Maya Ponzini Portfolio

Page 1

MAYA PONZINI PORTFOLIO


CONTENTS

01

REMEMBERING: PAST, PRESENT, FUTURE

03-04 0 5 -12

Site Context Proposal

02

CONNECTIVITY: EBB + FLOW

1 5 - 1 6 1 7 - 1 8

Painting Analysis + Concept Models Proposal

03

VISIBILITY

2 1 -2 2 23-24

Client Analysis + Material Behavior Proposal


04

FRAME + FOSTERING: INTEGRATION

27-28 29-30

Artifact, Client Diagram + Client Collage Proposal

05

HAMMOCK ROOM

33-34

Partition + Floor Plan

06

CUSTOM NIGHTSTANDS

37-38

Shop Drawings + Rendering


1


2

PROJECT 1

REMEMBERING: PAST, PRESENT, FUTURE

Design Studio VI-Thesis Professor Karin Tehve Healthcare Design 4,000 sf / 372 sm

How can materials activate our senses and evoke memories, especially for those struggling with memory loss during early to mid-stage dementia? This thesis explores methods to support autonomy amongst people whose identity and power have been stripped from them.


3

4

3

2

1

od Park

G

Ground Floor Plan

o Underw

Basement Floor Plan


320 WASHINGTON AVE, BROOKLYN, NY 11205

4

Site The building was erected in 1851 for the Former Graham Home for Old Ladies, a retirement association for women. Currently, it’s a residential apartment building sitting next to Underwood Park.

Front

Site Plan

Back - Proposed Entry for Social Day Care Center

Section A


5


6

First Floor Plan

A

Underwood Park

Ground Floor Plan

LAYOUT + GARDEN Proposal

Cognitive mapping is difficult for people with dementia. They understand where they are going if they can see it, so it is important to set up direct visual sightlines.


7


8

Entry to Pantry Elevation

Pantry to Entry Elevation

ENTRY TO PANTRY Proposal

The slate flooring continues from the garden into the interior. Textural wall finishes are extruded as a way to integrate them into the wayfinding system.

Wayfinding Section Detail


9


10

Pantry to Kitchen Elevation

Kitchen to Pantry Elevation

PANTRY TO KITCHEN Proposal

Walking from the pantry to the kitchen, the travertine backsplash used in the kitchen is first introduced in the pantry through the wood graining on top of the pinewood. Drawer Handle Detail


11


12

C

Key Plan

Section C

KITCHEN AND DINING ROOM Proposal

The kitchen and dining room areas are intended to involve senior participants in the entire lifecycle of their meals, from cultivation to cleanup. The spaces are laid out as one room, and a window placed at the sink provides a view of the herb garden, providing context to the dining experience. Dining Tabletop


13


14

PROJECT 2

CONNECTIVITY: EBB + FLOW

Design Studio I Professor Tania Branquinho Selected Work, 2018 Education Design 500 sf / 46 sm

The design for the corridor is based on a painting by Max Ernst. How can a threshold at Pratt which separates students from different majors be redesigned so that they come together?


15

FRAME + FOSTERING Exploded Axon: Connections The Gramineous Bicycle Garnished With Bells The Dappled Fire Damps And The Echinoderms Bending The Spine To Look For Caresses Max Ernst, 1921


LINKAGE

16

Concept Models This type of connection from the painting has vectors that expand and contract through pivot joints. This allows for adjustability and movement.

Front Elevation

Plan


17


18

Floor Plan

CONNECTIVITY: EBB + FLOW Proposal

When a person enters the corridor, they are guided inward by the tilted wooden linear vectors and transparent orange partitions. The linear elements lead the occupants to seating areas tucked within two corners of the room, which provide people with some privacy from those walking through the space. Concurrently, transparent partitions allow light to pass through, projecting color onto the white wall – its orange hue and shape are captured, creating another sense of directionality.


19


20

PROJECT 3

VISIBILITY

Design Studio II Professor John Heida Hospitality Design 3,000 sf / 279 sm

The airport restaurant faรงade for fast food chain Chipotle was inspired by wire mesh. Perforations in the faรงade allow hungry travelers a glimpse into the space, highlighting the menu and open kitchen. Passersby are visually connected with restaurant patrons while physically divided from them.


21

CHIPOTLE MEXICAN GRILL Client Analysis This is the first national restaurant chain to provide its customers with organic, non-GMO produce. They take pride in their transparent approach to sourcing natural ingredients.


