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N O V 2 0 1 1 APRIL 2 0 1 2
How to get here Bus
Bus stop outside theatre 34 & 34A: Newcastle & Hanley.
Rail
The nearest station is Stoke-on-Trent. Connections to Birmingham, Manchester, Derby, Stafford, Crewe. Enquiries: 08457 484950
Meet Alecky Blythe, the woman “changing the face of British theatre”
Parking
Disabled
Please contact Box Office to arrange reserved, free parking
Coach / Minibus
Please contact Box Office to arrange reserved, free parking
Car
£1 (free before 6.30pm and for four-in-a-car). Theatre is in residential area. Use car parks indicated. Theatre car park can be full at busy times! Leave time to use alternative parking approx 500 yards from theatre (see map). Cars parked at owners’ risk. N.B. don’t park at Polite Vicar wheel-clamping in force!
The New Vic gratefully acknowledges the following for their generous support:
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The New Vic Theatre operates thanks to a unique partnership between Arts Council England, Staffordshire County Council, Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council
Charity Registration Number: 253242 Company Registration Number: 911924 Registered Office: Etruria Road, Newcastle under Lyme, Staffordshire, ST5 0JG
Box Office: 01782 717962
New Vic Theatre, Etruria Road, Newcastle-Under-Lyme, Staffs, ST5 0JG
Box Office: 01782 717962
contents SPRING 2012 Spring2012MagArt:Layout 1
Plays Alice in Wonderland
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2 | newvictheatre.org.uk
Page 3
One Nighters
28 Love’s Labour’s Lost 28 Alfie 30 Weekend Breaks 30 Where Have I Been All 31 My Life? 31 29 Uncle Eric’s Christmas Carol 32 32 33 34 34 34 16 18 20 22 24
14:19
do we have your email address?
We're trying to use less paper and send more of our news and information by email. The next time you speak with our Box Office, make sure to give them your email address.
Events
Chris Barber
35 United Nations
Froncysyllte Choir
35 Tale Trail to Wonderland 35 Exhibitions
Kalotaszeg Trio
Boys of the Lough The Coal Porters
Pasadena Roof Orchestra
Eric Knowles
Wicked Women
International Guitar Night
Holocaust Memorial Day
Features 4 Collaborators and
Community
36 38 6 Telling it like it is 39 12 What’s it all about David? 44 40 Building a better future 45 46 44 Ages and Stages Creatives
Information
New Vic Friends
26 Ticket packages Business Friends 47 Costume & prop hire Building Futures 47 Food and drink New Vic Borderlines diary 48 Under 26 tickets New Vic Education diary 49 Booking / access Conferences & Training 50 Ticket prices 50 Calendar 52 How to get here
Parampara
Ensemble 360
Lawson Trio
This season online . . .
Backstage gossip… Go offstage and online with Artistic Director Theresa’s behind-the-scenes blog In pictures… Take a look at New Vic productions and inspiring community projects in our In Pictures stories and catch us on Facebook
C
contents SPRING 2012 Spring2012MagArt:Layout 1
Plays Alice in Wonderland
17/10/11
2 | newvictheatre.org.uk
Page 3
One Nighters
28 Love’s Labour’s Lost 28 Alfie 30 Weekend Breaks 30 Where Have I Been All 31 My Life? 31 29 Uncle Eric’s Christmas Carol 32 32 33 34 34 34 16 18 20 22 24
14:19
do we have your email address?
We're trying to use less paper and send more of our news and information by email. The next time you speak with our Box Office, make sure to give them your email address.
Events
Chris Barber
35 United Nations
Froncysyllte Choir
35 Tale Trail to Wonderland 35 Exhibitions
Kalotaszeg Trio
Boys of the Lough The Coal Porters
Pasadena Roof Orchestra
Eric Knowles
Wicked Women
International Guitar Night
Holocaust Memorial Day
Features 4 Collaborators and
Community
36 38 6 Telling it like it is 39 12 What’s it all about David? 44 40 Building a better future 45 46 44 Ages and Stages Creatives
Information
New Vic Friends
26 Ticket packages Business Friends 47 Costume & prop hire Building Futures 47 Food and drink New Vic Borderlines diary 48 Under 26 tickets New Vic Education diary 49 Booking / access Conferences & Training 50 Ticket prices 50 Calendar 52 How to get here
Parampara
Ensemble 360
Lawson Trio
This season online . . .
Backstage gossip… Go offstage and online with Artistic Director Theresa’s behind-the-scenes blog In pictures… Take a look at New Vic productions and inspiring community projects in our In Pictures stories and catch us on Facebook
C
&
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Collaborators
From the Artistic Director
W
e’re all so fond of
Barrie Rutter.
It’s a pleasure when he turns up at the New Vic to watch one of our shows, but even more so when we get to have him around for a full two months. After Christmas he’ll be in residence directing Love’s Labour’s Lost, a collaboration between us and Northern Broadsides, which will play here for a month before embarking on a major national tour.
When I was a teenager living in South London I used to save up what I earned at Hansa and Shanti’s corner shop to blow not on clothes or records but on going to the theatre. My favourite place was the Young Vic, just round the corner from the housing estate I lived on. Its artistic director was a young man by the name of David Thacker. Many years on, I’m tickled pink to be working with David and the theatre he now heads up, Bolton Octagon. We have an increasingly productive relationship with the Octagon, which in the spring will see us collaborating on Alfie.
Alecky Blythe is one of the
hottest young talents in the country right now. She’s a documentary maker whose London Road met with astonishing success at the National Theatre this year. So I’m thrilled that the new piece she’s been creating for us will be premiered here at Easter.
Creatives John Godber is one of our
country’s leading playwrights, and his work is as immensely popular at the New Vic as it is across the rest of the world. His new venture got off to a flying start with Debt Collectors, and we’re looking forward to welcoming him here for a fortnight with his company’s next tour, Weekend Breaks.
I’ve known and admired designer
Patrick Connellan’s
work since I was a trainee director at Birmingham Rep, but I’ve not yet worked with him. He’s no stranger to the New Vic, though: in fact he began his career here, working on a number of our famous documentaries. He recently designed our Copenhagen/ Alphabetical Order productions and will be designing our new documentary.
Theresa Heskins
5| newvictheatre.org.uk
&
Spring2012MagArt:Layout 1
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Page 5
Collaborators
From the Artistic Director
W
e’re all so fond of
Barrie Rutter.
It’s a pleasure when he turns up at the New Vic to watch one of our shows, but even more so when we get to have him around for a full two months. After Christmas he’ll be in residence directing Love’s Labour’s Lost, a collaboration between us and Northern Broadsides, which will play here for a month before embarking on a major national tour.
When I was a teenager living in South London I used to save up what I earned at Hansa and Shanti’s corner shop to blow not on clothes or records but on going to the theatre. My favourite place was the Young Vic, just round the corner from the housing estate I lived on. Its artistic director was a young man by the name of David Thacker. Many years on, I’m tickled pink to be working with David and the theatre he now heads up, Bolton Octagon. We have an increasingly productive relationship with the Octagon, which in the spring will see us collaborating on Alfie.
Alecky Blythe is one of the
hottest young talents in the country right now. She’s a documentary maker whose London Road met with astonishing success at the National Theatre this year. So I’m thrilled that the new piece she’s been creating for us will be premiered here at Easter.
Creatives John Godber is one of our
country’s leading playwrights, and his work is as immensely popular at the New Vic as it is across the rest of the world. His new venture got off to a flying start with Debt Collectors, and we’re looking forward to welcoming him here for a fortnight with his company’s next tour, Weekend Breaks.
I’ve known and admired designer
Patrick Connellan’s
work since I was a trainee director at Birmingham Rep, but I’ve not yet worked with him. He’s no stranger to the New Vic, though: in fact he began his career here, working on a number of our famous documentaries. He recently designed our Copenhagen/ Alphabetical Order productions and will be designing our new documentary.
Theresa Heskins
5| newvictheatre.org.uk
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Page 7
Feature
Tellingit like it is Theresa Heskins on how Alecky Blythe is breathing new life into documentary drama, and how the people of the Potteries are playing their part.
I
have a very vivid memory of sitting on an oak bench outside a rehearsal room in a leafy village on the edge of Ludlow one summer’s day. On the other side of the car park, sheep roamed in a grassy meadow, gathering in the shade under spreading trees and sipping from the clear stream. Sitting next to me on the bench, documentary maker Alecky Blythe was explaining her performance technique. ‘I go into a community, find a story, interview people, edit the interviews and then give the edited recordings to the actors. They listen to them and copy exactly what they hear. Not just what was said, but how it was said –
the accent, intonation, coughs, stutters, interruptions.’ ‘And they listen to this in rehearsal?’ I prompt. ‘Not just in rehearsal. On stage in performance too.’ ‘On stage in performance the actors are listening to the words?’ She’s very patient with me. Eventually I gather she’s used to people taking a while to catch on. ‘Hearing them through an ear piece, yes’. 7 | www.newvictheatre.org.uk
Spring2012MagArt:Layout 1
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Page 7
Feature
Tellingit like it is Theresa Heskins on how Alecky Blythe is breathing new life into documentary drama, and how the people of the Potteries are playing their part.
I
have a very vivid memory of sitting on an oak bench outside a rehearsal room in a leafy village on the edge of Ludlow one summer’s day. On the other side of the car park, sheep roamed in a grassy meadow, gathering in the shade under spreading trees and sipping from the clear stream. Sitting next to me on the bench, documentary maker Alecky Blythe was explaining her performance technique. ‘I go into a community, find a story, interview people, edit the interviews and then give the edited recordings to the actors. They listen to them and copy exactly what they hear. Not just what was said, but how it was said –
the accent, intonation, coughs, stutters, interruptions.’ ‘And they listen to this in rehearsal?’ I prompt. ‘Not just in rehearsal. On stage in performance too.’ ‘On stage in performance the actors are listening to the words?’ She’s very patient with me. Eventually I gather she’s used to people taking a while to catch on. ‘Hearing them through an ear piece, yes’. 7 | www.newvictheatre.org.uk
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Page 9
Pentabus Theatre’s production of Strawberry Fields, photos by Ed Collier
something uncanny about this, because it’s so clearly real speech, yet somehow a spotlight has been thrown upon it, making it riotously funny and heartbreakingly real both at the same time. ‘Listening to the real person prevents the actor from ever falling into their own speech patterns,’ Alecky explains afterwards. ‘It’s like getting on an escalator and you’ve got to keep on it, you can’t go into your own delivery. The technique results in performances so truthful that audiences find it
“There is no script. The actors don’t learn the lines” ‘Can’t they just learn the script like normal?’
‘There is no script. The actors don’t learn the lines’. Words to strike horror into a director’s heart. I can’t quite see how we’re going to make a play out of this. Sounds like insanity to me. As explaining isn’t getting us very far, I ask Alecky to demonstrate. She takes out her minidisc, puts on her headphones, clicks go, and starts speaking. And it’s like nothing I’ve ever heard before. I’ve seen documentaries on stage of course, and although the actors are often delivering the actual words of real people faithfully 8 | www.newvictheatre.org.uk
transcribed, they’re usually bringing their own interpretation to how they speak it. But here’s Alecky on a bench in the middle of the countryside, saying words that belong to a police constable during an armed siege on a London housing estate, and it’s not like watching acting: it’s more like watching a medium channelling a spirit.
Because she genuinely doesn’t know the words. She’s listening to them, and saying them just a beat after the policewoman on the recording. She’s copying all the ‘ahs’, and ‘ums’, the coughs and laughs, the hesitations and half-words. And the full words? They’re coming out really, really fast. That reference to a medium isn’t a facile one: there is
London Road photo by Vikki Peter
difficult to believe the actors aren’t making it up on the spot themselves. But they’re listening to the words of real people.’ Well, after seeing it in action I was blown away. Alecky and I embarked on Strawberry Fields, a piece about migrant workers in rural England’s fruit farming industry, which was embraced by its audience in Herefordshire villages and then by the wider theatre community as it toured the country. Since then, her career’s skyrocketed. She’s made documentaries for the Royal Court, the British Council and, most recently, her astonishing London Road at the National Theatre, which has been described as one of the most exciting plays the National has ever staged. And at last I’ve been able to realise my dream of creating a new documentary for the New Vic – this legendary home of documentaries such as The Fight for Shelton Bar, Miner Dig the Coal, The Jolly Potters and, finally, Nice Girls, which I managed to see in 1995. So what would be the theme of this new piece, to take the New Vic into its fiftieth year, what epic tale of
“T
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Page 9
Pentabus Theatre’s production of Strawberry Fields, photos by Ed Collier
something uncanny about this, because it’s so clearly real speech, yet somehow a spotlight has been thrown upon it, making it riotously funny and heartbreakingly real both at the same time. ‘Listening to the real person prevents the actor from ever falling into their own speech patterns,’ Alecky explains afterwards. ‘It’s like getting on an escalator and you’ve got to keep on it, you can’t go into your own delivery. The technique results in performances so truthful that audiences find it
“There is no script. The actors don’t learn the lines” ‘Can’t they just learn the script like normal?’
‘There is no script. The actors don’t learn the lines’. Words to strike horror into a director’s heart. I can’t quite see how we’re going to make a play out of this. Sounds like insanity to me. As explaining isn’t getting us very far, I ask Alecky to demonstrate. She takes out her minidisc, puts on her headphones, clicks go, and starts speaking. And it’s like nothing I’ve ever heard before. I’ve seen documentaries on stage of course, and although the actors are often delivering the actual words of real people faithfully 8 | www.newvictheatre.org.uk
transcribed, they’re usually bringing their own interpretation to how they speak it. But here’s Alecky on a bench in the middle of the countryside, saying words that belong to a police constable during an armed siege on a London housing estate, and it’s not like watching acting: it’s more like watching a medium channelling a spirit.
Because she genuinely doesn’t know the words. She’s listening to them, and saying them just a beat after the policewoman on the recording. She’s copying all the ‘ahs’, and ‘ums’, the coughs and laughs, the hesitations and half-words. And the full words? They’re coming out really, really fast. That reference to a medium isn’t a facile one: there is
London Road photo by Vikki Peter
difficult to believe the actors aren’t making it up on the spot themselves. But they’re listening to the words of real people.’ Well, after seeing it in action I was blown away. Alecky and I embarked on Strawberry Fields, a piece about migrant workers in rural England’s fruit farming industry, which was embraced by its audience in Herefordshire villages and then by the wider theatre community as it toured the country. Since then, her career’s skyrocketed. She’s made documentaries for the Royal Court, the British Council and, most recently, her astonishing London Road at the National Theatre, which has been described as one of the most exciting plays the National has ever staged. And at last I’ve been able to realise my dream of creating a new documentary for the New Vic – this legendary home of documentaries such as The Fight for Shelton Bar, Miner Dig the Coal, The Jolly Potters and, finally, Nice Girls, which I managed to see in 1995. So what would be the theme of this new piece, to take the New Vic into its fiftieth year, what epic tale of
“T
Spring2012MagArt:Layout 1
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working men and women would we settle upon? ‘I’m interested not necessarily in the eye of the storm, if you like, but more in the ripples it creates outside’, she tells me. ‘The most interesting material is when people are caught up in a moment and you get a different emotional temperature to a sterile interview situation.’
Page 11
of work Alecky presented turned out to be exactly the right thing to appeal to people like me, who have an aversion to talent contests, yet, in a curious way, will also satisfy those who rather adore them. It’s a play that makes me laugh hysterically when I watch actors performing it – on one embarrassing occasion, in front of people I
“It is, in a surprising way, a play about regeneration, and about hope.” After interviewing players at Stoke City FC, and another kind of player in Hanley on bingo day; standing drinks in pubs across the Potteries; hanging out in playgrounds in Newcastle-under-Lyme; visiting schools in Madeley and Cheadle and Uttoxeter; meeting up with Olympic contenders, what do we settle on? A talent contest. I must admit my heart sank a little at first. I simply don’t like those X-Factor type events. I don’t like the way they suggest that celebrity is a viable career path, when getting a few qualifications and a bit of work experience is, to my mind, a much more sensible way to go about life. But the piece 10 | www.newvictheatre.org.uk
really should have been more composed for. Which of course made my laughter even more uncontrollable. But fortunately when I found the courage to glance over at them, they were also weeping with laughter. It also moved me to tears, and does now as I’m writing about it. One of the reasons is the subject matter. The New Vic documentaries of the past were about working lives. About solidarity; about industry – the steelworks, the mines, the pot banks. So much of that has gone now. I’m a relative newcomer, but the tragedy sings loudly even to me. The fact that this documentary seemed to be all
about the desire to achieve fifteen minutes of fame instead was a comparison that saddened me at first. But you know what? I’m starting to realise it’s not about that at all. It’s about aspiration; it’s about achieving your goals; it’s about finding yourself and being the person you want to be. It’s about all the good things we need to cultivate to be able to move forward into the future: to make this a better, more inspiring place to live in, where culture, industry and ambition thrive. It is, in a surprising way, a play about regeneration, and about hope.
called me as I was on my doorstep leaving the house. Could we take a raincheck? ‘The thing is, Tree, these riots have broken out all over the country and I’m covering them, for a new piece. You know my pieces are made in the present not in the past. So I’ve really got to get down there and get interviewing.’ Well, I’d have been disappointed if a dramatist who creates work about communities wasn’t out exploring why these riots were happening. But groundbreaking playwright or not, there was one question I wanted to put to the questioner.
