

Artistry in Bloom
FINE ART, JEWELS & RARITIES
PORCELAIN AND ORMOLU TABLE BY KPM BERLIN
Signed & dated “E. Sager 1829” 263/4”h x 18”dia
This exquisite KPM table features a porcelain top painted by Ernst Wilhelm Sager, its vibrant floral motifs rendered with remarkable precision. Resting on an ornate doré bronze base, it echoes a similar 1831 table by Sager, presented to Queen Caroline of Bavaria. #32-0193 | $88,500



Artistry in Bloom
FINE ART, JEWELS & RARITIES
For over a century, M.S. Rau has been committed to discovering the world’s finest objects and connecting them with discerning collectors worldwide. This year marks an exciting chapter of growth as we returned for our second year to TEFAF Maastricht, the world’s leading art fair. With each passing year, we strive to make our offerings even more extraordinary, curating a renowned selection of fine art, antiques and jewelry.
This catalog showcases an astonishing breadth of masterpieces, from a monumental pair of globes to the world’s only handless mystery clock—testaments to the artistry that defines our collection. It also features masterful canvases by legends such as Chagall and Dalí, as well as rare gemstones of exceptional beauty.
Th ank you for your continued trust in our expertise as we help build world-class collections tailored to your vision. If something captures your interest, your personal sales consultant is always available to assist.

OF MASTERY moments
Artistry transcends generations, capturing the spirit of its time while resonating across centuries. M.S. Rau is honored to present this curated collection of exceptional fine art, where each masterpiece reflects the brilliance of its creator and the enduring power of expression. From the Old Masters to modern visionaries, these works serve as testaments to the unbroken thread of creativity woven through history.
FREDERICK WILLIAM MACMONNIES
1863–1937 | American
William Shakespeare
Circa 1895 | Patinated bronze | Signed “F. MacMonnies” and foundry-marked “E. Gruet Jeune, Fondeur, Paris”
On base: 371/2”h x 16”w x 131/8”d
Frederick William MacMonnies, one of America’s most celebrated sculptors of the Beaux-Arts tradition, crafted a timeless homage to William Shakespeare in this exceptional bronze statuette. Standing 29 inches high, this work is a scaled version of MacMonnies’ life-size statue commissioned for the Library of Congress in 1894 and installed in the iconic Main Reading Room in 1896.
Cast by the esteemed E. Gruet Jeune foundry in Paris, the bronze’s warm dark-brown patina and exquisite form serve as a stunning tribute to the great Bard and the artistic brilliance of the sculptor who brought his likeness to life. This cast is one of very few made, with only three examples in public collections and only two, including this one, held in private hands.
#32-0370 | $124,500



LUCAS CRANACH THE ELDER AND STUDIO 1472-1553 | German
Moses and the Pillar of Cloud
Circa 1530 | Oil on panel Panel: 81/2”h x 181/8”w | Frame: 127/8”h x 221/2”w

Lucas Cranach the Elder’s 16th-century composition captures Moses leading the Israelites from Egypt, acknowledging God’s presence in a towering cloud. Blending biblical narrative with European aesthetics, he depicts soldiers in Gothic armor and a wooded landscape reminiscent of Northern Europe. Cranach was beloved for his captivating storytelling, luminous colors and exacting details, bringing vivid scenes like this one to life. His masterful technique continues to enthrall audiences, with his works housed in major museums worldwide, including the Metropolitan Museum of Art in New York and the National Gallery in London.
#31-6846 | $278,500




JEAN BÉRAUD
1849-1935 | French
Les Grands Boulevards (Café Américain)
Circa 1897 | Oil on panel | Signed “Jean Béraud” (lower left)
Panel: 131/2”h x 20”w | Frame: 21”h x 271/2”w
Jean Béraud stands shoulder to shoulder with Gustave Caillebotte as the masters of the Belle Époque, capturing its exuberant energy with unmatched virtuosity. While Caillebotte painted on a grand scale, Béraud homed in on the details—the sumptuous textures of fine clothing, the authenticity of Parisian street posters—all brilliantly showcased in this work.
Every detail of this magnificent painting is breathtaking—from the gas lamps and rain-soaked pavement to the rich autumnal hues set against a pastel sky. Béraud’s command of light and color shines in every brushstroke, from the architecture of the famed Café Américain to the historically accurate theatrical posters on the colonne Morris, offering a rare glimpse into the heart of pre-war Paris.
#32-0485 | $495,000




