Abu Dhabi: PO Box 43072, UAE, Tel: +971 2 677 2005, Fax: +971 2 677 0124; E-mail: motivate-adh@motivate.ae
Saudi Arabia: Regus Offices No. 455 - 456, 4th Floor, Hamad Tower, King Fahad Road, Al Olaya, Riyadh, Kingdom of Saudi Arabia; Tel: +966 11 834 3595 / +966 11 834 3596; E-mail: motivate@motivate.ae
London: Acre House, 11/15 William Road, London NW1 3ER, UK; E-mail: motivateuk@motivate.ae
NODE SYSTEM
BOUNDLESS MODULAR LIGHT
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LIGHT HUB Showroom via Boccaccio 15A, Milano
Editor’s
With Dubai Design Week just around the corner, we're excited to witness the convergence of diverse creative worlds into a single dynamic platform filled with innovation and inspiration. Join us at Downtown Design, where identity will spark engaging conversations, interview design luminaries, and explore promising collaborations. This issue also includes an exclusive insider’s guide to Downtown Design, so stay tuned to our website and social channels for ongoing coverage.
Our cover features the renowned Italian furniture brand Porro, which is gearing up to mark its 100th anniversary next year. The brand is one of the recent additions this year to Casa Mia’s growing brand portfolio which now carries over 200 brands. The company continues to support the region’s growing skylines through branded development partnerships with brands such as Versace Ceramics.
Cultural immersion takes centre stage in our global outlook, with features on Neri&Hu’s striking design for the New Bund 31 Performing Arts Center in Shanghai and the serene Maana Homes in Kyoto.
Our design focus turns to bathroom innovation, where we explore the brands leading the charge in sustainability, design, and cutting-edge aesthetics.
We also shine a spotlight on the extraordinary talents and projects that we will be celebrating on the 15 th of November during the identity Design Awards.
Aneesha Rai Editor identity
On the cover
Porro’s closet solutions
True to Nature
in collaboration with Itlas
LOG
Atlas Studio Dubai | Dubai Design District D3, Building 8, Office 106
Blending Heritage with Contemporary Aesthetics
identity interviews Giuseppe Ghidini about shifting tastes in the luxury space
Ghidini1961, the renowned Italian furniture brand, has long been a pioneer in merging traditional craftsmanship with modern design. At the helm is Giuseppe Ghidini, the third-generation member of the Ghidini family and Senior Vice President – Marketing and Sales of the company. As the luxury furniture market continues to evolve, Ghidini1961 remains a driving force, embracing a design philosophy that fuses timeless elegance with contemporary sensibilities.
“Luxury today is not just about opulence; it’s about refined aesthetics, research on materials, authenticity and storytelling,” Giuseppe explains. Ghidini1961’s design philosophy reflects a deep respect for heritage, drawing on traditional techniques while pushing the boundaries of contemporary design. This forward-thinking approach resonates with modern consumers who seek both quality and meaning in the furniture they choose for their homes.
By emphasising sustainability and versatility, Ghidini1961 creates pieces that not only integrate seamlessly into diverse interiors but also cater to the growing demand for environmentally conscious luxury. “We focus on the use of high-quality materials, which is essential as more people are looking for responsible luxury,” says Guiseppe.
Ghidini1961’s dedication to craftsmanship is further enhanced through collaborations with renowned designers. For the 2024 collection, the brand has teamed up with Austrianborn Robert Stadler, known for his work that blurs the boundaries between art and design. “Robert’s background in the art world resonates perfectly with our ethos,” Giuseppe says. “We love to blend art and design in our creations, and his Tasca family of seaters is a beautiful expression of that synergy.”
With a roster of nineteen international designers, Ghidini1961 continues to explore new frontiers in furniture design, offering unique pieces that appeal to a broad spectrum of tastes. “As lifestyle preferences shift towards more personalised and experiential living, Ghidini1961 stands out by offering not just furniture, but artful expressions that enhance the beauty of everyday life,” says Giuseppe. By embracing this fusion of tradition, innovation and artistry, Ghidini1961 is perfectly positioned within the ever-evolving landscape of luxury furniture, offering discerning consumers pieces that are as timeless as they are contemporary.
WORDS – ANEESHA RAI
Marvel in the Making
The Marvel Diva collection by Atlas Concorde will feature at Downtown Design
WORDS – ANEESHA RAI
Atlas Concorde will be showcasing the latest Marvel Diva collection at Downtown Design. The collection was unveiled at Cersaie 2024 and features 10 new marble-effect porcelain tiles. As the name suggests, each title exudes personality and charm, living up to its ‘diva’ image. The Marvel Diva collection features textures em-
phasising intricate modern lines and creative marble combinations. Produced using innovative technologies, the tiles offer a highly realistic marble appearance while ensuring durability. The collection demonstrates how porcelain may be used to create cohesive, interiors and statement walls. Furthermore, the material is practical because it is easy to clean and resistant to
wear and stains. With vivid, deep colours, Marvel Diva stands out for its strong, alluring personality. The collection is part of Marvel World, the family comprising all of Atlas Concorde’s marble-effect porcelain flooring collections –which are enriched with original graphics designed both for total-look spaces and as focus walls combined with marble, wood or concrete.
BATHROOM - JARDIN EMERALD
Enriching the Future through Digital Creativity
Khadija Al Bastaki, Senior Vice President of Dubai Design District (d3), TECOM Group PJSC shares insights from the 2024 Digital Creative Economy white paper by Dubai Design District (d3) and Dubai Media City,
focusing
on the design and architecture sector
At the crossroads of creativity and technology, optimism and apprehension collide. The potential for greater innovation, productivity, connection and self-expression grapple with warnings of job losses due to automation, originality, ethics, cost, copyright issues and training gaps. As much as it may challenge our long-held beliefs on authenticity and ingenuity, the reality is that this intersection is part of a vital path to unlocking the potential of the design industry. With it being such an exciting time for technology, we must nurture an appetite to truly embrace it – and that requires buy-in from all strata of the business hierarchy.
The digital creative economy, a $3.2 trillion market accounting for 15% of the global GDP in 2022, is estimated to grow by another 163% by 2030, powered by the design and media sectors. These findings, cited in the 2024 Digital Creative Economy white paper developed by Dubai Design District (d3) and Dubai Media City, highlight the potential and opportuni-
ties emerging in the estimated $7.4 trillion market. Any design or creative business that resists this development risks stagnation or irrelevance in the emerging marketplace and denies the world solutions best conceived in the marriage of technology and creativity.
Tech advancements can enhance innovation and R&D in the design sector. Designers are, after all, architects of the future and play a pivotal role in the digital landscape. In 2022, architecture represented a $269.2 billion market, while interior design was valued at $81 billion. By more deeply integrating technology in the right ways, these sectors can grow at an accelerated trajectory bolstered by greater collaboration, efficiency, productivity and creativity. The whitepaper uncovered that 42% of the 276 design professionals surveyed expect AI scalable solutions to impact their design fields, and a further 31% expect a digital transformation. Strategically applying AI, VR, AR and the metaverse can deliver measurable value for design businesses, empowering de-
signers to streamline, automate and optimise ideation, research, visualisation and personalisation. By tapping vast, global and historical data troves, designers can make informed decisions and provide insight-driven consultation that enhances a project’s foundations.
VR and AR technologies can bring new projects and developments to life for stakeholders and decision-makers before execution and allow teams to identify gaps and opportunities that enhance the final product, ultimately reducing long-term financial, time and material waste. Cloud computing and the metaverse allow teams across different practices, regions and even businesses to collaborate and create seamlessly in real time for more robust, innovative results that push the envelope and the industry forward.
The first step in this journey is identifying and investing in hardware and software relevant to your practice, industry and clients. The next stage – and perhaps the most vital for its successful implementation – is securing employee enthusiasm and skills.
Creating a culture that eases trepidation around advanced technologies can enhance adoption, such as investing in new training models and skill development techniques that enable swift adaptation and building up teams skilled in coding or specialised areas such as AR and VR. This will require more diversified talent pools, where tech and creative talent overlap and collaborate closely.
The digital creative economy stands to unlock considerable business, partnership and innovation opportunities for designer firms willing to take the leap – and earnestly. Such technologies will also enable architecture and design firms to usher in a truly sustainable future. Over a quarter of design professionals surveyed anticipate sustainable industry practices increasingly impacting their field of expertise as well. As the collective consciousness around carbon footprints increases, so will the financial and reputational consequences of sustainable design thinking. Designers must seriously consider circular economy principles, ethical sourcing, material choices and transparency in the environmental impact of development and products.
The challenge is ensuring that technology complements rather than limits or complicates creativity. Staying current with new advancements and prioritising training and upskilling will help businesses better gauge where technological integration can help or hurt. These investments, however daunting, will shape business growth, resilience and reputation. In an increasingly dynamic and saturated design sector, integrating technology and sustainable practices will help businesses maintain a competitive edge and remain relevant, even as the goalposts inevitably change.
The Artist’s Way
Yana Svetlova Wallcoverings transforms walls into timeless masterpieces with innovative design and artisanal craftsmanship
Founded with a passion for art and the transformative power of interior design, Yana Svetlova Wallcoverings has established itself as a leader in the world of luxury wall coverings. Yana Svetlova, an interior designer by profession, launched the brand with a vision to create more than just decorative surfaces. Her goal was to produce wall coverings that double as art, merging beauty with functionality and craftsmanship. “My journey into this industry was driven by a desire to create something truly unique – wall coverings that are not just decorative but also art in their own right,” she explains.
The brand stands apart for its diverse range of offerings, from luxurious couture pieces to three-dimensional wall sculptures that transform walls into works of art. Prioritising artistry and innovation, each piece is meticulously handcrafted, offering depth, texture and a sensory experience that elevates any space. “We don’t just create surface designs, we provide tools to transform walls into statement pieces,” Svetlova shares.
Maintaining high standards across collections is a hallmark of the brand. Svetlova’s hands-on approach ensures every piece meets her vision, working closely with artisans, tech-
nologists and artists who share her dedication to quality. “To create a masterpiece, it’s essential that they have access to the finest materials, cutting-edge technologies and the best possible resources,” she says. Many of her team members have been with the brand since its inception, adding to the consistency and strength of their collective artistry.