METAL INSECT SCREEN Material Behavior and Boundary Explorations Physical boundaries are the interruption of sociospaces that can either create unity, division, attraction, or repulsion in defining the transition.

22


23


24

Section A

Front Elevation

VISIBILITY Proposal

The section cuts above show airport users and their 30° cone of vision, also known as field of vision. The wire mesh facade is perforated to highlight views inside the restaurant, such as the menu, open kitchen, and seating areas - in order to attract passersby.


25


26

PROJECT 4

FRAME + FOSTERING: INTEGRATION

Design Studio II Professor John Heida Retail Design 5,000 / 465 sm

The concept of frame and fostering lays out the programs in the space so that they frame the individual, while fostering occurs as spaces become more personalized as one moves vertically in the building.


27

ADVOCACY

SERVICES

BUSINESS

Housing Works fights for the rights of homeless individuals living with HIV/AIDS to ensure accessibility in quality housing, healthcare, legal services, and information regarding HIV prevention.

Services include: healthcare, meals, nutritional counseling, mental health and substance use treatment, job training, and legal services.

Social enterprises within the community fund Housing Works’ mission, echoing their ideology of self-sufficiency through sustainable practices.

Top

Left

Front

Right

Back Individual Housing Works

Bottom

Community

FRAMING SUPPORT

FOSTERING

Artifact System

Client Diagram

Shutter windows are held in place by a frame with stiles and rails, providing both vertical and horizontal support.

The individual at the center, moves forward in the outward direction, nourished by the community and Housing Works, the client.


28

Left

Front

Right

Back

Bottom

B

A

Top

FRAME + FOSTERING Artifact + Client Collage Housing Works’ foster approach to connecting homeless individuals with the greater community is nurturing. This sense of shelter as protection is similarly used in framing systems.

Section A

Section B


29

Core: Person Case Management Retail


30

A

Key Plan

FRAME + FOSTERING: INTEGRATION Proposal

The location of the elevator represents the core as the person travels from place to place. They engage with others as they move outward toward the available resources.


31


32

PROJECT 5

HAMMOCK ROOM

Impact WrkShp Fellowship, SCHARC STUDIO Newark Yoga Movement Vanwalee Chansue Samantha Garcia Maya Ponzini

Designed for an underserved elementary and middle school, the macramĂŠ partitions create zones; art-therapy, yoga, and writing, in a recess room. Breathing beads and textiles for weaving promote participation to help reduce stress for students.


33

Existing macramĂŠ and weaved fabric as a guide for new art-making

PVC Connectors

Storage for yoga mats

Beads to help assist in breathing exercises


34

Writing

Art-therapy

Yoga

Floor Plan


35


36

PROJECT 6

CUSTOM NIGHTSTANDS

Safae Interior Design Internship work, 2020

The nightstands were designed for a young couple who wanted smart furniture with hidden electrical support. The cable runs alongside the inner casework so that it is integrated and hidden from view. The couple can charge their phones inside the top drawer.


37


1.

TOP ELEVATION

POWER GROMMET DETAILS TOP ELEVATION

FRONT ELEVATION

FRONT ELEVATION NOTES

POWER GROMMET POWER DETAILS GROMMET DETAILS

FRONT ELEVATION TOP ELEVATION MOCKETT BODY AXON CUT OUT AXON GROMMET FACE

1.

Plan FRONT ELEVATION FRONT ELEVATION GROMMET FACE TOP ELEVATION TOP ELEVATION MOCKETT BODY AXON CUT OUT AXON

2. MOCKETT BODY AXON CUT OUT AXON

GROMMET FACE

3. MOCKETT BODY MOCKETT AXONBODY CUTAXON OUT AXON CUT OUT AXON GROMMET GROMMET FACE FACE

4. Plan Section

5.

Master Bedroom - Part Floor Plan

Front Elevation

TITLE: SUTKER RESIDENCE

© SAFAE INTERIOR DESIGN

REF.:

PROJECT: MASTER BEDROOM NIGHTSTANDS PRIOR WRITTEN AUTHORIZATION OF SAFAE INTERIOR DESIGN. © SAFAE INTERIOR DESIGN

3 4"

SCALE: = 1' - 0" TITLE: SUTKER RESIDENCE

DATE: 1/15/2020

PROJECT: MASTER BEDROOM NIGHTSTANDS

REF.:

PRIOR WRITTEN AUTHORIZATION OF SAFAE INTERIOR DESIGN.