‘Alecky, it sounds dangerous out there. Are you Alecky knew that all along, of course. Isn’t sure it’s a good idea? ’ I cautioned. that what a great journalist does? Tell you some facts about the world you’re looking ‘Well put it this way,’ replied the intrepid at, but put them into a new context? investigator. ‘ My mum’s not best pleased.’ ‘Journalism with bells on’ is how she describes her work. ‘But the journalistic side of what I Where Have I Been All My Life? runs from do is only one part of the process. All the time Saturday 7 - 28 April I am thinking about the potential end result on stage. Once the material has been gathered, I craft it into a Nice Girls the New Vic’s documentary salute to miners’ drama in the editing.” wives Gina Earl, Brenda Proctor and Bridget Bell and During that process, when we were still talking about what should be included and what had to go, Alecky and I worked with the performers from our Rep Season and also met up several times to talk through ideas over coffee. Just before one of those meetings she
their bid to fight local pit closures
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working men and women would we settle upon? ‘I’m interested not necessarily in the eye of the storm, if you like, but more in the ripples it creates outside’, she tells me. ‘The most interesting material is when people are caught up in a moment and you get a different emotional temperature to a sterile interview situation.’
Page 11
of work Alecky presented turned out to be exactly the right thing to appeal to people like me, who have an aversion to talent contests, yet, in a curious way, will also satisfy those who rather adore them. It’s a play that makes me laugh hysterically when I watch actors performing it – on one embarrassing occasion, in front of people I
“It is, in a surprising way, a play about regeneration, and about hope.” After interviewing players at Stoke City FC, and another kind of player in Hanley on bingo day; standing drinks in pubs across the Potteries; hanging out in playgrounds in Newcastle-under-Lyme; visiting schools in Madeley and Cheadle and Uttoxeter; meeting up with Olympic contenders, what do we settle on? A talent contest. I must admit my heart sank a little at first. I simply don’t like those X-Factor type events. I don’t like the way they suggest that celebrity is a viable career path, when getting a few qualifications and a bit of work experience is, to my mind, a much more sensible way to go about life. But the piece 10 | www.newvictheatre.org.uk
really should have been more composed for. Which of course made my laughter even more uncontrollable. But fortunately when I found the courage to glance over at them, they were also weeping with laughter. It also moved me to tears, and does now as I’m writing about it. One of the reasons is the subject matter. The New Vic documentaries of the past were about working lives. About solidarity; about industry – the steelworks, the mines, the pot banks. So much of that has gone now. I’m a relative newcomer, but the tragedy sings loudly even to me. The fact that this documentary seemed to be all
about the desire to achieve fifteen minutes of fame instead was a comparison that saddened me at first. But you know what? I’m starting to realise it’s not about that at all. It’s about aspiration; it’s about achieving your goals; it’s about finding yourself and being the person you want to be. It’s about all the good things we need to cultivate to be able to move forward into the future: to make this a better, more inspiring place to live in, where culture, industry and ambition thrive. It is, in a surprising way, a play about regeneration, and about hope.
called me as I was on my doorstep leaving the house. Could we take a raincheck? ‘The thing is, Tree, these riots have broken out all over the country and I’m covering them, for a new piece. You know my pieces are made in the present not in the past. So I’ve really got to get down there and get interviewing.’ Well, I’d have been disappointed if a dramatist who creates work about communities wasn’t out exploring why these riots were happening. But groundbreaking playwright or not, there was one question I wanted to put to the questioner.
‘Alecky, it sounds dangerous out there. Are you Alecky knew that all along, of course. Isn’t sure it’s a good idea? ’ I cautioned. that what a great journalist does? Tell you some facts about the world you’re looking ‘Well put it this way,’ replied the intrepid at, but put them into a new context? investigator. ‘ My mum’s not best pleased.’ ‘Journalism with bells on’ is how she describes her work. ‘But the journalistic side of what I Where Have I Been All My Life? runs from do is only one part of the process. All the time Saturday 7 - 28 April I am thinking about the potential end result on stage. Once the material has been gathered, I craft it into a Nice Girls the New Vic’s documentary salute to miners’ drama in the editing.” wives Gina Earl, Brenda Proctor and Bridget Bell and During that process, when we were still talking about what should be included and what had to go, Alecky and I worked with the performers from our Rep Season and also met up several times to talk through ideas over coffee. Just before one of those meetings she
their bid to fight local pit closures
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Page 13
Fresh and relaxed, David Thacker turns to our interview straight from a full morning spent in the Octagon’s rehearsal room. The North West weather is end-of-the-world stuff but his manner is warm and genial. Tall, striking and with an impressive head of golden hair, the director’s fresh-faced dynamism belies the fact that he turns 61 this December. But then, Thacker’s energy is typical of a man at the top of his game. His reputation as a seriously nice bloke is only equalled by his reputation for success – and boy is Thacker successful.
What’s it all about
David? We talk to the Octagon’s charismatic Artistic Director about Alfie, ambition and his affection for the New Vic...
12 | www.newvictheatre.org.uk
As director of over 100 theatre productions, his 30-year career has been award-winning and prolific; taking in some of the UK’s foremost producing theatres including London’s Young Vic, which he ran for ten years, before embarking on stints at the Royal Shakespeare Company (producing nine plays as director in residence), the National Theatre and in the West End. Then there’s the hugely fruitful decade as a TV and film director, creating another string of hits including Waking the Dead, Foyle’s War and Faith, the critically acclaimed film for the BBC set during the 1984-85 Miners’ Strike. He has also developed the happy habit of attracting eminent collaborators like Patrick Stewart, Peter Hall and, famously, Arthur Miller, and found time to scoop a couple of Olivier awards and an Emmy along the way. Now into a third season as Artistic Director, his home is presently at Bolton’s Octagon
Features
Theatre.Today’s Armageddon-esque elements rumbling outside only serve to highlight the juxtaposition between setting and subject, begging the question of a director with the world at his feet: why the North West? “I tend to follow my enthusiasms,” considers Thacker. “For a decade I fell in love with filmmaking and television as a form. That was a very happy ten years of my life. But I found myself hungry for the great texts and wonderful plays you come across in theatre. “I was involved in a project called Shakespeare North which aimed to create a new theatre on the site of the UK’s first purpose-built indoor theatre, built in Prescott, Lancashire in 1590. In the course of it, I worked very closely with the local community. It really whetted my appetite for the connection between theatre and local people.” So perhaps Thacker’s residence in Lancashire, the home of indoor theatre in Great Britain, is not such a surprise? It appears Bolton also has his heart. “The opportunity at the Octagon presented itself at just the right time for me,” he continues. “I really love creating work for a community. Although it’s very attractive and very stimulating in lots of ways directing for the RSC and so on, actually it’s quite different just directing a play to being an artistic director of a theatre. As an artistic director, you are trying look after the artistic health and wellbeing of a whole community. And you want to make a positive impact.
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Page 13
Fresh and relaxed, David Thacker turns to our interview straight from a full morning spent in the Octagon’s rehearsal room. The North West weather is end-of-the-world stuff but his manner is warm and genial. Tall, striking and with an impressive head of golden hair, the director’s fresh-faced dynamism belies the fact that he turns 61 this December. But then, Thacker’s energy is typical of a man at the top of his game. His reputation as a seriously nice bloke is only equalled by his reputation for success – and boy is Thacker successful.
What’s it all about
David? We talk to the Octagon’s charismatic Artistic Director about Alfie, ambition and his affection for the New Vic...
12 | www.newvictheatre.org.uk
As director of over 100 theatre productions, his 30-year career has been award-winning and prolific; taking in some of the UK’s foremost producing theatres including London’s Young Vic, which he ran for ten years, before embarking on stints at the Royal Shakespeare Company (producing nine plays as director in residence), the National Theatre and in the West End. Then there’s the hugely fruitful decade as a TV and film director, creating another string of hits including Waking the Dead, Foyle’s War and Faith, the critically acclaimed film for the BBC set during the 1984-85 Miners’ Strike. He has also developed the happy habit of attracting eminent collaborators like Patrick Stewart, Peter Hall and, famously, Arthur Miller, and found time to scoop a couple of Olivier awards and an Emmy along the way. Now into a third season as Artistic Director, his home is presently at Bolton’s Octagon
Features
Theatre.Today’s Armageddon-esque elements rumbling outside only serve to highlight the juxtaposition between setting and subject, begging the question of a director with the world at his feet: why the North West? “I tend to follow my enthusiasms,” considers Thacker. “For a decade I fell in love with filmmaking and television as a form. That was a very happy ten years of my life. But I found myself hungry for the great texts and wonderful plays you come across in theatre. “I was involved in a project called Shakespeare North which aimed to create a new theatre on the site of the UK’s first purpose-built indoor theatre, built in Prescott, Lancashire in 1590. In the course of it, I worked very closely with the local community. It really whetted my appetite for the connection between theatre and local people.” So perhaps Thacker’s residence in Lancashire, the home of indoor theatre in Great Britain, is not such a surprise? It appears Bolton also has his heart. “The opportunity at the Octagon presented itself at just the right time for me,” he continues. “I really love creating work for a community. Although it’s very attractive and very stimulating in lots of ways directing for the RSC and so on, actually it’s quite different just directing a play to being an artistic director of a theatre. As an artistic director, you are trying look after the artistic health and wellbeing of a whole community. And you want to make a positive impact.
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“The range of people that come to the theatre in Bolton is wider than in any other theatres I’ve worked at. Often you are doing plays that certain sections of the audience are seeing for the first time. It’s a real privilege to be able to share a great play that they may not have discovered.
Page 15
David Thacker with Arthur Miller rehearsal for The Last Yankee at The Young Vic. Photo: Inge Morath.
make a meaningful impact on the town and the wider community. “I feel very honoured to be directing a play in the theatre that he created.” In producing plays with a local flavour, Thacker concedes that Bolton is lucky to have playwright and Alfie creator Bill Naughton as one of its sons. “It’s amazing how many very significant playwrights have been nurtured in Bolton – Jim Cartwright, Les Smith… and obviously Naughton is very special.”
But does he miss theatre in the metropolis? “As long as I’m confident that the quality of what we’re able to do is as high as it would be were I directing at the National or the RSC, then there are no drawbacks for me. It’s an entirely positive experience.” Thacker has certainly maintained his high standards, attracting five star reviews as well as the attentions of some unashamedly London-centric Arts press, actively seeking out regional theatre rather than stumbling upon it courtesy of a misfiring satnav. Like New Vic Artistic Directors past and present, he recognises the importance of asserting a strong local identity, and that ‘regional’ does not have to be a byword for ‘mediocre’. In this way, Thacker admires the ethos of Staffordshire’s theatre-in-theround, which for 50 years has been driven by these principles. “Peter Cheeseman was a great inspiration for me,” he admits. “I liked him enormously. The documentary work he did was so important and so significant in the development of British theatre. “He was so committed to high standards in the region. And in a similar way, I want to
With this year’s hugely successful production of Spring and Port Wine at the New Vic and a Bolton Octagon’s production of The Price by Arthur Miller. Photo: Ian Tilton
“
I really love creating work for a community . . . you want to make a positive impact
“With Alfie, Bill Naughton proves what an exceptional writer he is,” he enthuses. “The play is set in London, yet here is a Bolton playwright writing with absolute authenticity about a culture that wasn’t his own. He is a very special writer. I can’t wait to take it on. “First things first, Alfie is very funny,” he smiles. “It’s also incredibly sympathetic and clever in that it is dealing with male egos and male sexuality in a very powerful yet nonpartisan way. Alfie says and does the most appalling things. On the other hand he is a witty and charming person. Despite his terrible actions he is loveable. “Life isn’t black and white; in presenting the material in an even handed way, we are encouraged to make our own decision. Naughton presents those grey areas beautifully.” As another thunderous rumble ruptures the quiet of the green room, I suggest that being from the North West, Naughton should know a thing or two about grey areas. Thacker laughs.
”
In rehearsal for The Price by Arthur Miller. Photo: Joel Pammenter.
title in another co-production is practically mouth-watering. And it’s a sentiment shared by the director.
centenary celebration of Naughton at the Octagon in 2010, as well as 2009’s coproduction Rafta Rafta (based on Naughton’s All in Good Time), the playwright’s work has been a much-loved fixture on both stages for the past two years. The idea of Thacker taking on Naughton’s most iconic
There's something very likeable about him. Although confident, articulate and hugely successful,Thacker has no ‘side’. And happily for the North West, regardless of his armful of Oliviers, he still sees the merits of a good gag. Alfie runs at the New Vic from Wednesday 22 February to Saturday 17 March. 15 | www.newvictheatre.org.uk
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“The range of people that come to the theatre in Bolton is wider than in any other theatres I’ve worked at. Often you are doing plays that certain sections of the audience are seeing for the first time. It’s a real privilege to be able to share a great play that they may not have discovered.
Page 15
David Thacker with Arthur Miller rehearsal for The Last Yankee at The Young Vic. Photo: Inge Morath.
make a meaningful impact on the town and the wider community. “I feel very honoured to be directing a play in the theatre that he created.” In producing plays with a local flavour, Thacker concedes that Bolton is lucky to have playwright and Alfie creator Bill Naughton as one of its sons. “It’s amazing how many very significant playwrights have been nurtured in Bolton – Jim Cartwright, Les Smith… and obviously Naughton is very special.”
But does he miss theatre in the metropolis? “As long as I’m confident that the quality of what we’re able to do is as high as it would be were I directing at the National or the RSC, then there are no drawbacks for me. It’s an entirely positive experience.” Thacker has certainly maintained his high standards, attracting five star reviews as well as the attentions of some unashamedly London-centric Arts press, actively seeking out regional theatre rather than stumbling upon it courtesy of a misfiring satnav. Like New Vic Artistic Directors past and present, he recognises the importance of asserting a strong local identity, and that ‘regional’ does not have to be a byword for ‘mediocre’. In this way, Thacker admires the ethos of Staffordshire’s theatre-in-theround, which for 50 years has been driven by these principles. “Peter Cheeseman was a great inspiration for me,” he admits. “I liked him enormously. The documentary work he did was so important and so significant in the development of British theatre. “He was so committed to high standards in the region. And in a similar way, I want to
With this year’s hugely successful production of Spring and Port Wine at the New Vic and a Bolton Octagon’s production of The Price by Arthur Miller. Photo: Ian Tilton
“
I really love creating work for a community . . . you want to make a positive impact
“With Alfie, Bill Naughton proves what an exceptional writer he is,” he enthuses. “The play is set in London, yet here is a Bolton playwright writing with absolute authenticity about a culture that wasn’t his own. He is a very special writer. I can’t wait to take it on. “First things first, Alfie is very funny,” he smiles. “It’s also incredibly sympathetic and clever in that it is dealing with male egos and male sexuality in a very powerful yet nonpartisan way. Alfie says and does the most appalling things. On the other hand he is a witty and charming person. Despite his terrible actions he is loveable. “Life isn’t black and white; in presenting the material in an even handed way, we are encouraged to make our own decision. Naughton presents those grey areas beautifully.” As another thunderous rumble ruptures the quiet of the green room, I suggest that being from the North West, Naughton should know a thing or two about grey areas. Thacker laughs.