FÉLIX ZIEM
1821-1911 | French
Coucher de soleil, quai des Esclavons
Late 19th century | Oil on panel | Signed “Ziem” (lower right) Panel: 24”h x 357/8”w | Frame: 341/2”h x 47”w
Venice, the favorite muse of Félix Ziem, is captured in the glow of sunset on the Dock of the Esclavons. The scene features the interplay of light on water, where boats set off toward the Grand Canal, with the Basilica di Santa Maria della Salute in the distance.
Ziem’s expert brushwork brings the city’s architecture, vibrant waters and evening sky to life with remarkable depth. Several of Ziem’s Venice scenes now b elong to prestigious museums, including the Louvre, the Musée d’Orsay and the Metropolitan Museum of Art. Revered in his day, he was honored to have Q ue en Victoria under his tutelage and was made a Chevalier of the Legion of Honor in 1857.
#32-0488 | $168,000




MAXIMILIEN LUCE
1858-1941 | French
Femme mettant ses bas
Dated 1889 | Pastel on paper | Signed “Luce 89” (lower left)
Paper: 201/2”h x 15”w | Frame: 34”h x 28”w
Showcasing an innovative use of color and form, Maximilien Luce’s pastel exemplifies his Neo-Impressionist style. This work depicts a woman seated and in the act of dressing, captured with vibrant hues that heighten the sensuality of the moment. Luce layers the pastels to create dimension, contrasting the softness of the figure with complementary shades that fill the space.
Luce’s commitment to the principles of Pointillism is evident in his attention to light and texture. Trained as a woodcarver, Luce later studied painting in Paris, where he was influenced by Impressionism and developed lasting friendships with artists including Camille Pissarro and Paul Signac. His works blend mesmerizing color with intellectual depth through his portrayals of landscapes, urban scenes and working people.
#32-0380 | $64,500



JAMES TISSOT
1836-1902 | French
Femme préhistorique
Circa 1900 | Pastel on paper laid on canvas
Canvas: 90”h x 323/4”w | Frame: 997/8”h x 421/8”w

Renowned for his elegant portrayals of Parisian life, James Tissot diverged from his usual themes with this monumental pastel. He imaginatively renders a prehistoric woman draped in a tiger skin—her strong, heroic pose showcasing Tissot’s mastery of portraiture. The composition highlights his skill in conveying the natural beauty of the figure against a stark landscape, as the subject meets the viewer with a direct and confident gaze.
Cre ated in preparation for Tissot’s unfinished Old Testament series, this work reflects his exploration of biblical subjects. His exceptional attention to detail is evident in the textures, particularly in the tiger skin, which contrasts beautifully with the surrounding natural elements. This rare pastel exemplifies Tissot’s ability to adapt and explore new narratives with striking results.
#31-4922 | $288,500




EUGEN VON BLAAS
1843-1932 | Italian
No Love Without Envy
Dated 1901 | Oil on canvas | Signed “Eugen von Blaas 1901” (lower right) Canvas: 393/4”h x 473/4”w | Frame: 483/8”h x 561/4”w
Eugen von Blaas is renowned for masterfully capturing the spirit of Venice, and this work stands as one of his finest compositions. Larger and more finely detailed than most of his paintings, it reflects his outstanding skill with luminosity and narrative. Set in a sunlit Venetian courtyard, the scene is full of life and intrigue. At its center, an orange seller, modeled after the artist’s wife, Paola Prina, engages in a flirtatious exchange with an admirer, von Blaas himself, while three onlookers observe with amusement and envy. The exquisite brushwork and attention to details—delicate lace, sumptuous fabrics and timeworn stonework—create a sense of warmth and immediacy.
Born in Italy to Austrian parents, von Blaas was deeply influenced by Venice, which became his greatest inspiration. His works, widely exhibited across Europe, earned him international acclaim, and he continues to be celebrated for his technical brilliance.
#32-0484 | $985,000

LUCIEN LÉVY-DHURMER
1865-1953 | French
Le fondeur de bronze
Circa 1907 | Pastel on paper | Signed “Lévy Dhurmer” (lower right)
Paper: 343/4”h x 24”w | Frame: 423/4”h x 333/8”w

Lucien Lévy-Dhurmer, a prominent artist of the Symbolist and Art Nouveau movements, created Le fondeur de bronze (The Bronze Founder) as a tribute to the labor of everyday people, skillfully using color and perspective to evoke the intense atmosphere of a bronze foundry. This painting was commissioned to celebrate the achievements of the French industrialist Joseph Malesset, a former owner of bronze foundries and Officer of the Legion of Honor.
Born in French Algeria in 1865, Lévy-Dhurmer studied art in Paris and had a diverse career as a painter, pastelist, ceramicist and furniture designer. His 1895 trip to Italy sparked his interest in Renaissance art, influencing his later work. His combination of Academic detail and Impressionist techniques earned him recognition, and his work remains celebrated for its emotional complexity and striking aesthetic.
#31-6872 | $88,500


