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MRomo, originally from Mexico City, has a degree in graphic design, with a deep artistic calling from an early age she discovers her ability for painting and her true vocation. MRomo represents the image of a versatile, passionate and sensitive creator who gives a hidden and enigmatic message in her works. MRomo creates a fusion of emotions between different reliefs and textures with figurative, abstract or realism art to capture the true meaning that he wishes to convey in each of his works. MRomo has explored all the techniques sharing them with his students in workshops for over 15 years and sharing his knowledge keeps his inspiration alive.
Interior Light: The Art of MRomo by Araceli ArdĂłn
The first artistic expression was an extension of nature. The earliest plastic artists lived at the end of the Pleistocene and left their works, which represented animals, on a support that has stood the test of time: the rock walls of natural cavities. I was in the original Altamira cavern and in that ancient museum I observed the paintings created 15,000 years ago, as vivid as the first day. The chill of having seen them still makes me shudder. Art is fundamental to the life of the human being. It is as important to your spirit as food is to your body. A piece created by an artist opens up paths in the mind that allow us to think more clearly, because that vision articulates our ideas and offers us solutions to complex problems. Contemplating a work of art initiates a thought process that occurs without our realizing it. MRomo’s paintings, with their play of textures and colors, arise from different materials to achieve a mixed technique that provokes in the viewer a series of emotions that appeal to their most hidden memories, to the secret life of the feelings they have gone through. The interweaving of his heart throughout the years. Every piece of original art becomes a window that opens to other worlds: the spaces we have inhabited, our own being at different ages, life in distant places, the taste of fruits, the invisible presence of authors who have left her imprint on the artistic work of this creator whose abstract is a challenge to our thinking. For this reason, the same work transmits a message to us in the morning, with the first light of the sun caressing an area of the painting, casting shadows and outlining profiles. There is another message at noon, with the overhead light that enters the room through the gaps around the piece, when it receives the clarity from different beams of light. The afternoon has its colors, which bathes the work of art; the night transmits its mystery to the figures, colors and textures trapped in the support.
One of the aesthetic currents that permeates the art of MRomo is bioformism, a movement of the early 20th century that prioritized biological forms: fruits, flowers, trees, maritime landscapes, calm horizons or the wild blow of the waves. on reefs. Rabindranath Tagore, a Bengali poet who was born in Calcutta, India, lived through the second half of the 19th century and the beginning of the 20th. He was recognized with the Nobel Prize for Literature in 1913. From his profound poetry I highlight a couple of verses: “The clouds come floating into my life, no longer to carry rain or storm, but to add color to the sky of my evening” . This is what MRomo achieves through her pictorial creation: adding color to our daily lives. A family that lives surrounded by art appreciates the work that is hidden in beauty, the conceptual treatment of the works and the emotions that are transmitted through the forms, movement, rhythm and composition of each painting and sculpture, or of any of its combinations. By placing the piece in a space where the inhabitants of the house gather to comment on events or enjoy the food, it provokes pleasure, that painting will also, subliminally, stimulate the ideas of those gathered there, making them articulate and clear, so that the thought is enriched. In recent times, humanity has learned a valuable lesson: the importance of beauty in the home, office or space where we spend time, an increasingly valued good. The place where we live must be pleasant for reasons of mental health, to protect the spirit, keep it safe from the calamities of the world and regain strength to go out again. Each person needs to balance his inner life to face the challenges that our historical moment presents. MRomo’s art has the purpose of enriching the lives of her collectors, beyond achieving an environment that transmits messages of peace, beauty and light. Its fruits are a song to nature. Its flowers, trees and landscapes are a reminder of the transience of matter: the retention in human memory of what has been in the world. Spring is trapped in his canvases, boards and textures. Pablo Picasso said: “Art washes the dust of everyday life from the soul.”