”
In rehearsal for The Price by Arthur Miller. Photo: Joel Pammenter.
title in another co-production is practically mouth-watering. And it’s a sentiment shared by the director.
centenary celebration of Naughton at the Octagon in 2010, as well as 2009’s coproduction Rafta Rafta (based on Naughton’s All in Good Time), the playwright’s work has been a much-loved fixture on both stages for the past two years. The idea of Thacker taking on Naughton’s most iconic
There's something very likeable about him. Although confident, articulate and hugely successful,Thacker has no ‘side’. And happily for the North West, regardless of his armful of Oliviers, he still sees the merits of a good gag. Alfie runs at the New Vic from Wednesday 22 February to Saturday 17 March. 15 | www.newvictheatre.org.uk
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Page 17
a New Vic Theatre production
Alice in Wonderland by Lewis Carroll adapted by Theresa Heskins The greatest children’s story of them all! A magical new production from the New Vic team that created last Christmas’s spectacular Peter Pan!
Join Alice as she journeys through a strange and enchanted new world. Meet the White Rabbit, take tea with the Mad Hatter, search for the Cheshire Cat, hide from a very bad-tempered Queen . . . this whimsical wonderland just gets curiouser and curiouser! A classic story, brilliantly staged. There really is no place like the New Vic for Christmas!
Sat 19 Nov - Sat 21 Jan
“A wonderful box of theatrical tricks . . . bursting with invention” The Guardian (on the New Vic’s The Lion, the Witch and the Wardrobe)
Booking Information
Tickets £11.50 - £19.50 Group Discounts £2.00 off for ten or more Concessions £2.00 off (see page 49)
Save up to £18 with our Family-of-four ticket
Interpreted Performances: Captioned 2.15 pm Sat 10 Dec 2.15 pm Tues 13 Dec Audio described 2.15 pm Thurs 12 Jan 2.15 pm Sat 14 Jan Sign Language 2.15 pm Weds 30 Nov
Interactive storytime for young children Mon 12 - Sat 24 Dec
TALE TRAIL TO WONDERLAND (various dates see calendar)
Step into Wonderland! Join Alice as she falls into a strange new world. Meet characters from the story. And help Alice solve the riddle of how to get home again. This 45 minute magical event is suitable for children aged 3 – 5 along with their parents, grandparents, carers or teachers.
See page 35 for full details.
.... . . aattee l l e e t’tbb ’ n n o o D D 17 | www.newvictheatre.org.uk
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Page 17
a New Vic Theatre production
Alice in Wonderland by Lewis Carroll adapted by Theresa Heskins The greatest children’s story of them all! A magical new production from the New Vic team that created last Christmas’s spectacular Peter Pan!
Join Alice as she journeys through a strange and enchanted new world. Meet the White Rabbit, take tea with the Mad Hatter, search for the Cheshire Cat, hide from a very bad-tempered Queen . . . this whimsical wonderland just gets curiouser and curiouser! A classic story, brilliantly staged. There really is no place like the New Vic for Christmas!
Sat 19 Nov - Sat 21 Jan
“A wonderful box of theatrical tricks . . . bursting with invention” The Guardian (on the New Vic’s The Lion, the Witch and the Wardrobe)
Booking Information
Tickets £11.50 - £19.50 Group Discounts £2.00 off for ten or more Concessions £2.00 off (see page 49)
Save up to £18 with our Family-of-four ticket
Interpreted Performances: Captioned 2.15 pm Sat 10 Dec 2.15 pm Tues 13 Dec Audio described 2.15 pm Thurs 12 Jan 2.15 pm Sat 14 Jan Sign Language 2.15 pm Weds 30 Nov
Interactive storytime for young children Mon 12 - Sat 24 Dec
TALE TRAIL TO WONDERLAND (various dates see calendar)
Step into Wonderland! Join Alice as she falls into a strange new world. Meet characters from the story. And help Alice solve the riddle of how to get home again. This 45 minute magical event is suitable for children aged 3 – 5 along with their parents, grandparents, carers or teachers.
See page 35 for full details.
.... . . aattee l l e e t’tbb ’ n n o o D D 17 | www.newvictheatre.org.uk
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Northern Broadsides in partnership with the New Vic
Love’s Labour’s Lost by William Shakespeare Take four dashing young men. Add a vow of celibacy. Throw in a handful of beautiful young women. And wait for the sparks to fly!
Sat 28 Jan – Sat 18 Feb
Northern Broadsides celebrates its 20th anniversary year with a deliciously comic battle of the sexes. Romantic, mischievous and fizzing with youthful exuberance, Love’s Labour’s Lost is Shakespeare at his most extravagantly funny. For the latest Northern Broadsides/New Vic collaboration, Barrie Rutter directs a charismatic cast of 17 multi-talented northern actors in a fast-paced production filled with invention and wit. In true Broadsides’ style there’ll be rousing song and dance, scintillating performances, jaw-dropping comic timing and hilarious ‘steal-the-show’ scenes. “The best Shakespeare around” The Independent on Sunday
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Sat 28 Jan Under 26s Go Free (see page 48) Concessions £2.00 off (see page 49) Interpreted Performances Captioned 7.30 pm Tues 14 Feb Audio described 2.15 pm Sat 18 Feb Talkback Tues 14 Feb
Part of our three plays for £40 package! (see page 26) 19 | www.newvictheatre.org.uk
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Page 19
Northern Broadsides in partnership with the New Vic
Love’s Labour’s Lost by William Shakespeare Take four dashing young men. Add a vow of celibacy. Throw in a handful of beautiful young women. And wait for the sparks to fly!
Sat 28 Jan – Sat 18 Feb
Northern Broadsides celebrates its 20th anniversary year with a deliciously comic battle of the sexes. Romantic, mischievous and fizzing with youthful exuberance, Love’s Labour’s Lost is Shakespeare at his most extravagantly funny. For the latest Northern Broadsides/New Vic collaboration, Barrie Rutter directs a charismatic cast of 17 multi-talented northern actors in a fast-paced production filled with invention and wit. In true Broadsides’ style there’ll be rousing song and dance, scintillating performances, jaw-dropping comic timing and hilarious ‘steal-the-show’ scenes. “The best Shakespeare around” The Independent on Sunday
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Sat 28 Jan Under 26s Go Free (see page 48) Concessions £2.00 off (see page 49) Interpreted Performances Captioned 7.30 pm Tues 14 Feb Audio described 2.15 pm Sat 18 Feb Talkback Tues 14 Feb
Part of our three plays for £40 package! (see page 26) 19 | www.newvictheatre.org.uk
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The New Vic, Octagon Theatre Bolton, Oldham Coliseum Theatre and Stephen Joseph Theatre, Scarborough present
Weds 22 Feb – Sat 17 March
Are you settled in nicely? Right, we’ll start. My name’s . . .
by Bill Naughton It’s the Swinging Sixties and no one is embracing the spirit of free love more than Alfie Elkins. He’s the working class Don Juan of the East End – the man about town with the world at his feet and a new bird every Saturday night.
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Weds 22 Feb Under 26 Go Free (see page 48) Concessions £2.00 off (see page 49) Interpreted performances Captioned 7.30 pm Tues 13 March Audio described 2.15 pm Sat 17 March Talkback Tues 13 March
Part of our three plays for £40 package! (see page 26)
But all good things must come to an end and when his no-strings-attached life starts to come apart at the seams, it’s time for him to wonder ‘what’s it all about?’ Adult material and sexual themes; may contain smoking.
Alfie was made world famous by Michael Caine in one of the most iconic films of the 1960s. With five Oscar nominations, it was recently voted as one of Total Film Magazine’s top 50 greatest British films of all time. This production is directed by Octagon Theatre Artistic Director, David Thacker. 21 | www.newvictheatre.org.uk
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The New Vic, Octagon Theatre Bolton, Oldham Coliseum Theatre and Stephen Joseph Theatre, Scarborough present
Weds 22 Feb – Sat 17 March
Are you settled in nicely? Right, we’ll start. My name’s . . .
by Bill Naughton It’s the Swinging Sixties and no one is embracing the spirit of free love more than Alfie Elkins. He’s the working class Don Juan of the East End – the man about town with the world at his feet and a new bird every Saturday night.
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Weds 22 Feb Under 26 Go Free (see page 48) Concessions £2.00 off (see page 49) Interpreted performances Captioned 7.30 pm Tues 13 March Audio described 2.15 pm Sat 17 March Talkback Tues 13 March
Part of our three plays for £40 package! (see page 26)
But all good things must come to an end and when his no-strings-attached life starts to come apart at the seams, it’s time for him to wonder ‘what’s it all about?’ Adult material and sexual themes; may contain smoking.
Alfie was made world famous by Michael Caine in one of the most iconic films of the 1960s. With five Oscar nominations, it was recently voted as one of Total Film Magazine’s top 50 greatest British films of all time. This production is directed by Octagon Theatre Artistic Director, David Thacker. 21 | www.newvictheatre.org.uk
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Produced by The John Godber Company and Theatre Royal Wakefield
Weekend Breaks
The latest comedy production from the author of Bouncers, Up n Under and Teechers!
written and directed by John Godber A comedy about culture clashes, wine, wit and Whitby, Weekend Breaks is John Godber at his funniest and most perceptive. It’s all looking sunny for working class lad made good Martin Dawson – a promising academic, an aspiring film writer, and married into TV royalty. But when his wife finds out about an extra-marital fling, things turn rather chilly.
Tues 20 – Sat 31 March
And it’s not only his marriage that needs patching up – his Mum’s got a face like a wet weekend. But, as Martin rediscovers his roots, he finds out what it really means to love your parents – even when you want to kill them! ”The unsung hero of British theatre." The Guardian. ”How good a playwright is John Godber...on this evidence he is very good indeed." Daily Telegraph.
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Tues 20 March Under 26s - £7.50 See page 48 Concessions £2.00 off (see page 49) Talkback with John Godber Tues 20 March
See this play for just £13.00! (see page 26)
23 | www.newvictheatre.org.uk
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Produced by The John Godber Company and Theatre Royal Wakefield
Weekend Breaks
The latest comedy production from the author of Bouncers, Up n Under and Teechers!
written and directed by John Godber A comedy about culture clashes, wine, wit and Whitby, Weekend Breaks is John Godber at his funniest and most perceptive. It’s all looking sunny for working class lad made good Martin Dawson – a promising academic, an aspiring film writer, and married into TV royalty. But when his wife finds out about an extra-marital fling, things turn rather chilly.
Tues 20 – Sat 31 March
And it’s not only his marriage that needs patching up – his Mum’s got a face like a wet weekend. But, as Martin rediscovers his roots, he finds out what it really means to love your parents – even when you want to kill them! ”The unsung hero of British theatre." The Guardian. ”How good a playwright is John Godber...on this evidence he is very good indeed." Daily Telegraph.
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Tues 20 March Under 26s - £7.50 See page 48 Concessions £2.00 off (see page 49) Talkback with John Godber Tues 20 March
See this play for just £13.00! (see page 26)
23 | www.newvictheatre.org.uk
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a New Vic Theatre production
Where Have I Been All My Life?
Life’s not an audition.
by Alecky Blythe Directed by Theresa Heskins as part of our 25th anniversary celebrations, an important new theatre documentary from the multi award-winning writer dubbed “the woman changing the face of British theatre”. In the New Vic tradition, the dreams, ambitions and desires of North Staffordshire people staged in hilarious, touching and sometimes shocking word-for-word detail.
Sat 7 – Sat 28 April
What’s to look forward to now the pits and the pot-banks have gone? How can you follow your dreams in a world without work? In bathrooms and back-bedrooms across town, undiscovered stars are getting ready for their big chance. After a lifetime singing in the shower, maybe their 15 minutes of fame is just an audition away. And, for the charity shop worker, the young-mum and the boy from Bentilee, this could be the day that changes their lives forever. But never forget: for every winner there’s got to be a loser. "Astonishing documentary theatre” The Daily Telegraph
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Sat 7 April Under 26s Go Free See page 48 Concessions £2.00 off (see page 49) Interpreted performances Captioned 7.30 pm Tues 24 April Audio described 2.15 pm Sat 28 April Get in the mood Talkback Tues 10, 17, 24; Thurs 12, 19, 26 April with a nightly
Part of our three plays for £40 package! (see page 26)
pre-show karaoke! 25 | www.newvictheatre.org.uk
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a New Vic Theatre production
Where Have I Been All My Life?
Life’s not an audition.
by Alecky Blythe Directed by Theresa Heskins as part of our 25th anniversary celebrations, an important new theatre documentary from the multi award-winning writer dubbed “the woman changing the face of British theatre”. In the New Vic tradition, the dreams, ambitions and desires of North Staffordshire people staged in hilarious, touching and sometimes shocking word-for-word detail.
Sat 7 – Sat 28 April
What’s to look forward to now the pits and the pot-banks have gone? How can you follow your dreams in a world without work? In bathrooms and back-bedrooms across town, undiscovered stars are getting ready for their big chance. After a lifetime singing in the shower, maybe their 15 minutes of fame is just an audition away. And, for the charity shop worker, the young-mum and the boy from Bentilee, this could be the day that changes their lives forever. But never forget: for every winner there’s got to be a loser. "Astonishing documentary theatre” The Daily Telegraph
Booking Information
Tickets £10.50 - £19.50 Group Discounts £2.00 off for ten or more First Night Fever All seats £13.50 (no concessions) Sat 7 April Under 26s Go Free See page 48 Concessions £2.00 off (see page 49) Interpreted performances Captioned 7.30 pm Tues 24 April Audio described 2.15 pm Sat 28 April Get in the mood Talkback Tues 10, 17, 24; Thurs 12, 19, 26 April with a nightly
Part of our three plays for £40 package! (see page 26)
pre-show karaoke! 25 | www.newvictheatre.org.uk
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Plays Packages
One Nighter Packages
THREEplays just£40! TWO plays
One Night Events THREE
Any seat Any night
Choose from these great acts:
for just £30!
Love’s Labour’s Lost, Alfie, Where Have I Been All My Life?
And, when you book our special Three for £40 plays package, you can choose from all this too:
Alice in Wonderland £13.00 or £13.50; Eric’s Christmas Carol £13.00 or £13.50; Weekend Breaks £13.00 or £13.50
events
eventsjust£40! Chris Barber*; Kalotaszeg Trio; Boys of the Lough; Coal Porters; Pasadena Roof Orchestra*; Eric Knowles; International Guitar Night,Wicked Women and any Music in the Round concert And, when you book an event package, you can choose from all this too: • Any additional show for just £14.00 each * £1 premium for these shows;
FOUR friends for £54!
Four tickets for just £54 - a great value, great night out with friends. Any play, any seats Monday - Friday (not Alice in Wonderland or Uncle Eric’s Christmas Carol; max 8 tickets per booking)
Ticket packages cannot be combined with other concessions or offers (inc First Night Fever); must be booked in a single transaction; additional plays 1 ticket per play per package; change your performance any time, more than 3 days prior to the performance; all sales subject to availability and Box Office Manager’s discretion.
26 | www.newvictheatre.org.uk
Special nights out make special presents!
- why not give someone special nights at the theatre with a New Vic Gift Voucher? Just ask our Box Office.
Gift Vouchers
Friends Membership - got a friend who’s a real fan of theatre? Why not
make them one of our Friends - from just £20 a year. See page 37 for New Vic Friends details.
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Plays Packages
One Nighter Packages
THREEplays just£40! TWO plays
One Night Events THREE
Any seat Any night
Choose from these great acts:
for just £30!
Love’s Labour’s Lost, Alfie, Where Have I Been All My Life?
And, when you book our special Three for £40 plays package, you can choose from all this too:
Alice in Wonderland £13.00 or £13.50; Eric’s Christmas Carol £13.00 or £13.50; Weekend Breaks £13.00 or £13.50
events
eventsjust£40! Chris Barber*; Kalotaszeg Trio; Boys of the Lough; Coal Porters; Pasadena Roof Orchestra*; Eric Knowles; International Guitar Night,Wicked Women and any Music in the Round concert And, when you book an event package, you can choose from all this too: • Any additional show for just £14.00 each * £1 premium for these shows;
FOUR friends for £54!
Four tickets for just £54 - a great value, great night out with friends. Any play, any seats Monday - Friday (not Alice in Wonderland or Uncle Eric’s Christmas Carol; max 8 tickets per booking)
Ticket packages cannot be combined with other concessions or offers (inc First Night Fever); must be booked in a single transaction; additional plays 1 ticket per play per package; change your performance any time, more than 3 days prior to the performance; all sales subject to availability and Box Office Manager’s discretion.
26 | www.newvictheatre.org.uk
Special nights out make special presents!
- why not give someone special nights at the theatre with a New Vic Gift Voucher? Just ask our Box Office.
Gift Vouchers
Friends Membership - got a friend who’s a real fan of theatre? Why not
make them one of our Friends - from just £20 a year. See page 37 for New Vic Friends details.
