Veil® smart toilet in Honed Black, starring creative director Laura Kim.
Design changes everything.
Design is our constant pursuit to transform the everyday into the extraordinary. Laura Kim shares our belief that design has the power to elevate every moment, every space, every experience— if you dare to chase it.
22 The Making of G erbou
We take you into the design story of the much-awaited Emirati hospitality concept which blends culture, sustainability and collaborative design
36 Sculpting Sustainability
Inside a restaurant that hosts the world’s largest 3-D printed interiors
50 The Places That Shape Us
We explore how certain spaces influence and shape human behaviour, creativity and cultural identity
66 A New Room for Wellness at Home
Bathrooms are increasingly becoming spaces for relaxation and self-care –and architects and interior designers are taking note
Surface Solutions, Designed By Nature
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DUBAI
For the influential issue, we wanted to explore the power of place – rather than people – as an influence, as it’s so often within spaces that we find community, creativity and sanctu-ary. From a breathtaking hotel carved into granite massifs and mythic desertscapes to a so-lar-powered, zero-energy overwater resort whose villas glow like ethereal orbs, these pro-jects are designed to truly exist in harmony with nature. Another resort, perched on the edge of the world’s largest caldera, further proves that architecture can enhance rather than take away from the landscapes that inspire it.
With Maison&Objet behind us, we bring you the highlights from its January edition and give you a sneak peek into Salone del Mobile in Milan, taking place between 8 and 13 April. With the theme of ‘Thought for Humans’, it’s clear that while sustainability, technology and in-ventiveness are still front and centre of the fair, it’s the refocus towards the ‘why’ that makes it compelling to attend.
In our cover story, we take you behind the scenes into the design story of Gerbou – the much-awaited Emirati hospitality concept which blends culture, sustainability and collaborative design. What I love most about this project is the depth of storytelling, thought and intention that forms it, embracing the concept of collaboration in all forms. If you prefer to hear rather than read the story, you can listen to our podcast episode with Sheikha Lateefa bint Maktoum and Kristina Zanic on our YouTube or Spotify channels: @identityae.
From futuristic 3D-printed restaurants to remarkable log homes, this issue also explores the full spectrum of design’s relationship with the environment; working in a cycle that flows from place to people. Don’t miss the feature on E+A Studio’s incredible work in Satwa, where their urban interventions are bringing the community closer together. In The Spaces that Shape Us, we also examine how certain environments influence human behaviour, cre-ativity and cultural identity.
This month, our design focus turns to bathrooms –spaces that have evolved beyond their basic function into wellness sanctuaries. Long considered a place for ‘aah’ moments, bath-rooms today are designed as havens for reflection and self-care. We hope you always find time for these moments.
Aneesha Rai Editor identity
On the cover
Gerbou restaurant in Nad Al Sheba, Dubai, UAE
Photography: Mark Mathew
Desert Rock
WORDS – ANEESHA RAIPHOTOGRAPHY – JOHN ATHIMARITIS
Oppenheim Architecture sculpts a stunning luxury resort in the heart of the Hejaz Mountains
SAUDI SETTING
In response to a need for site-sensitive design, Oppenheim Architecture worked with Red Sea Global as part of a ground-breaking eco-tourism vision that spans over 28,500 square kilometres of unspoiled landscapes, from islands and beaches to volcanic fields and desert expanses. Moving a step away from the fluid, biomorphic forms of Oppenheim’s nearby Sacred Reef Resort, Desert Rock converses with the primal language of the land, embedding itself within the region’s granite massifs and mythic desertscapes. This approach not only celebrates the natural beauty of the site but also honours the architectural legacy of the Nabataean civilisation, whose rock-hewn structures once defined the Arabian Peninsula.
The structures of the resort are sculpted into the very fabric of the mountains, camouflaged within the crevices, caves and shaded slopes of the massif. By integrating architecture
into the terrain, Oppenheim Architecture has minimised visual impact while leveraging natural microclimates to regulate temperature and reduce energy consumption. By day, the resort appears as an extension of the rock formations; by night, it glows subtly like scattered lanterns, enhancing the mystique of the landscape.
Upon arrival, visitors are led through a concealed valley that gradually reveals a collection of facilities set within 30,000 square metres of pristine wilderness. Accommodations range from ground-level villas to suites embedded within the rock face; each is designed to maximise natural light and provide panoramic views and a tangible connection to the desert’s shifting hues and textures. Desert Rock’s accommodation options exemplify a deep reverence for the land’s topography. They include: Wadi Villas, which provide an oasis-like experience, with private pools and open living
spaces that spill into the landscape; Cliff Hanging Villas, which are suspended high above the valley and offer dramatic perspectives of the surrounding desert; and Mountain Cave Suites and Crevice Villas, which are carved directly into the rock, merging absolute privacy with awe-inspiring views. The piece de resistance is The Royal Villa: hidden in a secluded section of the valley, it offers a bespoke retreat with uninterrupted solitude.
Throughout the resort, materials excavated during construction were repurposed for infrastructure, ensuring a minimal footprint. The incorporation of passive cooling techniques, energy-efficient systems and indigenous plantings further reinforce Desert Rock’s commitment to sustainability. Chad Oppenheim, Founding Principal of Oppenheim Architecture, describes Desert Rock as an ‘architectural manifesto’: “Desert Rock embodies our philosophy of connecting architecture to the spirit of place. By respecting and enhancing the natural environment, we have created a sanctuary that allows guests to experience the beauty and power of the landscape in deeply personal and meaningful ways.” With its harmonious integration into the environment, Desert Rock reimagines how architecture can frame and enhance the world’s most extraordinary landscapes and be in living dialogue with it.
Below – (from left) Interiors by Studio Paolo Ferrari complement rather than compete with the natural setting, striking a balance between respecting the ancient past while looking to the future; The resort’s villas include those that seem to hang from rock pinnacles and others that are built into the rugged face of the mountain itself
Studio Paolo Ferrari used elemental materials like stone and sand softened by custom-made furniture and lighting reminiscent of torchlight
Downtown Living
Here’s a closer look at the upcoming Mr. C Residences Downtown from the Founding Principal of Arquitectonica, Bernardo Fort-Brescia
On Sheikh Zayed Road, reaching toward the soaring clouds, a new luxury branded residence is taking shape. Arquitectonica is proud to unveil a closer look at the upcoming 71-storey Mr. C Residences Downtown, conceptualised to convey elegance through its slender and sleek façade.
Taking inspiration from the desert winds, the prism curves gently in section. A delicate yet powerful juxtaposition. This striking undulation transforms into a series of volumes, reminiscent of a totem, creating a journey through a vertical city which culminates in a breathtaking rooftop destination. Commencing the arrival experience, one passes a gour-
met cafe toward a shaded drop-off that leads to a stately double-height lobby atrium. A podium intersects the composition, concealed within the tower skin. Atop resides the luxurious deck, complete with pools, cabanas, and recreation areas amidst a vegetated oasis. The wellness resort narrative evolves through the expansive spa, fitness complex, and a one-ofa-kind indoor running track.
Residents are guaranteed dramatic perspectives of the Burj Khalifa, while low-rise open vistas grant boundless views across the Gulf from their private terraces. Each unit has been meticulously designed to provide a minimum of two exposures to light and air. Upon
the higher floors, units are combined to accommodate larger residences.
As it reaches its peak, the building gracefully blends into the sky. This fading profile reveals a collection of expansive terraces serving a selection of sky villas and multilevel penthouses, each with their own pool.
“It has been a joy to collaborate with renowned developer ALTA Real Estate and the visionary Cipriani brothers once again. The Mr. C ethos echoes through every detail of the architectural envelope to achieve the ultimate luxury living destination. From the moment you see its sleek, slender façade gracefully towering in the distance, to arriving in the doubleheight lobby, and all the way up to its stunning rooftop, coming home becomes an experience unlike any other.” shares Bernardo FortBrescia, Founding Principal, Arquitectonica.
Embodying a modern spirit, Mr. C Downtown demands and captivates attention, set to usher in a new wave of architectural innovation along Dubai’s most popular street. A continuation of the Mr. C legacy, the second for the brand in the Middle East, affording residents a plethora of luxury living experiences.
Out of This World
Futuristic design meets nature-inspired innovation at this ultra-luxury retreat
WORDS – ANEESHA RAI
Previous pages –
At the heart of Shebara’s design lies an inspired architectural concept: a series of shimmering, stainless steel orbs
Rising from the turquoise waters of the Red Sea, the gleaming orbs of Shebara Resort appear weightless, radiating an ethereal glow. Designed by Killa Design – the visionary firm behind Dubai’s Museum of the Future –this retreat seamlessly blends cutting-edge engineering with the organic beauty of its surroundings. At the heart of Shebara’s design lies an inspired architectural concept: a series of shimmering, stainless steel orbs that house the resort’s 73 villas. The overwater properties, linked in a graceful chain, appear as if floating on the sea, evoking a string of pearls. The beach villas reflect the golden sands, mirroring the shifting hues of the sky. “They’re almost like bubbles that come up from the ocean floor, reflecting everything that’s above them,” says Shaun Killa, founder and design director of Killa Design. “When you look at Shebara, it reveals itself from the water.”
Suspended above the waves, the resort’s overwater villas offer a connection to the marine ecosystem. Set 50 metres from the natural coral reef, the villas rest on minimal structural supports, reducing their environmental impact. “Each overwater villa is like an observation platform for guests to witness the fish, birds and turtles that thrive in this area,” says Killa.
Shebara’s sustainable ethos extends beyond its architectural footprint. Constructed off-site and assembled with a modular ‘plug-in’ approach, the villas integrate seamlessly into a solar-powered, zero-energy infrastructure. “The offshore construction methodology was implemented to preserve the natural environment of the island, minimising any potential impact to coral and wildlife,” adds Killa. Surrounded by Sheybarah Island’s pristine mangroves and coral reefs, the resort operates entirely offgrid. A state-of-the-art solar farm provides 100% of the resort’s energy needs, powering desalination, cooling, lighting and transportation. The solar installation itself is an
architectural statement, arranged in a circular pattern that complements the resort’s flowing design. Walking and biking paths guide guests through this innovative energy landscape, turning sustainability into an immersive experience. “The entire infrastructural backbone of the project forms part of a visitor experience where guests can be exposed to, and learn about, the approach that has made the project a truly self-sustained development,” says Killa.