EDWARD ATKINSON HORNEL
1864-1933 | Scottish
A Spring Roundelay
Dated 1910 | Oil on canvas | Signed “E A Hornel” (lower left)
Canvas: 301/2”h x 421/2”w | Frame: 375/8”h x 491/2”w

Edward Atkinson Hornel captures the vibrancy of spring in this enchanting scene of seven young girls joyfully playing beneath blossoming cherry trees. His signature technique, using a palette knife and scraping process, creates a dynamic, textured surface that enhances the sense of movement and light. Hornel frequently incorporated cherry blossoms into his works, reflecting his admiration for Japonisme. As a key figure in the Glasgow School and Art Nouveau movement, he blended natural beauty with a dreamlike, almost mythic quality. A masterpiece of his career, this painting embodies the brilliance that led the Queen of England to declare, “Everybody who admires pictures should have a Hornel in their home.”
#31-6348 | $98,500




MARC CHAGALL
1887-1985 | Russian
Couple sur le lit
Circa 1931-52 | Oil & India ink on canvas | Signed “Marc Chagall” (lower right)
Canvas: 223/4”h x 201/2”w | Frame: 313/8”h x 287/8”w

Full of longing and love, this masterpiece by Marc Chagall centers on a couple gazing over a Russian cityscape that resembles the artist’s birthplace. Using his most signature palette—warm reds and oranges alongside his iconic blue—this painting evokes both love’s passion and life’s fragility. Part of Chagall’s extensive exploration of the lovers motif, the work is a touching ode to his first wife, Bella.
Chagall, renowned for his powerful mastery of color, employed these vivid tones as a testament to overcoming adversities, cementing his reputation as the foremost colorist of the 20th century. His works, revered by collectors worldwide, are housed in institutions such as the Museum of Modern Art and Tate Modern.
#31-8835 | $1,885,000

NORMAN ROCKWELL
1894-1978 | American
The New Hat
Painted 1969 | Oil on canvas | Signed “Norman Rockwell” (lower right)
Canvas: 161/2”h x 14”w | Frame: 321/2”h x 30”w

Few artists have captured the heart and imagination of America like Norman Rockwell. In this touching oil on canvas, chosen as the cover of the 1969 Top Value Family Gift Catalog, Rockwell elevates a simple moment—a young girl admiring her reflection in a new hat. In this sentimental portrayal of childhood joy and family connection, Rockwell infuses the scene with his iconic detail, warmth and cheer.
A rarity on the market, this painting is a quintessential illustration of Rockwell’s enduring influence on American culture. His nine-year collaboration with Top Value brought his heartwarming images into millions of homes, where they became a symbol of wholesome values and good-natured humor. Rockwell’s ability to find profound meaning in the everyday earned him immense acclaim, including the Presidential Medal of Freedom in 1977. Today, his legacy lives on in prestigious museums like the Smithsonian and the Norman Rockwell Museum, where his work continues to inspire.
#32-0383 | $495,000



SALVADOR DALÍ
1904-1989 | Spanish
The Golden Calf (Chariot Tarot Card)
Circa 1971 | Gouache on a photographic base | Signed “Dalí” (lower center)
Paper: 111/4”h x 81/2”w | Frame: 261/2”h x 231/4”w

A master of Surrealism, Salvador Dalí redefined the boundaries of reality and imagination, crafting dreamlike visions infused with symbolism and psychological depth. This gouache, part of his iconic tarot card series, exemplifies his distinctive approach by reinterpreting t he Chariot card as The Golden Calf, merging spiritual allegory with Surrealist innovation.
A biblical symbol of idolatry from the Book of Exodus, The Golden Calf represents the temptation of materialism over spiritual values. Dalí’s vibrant color palette and dynamic imagery heighten these themes in quintessential Dalí fashion. Originally commissioned for the 1973 James Bond film Live and Let Die, his tarot deck became a deeply personal ende avor after the contract fell through due to Dalí missing the deadline. He then dedicated the next decade to completing the series. Today, Dalí remains one of the most important Surrealists, with his transformative works housed in prestigious institutions worldwide, including museums dedicated exclusively to his legacy.
#32-0221 | $118,500


FRANK SINATRA
1915-1998 | American
Squares and Rectangles
Dated 1989 | Oil on canvas | Signed “F Sinatra 89” (lower right)
Canvas: 59”h x 47”w | Frame: 603/4”h x 487/8”w