For thousands of years, plastic artists have gone from figuration to abstract. The works that lack an image similar to nature or an architectural construction, those that are composed of rotating lines, colors that blend, volumes that attract attention and shapes without a defined shape, have the function of stimulating the mind. They serve to break paradigms, establish challenges, set in motion the sometimes dormant mechanisms of our brain and thus transform the viewer into a more creative person. Beauty, Shakespeare already said, is in the eye of the beholder. The masterpieces that humanity treasures are not necessarily a reflection of reality. In many cases, the value of a piece lies in its balance, harmony and rhythm. MRomo’s art is beautiful because it meets these requirements but it also makes us think, when observing in detail all the aesthetic proposal of her pieces, that they are stimulating of emotions and ideas. Being an artist, the creative area of the brain of MRomo makes her work in a careful basic plane, in which balanced visual weight and complex composition are combined that at first glance is appreciated as a work of elegant rhythm and palette bright. Each piece represents a world and, like the landscape that surrounds us, has several centers. Each of these centers draws the viewer’s attention, taking their appreciation from one depth plane to another, because this plastic artist works with different glazes, layers of different density and unique colors. Hence, the dynamic tensions in its superimposed planes manage to give the visual movement that gives life to the work. The compositional elements can be denotative - a flower - whose meaning refers us to natural beauty, and connotative - an idea, an emotion - that are more difficult to unravel. They can provoke an emotion by using warm tones, confront it with another memory that memory brings to light when the iconic sign uses cold tones. The audacious use of color means that in some Romo pieces there is a luminosity that provokes joy, intensity in the form, volumes in the texture and different dimensions,
as happens in the reality that surrounds us. This aesthetic richness tells us about the Interiority of the artist, converted into a sketch that is defined in a large format to include a piece of the sky, a corner of the universe, and in a hidden way human values converted into strokes, lines and contours. From the avant-garde emergence of the early twentieth century, movements such as surrealism, Dadaism, cubism and expressionism, there was a break of the artists with traditional techniques to achieve the subjective expression of ideas with freedom of expression. The new avant-garde is a struggle against the rigidity of the aesthetic canons of the academy and a protest against the atrocities derived from the crisis of values in Western society today. Hence contemporary art, such as that created by Romo, proclaims its authenticity. When contemplating one of his pieces, the strength of its creator appears. It would not be difficult to perceive aromas and sounds as well. The senses are closer than we imagine. That is why art manages to transform lives.
Special thanks I want to thank in a special way my dear editor Oscar Gutiérrez, excellent graphic designer, marketer, professional and creative who carried out an exhaustive work of months, to be able to carry out the compilation of years of my artistic work capturing it in this book in such a formidable. I also want to thank the emotional support of years of my two beloved daughters Sofía and Paola who have always been my impulse, motivation and support to create new works, my most fervent admirers, accomplices, friends, muses, throughout the trajectory of my artistic creations. I thank all the people who have supported my artistic career in some way throughout these years, my family, friends, Rafael Ramirez as a benefactor, who gave me his support throughout my career, I thank all my students from different workshops that renewed my artistic spirit for years to share my knowledge and motivate myself to create and investigate new techniques. I thank my teachers who shared their teaching with me, Miguel de la Fuente, Santiago Carbonell, Esmeralda Torres, Ramces de la Cruz, Ana Bertha Reyes, Araceli Ardón, among many other thanks.
Title: “Fusion of 2 Souls” Technique: Mixed, acrylics and resins on wood Year: 2019 “One of the aesthetic currents that permeates María Romo’s art is bioformism, a movement from the early 20th century that gave priority to biological forms: fruits, flowers and trees.”
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Title: “Sublime Passion” Technique: Mixed, acrylics, cork and resins on canvas Year: 2020 The work contains reliefs, textures and symbols of Mexican iconography, it emerges influenced by the love of a couple that fills our lives with light and color. It is therefore a resurgence and flourishing, a tree of life that shows a couple that merges into a single being “Sublime Passion”.
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Title: “Urban shine” Technique: Mixed acrylics and resins on wood Year: 2019
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Title: “Venus of Innocence” Technique: Oil on canvas Year: 2009
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Title: “Origins of Querétaro” Technique: Mixed acrylics, resins and oil on canvas Year: 2012
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This large-format work shows the most representative Otomí symbols of the city of Querétaro, Mexico. It contains the shield of the city, the arches represented in an original way with cork, hoops of the ball game, the mockingbird with a thousand voices, hot springs, symbols and words in Otomí. It is a trip to the past between colors, textures and reliefs, which is decorating the reception of a Baroque style hotel. 19
Title:”Infinite Passion” Technique: Mixed acrylics, charcoal and oil on canvas Year: 2011 “The contemplation of a work of art initiates a thought process that occurs without our realizing it.