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Come round for a
One Nighter! Weds 23 Nov
Europe’s finest Traditional Jazz and Blues Band!
THE BIG CHRIS BARBER BAND
A David Graham production
It’s the ultimate 60s Christmas Party! Thurs 1 - Fri 16 Dec
Uncle Eric’s Christmas Carol — oh yes it is!
A band-leader for 62 years, a veteran of 10,000 concerts and thousands of recordings, the legendary Chris Barber and his ten-piece band plays his favourite music.
From his roots in New Orleans style to the early music of Duke Ellington and Sidney Bechet. From Bob Crosby to the blues of Sonny Terry & Brownie McGhee. There’s the soulful blues of Miles Davis. Then it’s probably back to When the Saints!
Once again Uncle Eric shows his total lack of acting talent as he murders Charles Dickens' brilliant Christmas ghost story, A Christmas Carol!
The Big Chris Barber Band combine all these ingredients into an evening of exciting, moving Jazz and Blues. Great music, great entertainment!
Yes, Ericnezer Scrooge runs the meanest music shop in town – assisted by the unpaid Dave Crotchet and his housekeeper, Mrs Madge. One Christmas Eve, after a visit to the trendy Bar Humbug (geddit?), Ericnezer spends the night alone. Suddenly, he’s awoken by the sound of ghostly moans and ... well, you know the rest. But, you've never heard the story quite like this!
£14.00 / £17.50 / £19.50 / Under16s Go Free
Fri 25 Nov
"music straight from the soul" London Evening Standard
TCHA LIMBERGER’S KALOTASZEG TRIO
“Tcha Limberger seems to be made entirely out of music" The Observer
Passionate, moving, thrilling music from the Kalotaszeg region of Transylvania. Hungarian, Romanian and Gypsy music intermingle in this ancient and intensely local tradition that is one of the most distinctive and beautiful in the whole of Eastern Europe.
The trio is led by brilliant Gypsy violinist and singer, Tcha Limberger, one of the most important figures in the folk music of the Carpathian Basin. He is joined by the most highly regarded rhythm section of modern times: Berki Viktor on double bass and Toni Rudi on Brac (a Balkan stringed instrument).
£13.50 / £15.50 / cons / Under 16s Go Free
28| www.newvictheatre.org.uk
Performance in the round
Performance on three sides
Directional performance with some element of front and back
A great script, deep moral issues, startling drama – Uncle Eric's Dickensian Christmas tale has none of these. But it’s a great laugh, a fantastic night out, and there’s a load of great 60s hits shoe-horned into the evening as well. As Eric says, "this is culture with a capital K".
Money off and FREE champagne for groups!
Mon & Tues: Weds – Sat: Groups:
all seats £14.50 £16.50 / £18.00 / £19.50 £2.00 off for groups of 10 or more (Weds – Sat; top two price bands only) And a FREE bottle of champagne for every group of ten or more!
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Come round for a
One Nighter! Weds 23 Nov
Europe’s finest Traditional Jazz and Blues Band!
THE BIG CHRIS BARBER BAND
A David Graham production
It’s the ultimate 60s Christmas Party! Thurs 1 - Fri 16 Dec
Uncle Eric’s Christmas Carol — oh yes it is!
A band-leader for 62 years, a veteran of 10,000 concerts and thousands of recordings, the legendary Chris Barber and his ten-piece band plays his favourite music.
From his roots in New Orleans style to the early music of Duke Ellington and Sidney Bechet. From Bob Crosby to the blues of Sonny Terry & Brownie McGhee. There’s the soulful blues of Miles Davis. Then it’s probably back to When the Saints!
Once again Uncle Eric shows his total lack of acting talent as he murders Charles Dickens' brilliant Christmas ghost story, A Christmas Carol!
The Big Chris Barber Band combine all these ingredients into an evening of exciting, moving Jazz and Blues. Great music, great entertainment!
Yes, Ericnezer Scrooge runs the meanest music shop in town – assisted by the unpaid Dave Crotchet and his housekeeper, Mrs Madge. One Christmas Eve, after a visit to the trendy Bar Humbug (geddit?), Ericnezer spends the night alone. Suddenly, he’s awoken by the sound of ghostly moans and ... well, you know the rest. But, you've never heard the story quite like this!
£14.00 / £17.50 / £19.50 / Under16s Go Free
Fri 25 Nov
"music straight from the soul" London Evening Standard
TCHA LIMBERGER’S KALOTASZEG TRIO
“Tcha Limberger seems to be made entirely out of music" The Observer
Passionate, moving, thrilling music from the Kalotaszeg region of Transylvania. Hungarian, Romanian and Gypsy music intermingle in this ancient and intensely local tradition that is one of the most distinctive and beautiful in the whole of Eastern Europe.
The trio is led by brilliant Gypsy violinist and singer, Tcha Limberger, one of the most important figures in the folk music of the Carpathian Basin. He is joined by the most highly regarded rhythm section of modern times: Berki Viktor on double bass and Toni Rudi on Brac (a Balkan stringed instrument).
£13.50 / £15.50 / cons / Under 16s Go Free
28| www.newvictheatre.org.uk
Performance in the round
Performance on three sides
Directional performance with some element of front and back
A great script, deep moral issues, startling drama – Uncle Eric's Dickensian Christmas tale has none of these. But it’s a great laugh, a fantastic night out, and there’s a load of great 60s hits shoe-horned into the evening as well. As Eric says, "this is culture with a capital K".
Money off and FREE champagne for groups!
Mon & Tues: Weds – Sat: Groups:
all seats £14.50 £16.50 / £18.00 / £19.50 £2.00 off for groups of 10 or more (Weds – Sat; top two price bands only) And a FREE bottle of champagne for every group of ten or more!
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One Nighters
“A dynamite bluegrass band!”
Sat 17 Dec
Mon 9 Jan
One of the finest choirs in a nation of fine choirs, the Fron's eagerly anticipated Christmas visits are a New Vic tradition and a highlight of the year.They appeared at the old Vic; and they have performed at the New Vic every Christmas since the building opened in 1986. Long may the tradition continue!
The Coal Porters are a seriously good bluegrass combo led by Kentucky-born Sid Griffin. His vocals, mandolin, harmonica and autoharp are supported by the fine fiddling and singing of Carly Frey, the banjo of John Breese, Andrew Stafford’s doghouse bass; and Neil Robert Herd’s guitar.
THE FRONCYSYLLTE MALE VOICE CHOIR £15.00 / £16.50 / £18.00 / cons / Under 16s Go Free
THE COAL PORTERS
Firmly established on the UK and European touring circuits and possessors of a sound that’s all their own, the Coal Porters are a bluegrass band with real attitude. Polished yet passionate, their live shows are second to none. Check them out and get ready for the ride of your life!
SOLD OUT Tues 20 Dec
“One of the finest bands in Celtic traditional music” New York Times
BOYS OF THE LOUGH — A CELTIC CHRISTMAS
A night of Celtic midwinter traditions both pagan and Christian – of music and song, of fire and light, whisky and ale. Add stories and humour for a memorable evening of warmth and spirit. Their music is based on impeccable technique and sensitivity, with intricate arrangements and tight, driving ensemble playing. As individuals, technically brilliant; as a band, music that, in the words of the Glasgow Herald, “brings out the goosebumps . . . on the cusp of serious greatness”.
They were the first Celtic band to tour internationally. Individually and collectively, they are, quite simply, past masters. This promises to be one of the best nights of traditional music we’ve had at the New Vic.
£13.50 / £15.50 / cons / Under 16s Go Free
Try more, save more! See page 27 for our special ticket packages
Weds 1 Feb
PASADENA ROOF ORCHESTRA
Syncopated sophistication, toe-tapping fun in an infectious celebration of the stylish era when swing was king. The music of the great entertainers – Louis Armstrong, Bing Crosby, Fred Astaire, Duke Ellington, Bix Beiderbecke, Billie Holliday and many more.
The Orchestra has travelled the world and whether you love hot jazz classics, the thrill of swing or the evergreens of the 20s and 30s, this evening is for you. £15.00 / 18.00 / £19.50 / cons / Under 16s Go Free
£13.00 / £15.50 / £17.00 / cons / Under 16s Go Free
30 | www.newvictheatre.org.uk
31| www.newvictheatre.org.uk
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One Nighters
“A dynamite bluegrass band!”
Sat 17 Dec
Mon 9 Jan
One of the finest choirs in a nation of fine choirs, the Fron's eagerly anticipated Christmas visits are a New Vic tradition and a highlight of the year.They appeared at the old Vic; and they have performed at the New Vic every Christmas since the building opened in 1986. Long may the tradition continue!
The Coal Porters are a seriously good bluegrass combo led by Kentucky-born Sid Griffin. His vocals, mandolin, harmonica and autoharp are supported by the fine fiddling and singing of Carly Frey, the banjo of John Breese, Andrew Stafford’s doghouse bass; and Neil Robert Herd’s guitar.
THE FRONCYSYLLTE MALE VOICE CHOIR £15.00 / £16.50 / £18.00 / cons / Under 16s Go Free
THE COAL PORTERS
Firmly established on the UK and European touring circuits and possessors of a sound that’s all their own, the Coal Porters are a bluegrass band with real attitude. Polished yet passionate, their live shows are second to none. Check them out and get ready for the ride of your life!
SOLD OUT Tues 20 Dec
“One of the finest bands in Celtic traditional music” New York Times
BOYS OF THE LOUGH — A CELTIC CHRISTMAS
A night of Celtic midwinter traditions both pagan and Christian – of music and song, of fire and light, whisky and ale. Add stories and humour for a memorable evening of warmth and spirit. Their music is based on impeccable technique and sensitivity, with intricate arrangements and tight, driving ensemble playing. As individuals, technically brilliant; as a band, music that, in the words of the Glasgow Herald, “brings out the goosebumps . . . on the cusp of serious greatness”.
They were the first Celtic band to tour internationally. Individually and collectively, they are, quite simply, past masters. This promises to be one of the best nights of traditional music we’ve had at the New Vic.
£13.50 / £15.50 / cons / Under 16s Go Free
Try more, save more! See page 27 for our special ticket packages
Weds 1 Feb
PASADENA ROOF ORCHESTRA
Syncopated sophistication, toe-tapping fun in an infectious celebration of the stylish era when swing was king. The music of the great entertainers – Louis Armstrong, Bing Crosby, Fred Astaire, Duke Ellington, Bix Beiderbecke, Billie Holliday and many more.
The Orchestra has travelled the world and whether you love hot jazz classics, the thrill of swing or the evergreens of the 20s and 30s, this evening is for you. £15.00 / 18.00 / £19.50 / cons / Under 16s Go Free
£13.00 / £15.50 / £17.00 / cons / Under 16s Go Free
30 | www.newvictheatre.org.uk
31| www.newvictheatre.org.uk
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Mon 13 Feb “wickedly funny!"
ANTIQUE ANTICS an evening with ERIC KNOWLES
Laugh out loud and bring along your heirlooms and treasures for the opinion of a leading expert.
Get your treasures appraised by an expert!
One Nighters
Want to mix it up a bit? Why not pick a package!
See page 27 for our special event offers
With over 30 years in the business and a regular on the BBC’s flagship programme The Antiques Roadshow, Eric is the friendly face of antiques..
An entertaining evening in three parts. First, Eric will inspect your ‘treasures’ and select 25 to talk about later in the evening. Then be entertained by his often irreverent anecdotal reminiscences, ably supported by excellent images. The final part of the evening is devoted to a discussion of the selected audience objects. Eric is keen to assure all those bringing heirlooms that he for one will be drinking only Adam’s Ale until all are safely returned! £13.50 / £15.50
Weds 18 April Two of The Archers most popular characters present
WICKED WOMEN
From Cleopatra to Mae West; Lady Macbeth to Lacy Bracknell, a wickedly funny evening of sketches, poetry, prose and anecdote celebrating history's outrageous women real and fictional.
Presented by Sara Coward and Sunny Ormonde who play two of The Archers most popular characters Caroline Sterling and Lilliam Bellamy. Plus, revealing insights into Sara and Sunny's life with the world's longest running radio series, The Archers!
"Sara Coward's formidable Lady Bracknell . . . a gem of a performance" The Stage
"Sunny Ormonde as Shirley Valentine . . . A tour de force" The Stage Directed by Malcolm McKee and Sue Wilson £13.50 / £15.50 / cons / Under 16s Go Free
Weds 29 Feb
“simply the best acoustic guitar player I've ever heard" Joe Satriani (Deep Purple, Mick Jagger Band)
INTERNATIONAL GUITAR NIGHT
Showcasing the brilliant diversity of guitar playing around the world, the travelling international festival is back at the New Vic with three of the world’s greatest acoustic guitarists.
The finger-style playing of International Guitar Night founder, Californian Brian Gore, is joined by the Gypsy Jazz of Lulo Reinhardt, the grand-nephew of the great Django. The stellar line-up is completed by the breathtakingly brilliant Adrian Legg and his amazing amalgam of musical traditions and techniques. £14.50 / £16.50 / cons / Under 16s Go Free
33| www.newvictheatre.org.uk
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Mon 13 Feb “wickedly funny!"
ANTIQUE ANTICS an evening with ERIC KNOWLES
Laugh out loud and bring along your heirlooms and treasures for the opinion of a leading expert.
Get your treasures appraised by an expert!
One Nighters
Want to mix it up a bit? Why not pick a package!
See page 27 for our special event offers
With over 30 years in the business and a regular on the BBC’s flagship programme The Antiques Roadshow, Eric is the friendly face of antiques..
An entertaining evening in three parts. First, Eric will inspect your ‘treasures’ and select 25 to talk about later in the evening. Then be entertained by his often irreverent anecdotal reminiscences, ably supported by excellent images. The final part of the evening is devoted to a discussion of the selected audience objects. Eric is keen to assure all those bringing heirlooms that he for one will be drinking only Adam’s Ale until all are safely returned! £13.50 / £15.50
Weds 18 April Two of The Archers most popular characters present
WICKED WOMEN
From Cleopatra to Mae West; Lady Macbeth to Lacy Bracknell, a wickedly funny evening of sketches, poetry, prose and anecdote celebrating history's outrageous women real and fictional.
Presented by Sara Coward and Sunny Ormonde who play two of The Archers most popular characters Caroline Sterling and Lilliam Bellamy. Plus, revealing insights into Sara and Sunny's life with the world's longest running radio series, The Archers!
"Sara Coward's formidable Lady Bracknell . . . a gem of a performance" The Stage
"Sunny Ormonde as Shirley Valentine . . . A tour de force" The Stage Directed by Malcolm McKee and Sue Wilson £13.50 / £15.50 / cons / Under 16s Go Free
Weds 29 Feb
“simply the best acoustic guitar player I've ever heard" Joe Satriani (Deep Purple, Mick Jagger Band)
INTERNATIONAL GUITAR NIGHT
Showcasing the brilliant diversity of guitar playing around the world, the travelling international festival is back at the New Vic with three of the world’s greatest acoustic guitarists.
The finger-style playing of International Guitar Night founder, Californian Brian Gore, is joined by the Gypsy Jazz of Lulo Reinhardt, the grand-nephew of the great Django. The stellar line-up is completed by the breathtakingly brilliant Adrian Legg and his amazing amalgam of musical traditions and techniques. £14.50 / £16.50 / cons / Under 16s Go Free
33| www.newvictheatre.org.uk
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Concert Series
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14 Nov - 21 Jan
Alice in Wonderland Schools Exhibition
Our annual exhibition of artwork from local children based on the Christmas show.
MUSIC IN THE ROUND is the UK’s leading promoter of chamber music outside London, dedicated to presenting the best in small-scale music in an informal atmosphere.
23 Jan – 18 Feb
Staffordshire Artists & Makers Co-operative
Weds 18 Jan
Concerts at Keele and the New Vic present
An exhibition by the painters of the Staffordshire Artists and Makers Cooperative.The group was formed in 2009 and is based at Gallery at 12 in Eccleshall where there is permanent display of work by all members.
PARAMPARA
Jacqueline Shave VIOLIN John Parricelli JAZZ GUITAR Kuljit Bhamra TABLA
Music in the Round is delighted to act as the ‘match-maker’ in a unique collaboration between three musicians of outstanding imagination and virtuosity. Their backgrounds could hardly be more different; together, they cross traditional barriers to develop stunning music. Pre-concert talk (6 pm) Kuljit Bhamra demonstrates the irresistible sound of the tabla and demystifies Indian music.