With vibrant geometric forms and striking use of color, this painting exemplifies Frank Sinatra’s talent as an artist beyond his renowned musical legacy. The composition features a dynamic arrangement of soft blues and mauves with bold red squares, creating a captivating and balanced visual effect. Sinatra’s work, influenced by 20th-century abstractionists, evokes the minimalist geometry of greats like Piet Mondrian and Frank Stella, showcasing his unique contribution to modern art.
Sinatra, widely celebrated as the greatest American pop singer of the 20th century, was not only an iconic entertainer but also a dedicated art collector and creator. Following his rise to prominence in the 1940s as “The Sultan of Swoon,” his career expanded into acting, and he became a key figure in the legendary Rat Pack. In the early 1970s, Sinatra embraced painting, and today his art garners considerable esteem, valued by both music and art connoisseurs.
#31-8772 | $124,500


TERRACOTTA STATUE OF EMPEROR
NAPOLEON AT ST. HELENA
Circa 1825-40 | Painted terracotta 263/4”h x 261/2”w x 133/4”d
Winston Churchill famously hailed Napoleon Bonaparte as the “greatest man of action born in Europe since Julius Caesar.” Despite his defeat at Waterloo, Napoleon’s unparalleled military genius and command of power continued to captivate both artists and the public, particularly during his final years in exile on St. Helena.
This one-of-a-kind painted terracotta statue is among the earliest known depictions of Napoleon in his iconic pose—hand tucked into his waistcoat—an ancient gesture of restraint often seen in his portraits. The leader is seated atop a klismos chair in deep contemplation, with a stack of books symbolizing his intellectual prowess and love of literature resting beside him. Once owned by renowned Parisian art dealer François Hayem, this unique sculpture offers a rare perspective on Napoleon’s final years.
#32-0021 | $88,500

JEAN-LÉON GÉRÔME
1824-1904 | French
Bacchante à la grappe
Circa 1892 | Gilt & patinated bronze with green onyx base
Signed “J.L. Gérôme” and foundry-marked
“Siot-Decauville, Fondeur, Paris”
On base: 28”h x 9”dia
Emb odying the Bacchanalian spirit, this gilt and patinated bronze by Jean-Léon Gérôme captures the essence of divine revelry through the graceful form of a bacchante. Renowned as the foremost Academic painter of the 19th century, Gérôme transitioned to sculpture in 1878, declaring it a superior medium to painting. This shift allowed him to explore classical themes with newfound vitality, a mastery fully realized in this luminous work. Beautifully rendered with delicate naturalism, it epitomizes the virtuosity of this French visionary. Cast in three sizes, the present example is the largest and most commanding. #32-0427 | $29,850


ACROSS AGES jewels
From Hollywood’s golden era to presidential estates, M.S. Rau’s curated jewelry collection offers exceptional artistry and legacy. Featuring a rare Ceylon sapphire, a vibrant blue spinel and a luminous black opal, alongside masterpieces by artisans such as Louis Comfort Tiffany and Fabergé, each item is an icon of luxury.


FABERGÉ SIBERIAN AMETHYSTS
Hallmarked Fabergé and “AH” for workmaster August Frederik Hollming | Circa 1900 | Amethysts: 56.21 ctw., Diamonds: 0.85 ctw. | 14K rose gold | 2” length
The finest of their kind, these monumental Siberian amethysts showcase the ideal vivid purple hue that defines these perfect gemstones. With rounded tops and faceted undersides, the 56.21 carats of amethysts glow with remarkable intensity in this exquisite Fabergé brooch. Crafted by legendary workmaster August Frederik Hollming, this brooch is a masterpiece of the St. Petersburg workshop’s golden era.
#32-0579 | $98,500

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FALIZE REVERSIBLE CLOISONNÉ ENAMEL EARRINGS
Mid-19th century | 18K yellow gold | 21/4” length
Alexis Falize, widely considered the greatest jeweler of all time, defined 19th-century French jewelry with his intricate cloisonné enamel. These exquisite earrings, featuring a reversible griffin and thistle design in gold with seed pearls, diamonds and rubies, showcase his mastery of this stunning technique.
#32-0669 | $98,500



EDWARDIAN DIAMOND BRACELET
Circa 1910 | Diamonds: 65.00 ctw. | Platinum | 71/4” length
A striking example of Edwardian sophistication, this extraordinary diamond bracelet epitomizes the refined elegance of early 20th-century jewelry. Its platinum setting features 65 carats of old cut diamonds in varying sizes and set at different heights against a black silk ribbon backing to enhance their brilliance.
#32-0571 | $98,500



QUEEN MARY’S NATURAL PEARL AND DIAMOND PIN
Circa 1910 | Diamonds: 1.30 ctw. | Platinum | 3” length
Once a beloved part of Queen Mary’s wardrobe, this Belle Époque brooch features three rare natural pearls, including a 14mm pink conch pearl, historically valued well above diamonds. Set with Tahitian and South Sea pearls, the pin reflects the royal lineage of the United Kingdom and comes complete in its original Parisian case.
#32-0686 | $468,500