Designed by Studio Paolo Ferrari, Shebara’s interiors embrace a philosophy of ‘Natural Futurism,’ straddling futurism and timelessness. Drawing inspiration from the protective shell of a sea urchin, Ferrari’s team crafted interiors that contrast the orbs’ sleek exteriors with soft, cocooning spaces. The studio leaned into aerodynamics and movement to create soft and tailored interiors. With the sea’s vibrant blues outside, the studio embraced a restrained interior palette, allowing nature to take centre stage. “Our idea is to frame the water, and to let nature be the real focus,” shares Paolo Ferrari, the studio’s founder. Echoing the precision of yacht and aviation design, Shebara’s interiors are meticulously crafted. Curved surfaces necessitated advanced 3D modelling techniques to optimise space and ensure the seamless integration of furnishings. “How we maximise space in a villa like this is similar to how you design a private jet or yacht, where you have to maximise every square inch,” says Ferrari.
Material selection was driven by a desire to harmonise with the natural surroundings. Soft leather, warm wood and handcrafted details enhance the villas’ intimate, human-centred atmosphere. “The result is a space that feels both futuristic and timeless,” shares Ferrari. By merging avant-garde design with ecological sensitivity, Shebara offers an unparalleled experience where architecture and nature exist in perfect symbiosis.
This page (from top) –The overwater villas linked in a graceful chain, appear as if floating on the sea; Rockwell leaned into aerodynamics and movement to create soft and tailored interiors; Rockwell crafted interiors that contrast the orbs’ sleek exteriors with soft, cocooning spaces
Elegance Redefined
This sculptural villa by MMA Projects hosts a beautiful interplay of volume and textures
Located on Pearl Jumeirah island, this 4,000-square metre villa extends over the water, offering pristine sea views. Completed in 2023, the villa concept is focused on maximising the openness of its internal spaces, both horizontally and vertically. The main partitions create a continuum, emphasising verticality and integrating light and nature into the space.
Externally, the villa is clad in Limra, a white Turkish stone, treated with various finishes to differentiate the lower and upper sections. The lower section features geometric bas-relief motifs while the upper surface has a more delicate finish, resembling a woven pattern. The outdoor area of the residence is characterised by Basalto Grigio stone, which is combined with large matte white ceramic slabs. White dominates the external architecture, while the interior blends soft shades of grey and green with warm wood tones.
Inside, the residence deliberately plays with stone textures, ranging from bamboo-like curvatures to fabric-like embroideries and plissé
patterns, creating dynamic surface aesthetics. This material versatility allows the same stone to display different colour shades and reflections in a skilful play of light and shadow. The residence greets its guests with an elegant and voluminous wall of Arabescato Orobico, a decorative stone that immediately imparts a lively and precious aesthetic. The nine-metre-high entrance Synua door by Oikos is made with bronze finishes and features an external engineered wood covering.
For the interior cladding, three predominant materials are used: grey Fior di Bosco marble and Verde Antigua marble, chosen for their unique colours and veining, contrasted with Canaletto Walnut wood for the wainscoting. The combination of these two stones can be seen in the decorative wall behind the staircase, which are entirely made of stone steps, as is the wall itself, rather than being clad in bronze. The glass parapet allows visual continuity between the formal area and the upper floor while remaining light and transparent to light, enhancing the volumetric play. Another iconic element
of the villa is the sinuous Fior di Bosco marble staircase, a sculptural stone element, enhanced by handcrafted, on-site modelling.
With a sizeable plot, the villa was positioned to maximise sea views. Spread across four levels, the ground floor is the heart of the home, featuring a majlis with large windows that frame the sea, invite natural light and provide outdoor access. The ground floor also features a second living area, a dining area and a dramatic double-height kitchen with a ten-metre-long island made entirely of Fior di Bosco marble, intersected by a Canaletto Walnut wood slab for the buffet table. Contrasting this visual landscape is a sinuous chandelier made of leather belts and LEDs, filling the upper field of view with its lightness and aerodynamics. The chevron marble floor patterns form the base of the imposing parallelepiped, creating a geometric interplay. There is also a dedicated formal workspace for the family, offering a tranquil space for focus, as well as two elegant guest suites with private bathrooms.
Double-height spaces and large windows ensure ample natural light, complemented by dramatic chandeliers, including a striking mother-of-pearl piece in the main living area and crystal chandeliers in secondary spaces. The show kitchen area is illuminated by a leather ‘belt’ chandelier with LED crystal lamps that define the space. Natural light creates dynamic plays of light and shadow in the main hall, with reflections on the staircase wall emphasising the stone ‘blade’ motif. The villa also features a comprehensive home automation system. The interplay of volumes and textures defines the external façades, shaping their form and structure. This project imparts uniqueness and a clear identity to the environment, with volumes and ‘chiaroscuro’ themes blending seamlessly.
Things to Covet
Objects to add a unique sense of playfulness and personality to your space
WORDS – ANEESHA RAI
1.
Deneb by Guch Design
Deneb evokes the perfection of seashells and the divine proportion, merging nature and sacred geometry in its design. Each curve invites contemplation, creating a space where the timeless beauty of the sea comes to life, offering serenity and balance with every use.
2. Stone rug by Illulian
Designed by Japanese designer Naoto Fukasawa, the Stone rug draws inspiration from the arrangement of stones – whether randomly stacked or carefully placed. Reflecting the dual craftsmanship of nature and artisans, the rug features irregular geometries and soft tones contrasted by darker joints, evoking the look of a paved road.
3.
70s Ceramics at HK Living
Add a touch of retro to your contemporary space with a selection of sustainably sourced and playful ceramics. These wide range of ceramics have become true collectables – and from floor jugs to butter dishes, there’s a wide selection to jazz up your home. Available at Urban Nest.
4.
Islas by Draw Studio for NEUTRA
This table has a sharp, light top, characterised by fluid curves and taut arches, which contrast with a monolithic base made of solid marble and expertly handcrafted metal wedges. Proposed in a high-quality Cipollino misto marble version and metal legs with a hand-polished and burnished brass finish, Isla can be customised on request with different marble variants, thus adapting to specific stylistic and design requirements.
5. Anemos by Pedrali Anemos is the new table designed by Pio & Tito Toso, characterised by simple and architectural shapes designed to enhance the materiality of concrete, giving it a new expressive style. A versatile, universal table that perfectly fits indoor and outdoor environments, its distinctive feature is the base, composed of two separate concrete shells secured to the top. Like a structural membrane, these elements free themselves from their image of intrinsic weight and, through a double curvature, take on a flexible and sinuous shape.
Shaping Spaces with Purpose
commercial spaces and continues to partner with international firms in addition to winning several local and national prestigious architectural design competitions and awards.
We interview Tariq Hajj, Founder of Saudi Arabia-based Tariq Hajj Architects (THA) on the firm’s 35th anniversary
WORDS – ANEESHA RAI
Early on in his career, Tariq Hajj had worked with renowned architectural firms where he gained hands-on experience in a diverse range of projects, from residential spaces to large commercial developments. “These early opportunities allowed me to develop a strong foundation in design thinking, creative process, project management, and client relations,” shared Hajj. He soon founded his own practice where design innovation, functional excellence and user experience converged. “Founding the firm was driven by a desire to not just design buildings but craft spaces that resonate with people and stand the test of time,” shares the architect.
With a design philosophy rooted in the belief that architecture has the potential for creating meaningful connections between people, place and purpose, THA grew quickly, securing its first major residential project within its first year of inception. “We approach each project with a deep understanding of the site context, client needs, and environmental im-
pact. This allows us to design solutions that harmoniously blend innovation with practicality,” shares Hajj. “At the core of our practice is a human-centered approach: architecture that enhances the user experience, promotes wellbeing, and fosters a sense of belonging. Ultimately, we believe that thoughtful design can transform spaces and leave a lasting positive legacy for future generations.”
Among some of the projects that best represent the firm’s approach include Alturki Business Park (designed in collaboration with Pei Architects – New York) – a cylindrical building with a 38m diameter, incorporating sustainable features, including variable sun shading devices and the use of a “sun shelf” to reduce solar glare and increase user comfort; a comprehensive Nesaj Residential Compound in Al-Khobar complete with staff facilities and a clubhouse in addition to apartments and townhouses as well as a GCC ETL – Main Admin Complex Building in Dammam. Within five years, the firm also diversified into large-scale
Sustainability and technology have been instrumental in THA’s progress. Hajj emphasises passive design techniques, utilising natural ventilation, daylighting, and building orientation to optimise energy efficiency. Incorporating green materials like recycled steel and bamboo flooring has reduced the firm’s carbon footprint. Additionally, solar panels and high-performance insulation have significantly minimised energy consumption. On the technology front, Building Information Modelling (BIM) has streamlined THA’s design and construction process, enhancing accuracy and collaboration. The integration of smart building systems has also improved energy efficiency and user experience, reinforcing the firm's reputation for designing forwardthinking, high-performance spaces. Reflecting on Saudi Arabia’s transformation, Hajj says “Early on, much of the development was focused on traditional structures and functional urban planning. However, over the years, the country has embraced ambitious modernisation efforts, driven by Vision 2030 and a growing emphasis on sustainability, innovation, and cultural preservation.” He acknowledges the dramatic shift from traditional structures to ambitious, sustainability-driven mega-projects like NEOM and The Red Sea Development.
As the firm expands its footprint to Dubai and other Gulf States and embraces future challenges, its mission remains steadfast: to craft spaces that inspire, endure, and elevate the human experience.
Honouring Nature and Tradition
We take you inside WA International’s latest award-winning project at the Ngorongoro Lodge, a Meliá Collection hotel in Tanzania
WORDS – ANEESHA RAI
The rich wood in the ceiling, columns and floors of the ‘Great Room’ lobby lounge was retained and restored
Nestled on the top edge of The Ngorongoro Crater, the world’s largest caldera often referred to as Africa’s ‘Garden of Eden’, the original Ngorongoro lodge had the perfect setting. Renowned as a place with one of the highest densities of wildlife in Africa, it provided a tremendous source of inspiration. “The original lodge built in the 1960’s had been sadly neglected for many years and has now been masterfully transformed both internally and externally. Our client’s brief was clear: to ‘bring back the best’ of the old lodge by salvaging and recycling what we could while simultaneously adding and designing new spaces that blend perfectly with the existing structure.” explains Claire Craig, Design Director at WA International.
