where guests can sense the balance between being grounded and the feeling of touching the clouds. The public building features a sharp transition between beige and blue at eye level, creating a tangible ‘in-between zone’. This concept extends to all furnishings, ensuring a holistic approach.
The interior unfolds as a multi-functional space, welcoming guests with a reception desk, a unique bar, a large wine display and various comfortable seating areas. The wellness area on the first floor includes a half-covered outdoor infinity pool with spectacular views, a meditation room and a rooftop whirlpool terrace overlooking the Dolomites.
The second building hosts 15 suites connected via an underground corridor, where the colour worlds shift from horizontal to vertical. This deliberate psychological effect allows guests to immerse themselves fully in the environment, providing a relaxing experience.
The suites vary in size and furnishings, with each room offering expansive views and unique features like freestanding washbasins, open showers, and private whirlpools on terraces. The Gallery Suite features an internal staircase leading to a rooftop living platform, perfect for stargazing.
The colour division continues in the suites, with one third of the space in blue and two thirds in beige. Light, floating furniture and fabric-covered walls enhance the experience, inviting guests on a journey of discovery. “We have carefully chosen the fabrics, woods and colours that play both with and against each other at the same time,” notes Gürtler.
noa*’s design gives guests a unique spatial experience, blending history and modernity in a harmonious and dynamic way.
Left page – The wellness space; The Galerie; This page (top) –Trapezoid windows, and a slatted structure over the entire length of the building create a homogeneous appearance, transforming perceptions based on approach
Formal living room details: Sofa by Demurodas, armchairs by Pinakin, rug from Cocoon, coffee table by Casegooss, end tables by NH48, art by Sona, console behind the door by This & That, black console by NH48, curtains by Tulio,
chandelier by Hive Home, 3D art by Naresh, custommade main door, side table by Mangrove Collective, and table lamp by Harshita Jhamtani/West Elm
Harmonious Fusion
A Japandi home provides a zen-like atmosphere amongst a lush setting
Nestled in the lush villa colony of Pune, Kensho House – designed by Quirk Studio founders Disha Bhavsar and Shivani Ajmera – embodies simplicity and serenity and reflects a strong connection with nature. The client’s initial requirement was to create a home that provided comfort and instilled a sense of calm and Zen-like peace, so the designers approached the drawing table with the goal of translating these requirements into a space that felt expansive and intimate, while leveraging natural materials and organic textures to craft a cohesive and inviting environment. The result is a villa that effortlessly blends in with the surrounding nature, adding a rustic charm to it.
Kensho House’s layout allows this theme to transition fluidly between different spaces, creating openness and continuity. It balances private and communal areas, ensuring each family member has their own space while also providing ample areas for family gatherings.
Upon entering the house, one is greeted by a charming foyer featuring herringbone stone flooring and a Buddha statue crafted from stone. This sets the tone for the entire house,
establishing a peaceful and rejuvenating mood. The ground floor features a guest bedroom, a mandir, herringbone wooden flooring and a multi-functional study that doubles as a music room. The guest bedroom includes custommade in-house furniture and is accented with a study table from Wabi Sabi and a study chair from Mangrove Collective.
The living room, with its stunning 3.7-metre double-height ceiling and glass façade windows, offers a breathtaking view of the green garden outside. The glass façade seamlessly blurs the lines between indoor and outdoor spaces, creating an expansive feel. The formal living area is furnished with a sofa from DeMuro Das, armchairs by Pinakin and a rug from Cocoon. A coffee table from Casegoods and end tables by NH48 add to the elegance, while a console behind the door was sourced from This & That.
The informal living room and dining area, accessible through fluted glass double doors, extend into the garden, further enhancing the connection with nature. The informal living area features a sofa and armchair from DeMuro Das, a rug from Jaipur Rugs, a coffee table from
Dtale Modern, and side tables from Ziba Home and NH48. Curtains by Tulio Design, a floor lamp from ALC and outdoor furniture by Ritz Lane create a cosy and stylish environment.
