02/11
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Volume 19
v
Mulder & Zoon, Amsterdam
An International Publisher of Movable Books Part two Theo Gielen The Netherlands
If you have read part one of this contribution on the Mulder & Zoon movable books', it may have looked as if the company had a well organized program of publishing pop-up and movable books. The choice of the registration numbers for their series proved enigmatic since no chronological system can be identified. However, looking at the rest of their novelty output from the 1950s, one finds how extensively they experimented with all kinds of novelty publications. In almost every single year of the decade they brought out one or two books that resembled paper toys. But, though published simultaneously in different languages, they apparently proved insufficiently profitable, as no sequels of the same formats continued in the next or later years. Other novelty books from the 1950s Het Toverboek: Meer Dan 1000 Mogelijkheden Voor Klein en Groot (The Magic Book: Over 1000 Possibilities for the Small and Big Ones) was issued in 1951 with a limp board cover and registration No.1710. The ten-page, mix-andmatch booklet of heads, bodies, and legs featured ten male figures dressed either in the characteristic clothes of a country (China, Austria, Het Toverboek Holland), partly representing an historical period (a knight, an Indian), or dressed by profession (clown, pastry cook, drummer, cowboy, circus director). It is unknown if it was ever published with a foreign title.
Reken Je Mee
In the next year, 1952, a counting book was issued with a wheel on the front cover teaching the tables 2 to 9. It was published in Dutch as Reken Je Mee: 1+1=2 (No.1750) with a rhymed text by Clinge Doorenbos and color illustrations by Len van Groen.
Continued on page 15
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Number 1
Paper Engineering in Children's Books Rosemary Temperley United Kingdom
This article is based on the talks and illustrated presentation given jointly by Mike Simkin and Rosemary Temperley to the Children's Book History Society in October 2009, at which they had four objectives: 1. To explain and define paper engineering 2. To show, with the help of examples, the use of paper engineering within the field of children's book publication 3. To give an idea of the
development
of
IRCUS
LIFE
paper
engineering within children's books 4. To justify their belief that paper engineering is important in a child's development
Explanation and definition "Pop-up" and "movable"
Circus Life
what exactly do these terms mean? Even within the collecting and academic fraternity there is confusion and ambiguity. In the world outside, the words are used indiscriminately and are usually taken to mean one and the same thing. They are, in fact, quite distinct and part of a larger umbrella term -
namely paper engineering.
A working definition would seem to us to be essential in any discussion of the subject. This could be that paper engineering is the modification or manipulation of the flat sheet of paper so as to create one or more of the following: added dimension, change or movement, in both these cases real or illusory, and stimulation of senses in addition to the visual and the potential for increased reader participation and interaction. The engineered "result" must be fully collapsible and the process must be reversible so that you can return to the flat sheet of paper time and time again. (Paper sculpture, Little Box of Horrors therefore, would be excluded as it in the Roly Poly series is part of a different art form.) Continued on page 2