LOUIS COMFORT TIFFANY BLACK OPAL RING
GIA Graded Untreated | Signed “Tiffany & Co.” |
Circa 1920s | Black opal: 5.50 ct., Diamonds: 0.15 ctw. Platinum & 18K yellow gold
#32-0611 | $74,500

RAYMOND YARD CEYLON
SAPPHIRE RING
GIA Graded | Signed “Yard” |
Sapphire: 24.90 ct., Diamonds: 1.14 ctw. | Platinum
#31-9434 | $148,500

DAVID WEBB SAPPHIRE AND OPAL BRACELET
Signed “David Webb” | Sapphires: 23.28 ctw., Diamonds: 9.74 ctw. | Platinum & 18K white gold | 71/2” length
#31-6542 | $132,000





KAT FLORENCE NEON TITANIUM TOURMALINE NECKLACE
Titanium tourmaline: 64.20 ct., Diamonds: 3.80 ctw. 18K white gold | Pendant: 3” length, chain: 241/2” length
#32-0595 | $165,000
RUBY AND YELLOW DIAMOND ANCHOR BROOCH
Rubies: 4.50 ctw., Yellow diamonds: 3.54 ctw. Platinum & 18K yellow gold | 11/4” length
#32-0662 | $38,850

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COBALT BLUE LUC YEN MINE SPINEL RING
AGL & GRS Graded Unheated |
Spinel: 5.02 ct., Pink & white diamonds: 1.25 ctw. | Platinum & 18K rose gold
Spinels are one of history’s legendary gems, with many examples found in the Crown Jewels of England, France and Persia. Among these remarkable stones, one variety reigns supreme: the vivid cobalt blue spinel from Vietnam’s Luc Yen Mine. Specimens from this source are exceedingly rare, with known important examples typically weighing between half a carat and two carats. This extraordinary example, at 5.02 carats, is perhaps the finest cobalt spinel in existence.
#32-0589 | Price upon request
BRAZILIAN PARAIBA RING
GIA Graded Unheated |
Paraiba tourmaline: 1.38 ct., Pink & white diamonds: 0.66 ctw. | Platinum
All Paraiba tourmalines are rare, and the finest examples come from Brazil’s copper-rich mines. Of these, well over 99% are heat-treated to enhance their color. The 1.38-carat Brazilian Paraiba tourmaline in this ring, with its all-natural vivid blue hue and neon-bright glow, is one of the most exceptional of its kind.
#31-7439 | $188,500




ELIZABETH TAYLOR’S BRACELET
19th century |
Amethyst: 7.25 ct. | 18K yellow gold | 21/2” interior
Embodying Hollywood glamour, this Victorian bracelet from Elizabeth Taylor’s legendary collection showcases a striking amethyst centerpiece that contrasts beautifully with delicate blue enamel. With its storied provenance, this remarkable design stands as a lasting symbol of Taylor’s iconic style.
#31-9994 | $64,500


JOHN F. KENNEDY’S DONKEY BROOCH
20th century |
14K yellow gold | 11/8” length
This extraordinary donkey pin, gifted to JFK by his brother-in-law, symbolizes Kennedy’s Democratic affiliation. Adorned with sapphire eyes and freshwater pearls, it was kept close in his Oval Office desk.
An accompanying White House letter confirms this direct connection.
#32-0663 | $39,850








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TEMPLE’S GOLD NECKLACE AND BRACELET SUITE 20th century |
Diamonds: 0.20 ctw. | 18K yellow gold | Necklace: 16” length | Bracelet: 6” length
This glamorous gold and diamond suite, owned by Shirley Temple, reflects the enduring legacy of the beloved child star who captivated audiences. A symbol of hope, grace and optimism, Temple’s influence extended far beyond the screen. Accompanied by a letter of provenance, this suite stands as a part of Hollywood history.
#32-0664 | $34,500



SHIRLEY

OF LUXURY leGACy

This collection offers a selection of rare and exquisite objects. From monumental Blue John specimens to Émile Gallé masterpieces and pistols fit for royalty, our exceptional treasures showcase the pinnacle of artistry and splendor spanning eras.