Mon 12 March
INTIMATE LETTERS ENSEMBLE 360
“Every instrumentalist here is first-class” Gramophone
Schubert String Quintet in C D956 Janácek String Quartet No.2 Intimate Letters
Janacek’s letters to his young lover (adapted by Paul Allen and read by an actor) follow a composer’s journey from inspiration to music. An evening of beauty and intensity.
Devised in collaboration with Daniel Evans, Artistic Director of Sheffield Theatres. Pre-concert talk (6.00 pm):The ensemble introduce the programme.
Mon 23 April
LAWSON TRIO
One of the finest ensembles of its generation, the Lawson Trio’s busy concert schedule, has recently taken it to the South Bank Centre, Bath International Festival, and the Lake District Summer Music Festival with performances abroad in Germany, Austria and Finland.
MOZART Trio in G K564 DEBUSSY Trio No.1 in G DAVID KNOTTS The Long Way Home BRAHMS Trio in B Op.8
Pre-concert talk (6.00 pm):The trio introduce the programme. All concerts £14.00 / £18.00 / £19.50 / cons / Under 16s Go Free ALL THREE CONCERTS JUST £36.00!
Events & Exhibitions
20 Feb – 10 March
Craig Sumner
Mon 12 - Sat 24 Dec (various dates see calendar)
TALE TRAILTO WONDERLAND
Interactive storytime for young children
Step into Wonderland! Join Alice as she falls into a strange new world.
People and Places
My last exhibition at the New Vic was, by request, made up solely of landscapes.This time I have included people - sometimes without their knowledge or consent.
12 - 31 March
John G. Skinner
This 45 minute magical event is suitable for children aged 3 – 5 along with their parents, carers or teachers.
Families: £4.00 per person Schools: £95.00 for a class-sized group
UNITED NATIONS HOLOCAUST MEMORIAL DAY EVENT Mon 6 Feb
Our annual event produced by the Borderlines team in conjunction with local schools
2 - 28 April
Some landscapes: near & far.
An exhibition of landscapes paintings and etchings of the Peak District, in the Staffordshire Moorlands- sometimes straying into Derbyshire- & also landscapes of West Dorset, all completed during the past decade.
FIVE Staffordshire Artists
FIVE at the Vic
David Gleeson, Lisa Henderson, Mark Lippett, Deborah Walker and Kim Bramley - will showcase rich and diverse work including paintings, drawings prints and glass in their inaugural exhibition.
• Check with Front of House department for dates of exclusive preview nights for any of our exhibitions. • To exhibit your work here, receive Preview Night invitations, please contact Front of House on: 01782 717954 ext 311.
35 | www.newvictheatre.org.uk
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14 Nov - 21 Jan
Alice in Wonderland Schools Exhibition
Our annual exhibition of artwork from local children based on the Christmas show.
MUSIC IN THE ROUND is the UK’s leading promoter of chamber music outside London, dedicated to presenting the best in small-scale music in an informal atmosphere.
23 Jan – 18 Feb
Staffordshire Artists & Makers Co-operative
Weds 18 Jan
Concerts at Keele and the New Vic present
An exhibition by the painters of the Staffordshire Artists and Makers Cooperative.The group was formed in 2009 and is based at Gallery at 12 in Eccleshall where there is permanent display of work by all members.
PARAMPARA
Jacqueline Shave VIOLIN John Parricelli JAZZ GUITAR Kuljit Bhamra TABLA
Music in the Round is delighted to act as the ‘match-maker’ in a unique collaboration between three musicians of outstanding imagination and virtuosity. Their backgrounds could hardly be more different; together, they cross traditional barriers to develop stunning music. Pre-concert talk (6 pm) Kuljit Bhamra demonstrates the irresistible sound of the tabla and demystifies Indian music.
Mon 12 March
INTIMATE LETTERS ENSEMBLE 360
“Every instrumentalist here is first-class” Gramophone
Schubert String Quintet in C D956 Janácek String Quartet No.2 Intimate Letters
Janacek’s letters to his young lover (adapted by Paul Allen and read by an actor) follow a composer’s journey from inspiration to music. An evening of beauty and intensity.
Devised in collaboration with Daniel Evans, Artistic Director of Sheffield Theatres. Pre-concert talk (6.00 pm):The ensemble introduce the programme.
Mon 23 April
LAWSON TRIO
One of the finest ensembles of its generation, the Lawson Trio’s busy concert schedule, has recently taken it to the South Bank Centre, Bath International Festival, and the Lake District Summer Music Festival with performances abroad in Germany, Austria and Finland.
MOZART Trio in G K564 DEBUSSY Trio No.1 in G DAVID KNOTTS The Long Way Home BRAHMS Trio in B Op.8
Pre-concert talk (6.00 pm):The trio introduce the programme. All concerts £14.00 / £18.00 / £19.50 / cons / Under 16s Go Free ALL THREE CONCERTS JUST £36.00!
Events & Exhibitions
20 Feb – 10 March
Craig Sumner
Mon 12 - Sat 24 Dec (various dates see calendar)
TALE TRAILTO WONDERLAND
Interactive storytime for young children
Step into Wonderland! Join Alice as she falls into a strange new world.
People and Places
My last exhibition at the New Vic was, by request, made up solely of landscapes.This time I have included people - sometimes without their knowledge or consent.
12 - 31 March
John G. Skinner
This 45 minute magical event is suitable for children aged 3 – 5 along with their parents, carers or teachers.
Families: £4.00 per person Schools: £95.00 for a class-sized group
UNITED NATIONS HOLOCAUST MEMORIAL DAY EVENT Mon 6 Feb
Our annual event produced by the Borderlines team in conjunction with local schools
2 - 28 April
Some landscapes: near & far.
An exhibition of landscapes paintings and etchings of the Peak District, in the Staffordshire Moorlands- sometimes straying into Derbyshire- & also landscapes of West Dorset, all completed during the past decade.
FIVE Staffordshire Artists
FIVE at the Vic
David Gleeson, Lisa Henderson, Mark Lippett, Deborah Walker and Kim Bramley - will showcase rich and diverse work including paintings, drawings prints and glass in their inaugural exhibition.
• Check with Front of House department for dates of exclusive preview nights for any of our exhibitions. • To exhibit your work here, receive Preview Night invitations, please contact Front of House on: 01782 717954 ext 311.
35 | www.newvictheatre.org.uk
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With Twelfth Nights, RSC directors, and a visit to Stratford, it’s Shakespeare all round for our Friends! ul RSC in beautif The refurbishedon Av n-o rd Stratfo
Even on this unseasonably hot October day, it’s clear that autumn is on its way. The trees seem to have changed colour overnight and there are swirls of leaves in every gust of wind. And then it’s that dreadful weekend when the clocks go back. But, never fear! You can always escape the months of grey days and dark nights round at the New Vic. We‘ve got another season of events that will help you fend off those winter blues. And many have a Shakespeare connection. We start rehearsals for Alice in Wonderland next week n Broadsides er th or N and are planning for January’s legendary Twelfth Night th wi l Open rehearsa Party, a weird and wonderful cabaret with members of the New Vic staff and company. Make sure to book soon. We’re delighted once again to be collaborating with Barrie Rutter and the wonderful Northern Broadsides on Love’s Labour’s Lost and will be inviting Friends to an open rehearsal, a great opportunity to see how Barrie, an outstanding director of Shakespeare, works on verse-speaking and staging with actors. Make sure to book a place for the Spotlight event with David Thacker, one of the most celebrated directors of his generation. A Director 36| www.newvictheatre.org.uk
Community of the Young Vic, Director-in-Residence with the Royal Shakespeare Company and an awardwinning director for film and television, he is particularly known for his many collaborations with the great Arthur Miller. He is now Artistic Director of Bolton Octagon and it’s thrilling he has directed our co-production of Alfie, which comes to the New Vic in February. Also in February, is a trip to the newly re-furbished Stratford home of the Royal Shakespeare Company for a production of The Taming of the Shrew. Following an acclaimed production of Julius Caesar in 2009/10, Lucy Bailey directs Shakespeare’s great romantic comedy of love, sexual politics and the art of illusion. Finally, as it’s almost time to unpack the tinsel, we hope you’ll have a wonderful festive season and we look forward to seeing you round at the New Vic in coming months. You meet all sorts at the Twelfth Night party!
Why not make your friend a 'Friend'? Do you know someone who would enjoy being a New Vic Friend? A Friends membership is a thoughtful gift they can enjoy all through the year. For details of how to make your friend a Friend contact Marketing on 01782 717539. Events Diary
Twelfth Night Party Our Traditional New Vic knees up! Weds 18 Jan
Dress Rehearsal Loves Labours Lost Fri 27 Jan, 7.15 pm Where Have I Been All My Life TBC Open Rehearsal Loves Labours Lost TBC
Spotlight Artistic Director of the Octagon Theatre Bolton, David Thacker Mon 27 Feb: 6.00 pm Potters Union Bar David will be talking to Friends about being Artistic Director at Bolton and his many experiences in theatre.
Don’t forget to pre-book your Friends events! Please feel free to get in touch at any time. You can contact Natasha Talbott by email (ntalbott@newvictheatre.org.uk) or phone her on 01782 717539.
Theatre Trip The Taming of The Shrew: Thurs Feb 16 depart 9.15 am We are visiting the newly refurbished RSC for this comedy of the battle of the sexes. For information on the New Vic Friends call 01782 717539 or email:ntalbott@newvictheatre.org.uk website:www.newvictheatre.org.uk
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With Twelfth Nights, RSC directors, and a visit to Stratford, it’s Shakespeare all round for our Friends! ul RSC in beautif The refurbishedon Av n-o rd Stratfo
Even on this unseasonably hot October day, it’s clear that autumn is on its way. The trees seem to have changed colour overnight and there are swirls of leaves in every gust of wind. And then it’s that dreadful weekend when the clocks go back. But, never fear! You can always escape the months of grey days and dark nights round at the New Vic. We‘ve got another season of events that will help you fend off those winter blues. And many have a Shakespeare connection. We start rehearsals for Alice in Wonderland next week n Broadsides er th or N and are planning for January’s legendary Twelfth Night th wi l Open rehearsa Party, a weird and wonderful cabaret with members of the New Vic staff and company. Make sure to book soon. We’re delighted once again to be collaborating with Barrie Rutter and the wonderful Northern Broadsides on Love’s Labour’s Lost and will be inviting Friends to an open rehearsal, a great opportunity to see how Barrie, an outstanding director of Shakespeare, works on verse-speaking and staging with actors. Make sure to book a place for the Spotlight event with David Thacker, one of the most celebrated directors of his generation. A Director 36| www.newvictheatre.org.uk
Community of the Young Vic, Director-in-Residence with the Royal Shakespeare Company and an awardwinning director for film and television, he is particularly known for his many collaborations with the great Arthur Miller. He is now Artistic Director of Bolton Octagon and it’s thrilling he has directed our co-production of Alfie, which comes to the New Vic in February. Also in February, is a trip to the newly re-furbished Stratford home of the Royal Shakespeare Company for a production of The Taming of the Shrew. Following an acclaimed production of Julius Caesar in 2009/10, Lucy Bailey directs Shakespeare’s great romantic comedy of love, sexual politics and the art of illusion. Finally, as it’s almost time to unpack the tinsel, we hope you’ll have a wonderful festive season and we look forward to seeing you round at the New Vic in coming months. You meet all sorts at the Twelfth Night party!
Why not make your friend a 'Friend'? Do you know someone who would enjoy being a New Vic Friend? A Friends membership is a thoughtful gift they can enjoy all through the year. For details of how to make your friend a Friend contact Marketing on 01782 717539. Events Diary
Twelfth Night Party Our Traditional New Vic knees up! Weds 18 Jan
Dress Rehearsal Loves Labours Lost Fri 27 Jan, 7.15 pm Where Have I Been All My Life TBC Open Rehearsal Loves Labours Lost TBC
Spotlight Artistic Director of the Octagon Theatre Bolton, David Thacker Mon 27 Feb: 6.00 pm Potters Union Bar David will be talking to Friends about being Artistic Director at Bolton and his many experiences in theatre.
Don’t forget to pre-book your Friends events! Please feel free to get in touch at any time. You can contact Natasha Talbott by email (ntalbott@newvictheatre.org.uk) or phone her on 01782 717539.
Theatre Trip The Taming of The Shrew: Thurs Feb 16 depart 9.15 am We are visiting the newly refurbished RSC for this comedy of the battle of the sexes. For information on the New Vic Friends call 01782 717539 or email:ntalbott@newvictheatre.org.uk website:www.newvictheatre.org.uk
Spring2012MagArt:Layout 1
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Community Community
BENEFITS FOR BUSINESS FRIENDS
• promote your business • entertain clients • reward staff • support your outstanding local theatre FOUNDER MEMBERS
The Dudson Group Dean Statham
Hanley Economic Building Society
To become a New Vic Business Friend and to find out more about the benefits, contact:
Fiona Wallace Executive Director New Vic Theatre Tel: 01782 717954 email: fwallace@newvictheatre.org.uk
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Community
New Vic Business Friends
High profile sponsorship – just £100 per month
The New Vic is Staffordshire’s award-winning producing theatre. This means that we design, build, direct and present major professional productions here at our unique theatre-in-the-round.
We have deep roots in the local community. Some 150,000 visitors every year come from Staffordshire, Cheshire, Shropshire, Derbyshire and beyond. And we have award-winning education and community programmes involving more than 10,000 local people every year. Your organisation’s sponsorship as a member of New Vic Business Friends will demonstrate your support for the New Vic’s work to these tens of thousands of customers and supporters; enabling you to benefit from an association with an international-class arts organisation and with the community that we serve. As a Business Friend, your company will enjoy branding opportunities in the theatre building and in our widely distributed publicity materials. Networking, complimentary tickets and hospitality are additional benefits. All sponsorship income from Business Friends goes directly into supporting the plays and concerts we present on our stage and our award-winning community programmes.
APPEAL PATRONS
We’re working towards the next £1 million
We’ve reached the first milestone of completing WorkSpace, but we still need your help to fund the work.We’re grateful for every gift, whether for £5, £50, £500 or £5,000. Every penny makes a difference and ensures we keep providing the sort of projects you’ve read about. If you join us in supporting the New Vic Building Futures Appeal we would like to show our appreciation. Here are some examples of how we would say a public thank you: • be named in a Donors’ Book displayed in our Foyer • be named in production programmes through the year • be named in the Building Futures Appeal souvenir brochure
Sir Alan Ayckbourn CBE Playwright & Theatre Director Sir Brian Fender CMG Chair of Trustees Nick Hancock Comedian & TV Presenter Gwenda Hughes Theatre Director Sue Johnston Actress Mike Leigh OBE Playwright & Film Director Jon Moulton Former Stoke Inhabitant Barrie Rutter Actor Manager Graham Stow CBE Company Director Kevin Whately Actor We gratefully acknowledge support from The Foyle Foundation Arts Council England Garfield Weston Foundation Newcastle-under-Lyme Borough Council The Rayne Foundation Staffordshire Environmental Fund Staffordshire County Council The Moulton Charitable Foundation PRINCIPAL SPONSORS
Gladman Developments Ltd. MAJOR SPONSORS Knights solicitors llp
39| www.newvictheatre.org.uk
Spring2012MagArt:Layout 1
17/10/11
Community Community
BENEFITS FOR BUSINESS FRIENDS
• promote your business • entertain clients • reward staff • support your outstanding local theatre FOUNDER MEMBERS
The Dudson Group Dean Statham
Hanley Economic Building Society
To become a New Vic Business Friend and to find out more about the benefits, contact:
Fiona Wallace Executive Director New Vic Theatre Tel: 01782 717954 email: fwallace@newvictheatre.org.uk
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Community
New Vic Business Friends
High profile sponsorship – just £100 per month
The New Vic is Staffordshire’s award-winning producing theatre. This means that we design, build, direct and present major professional productions here at our unique theatre-in-the-round.
We have deep roots in the local community. Some 150,000 visitors every year come from Staffordshire, Cheshire, Shropshire, Derbyshire and beyond. And we have award-winning education and community programmes involving more than 10,000 local people every year. Your organisation’s sponsorship as a member of New Vic Business Friends will demonstrate your support for the New Vic’s work to these tens of thousands of customers and supporters; enabling you to benefit from an association with an international-class arts organisation and with the community that we serve. As a Business Friend, your company will enjoy branding opportunities in the theatre building and in our widely distributed publicity materials. Networking, complimentary tickets and hospitality are additional benefits. All sponsorship income from Business Friends goes directly into supporting the plays and concerts we present on our stage and our award-winning community programmes.