Svetlova’s creative process starts with defining a theme and developing it through materials and design. Her collections are about more than aesthetics – the aim is to create a cohesive narrative that seamlessly integrates into any interior. Nature often serves as the ultimate inspiration. The textures, colours and energies found in natural elements like water, bark and light are reflected in her collections. “Our philosophy is that interiors are not only about the visual but also the energy of the materials used,” she explains. Each collection, made from premium materials such as silk, grasscloth and wood, carries the artisanal care and craftsmanship that makes every piece unique.
Svetlova’s innovative spirit shines through in her Wall Sculpture collection, which she debuted at INDEX Saudi Arabia. Inspired by the beauty of nature, these sculptures are made from ceramics and glass, handcrafted to evoke natural forms and elements. “Each sculpture is unique, bringing to life the magic of nature,” she notes. These pieces add depth to a room, either as standalone accents or harmonious complements to her wall coverings. “We focus on timeless interiors that reflect the depth and character of our clients,” she says, highlighting her brand’s emphasis on understated elegance. Her work with leading designers and architects worldwide has allowed her to balance external trends while keeping the brand’s identity and vision intact.
In an era where sustainability is a growing priority in design, Yana Svetlova Wallcoverings has committed to eco-friendly practices. From using sustainable materials to supporting local artisans, the brand ensures its products are long-lasting and environmentally responsible. “We are committed to minimising our environmental footprint by using eco-friendly materials wherever possible,” Svetlova adds.
Each collection holds personal significance for Svetlova, reflecting different stages of her life. One collection, ‘Summer Memories’, was inspired by her daughter learning the alphabet, while ‘Mother Earth’ showcases her admiration for natural phenomena. These collections not only reveal the designer’s personal journey but also resonate with her clients, making them a reflection of both artistry and emotion.
Exploring the interplay of vulnerability and strength through art at Ishara Art Foundation Fragility and Resilience
WORDS – ANEESHA RAI
Ishara Art Foundation is currently showcasing ‘Fragility and Resilience’, the first comprehensive solo exhibition in the GCC by artist Ayesha Sultana, running until 7 December 2024 at Alserkal Avenue in Dubai. The exhibition explores the delicate interplay between vulnerability and strength, reflecting on the fragility of our world in the 21st century. Sultana challenges the conventional separation of fragility and resilience, suggesting that vulnerability can hold strength within itself.
The exhibition features a range of works, including newly created oil paintings and watercolours on Japanese silk and clay-coated paper, along with the debut of Sultana’s handblown glass sculptures. Visitors are also given a rare insight into her creative process through sketchbooks, diaries and in-progress works. Divided into three sections, ‘Fragility and
Left – Installation view of Ayesha Sultana: Fragility and Resilience at Ishara Art Foundation, 2024. Image courtesy of Ishara Art Foundation and the artist.
Watercolour on Japanese silk tissue, 76.2 x 60.96 cm.
Image courtesy of the artist
Resilience’ guides visitors through a journey of contemplation and discovery. Highlights include Sultana’s ‘Breath Count’ series, where marks on clay-coated paper mirror the artist’s breathing, and her ‘Threshold’ series, which commemorates her father through altered photographs from their travels. The exhibition ultimately embodies the tension between the fragile and the resilient, encouraging viewers to reflect on the balance between these forces in art, life and the environment.
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The large-format ceiling showers offer a real wow effect and the ultimate in showering comfort. Rain shower, clean jet or waterfall provide extra wellness. The special atmolight immerses you in a world of complete relaxation, helping to restore your mental and physical balance.
KLUDI surprises, informs and inspires, through a complete and sophisticated range of faucets, sanitaryware and bathroom furniture of high design.
Arab Design Now
Launched by Design Doha, this book profiles more than 70 designers across furniture, design and craft
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Published by Qatar Museums in collaboration with Silvana Editoriale, this richly illustrated 360-page book surveys local and regional design talent across disciplines, from architectural and material innovations to contemporary crafts, furniture, fashion, graphic and object design. Edited by curator Rana Beiruti, the book includes a foreword by Her Excellency Sheikha Al Mayassa Bint Hamad Bin Khalifa Al Thani, Chairperson of Qatar Museums; an introduction by Glenn Adamson, Artistic Director of Design Doha; essays by Beiruti and by curator Noura Al Sayeh-Holtrop that detail the diverse
practice and philosophies that characterise contemporary design from the region; and profiles of more than 70 designers across the fields of architecture, furniture design and craft.
The book’s design is based on an interstellar motif, which draws inspiration from the symbolic significance of stars in Arabic culture. Each artist and collective featured in the book is envisioned as a key point in a network or night sky that links them into a constellation of creative perspectives.
Fahad Al Obaidly, Acting Director of Design Doha shares, “This landmark publication is a long overdue survey of the vibrancy of
Arab design and a deep dive into the creative processes of the amazing designers featured in Arab Design Now. It also marks a significant moment for Design Doha as we prepare for our second edition in 2026. I am confident that this publication will not only become an essential reader for the advanced dialogues about design in the MENA region, but also elevate the distinctive practices of our leading practitioners on the global stage.”
Arab Design Now is on sale now and available worldwide in both English and Arabic editions. Available on inq-online.com
Photography: Noushad Ahammad, courtesy of QM Publications
A New Home for Italian Design Excellence
Studio 971 elevates the design experience with Arclinea, Lema and more
Studio 971 first opened on Sheikh Zayed Road in 2015, creating a luxurious showroom for high-end brands. This destination is a true paradise for design enthusiasts, featuring a curated selection of brands that embody opulence and sophistication. As Gaby Koudsi, Founder and Managing Partner, emphasises, “Our dedication to outstanding craftsmanship and in-
novative design distinguishes us.” The showroom showcasing the brand’s commitment to excellence and boasts award-winning Italian kitchens and premium designer furniture that can enhance any living space.
In early 2024, Studio 971 expanded with a spectacular new twin showroom at City Walk Dubai, covering almost 420 square metres. This elegant space further reflects the brand’s
passion for authentic Italian design and features dedicated areas for renowned brands Arclinea and Lema. Arclinea, established in 1925, is celebrated for its high-end kitchens and innovative architectural solutions, particularly since the late 1990s under the creative direction of Antonio Citterio. Now part of the B&B Italia Group, Arclinea represents the pinnacle of ‘Made in Italy’.
Lema, founded in 1970, is synonymous with luxury and innovative interior design. Known for its customisable furniture systems, Lema continues to push design boundaries while honouring its rich heritage.
With its new City Walk showroom, Studio 971 promises an exciting schedule of events, including live cooking demonstrations that showcase exquisite Italian kitchens. The space is equipped with top-tier products such as Glas Italia doors and Dekton surfaces, created to enhance both outdoor and indoor aesthetics while exemplifying superior craftsmanship in design.
The Design behind Diriyah Art Futures
Designed by Schiattarella
Associati, Diriyah Art Futures
ushers Saudi Arabia’s architectural heritage into a digital future
WORDS – LAURA CHERRIE BEANEY
The architectural narrative unfolds horizontally, perched on the cliff of a wadi
Emerging from the desertscape, Diriyah Art Futures is a pioneering destination dedicated to public engagement with new media, particularly digital arts. Spanning 12,000 square metres, it serves as an exhibition space and a hub for ateliers, research labs, education and artist residencies, welcoming both local and international creatives. What is particularly striking about this project is its juxtaposition of a future-facing concept with the historical and cultural backdrop of Diriyah, a mud-brick city rooted in Saudi Arabia’s aesthetic traditions. Situated next to At-Turaif – the ancient capital of Najd and a UNESCO World Heritage site, often regarded as one of the most significant archaeological sites of the Arabian Peninsula – Diriyah Art Futures translates the values of Najdi architecture into a modern visual language.
For Schiattarella Associati, the challenge was to honour the historical significance of the site while establishing Diriyah Art Futures as a forward-thinking cultural hub. “We embraced the challenge of creating a new human dimension in a territory layered with history,” explains Andrea Schiattarella, CEO of Schiattarella Associati. He emphasises the importance of not only responding to the physical environment but also creating a dialogue with the site’s memory, ensuring that the architecture resonates with both tradition and innovation. “Digital art demands that the relationship between container and content is elevated,” Schiattarella continues. While the museum has always been both a host and a narrator of its content with digital art, the container itself now becomes an active participant in the experience. “Digital art evokes estrangement, excitement and engagement,” he says. “The building must reflect these qualities, offering itself as an open palimpsest [that is] rich with exhibition possibilities.”
The resulting structure seems to rise naturally from the earth. Perched atop a cliff overlooking a wadi, the centre’s angular lines contrast with the soft, undulating curves of the desert. Its material palette – locally sourced stone, raw earth and mud plaster – evokes the architectural traditions of Najd and the broader desert vernacular. A façade of full-length cut glass reflects the surrounding landscape, filtering and refracting light and shadow in a way that echoes the natural rhythms of the desert, creating a dynamic visual effect. Diriyah Art Futures occupies a space between two contrasting elements: the region’s historic core, with its narrow streets and low-rise buildings, and expansive agricultural land. One of the key objectives, according to Schiattarella, was to restore continuity between the wadi and the upper cliff, merging the agricultural landscape with urban living. “We conceived a complex, rather than a
single building, to minimise the architecture’s impact on the natural environment,” he notes. The spaces between the structures evoke the intimacy of ancient dwellings, with winding streets and compact squares that invite exploration and social connection. Sustainability was a guiding principle for the design. Shaded areas encourage natural airflow, lowering temperatures between the buildings and protecting pedestrians from the intensity of the desert sun – echoing the wind tunnels of traditional Arabian architecture. This nod to the past is balanced by state-of-the-art features, including a geothermal cooling system, solar-optimised design and a rainwater collection and reuse system. The project has also prioritised cultural preservation. “As architects, we have a great responsibility today,” says Schiattarella. “Globalisation is flattening cityscapes and architectural languages. Our challenge is to depart from the value of cultural diversity. For us, this meant experimenting with architecture that moves beyond shapes and signs, from tradition to the essence of local culture, transforming it into contemporary meanings.”
As a centre for digital art, research, innovation and education, Diriyah Art Futures exemplifies how modern architecture can engage both cultural memory and forward-facing vision. More than just an architectural landmark in Saudi Arabia’s rapidly evolving built environment, it forms a site where tradition and innovation can converse.