The kitchen is designed with playful yet functional black and white flooring. Featuring an island counter, it also opens up to an outdoor dining area, making it a versatile space for both cooking and socialising. The kitchen includes chairs from Mangrove Collective and lighting by Jade Lights, with outdoor furniture from West Elm adding to the functional charm.
The dining area, featuring a table and sideboard that were custom made in-house and chairs by Eter Collective, is illuminated by a light from Flexstone, creating the perfect setting for family meals and gatherings.
The staircase leading upstairs transitions from sandstone on the ground floor to wooden floors on the upper floor, which houses the family lounge, master bedroom and the two sons’ bedrooms, each with its own walk-in wardrobe, en-suite bathroom and balcony. The family lounge serves as a central hub connecting all the private rooms on the upper floor and includes a striking sofa from DeMuro Das, a coffee table from Mangrove Collective and a rug from Jaipur Rugs.
The colour palette plays a crucial role in achieving the elegant atmosphere of the house. The use of neutral tones such as greys, whites and blacks creates a foundation of tranquillity and sophistication. These colours have been carefully chosen to enhance the natural elements and textures present throughout the house and to add depth and warmth.
Art and textures are central to bringing the house’s design to life. As an artist herself, the client contributed several of her own pieces which are displayed throughout the home, adding a personal and homely touch. Items like the concrete panel in the master bedroom and the distinctive black-and-white artwork in the study room reflect the client’s artistic sensibilities and enhance the space’s minimalist aesthetic. One of the primary structural challenges was to integrate these natural elements seamlessly within the architectural framework of the villa. The design team had to navigate the complexities of working with the materials by conducting a series of trials to achieve the perfect balance, ensuring that it was not only aesthetically pleasing but also functioned effectively within the home’s structure. Solutions included custom-made installations and carefully curated elements that brought the client’s vision to life while overcoming the inherent challenges that come with using organic materials. The result is the perfect epitome of minimalistic luxury. The use of natural materials and organic textures, combined with the client’s personal artwork, creates a space that is both aesthetically pleasing and deeply personal.
Below – The dining area features a custom-made table and sideboard, chairs by Eter Collective, and lighting by Flexstone
Right – The master bedroom features customised bed and nightstands, Concrete Works wall paint, Length Breadth Height lights, Dtale Modern armchair, and Demurodas pouf
Bottom left – The Home office features a Project810 study table, Dtale Modern chair, Woodage sofa cum bed, client’s piano, Luminary light, and table lamp by Harshita Jhamtani/West Elm
Below – The master bathroom has a walk-in wardrobe, Alc bathroom pendant light, and Hesperus bathroom chandelier
A HOLISTIC RETREAT
Berlin-based StudioMacBride has collaborated with Lambs and Lions and Annabell Kutucu to realise a guest home of Scorpios founder Thomas Heyne
WORDS – ANEESHA RAI
PHOTOGRAPHY – FAMPIANO KRANIOTIS
Nestled in the southwestern coast of Mykonos, Greece, En Kyano offers a haven for worldly travellers seeking a tranquil retreat. Enlisted by the property’s owner, Thomas Heyne, who is the cofounder of the Scorpios hotel company, StudioMacBride was tasked with elevating the architectural plans and overseeing the design for both the interior and exterior spaces.
Drawing inspiration from the island’s time-honoured vernacular, StudioMacBride infused soft-modernist sensibilities to create an environment that transcends time. The design seamlessly blends heritage with timeless aesthetics, paying homage to the enduring allure of thoughtful design. The guesthouse’s shared spaces strike a balance between seclusion and openness, while the uppermost level divides into two volumes, one dedicated to the living area and master bedroom, the other accommodating two private guest rooms. Leveraging the original architecture, the designers conceived an airy, modernist pergola that connects the villa’s structures while providing essential shade. The reimagined courtyard serves as the property’s heart, a shaded recreational space for relaxation and socialising.
Within the interior spaces, a thoughtful curation of natural materials and modernist elements creates a harmonious ambiance. Each design element and architectural detail is meticulously crafted to enhance the guest experience in this restorative retreat. By thoughtfully reshaping the existing volumes, StudioMacBride elevated the guest experience, increasing comfort and transforming the spaces into a haven for relaxation and social engagement.