APPEAL PATRONS
We’re working towards the next £1 million
We’ve reached the first milestone of completing WorkSpace, but we still need your help to fund the work.We’re grateful for every gift, whether for £5, £50, £500 or £5,000. Every penny makes a difference and ensures we keep providing the sort of projects you’ve read about. If you join us in supporting the New Vic Building Futures Appeal we would like to show our appreciation. Here are some examples of how we would say a public thank you: • be named in a Donors’ Book displayed in our Foyer • be named in production programmes through the year • be named in the Building Futures Appeal souvenir brochure
Sir Alan Ayckbourn CBE Playwright & Theatre Director Sir Brian Fender CMG Chair of Trustees Nick Hancock Comedian & TV Presenter Gwenda Hughes Theatre Director Sue Johnston Actress Mike Leigh OBE Playwright & Film Director Jon Moulton Former Stoke Inhabitant Barrie Rutter Actor Manager Graham Stow CBE Company Director Kevin Whately Actor We gratefully acknowledge support from The Foyle Foundation Arts Council England Garfield Weston Foundation Newcastle-under-Lyme Borough Council The Rayne Foundation Staffordshire Environmental Fund Staffordshire County Council The Moulton Charitable Foundation PRINCIPAL SPONSORS
Gladman Developments Ltd. MAJOR SPONSORS Knights solicitors llp
39| www.newvictheatre.org.uk
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Building a better future
A new partnership and a new theatre group for “a stepping stone to a better life” The people award-winning New Vic Borderlines works with couldn’t be more different: from youngsters in trouble with the police to magistrates and social workers; from primary school kids to bingo-playing ladies of a certain age. But what all these people have in common is that their lives are changed by the experience. And changed for the better. Now there’s a new
group of people about to enjoy the Borderlines experience. They’ve teamed up with ELITE, a local Community Interest Company working with disabled people and their carers, to found a brand-new theatre group – Elite Theatre Company (ETC). We asked Val Rowley, the inspirational Director of ELITE, why her organisation decided to team up with a theatre. “We chose to work with New Vic Borderlines because of their passion and their belief that theatre has the power to enrich, enthrall and enliven individuals and communities; that it can change lives for the better”, was her straight-to-the-point response.
“They’re a highly professional and qualified group of people with a fantastic track record of making a real difference to the lives of people who, for one reason or another, face challenges in life. That could be because of a difficult family background, because of their race, or because, like the people we work with, disability creates barriers to their being able to live a full and independent life. “ Obviously, here at the New Vic, we don’t need convincing about the value and power of theatre and the ways it can change lives. What does Val hope the people involved in the new theatre company will get out of it?
“And, of course, they will meet new people, make new friends, develop their creativity, learn new skills and, by no means the least important, have fun. “More profoundly, the work will help develop confidence and communication, enhance body language and the way they present themselves in day to day life. And theatre is all about working as a team, supporting each other and solving problems together. A great lesson for life.
“On the most practical level, by working with theatre professionals, participants will be able to develop their own ideas and ambitions for the work of ETC. And they’ll have access to all the resources of the New Vic – lighting and sound, costume and design. All the expertise of the theatre staff. 41| www.newvictheatre.org.uk
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Page 41
Building a better future
A new partnership and a new theatre group for “a stepping stone to a better life” The people award-winning New Vic Borderlines works with couldn’t be more different: from youngsters in trouble with the police to magistrates and social workers; from primary school kids to bingo-playing ladies of a certain age. But what all these people have in common is that their lives are changed by the experience. And changed for the better. Now there’s a new
group of people about to enjoy the Borderlines experience. They’ve teamed up with ELITE, a local Community Interest Company working with disabled people and their carers, to found a brand-new theatre group – Elite Theatre Company (ETC). We asked Val Rowley, the inspirational Director of ELITE, why her organisation decided to team up with a theatre. “We chose to work with New Vic Borderlines because of their passion and their belief that theatre has the power to enrich, enthrall and enliven individuals and communities; that it can change lives for the better”, was her straight-to-the-point response.
“They’re a highly professional and qualified group of people with a fantastic track record of making a real difference to the lives of people who, for one reason or another, face challenges in life. That could be because of a difficult family background, because of their race, or because, like the people we work with, disability creates barriers to their being able to live a full and independent life. “ Obviously, here at the New Vic, we don’t need convincing about the value and power of theatre and the ways it can change lives. What does Val hope the people involved in the new theatre company will get out of it?
“And, of course, they will meet new people, make new friends, develop their creativity, learn new skills and, by no means the least important, have fun. “More profoundly, the work will help develop confidence and communication, enhance body language and the way they present themselves in day to day life. And theatre is all about working as a team, supporting each other and solving problems together. A great lesson for life.
“On the most practical level, by working with theatre professionals, participants will be able to develop their own ideas and ambitions for the work of ETC. And they’ll have access to all the resources of the New Vic – lighting and sound, costume and design. All the expertise of the theatre staff. 41| www.newvictheatre.org.uk
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Who are New Vic BORDERLINES? NewVic Borderlines works with some of North Staffordshire’s most disadvantaged communities: young people in trouble, people with learning disabilities and children under seven and their families. The team uses theatre to help people find new and positive ways to understand themselves, their communities and their responsibilities. They challenge destructive and anti-social attitudes, build self-awareness and self-worth, and develop positive attitudes. www.newvictheatre.org.uk
Page 43
Who are ELITE?
“Crucially, the work will help develop ambition and promote the confidence that comes when you achieve things. And it will help the people involved to find their own ‘voice’ and to express their concerns and aspirations as positive citizens and members of society”.
ELITE (Enabling Living Independently, Today & Everyday) is a user-led organisation working to eliminate the barriers that prevent disabled people from living full and independent lives.
That’s quite a list of aims and ambitions for the new initiative! How does Sue Moffat, Director of New Vic Borderlines, see the project going? “We’ll just get straight to work”, she says.
“We’ve already got performances planned for Christmas and with just weekly sessions and the odd full-day, we’ve certainly got plenty to do! But we know that, however scary it might feel, the fact that you’ve got to put on a real show for a real audience is what makes the work so effective – and exciting! “Over the years it’s been .
.really rewarding for us to see that the results of our work have been so much more than we’d ever hoped for. The positive effects don’t come to an end when the curtain comes down. To see people unfolding and the barriers come down is tremendous”, says Sue, “and watching teenagers and adults grow in confidence and experience a fuller life is fantastic”. “But it’s important to remember”, she’s at pains to stress, “that the achievement is theirs not ours. We just provide the building blocks”. If you or someone you know is interested in joining Elite Theatre
42| www.newvictheatre.org.uk
It offers friendly, informal and confidential support to elderly, less-able, disabled people and carers in our local communities supporting independent living and community inclusion. Our support is provided by disabled people and carers in the local area who understand the issues at grassroots level – experts by experience. In 2008 ELITE became a Community Interest Company (not for profit organisation). It offers information and advice on Direct Payments and personal budgets; peer support advocacy in reviews/assessments; person centred planning; leisure opportunities/days out; training opportunities and work experience; volunteering for individuals who are interested in a career in Social Care and Health. Val Rowley
www.elitestaffordshire.co.uk
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Who are New Vic BORDERLINES? NewVic Borderlines works with some of North Staffordshire’s most disadvantaged communities: young people in trouble, people with learning disabilities and children under seven and their families. The team uses theatre to help people find new and positive ways to understand themselves, their communities and their responsibilities. They challenge destructive and anti-social attitudes, build self-awareness and self-worth, and develop positive attitudes. www.newvictheatre.org.uk
Page 43
Who are ELITE?
“Crucially, the work will help develop ambition and promote the confidence that comes when you achieve things. And it will help the people involved to find their own ‘voice’ and to express their concerns and aspirations as positive citizens and members of society”.
ELITE (Enabling Living Independently, Today & Everyday) is a user-led organisation working to eliminate the barriers that prevent disabled people from living full and independent lives.
That’s quite a list of aims and ambitions for the new initiative! How does Sue Moffat, Director of New Vic Borderlines, see the project going? “We’ll just get straight to work”, she says.
“We’ve already got performances planned for Christmas and with just weekly sessions and the odd full-day, we’ve certainly got plenty to do! But we know that, however scary it might feel, the fact that you’ve got to put on a real show for a real audience is what makes the work so effective – and exciting! “Over the years it’s been .
.really rewarding for us to see that the results of our work have been so much more than we’d ever hoped for. The positive effects don’t come to an end when the curtain comes down. To see people unfolding and the barriers come down is tremendous”, says Sue, “and watching teenagers and adults grow in confidence and experience a fuller life is fantastic”. “But it’s important to remember”, she’s at pains to stress, “that the achievement is theirs not ours. We just provide the building blocks”. If you or someone you know is interested in joining Elite Theatre
42| www.newvictheatre.org.uk
It offers friendly, informal and confidential support to elderly, less-able, disabled people and carers in our local communities supporting independent living and community inclusion. Our support is provided by disabled people and carers in the local area who understand the issues at grassroots level – experts by experience. In 2008 ELITE became a Community Interest Company (not for profit organisation). It offers information and advice on Direct Payments and personal budgets; peer support advocacy in reviews/assessments; person centred planning; leisure opportunities/days out; training opportunities and work experience; volunteering for individuals who are interested in a career in Social Care and Health. Val Rowley
www.elitestaffordshire.co.uk
Spring2012MagArt:Layout 1
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Community Borderlines projects
Yizkor ‘The best play about the Holocaust that I have ever seen....’ (Institute of Education Head of Holocaust Education) Following last year’s tremendous success, this important play tours Stoke-on-Trent & Staffordshire again from 31 Oct - 2 Dec 2011. A few dates still available.
Knutton’s Bothering Us Working with Knutton residents to create stories and explore ways of bringing people together. Culminating in a street parade. A project supported by Partners Achieving Safer Staffordshire, Aspire Housing and Newcastle-under-Lyme Borough Council.
Weird and Wonderland New Vic Borderlines performances based on themes from Alice in Wonderland
7 December:Young People’s Theatre Company present a dynamic exploration of the characters you might meet in the streets of Weird and Wonderland. 15 December: Strathcross Drama group present their own unique Weird and Wonderland. Whose Hat is it anyway? 20 December: Day-tripper’s and Twilighters Elite Theatre Company present I’m late I’m late
Chapter 2, Model Citizens, Next Chapter, Get Up Get Out Get In Communitybased projects working with some of North Staffordshire’s most vulnerable and disadvantaged groups. UN HOLOCAUST MEMORIAL DAY Working with Staffordshire schools to explore the theme Speak Up, Speak Out to create a safer, better future
Cutting Costs A new drama exploring the impact of Gangs and Knife Crime. With Stoke-on-Trent City Council For further information, contact Borderlines on 01782 381368.
14:21
Page 45
Ages & Stages
There’s not one but two new documentaries in 2012! Head of Education, Jill Rezzano, explains. In partnership with Keele University, we’re charting the life and times of the New Vic through the memories of people who have been associated with it over the last 50 years. And we’re discovering how this theatre has played an important part in their lives.
For 50 years, this theatre company has been closely involved with the people of the area. The lives of theatre employees, volunteers, audience members and people involved with our pioneering theatre documentarites are being celebrated in the Ages and Stages documentary project. Now in its third year, Ages and Stages has collected a huge range of interviews with New Vic folk, building a picture of the impact that the theatre has had on their lives over the years. Now the Education Department is creating a new theatre documentary to bring to life these memories and look forward to the future, exploring the issues affecting local people today.
Weekly workshops are attended by people who have played a part in the life of the theatre, including longstanding audience members whose recollections will now become part of the show. Members of the New Vic Youth Theatre are joining in, bringing their own unique contribution. The sessions will form the basis of our new documentary which will tour and be performed here at The New Vic in July. Alongside the new documentary, we will be mounting an exhibition which will be curated by the New Vic's resident Desgner, Lis Evans. Lis has been responsible for many of the memorable set and costume designs seen over the years. We will be asking members of the public to loan us their Victoria Theatre and New Vic memorabilia, as well showing material from the Theatre archive itself. Look out for requests for you to bring out your own objects, which you associate with visiting the Theatre. The Ages and Stages project has been a unique insight into the lives of the people who have been involved with the theatre over half a century. We have had endless enthusiasm and generosity from participants in the project and working with researchers from Keele University has meant we can really explore how the theatre has played a part in the life of the community. Ages and Stages performance Weds 11 July
Can you help?
We are still looking to speak to people who were interviewed for one of the original Theatre Documentaries, for example, The Dirty Hill.
Please contact Jill Rezzano: jrezzano@newvictheatre.org.uk 01782 717954, if you you can help. Also, check out: <http://www.keele.ac.uk/agesandstages> for more information on the project.
Community
Education Projects FOR SCHOOLS
New Vic Education regularly works with schools and groups to design and deliver projects for their own particular needs. Projects have included story-telling, and Shakespeare and through creative drama activities inspiring ideas to continue the work. We provide work to support Literacy, History, Citizenship and PSHE. We are currently working on projects including an inter-generational performance and developing creative teaching techniques in Primary Science. Talk to us about your ambitions for your students and we’ll help you achieve them. FOR CHILDREN & YOUNG PEOPLE
Drama Club Saturday morning drama sessions for children aged 4-10. Saturdays 10-11, 11.15-12.15, 12.30-1.30 (term time) Youth Theatre Create, watch and explore theatre! Weekly after-school sessions for 10-12s, 13-15s and 16-18s (school term time)
FOR ADULTS
Revolve Be inspired! Workshops, talks and discussions for adults based on selected New Vic productions. Learn more productions and the vision of the people who create them.
Evolve Have a go! Drama workshops for adults. The sessions will be practical, fun and give you an insight into creating character and developing scenes. No experience is necessary.Tuesday evenings 6.30-8.30pm. Check our web page for more information or contact Lynn Parry. Tel: 01782 381366 Email: lparry@newvictheatre.org.uk
45 | www.newvictheatre.org.uk
Spring2012MagArt:Layout 1
17/10/11
Community Borderlines projects
Yizkor ‘The best play about the Holocaust that I have ever seen....’ (Institute of Education Head of Holocaust Education) Following last year’s tremendous success, this important play tours Stoke-on-Trent & Staffordshire again from 31 Oct - 2 Dec 2011. A few dates still available.
Knutton’s Bothering Us Working with Knutton residents to create stories and explore ways of bringing people together. Culminating in a street parade. A project supported by Partners Achieving Safer Staffordshire, Aspire Housing and Newcastle-under-Lyme Borough Council.
Weird and Wonderland New Vic Borderlines performances based on themes from Alice in Wonderland
7 December:Young People’s Theatre Company present a dynamic exploration of the characters you might meet in the streets of Weird and Wonderland. 15 December: Strathcross Drama group present their own unique Weird and Wonderland. Whose Hat is it anyway? 20 December: Day-tripper’s and Twilighters Elite Theatre Company present I’m late I’m late
Chapter 2, Model Citizens, Next Chapter, Get Up Get Out Get In Communitybased projects working with some of North Staffordshire’s most vulnerable and disadvantaged groups. UN HOLOCAUST MEMORIAL DAY Working with Staffordshire schools to explore the theme Speak Up, Speak Out to create a safer, better future
Cutting Costs A new drama exploring the impact of Gangs and Knife Crime. With Stoke-on-Trent City Council For further information, contact Borderlines on 01782 381368.
14:21
Page 45
Ages & Stages
There’s not one but two new documentaries in 2012! Head of Education, Jill Rezzano, explains. In partnership with Keele University, we’re charting the life and times of the New Vic through the memories of people who have been associated with it over the last 50 years. And we’re discovering how this theatre has played an important part in their lives.
For 50 years, this theatre company has been closely involved with the people of the area. The lives of theatre employees, volunteers, audience members and people involved with our pioneering theatre documentarites are being celebrated in the Ages and Stages documentary project. Now in its third year, Ages and Stages has collected a huge range of interviews with New Vic folk, building a picture of the impact that the theatre has had on their lives over the years. Now the Education Department is creating a new theatre documentary to bring to life these memories and look forward to the future, exploring the issues affecting local people today.