The studio sought out to transform the lodge into a stunning luxurious retreat that offered guests a memorable experience. One of the most significant changes was the transformation of the entrance. The team skillfully dismantled the outdated vestibule, repurposing its existing windows and wooden framework to a previously windowless entrance lobby façade. In its place, they designed a striking new porte-cochère, creating a grand yet welcoming first impression. The reception lobby was completely replanned, “using the back offices to open up the space in order to allow light from the new tall windows,’ explains Joey Samera, Senior Associate at WA International. The design team incorporated a custom designed 3.6m hand-tufted wall hanging, drawing inspiration from the Maasai people that now sits centre stage behind the new reception desk. Inspired by red shukas, the artwork embodies the Maasai’s courage and strength, with hues carefully selected to remain true to their traditional attire. In tune with the concept, a huge carpet was designed which reflects the Ngorongoro Crater shape and colours in hues of blue and green.
In the lodge, natural wood is the star, with the ceilings, columns and floors of the ‘Great Room’ lobby lounge, all day dining and bar all restored beautifully. The guestrooms, suites and newly created suites were reworked, to create an open plan with a fully glazed bathroom, allowing more natural light. As
the lodge is all about the stunning views and being immersed in nature, it was intentional to keep the furnishings elegantly simple. Guestroom wall lights draw inspiration from the intricate beadwork of Maasai collar necklaces, while bronze perforated drum side tables showcase the vibrant Tingatinga painting style, founded by Tanzanian artist Edward Saidi Tingatinga. Artist Laura Crane was commissioned to create paintings of Ngorongoro’s exotic wildlife, which are featured on the headboards in the guestrooms.
In line with WA International’s desire for sustainability, the project incorporated significant salvaging and recycling efforts. The team repurposed and redesigned 60-year-old cushion fabrics into stylish accent pieces. Additionally, they preserved and relocated existing stained-glass panels, repaired the existing terracotta floor tiles and restored all woodwork throughout the entire lodge. The result is an exquisite blend of vintage and new, showcasing a masterclass by WA International in integrating innovation, sustainability, cultural sensitivity and timeless interiors for what will truly result in an unforgettable stay for the hotel’s guests.
(from left) – WA International’s Design Director Claire Craig and Senior Associate Joey Samera; WA International salvaged the old existing stained glass and created impressive tall windows to bring in natural light and maximise views; Below – The colours for the woven wall tapestry in the reception were carefully selected by WA International to reference the Maasai's traditional red shuka
Top
The furniture is all locally produced and blends contemporary design with Emirati influences, with several pieces crafted in collaboration with
Tashkeel
The Making of Gerbou
We take you into the design story of the much-awaited Emirati hospitality concept which blends culture, sustainability and collaborative design
WORDS – ANEESHA RAIPHOTOGRAPHY – SEBASTIAN BOETTCHER
The reception desk, crafted from a naturally fallen ghaf tree trunk, sets the tone, alongside a dramatic PlyPalm screen – created by local designer Lina Ghalib from dried palm branches. A chandelier from Lasvit’s Herbarium collection completes the scene, featuring hand-blown crystal with gold-leaf imprints of leaves
Set within a building that dates from 1987, ‘Gerbou’ signifies ‘welcome to my humble abode’ in the UAE dialect, reflecting its inviting atmosphere, while its farm-to-table concept, relying on fresh organic produce from UAE farms, underscores its environmentally conscious ethos. Founded by Sheikha Lateefa bint Maktoum, with interiors spearheaded by Kristina Zanic Consultants, Gerbou blends Emirati fusion cuisine with design inspired by local culture.
The restaurant is operated by Atelier House Hospitality and owned by Tashkeel, a com-
mercial consultancy founded and directed by Lateefa bint Maktoum, with studio incubators for visual art and design rooted in the UAE. Key local partners in the project include architects Arkiteknik International, fit-out firm KOJ Interiors and landscaping specialists Urban Landscape. “Gerbou would be a dream project for any designer,” said Kristina Zanic, CEO of Kristina Zanic Consultants. “It’s a harmonious blend of culture, cuisine and conscious design. Collaborating with Tashkeel and the talented local designers allowed us to reimagine local heritage in a contemporary way and to give vis-
itors an authentic taste of Emirati hospitality.” Drawing inspiration from traditional crafts, local flora and fauna and the UAE’s maritime history, the design integrates artisanal details, sustainable materials and modern craftsmanship. The restaurant stands apart not only for its design but for showcasing the power of collaboration, with various bespoke design pieces crafted in partnership with the Tashkeel design community and other local designers. “Gerbou is a testament to the power of collaboration –where design, craftsmanship and gastronomy come together to create an experience deeply
rooted in the UAE’s cultural identity,” said Lateefa bint Maktoum, Tashkeel’s Founder and Director. “Tashkeel’s collaboration with Atelier House Hospitality and Kristina Zanic Consultants has culminated in a space infused with artistry through researched culinary arts and design that speaks to heritage while embracing contemporary innovation. This partnership reflects our ongoing commitment to championing local talent and materials, ensuring that every element tells a story of authenticity and contemporary heritage.” The interiors are characterised by a harmonious blend of natural
materials, brushed metallic accents and tactile finishes. Fluid forms and locally inspired patterns combine with warm neutral tones accented by rich hues of amber, emerald and teal. Special attention was given to ensuring a seamless flow between indoor and outdoor spaces, which are unified by a consistent aesthetic. Guests are greeted in a striking double-height foyer, with arched windows letting in a soft, natural light.
The reception desk, crafted from a naturally fallen ghaf tree trunk, sets the tone, alongside a dramatic PlyPalm screen – created by local designer Lina Ghalib from dried palm branches.
Above – Drawing inspiration from traditional crafts, local flora and fauna and the UAE’s maritime history, the design integrates artisanal details, sustainable materials and modern craftsmanship
The ghaf tree had fallen during the storm last year in front of Lateefa Bint Maktoum’s late father’s majlis. “This tree has seen generations, from Sheikh Zayed to international visitors to the local community. This tree has seen people come in and out of that majlis. People who needed things, people who just wanted diplomatic relationships. This tree, actually, was part of the welcoming where my father used to sit. It used to welcome people and so had to be at the front desk. It was meant to be,” she says. A chandelier from Lasvit’s Herbarium collection completes the scene, featuring hand-blown crystal with gold-leaf imprints of leaves. The foyer also showcases a cocoon-like sculptural mesh enclosure inspired by traditional fishing nets, featuring a local geometric pattern and crafted from recycled materials.
Inside, the dining area features a variety of seating options, including a mocktail bar with an embossed liquid metal bronze relief of a ghaf tree, symbolically bringing people together under its ‘shade’. This motif, envisioned by the Tanween by Tashkeel art and design collective, is thoughtfully woven into details such as door handles, seat cushions and custom plateware designed by Tashkeel and made by RAK Porcelain. Sheikha Lateefa bint Maktoum has also worked on several designs.
A braided fibre treatment on the ceiling and white marble terrazzo flooring completes the space, evoking an outdoor feel. The space is illuminated with soft, warm lighting, with architectural light fixtures provided by Huda Lighting. The furniture, all locally produced, blends contemporary design with Emirati influences, with several pieces crafted in collabo-
evokes the shimmering waters of the Arabian
An elegant pendant light commissioned by Tashkeel to Reema Al Mheiri has been designed using discarded fish scales; Details like the heritage ‘Dubai Pattern’ breeze block behind the bar, reminiscent of traditional vernacular architecture, lend an authentic and nostalgic touch
ration with Tashkeel. Local artistry is further showcased in elements such as a biodegradable, henna-dyed chandelier by Wafa Al Falahi.
At the back of the bar, an ice-cream station overlooks a cosy booth area tucked away at the end of the space. The walls are softened with green leather stitchwork, featuring a pattern adopted from heritage blockwork, referred to throughout the project as the ‘Dubai Pattern’.
This design approach extends to the washrooms, where the UAE’s fishing and pearl-diving heritage is celebrated. Custom wallpaper, hand-drawn by local artist Steve Chambers from Big Art Co, depicts local fish, while a rippled bronze ceiling evokes the shimmering waters of the Arabian Gulf. The custom floor tiles feature a modern abstract fish pattern, adding
a contemporary monochromatic twist. An elegant pendant light commissioned by Tashkeel to Reema Al Mheiri and designed using discarded fish scales, serves as another example of the venue’s sustainable ethos. The outdoor dining space offers a tranquil escape during cooler months, featuring another spacious dry bar, a sunken fire-pit conversation area and semiprivate spaces framed by sculptural screen – all set amidst native landscaping. Details like the heritage ‘Dubai Pattern’ breeze block behind the bar, reminiscent of traditional vernacular architecture, lend an authentic and nostalgic touch.
You can also listen to our podcast telling this design story on YouTube and Spotify: @identityae
This page – (from left) The bathroom features custom wallpaper hand-drawn by local artist Steve Chambers from Big Art Co and depicts local fish, while a rippled bronze ceiling
Gulf.
The subtle yet effective wayfinding elements include dynamic light installations featuring stick figures
Revitalising the Soul of the City
E+A Studio adds a fresh new spin to the charm of Dubai’s busiest neighbourhoods
WORDS – ANEESHA RAI
As part of the Urban Beautification project commissioned by Dubai Creative Unit, E+A Studio worked hand in hand with Dubai Municipality and RTA to enhance the Satwa neighbourhood for residents and tourists alike. An initiative supported by Crown Prince H.H. Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, Dubai Creative Unit is a collective with a mission to enrich the urban landscape of Dubai’s older settlements and improve the experiences of its residents and visitors, while the Satwa project is among the first of its kind to be rolled out in
the city. Well known for being one of the most vibrant neighbourhoods in Dubai, Satwa has always been treasured for its unique character, as well as its pocket-friendly eateries, street art, tailor shops and bargain stores.