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Title: “Fragmented apple” Technique: Mixed acrylics, resins, oil and accessories on wood Year: 2011
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Title: “A Life with Two Faces� Technique: Mixed acrylics and resins on wood Year: 2015 The message of the work refers to how we can find people with two faces, a warm one or a cold one represented within a tree of life, with harmonic tones that convey these emotions. It contains reliefs and textures of great symbolism and color, we can see that in the tree trunk it has the visual effect of the 2 faces, one blue that transmits the cold and the other yellow face the warm.
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Title: “Fruit of your womb” Technique: Oil on canvas Year: 2010 “María Romo’s paintings, with their interplay of textures and colors, arise from different materials to achieve a mixed technique that provokes in the viewer a series of emotions that appeal to their most hidden memories”
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Title: “Pandemic” Technique: Acrylic with resin on canvas Year: 2020 “Lines that rotate, colors that blend, volumes that attract attention and shapes without a defined shape, have the function of stimulating the mind. They serve to break paradigms, establish challenges, set in motion the sometimes dormant mechanisms of our brain and thus transform the viewer into a more creative person ”.
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Title: “Sofia” Technique: Oil on canvas Year: 2018
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Title: “Diary” Technique: Mixed, acrylic, resins, charcoal and oil on wood Year: 2011 “MRomo’s art is beautiful because it meets these requirements but it also makes us think, when observing in detail all the aesthetic proposal of her pieces, that they are stimulating of emotions and ideas”.
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Title: “Desolation and Consolation” Technique: Mixed, acrylic and oil on wood Year: 2012 This work full of sensitivity and symbolism where the suffering, desolation and abandonment of children are reflected, the textured hands that welcome them, the sensation of an angel that illuminates and protects them, the swallow of hope, the harmony and union of all in family. The work was a participant in a group exhibition at the Querétaro Art Museum called “70 Artists for the Same End” and where the artist donated all the funds obtained from the work to a humanitarian aid institution for abused children.
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Title: “Prosperity” Technique: Mixed acrylics, resins and accessories on wood Year: 2014
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Title: “Chabacanos” Technique: Pastel on paper Year: 2004
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Title: “Fallen Angel” Technique: Oil on canvas Year: 2008 “Every piece of original art becomes a window that opens onto other worlds: the spaces we have inhabited, our own being at different ages, life in distant places, the taste of fruits, the invisible presence of authors who have left its mark on the artistic work of this creator whose abstract is a challenge to our thinking ”.
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Title: “A Star in the Sky” Technique: Oil on canvas Year: 2006 “Every piece of original art becomes a window that opens onto other worlds: the spaces we have inhabited, our own being at different ages, life in distant places, the taste of fruits, the invisible presence of authors who have left its mark on the artistic work of this creator whose abstract is a challenge to our thinking ”.
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Title: “Ideologies” Technique: Acrylic on canvas Year: 2012
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Title: “Labyrinth� Technique: Mixed acrylic, resins and accessories on wood Year: 2015 An abstract work full of message: The feeling at some point that we are trapped in a maze and we do not know if we will find the way out. The message is written in different languages and contains words such as perseverance, will, hope, courage, love, strength, faith, determination, attitude, confidence, courage, intelligence, enthusiasm and peace, making us reflect on how we can find the way out. The work is made with textures and words in low relief within a labyrinth that was made with measurements to trace it, delimited by screws with a harmonic range of color.
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Title: “Mango” (diptych) Technique: Mixed acrylic, resins and oil on wood Year: 2015
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Title: “Botica” Technique: Mixed acrylic, resins and accessories on wood Year: 2018 “The audacious use of color means that in some of Romo’s pieces there is a luminosity that provokes joy, intensity in the form, volumes in the texture and different dimensions, as happens in the reality that surrounds us”.
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Title: “Skein of World” Technique: Mixed acrylic, resins and reliefs on wood Year: 2010 This work marks a representative moment in my art career, where I began to work with abstract art and participated in an Expo at the Municipal Gallery of the state of Querétaro. Exploring textures, reliefs and techniques such as dripping, applied in the form of a skein of paint threads rising in a green paint plate (cold tone) and descending in an orange (warm) color plate, represents for me Yin and Yang , two concepts of Taoism used to represent the duality that this philosophy attributes to everything that exists in the universe. Two opposite and complementary fundamental forces found in all things, Yin (feminine) and Yan (masculine). “Skein of the world” shows us, different fractions interpreted individually in an abstract way, forming twenty frames in one.