Weekly workshops are attended by people who have played a part in the life of the theatre, including longstanding audience members whose recollections will now become part of the show. Members of the New Vic Youth Theatre are joining in, bringing their own unique contribution. The sessions will form the basis of our new documentary which will tour and be performed here at The New Vic in July. Alongside the new documentary, we will be mounting an exhibition which will be curated by the New Vic's resident Desgner, Lis Evans. Lis has been responsible for many of the memorable set and costume designs seen over the years. We will be asking members of the public to loan us their Victoria Theatre and New Vic memorabilia, as well showing material from the Theatre archive itself. Look out for requests for you to bring out your own objects, which you associate with visiting the Theatre. The Ages and Stages project has been a unique insight into the lives of the people who have been involved with the theatre over half a century. We have had endless enthusiasm and generosity from participants in the project and working with researchers from Keele University has meant we can really explore how the theatre has played a part in the life of the community. Ages and Stages performance Weds 11 July
Can you help?
We are still looking to speak to people who were interviewed for one of the original Theatre Documentaries, for example, The Dirty Hill.
Please contact Jill Rezzano: jrezzano@newvictheatre.org.uk 01782 717954, if you you can help. Also, check out: <http://www.keele.ac.uk/agesandstages> for more information on the project.
Community
Education Projects FOR SCHOOLS
New Vic Education regularly works with schools and groups to design and deliver projects for their own particular needs. Projects have included story-telling, and Shakespeare and through creative drama activities inspiring ideas to continue the work. We provide work to support Literacy, History, Citizenship and PSHE. We are currently working on projects including an inter-generational performance and developing creative teaching techniques in Primary Science. Talk to us about your ambitions for your students and we’ll help you achieve them. FOR CHILDREN & YOUNG PEOPLE
Drama Club Saturday morning drama sessions for children aged 4-10. Saturdays 10-11, 11.15-12.15, 12.30-1.30 (term time) Youth Theatre Create, watch and explore theatre! Weekly after-school sessions for 10-12s, 13-15s and 16-18s (school term time)
FOR ADULTS
Revolve Be inspired! Workshops, talks and discussions for adults based on selected New Vic productions. Learn more productions and the vision of the people who create them.
Evolve Have a go! Drama workshops for adults. The sessions will be practical, fun and give you an insight into creating character and developing scenes. No experience is necessary.Tuesday evenings 6.30-8.30pm. Check our web page for more information or contact Lynn Parry. Tel: 01782 381366 Email: lparry@newvictheatre.org.uk
45 | www.newvictheatre.org.uk
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Community
Props & Costume Hire at the New Vic
Creative conferences and training
Organisations achieving change with award-winning New Vic Borderlines New Vic Borderlines develops, designs and delivers creative conferences and training. They are events that make a real difference.
The New Vic Theatre houses an extensive collection of costumes, furniture and props from past productions.
Special Matters: a conference for service providers, health practitioners and commissioners to develop practice and shape services for families
We work regionally, nationally and internationally with HR professionals and those responsible for training and organisational development in voluntary and statutory organisations and in business. Our creative conferences and training are thought-provoking, innovative and purposeful. They help to identify the strengths and strategies which can make a real difference in working practice. And they empower individuals to be creative and innovative.
“I fully support the rolling out of this project across the UK”
Director of the Crown Prosecution Service
“The work of New Vic Borderlines is outstanding” Chair of Citizenship Foundation All Our Daughters?: training day for Local Education Authorities, Police Services housing and other statutory agencies on national guidelines for keeping children and young people safe
46 | www.newvictheatre.org.uk
Key benefits of creative training with New Vic Borderlines include: • achieving meaningful consultation with service users; • improving customer/client relationships; • effective team-building and personal development; • achieving organisational change.
To discuss creative conferences and training, contact the Borderlines office on 01782 381368.
Partners we have worked with include:
British Crime Concern, British Muslim Welfare Society, Citizenship Foundation, Creative Partnerships, Crown Prosecution Service, Foreign & Commonwealth Office, Holocaust Memorial Day Trust, Home Office, Magistrates Association, Sure Start Special Matters, National Association for Youth Justice, Aspire Housing, Care Match, Cheshire Social Services, The Home Office, National Health Service Trusts, Staffordshire County Council, Newcastle-under-Lyme Borough Council, Stoke-on-Trent City Council, Warsaw University, international health consortiums in Latvia, Finland and Holland.
Most of what appears on the New Vic stage is created by our in-house craft departments. And working in the round means that attention to detail is paramount.That’s why props and costume, be it Sweeney Todd’s barber’s chair or the impressive gowns of 18th Century Paris, are often the stars of the show.
We welcome enquiries from anyone wishing to hire New Vic props, furniture or costumes – other theatres, film and television companies, amateur societies and educational organisations throughout the UK and worldwide.
To find out more, contact the relevant team: Costume: Costume Supervisor Pat Blenkarn on 01782 381365 or email pblenkarn@newvictheatre.org.uk Props and furniture: New Vic Props Hire on 01782 381361 or email propshire@newvictheatre.org.uk
Spoil yourself!
Sorry, our props and costumes cannot be hired for fancy dress or parties!
theatre
restaurant
Home-made food at value for money prices.
Enjoy lunch or a pre-show meal with friends. Have a drink at the bar. Or simply spoil yourself with a cuppa and a delicious cake. If you’re coming for a pre-show dinner, why not call 01782 717954 ext. 325 and reserve a table?
Snacks - 10am - ’til 3.30pm Lunch - Noon ’til 2pm Closed - 3.30pm - 5.30pm Dinner - 5.30pm - 7.30pm Beverages - 5.30pm ’til interval (Bar ’til 11pm)
Tableware generously supplied by
Wherever possible, the New Vic uses local produce and ingredients.
Information
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Page 47
Community
Props & Costume Hire at the New Vic
Creative conferences and training
Organisations achieving change with award-winning New Vic Borderlines New Vic Borderlines develops, designs and delivers creative conferences and training. They are events that make a real difference.
The New Vic Theatre houses an extensive collection of costumes, furniture and props from past productions.
Special Matters: a conference for service providers, health practitioners and commissioners to develop practice and shape services for families
We work regionally, nationally and internationally with HR professionals and those responsible for training and organisational development in voluntary and statutory organisations and in business. Our creative conferences and training are thought-provoking, innovative and purposeful. They help to identify the strengths and strategies which can make a real difference in working practice. And they empower individuals to be creative and innovative.
“I fully support the rolling out of this project across the UK”
Director of the Crown Prosecution Service
“The work of New Vic Borderlines is outstanding” Chair of Citizenship Foundation All Our Daughters?: training day for Local Education Authorities, Police Services housing and other statutory agencies on national guidelines for keeping children and young people safe
46 | www.newvictheatre.org.uk
Key benefits of creative training with New Vic Borderlines include: • achieving meaningful consultation with service users; • improving customer/client relationships; • effective team-building and personal development; • achieving organisational change.
To discuss creative conferences and training, contact the Borderlines office on 01782 381368.
Partners we have worked with include:
British Crime Concern, British Muslim Welfare Society, Citizenship Foundation, Creative Partnerships, Crown Prosecution Service, Foreign & Commonwealth Office, Holocaust Memorial Day Trust, Home Office, Magistrates Association, Sure Start Special Matters, National Association for Youth Justice, Aspire Housing, Care Match, Cheshire Social Services, The Home Office, National Health Service Trusts, Staffordshire County Council, Newcastle-under-Lyme Borough Council, Stoke-on-Trent City Council, Warsaw University, international health consortiums in Latvia, Finland and Holland.
Most of what appears on the New Vic stage is created by our in-house craft departments. And working in the round means that attention to detail is paramount.That’s why props and costume, be it Sweeney Todd’s barber’s chair or the impressive gowns of 18th Century Paris, are often the stars of the show.
We welcome enquiries from anyone wishing to hire New Vic props, furniture or costumes – other theatres, film and television companies, amateur societies and educational organisations throughout the UK and worldwide.
To find out more, contact the relevant team: Costume: Costume Supervisor Pat Blenkarn on 01782 381365 or email pblenkarn@newvictheatre.org.uk Props and furniture: New Vic Props Hire on 01782 381361 or email propshire@newvictheatre.org.uk
Spoil yourself!
Sorry, our props and costumes cannot be hired for fancy dress or parties!
theatre
restaurant
Home-made food at value for money prices.
Enjoy lunch or a pre-show meal with friends. Have a drink at the bar. Or simply spoil yourself with a cuppa and a delicious cake. If you’re coming for a pre-show dinner, why not call 01782 717954 ext. 325 and reserve a table?
Snacks - 10am - ’til 3.30pm Lunch - Noon ’til 2pm Closed - 3.30pm - 5.30pm Dinner - 5.30pm - 7.30pm Beverages - 5.30pm ’til interval (Bar ’til 11pm)
Tableware generously supplied by
Wherever possible, the New Vic uses local produce and ingredients.
Information
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Page 49
Helping young people visit the New Vic For more than ten years, in a unique scheme, children under 16 have been able to visit the New Vic for free. It’s meant that families have been able to socialise together for a reasonable price, and that youngsters can develop the theatre-going habit – a very good thing! For two years, the Arts Council England-funded scheme, A Night Less Ordinary, meant we could offer free tickets to under 26s. The scheme’s ended but, it’s been such a fantastic success with thousands of new, young faces in the theatre, we’ve decided to make our own arrangements. Enjoy!
Under 26s Go Free! We’ve got 50 free tickets to give away for selected New Vic productions to people under 26 (and £7.50 tickets for touring shows). They’re available on a first come first served basis. So make sure to book soon! But, don’t worry, when all the free tickets are gone, you can still get a ticket for just £7.50. Call our Box Office to find out more: 01782 717962 Under 26 Go Free tickets available for Mon – Fri performances; not available to book online For terms and conditions visit us online at www.newvictheatre.org.uk/v3_5w/freeu26.html
48 | www.newvictheatre.org.uk
Bookings /Access /Concessions
Bookings
In Person Box Office open Mon - Sat 10.00am to start of performance. Closes 6pm on non-performance nights. By Phone 24 hour booking service - 01782 717962 (answerphone out of Box Office hours). By Post Cheques payable to New Vic Theatre (cheque guarantee card number & expiry date on reverse), include SAE and send to: New Vic Theatre, Etruria Road, Newcastle-under-Lyme, Staffs, ST5 0JG. By Credit / Debit Card Quote number by telephone; show card on collection. Tickets booked by credit card are guaranteed sold and can be collected at any time or posted to you for 60p. Reservations held for 3 working days or 1 hr before performance whichever is earliest. We no longer accept Electron, Amex or Diners cards. Online Book online at www.newvictheatre.org.uk (£1 booking fee per ticket.) Exchanging Tickets We are sorry that no refunds can be made. 50p per ticket to exchange for another performance of same production - at least 3 days prior to date of original performance. Service free for package buyers.
New Vic Value
Groups & Schools Groups of ten or more £2.00 off top two price bands for New Vic productions unless otherwise stated. School groups £9.50 any seat, any performance, unless otherwise stated.
First Night Fever All seats £13.50 (no concessions).
Content
Productions may contain strong language and difficult content. Please check with Box Office prior to booking.
Late Admissions
Please note that latecomers will not be admitted until a suitable break in the performance.
Information
Audio Described Performances for New Vic Productions (please book min. 3 days in advance).
Large-print cast sheets available on request. Guide dogs welcome. Loan copies of play scripts available from the Box Office on request. Tickets £9.50 Mon – Thurs; £12.00 Fri; and £14.00 Sat (Alice in Wonderland £9.50 Mon – Thurs; £12.00 Fri & Sat); lowest advertised price less £2.00 concession (if available) for all other events.
The New Vic reserves the right to vary the advertised programme and facilities if necessary and apologises for any inconvenience. E & OE
A Companion ticket at lowest advertised price (less concession if eligible) per disabled patron.
Committed to providing access to the arts for all.
Concessions* £2.00 off ticket prices for all New Vic productions for the following: Children / Full Time Students / Over 60s / People in Receipt of Means-Tested Benefits / Disabled Patrons
Access
U16s Go Free For nominated events, an under 16 admitted free with an adult paying full or concessionary price. U26s Go Free See page 48 for details. Some events have adult content. Check when booking. Disabled Patrons Free parking close to entrance (please call to reserve a space), automatic doors, lift to 1st floor, ramped access to auditorium, disabled toilets. Magnetic induction loop in auditorium (not available for amplified performances). Infra-red assisted hearing system.
Captioned Performances for New Vic Productions.
A free Carer’s ticket for patrons in receipt of Disability Living Allowance or Attendance Allowance.
In addition, if you are in receipt of Income Support, Income-based Jobseeker’s Allowance or Social Fund, tickets are only £1.50 for Monday and Tuesday performances of New Vic productions**. *Conditions All concessionary tickets subject to availability; only one discount per ticket; proof of status may be required; no concessions for matinees or Saturday performances unless otherwise stated. **Maximum 2 tickets per person.
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Page 49
Helping young people visit the New Vic For more than ten years, in a unique scheme, children under 16 have been able to visit the New Vic for free. It’s meant that families have been able to socialise together for a reasonable price, and that youngsters can develop the theatre-going habit – a very good thing! For two years, the Arts Council England-funded scheme, A Night Less Ordinary, meant we could offer free tickets to under 26s. The scheme’s ended but, it’s been such a fantastic success with thousands of new, young faces in the theatre, we’ve decided to make our own arrangements. Enjoy!
Under 26s Go Free! We’ve got 50 free tickets to give away for selected New Vic productions to people under 26 (and £7.50 tickets for touring shows). They’re available on a first come first served basis. So make sure to book soon! But, don’t worry, when all the free tickets are gone, you can still get a ticket for just £7.50. Call our Box Office to find out more: 01782 717962 Under 26 Go Free tickets available for Mon – Fri performances; not available to book online For terms and conditions visit us online at www.newvictheatre.org.uk/v3_5w/freeu26.html
48 | www.newvictheatre.org.uk
Bookings /Access /Concessions
Bookings
In Person Box Office open Mon - Sat 10.00am to start of performance. Closes 6pm on non-performance nights. By Phone 24 hour booking service - 01782 717962 (answerphone out of Box Office hours). By Post Cheques payable to New Vic Theatre (cheque guarantee card number & expiry date on reverse), include SAE and send to: New Vic Theatre, Etruria Road, Newcastle-under-Lyme, Staffs, ST5 0JG. By Credit / Debit Card Quote number by telephone; show card on collection. Tickets booked by credit card are guaranteed sold and can be collected at any time or posted to you for 60p. Reservations held for 3 working days or 1 hr before performance whichever is earliest. We no longer accept Electron, Amex or Diners cards. Online Book online at www.newvictheatre.org.uk (£1 booking fee per ticket.) Exchanging Tickets We are sorry that no refunds can be made. 50p per ticket to exchange for another performance of same production - at least 3 days prior to date of original performance. Service free for package buyers.
New Vic Value
Groups & Schools Groups of ten or more £2.00 off top two price bands for New Vic productions unless otherwise stated. School groups £9.50 any seat, any performance, unless otherwise stated.
First Night Fever All seats £13.50 (no concessions).
Content
Productions may contain strong language and difficult content. Please check with Box Office prior to booking.
Late Admissions
Please note that latecomers will not be admitted until a suitable break in the performance.
Information
Audio Described Performances for New Vic Productions (please book min. 3 days in advance).
Large-print cast sheets available on request. Guide dogs welcome. Loan copies of play scripts available from the Box Office on request. Tickets £9.50 Mon – Thurs; £12.00 Fri; and £14.00 Sat (Alice in Wonderland £9.50 Mon – Thurs; £12.00 Fri & Sat); lowest advertised price less £2.00 concession (if available) for all other events.
The New Vic reserves the right to vary the advertised programme and facilities if necessary and apologises for any inconvenience. E & OE
A Companion ticket at lowest advertised price (less concession if eligible) per disabled patron.
Committed to providing access to the arts for all.
Concessions* £2.00 off ticket prices for all New Vic productions for the following: Children / Full Time Students / Over 60s / People in Receipt of Means-Tested Benefits / Disabled Patrons
Access
U16s Go Free For nominated events, an under 16 admitted free with an adult paying full or concessionary price. U26s Go Free See page 48 for details. Some events have adult content. Check when booking. Disabled Patrons Free parking close to entrance (please call to reserve a space), automatic doors, lift to 1st floor, ramped access to auditorium, disabled toilets. Magnetic induction loop in auditorium (not available for amplified performances). Infra-red assisted hearing system.
Captioned Performances for New Vic Productions.
A free Carer’s ticket for patrons in receipt of Disability Living Allowance or Attendance Allowance.