With a history that dates back to the late 1960s when the first low-rise buildings were built, the locality has shifted significantly in terms of demographics over the last five decades, from a quiet Emirati suburb to a burgeoning neighbourhood dominated by expatriates from India, Pakistan, Bangladesh and the Philippines. By the 2000s, Satwa had become over-
Left and previous page – The firm decided to go against the flow with sleek, minimal design features and a neutral palette with pops of colour only for the festoon-like shading elements that frame the streets
populated, leading to the start of the area’s urban re-planning in 2007. Uncharacteristically for Dubai, this was met with creative protests by artists – including writer and filmmaker Mahmoud Kaabour with his multi-disciplinary project Satwa Stories, and Memories of Satwa by Gulf Photo Plus. These works have served to commemorate the hidden gems and iconic character of the neighbourhood, which is now on the brink of gentrification. The financial recession in 2008 unexpectedly brought the redevelopment plans to a halt. In 2016, the area also received works of street art throughout the neighbourhood, breathing new life into it. Called ‘Dubai Street Museum’, the 2nd of December Street (previously known as Diyafah Street) was turned into an open-air art gallery covered in beautiful graffiti, murals and more, and the project flourished over five years. Now, in 2024, E+A Studio has completed the first phase of the beautification project focused on one of the main thoroughfares of the district.
“Satwa has its own character that doesn’t conform to the classical cannons of beauty. There’s lots happing with the lights, colours and structures. There is no sense of organisation, no right angles. It was daunting in the beginning, but we made peace with it and saw the beauty that lies beneath, even if it is not the polished beauty that you are used to seeing in Dubai. It has soul and energy, and our job was to preserve its authentic essence and introduce design elements that seamlessly integrate into the fabric of the neighbourhood without disrupting its unique flow.” shares Evgeniia Molchanova, Founder of E+A Studio.
The primary scope of the project was to create a safe and enjoyable walking route that encourages exploration of the neighbourhood’s lively streets, and design spaces for community engagement. Included in the first phase of the development were the roundabout, Satwa
Photography: Sergey Nekrasov
Grand Mosque, the bus terminal and adjoining streets. The E+A Studio team spent considerable time to recce the neighbourhood and speak to residents to understand their specific needs prior to embarking on the project. They also worked closely with Dubai Municipality to clean and restore the area to make it conducive for the uplift. Acknowledging the resident community’s sense of belonging and deep passion for protecting Satwa’s identity, the team also made it a point to engage the public where possible, particularly in the upkeep of green spaces.
The most challenging aspect of the project was to design functional yet aesthetic elements that would stand out in the visual clutter of the streets. Instead of competing with the loud colours and lights, the firm decided to go against the flow with sleek, minimal design features and a neutral palette with pops of col-
our only for the festoon-like shading elements that frame the streets. The subtle yet effective wayfinding elements include the white wavy lines on the pedestrian pathway marking the walking route, and dynamic light installations featuring stick figures and the UAE’s famous three-finger salute that not only enhance the nighttime ambiance but also reflect the neighbourhood’s ‘24-hour’ vibe.
Talking about how the team arrived at the design of the wayfinding elements, Senior Urban Designer of E+A Studio, Camila Rodriguez Rey, said, “It is counterproductive to go bigger and brighter when designing for Satwa. So, we decided on bold and simple graphics that appear as if they don’t belong there. That is the only way to grab attention.” The empty plots owned by Dubai Municipality were given a makeover with grey and white gravel stone
flooring and converted into public squares for pop-ups, community markets and a stage for street music – a feature requested by the Filipino community in the area who fondly refer to Satwa as ‘mini-Manila’.
Neglected public areas were transformed into mini parks with modular seating that could be easily adapted and configured to fit the irregular spaces. Fabricated by Metalfabrik using galvanised stainless steel and locally sourced stone from UAE-based Petraviva, the bespoke seating was designed by E+A Studio to be sustainable by using durable materials. Native and drought-resistant flora, welladapted to Dubai’s harsh climate, were chosen from the Dubai Municipality nursery and used to ‘green’ the spaces. The overall result adds another layer to a neighbourhood that is changing quickly with the times.
Above – Neglected public areas were transformed into mini parks with modular seating that could be easily adapted and configured to fit the irregular spaces
Here’s what to expect at the 63rd edition of the fair in Milan this year
WORDS – ANEESHA RAI
Salone del Mobile.Milano will be returning to Fiera Milano, Rho from 8 to 13 April 2025, reaffirming its status as the world’s premier platform for furniture, design and interiors. With over 2,000 exhibitors from 37 countries, the 63rd edition promises to be a transformative moment for the industry, shaping the future of design through sustainable innovation, industrial excellence and emotional intelligence. The 2025 edition will be a catalyst for change, drawing inspiration from visionaries such as Pierre-Yves Rochon, Paolo Sorrentino and Robert Wilson. The event will also debut the first-ever International Forum on Light, a five-day exploration of the evolving role of lighting design in contemporary spaces.
This year, Salone del Mobile.Milano will host more than 2,000 exhibitors, with 38% representing international brands, across 169,000 square metres of completely sold-out exhibition space. Following its remarkable success in 2023, Euroluce returns as the Biennial of Light, occupying more than 32,000 square metres with more than 300 lighting brands from 25 countries. At the heart of the event is SaloneSatellite, where 700 emerging designers under 35, as well as 20 international design schools, will showcase the next generation of creativity under the theme of ‘New Craftsmanship: A New World’. The aim of the programme is to activate a bridge between heritage and the future, starting from the idea that craftsmanship can generate new interactions with contemporary design in the name of sustainability and the value of local cultural identities. New to this edition of SaloneSatellite is ‘A Luxury Way’ (Pavilions 13-15), an exhibition celebrating Italy’s ability to craft timeless, high-end design pieces.
The 2025 edition will also feature an exciting cultural programme, anchored by three site-specific installations that blend architecture, art and film, including: Pierre-Yves Rochon’s ‘Villa Héritage’ (Pavilions 13-15) – a conceptual interior project that reinterprets classical design through a modern lens; Paolo Sorrentino’s ‘La Dolce Attesa’ (Pavilions 22-24) – an evocative filmic experience that plays with the theme of anticipation in design; and Robert Wilson’s ‘Mother’ (Museo Pietà Rondanini – Castello Sforzesco) – a striking artistic dialogue between Wilson’s contemporary vision and Michelangelo’s unfinished masterpiece. With Euroluce taking centre stage, the Euroluce International Lighting Forum, which runs from 10 to 11 April in Pavilion 2, will explore the future of lighting through masterclasses and roundtables featuring architects, lighting designers, biologists, anthropologists and scientists. Titled ‘Light for Life. Light for Spaces’, the forum will be hosted in the immersive ‘Forest of Space Arena’ designed by renowned Japanese architect Sou Fujimoto.
A special place where design meets innovation, heritage meets future, and creativity meets commerce, Salone 2025 is poised to redefine the global design landscape once again.
Left – Universo Satellite, Salone del Mobile, Triennale Milano, 2024; Photography: Saverio Lombardi Valluri
Highlights from Maison&Objet 2025 –January Edition
Maison&Objet warmed up the decor, design and lifestyle sector with yet another exciting edition
WORDS – ANEESHA RAI
Hosting over 69,000 unique visitors, this year’s Maison&Objet January edition was its most international fair yet, with over 44% of attendees coming from abroad. On the exhibitor front, 2,377 brands presented their collections, with nearly 30% cross all sectors being new names. The range of products on offer has also become more diversified, with 60% international representation, while the top ten exhibiting countries were France, Italy, Belgium, Spain, the Netherlands, Germany, Japan, the UK, Portugal and Denmark. With vibrant aisles, an explosion of colour and new products, as well as enthusiastic visitors from around the world, Maison&Objet was more than just a trade show – it was a driving force for business, innovation and inspiration. The January 2025 edition marked a key milestone in the transition that began last September, emphasising hospitality with the theme of ‘Sur/Reality’. “Aware of the challenges we’re facing, we were highly motivated and inspired to review all our practices to remain the best business partner in our industry, both locally and globally. The success of this year’s show was reflected in the enthusiasm and optimism on display in the aisles. I’m very proud to see that professionals who want to grow their business were present at the show. We’re even more excited as we begin preparing for the September 2025 and January 2026 events!’’ shares Mélanie Leroy, General Manager, SAFI – Maison&Objet, Paris Design Week and MOM.
What’s New? In Hospitality
Up-and-coming designer Julien Sebban, founder of architecture studio Uchronia, shook up the hospitality industry with a colourful hotel that boldly juxtaposed motifs, challenging the status quo and embodying the Sur/Reality theme. He also collaborated with industry leaders to create bespoke pieces, including a monumental table designed especially for Maison&Objet. Blending retrofuturism with contemporary baroque, the cutting-edge selection of brands and designs at the show reflected a bold, opulent vision for the future of hospitality.
What’s New? In Decor
To celebrate the 100th anniversary of surrealism, the talented Elizabeth Leriche enabled visitors to be immersed in a dreamlike decor experience featuring some of the show’s most exquisite pieces. Her poetic, disruptive scenes included an enchanted forest, a bed in the clouds, hypnotic motifs and an upside-down room. Amidst this captivating environment, it was easy to identify the trends set to define the upcoming season.
What’s New? In Retail
François Delclaux curated a cabinet of curiosities for retailers, showcasing an ideal retail concept at the intersection of boutique entertainment and trend-forward merchandising.
This immersive space foreshadowed the evolution of retail experiences, blending originality with a keen sense of consumer engagement.
WOMANIFESTO!
This installation, created by Designer of the Year Faye Toogood, offered an intimate glimpse into her multidisciplinary vision. Designed exclusively for Maison&Objet, the exhibit was a deep dive into the British designer’s creative subconscious. Spanning three distinct colour worlds, it explored her practice through objects and processes, revealing her most authentic self. From shadow to light, the installation seamlessly navigated between carpets, settees, paper sculptures and fashion, underscoring the fluidity of her artistic journey.
Curatio
In the Signature Hall, a groundbreaking exhibition on collection design curated by Thomas Haarmann demonstrated how objects can transcend function to become works of art. This museum-style installation showcased monumental, striking pieces at the intersection of sculpture and furniture, crafted to
adorn collectors’ homes and elevate prestigious hotels and restaurants. As Maison&Objet continues its move upmarket, this exhibition set a new standard for design excellence and hinted at exciting innovations for January 2026.