Upon entering the living area, a spacious open kitchen designed to foster togetherness and encourage the celebration of cooking and socialisation welcomes guests. The kitchen features a graphic grid of bespoke concrete tiles that forms the backdrop to the rich, smoked oak carpentry produced by Xylo34. A large marble countertop, crafted from locally sourced marble, rests upon a sturdy concrete block, completing the composition. This harmonious blend of materials creates a timeless and calming atmosphere, where guests can relax and connect while indulging in the pleasures of cooking and dining.
The expansive timber-beamed ceiling, which unites the kitchen and lounge areas, contributes to a heightened sense of comfort. Sizeable open smoked oak shelving acts as a visual barrier, affording privacy to the master bedroom situated beyond it.
Below, six subterranean guest quarters provide secluded accommodations. Four of these quarters face the sea, offering breathtaking ocean views, while the remaining two quarters feature a cour anglaise planted courtyard, allowing soft natural light to flood the space. Enhancing this connection to nature, the guest bathrooms boast views of outdoor courtyard gardens, allowing guests to absorb the natural surroundings while attending to their daily rituals.
This page –
infused soft-modernist sensibilities to create an environment that transcends time
Left page – The guesthouse offers a sanctuary where guests can repose, rejuvenate and immerse themselves in the captivating allure of the Mykonian landscape
StudioMacBride
Among the calmness of the bedrooms, storage solutions seamlessly blend in, preserving the humble simplicity of traditional Cycladic homes. This wellthought-out approach ensures an understated aesthetic while allowing for the thoughtful display of curated art and objects, adding a personal touch that transforms the space into a warm and welcoming retreat. This artistic curation is provided by Berlin duo Lambs and Lions, and Annabell Kutucu.
“Central to the design ethos is a dedication to authentic materiality,” states the studio. The duo’s soft-modernist approach dialogues with the island’s traditional vernacular and time-honoured techniques, shaped by collaborations with local craftspeople and constructors. Every detail within the interiors underscores a focus on ethical materiality. The use of natural plaster subtly contrasts with the local stone of the building’s volumes, while the smoked oak carpentry offers a warming contrast against the sandblasted classic travertine sinks created by TWELVECONCEPT. This harmonious blend of natural and indigenous materials infuses a sense of simplicity and warmth while embodying a dedication to environmentally sustainable practices.
This thoughtful decision also situates the design within its cultural and geographical context – a value shared by Heyne: “En Kyano is an expression of who I am and what I long for. It’s very personal and, as such, inspired by my profound respect for the Greek culture of craftsmanship –with its pursuit of simplicity and love of detail.”
The holistic result is an understated yet luxurious retreat, a sanctuary where guests can repose, rejuvenate and immerse themselves in the captivating allure of the Mykonian landscape. In the making of this project, Lambs and Lions and Annabell Kutucu collaborated to envision the atmosphere, thoughtfully selecting furniture, art and decor, while Archetopo meticulously designed the landscaping. This partnership brought together a collective of creative minds, each contributing their expertise to craft a cohesive and harmonious ambiance.
Right – The kitchen features a graphic grid of bespoke concrete tiles that forms the backdrop to the rich, smoked oak carpentry produced by Xylo34
Above – Leveraging the original architecture, the designers conceived an airy, modernist pergola that connects the villa’s structures while providing essential shade; Below – Sizeable open smoked oak shelving acts as a visual barrier, affording privacy to the master bedroom situated beyond it
In Focus
Beta-plus’s new book offers captivating visuals through the world’s best architectural photographers
WORDS – ANEESHA RAI
Step into a captivating world where the lens becomes a storyteller, and architectural marvels and interior masterpieces unfold with mesmerising clarity. IN FOCUS: A tribute to world’s best architecture & interior photographers is not just a book; it’s a visual odyssey paying homage to the world’s most exceptional architecture and interior photographers.