Above – The material palette shifts to steel, glass, concrete, and wood indoors; Bottom – (left) The design balances traditional elements with contemporary materials; (right) Compact, shaded areas create natural cooling through narrow passages and small courtyards
Crafting a Legacy
Casamia has revealed its new brand identity; here, its founder Kader Mithani talks about the company’s transformative impact on the region’s luxury design sector
WORDS – ANEESHA RAI
With an emphasis on heritage and luxury, Casamia has carved out a niche for itself as not only as a luxury design retailer but also as a curator of designers’ dreams. Since its inception in the early 2000s, the company has continued to curate some of the most notable international notable offerings in tiles, wellness, bathrooms, furniture and kitchens; resulting in a brand that is synonymous with refinement and a sense of oneness. Each collection represents not just material products, but also reflects Casamia's deep-rooted connection to the art of building and design.
A new brand identity
With a permeating sense of connected values, innovation and craftsmanship, each partner brand seamlessly integrates into the Casamia
narrative, contributing its own story to the overall fabric of the brand. The company has adapted a new visualisation for the design season – the bird of paradise, which showcases an adapted sense of statement and style. “We’re not just curating products; we’re curating experiences,” shares Kader Mithani, CEO and Founder of Casamia. “Our selection is driven by brands that imbue their designs with a sense of timeless dynamism, pushing the boundaries of innovation while maintaining a rooted connection to artisanal precision.”
The bird of paradise isn’t just a design element; it’s a metaphor for the brand’s journey –a transformation of material into beauty and of design into emotion. Carrying the same tinge of orange as used in the brand’s iconic wordmark, it evokes joyfulness, freedom, anticipation and excitement, effectively encapsulating the pas-
sion behind the curation of some of the most coveted and notable collections from across the world. It is also meant to resonate with the sense of belonging amongst Casamia’s clients and stakeholders, reflecting relationships that are built on emotion and thoughtfulness.
Porro
A recent and notable addition to Casamia’s offerings is Porro, an Italian design powerhouse renowned for its modular systems of storage wardrobes, system bookcases and contemporary furniture pieces. Completing its 100th year in business in 2025, Porro has united the timeless tradition of fine woodworking with cutting-edge technologies, becoming a leader in the design industry. “When curating brands for Casamia, we seek those that resonate with artistic alchemy and design ingenu-
ity, where every element serves as a sensory experience,” Mithani says.
Characterised by an intrinsic ability to select, work and interpret wood, the brands offer a wide range of finishings, using them in unexpected ways by implementing cuttingedge technology for glossy and matt lacquers alongside fine woodworking techniques of the past. The brand has crafted a signature style defined by attention to detail and is known for its innovations such as invisible hinges and silent drawer runners. “Our ideal brands embrace material metamorphosis, turning raw elements into surfaces of intrigue and objects of allure,” Mithani adds. “Whether it’s the interplay of textures or the sculptural fluidity of forms, we look for brands that ignite visual dialogue and invite interaction.”
The selection of wood is renewed every year and is personally managed by the Porro family together with Art Director Piero Lissoni. Previous collaborators have included Werner Aisslinger, Gabriele and Oscar Buratti, Piergiorgio Cazzaniga, Decoma Design, Front, Nicola Gallizia, GamFratesi, Jean-Marie Massaud, Alessandro Mendini, Bruno Munari, Elisa Ossino, Christophe Pillet, Soda Designers, Carlo Tamborini and Wolfgang Tolk. Porro’s production vision makes its products adaptable for both residential and commercial spaces. The wide range of finishes, technologyforward devices and modularity help satisfy a full spectrum of requirements, from large public spaces to smaller bars and cafes.
What’s next
Amidst its growing brand portfolio, Casamia is also expanding its regional footprint by supplying branded developments that are now a significant part of Dubai’s growing skyline. Through brands such as Versace Ceramics among others, Casamia’s contribution continues to set new standards in luxury design, shaping not just spaces but the very essence of the built environment. “Casamia is a playground for architects and designers,” Mithani reflects. “We aim to inspire new perspectives and creative possibilities, shaping a vibrant community that encourages exploration and growth.”
As Casamia looks to the future, its legacy is clear. “The legacy we envision for Casamia is to elevate design into a realm of artistic expression while actively furthering the interior design industry,” Mithani says. “Its legacy will be one of artistry and inspiration, crafting spaces that resonate deeply while pushing the boundaries of what interior design can be.”
Meet the Jury
Seven prominent designers will be judging this year’s identity Design Awards
WORDS – ANEESHA RAI
identity’s jury comprises internationally recognised industry professionals, each highly regarded for their expertise in the design arena. These architects and designers will independently assess the nominations and respect the magazine’s reputation for integrity and impartiality. This year, the jury is composed of:
• Kelly Hoppen, interior and product designer, author and TV personality
• Elie Gamburg, Principal at Kohn Pedersen Fox
• Stefan Rier and Lukas Rungger, Co-founders of NOA (Network of Architecture)
• Shivani Ajmera and Disha Bhavsar, Co-founders of Quirk Studio
• Annamaria Lambiri, architect and Chair of the Department of Interior Design, and Associate Professor of Interior Design at the American University in Dubai, UAE.
KELLY HOPPEN
Having changed the face of the design industry with her ‘East Meets West’ style, multi-award-winning designer Kelly Hoppen CBE is one of the most sought-after designers of her generation. Her work is characterised by clean lines, neutral tones and a warm, opulent touch.
Over her 46-year career, Hoppen has earned numerous awards, including an MBE for services to interior design in 2009 and a CBE in 2020 for promoting British creativity globally. Hoppen’s passion for design is clear in her extensive portfolio, which spans exclusive commercial properties, private homes, superyachts, jets and 5-star hotels.
Hoppen’s team delivers meticulously crafted interiors, paying attention to every detail. She has also authored 10 books and collaborated with select brands to create home product lines. Beyond design, Hoppen is committed to mentoring young talent and supports causes like The Prince’s Trust and The Diana Award, reflecting her dedication to nurturing the next generation.
ELIE GAMBURG
Working from both New York and London, Elie Gamburg has 20 years of experience creating innovative designs for cities, institutions, companies and developers. Across a wide range of project types around the world, Gamburg’s work is consistently sensitive to human scale, urban context and sustainable practices.
Gamburg designed Boston’s Seaport Square Master Plan, fostering innovation in research and technology, and Channelside in Boston, blending lab, office and residential spaces near the historic Fort Point district. In Dubai, Gamburg led the design of Atlantis The Royal, featuring ‘sky courts’ that provide private outdoor spaces for major suites, redefining luxury living. He also reimagined NYU Shanghai’s campus, stacking diverse programmes on a constrained urban site.
Gamburg has taught design studios at his alma maters, Columbia GSAPP and Tongji University, and was an adjunct professor at NYIT for eight years. As a guest critic, he has contributed to prestigious institutions like Harvard, Yale and Columbia. He actively participates in the New York AIA, chairing the Global Dialogues Committee, and is involved with ULI (Urban Land Institute) in both the US and Europe.
STEFAN RIER
Stefan Rier graduated in Interior Design from the ‘Andrea Palladio’ Study Centre in Verona and later enrolled in the architecture faculty at the Univer-
sity of Ferrara. During his studies, he worked as an interior designer for his family company, Rier Carpentry. He first worked as an architect with Arch. Demetz, then moved to Bergamo to work with Prof. Massimiliano Mandarini and eventually joined the studio of Matteo Thun in Milan. After receiving his professional qualification as an architect at the University of Genoa, in 2011 Rier co- founded NOA together with Lukas Rungger. NOA is an awardwinning collective of architects and interior designers, which now has over 30 members with headquarters in Bolzano and three additional offices in Berlin, Milan and Turin. Since then, Rier has been working on projects in the sector of hospitality, housing, commercial and office use, both in terms of architecture and interior design. He has also carried out projects in product design. Today, he is a member of the Chamber of Architects and Planners of Bolzano.
LUKAS RUNGGER
Lukas Rungger graduated from the Graz Technical University with a master’s degree in architecture; he previously studied in Brussels and New York City, where he completed his graduation thesis. Rungger first worked as an architect with Prof. Hans Gangoly in Graz, then moved to London to gain further experience at Softroom Architects and finally joined the studio of Matteo Thun in Milan. After achieving his professional qualification as an architect at IUAV University in Venice, Rungger founded NOA in 2011 together with Stefan Rier. In his architectural practice, Rungger has been extensively involved in a wide range of projects in the field of urban design, housing, hotels and the interior design of bars and restaurants. He was a member of the RIBA Royal Institute of British Architecture and is now a member of the Chamber of Architects and Planners of Bolzano.
ANNAMARIA LAMBRI
Born in Italy, architect Annamaria Lambri studied architecture at Politecnico di Milano, Italy; she then specialised in interior design (hospitality design). She has worked on numerous projects ranging from international exhibitions to commercial, residential and hospitality design, both in Italy and internationally. After moving to the UAE, she was involved in a variety of prestigious highend commercial and residential design projects, including several hospitality design projects for major international hotel operators.
As Chair of the Department of Interior Design, and Associate Professor of Interior Design at the American University in Dubai, UAE, Lambri’s research and publications focus on human-centred design. Her primary area of interest is the development of the hospitality design field and its implications.
She is an architect, International Associate Member of AIA (The American Institute of Architects), Chartered Member of RIBA (Royal Institute of British Architects) and member of IDEC (Interior Design Educators Council). She is also a Member of CRID (Center for Research, Innovation and Design at AUD).
DISHA BHAVSAR
An art and design enthusiast, Bhavsar grew up in Muscat, Oman, and moved to Mumbai for an undergraduate degree in Interior Design. She garnered experience by working with established names like Milind Pai Architects, Beyondesign and Elle Decor. She furthered her academic achievements by pursuing an MA in Design Management at the Winchester School of Arts, University of Southampton and polished her design sensibilities that are reflected in a novel yet rooted approach, now translated into the projects at Quirk Studio.
SHIVANI AJMERA
Shivani Ajmera explored the world of advertising, but the world of design was her calling. Channelling her creative energy, cultivated and groomed through her love for art, music and theatre, she went on to pursue Interior Design at the Florence Design Academy, Italy. Her experience of working with leading firms like Talati and Panthaky Associates, reD Architects, Elle Decor India and Restoration Hardware (now RH), USA paved a path to creating compelling design solutions that adds an edge to the projects undertaken by Quirk Studio.
Shortlist
identity is pleased to announce the shortlist for the tenth annual identity Design Awards taking place on 15 November 2024 at The Forum by Banyan Tree Dubai.