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Title: “Cocos” Technique: Mixed acrylic, resins and high relief on wood Year: 2009 “When contemplating one of his pieces, the strength of its creator appears. It would not be difficult to also perceive aromas and sounds. The senses are closer than we imagine ”.
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Title: “Mosaic of surprises” (diptych) Technique: Mixed acrylic, resins and accessories on wood Year: 2016 “When contemplating one of his pieces, the strength of its creator appears. It would not be difficult to also perceive aromas and sounds. The senses are closer than we imagine. That is why art manages to transform lives ”.
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Title: “Smiles” Technique: Mixed acrylic, resins and accessories on wood Year: 2016
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Title: “Pulse” Technique: Mixed acrylic, resins and reliefs on wood Year: 2017
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Title: “Fractional Orange” Technique: Oil and textures on canvas Year: 2016
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Title: “Balance line” Technique: Mixed acrylic, resins and textures on wood Year: 2016
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Title: “Seduction” Technique: Oil on canvas Year: 2005 “By placing the piece in a space where the inhabitants of the house gather to comment on events or enjoy the food, it provokes pleasure, that painting will also subliminally stimulate the ideas of those gathered there.”
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Title: “Josefa Fäden” Technique: Acrylic on canvas Year: 2020
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Title: “Nicole” Technique: Chinese ink on paper Year: 2000
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Title: “Apples” (diptych) Technique: Oil on canvas Year: 2002
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Title: “Complementary lives” Technique: Oil on canvas Year: 2007
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Title: “You and me” Technique: Pastel on paper Year: 2001
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Title: “Success and prosperity” (diptych) Technique: Mixed acrylic, resins and textures on wood Year: 2016 “The dynamic tensions in its superimposed planes manage to give the visual movement that gives life to the work. They can provoke an emotion when using warm tones, confront it with another memory that the memory brings to light when the iconic sign uses cold tones ”.
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Title: “City from the air” Technique: Mixed acrylic on canvas Year: 2009
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Title: “Spring” Technique: Mixed acrylic, resins and accessories on wood Year: 2013
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Title: “Angela” Technique: Oil on canvas Year: 2007
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Title: “Forbidden Fruit” Technique: Pastel on paper Year: 2002
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Title: “Reflections” Technique: Mixed acrylic, resins and textures on wood Year: 2015
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Title: “Tangerines” Technique: Pastel on paper Year: 2003
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Title: “Self-portrait” Technique: Mixed acrylic, resins and oil on canvas Year: 2012
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Title: “VW Mural” (diptych) Technique: Mixed acrylic, resins and oil on wood Year: 2017 92
“The clouds come floating in my life, no longer to carry the rain or the storm, but to add color to the sky of my evening.” This is what María Romo achieves through her pictorial creation: adding color to our daily life ”. 93
Title: “City in time” Technique: Mixed acrylic and resins on wood Year: 2020
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Title: “Ray” Technique: Oil on canvas Year: 2003
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Title: “Orange Rotation” Technique: Oil in high relief on wood Year: 2014
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Title: “Thoughts” Technique: Mixed acrylic and resins on wood Year: 2019
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Title: “Determination” Technique: Mixed acrylic and resins on wood Year: 2014
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Title: “Sensual scent” Technique: Acrylic and textures on wood Year: 2015
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Title: “Serenade” Technique: Watercolor on paper Year: 1999
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Title: “Success” (quadriptych) Technique: Mixed acrylic and resins on wood Year: 2013
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Title: “Sleeping woman” Technique: Acrylic on wood Year: 2007
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Title: “Electric shots” Technique: Acrylic on canvas Year: 2020
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Title: “Stability” Technique: Mixed acrylic and resins on wood Year: 2011
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Title: “Bouquet” Technique: Mixed acrylic and resins on wood Year: 2019 “Spring is trapped in his canvases, boards and textures. Pablo Picasso said: “Art washes the dust of everyday life from the soul.”