The book offers a curated collection that unveils the unique perspectives of each photographer – it invites readers to witness the convergence of art and functionality, from the play of light on architectural structures to the intimate details of curated living spaces. This
tribute encapsulates the essence of architectural and interior photography, showcasing the visionaries who have dedicated their craft to immortalising the soul of spaces.
Here, the reader can let the power of photography take them over as the beauty and complexity of these structures is fully revealed. The photographers featured in this book have an extraordinary ability to convey the ambiance and character of the spaces they document, turning bricks and mortar into living, breathing entities through their lenses.
Delving into the book, one will experience the artistry of photographers who bring buildings to life, highlighting the symbiotic
relationship between design and photography. This book not only celebrates their technical prowess but also their creative vision, offering a fresh perspective on the built environment.
IN FOCUS… is more than just a collection of stunning images; it is a celebration of the photographers’ vision and dedication. It acknowledges the skill and creativity required to capture the essence of spaces, transforming them into timeless works of art. This book is a must-have for anyone passionate about architecture, interiors or the art of photography, offering inspiration and a deeper appreciation for the beauty that surrounds us in our everyday lives. Available on shopbetaplus.com
Things to Covet
The objects, furniture, and pieces that caught our eye this month
WORDS – ANEESHA RAI
1. Aluminium sculpture by HK Living
Designed in a totem-like form, this aluminium sculpture by HK Living is designed to stand out and adds character to your space. Its sturdy black aluminium form is solid, yet playful. Available at Urban Nest.
2. VENINI Pesca collection
The romantic Pesca collection blends an elegant vintage air with a contemporary touch. The fluid and transparent lines of the vases reflect the beauty of dawn and sunset colours, offering a kaleidoscope of pink and orange hues, inspired by enchanting destinations such as the 'Pink City', Jaipur, and Namibia's Namib-Naukluft National Park.
3. Ambiance collection by Atelier Tapis Rouge
The rugs of Atelier Tapis Rouge's Ambiance collection evoke a carnet de voyage through fine yarns and refined craftsmanship. Each piece captures a wide range of textures, colours and places, paying tribute to the slow and meticulous art of observation – in stark contrast to the rapid pace of contemporary life.
4. QLOCKTWO MOON
The QLOCKTWO MOON presents the passage of time through a lunar cycle in 28 recurring intervals, capturing the beauty of the moon with every glance. This handcrafted masterpiece features 14 precisely crafted prisms that display the current phase of the moon, each with high-quality surfaces finished with precious metals such as platinum, gold and moon gold. The MOON 90 is available with three fronts – DAWN (silver), MIDNIGHT (blue) and NIGHTFALL (dark grey) – and can be tailored to customer specifications, adding an impressive presence to any room.
5. TRICIA PAOLUCCIO X JWANA HAMDAN
Maitha Chair
The Maitha outdoor lounge chair exudes a bold aesthetic with an elegant and cosy vibe, designed by Lorenza Bozzoli. Featuring a comfortable seat cushion and a distinctive roll-shaped backrest, it comes in two versions, with or without armrests, and is crafted from robust iroko wood for stability and support. Available at Purity.
Squash Armchair by Poltrona Frau x Faye Toogood
The Squash armchair blends generous, snug contours with a captivating sculptural elegance. The collection captivates with its playful and sensual name, embodying a soft and sculptural approach to design. Designed by acclaimed British artist Faye Toogood in collaboration with Poltrona Frau, Squash is more than just a piece of furniture; it’s an invitation to experience comfort and artistry in perfect harmony. Comfortable and cosy at first glance, the exuberant yet gentle forms of the Squash armchair interact with a mix of soft and rigid materials, disrupting the static essence of traditional furniture. Crafted with a rigid trestle frame made of Polimex, Squash boasts large, soft cushioning upholstered in Pelle Frau or a combination of leather and fabric with removable covers. The frame and legs, lightly padded for a pleasant touch, are upholstered in luxurious leather. The seat and armrest cushioning are made from polyester wadding and differentiateddensity polyurethane foam, ensuring maximum comfort. The seat base, constructed from birch plywood, adds to the chair’s sturdy yet refined structure. The Squash collection will be released in the UAE market this November at Downtown Design.