ARCHITECTURE
Residential
• Mr. C Residences Jumeirah by Arquitectonica
• Villa OL by Rqitects Design Studio
• The Fold by tkdp
• Baconi Villa by MAD architecture & design
• AMAIA by KOA
• Villa AM by Mesura
Commercial
• Villa 515 by Non Design Studio
• Al Zorah Golf Clubhouse by ANNAKA FZCO
• Innovation Hub by RMJM
• FlyDubai HQ by Dewan Architects + Engineers
Public Building
• Dubai British School Jumeira by Kidzink Office of Design and Architecture – KODA
• Al Zorah Golf Clubhouse by ANNAKA FZCO
• Mamluki Lancet Mosque by Babnimnim Design Studio
• The H Residence by tkdp
• Anwar Gargash Diplomatic Academy by Shape Architecture Practice + Research
Hotel
• The Serai Wing by ANARCHITECT
• FIVE LUXE by AE7
• Anantara Santorini Abu Dhabi Retreat by E11 Architects
• Signature Villas at The Ritz Carlton Al Wadi Desert, Ras al Khaimah by H+A
• Maison Brummell Majorelle by Studio Bergendy Cooke
Cultural Building
• Mamluki Lancet Mosque by Babnimnim Design Studio
• Estidama Mosque by X Architects
• Siyadi Pearl Museum by Studio Anne Holtrop
• Hindu Mandir Complex by RSP
INTERIOR DESIGN
Health and Wellness
• Medcare Royal Speciality Hospital by Design Matter
• Face Flex by XO Atelier
• Sunny Wellness by DZ Designs
• St Regis Red Sea Spa by Kristina Zanic Consultants
• Banya Forrest by Brand Creative
• SIRO by LW Design Group
Hotel
• Al Badayer Retreat by Sharjah Collection by Lulie Fisher Design Studio
• St Regis Red Sea by Kristina Zanic Consultants
• Raffles Al Areen Palace Bahrain by International Design Associates
• SIRO by LW Design Group
• Signature Villas at The Ritz Carlton Al Wadi Desert, Ras al Khaimah by H+A
Public Space
• Stellaire by Designsmith
• The Visitor by Altavia.ODG
• Poddster by Point Concept Studio
• Frames Eyewear Store by Studio Meshary AlNassar
• Aldar Experience Center by Mustard&Linen
• Brabus ME Boutique by Orange Design Group
Restaurant
• Miss Tess by Prospect Design International
• Shima by Allen Architecture Interiors Design – AAID
• MOLI by SHI by 4Space Design
• Kuuru by Forsite Creative
• Izakaya by Spaces Architects
• En Fuego by Bishop Design
• Asia Asia by Bishop Design
• Signor Sassi by Fettle Design
Residential
• Atlantis the Royal Panoramic apartment by Katerina Suleymanova design
• Blue Copper Loft by ANARCHITECT
• Caroline’s villa by Blush International
• The house of love and art by zerotwocento decoration design
• ECLETTICO by Etereo Design
• Palm Jumeirah Luxury Villa by MWM Studio
• Pool House by VSHD Design
• Renacer villa by ELE Interior
Office
• Mars Wrigley by Spacewell Interiors
• Landmark Group HQ by Allen Architecture Interiors Design – AAID
• RAKBANK Office by Design Infinity
• Fairmont Global HQ, Dubai by MIXD
• Ajman Rulers Court by Roar
• DIFC office by Rqitects Design Studio
• Unique Properties Headquarters by Aviva Collective
Nightlife
• AGORA by 4Space Design
• VNYL Hi-Fi by Prospect Design International
• Brass Monkey City Walk by Prospect Design International
• Sphere by Social F+B By Design
• Agatha by Arch Home Interiors & SB Interior Design Studio
• HuQQa by Pinnacle Interiors
Fit-out
• Entertainment space by Ferrutti Building Contracting LLC
• EL&N by La Design Touch
• Nordic Homeworx by Motif Interiors
• DIFC Courts by Designfit
• Propertyfinder by Swiss Bureau Interior Design
• The Guild by BW Interiors
• Huqqabaz by Pinnacle Interiors
Emerging interior designer of the year
• Mohammad Masri from B8 architecture
• Georges Hadid from Prospect Design International
• Sabiha Yousuf from TwentyOne06
• Afreen Syed Afroz from International Design Associates
• Oliver Ransom from MWM Studio
• Shereen Hassanein from LW Design Group
• Rajwa Taifour from RSP
GENERAL
Outdoor Space
• Latent by Studio Taraf
• Drift by Studio Niko Kapa
• The 305 by Bishop Design
• AM Residence by Studio D04
• Pump Track by desert INK
Project of the Future
• Rixos Financial Centre Road Dubai Residences by Aedas
• Igneous by ISTO
• Duty Free at Riyadh Airport by Altavia.ODG
• Qiddiya & Seven by Bluehaus
• Jumeirah Marsa Al Arab by Killa Design
• Oceano by Dewan Architects + Engineers
Product Design
• Transbollard by Hadi Abu Hamdan
• Oil bench by Omar Nakkash
• THE PALM TABLE LAMP II by Khalid Shafar
• GALAXY COLLECTION by Eva Szumilas
• Faraglioni Collection by Etereo Design
• Byblos by Aya Moug
• KAMEH 0.5 Editions by KAMEH
The Inside Scoop
This page – (from top) The Forum this year will be designed by Thomas Trad; Poltrona Frau will showcase collaborations with Faye Toogood, Draga & Aurel and Sebastian Herkner
We speak to Mette Degn-Christensen, the Director of Downtown Design on what we can look forward to at the fair this year
Can you tell us what you are most excited about for this year’s Downtown Design?
I very much look forward to the UAE debut of The Conran Shop, as well as the long list of prominent brands joining us this year, including B&B Italia, Poltrona Frau, Preciosa, Saint-Louis, Venini and Audo Copenhagen. I’m also eager to see the showcases of less widely known names like Atelier Vierkant, Jacopo Foggini, Serafini and Haberdashery, as well as the launch of JNF’s innovative range by Ross Lovegrove. One of the very exciting aspects is always the UAE Designer Exhibition – this year in its fifth iteration – which has grown as
WORDS – ANEESHA RAI
DESIGN
a platform over the years, and I can’t wait to explore what our participating designers have created, in person. There will also be a lot to discover among our group exhibitions like Tanween by Tashkeel, who are with us every year to unveil the designs of their cohort, as well as Designed in Saudi and the Dutch Collective who are both back for a second showcase this year. It’s shaping up to be an inspiring and dynamic edition and a special moment where creativity comes together!
What’s the central theme for Downtown Design this year?
Connectivity is at the heart of everything we do; rather than promoting one specific theme, Downtown Design consistently produces a dynamic environment where design meets opportunity and forges foundational conversations, reinforcing Dubai’s position as a global hub for creativity and design. Our focus lies on fostering collaboration, discovery and creative exchange to ensure that Downtown Design continues to act as a vital hub for the region’s emerging talent as well as established designers. What can one look forward to in the talks programme?
This year, The Forum will again bring together some of the most influential voices in the industry for thought-provoking discussions. Designed by Lebanese talent Thomas Trad, the space itself will be an embodiment of minimalist, Japanese-inspired aesthetics, creating a refined and engaging atmosphere.
Iconic designer and architect India Mahdavi will kick off the talks with an opening keynote. Eames Demetrios will share his insights on preservation and design identity, while Lina Ghotmeh will uncover the importance of craft and community in architectural heritage. Also joining the programme are leading voices, such as: Magnus Ström, who will speak about bringing a modern, cutting-edge flair to the UAE; Nika Zupanc, whose rebellious elegance in design continues to captivate; and Peter Eland, the founder of Norm Architects. The Forum offers an unparalleled opportunity to engage with the industry’s brightest minds, making it an essential stop for anyone eager to stay ahead of the curve in the world of design. Tell us about some of the exciting first-time entrants this year.
We are welcoming a number of incredible firsttime participants, bringing fresh perspectives and innovative projects to Downtown Design.
Another first-time highlight is de Gournay, globally renowned for hand-painted wallpapers, who will be producing an exquisite lounge for the fair. Rooted in centuries-old chinoiserie traditions, de Gournay’s creations often feature lavish, vibrantly coloured garden scenes that are at once timeless and contemporary. At the fair, visitors can step into the de Gournay lounge, offering a visual feast that marries artistry with interior design.
Mette Degn-Christensen, the Director of Downtown Design
Tell us more about your curation process with Pablo del Val for Editions. What can visitors expect at this debut and how is it being made accessible?
We are very excited about Editions, which will have its inauguration in November alongside Downtown Design and will be the Middle East’s first fair dedicated to limited-edition art and design. Visitors can explore a mix of contemporary design, photography, prints, ceramics and works on paper, all curated from galleries, design studios and collectives from around the world. What’s great about it is its variety; it’s designed to provide a showcase of discovery, both to seasoned collectors and those who are just curious, offering the chance to discover a diverse selection of high-quality pieces and talent that is not yet widely exposed. We have focused on selecting works that are pushing
the boundaries of design and craftsmanship; for the art side of Editions, Pablo has worked with the galleries to ensure an entirely different selection of works to what one might expect when going to Art Dubai. I already have my eye on some personal favourites, such as Elsa Foulon’s stunning ceramic light sculptures and a striking armchair by Nian Architects, made from polished iron and lacquered wood, paired with a vibrant fabric seat from Pierre Frey. I’m also looking forward to seeing the serigraph works by DotPigeon, which bring a bold, modern touch; and Nat Bowen’s resin works are on my shopping list! Editions will offer all visitors access to diverse works in a wide range of price points, inviting a broader audience into the world of collecting, and offering a new take on art and design that hasn’t been widely showcased in this region before.
The identity Guide to Downtown Design
Here are the most exciting exhibits to look forward to at the 11th edition of the fair
CURATED BY ANEESHA RAI AND HIBA FAISAL
Cosentino
Cosentino will be presenting its creative concept, ‘Moon Gate’, designed by Kuwaiti Babnimnim Design Studio. The studio is renowned for innovative and sustainable surfaces, and this installation offers a shifting perspective that symbolises the cyclical nature of life and celebrates interconnectedness. Reimagining the traditional moon-like doorway, the concept features a free-standing circular gate that appears to rise from the ground, reflecting the “circular nature” of Cosentino's sustainable cladding materials, Dekton and Silestone. Its artistic composition is made up of three creative components: circular cutouts, intricate wooden joinery and rectangular monolithic walls. Its seamless effect is created by combining earthcoloured tiles with textures that include flute, matte, high gloss and suede – emphasising the shifting perspectives through the moon gates. Other notable features include plants that flow from passageways, sculptural pieces made from offcuts that depict the moon’s phases, furniture from Cassina and lighting design from Vibia. The installation’s permeable design fosters a free-flowing atmosphere, allowing for a kaleidoscope of views both inside and outside as visitors walk through the portals on all four sides.
de Gournay
Known for exquisite, hand-painted and handembroidered wallpapers, de Gournay will debut at Downtown Design this year. Presenting an intimate lounge concept showcasing a dedication to detail and craftsmanship, the brand will host tailored programming in a thoughtfully curated environment.