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Title: “Word Search” Technique: Mixed acrylic collage and resins on wood Year: 2014
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Title: “Cardumen” Technique: Mixed acrylic, high relief, resins and oil on canvas Year: 2017
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Title: “Mexican apple” Technique: Mixed acrylic, high relief, resins and oil on wood Year: 2017
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Title: “The water balance” Technique: Mixed acrylic and resins on wood Year: 2013
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Title: “Inspiration” Technique: Encaustic on wood Year: 2012
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Title: “Your apples” (diptych) Technique: Oil on canvas Year: 1998
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Title: “Golden fever” (Fäden) Technique: Acrylic on canvas Year: 2020
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Title: “Faro” Technique: Mixed acrylic, resins and sand on canvas Year: 2003
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Title: “Half watermelon” Technique: Mixed acrylic, low relief, resins and accessories on wood Year: 2017
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Title: “Don Vicente” Technique: Oil on canvas Year: 2010
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Title: “Balance in teaching” Technique: Mixed acrylic, high relief, resins and accessories on wood Year: 2014 “In recent times, humanity has learned a valuable lesson: the importance of beauty in the home, office or space where we spend time, an increasingly valued asset.”
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Title: “12 Almas” Technique: Mixed acrylic, relief, resins and accessories on canvas Year: 2014
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Title: “Stefano” Technique: Mixed acrylic, high relief, resins and oil on canvas Year: 2017
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Title: “Union of ideas” Technique: Mixed acrylic and accessories on canvas Year: 2009
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Title: “Pao colors” Technique: Acrylic and oil on canvas Year: 2020
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Title: “Circuits” Technique: Mixed acrylic, relief and resins on wood Year: 2013
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Title: “Three apples” Technique: Pastel on paper Year: 2004
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Title: “Fäden Mandala” Technique: Acrylic on canvas Year: 2020
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Title: “Cosmic Rhythms” Technique: Mixed acrylic, resins and oil on canvas Year: 2007
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Title: “Passion in red” Technique: Mixed acrylic and resins on wood Year: 2009
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Title: “Message in a thousand bottles” Technique: Mixed acrylic relief and resins on wood Year: 2012
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Title: “Piña” (triptych) Technique: Oil on canvas Year: 2005
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Title: “Butterfly Volcano” Technique: Acrylic on wood Year: 2020
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Title: “Landscape” Technique: Pastel on paper Year: 1998
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Title: “Traffic of sensations” Technique: Mixed acrylic, resins and oil on canvas Year: 2002
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Title: “Electric fields” (Fäden) Technique: Acrylic on canvas Year: 2020
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Title: “The Knot of Life� Technique: Mixed acrylic, resins, accessories and oil on wood Year: 2011 In this work he addresses the fragility of the human being, health, suffering in a long recovery process, a knot which generates uncertainty. Full of feelings reflected in the hue of reds, symbolizing courage, will, passion and strength, which transmit feelings of controversy to the viewer.
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Exhibition: “Giving Fruits” Titles: 1. “Watermelons” 2. “Pear” 3. “Apricots with plum” Technique: Pastel on paper Year: 2001
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Title: “Shared melon” Technique: Pastel on paper Year: 2004
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Title: “Resistance to time” Technique: Oil on canvas Year: 2014 “Each piece represents a world and, like the landscape that surrounds us, it has several centers. Each of these centers draws the viewer’s attention, taking their appreciation from one depth plane to another ”.
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Title: “Fäden in blue vol. 10“ Technique: Acrylic on canvas Year: 2020
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Title: “Dream of freedom” Technique: Oil on canvas Year: 2006
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Title: “Shared freshness” (diptych) Technique: Oil on canvas Year: 2005
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Title: “Well-being spiral” Technique: Acrylic on wood Year: 2007
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Title: “Alegrías” Technique: Oil on canvas Year: 2000
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Title: “Quadrant of affirmations” Technique: Mixed acrylic and textures on wood Year: 2018
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Title: “Venice through my window” Technique: Acrylic on canvas Year: 2015 “When contemplating one of his pieces, the strength of its creator appears. It would not be difficult to also perceive aromas and sounds. The senses are closer than we imagine. That is why art manages to transform lives ”.