Talks and Workshops
The fair’s meticulously curated programme brought together a distinguished lineup of experts and visionaries, including Alexis Mabille, Antoine Ménard, Bénédicte Épinay, Hervé Lemoine, Margaux Keller, Peclers Paris and the rising star of US interior design, Nina Magon. These discussions tackled the most pressing challenges facing the design and lifestyle sectors today. The Retail Coaching series offered practical workshops for retail professionals, rethinking sales and merchandising strategies for an evolving industry. Topics ranged from sound identity in stores and AI-driven point-of-sale communication to cutting-edge e-commerce tools.
Women & Design by Maison&Objet Launched in September 2024, this initiative made a powerful impact at the January edition with brand new programming. Four key talks
brought together influential women designers to address industry challenges. In Paris, an exclusive dinner at Baronne, in collaboration with Paris Society, gathered together a select group of international guests who are leading impactful design projects. Distinguished attendees included Paola Navone, India Mahdavi, Nina Magon, Sarah Poniatowski, Kristina Zanic, Thomas Jolly and Vincent Darré, who fostered meaningful exchanges on the role of women in design.
Maison&Objet In the City
Beyond the showgrounds, professionals visiting Paris explored 100 of the city’s most exquisite haute décor destinations, carefully selected by the Maison&Objet team. Highlights included Mathieu Lehanneur at Christie’s, the Galerie MAY, Le Berre Vevaud’s latest creations, and Fortuny fabrics with Chahan Minassian, offering an exclusive look into Parisian design excellence.
Maison&Objet in September will offer a differentiated version, which unveiling an eclectic selection of decor, fashion and accessories, small furniture and design pieces.
Left page – Gummy chair by Faye Toogood at her exhibit ‘Womanifesto’, image by Celia Spenard Ko; This page – (from left) Lamp by Minjae Kim as part of the Rising Talent Awards; Part of the exhibit Curatio by Thomas Haarmann, image by Emmanuelle Thion
Sculpting Sustainability
We take you inside a restaurant that hosts the world’s largest 3D-printed interiors
WORDS – ANEESHA RAI PHOTOGRAPHY – NIKITA KOVALEV
London-based architecture studio DA BUREAU has unveiled the world’s largest 3D-printed restaurant interior at its latest project, the MYATA Platinum Lounge in the C2 licensed district at City Walk, Dubai. The project, which is both a shisha lounge and restaurant, features a breathtaking canyon-like structure composed of over 20,000 individually 3D-printed components, assembled from recycled plastic.
Designed to mimic the fluid, wind-sculpted formations of a sand canyon, the interior is both an artistic and an engineering feat. “A canyon is a constantly evolving geological wonder, shaped by the forces of nature. We sought to recreate its flowing, amorphous forms in a modern interpretation using cutting-edge 3D printing technology,” explains Boris Lvovsky, CEO and Co-founder of DA BUREAU.
The result is a series of 27 towering canyon-like structures, created using 35 industrial 3D printers and coated in a textured finish. This environmentally responsible approach aligns with Dubai’s 3D Printing Strategy, which aims for 25% of Dubai’s buildings to be constructed using 3D printing by 2030. Furthermore, by repurposing plastic
waste, the project contributes to the Arab building sector’s goal of reducing carbon emissions by 8.8 million tons annually, also by 2030.
Beyond its sustainable vision, the MYATA Platinum Lounge provides an immersive atmosphere, right from the entrance, which presents itself as a funnel-like corridor, drawing visitors from the bustling streets of Dubai into an intimate, cave-like retreat. “The layout encourages a sense of discovery,” notes Lvovsky. “Guests transition through narrow, shadowed passageways before entering the grand, sculptural main lounge, reminiscent of an ancient cavern.”
The lighting design, created in collaboration with Yarko Studio, enhances the lounge’s ethereal atmosphere. A warm, sunset-inspired glow emanates from hidden sources, casting soft amber hues over the undulating canyon walls, while strategic art effects subtly highlight the clouds of steam emitted by the hookahs, creating a hypnotic halo effect. By leveraging advanced 3D printing, DA BUREAU has not only crafted a visually stunning interior but has also set a new benchmark for eco-conscious, highperformance architecture.
This page – (from left) A warm, sunset-inspired glow emanates from hidden sources, casting soft amber hues over the undulating canyon walls; The restaurant features a breathtaking canyon-like structure composed of over 20,000 individually 3D-printed components, assembled from recycled plastic
The lighting design, created in collaboration with Yarko Studio, enhances the lounge’s ethereal atmosphere
House
Designed by Istanbul-based studio XYZ Design, this unique log house has been transformed into a full-time residence with soul
WORDS – ANEESHA RAI
Parquet flooring by Sem Parke, door by Binadoo, and lighting by Moonelight features at the entrance
The hobby space features an L-shaped sofa and a Mama chair from B&B Italia, a centre table from Roche Bobois, custom furniture from Armony Mobilya, technical lighting by Moonelight, TV unit by Marble/Silkar, carpet by Onur Hali, as well as accessories by Assouline, Jonathan Adler, Loewe and Leblon Delienne
INTERIORS
Nestled in a private, nature-surrounded enclave of Çamlıca, Istanbul, this 520-square metre log house was located near the homeowners’ former villa and other family residences. The project was envisioned as a full-time residence rather than a traditional winter retreat and the primary challenge was to create a modern, urban living experience within the framework of a log house, particularly by introducing a distinct design language in the basement. This approach shaped the overall aesthetic and spatial organisation, allowing a family of four to experience the feeling of living in separate homes under one roof. For the structure, XYZ Design selected a Finnish log house by Honka, constructed from specially crafted Finnish pine logs. The prefabricated modules were shipped from Finland and assembled onsite atop a reinforced concrete basement. The house, which includes a basement, two main floors and an attic, is dynamic in nature. Since its installation, it has naturally settled by approximately 15 centimetres. This required meticulous planning for various design and technical elements, such as accommodating the shifting relationship between fixed furniture and ceilings, ensuring plumbing flexibility and maintaining the functionality of doors.
The home’s aesthetic is defined by its distinctive Finnish pine log structure, which acts as a textured backdrop on the ground and first floors. To enhance this natural warmth, a neutral colour palette was applied to the walls, enriched with organic materials that reinforce the house’s essence. A harmonious blend of beige and brown tones extends across rooms, complemented by natural stone and wood elements. Brass accents and vibrant hues drawn from the homeowners’ art collection introduce moments of contrast and character. The ground floor was designed to prioritise openness and connection. Instead of compartmentalised rooms, spaces such as the dining area, living room, lounge and winter garden flow seamlessly into one another, separated by sliding and folding systems that allow for flexible spatial arrangements. Upon entering the home, a square-shaped entrance hall leads directly into the main living area, where these spaces are interconnected. A double-sided fireplace positioned between the sitting and lounge areas serves as a focal point, enhancing the cosy ambiance.
The kitchen, accessible from the living area, opens onto the winter garden, which serves as an additional dining and sitting area. Sliding and folding doors allow for seasonal adaptability, creating a flexible ground floor that remains
Above – (from left) The entrance features pouffs from Atölye Kanepe, an artpiece by Fikret Mualla at Bi'nevi Galeri, custom furniture by Armony Mobilya, floor ceramics by Adnanlar, and technical lighting by Moonenlight; Chandelier by Moonenlight, bed by Atölye Kanepe, carpet by Onur Hali and floor parquet by Sem Parke
Left – The kitchen hosts a marble countertop by zirve stone, pendant and technical lighting by Moonenlight, floor parquet by Sem Parke, floor ceramics by Adnanlar, and a mixer by Hansgrohe
inviting throughout the year. While the main living spaces are designed for hosting larger gatherings, the lounge and winter garden offer more intimate settings for personal relaxation. A guest bathroom is also located on this level.
Inspired by the homeowners’ desire for independent yet cohesive living spaces, the basement was designed with a completely different character from the upper floors. Adopting an industrial and raw aesthetic, it offers a completely different sensory experience. Materials like microtopped flooring, wood-panelled walls
and bold, dynamic furniture colours create an energetic and playful environment. The basement is entered through a decorative sliding door, revealing a multifunctional hobby room with a TV and cinema lounge, seamlessly connected to a gym area. Given the limited natural light on this level, service and technical spaces – including a laundry room, technical room, clothing and shoe storage and wet areas – are strategically placed in darker zones. Meanwhile, rooms benefiting from natural light, such as the hobby room, staff quarters, guest
bedroom and a dedicated prep kitchen, are positioned to make the most of available daylight.
The first floor, accessed via a staircase from the entrance hall, houses the master bedroom and two children’s bedrooms. Originally intended as a shared space for all bedrooms, the attic was repurposed into a private dressing room for the master suite, catering to the family’s specific needs.
By balancing natural materials with modern spatial planning, the home is now a sophisticated yet inviting retreat.
This page – Wireflow chandelier by Vibia and a custom-made brass and marble coffee table; Right page – Highlights and decorative lighting are created as an extension of the conceptual idea. Featuring the Noctambule floor lamp by Flos
Shifting Sands
The curvature of lunar-like desertscapes characterises this Downtown Dubai address
WORDS – LAURA CHERRIE BEANEY
The stone forms are created in smooth and rough processing, mimicking the natural uneven surface of the stone, which gives a pleasant self-finished appearance. The lights are Cathode
suspension lamps by Davide Groppi
Photography: Lizaveta Kulenenok
Form and materiality take centre stage at HPlace Cafeteria, a community coffee shop in Downtown Dubai, designed by Aleksey Klimov and Eugene Cherkas of Atelier Prototipi. Here, the desert’s codes are distilled into sculptural simplicity, resulting in a space with an architectural language informed by the rhythms of shifting sands and the fleeting glow of moonlight.
“Observing the lunar landscape among the dunes is one of the most impressive sights. If you listen closely, you can hear time flowing in the moving grains of endless waves and feel its breath,” Klimov reflects. It’s this almost meditative observation that became the conceptual bedrock of HPlace. The desert, after all, is an archive of time, its contours carved out by wind, sun and silence. The team at Atelier Prototipi sought to translate this cadence
into an immersive environment, one that feels at once grounded and weightless, ancient and contemporary. Cherkas recalls the experience that shaped their approach: “We were sitting at the edge of the desert, watching the wind lift and sift the sand, grain by grain, as if reconsidering what shape it wanted to take. There’s no other place where time feels so tangible – it dissolves, slows down, merges with the monumental silhouettes of dunes. We found that the regional landscape isn’t just physical, it’s a play of sunlight and moonlight, shifting the boundaries of imagination.”