Finasi
Finasi will present the “Living Lounge Loft”, a concept born from the collaboration with renowned Italian brand Cappellini. The installation integrates Finasi’s bespoke kitchen and wardrobe solutions with Cappellini’s iconic furniture to create a refined space. At the heart of the Loft is a luxurious, spacious island kitchen designed with a custom approach and crafted locally. It showcases a carefully curated selection of materials and finishes, exceptional versatility and optimized storage solutions –all within a fully functional and inviting environment. The ‘Living Lounge Loft’ features a standout glass-tinted wardrobe that enhances storage capacity in a refined and multifunctional manner. This unit not only acts as a separator but can also be utilized in various spaces, including living areas, dressing rooms, and wardrobe units. Completing the Loft’s aesthetic are exceptional collections from Cappellini, including the Cloud, a two-sided bookshelf in white polyethylene, designed by Ronan and Erwan Bouroullec. Also, on display, is the Proust Geometrica Armchair crafted by Alessandro Mendrini, a cult favorite that blends
vibrant color blocks with exceptional comfort and the Revolving Cabinet by Shiro Kuramata, a mobile sculpture made from glossy red acrylic plastic material, featuring 20 rotating drawers. Lastly, Jasper Morrison’s Oblong Plus Modular Seating System has been reimagined in its architectural system to enhance flexibility and ergonomics, offering adaptable seating solutions for any layout.
Lasvit
Lasvit’s installations draw inspiration from the natural beauty of desert landscapes, inviting visitors on a captivating journey through light and shadow. The brand’s booth will feature two standout pieces. ‘Wadi’ by Martin Gallo, a dynamic lighting installation that combines water and sand to create intricate caustic light effects, capturing the serene beauty of desert landscapes. Alongside this, ‘Miles’ by Yabu Pushelberg offers a refined collection that merges art, design and light, delivering a touch of modern elegance to contemporary interiors.
Fioravante
Exhibiting for the first time at Downtown Design, Fioravante is a Dubai-based brand specialising in marble-inspired interior design pieces and furniture, rooted in Italian craftsmanship. The brand’s design approach focuses on transcending boundaries and celebrating
the uniqueness and creative processes of the artists and designers they represent. Each piece is a contemporary expression of artistry, blending creativity with individuality. Fioravante’s design philosophy merges research, tradition and avant-garde innovation to create works that not only showcase creative flair but are also rich in character. The brand produces unique items and limited editions in collaboration with international designers, combining traditional craftsmanship with contemporary aesthetics.
At Downtown Design, Fioravante will unveil its ‘Altrove’ campaign, featuring the VIA collection. With a strong focus on brand and visual identity, ‘Altrove’ refers to a universe of imagination. The collection demonstrates the duality between the two materials, marble and glass. While one is bold and powerful, the other is fragile and minimal.
Natuzzi Italia will debut the Memoria sofa, designed by Karim Rashid, at Dubai Design Week 2024 as part of its new Circle of Harmony collection. Memoria stands out in the collection with Rashid's reinterpretation of fluid, enveloping lines, making it a focal point in any living space. Its design incorporates organic contours and delicate curves inspired by the soft hills of Apulia, blending contemporary aesthetics with a sense of harmony, togetherness and comfort. “For Natuzzi, I wanted to create a space of curves and fluidity that could welcome people,” says Rashid. “A sofa is a meeting of people, friendship and intimacy, after all. Memoria was born from long and meticulous research, where the intent was to create a sofa unique in comfort and pure in appearance.”
This page –(top) Kidzink; (bottom)
Obegi Home/OKHA Design, Bijou
Marbe side table
Kidzink
For the first time ever, Kidzink will be showcasing new products crafted from a groundbreaking material made entirely from waste fabrics generated at their factory. This material is currently in the process of being patented and will make its debut at Downtown Design. Aligned with their commitment to sustainability, this collection will be styrofoam-free and FSC-certified. By integrating a circular design process, the company aims to advance eco-friendly practices in educational environments, offering furniture that supports their mission to create sustainable, impactful learning spaces. Kidzink will also power the popular Maker Space at Dubai Design Week and host select workshops at the space.
Quooker
Quooker’s booth will display the iconic Front tap in Gunmetal and Rose Copper. These stylish finishes blend seamlessly into modern kitchens, adding not only functionality but also a touch of elegance to any space. Additionally, the company will be showcasing a completely redesigned stand that captures the spirit of innovation, sustainability and luxury. The booth concept intends to be an immersive experience in which guests may interact with the Quooker devices and refresh themselves with sparkling, cold or boiling water directly from the tap.
Interiors From Spain
Interiors From Spain is showcasing renowned brands such as Ape Grupo, EsPattio by Forma5, Inbani, Isimar, Lladró, Ondarreta, Point, Porcelanosa, RS Barcelona and Vibia at their booth. The design concept ‘El Patio’ captures the essence of Spanish design while blending it with the vibrant culture of the UAE. Inspired by the historical connections between the two regions, Dubai-based Spanish designer Kristina Bråteng, CEO and Founder of B8 Architecture, has crafted a space that honours this rich cultural heritage. “It feels rewarding to create
a space where the aesthetic sensibilities of both Spain and the UAE can converge, highlighting the shared values and appreciation for beauty. Our design is inspired by the Andalusian patio, which is a beautiful representation of this union,” notes Bråteng. Key elements such as arches, water features and lush greenery are quintessential to Spanish design and form the backbone of the installation. The inclusion of a pergola adorned with vibrant bougainvillea captures the essence of Mediterranean living, adding colour and life to the space.
Perennials
At Downtown Design, Perennials will showcase its latest collection with Timothy Corrigan called Perennials by Timothy Corrigan. The collection features three fresh fabric designs – Leaping Leopards, Les Fleurs and Stripe Du Jour – as well as new colourways in existing favourites, like Feel the Heat and Go For Baroque. Woven from fine 100% solution-dyed acrylic yarn, Perennials' fade-, mildew- and UV-resistant materials are able to stand up to life's everyday adventures without sacrificing great design, making them uniquely suited to fit beautifully with any indoor or outdoor setting. identity will also be holding a panel on 7 November with the region’s leading designers.
Poltrona Frau
With an emphasis on sustainability at its booth, Poltrona Frau will present an impressive array of timeless designs at Dubai Design Week, showcasing collaborations with esteemed designers such as Faye Toogood, Draga & Aurel and Sebastian Herkner. Among the featured items is the Squash armchair, which blends contours with a striking sculptural design. Developed by British artist Faye Toogood, Squash offers a unique invitation to explore Poltrona Frau’s creative design philosophy. Made with a sturdy Polimex frame, the Squash chair offers a modern interpretation of classic furniture design, balancing comfort with creativity.
Obegi Home
Returning to Downtown Design, Obegi Home is showcasing an impressive array of the world’s most coveted international brands at its booth. Among the featured brands are Antonio Lupi, Booma, Emmemobili, Gabriel Scott, Poliform, Paolo Castelli, Porada, OKHA, and Tribù. The exhibition will also showcase collaborations with renowned designers such as Jean-Marie Massaud, Stefano Bigi, Carlo Colombo and others in the installation, visitors will be guided on an immersive journey.
Italian Design Excellence
Caspaiou is bringing four exciting brands to Downtown Design
Caspaiou will be showcasing Italian design excellence at Downtown Design through its partners Meridiani, Gallotti&Radice, Henry Glass and Venicem. These brands will make the Middle East debuts of these pieces straight from their first appearances at Salone del Mobile in April 2024. Led by husband-and-wife duo Charlotte and Alexander, this interior design studio is widely recognised across Europe for
its carefully picked artists whose creations are renowned for transforming spaces into captivating homes. During Dubai Design Week, Caspaiou will introduce an exclusive offer for its stand visitors, while its showroom on Sheikh Zayed Road undergoes a refresh in time for Dubai Design Week. The brand will also facilitate sessions with partner M2R, to spread the word about its new sustainable rug collection, ‘Sustainettle’. The booth will embody the sig-
nature ‘Caspaiou atmosphere’, inviting visitors to discover each item’s unique design concept and the intricate details that set it apart. With a focus on meticulous craftsmanship, this immersive space will be defined by elegant lines and earthtone colours, blending contemporary elegance with rich textures. Visitors will be able to experience the brand’s style up close, all while the booth’s ambiance effortlessly exudes elegance, comfort and luxury.
WORDS – ANEESHA RAI
The use of soft, evolving lighting, gentle natural sounds and delicate scents enhances the sensory journey
A Sanctuary for the Senses
Melding Asian roots with desert purity, BLINK Design Studio creates an immersive experience at the new Banyan Tree Spa Dubai
WORDS – ANEESHA RAI
PHOTOGRAPHY – VITALII HONIUKOV
Natural textures and understated finishes echo the beauty of the landscape
The spa at the Banyan Tree on Bluewaters Island provides a holistic wellbeing experience rooted in timehonoured Asian traditions while forging a deep connection to its surroundings. Its design is inspired by the serene simplicity of the desert, offering a modern oasis for those seeking calm and rejuvenation.
Using its ‘placemaking’ philosophy, BLINK Design Group collaborated with Banyan Tree for the design of the space, which involved embracing embraces natural textures, subtle details and the philosophy of ‘less is more’ to create a tranquil space that supports physical, emotional and spiritual wellness. The use of soft, evolving lighting, gentle natural sounds and delicate scents enhances the sensory journey, creating an immersive environment that fosters relaxation and mindfulness.