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Title: “My life in a pendulum” Technique: Mixed acrylic, resins and accessories on wood Year:2013 In this work I reflect a genuine, sensual, difficult and spontaneous moment, where a woman is shown naked, hanging from a pendulum with the strength of: I’m not going to let myself fall, how many times can a woman identify with this sensation. Saying “here I am, naturally, with my life hanging from this situation”? It was made in a difficult moment where after hitting rock bottom you present yourself to yourself and say: “I am my own sun” source of energy and I can get ahead! That’s why it has that textured golden sun, and a harmonic range of cool tones. This work shows the strength to get ahead, no matter how tough the situation is, you have to not give up and trust your inner strength.
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Title: “Pancha” Technique: Acrylic on canvas Year: 2017
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Title: “Cycle of women” Technique: Acrylic, relief, resins and oil on canvas Year: 2010 This work represents the influence of the cycles of the moon, the influence on the female cycle, the sensuality hidden within each woman and her hidden thoughts ...
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Title: “The keys to the heart” Technique: Mixed acrylic, resins and accessories on wood Year: 2016
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Title: “Fresada” Technique: Textured oil on canvas Year: 2006
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Title: “Waste” Technique: Encaustic and accessories on wood Year: 2012
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Title: “Country in chaos” Technique: Mixed acrylic accessories and resins on wood Year: 2015
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Title: “Melting dream” Technique: Airbrush on paper Year: 2001
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Title: “Electric Guitar Fäden” Technique: Acrylic and oil on canvas Year: 2020
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Title: “Banana Tabasco” Technique: Acrylic, resins and reliefs on wood Year: 2019
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Title: “Linking” Technique: Acrylic with resin on canvas Year: 2020
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Title: “Margarita” Technique: Acrylic with resin and reliefs on wood Year: 2020
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TRAINING • • • • • • • • • • • • • •
Degree in Graphic Design 1989 Universidad Del Valle de México, Santiago de Querétaro Art Workshop | Visual arts workshop maestro Torres Kato 1985 Casa de la Cultura, Santiago de Querétaro Art Workshop | Various Painting Techniques master José Ayech 1990 Casa de la Cultura, Santiago de Querétaro Course | Conference of Masterpieces of European Painting SXVIII to 1994 XIXFine Arts, Santiago de Querétaro Diploma in Arts | Course of Abstract Art master Jordi Boldo 2003 Museum of the City, Santiago de Querétaro Training | Oil painting and mixed techniques teacher Ana Bertha Bravo 2004 Art and Culture Center, Santiago de Querétaro Diploma in Arts | Oil techniques and drawing of the human figure 2005 master Santiago CarbonellCenter of Art and Culture, Santiago de Querétaro Course | Application of resins and various textures maestro Miguel de la 2006 SourceCenter of Art and Culture, Santiago de Querétaro Diploma in Arts | History of Mexican Art 2009 UAQ, Santiago de Querétaro Diploma in Arts | Theories and Practice of Master Painting Techniques 2009 Santiago CarbonellCenter of Art and Culture, Santiago de Querétaro Diploma in Arts | Abstract art teacher Esmeralda Torres 2010 Center of Art and Culture, Santiago de Querétaro Restoration Semester | Restoration of the arts 2011 UAQ, Santiago de Querétaro Diploma in Arts | Contemporary Art 2012 Catholic University, Santiago de Querétaro Diploma in Arts | Introduction to Visual Arts 2013 CENART, Santiago de Querétaro.
ART EXHIBITIONS • • • • • • • • • • •
1986 House of Culture Querétaro 1991 Master José Ayech Collective 2003 Galleries Campuzano 2004 Glass Restaurant Querétaro 2004 Collective Center of Art and Culture 2005 Pulse Gallery, Historic Center 2005 Civic Center City of Santiago de Querétaro 2010 Abstract Realities Municipal Gallery of Querétaro 2010 Sixty Artists for the Same End, Collective, Querétaro Art Museum 2011 Collective of Abstract Municipal Gallery of Querétaro 2011 Representative Mural at Hotel Camelinas.
Its sale, total or partial reproduction of the work is prohibited without authorization of the author. For more info about the artist go to: www.mromoart.com or email to: mromo.world@gmail.com
Copyright© MRomo® All rights reserved.
Edition and designed: Oscar Gutiérrez