Inside HPlace, this philosophy materialises in smooth, oval contours that echo the forms humans have carved into desertscapes for centuries. The walls, finished in both raw and polished mineral plaster, capture a sense of erosion, the passing of time and the marks left by wind and water on stone. A balance is struck here between purposeful refinement and natural imperfection. Travertine blocks – some with a honed, velvety finish, others left deliberately rugged – anchor the space, forming the base of the hospitality zone and two sculptural bars.
upholstery and sandy quartz stone, materials chosen to echo the tonal shifts that move through the desert from dawn to dusk.
Entering HPlace feels like moving through a landscape sculpted by both human hands and natural forces. The spatial experience unfolds in layers: from the open hospitality area, guests are drawn into more intimate nooks tucked behind curved partitions. A softly illuminated staircase traces the gentle curve of a wall, leading to an elevated retreat where seating is arranged in cosy clusters. Through an aperture carved into what feels like a rock face, the view extends out to the terrace, connecting the interior and exterior realms.
By day, the terrace offers shade with greenery that filters through the sharp desert light. By night, panoramic glazing dissolves into darkness, and the interior takes on a distinct mood. “A standout feature for us is the Moon chandelier by Davide Groppi,” Klimov shares. “As evening falls, the Moon appears in space, enveloping the interior like the Earth’s satellite, slowly immersing it in a nocturnal cradle.”
This page – (from left) Glass tables made by Miniforms refresh the sandy palette; natural light passing through them, makes them glow from the inside, changing them into vessels filled with transparent water; The upper level offers relaxed lounging; featuring the Wirering wall lamp by Flos
Glass elements punctuate an earthy palette, most notably the Soda tables by Miniforms, which Cherkas suggests are a personal favourite: “The transparent glass forms capture and refract light, transforming into vessels that seem filled with liquid clarity,” he notes. This cool smoothness contrasts with the warmth of natural oak veneer, creamy bouclé
Light is an active participant in the design narrative. It shifts with the day’s rhythm – subtle during the morning, dramatic at dusk, intimate after dark – casting shadows that stretch, soften and dissolve. The designers describe their process as an “experimental search”, an intuitive structuring of ideas, fragments and inspirations that coalesce into a powerful, emotionally resonant environment.
The Chedi Private Residences
The Chedi debuts its first-ever standalone private residences in Dubai
WORDS – ANEESHA RAI
Situated on Sheikh Zayed Road, the first Chedi Private Residences has been designed by Studio Bruno Guelaff. The project is being developed by Al Seeb Real Estate Development in collaboration with Devmark, the UAE’s leading real estate project sales and marketing consultancy. This new residential development seamlessly blends contemporary elegance with the timeless ethos of The Chedi brand. “This collaboration with Al
Seeb has brought to life a residential experience that redefines exclusivity and sophistication, marking a defining milestone for both groups,” shares Aditya Jain, Vice President of Development, GHM (General Hotel Management).
The Chedi is renowned for its legacy of refined hospitality and immersive cultural experiences, and the striking 238.6-metre glassclad tower introduces an exclusive collection of residences, featuring expansive two- to five-
bedroom apartments, duplexes and a crowning triplex penthouse. Each home is designed to offer villa-sized proportions, boasting 3.2-metre-high ceilings, discreet private entrances and expansive terraces with uninterrupted views of the Dubai skyline and Arabian Gulf. Interiors exude modern elegance, with premium finishes, spa-inspired bathrooms equipped with smart shower systems, and high-end fixtures. Duplexes and penthouses take luxury to new heights, offering vast social terraces, private plunge pools and serene retreats spread across multiple levels. “We are thrilled to launch The Chedi Private Residences, a remarkable brand with a rich heritage. We understand the growing appetite for branded residences and are fully committed to delivering a product that surpasses expectations in terms of luxury, design and service,” said Mahesh Kalwani, Vice Chair of Al Seeb Real Estate Development.
The residences also offer an unparalleled array of world-class amenities. Residents are welcomed into a grand lobby lounge that extends into landscaped gardens and a signature dining venue. At the core of the development lies a breathtaking 60-metre lagoon-style
pool, encircled by lush greenery, sunbeds and private cabanas – created an idyllic retreat for all ages. The rooftop infinity pool provides a spectacular vantage point, perfect for unwinding against the city’s skyline. “The demand for hospitality-led branded residences is at an all-time high, and we are confident in leveraging our extensive knowledge, research and expertise in this sector to ensure the project’s successful sales and market positioning. With its extraordinary features and prime location, The Chedi Private Residences also represents an outstanding investment opportunity for discerning buyers,” says Richard Aybar, Managing Director of Devmark.
Wellness takes centre stage, with a stateof-the-art fitness centre, spa treatment rooms and saunas designed to rejuvenate both body and mind. A private cinema and multi-purpose event studio cater to entertainment and social gatherings, while the young residents' club fosters creativity in a safe and engaging environment. Dining options include an exclusive Omakase rooftop restaurant and gourmet in-residence services, complemented by an elegant bar featuring a walk-in humidor. Additional recreational spaces include private padel courts, a 250-metre running track and a dedicated family and games deck, reinforc-
ing a strong sense of community among residents. Residents also benefit from 24-hour concierge support, dedicated butler assistance and tailored ‘away-from-home’ packages. Services include returning from travels to a fully stocked fridge, pristine housekeeping, and seamless event planning services. Owners also receive exclusive perks, including a bespoke welcome package featuring a luxury tea set, privileged access to global Chedi properties, and personalised shopping experiences with renowned designers. A resident-exclusive app streamlines daily convenience, offering access to booking services, concierge support and lifestyle enhancements. Further elevating the experience, valet services, limousine transportation and wellness programmes with trusted well-being partners ensure a seamless blend of luxury and functionality.
Scheduled for completion in 2029, The Chedi Private Residences offers unparalleled connectivity to Dubai’s most prestigious landmarks, including The Palm Jumeirah, Downtown Dubai and the city’s premier cultural, retail and entertainment destinations. Devmark is now showcasing the project at the Mondoir Art Gallery in Downtown Dubai, where visitors can explore detailed renders, the project model, brand films, floor plans and animations.
Left page – The living room of the 3-bedroom unit; This page – (from top) The sky pools promise amazing views; Expansive terraces with uninterrupted views of the Dubai skyline and Arabian Gulf
The Spaces that Shape Us
We explore how certain spaces influence and shape human behaviour, creativity and cultural identity
WORDS – ANEESHA RAI
IThis page – Boston Consulting Group office in Riyadh, KSA by Allen Architecture Interiors Design (AAID); Right page – Ministry of Tourism headquarters in Riyadh, KSA by Allen Architecture Interiors Design (AAID)
t’s no secret that spaces are more than just structures; they are the silent narrators of our experiences, influencing how we move, interact and feel. From urban streetscapes to cultural hubs and community-driven designs, the way we shape our surroundings directly impacts how we engage with the world. We speak to architects on how they would approach designing spaces that foster inclusivity, connection and wellbeing.
Designing for Interaction and Wellbeing E+A Design Studio’s work on the Satwa Streets urban beautification project in Dubai show-
cases the powerful role of design in influencing how people interact with their surroundings. By introducing smaller and inviting spaces within the bustling street fabric, including seating interventions and greenery, E+A Design Studio’s founder Evgeniia Molchanova and her team created a sense of shelter and protection. “It’s a reminder of how small design interventions can profoundly influence how people experience and interact with their surroundings,” she says.
Dara John Towhidi, founder of DesignTomorrow, cites his firm’s Urban Gateway District project which was recently exhibited at the RIBA in London as a good example of urban planning done well. The approach integrates pedestrian-friendly pathways, community spaces and a mix of residential, retail and office areas to encourage interaction and promote a sense of community. “By prioritising pedestrian-friendly pathways and micro-mobility, we encourage residents and visitors to explore the area on foot or by bicycle, promoting health and social interaction. The integration internal streets lined with community retail, co-working spaces and residential lobbies creates a dynamic environment where people can naturally gather and connect,” he notes.
Photography: Roberto
Conte
For Mansi Tewari, Associate Director at Allen Architecture Interiors Design, designing spaces that respond to their cultural and social context is a priority. “Spaces that tell a story, evoke emotions and create a sense of belonging endure beyond trends. Sustainability and adaptability are also crucial – designing with longevity in mind ensures relevance over time,” she shares. “A lasting space is built on a strong concept rooted in human behaviour and cultural relevance, rather than passing aesthetics. Timeless materials, modular design for flexibility and a deep understanding of how people interact with space are key.”
Evolving Spaces as Catalysts for Cultural and Social Change
As cities become more diverse and digitally connected, public spaces must adapt to encourage inclusivity and interaction. Molchanova points out that successful spaces prioritise cultural awareness and the flexibility to cater to different groups’ needs. She cites Potsdamer Platz in Berlin as an example – a space that, after the fall of the Berlin Wall, became a symbol of healing, transformation and collective memory.
Towhidi also advocates for human-centric designs that prioritise walkability and social cohesion. He cites The High Line in New York as an example, which transformed an abandoned railway into a vibrant urban park, blending nature, art and social life while setting a global precedent for adaptive reuse. “Similarly, in the UAE, Alserkal Avenue in Dubai has evolved from an industrial warehouse district into a dynamic cultural hub, integrating art, co-working and public gathering spaces,” he shares.
Tewari cites museums, restaurants and workplaces as spaces that have evolved over time in society while staying true to their key purposes. “The use of digital storytelling, interactive exhibits, AI-powered guides and cutting-edge technology to create experiences, and ease of work: all have allowed spaces to evolve to meet new needs yet keep the essence,” she shares. Towhidi is now working on a new library project that reflects this change by blending its functions as cultural cornerstone and learning hub with now also being a space for community engagement and social interaction.
“By merging the richness of traditional libraries with contemporary flexibility, this project will serve as a catalyst for education, creativity and civic engagement – ensuring the library remains a cornerstone of cultural and intellectual life for future generations,” he shares.