In collaboration with Banyan Tree, BLINK Design Group has brought its philosophy of ‘placemaking’ to new heights with the creation of Banyan Tree Spa Dubai. This unique place merges the brand’s commitment to wellbeing with design that captures the essence of Dubai’s natural landscape and cultural heritage in a contemporary context without losing the sense of tranquillity. “Partnering with Banyan Tree, a brand that embodies sustainability and wellness, was an honour. Our shared commitment to these values made this part-
nership a natural fit, and it’s been a joy to see this vision come to life,” says BLINK’s Founder and Creative Partner, Clint Nagata.
Natural textures and understated finishes echo the beauty of the landscape, while the spa’s colour palette is inspired by the Arabian oryx – a symbol of conservation in Dubai. Soft white tones with black accents mirror the creature’s elegance and minimalism. Drawing on both ancient culture and the natural environment, the design of the spa mimics the intricate patterns of the desert, with a nod to the local Ghaf tree. Vertical elements throughout the space, from walls to ceilings, represent the resilience of this iconic tree, anchoring the spa in its cultural and environmental context.
The spa’s treatment rooms transport guests to a place of deep serenity, with design elements that evoke the shifting sand dunes of the desert. Soft, curved lines and ethereal lighting evoke the gentle motion of the dunes and the ever-changing desert sun. Framed views invite the outdoors in, while natural sounds and scents from the surrounding environment further enhance the experience. Elegant details such as warm timber flooring, dark hardwood accents, desert stone and handcrafted banana leaf wall coverings create an atmosphere of refined luxury.Water, a precious resource in the desert, holds significant cultural and spiritual meaning in Dubai. The
spa’s design pays homage to this through the creation of a rainforest tunnel and barefoot experience, inspired by traditional water cleansing rituals. Guests can experience a symbolic journey of renewal, washing away their worries as they walk through the rainwalk with ceiling and wall spa water jets. The rainforest area, divided into separate spaces for men and women, includes steam and sauna rooms for relaxation and detoxification. Select treatment rooms are equipped with whirlpools and Jacuzzis, enhancing the luxurious hydrotherapy offerings. The spa also features bucket and ice showers, stimulating circulation and refreshing the body, while heated loungers provide the perfect space for post-treatment relaxation.
Banyan Tree Spa Dubai embodies the brand’s dedication to ecologically sensitive design, from low-impact construction and responsible sourcing to energy-efficient operations. The spa serves as a luxurious yet ecoconscious retreat, in harmony with Banyan Tree’s mission to protect biodiversity and reduce environmental impact. Paul Stuart Sykes Riquelme, General Manager of Banyan Tree Dubai, spoke of the spa’s unique appeal: “At Banyan Tree Dubai, we are proud to present a new urban wellbeing sanctuary in the heart of this vibrant city. Our spa offers guests a transformative journey of renewal, guiding them towards balance, restoration and joy.”
Below – The creation of a rainforest tunnel and barefoot experience, inspired by traditional water cleansing rituals
French-Australian architect Oliver Du Puy drew inspiration from American painter Mark Rothko and the work of Japanese architect Kazuo Shinohara to create this Melbourne sanctuary for a busy woman
WORDS – KARINE MONIÉ
A Haven of Wellbeing
PHOTOGRAPHY – TOM ROSS
Opposite page –
The architect used an expressed timber ceiling and referred to the work of
to complete his creative vision
Kazuo Shinohara
After growing up between Paris and Melbourne, Australia, Oliver Du Puy trained under Norman Foster in London, as well as Kengo Kuma and Jun’ya Ishigami in Tokyo. Today, he is based in Sydney, where he runs his eponymous architecture and interiors studio. These diverse influences are all reflected in one of his latest endeavours: a historic Victorian terrace house from 1889 by acclaimed firm Reed, Henderson and Smart (now Bates Smart). Originally built for the foreman of Mutual Store Ltd, Melbourne’s first department store (established in 1872), the property was transformed for a New Zealand woman with two young adult children and a West Highland terrier. Du Puy took care of reconfiguring and extending the home while celebrating many of the original period details that needed to be reintroduced or revealed again after being covered up or removed throughout time, such as the ceiling roses, fireplaces and cornices. Meanwhile, the architect delicately added contemporary touches throughout.
“In the words of the Victorian-era art critic John Ruskin, ‘We don’t want our buildings merely to shelter us; we also want them to speak to us’,’” says Du Puy, who honoured this statement. Attached on one side, the site of the house borders the Royal Botanic Gardens in the inner Melbourne suburb of South Yarra. Light-filled, serene and warm, the spaces exude a tranquil energy while being vibrant at the same time. “[The homes we design] are a reprieve from the stresses of everyday life, where one can find balance, wellness and comfort,” the architect explains. “We have a particular interest in the domestic rituals of living (such as bathing and cooking).”
Du Puy used natural, breathable internal finishes, such as lime-based paints from Farrow & Ball and custom waterproof béton ciré (with origins in North Africa) in the bathrooms, to help regulate air quality. “Our philosophy is centred on eliminating the harmful toxins and substances prevalent in most new construction and providing healthier alternatives derived from nature,” he says.
Optimising the environmental performance of the home, and minimising embodied energies and construction waste, was also key. For example, the original clay bricks that were removed during the work were salvaged and reused in the project. Solar photovoltaic power and verdant views – to create visual connection to the landscape thanks to the careful placement of new steel windows and doors utilising a combination of clear and opaque glazing – reflect the sustainable character of the house, too. “Rothko’s work helped inform the colour field gradations throughout the home – spaces within spaces – grey-greens, mustards and pinks,” says Du Puy, who collaborated with Mardi Ola for the palette.
Drawing inspiration from his time working in Japan, the architect opted for an expressed timber ceiling and referred to the work of Kazuo Shinohara to complete his creative vision. “I was particularly interested in exploring the Japanese architect’s symmetrical spatial compositions but at the same time in finding the poetic quality that fuses simplicity and surprise, the ordered and the unexpected,” says Du Puy. “This manifests through gentle expressions of colour, curves, expressed structure and heritage features.” Perfectly balancing proportion, material and light, this home “feels like a sanctuary from the outside world,” concludes the architect.
Stylist: Jess Kneebone; Architecture and Interiors: Oliver Du Puy Architecture & Interiors; Landscape designer: Kate Seddon; Builder: Tenet Construction
This page (from top) – Rothko’s work helped inform the colour field gradations throughout the home; Du Puy used natural, breathable internal finishes, such as custom waterproof béton ciré (with origins in North Africa) in the bathrooms, to help regulate air quality
Light-filled, serene and warm, the spaces exude a tranquil energy
Organic forms are echoed throughout the property in the nest-like spaces, curving canopies and rounded soft furnishings
Echoing Nature
Echo House is a family home by Ibuku – a studio in Bali where imagination, innovation and the natural world converge in the design of unique spaces sculpted from bamboo
WORDS – JENNIFER
COPLEY
In Balinese, Ibu means ‘mother’, and ku means ‘mine’. Ibuku is therefore a fitting name for an architectural practice that aims to restore our deep and innate connection to nature and the earth. As the studio explains, “Every building celebrates the natural world while providing sanctuary for its inhabitants. We design with the intent to reconnect something inherently vital, keeping in mind that humanity is also a part of nature.” Ibuku was founded in 2010 by Elora Hardy, continuing a legacy of sustainable design and bamboo architecture that began with her father John Hardy in the 1990s. Together with his wife Cynthia, Hardy built the Green School in 2007, a feat of bamboo engineering and a new model of sustainable education located next to the Ayung River in Bali. Ibuku is renowned for awe-inspiring bamboo structures that nestle within the province’s lush tropical landscape, incorporating cocoon-like spaces and curvilinear forms that somehow feel simultaneously futuristic and organic.
Echo House exemplifies Ibuku’s approach. This family home is part of the Green Village, a master-planned community built along the sloping river valley of Sibang in Bali. One of fifteen bespoke homes within walking
This page – (from top) The structure sits within a canopy of trees and follows the natural tiered typography of the landscape; Floor-to-ceiling windows and open volumes celebrate natural light and ventilation while also blurring the boundaries between interior and exterior
distance of the Green School, Echo House contains five bedrooms, five ensuite bathrooms, two powder rooms, a poolside kitchen, a games room, a waterslide and a secret passthrough. The structure sits within a canopy of trees and follows the natural tiered typography of the landscape. Floorto-ceiling windows and open volumes celebrate natural light and ventilation while also blurring the boundaries between interior and exterior.
This is a building that honours its unique location. Ibuku designs with a respect and an understanding of place, celebrating the contours of the land, the natural environment, local materials and artisanship. As well as designing the external envelope of a building, Ibuku collaborates with local craftspeople to create bespoke interior furnishings. Central to Ibuku’s practice is the use of bamboo, a material chosen for its sustainability and strength. Bamboo has long been used in Asia for building temporary structures – yet thanks to Ibuku’s treatment of the material using an ecological salt solution the bamboo it uses is reliable for long-term use. With a compressive force of concrete and the strength-to-weight ratio of steel, it is used to construct ambitiously engineered projects characterised by meticulous attention to
detail and a handcrafted approach. Bamboo grows quickly, with some species growing by 4 centimetres an hour, making it an incredible renewable resource. This unique material also results in interesting challenges and imaginative design solutions, including circular windows that pivot, and leaf-shaped roofs reminiscent of forms found in nature. As Hardy enthused in a 2015 TED talk, “No two poles alike, no straight lines, no two-byfours here. The tried-and-true, well-crafted formulas and vocabulary of architecture do not apply here. We have had to invent our own rules.”
Echo House is one of the largest homes in Green Village and is unique for its incorporation of diverse materials including terrazzo floors, steel and glass walls, wood, stone, local brick and a copper shingled roof. It is a celebration of natural materials and their inherent qualities. Organic forms are echoed throughout the property in the nest-like spaces, curving canopies and rounded soft furnishings. Echo House is a place of wonder that exemplifies groundbreaking engineering and demonstrates a deep affinity for the natural world and those who inhabit it.
CONGRATULATIONS TO THE WINNERS
An Enchanted Vision
identity interviews ornamentalist
Pierre-Marie Agin on collaborating with Saint-Louis on the Chamade collection
WORDS – ANEESHA RAI
At Milan Design Week, the Chamade collection by Saint-Louis and ornamentalist Pierre Marie Agin made its dazzling debut, capturing the imagination of design enthusiasts and artisans alike. The collaboration celebrates the vibrant world of crystal craftsmanship, with Pierre Marie’s visionary design rooted in a deep appreciation of colour, pattern and time-honoured techniques. Known for his work with textiles, tapestries and even Hermès silk squares, Pierre Marie brings his rich background to the table, reimagining crystal in a way that harmonises history with contemporary fantasy.