SWISS ENAMEL AND GOLD TELESCOPE
Circa 1820 | Extended: 19 1/4”l x 13/4”dia



This exceptional Swiss telescope, likely made for the Ottoman market, features intricate gilt and enamel work. Lavishly decorated with floral motifs and scalloped gold paillons, it exemplifies both scientific precision and artistic mastery and is housed in its original fitted leather case.
#32-0340 | $48,500

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GOLD ÉTUI IN ORIGINAL CASE
Hallmarked Jacques Martin Petitjean
Circa 1777 | 43/4”h x 3/4”w
Expertly engraved in yellow gold, this rare Louis XVI-period étui showcases neoclassical design with columns and garlands. Once used for secret correspondence or sealing documents, it remains perfectly preserved in its original leather case.
#32-0578 | $16,850



PAIR OF PINK OPALINE PERFUME FLASKS
Circa 1820-30 | Each: 127/8”h x 41/4”dia
Known as “Eau de Mélisse” flasks, this exquisite set by Jean Baptiste Desvignes reflects Charles X-era luxury. With rare gorge de pigeon hues and Gothic Revival bronze mounts, the perfume flasks are both functional and decorative.
#32-0509 | $14,850


TIFFANY STUDIOS ACORN LAMP
Shade & base marked “Tiffany Studios/New York”
Circa 1900 | 201/2”h x 163/4”w x 131/2”d
This Louis Comfort Tiffany desk lamp showcases the firm’s iconic leaded Favrile glass shade in the rare Acorn pattern. Featuring lush green and citrus yellow hues, this beautiful lamp is supported by an elegant bronze harp base.
#31-8147 | $58,500

LOETZ PHAENOMEN TABLE LAMP
Base marked “Z+G 2115”
Circa 1905 | 20”h x 111/2”dia
Created by the renowned Loetz firm, this elegant Jugendstil table lamp features a mesmerizing Phaenomen Genre 2/207 glass shade. Iridescent orange and green swirls complement the polished brass base, blending organic and geometric forms.
#32-0423 | $16,850


GALLÉ RHODODENDRON BLOWN-OUT CAMEO GLASS LAMP
Shade & base signed “Gallé”
Circa 1900 | 18”h x 141/4”dia
Crafted using the rare mold-blown cameo glass technique, this monumental Émile Gallé lamp showcases intricate rhododendron motifs, with vibrant colors revealed through careful etching. Well over a foot tall, the Art Nouveau design exemplifies Gallé’s mastery of the time-intensive blown-out technique.
#32-0504 | $298,500
GALLÉ CAMEO ELEPHANT VASE
Signed “Gallé”
Circa 1925 | 151/4”h x 101/2”dia
This monumental Art Nouveau vase by Émile Gallé is a rare masterpiece, crafted using the labor-intensive mold-blown technique. With its intricate elephant and palm tree motif, the vase was created for the 1925 Paris Universal Exhibition. It also graces the cover of The Art of Emile Gallé (1989).
#32-0441 | $98,500



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MOSER AMBER PILLOW VASE
Signed “591 Moser D180”
Late 19th century | 7 5/8”h x 71/2”w x 41/8”d
This stunning Bohemian glass vase features applied acorns, a bas-relief bird and enameled oak le aves with gilded accents—hallmarks of Moser’s exceptional craftsmanship.
#32-0644 | $7,850


MOSER ROSE PETAL JAR
Circa 1890 | 161/2”h x 12”dia
Made by the “King of Glass,” Ludwig Moser, this monumental rose petal jar exemplifies Persianate design with intricate enamels and gilded arabesques.
#32-0639 | $18,850



FLORA DANICA PORCELAIN DINNER SERVICE
BY ROYAL COPENHAGEN
Marked “Royal Copenhagen, Denmark”
This exceptional 124-piece Flora Danica dinner service by Royal Copenhagen showcases perhaps the most prestigious porcelain pattern ever produced. Each piece of this complete service for 12 features a different, hand-painted botanical motif taken from the 1771 Danish atlas of botany of the same name. First commissioned by King Christian VII of Denmark in 1790 for Empress Catherine the Great, Flora Danica remains one of the world’s most important porcelain sets.
This 124-piece service includes:
12 ent rée plates
12 fowl entrée plates
12 bread plates
12 soup plates
12 salad plates
12 coffee cups
12 saucers
12 espresso cups
#31-9782 | $248,500

12 saucers
1 soup tureen with lid
1 underplate
1 tazza
1 medium pickle dish
1 small pickle dish
1 sugar bowl
2 medium vegetable dishes
1 large vegetable dish
1 master salt cellar
1 square salad bowl
1 gravy boat
1 bread basket
1 round platter
1 small oval platter


SÈVRES BUST OF BENJAMIN FRANKLIN
Inscribed “Houdon 1778/Franklin/Sèvres L.P.”
Circa 1900 | 18”h x 117/8”w x 9”d
Cast from Jean-Antoine Houdon’s acclaimed 1778 bust, this Sèvres Parian ware sculpture captures Revolutionary-era Benjamin Franklin in lifelike detail, preserving his iconic contemplative expression. #31-8970 | $39,850