Reclaiming Human-Centric Design
“We are fascinated with how cities work and are often disappointed with how much of contemporary urban design has last lost touch with the lessons of the past,” shares Towhidi. “Traditional urbanism, from the Middle East to Europe to Asia, featured compact, mixed-
ences beyond the digital lens. “True engagement with space goes beyond what we see,” he observes, advocating for designs that evoke emotion and a sense of place.
use neighbourhoods designed for walkability, featuring shaded courtyards and vibrant streets blending commerce, residence and public life. Narrow, winding streets fostered social cohesion, safety and spontaneous encounters. Modern planning often prioritises efficiency with large roads, oversized plots and rigid zoning, sacrificing liveability. Reviving these traditional principles can create more adaptable, inclusive and resilient environments.”
The Digital Age: Balancing Virtual and Physical Spaces
While the digital age has radically changed how we interact with the world, it has not diminished the importance of physical space. Molchanova reflects on how urban design must counteract the growing detachment from tangible experiences, urging designers to create spaces that foster spontaneous, tactile and sensory engagement. “Technology is an incredible enabler, but the fundamental human need for shared experiences must remain at the core of urban design,” she says.
Towhidi notes that the digital experience, often mediated through screens, risks reducing our connection with places to something merely visual. As such, designers must create environments that encourage deeper, meaningful interactions – spaces that offer experi-
The Future of Design: A Synthesis of Innovation and Humanity
As the world moves toward smarter cities and more sustainable communities, all three architects believe that the future of urban spaces must prioritise human needs. Molchanova envisions cities where well-being, nature and technology coexist harmoniously, offering spaces where people thrive. “Future spaces will likely be a fusion of multiple typologies, combining technology, wellbeing and sustainability,” she says. Tewari shares a similar vision. “Spaces that allow for seamless integration with technology, nature and wellness would be ideal, to bring back some of the fundamentals of worklife harmony and working and living as teams rather than isolated individuals,” she shares.
Towhidi foresees a focus on hybrid workspaces, community-driven projects and sustainable design that reflect the growing desire to merge technology with human-centric principles. For him, smart cities and sustainable communities are not merely about efficiency; they must be about creating spaces where people feel a genuine connection to their environment and each other.
As architects continue to shape the world’s public spaces a focus on human interaction, inclusivity and a profound respect for history can help ensure that cities remain vibrant, resilient and deeply connected to the people they serve.
Project D8 – a luxury waterfront community by DesignTomorrow
In Design With
Sculpted House
Designed by Jack
Fugaro,
the Kernan Residence mimics the minimalism of a gallery without compromising on comfort or functionality
WORDS – SUHA SABITH PHOTOGRAPHY – DAVE KULESZA
Nestled in one of Melbourne’s most serene and leafy suburbs, the Kernan Residence – also known as K Residence – is a harmonious blend of architectural detailing and spatial design. Designed by Jack Fugaro, the space draws inspiration from the exterior sculptural form of the house, achieving a sophisticated sense of calm through nuanced details and a rich material palette.
The marriage of form and function is evident in every aspect of the residence. The brief given to Fugaro was clear: the design had to heighten the interior experience, enriching the living spaces while maintaining a deep connection to the home’s sculptural exterior. The result is a space where architectural details are celebrated rather than hidden. Through thoughtful design and the strategic use of double-height volumes, Fugaro has created an environment that is filled with natural light and openness. Each room becomes a carefully considered experience, offering moments of tranquillity and surprise.
The design’s bold, clean lines and strong presence result in an architectural form that is both modern and timeless. A grey colour palette dominates the interiors, with splashes of black and brown, touched up with gold detailing. A key design philosophy for the project was to enhance the interior experience through spatial innovation. One of the most striking features of the design is the way it effortlessly
Left page – The space draws inspiration from the exterior sculptural form of the house; Above – A grey colour palette dominates the interiors, with splashes of black and brown, touched up with gold detailing; Below – The sculptural staircase not only serves as the connection between the two levels of the home; it also creates a dramatic visual anchor in the space
Right – The thoughtful layout ensures that the design of the entire residence maintains a delicate balance between openness and privacy, ensuring that each area of the home feels curated and intentional
connects large, open areas with more intimate ones. A well-considered series of spaces celebrates the house’s voluminous proportions while creating intimate spaces for rest and relaxation. In the larger, more open areas such as the kitchen island and entry foyer there is a sense of freedom that encourages impromptu meetings or casual gatherings. The kitchen island, a central hub in the heart of the home, acts as the perfect gathering point, while the entry foyer draws one in with its gallery-like openness. At the centre of the living area, a sculptural staircase acts as both a functional and artistic focal point. This stunning staircase not only serves as the connection between the two levels of the home; it also creates a dramatic visual anchor in the space. Positioned centrally within the floor plan, it draws attention and adds a sense of intrigue from the moment a person enters. The design of the staircase is deliberately bold – its clean lines and modern form echoing the exterior’s sculptural aesthetic. The staircase divides yet unites, creating a space that feels expansive and open while still offering pockets of solitude for moments of quiet reflection.
On the upper level, the sleeping and private retreat areas continue this theme of connection and intimacy. These spaces are strategically isolated from the more active parts of the home, creating a sense of calm and sanctuary. The thoughtful layout ensures that the design of the entire residence maintains a delicate balance between openness and privacy, ensuring that each area of the home feels curated and intentional.
In the Kernan Residence, design is more than just form – it is about creating an experience. Every detail has been meticulously planned to enhance both the functionality and beauty of the space. The integration of sculptural elements and refined finishes, and the balance between openness versus intimacy, creates a space that is warm, modern and elegant. Through its mastery of space, light and materiality, the Kernan Residence proves that the art of interior design lies in the details and in the harmony they create.
Below – A rich material palette enhances the overall look and feel of the house
The home features a seamless intergration between architecture and outdoor space
PRIYAM: Minimalist Sanctuary
In the centre of Hyderabad in India exists PRIYAM – a minimalist sanctuary and the embodiment of nature-led landscape design. Here, founder of Kiasma Studio, Sowmya Lakhamraju shares her thoughts on what makes this project so special
WORDS – JEN COPLEY
PHOTOGRAPHY – VIVEK EADARA
In the bustling city of Hyderabad, a private residence designed by A01 Architects, interior designer Aamir Sharma and Kiasma Studio, sits among a verdant landscape of green grass and ancient trees. This is PRIYAM, whose name was chosen for its meaning in Sanskrit –‘beloved’ or ‘dear’ – which reflects the very essence of the project. “The design was intended to create a space that feels intimate, warm and emotionally connected to nature,” explains landscape architect Lakhamraju. Indeed, nature is at the heart of PRIYAM. In a densely populated urban neighbourhood, the goal was to create a seamless integration between architecture and outdoor space that preserved the expansiveness of the site and its existing natural elements, as Lakhamraju states: “With PRIYAM, our primary goal was to create a minimalist landscape that embraced the concept of minimal intervention, maximum impact.”
Three large, mature trees that existed on the land became a central feature of the project
Bottom left – The house has meaningful framed views of the surroundings; Right – The trees were used to dictate the layout of the space, provide canopies for shade and offer a unique sensory experience
Right page – To balance the desire for open uninterrupted space with the need for functional areas, Kiasma Studio crafted versatile multipurpose areas that can be used for relaxation and gathering
and guided the direction of the design. Centuries old, the trees were used to dictate the layout of the space, provide canopies for shade and offer a unique sensory experience. By celebrating and utilising the existing beauty of the site, Kiasma Studio minimised the need for external structures, preserving the natural character of the landscape. Rooted in simplicity and minimalism, the design allows the landscape to breathe.
To balance the desire for open uninterrupted space with the need for functional areas, Kiasma Studio crafted versatile multi-purpose areas that can be used for relaxation and gathering. “The client specifically wanted the land-
scape to be a seamless extension of the house, offering a variety of multifunctional zones without disrupting the minimalist ethos,” explains Lakhamraju. Custom-designed elements demarcate these zones. A multifunctional deck with a bespoke service counter creates a flexible yet unobtrusive communal area that allows people to gather under the trees, while a handcrafted stone bench captures and mirrors the ever-changing natural environment, marrying aesthetic beauty with practical function.
There is a visual harmony between the architecture of the house and its surroundings. Lakhamraju elaborates, “We also embraced the borrowed landscape concept, ensuring that the
minimalist house had meaningful, framed views of the surroundings. Every space, from the courtyards and pool to the seating areas, was designed to foster a connection with the outdoors.” Curvilinear forms can be found throughout the landscape design, mirroring the curved underside of the building and further harmonising the architecture and the landscape.
The landscape design of PRIYAM is punctuated by moments of discovery and artistry.
A carefully crafted Corten steel screen makes a stunning sculptural statement while providing privacy and delineating space. This functional barrier becomes almost invisible when viewed from certain angles, thereby preserving a
sense of transparency and openness. Situating a courtyard beneath an 80-year-old cannonball tree exemplifies the way in which nature can inspire thoughtful lyrical design. As Lakhamraju elaborates, “This area not only highlights the striking structure of the tree but also creates a serene environment for contemplation and relaxation. The tree’s unique characteristics, including its fragrant flowers and textured bark, add sensory dimensions to the space.”
This is a project that balances functionality and beauty, nature and architecture. Lakhamraju concludes, “We aimed to design a space that was simple yet profound.” It appears that in PRIYAM, the team has achieved its aim.
The Power of Public Art
This project showcases how creativity can revitalise both cities and workplaces, transforming them into spaces for connection and inspiration
– KARINE MONIÉ
WORDS
Inventiveness is in the DNA of Los Angeles –from Hollywood to the tech industry to the renowned arts scene. As proof, the anticipated first museum of artificial intelligence (AI) arts – Dataland – and the Lucas Museum of Narrative Art are both scheduled to open in 2025. Despite the devastating recent fires, the city is proving once again that its unwavering energy and the boundless creativity of its local community are as strong as ever. Even just walking the streets of LA is likely to bring its share of arty discoveries. Case in point: in West Los Angeles, at 1440 Sepulveda, a new large piece with bold patterns and colours brings vibrancy to the neighbourhood, reflecting how art can transform the places in which we live and work in a meaningful and inspiring
way. Commissioned to Czech-American artist Natalja Kent by Beacon Capital Partners, who acquired the building on which the piece sits, the façade-scale installation stands out and creates a landmark open to interpretation by passers-by. “This artwork is a public homage to the delightful and healing power of light, colour, movement and play,” Kent says. “Abstraction has the bold power of inviting new ways to see and interpret the work, depending on the viewer’s perspectives.”