The Chamade collection is a symphony of sculptural pieces that merge the delicate art of crystal-making with the vibrancy of Pierre Marie’s imagination. The collection draws its inspiration from two central motifs: flowers and music. Pierre Marie’s love for the tulip vases of Delft and the trumpet en chamade – a musical nod to the organ he played during lockdown –formed the backbone of this unique design. He explains, “Chamade is a word that touches me deeply. In French expressions, it evokes a wild heartbeat, the sound of a trumpet or drum signalling surrender or peace. I wanted these emotions to echo through the collection.”
The resulting three vases are not just ornamental objects but sculptural entities, each blending functionality with an ethereal presence. The crystal, shaped and cut by master craftsmen using traditional hand-cutting techniques, transforms into a canvas for Pierre Marie’s creative vision. The intricate patterns of bevel and pearl cuts, taking up to 17 hours of meticulous craftsmanship, demonstrate an athleticism that Pierre Marie admits he had not anticipated. He was mesmerised by the physicality of the process, a testament to the skill and artistry involved.
Pierre Marie’s use of colour in the Chamade collection is another standout feature. SaintLouis is renowned for its exquisite crystal hues, but Pierre Marie, who has a background in textiles and tapestry, brings a fresh perspective. “I questioned the centuries-old practices and showed that vibrant hues can harmonise beautifully with the right balance and proportion,” he says. His innovative use of doublefused layering, where two layers of crystal in different colours are fused together and then carved, creates a striking contrast between neutral backdrops and vivid floral hues. This technique allowed him to bring his bold colour vision to life, particularly with the trumpetshaped bud vases. Presenting these creations
at Milan Design Week was a magical moment for Pierre Marie. He reveals, “I think people were surprised by the scale of the pieces. They are almost like characters – there’s a sense of discovery, a close encounter.” Displayed in the evocative setting of Santa Maria del Carmine church, the crystal works took on a new level of enchantment, as light and colour played across the intricate surfaces, magnifying the craftsmanship and artistic intent behind each piece.
Beyond the beauty of the objects themselves, Pierre Marie sees the Chamade collection as a tribute to the centuries-old craft of crystal making, which was recently included on UNESCO’s Representative List of the Intan-
gible Cultural Heritage of Humanity. He feels a deep responsibility to honour this recognition, saying, “This collection celebrates the artisans’ work and the protean nature of crystal, a material that has driven this art form for generations.” As an ‘ornamentalist’, Pierre Marie sees his role not just as a decorator or designer of objects, but as a creator of experiences that evoke joy, contemplation and serenity. “Decoration is about choosing one curve over another, getting lost in a pattern. It’s a gentle, satisfying respite for the brain,” he reflects. This philosophy permeates his work, allowing him to weave a sense of harmony and enchantment into each piece.
Looking to the future, Pierre Marie is preparing to open a new creative studio in Paris this autumn, where he plans to take on even more global projects. As his work continues to evolve, the Chamade collection marks a pivotal moment in his journey – a celebration of craftsmanship, creativity and the boundless possibilities of ornamentation.
Above – Pierre-Marie Agin; Opposite page – Tenor
Innovative Living
Here, we look at some of the most exciting innovations in bathroom design
Victoria + Albert’s Ledro
The new Ledro freestanding bath offers style, functionality and eco-friendliness. Shaped like an avocado, with ample space for shoulders at the head end, it tapers towards the foot end, allowing space for the knees to rest. The angle of recline is gentle, comfortably supporting the lower back, with a flared rim to rest the head. The high sides cocoon the bather for a deeper sense of relax-
ation. Made from QuarrycastTM, a unique composite of Volcanic LimestoneTM and a special resin. The material is durable and relatively light and is scratch and stain resistant. It also acts as a natural insulator, so it retains more heat from the water, resulting in a longer-lasting warm bath. Ledro complies with all current regulations and guidelines, including BREEAM Level 1, Building Regulations Part G and the Unified Water Label.
WORDS – ANEESHA RAI
Ideal Standard’s La Dolce Vita
Ideal Standard unveiled the La Dolce Vita range as part of its design-forward Atelier Collections, crafted by Chief Design Officer Roberto Palomba. This collection captures the essence of ‘the sweet life,’ transforming bathrooms into tactile, expressive spaces. Explaining his vision for the range, Palomba stated: “I sought to reinterpret la dolce vita, a phrase evoking a lifestyle where one can take the time to appreciate the beauty in the everyday. The collection creates a space that sparks inspiration and dreams, where new ideas come to life. Every detail was carefully designed to reflect this essence.”La Dolce Vita offers a full suite of bathroom solutions – including vanities, vessels, toilets, bidets, bathtubs, mixer taps, shower products and accessories – that allows easy integration with other products. Accompanying the range, the Finesse furniture series features sleek designs with recessed handles, available in four matte colours and two wood finishes. Sustainability is a key focus, with materials sourced from certified sustainable forests. Visually, the collection strikes a balance between geometric precision and organic forms, and includes tapered, curved ceramic vanities and toilets, striking vessel basins and a signature freestanding bathtub. Fittings and accessories come in chrome and PVD finishes, including brushed gold, magnetic grey and silver storm.
Axor’s ShowerSelect ID
Developed in collaboration with Phoenix, the Axor ShowerSelect ID brings unparalleled precision and personalisation to the shower experience. The concealed thermostatic mixer, made possible by the innovative AXOR iBox universal 2, extends just 45 millimetres from the wall and features a central temperature control dial that provides haptic and auditory feedback. Sur-
rounding paddles, equipped with Select technology, allow for effortless switching between spray types and outlets. Available in three design styles – round, square or ‘softsquare’ – and offering a wide range of the brand’s FinishPlus surfaces and Signature custom inlay options, ShowerSelect ID merges cutting-edge technology with a sleek, minimalist aesthetic. Its ultra-precise controls and modular potential enable up to
four outlets to be seamlessly integrated into the shower setup. The solid metal surfaces, inscribed with fine symbols, allow users to control water flow with a simple touch, while the SafetyStop feature prevents scalding. As a fully customisable product, it brings individual identity and style into the bathroom, while options including black Nero Marquina marble and mirrored glass make it a true statement piece for any interior.
Zucchetti’s Sablier
The Sablier collection is a new range of stainless steel taps designed by Monica Armani’s studio, offering a fresh perspective on the treatment of steel. Crafted from AISI 316L stainless steel, Sablier redefines the material by transforming its typically rigid, angular forms into soft, flowing contours. This delicate sculpting infuses each tap with fluidity and grace, complemented by a smooth, pleasing, tactile experience. The design is inspired by the silhouette of an hourglass, from
which the collection derives its name – a timeless symbol of the passage of time. Monica Armani and her team embraced the challenge of designing their first tap with enthusiasm. Despite the compact size of the pieces, each one demanded intricate attention to detail. Sablier captures the organic essence of mountain landscapes, reflecting the transformative power of natural elements such as time, wind and water. The result is a modern, refined collection that blends the forces of nature with human innovation. In addi-
tion to conventional brushed steel, the collection features a new matte finish achieved through sandblasting, subtly altering light reflection and enhancing the aesthetic softness. This blend of organic forms and high-quality materials results in taps that are not only practical but also rich in aesthetic appeal, connecting modern design with a deep respect for nature. The Sablier collection includes single-lever mixers and two-handle taps, all designed with water-saving features to meet the latest environmental standards.
Kohler’s Loope
The Kohler Loope, a waterless sanitation toilet and recipient of the prestigious 2024 iF GOLD Product Design Award, marks a major innovation in sanitation solutions, making it particularly valuable in densely populated urban areas lacking traditional sewer infrastructure. This toilet operates without sewage systems or electricity, utilising a container-based sanitation model that separates liquids and solids for efficient, sustainable waste man-
agement. Developed under Kohler’s Innovation for Good (IfG) platform, Loope embodies the company’s commitment to social and environmental impact, aligning with the UN Sustainable Development Goals by addressing global challenges like safe sanitation access. Designed by Hiro Muraoka and his team, Loope combines form and function, with a water ripple-inspired design that emphasises the value of water while showcasing the ingenuity of a dry toilet without compromising aesthetics.
Roca’s Avant
The Avant toilet by Roca redefines modern bathroom design with a focus on space optimisation and sleek aesthetics. Featuring the innovative ‘InTank’ system, it seamlessly integrates the water cistern into the toilet, eliminating bulky components and maximising space. Perfect for compact areas, this all-in-one solution is easy to install and maintain, requiring no major renovations and available is electric or electricity-free forms.
The electricity-free Avant uses mains water pressure at 2.0 bar and a flow rate of 14 litres per minute. If the installation does not support these specifications, the electrically connected Avant-E is available as an alternative. Avant’s patented ‘Venturi Effect’ flushing system offers powerful performance with full and half-flush options, improving water efficiency. The ‘Rimless Vortex’ dual-flush system delivers a quiet, 360-degree flush that reduces both noise and water usage, while its ‘Supraglaze’ technology ensures a dirtresistant surface for easier cleaning. Combining cutting-edge design, silent efficiency and advanced hygiene, Avant is a game-changer for the modern bathroom. Offering a blend of elegance and functionality, it’s the perfect solution for homeowners seeking innovative style and space-saving brilliance.
Cultural Immersion Meets Architectural Splendour
Neri&Hu’s New Bund 31 Performing Arts Center captivates audiences through performance and opulent architecture
WORDS – HIBA FAISALPHOTOGRAPHY – PEDRO PEGENAUTE
The New Bund 31 Performing Arts Center, designed by Neri&Hu, is located along the banks of the Huangpu River in Shanghai’s rapidly developing Qiantan International Business District. Housing both a grand theatre and a versatile black box performance space, the centre provides an ideal setting for cultural immersion.