SCALE: 34" = 1' - 0"

DATE: 1/15/2020

© SAFAE INTERIOR DESIGN

TITLE: SUTKER RESIDENCE REF.:

PROJECT: MASTER BEDROOM NIGHTSTANDS PRIOR WRITTEN AUTHORIZATION OF SAFAE INTERIOR DESIGN.

Back Elevation

© SAFAE INTERIOR DESIGN © SAFAE INTERIOR DESIGN

SCALE:

3 4"

= 1' - 0"

DATE: 1/15/2020

Right Elevation

TITLE: SUTKER TITLE: RESIDENCE SUTKER RESIDENCE

PROJECT: MASTER PROJECT: BEDROOM MASTER NIGHTSTANDS BEDROOM NIGHTSTANDS

REF.:

3 0" SCALE: 34" = 1' -SCALE: 4" = 1' - 0"

DATE: 1/15/2020 DATE: 1/15/2020

PRIOR WRITTEN AUTHORIZATION PRIOR WRITTEN OF SAFAE AUTHORIZATION INTERIOR DESIGN. OF SAFAE INTERIOR DESIGN.

WALNUT VENEER - CLIENT TO APPROVE FINAL FINISH SAMPLE. 1. WALNUT VENEER 38 - CLIENT TO 2. FINISH TO FINAL BE CLOSED APPROVE FINISHPORE NOTES SEMIGLOSS/MATTE - TBD, SAMPLE. POLYURAETHANE, HEAT RESISTANT FINISH. 1. WALNUT - CLIENT TO 2. FINISH TOVENEER BE CLOSED PORE NOTES APPROVE FINAL FINISH SEMIGLOSS/MATTE - TBD, 3. POLYURAETHANE, OUTLET SAMPLE.FINISH: GROMMET HEAT FACE TO GET VENEERED AND RESISTANT FINISH. WALNUT 1. WALNUT -TO CLIENT VENEER TO - CLIENT TO WILL SIT FLUSH WITH DESK 2. VENEER FINISH BE CLOSED PORE APPROVE APPROVE FINISH FINAL GROMMET FINISH SURFACE. SEMIGLOSS/MATTE - TBD, 3. FINAL OUTLET FINISH: SAMPLE. FACE SAMPLE. POLYURAETHANE, HEAT AND TO GET VENEERED 4. DRAWER HARDWARE: TOUCH RESISTANT FINISH. WILL SIT FLUSH WITH DESK FINISH2.TO BE FINISH CLOSED TO BE PORE CLOSED LATCH SYSTEM. BLUM PORE - TIP-ON SURFACE. SEMIGLOSS/MATTE SEMIGLOSS/MATTE -FINISH: TBD, - TBD, FORGROMMET MOVENTO 3. BLUMOTION OUTLET POLYURAETHANE, POLYURAETHANE, HEAT WITH SOFT CLOSE. TOHEAT GET VENEERED AND 4. FACE DRAWER HARDWARE: TOUCH RESISTANT RESISTANT FINISH. FINISH. WILL SIT FLUSH WITH LATCH SYSTEM. BLUMDESK - TIP-ON 5. BLUMOTION SOLID PLATFORM TO MATCH SURFACE. FOR MOVENTO OUTLET 3. FINISH: OUTLET GROMMET FINISH: GROMMET WALNUT 1" HEIGHT. WITH SOFT CLOSE. FACE TO FACE VENEERED TO GET VENEERED AND AND 4. GET DRAWER HARDWARE: TOUCH WILL SIT WILLWITH SIT FLUSH DESK WITH DESK LATCH SYSTEM. BLUM - TIP-ON 5. FLUSH SOLID PLATFORM TO MATCH SURFACE. BLUMOTION SURFACE. FOR MOVENTO WALNUT 1" HEIGHT. WITH SOFT CLOSE. DRAWER 4. HARDWARE: DRAWER HARDWARE: TOUCH TOUCH LATCH5.SYSTEM. LATCH SYSTEM. - TIP-ON BLUM - TIP-ON SOLIDBLUM PLATFORM TO MATCH BLUMOTIONBLUMOTION FOR MOVENTO FOR MOVENTO WALNUT 1" HEIGHT. WITH SOFT WITH CLOSE. SOFT CLOSE. NOTES

POWER GROMMET DETAILS

REF.:

SOLID 5.PLATFORM SOLID PLATFORM TO MATCH TO MATCH WALNUT 1" WALNUT HEIGHT. 1" HEIGHT.


mponzini@pratt.edu


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