SÈVRES RULERS OF FRANCE PORTRAIT MEDALLIONS
Inscribed with Sèvres marks for Alexandre Brachard and Jean-Jacques Oger
Circa 1818 | Each frame: 30”h x 171/4”w x 21/2”d
This rare set of sixteen Sèvres portrait medallions depicts key French rulers and nobility, including Louis XIV, Marie Antoinette and Napoleon. Impeccably preserved, the works showcase Sèvres’ mastery of bisque porcelain, and examples of the same medallions are represented in major museum collections worldwide.
#31-9662 | $34,500


TIFFANY & CO. SILVER PUNCHBOWL
Marked “Tiffany & Co.” 20th century | 81/8”h x 137/8”dia
Tiffany & Co.’s mastery of sterling silver shines in this Audubon pattern bowl, crafted in the famous Art Nouveau style. This graceful bird design was inspired by Japanese aesthetics.
#31-9635 | $17,850
GEORGIAN SILVER BASKET
BY PETER ARCHAMBO
Hallmarked Peter Archambo, London, 1740 10”h x 14”w x 13”d
This silver Rococo basket is a great rarity. From its pierced scrollwork to its cast base and rim, this is an extraordinary example of mid-18th-century Georgian silver at its finest. The impressive weight also sets it apart. Given its considerable silver content, the basket would have been worth a substantial sum in its time.
#32-0447 | $38,850




GEORGIAN STERLING EPERGNE BY JOSEPH PREEDY
Hallmarked Joseph Preedy, London, 1801 19 3/4”h x 36”w x 281/2”d
This monumental epergne, commissioned by the Craven Legion for their leader Lord Ribblesdale, is a sterling silver masterpiece with Bacchanalian motifs, symbolizing gratitude and admiration for his leadership during the Revolutionary War.
#31-9331 | $98,500


TIFFANY & CO. LAP-OVER-EDGE FLATWARE SERVICE
Each piece marked “Tiffany & Co./Pat. 1880” with the date mark of Edward C. Moore Chest: 173/4”h x 215/8”w x 18”d
Showcasing one of Tiffany & Co.’s most intricate designs, this 248-piece sterling silver flatware service features the exceptional Lap-Over-Edge pattern. Designed in 1880 by Edward C. Moore and Charles Grosjean, each handle is uniquely decorated with a different flower, fish, animal or insect. The high cost of individually finishing each piece made this set an exclusive luxury. In pristine condition, the set remains in its original four-drawer fitted oak Tiffany chest.
This 248-piece service includes:
12 dinner k nives
12 diner forks
12 lunch knives
12 lunch forks
12 fish knives
12 fish forks
12 oyster forks
12 dessert knives
12 salad forks
12 butter spreaders
12 soup spoons
12 bouillon spoons
10 tablespoons
18 teaspoons
#31-8626 | $168,500 View a video


12 demitasse spoons
12 iced tea spoon
12 citrus spoon
12 ice cream forks
12 sorbet spoons
5-piece carving set
2-piece salad serving set
2 fish serving forks
1 fish slice
1 crumber
2 cold meat forks
1 large serving spoon
1 cream ladle
1 pair sugar tongs











JAPANESE LACQUER TRAY WITH CARDS
Late 19th century | 41/4”h x 293/4”w x 211/8”d

Maki-e lacquerware, one of the world’s most time-intensive decorative arts, is exquisitely showcased in this Meiji-period tray. Its scattered card motif, rendered in mother-of-pearl, gold and other precious materials, stands as a rare masterpiece of the craft. #31-7130 | $19,800




PHEASANT BRONZE OKIMONO
BY GENRYUSAI SEIYA
Signed by Genryusai Seiya
Late 19th century | On base: 22”h x 27”w x 23”d
Reflecting the Meiji period’s renaissance in bronze and metal sculpture, this okimono by Genryusai Seiya features a gilt-bronze pheasant atop driftwood. Masterfully rendered in silvered bronze and shakudo, the work showcases the era’s refined artistry and innovation.
#31-8450 | $26,850



SILVER AND LACQUER SAKE SET
Signed by Unno Shomin and Kurokawa Eishō
Late 19th century | 6”h x 147/8”w x 131/8”d


Crafted from 99.9% pure silver with intricate gold inlay, this exceptional sake set by Imperial Court Artist Unno Shomin was commissioned for a significant ceremony or celebration. Adorned with symbolic motifs and Shomin’s signature techniques, it showcases superior Meiji-era craftsmanship and is preserved in its original tomobako box.
#32-0435 | $28,500