Honouring the Light and Space art movement (which originated in Southern California in the 1960s), the piece consists of seven large light works called ‘chromograms’ that Kent made with a process she developed over seven years of experimentation using light sensitive
paper typically used in film and photography. The resulting gradients and abstractions reflect the movement and rhythms of the surrounding environment – from which the artist drew inspiration – including the building itself, the neighbourhood, the green park across the street, the streaming yellow sunlight through the dappled trees, the pedestrian walkways, the nearby Pacific Ocean and Los Angeles in general. “I meditated on these external aspects of the building and performed a movement meditation with lights in response,” she explains. “The light-sensitive paper recorded my movements, and the subsequent work was transformed into the architectural features you see in the façade.” The work was then enlarged to scale, transferred onto the powder
Photography: Jason O’Rear, courtesy of Beacon Capital Partners
Previous pages –
1440 Sepulved;
Left page and below –
Built in 1986, the original building featured a solid structure but required significant refurbishment to optimise spaces and improve usability
coated aluminium through a pigment process and baked onto 3.6- by 1.2-metre panels.
“Near the façade on the Sepulveda Avenue side of the building, there is a beautiful tree that shades the sidewalk and building in the afternoon,” says Kent. “For pedestrians passing on that walkway I wanted to integrate a feeling of cool relief from the sun on a hot summer day, where the tree shades the mural. As a person walks into the dappled light, the mural swirls with gradients of deep blues and wet purple tones, as if they took a dive into a clear, deep ocean.” Inside the 10,000-square-metre building – which is currently home to production studios for a major sports network and spread across three levels – the discovery continues. In the lobby, with its soaring ceilings, a fulllength living wall flanks one side while Kent’s unique work lights up the other, surrounding the space with creative energy from all angles. “There is joy and play in that kind of abstract colour reference tied to bodily movement,” the artist says. “Public art has the capacity to offer solace, delight and transformation. If we give art our attention and curiosity, untold experiences can unfold – new colours are witnessed, a way of seeing discovered, a story transmitted in colour alone might be found. These are just a few of the gifts that I personally have experienced from public art.”
Above – Kent drew inspiration from the urban and natural context of Los Angeles; Natalya Kent, photo by Dana Pleasant
A New Room for Wellness at Home
– REBECCA ANNE PROCTOR
Bathrooms are increasingly becoming spaces for relaxation and selfcare – and architects and interior designers are taking note
WORDS
Left page –KLEI Spa by VSHD Design; This page – Bathroom designed by VSHD Design
In a world that is moving faster and faster, it often seems nearly impossible to find time to pause, catch one’s breath and have a moment to practice mindfulness and self-care. Reflective of today’s evolving concepts of living, and the increasing numbers of individuals working from home post-coronavirus, architects and interiors designers are adapting their approach to room design through a holistic perspective that takes heed not just of aesthetics but also mental and physical wellbeing. The bathroom is largely the focal point of such new shifts in room design; as the ‘idea space’ for self-care and relaxation, they are increasingly being created as new wellness oases.
“We are seeing a growing trend toward incorporating dedicated wellness spaces within residences, particularly in master bathrooms and in bathrooms adjoining home gyms or salon areas,” said Nour Saccal, co-founder, Saccal Design House, an architecture firm based in Kuwait City. “Homeowners are increasingly recognising the benefits of integrating saunas, Jacuzzis and other wellness features to create a personal sanctuary within their homes.”
Saccal notes how the master bathroom, particularly, has evolved into what she calls
“an intimate wellness retreat.” This in turn has led to rising demand for more spacious layouts and the incorporation of natural and sustainable materials to enhance feelings of comfort and closeness to nature. At the same time, increased focus is being given to organisation in the bathroom, to create spa-like, clutterfree areas that are both visually and sensorially soothing. Saccal notes how lighting is also playing an important role in creating this new space for wellness. “There is a growing preference for dimmable lighting and multiple lighting options, allowing homeowners to adjust the ambiance throughout the day and night to suit their mood and needs,” she adds.
Delfina Cortese, founder of her eponymous Dubai-based design studio, Delfina Design, who recently designed the Desert Pool Villas at Bab Al Shams Luxury Desert Resort, believes that bathrooms are transforming into their own unique spaces catering to personal wellbeing. “Bathrooms are no longer spaces where you rush to brush your teeth and run out, but places
that are transforming into intimate personal spaces, like a private spa, where you take care of yourself using a variety of therapies on offer, like a rain shower, sound experiences, a mini=sauna and a Jacuzzi bathtub.” Cortese has been working on a private high-end private residence on the Palm with a large bathroom made in natural stone and incorporating natural lighting. It features a freestanding bathtub, outdoor Jacuzzi and large shower with a rain system that she designed with support of the high-end Italian sanitaryware Gessi. As she emphasises, such a design goes beyond the functionality of a traditional bathroom: it becomes a place where the individual can retreat from the outside world and practice the self-care required.
Interior architect Rania Hamed, founder of multiple award-winning Dubai-based boutique firm VSHD Design, has for years been known for her simplistic, minimalist designs that incorporate natural, sustainable materials and natural lighting. Alongside the importance of creating aesthetically pleasing spaces, Hamed upholds the necessity for wellness and mindfulness in her designs, whether she is designing for a private residence or commercial property. She has similarly experienced the shift in bathroom design. “What was once a purely functional space has now become a personal retreat, integrating elements that promote relaxation, rejuvenation and even health benefits,” she says. ‘Through the advance of design, technology and the importance of well-being, traditional bathrooms which once focused on efficiency and hygiene have been transformed through modern designs into spaces for tranquillity and well-being.” In each bathroom produced by Hamed and her team, they strive to incorporate natural and eco-friendly materials such as wood, bamboo, stone and recycled matter. Additionally, she has been adding natural elements such as plants and an abundance of natural light to enhance the experience of relaxation and further transform the bathroom into a more of a spa area.
Hamed believes bathrooms today are all about “minimalism and decluttering by designing clean lines, hiding storage and adhering to simple aesthetics which foster a sense of calm and order – unlike many traditional bathrooms.” Other elements like heated flooring and towel warmers to provide comfort and warmth, especially in colder climates, are regularly incorporated as are advances in technology that are enabling designers to add sensory elements to bathrooms, such as sound, light and even aromatherapy and scent diffusers.
After a busy workday or one spent attending to family and friends, the bathroom has now become the place where one closes the door and tunes out while relaxing and revitalising. It has become the new spa-at-home necessity, enabling individuals to have a personal retreat in the privacy of their home. What could be better?
Left page – The bathroom at the Desert Pool Villas at Bab Al Shams Luxury Desert Resort designed by Delfina Design, image by Natelee Cocks; Right page – Bathroom for a residence in Kuwait designed by Saccal Design House
A Sleek Finish
Italian craftsmanship meets contemporary sophistication in a harmonious blend of form, function and luxury
WORDS – ANEESHA RAI
Refined aesthetics, exquisite craftsmanship and sophisticated design converge in Vitage’s latest bathroom collections, where timeless beauty is reimagined through contemporary innovation. Each piece embodies a seamless balance of soft, flowing contours, pure geometric forms and luminous finishes, transforming everyday spaces into captivating sanctuaries. The collection presents seven distinctive models, ranging from bold new designs to meticulously reimagined classics. These pieces reflect an evolved, modern lifestyle
– offering both functionality and an elevated sense of luxury. United by a cohesive design philosophy, each model interprets classically inspired elements through a fresh, contemporary lens. The result is an exclusive offering rooted in Italian craftsmanship, where material excellence takes centre stage. The Four Seasons collection is defined by the quest for the starkest geometrical fundamentals, as testified by the absence of handles on the vanity units. The collection celebrates essential design while elevating the tactile a nd visual allure of surfaces. From rich marble
and sleek glass to warm wood and supple leather, each finish is enhanced by a meticulous blend of artisanal techniques and technology.
Designed for the luxury interiors segment, Four Seasons explores diverse stylistic expressions – ranging from bold, statement-making compositions to more understated, classical aesthetics. Its versatility lies in the perfect synergy between precision-driven design and a curated selection of rare and refined materials, creating bathroom environments that are both timeless and unmistakably modern.
The Touch: Spaces Designed for the Senses
A journey through sensory-driven design
WORDS – ANEESHA RAI
This book marks the first collaboration between Nathan Williams of Kinfolk and Jonas Bjerre-Poulsen of Norm Architects, inviting readers into more than 25 inspiring spaces where interior design transcends aesthetics to engage all the human senses. From contemporary masterpieces by Ilse Crawford and Bijoy Jain to timeless works by Arne Jacobsen, the book explores homes, hotels, museums and retail spaces that harness light, nature, materiality, colour and community to create deeply immersive experiences.
Featuring stunning photography and insightful interviews with design luminaries such as John Pawson and David Thulstrup, The Touch also delves into philosophical and art history references that reflect design and colour theory. An appendix provides deeper context by profiling visionary architects like Lina Bo Bardi and Richard Neutra, along with a curated selection of heritage design pieces that have influenced this sensory-driven movement. gestalten.com
Photography: Christian Møller Anders
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Nasab Bookcase by Chafic Mekawi
Inspired by the prominent features of the ‘Lebanese house’, the Nasab Bookcase showcases a curated selection of books and offers a design that is both beautiful and functional. Acting as a display piece as well as one of practical use, it is versatile in the sense that it can reflect the inhabitants of a home and be multi-faceted and dynamic, giving both beauty and function to the room it is located in. “I wanted to design a shelving [piece] that showcases the inherent value of hard copy, challenges the notion of a traditional bookcase and is beautiful yet functional enough to be worth buying. As a result of this creative process, I now find myself thinking more about the stories objects can tell and how they can evolve with their owners,” shared Mekawi with identity during the UAE Designers Exhibition 5.0 at Downtown Design 2024. www.chaficmekawi.com