In addition, if you are in receipt of Income Support, Income-based Jobseeker’s Allowance or Social Fund, tickets are only £1.50 for Monday and Tuesday performances of New Vic productions**. *Conditions All concessionary tickets subject to availability; only one discount per ticket; proof of status may be required; no concessions for matinees or Saturday performances unless otherwise stated. **Maximum 2 tickets per person.
Spring2012MagArt:Layout 1
17/10/11
Ticket prices
Love’s Labours Lost, Alfie, Weekend Breaks, Where Have I Been All My Life
Row A&PartG Row B&PartG Rows C-F
Mon - Thurs Full Price Concessions Fri & Sat Eve Full Price Concessions* Matinees Full Price Concessions F N Fever all seats Groups (10+) Schools groups
£11.50 £9.50
£14.00 £12.00
£16.50 £14.50
£18.00 £16.00
£18.00 £16.00
£10.50 £10.50 £8.50 £8.50 £13.50 (no concessions) N/A £2.00 off £9.50 £9.50
Alice in Wonderland
£19.50 £17.50
£10.50 £8.50
£2.00 off £9.50
Row A&PartG Row B&PartG Rows C-F
Mon - Thurs & Matinees Full Price £11.50 £16.50 £18.00 Concessions £9.50 £14.50 £16.00 Child Group N/A £13.00 £13.00 Fri & Sat Eve Full Price £14.00 £18.00 £19.50 Concessions £12.00 £16.00 £17.50 Child Group N/A £13.00 £13.00 Groups (10+) N/A £2.00 off £2.00 off Family of 4 £58.00(must include one adult and one child) Schools’ perf Full Price £16.00 £16.00 £16.00 Concessions £14.00 £14.00 £14.00 Child Group £9.50 £9.50 £9.50
Any seat, any performance except:
Alice in Wonderland, Uncle Eric’s Christmas Carol * Fridays only
Price band map
Rows A & part G Row B & part G Rows C – F
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Information
Calendar
November Sat19 Alice in Wonderland Mon 21 Alice in Wonderland 10.30* Tues 22 Alice in Wonderland Weds 23 Alice in Wonderland 10.30* Chris Barber Thurs 24 Alice in Wonderland 10.30* Alice in Wonderland 10.30* Fri 25 Kalotaszeg Trio Sat 26 Alice in Wonderland Mon 28 Alice in Wonderland Tues 29 Alice in Wonderland 10.30* Weds 30 Alice in Wonderland 10.30* December Thurs 1 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 2 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Sat 3 Alice in Wonderland Uncle Eric’s Christmas Carol Mon 5 Alice in Wonderland Uncle Eric’s Christmas Carol Tues 6 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Weds 7 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Thurs 8 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 9 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Sat 10 Alice in Wonderland Uncle Eric’s Christmas Carol Mon 12 Alice in Wonderland Uncle Eric’s Christmas Carol Tale Trail to Wonderland Tues 13 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland 11.15 Weds 14 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland 11.15 Thurs 15 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 16 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland Sat 17 Alice in Wonderland Tale Trail to Wonderland 11.15 Froncysyllte Choir Mon 19 Alice in Wonderland 10.30* Tale Trail to Wonderland 11.15 Tues 20 Alice in Wonderland 10.30* Boys of the Lough Weds 21 Alice in Wonderland Tale Trail to Wonderland Thurs 22 Alice in Wonderland Tale Trail to Wonderland 11.15
2.15*
2.15
2.15* 2.15*
7.30
Fri 23
7.30
Mon 26 Tues 27 Weds 28 Thurs 29 Fri 30 Sat 31 January Mon 2 Theatre closed Tues 3 Alice in Wonderland Weds 4 Alice in Wonderland Thurs 5 Alice in Wonderland 10.30* Fri 6 Alice in Wonderland 10.30* Sat 7 Alice in Wonderland Mon 9 The Coal Porters Tues 10 Alice in Wonderland 10.30* Weds 11 Alice in Wonderland 10.30* Thurs 12 Alice in Wonderland 10.30* Fri 13 Alice in Wonderland 10.30* Sat 14 Alice in Wonderland Mon 16 Alice in Wonderland Tues 17 Alice in Wonderland 10.30* Weds 18 Alice in Wonderland 10.30* Parampara Thurs 19 Alice in Wonderland 10.30* Fri 20 Alice in Wonderland 10.30* Sat 21 Alice in Wonderland Sat 28 Love’s Labour’s Lost Mon 30 Love’s Labour’s Lost Tues 31 Love’s Labour’s Lost February Weds 1 Pasadena Roof Orchestra Thurs 2 Love’s Labour’s Lost Fri 3 Love’s Labour’s Lost Sat 4 Love’s Labour’s Lost Mon 6 Holocaust Memorial Event Tues 7 Love’s Labour’s Lost Weds 8 Love’s Labour’s Lost Thurs 9 Love’s Labour’s Lost Fri 10 Love’s Labour’s Lost Sat 11 Love’s Labour’s Lost Mon 13 Eric Knowles Tues 14 Love’s Labour’s Lost Weds 15 Love’s Labour’s Lost Thurs 16 Love’s Labour’s Lost Fri 17 Love’s Labour’s Lost Sat 18 Love’s Labour’s Lost Weds 22 Alfie Thurs 23 Alfie Fri 24 Alfie Sat 25 Alfie Mon 27 Alfie Tues 28 Alfie
7.30 7.30 2.15*
7.30
2.15
2.15*
2.15*
2.15*
7.30 7.30 7.30 7.30 7.30 7.30
2.15
2.15*
1.00 2.15* 1.00 2.15* 1.00
1.00 2.15 1.00 1.00 2.15 1.00 2.15 1.00
7.30 7.30 7.30 7.30 7.30 3.00 7.30
7.30 3.00
3.00 7.30
7.30 3.00 7.30 3.00
Sat 24
Alice in Wonderland Tale Trail to Wonderland Alice in Wonderland Tale Trail to Wonderland Theatre closed Alice in Wonderland Alice in Wonderland Alice in Wonderland Alice in Wonderland Alice in Wonderland
2.15 11.15 1.00 2.15 11.15 1.00
2.15 2.15 2.15 2.15 2.15
7.30 3.00 7.30 7.30 7.30 7.30
7.30 2.15* 2.15* 2.15* 2.15 7.30 7.30 2.15*
7.30 2.15 7.30 2.15* 7.30
2.15
2.15
2.15
7.30 7.30 7.30 7.30 7.30
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
Weds 29 March Thurs 1 Fri 2 Sat 3 Mon 5 Tues 6 Weds 7 Thurs 8 Fri 9 Sat 10 Mon 12 Tues 13 Weds 14 Thurs 15 Fri 16 Sat 17 Tues 20 Weds 21 Thurs 22 Fri 23 Sat 24 Mon 26 Tues 27 Weds 28 Thurs 29 Fri 30 Sat 31 April Fri 6 Sat 7 Mon 9 Tues 10 Weds 11 Thurs 12 Fri 13 Sat 14 Mon 16 Tues 17 Weds18 Thurs 19 Fri 20 Sat 21 Mon 23 Tues 24 Weds 25 Thurs 26 Fri 27 Sat 28
International Guitar Night Alfie Alfie Alfie Alfie Alfie Alfie Alfie Alfie Alfie Ensemble 360 Alfie Alfie Alfie Alfie Alfie Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks
7.30
2.15
2.15
2.15
2.15
Theatre closed Where Have I Been All My Life? Theatre closed Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Wicked Women Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? 2.15 Lawson Trio Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? 2.15
Talkback
First Night Fever
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
Captioned Performances
Audio Described Performances
Sign Language Interpreted Performance
Spring2012MagArt:Layout 1
17/10/11
Ticket prices
Love’s Labours Lost, Alfie, Weekend Breaks, Where Have I Been All My Life
Row A&PartG Row B&PartG Rows C-F
Mon - Thurs Full Price Concessions Fri & Sat Eve Full Price Concessions* Matinees Full Price Concessions F N Fever all seats Groups (10+) Schools groups
£11.50 £9.50
£14.00 £12.00
£16.50 £14.50
£18.00 £16.00
£18.00 £16.00
£10.50 £10.50 £8.50 £8.50 £13.50 (no concessions) N/A £2.00 off £9.50 £9.50
Alice in Wonderland
£19.50 £17.50
£10.50 £8.50
£2.00 off £9.50
Row A&PartG Row B&PartG Rows C-F
Mon - Thurs & Matinees Full Price £11.50 £16.50 £18.00 Concessions £9.50 £14.50 £16.00 Child Group N/A £13.00 £13.00 Fri & Sat Eve Full Price £14.00 £18.00 £19.50 Concessions £12.00 £16.00 £17.50 Child Group N/A £13.00 £13.00 Groups (10+) N/A £2.00 off £2.00 off Family of 4 £58.00(must include one adult and one child) Schools’ perf Full Price £16.00 £16.00 £16.00 Concessions £14.00 £14.00 £14.00 Child Group £9.50 £9.50 £9.50
Any seat, any performance except:
Alice in Wonderland, Uncle Eric’s Christmas Carol * Fridays only
Price band map
Rows A & part G Row B & part G Rows C – F
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Information
Calendar
November Sat19 Alice in Wonderland Mon 21 Alice in Wonderland 10.30* Tues 22 Alice in Wonderland Weds 23 Alice in Wonderland 10.30* Chris Barber Thurs 24 Alice in Wonderland 10.30* Alice in Wonderland 10.30* Fri 25 Kalotaszeg Trio Sat 26 Alice in Wonderland Mon 28 Alice in Wonderland Tues 29 Alice in Wonderland 10.30* Weds 30 Alice in Wonderland 10.30* December Thurs 1 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 2 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Sat 3 Alice in Wonderland Uncle Eric’s Christmas Carol Mon 5 Alice in Wonderland Uncle Eric’s Christmas Carol Tues 6 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Weds 7 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Thurs 8 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 9 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Sat 10 Alice in Wonderland Uncle Eric’s Christmas Carol Mon 12 Alice in Wonderland Uncle Eric’s Christmas Carol Tale Trail to Wonderland Tues 13 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland 11.15 Weds 14 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland 11.15 Thurs 15 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Fri 16 Alice in Wonderland 10.30* Uncle Eric’s Christmas Carol Tale Trail to Wonderland Sat 17 Alice in Wonderland Tale Trail to Wonderland 11.15 Froncysyllte Choir Mon 19 Alice in Wonderland 10.30* Tale Trail to Wonderland 11.15 Tues 20 Alice in Wonderland 10.30* Boys of the Lough Weds 21 Alice in Wonderland Tale Trail to Wonderland Thurs 22 Alice in Wonderland Tale Trail to Wonderland 11.15
2.15*
2.15
2.15* 2.15*
7.30
Fri 23
7.30
Mon 26 Tues 27 Weds 28 Thurs 29 Fri 30 Sat 31 January Mon 2 Theatre closed Tues 3 Alice in Wonderland Weds 4 Alice in Wonderland Thurs 5 Alice in Wonderland 10.30* Fri 6 Alice in Wonderland 10.30* Sat 7 Alice in Wonderland Mon 9 The Coal Porters Tues 10 Alice in Wonderland 10.30* Weds 11 Alice in Wonderland 10.30* Thurs 12 Alice in Wonderland 10.30* Fri 13 Alice in Wonderland 10.30* Sat 14 Alice in Wonderland Mon 16 Alice in Wonderland Tues 17 Alice in Wonderland 10.30* Weds 18 Alice in Wonderland 10.30* Parampara Thurs 19 Alice in Wonderland 10.30* Fri 20 Alice in Wonderland 10.30* Sat 21 Alice in Wonderland Sat 28 Love’s Labour’s Lost Mon 30 Love’s Labour’s Lost Tues 31 Love’s Labour’s Lost February Weds 1 Pasadena Roof Orchestra Thurs 2 Love’s Labour’s Lost Fri 3 Love’s Labour’s Lost Sat 4 Love’s Labour’s Lost Mon 6 Holocaust Memorial Event Tues 7 Love’s Labour’s Lost Weds 8 Love’s Labour’s Lost Thurs 9 Love’s Labour’s Lost Fri 10 Love’s Labour’s Lost Sat 11 Love’s Labour’s Lost Mon 13 Eric Knowles Tues 14 Love’s Labour’s Lost Weds 15 Love’s Labour’s Lost Thurs 16 Love’s Labour’s Lost Fri 17 Love’s Labour’s Lost Sat 18 Love’s Labour’s Lost Weds 22 Alfie Thurs 23 Alfie Fri 24 Alfie Sat 25 Alfie Mon 27 Alfie Tues 28 Alfie
7.30 7.30 2.15*
7.30
2.15
2.15*
2.15*
2.15*
7.30 7.30 7.30 7.30 7.30 7.30
2.15
2.15*
1.00 2.15* 1.00 2.15* 1.00
1.00 2.15 1.00 1.00 2.15 1.00 2.15 1.00
7.30 7.30 7.30 7.30 7.30 3.00 7.30
7.30 3.00
3.00 7.30
7.30 3.00 7.30 3.00
Sat 24
Alice in Wonderland Tale Trail to Wonderland Alice in Wonderland Tale Trail to Wonderland Theatre closed Alice in Wonderland Alice in Wonderland Alice in Wonderland Alice in Wonderland Alice in Wonderland
2.15 11.15 1.00 2.15 11.15 1.00
2.15 2.15 2.15 2.15 2.15
7.30 3.00 7.30 7.30 7.30 7.30
7.30 2.15* 2.15* 2.15* 2.15 7.30 7.30 2.15*
7.30 2.15 7.30 2.15* 7.30
2.15
2.15
2.15
7.30 7.30 7.30 7.30 7.30
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
Weds 29 March Thurs 1 Fri 2 Sat 3 Mon 5 Tues 6 Weds 7 Thurs 8 Fri 9 Sat 10 Mon 12 Tues 13 Weds 14 Thurs 15 Fri 16 Sat 17 Tues 20 Weds 21 Thurs 22 Fri 23 Sat 24 Mon 26 Tues 27 Weds 28 Thurs 29 Fri 30 Sat 31 April Fri 6 Sat 7 Mon 9 Tues 10 Weds 11 Thurs 12 Fri 13 Sat 14 Mon 16 Tues 17 Weds18 Thurs 19 Fri 20 Sat 21 Mon 23 Tues 24 Weds 25 Thurs 26 Fri 27 Sat 28
International Guitar Night Alfie Alfie Alfie Alfie Alfie Alfie Alfie Alfie Alfie Ensemble 360 Alfie Alfie Alfie Alfie Alfie Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks Weekend Breaks
7.30
2.15
2.15
2.15
2.15
Theatre closed Where Have I Been All My Life? Theatre closed Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Wicked Women Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? 2.15 Lawson Trio Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? Where Have I Been All My Life? 2.15
Talkback
First Night Fever
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30 7.30
Captioned Performances
Audio Described Performances
Sign Language Interpreted Performance
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N O V 2 0 1 1 APRIL 2 0 1 2
How to get here Bus
Bus stop outside theatre 34 & 34A: Newcastle & Hanley.
Rail
The nearest station is Stoke-on-Trent. Connections to Birmingham, Manchester, Derby, Stafford, Crewe. Enquiries: 08457 484950
Meet Alecky Blythe, the woman “changing the face of British theatre”
Parking
Disabled
Please contact Box Office to arrange reserved, free parking
Coach / Minibus
Please contact Box Office to arrange reserved, free parking
Car
£1 (free before 6.30pm and for four-in-a-car). Theatre is in residential area. Use car parks indicated. Theatre car park can be full at busy times! Leave time to use alternative parking approx 500 yards from theatre (see map). Cars parked at owners’ risk. N.B. don’t park at Polite Vicar wheel-clamping in force!
The New Vic gratefully acknowledges the following for their generous support:
IF YOU'RE USING A SAT NAV! Users of satellite navigation systems have occasionally experienced problems. Please ensure that your system is directing you to the NEW VIC, NEWCASTLE-UNDERLYME. Double check that your system has logged the correct postcode: ST5 0JG
The New Vic Theatre operates thanks to a unique partnership between Arts Council England, Staffordshire County Council, Newcastle-under-Lyme Borough Council and Stoke-on-Trent City Council
Charity Registration Number: 253242 Company Registration Number: 911924 Registered Office: Etruria Road, Newcastle under Lyme, Staffordshire, ST5 0JG
Box Office: 01782 717962
New Vic Theatre, Etruria Road, Newcastle-Under-Lyme, Staffs, ST5 0JG
Box Office: 01782 717962