In contrast to the bustling district, with its towering skyscrapers and vibrant energy, the arts centre takes a deliberate step away from the flashiness and noise of its surroundings. Neri&Hu’s design choice envisions a “museumlike” atmosphere, intended to foster calm and encourage artistic reflection. Much like a museum, the space stimulates visitors both visually and aurally, while also challenging them intellectually. The design of the New Bund 31 Performing Arts Center pays tribute to the
Previous pages – (from left)
The design offers a modern reinterpretation of the iconic Roman ‘arena’ structure; Warm oak and deep red details that envelop the entire performance hall and evoke a sense of opulence
rich architectural heritage of the Bund waterfront, incorporating elements of neoclassical and Beaux-Arts styles while offering a modern reinterpretation of the iconic Roman ‘arena’ structure. Drawing inspiration from the classical ‘Arena’ archetype, the centre seamlessly blends traditional grandeur with a contemporary twist. The central stage is surrounded by the audience, using a tiered seating arrangement that accommodates 2,500 seats with warm oak and deep red details that envelop the entire performance hall and evoke a sense of opulence. The surrounding walls are lined with a series of wooden slats in a lattice design, adding depth and fluidity to the space. Drawing the eye up, the panels create a dynamic visual that mirrors the flow of performances. Its exteriors and interiors are characterised by a symmetrical façade of arches prominently featured in the grand theatre, lobby concourse and circulation paths, creating a sense of continuity throughout the space. The design flows fluidly, echoing the Huangpu River's flowing patterns. The arches ripple across the ceilings and walls, allowing for spatial continuity and smooth transitions between different spaces. From any viewpoint, the stacked layers of arches rising within the five-storey atrium combine with the wooden slats, bronze finishes and subdued lighting to naturally grab visitors’ attention, encouraging them to explore the interplay of form and function. Additionally, the repeating arch motif supports the theatre’s acoustic requirement, enhancing the space’s tonal quality.
Narrating a story through its cohesive aesthetic, the centre establishes a seamless connection between its exterior and interior spaces. This arrangement encourages visitors to take on dual roles as both participants and observers, immersing them in the performance while also engaging with the surrounding architecture. The centre becomes a stage, mirroring the dynamic energy of the cityscape outside.
The arts centre also has accompanying rooms, such as the black box exhibition space, a multi-purpose room that accommodates meetings, exhibitions, conferences and other events. The design uses blackened stainless steel and cladding material, referring to the literal concept of the ‘black box’. The sleek industrial aesthetic juxtaposes the metal mesh ‘lightbox’ lift that traverses through the black box’s lobby, giving guests the illusion of travelling through a crystalline tunnel. Other support spaces around the performing arts facility also contain unique designs, such as bronzeclad restrooms, curved copper lift cabs and a VIP lounge built of perforated bricks, giving each location its own distinguishing features.
The New Bund 31 Performing Arts Center exemplifies a balance between performance and observation, with architectural elements and material consistency resulting in a cohesive visual narration. The centre serves as a sanctuary, offering a peaceful retreat from the outside world where visitors can experience cultural harmony through a unified atmosphere that is imbued with warmth and glamour.
Opposite page – (from left) The design offers a modern reinterpretation of the iconic Roman ‘arena’ structure; Warm oak and deep red details that envelop the entire performance hall and evoke a sense of opulence; This page – The accompanying rooms use blackened stainless steel and cladding material, referring to the literal concept of the 'black box'
The duo worked with local artists to display works that honour the same values of preserving vernacular identity of the homes
Rooted in Heritage
Founded by childhood friends Irene Chang and Hana Tsukamoto, Maana elevates local living experiences through authenticity and craftmanship
WORDS – ANEESHA RAIPHOTOGRAPHY – IKER
ZUNIGA AT PEMPKI
Minimalist yet rich in heritage, Maana is a carefully curated collection of three 100-year-old machiyas – Kyoto, Kamo and Kiyomizu – offering an authentic experience of traditional Japan in the tranquil southern neighbourhoods of Kyoto. Conceived by childhood friends Hana Tsukamoto and Irene Chang, the idea for Maana emerged from their shared longing to create spaces that would connect travellers to the cultural essence of a place. “One night, while travelling together, we felt that most hotels were cold and disconnected,” says Chang. “We wanted to create a collection of homestays that would offer the authenticity of local living with the high standards of a brand experience.”
The design philosophy behind Maana focuses on stripping away the unnecessary to let the essential speak. Tsukamoto explains: “The machiyas represent an era where craftsmanship, natural materials and quality were prioritised over modern efficiency. Our goal was to preserve that authenticity.” The original wood and earth walls, shoji screens and tatami flooring remain intact, and each home showcases traditional features like original ceilings and custom low wood tables. “We worked closely with local artisans to ensure that every detail, from the bamboo screens to the door handles, remained true to the home’s roots,” adds Tsukamoto. One of the standout features is the restored tokonoma, a traditional alcove that reflects the host’s artistic sensibility. “We’ve collaborated with local artists to display works that honour the same values of preserving vernacular identity,” says Chang. In addition, custom pieces like the freestanding bathtub in Kiyomizu, created in collaboration with Shigaraki ceramic artisans, blend traditional craftsmanship with modern needs. “It was the first time Shigaraki artisans had crafted a bathtub in a Western style, and the result was stun-
ning,” notes Tsukamoto. Their commitment to studying and innovating with traditional materials is evident. “While working with Tsuchikabe, a traditional plaster, we realised how fragmented the knowledge is, as each artisan interprets it differently,” shares Chang. “After years of working with sakans, we’ve gained a better understanding of its applications and created a workshop in Maana Experiences to share this knowledge with the world.” Beyond offering an authentic stay, Chang and Tsukamoto aim to provide a deeper cultural connection. “At Maana, we want travellers to leave with more than just memories,” says Tsukamoto. “We hope they take home a piece of wisdom or a meaningful practice that enriches their daily lives. To us, that’s the true luxury we aim to offer.” Through their boutique venture, POJ, the co-founders also offer custom experiences that allow guests to delve into Japanese art and craftsmanship, further enhancing the cultural journey. In preserving these machiyas, Maana has created a rare opportunity for travellers to experience Japan’s heritage firsthand. “We chose Kyoto because of its cultural tapestry – machiyas embody the values we wanted to share,” reflects Chang.
Top (from left) – The design philosophy behind Maana focuses on stripping away the unnecessary to let the essential speak; The original wood and earth walls, shoji screens and tatami flooring remain intact
Things to Covet
Boost your spaces and your mood with dopamine décor 1
WORDS – HIBA FAISAL
1. Echo collection by Femm
Inspired by watercolours, Femke Hofhuis' Echo collection consists of two embroidered canvases, Amberglow and Airy Blue. The canvases fade as they blend with water, giving the impression of dancing waves across the surface. This is conveyed by the ocean colours of Echo and the coral colours of Amberglow. Echo is meant to provide a calming experience, intended to inspire, uplift and promote daydreaming in the viewers. Available at Femm.
2. Astratto by Draga & Aurel
The Astratto rug, designed for Illulian by Draga & Aurel, is an abstract four-piece series with irregular geometries that can be arranged and deconstructed to suit personal taste. Inspired by Aurel K. Basedow’s artwork ‘AKB_23_81’, the rug reflects its vibrant colours, bold strokes and layered textures. Created using mixed media techniques like photography, oil paints, resin, acrylic and spray paint, the design showcases Aurel’s fascination with textiles, adding depth and a three-dimensional quality to his creative process. Available at Illulian.
3.Waldo WI Sofa by Pietro Franceschini
The Waldo W1 Sofa by Pietro Franceschini, part of the Urania collection, exudes a playful charm that evokes childhood nostalgia. Its soft, sculptural curves embody a sense of innocence while balancing masculine and feminine elements, making it a standout piece in dopamine décor. Inspired by the iconic DS-600 design, the modular design has been reimagined with a contemporary flair, blending timeless appeal with a modern touch. Available at Pietro Franceschini Studio.
4.The Egg White Shelf by WS Living
The latest Egg White Shelf by UAE-based WS Living is part of the brand’s Egg Shelf series, blending functionality with aesthetics to bring joy to any space. Crafted from high-quality cement fibre, the shelf features three tiers for displaying books and décor. Its modern, minimalist design moves away from the traditional bulkiness of bookcases, resulting in a seamless, clean-lined piece that enhances both spaces and moods. Available at WS Living.
5. Inspired by Nature by Andrea Ponti
The Inspired by Nature collection includes nine vibrant and distinctive stools that bring a playful, charming touch to any room. Made from recycled ABS, each stool features a concave seat and a tapered silhouette, inspired by the shapes, colours and elements of nature. Every piece has its own unique identity, crafted to evoke deep emotions and create a personal connection between the individual and their surroundings. Available at Ponti Studio.
Autumn Hues
Interiors UAE has released the Earthy Tones collection
WORDS – ANEESHA RAI
As the cooler months approach and the anticipation of outdoor gatherings grows, Interiors UAE has introduced its latest collection for autumn 2024, showcasing a palette of rich, earthy tones designed to bring the natural warmth of the season indoors. The new collection, called Earthy Tones, draws inspiration from autumn’s most beloved hues – terracotta,
mustard, beige and burnt orange – each carefully chosen to evoke comfort, serenity and a deep connection to nature.
The collection taps into the rising influence of biophilic design, a movement that emphasises the incorporation of natural elements into interior spaces. By using warm, muted shades that echo the grounding essence of autumn, the collection invites homeowners to
create a calming, nature-inspired ambiance that mirrors the changing season.
Homeowners can use these earthy hues to craft serene, welcoming environments, transforming their homes into seasonal sanctuaries of warmth and comfort. Each piece in the collection is designed with both style and function in mind, blending contemporary elegance with practical use to suit the evolving needs of modern living. “Our Earthy Tones collection is a celebration of the warm, comforting moments that autumn brings. It goes beyond decoration and touches upon all the senses, transforming homes into spaces that resonate with the tranquillity of the season,” said Raed Dibs, CEO of Interiors UAE. The collection offers a diverse array of products, ranging from luxurious accessories to bold, statement furniture pieces. Its versatility allows homeowners to embrace the seasonal palette in a way that best suits their style – whether adding subtle autumnal accents or completely reimagining a space with nature-inspired colours.
MINIMAL M6
These monolithic washbasins, designed by Nespoli e Novara for NEUTRA, reflect the duo’s signature balance of simplicity and formal rigour. The first model, crafted from Verde Antigua marble, utilises a unique splitprocessing technique that creates a ribbed, textured surface, emphasising the stone’s inherent qualities and highlighting the precision of the craftsmanship involved. The second model features a monolithic basin sculpted from mixed Cipollino marble. Its superior polished finish, combined with a pure, streamlined form, delivers a profound sensory experience, blending timeless design with the tactile richness of natural materials. The design allows the material to express its uniqueness and naturalness while preserving its inherent integrity. Its features amplify the sense of authenticity and connection to nature, which can be enjoyed in residential spaces.