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NEMA CIPHER MACHINE
Serial number TD-459
Circa 1946 | 53/4”h x 123/4”w x 143/8”d
The Swiss NEMA cipher machine, developed during World War II to replace the Enigma K, features a 10-wheel mechanism designed for enhanced encryption. Only 640 are believed to have been made, and this well-preserved example includes its original operating manual.
#31-4145 | $34,500


KING LOUIS XV’S GIFT TO HIS HEIR
Signed “Arault à Versailles”
Circa 1750 | Case: 45/8”h x 20”w x 21/4”d
Commissioned by King Louis XV as a gift for his son and the heir to the French throne, these pistols exemplify the pinnacle of 18th-century gunmaking. Created by the royal gunmaker Jacques-Louis Arault, they bear dolphin crests for the crown prince and their intricate details reflect the artistry reserved exclusively for the monarchy. Though he never ascended the throne, the crown prince did father three kings, shaping the Bourbon dynasty. Before his untimely death, he entrusted t hese heirlooms to his confidant, the Comte d’Espinchal.
#32-0294 | $164,500
JAMES WATT & CO. PORTABLE COPYING MACHINE
Marked “J. Watt & Co. Patent”
Circa 1795 | 6”h x 201/2”w x 14”d
Patented in 1780 by the great inventor James Watt and used by both George Washington and Thomas Jefferson, this ingenious copying machine was the first widely used device that successfully produced an exact copy of an original written work. This may be the only working example.
#30-6618 | $128,500


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PAIR OF 32” TERRESTRIAL AND CELESTIAL GLOBES
20th century | Each: 58”h x 50”dia
This monumental pair of 32-inch terrestrial and celestial floor globes by G&T London honors Vincenzo Coronelli, the famed 17th-century cartographer. With 611.11% more surface area than standard 12” library globes, they showcase int ricate hand-painted maps and constellations, embodying the Enlightenment’s spirit of exploration and Coronelli’s enduring influence on cartography.
#31-8871 | $68,500

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WILLIAM AND MARY OYSTERWOOD CHEST
Circa 1690 | 36”h x 38”w x 221/2”d
A stunning example of William and Mary artistry, this chest features exquisite “oyster” veneering—one of the rarest techniques in the craft. Intricately arranged cross-sections of tree roots mimic the delicate patterns of oyster shells. Complete with bronze pulls and bun feet, this chest is a masterpiece from every angle.
#31-6718 | $44,500

BLUE JOHN TABLE
Circa 1840 | 30”h x 45”dia
As one of the largest continuous slabs of Blue John ever mined, this is among the finest examples in the world of this now-exhausted mineral. By the early 19th century, Blue John veins had been depleted, rendering specimens of such size and beauty incredibly rare. The exceptional table is elevated on its gilded mahogany base with winged lions and acanthus motifs.
#31-8741 | $268,500


MAHOGANY WINE CELLARETTE
BY THOMAS HOPE
19th century | 24”h x 313/4”w x 185/8”d
This Regency-style wine cellarette by Thomas Hope features mahogany sculpting, grape and leaf carvings, a bronze leopard handle and elegant scrolled feet.
#31-7406 | $21,850




VICTORIAN LAWYER’S COFFIN
Circa 1900 | 327/8”h x 24”w x 213/4”d
This beautiful Victorian table holds a discreet surprise—a hidden bar. Thanks to its ingenious bellows, the cut-crystal decanters, tumblers and cups lower smoothly out of sight as the table is closed.
#31-9754 | $28,500

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DUCHESS OF BERRY CLOCK BY JEAN-ANDRÉ REICHE
Circa 1820 | 153/4”h x 12”w x 51/4”d
A superb example of Empire-style ormolu craftsmanship, this mantel clock by Jean-André Reiche centers on a Neoclassical scene featuring the Duchess of Berry. Commemorating the birth of the Duke of Bordeaux, this magnificent pendulum clock retains its original French movement, crafted by renowned clockmaker Julien Béliard.
#31-8653 | $24,500

BY GROGAN COMPANY
Circa 1930 | 81/8”h x 91/2”w x 21/2”d
This Art Deco mantel clock by the Grogan Company features a captivating sun and moon dial. The sun-shaped hand rises and sets with the hours of the day, while the crescent moon hand indicates the hour at night. The clock beautifully frames a Matterhorn scene and is set in its elegant marble base.
#32-0635 | $24,500

ART DECO ENAMEL CLOCK
FLOATING DIAMOND MYSTERY CLOCK
Movement signed “Paul Gerber”
Circa 1994 | 193/4”h x 17”w x 10”d
A one-of-a-kind wonder, this extraordinary mystery clock tells time with two floating diamonds totaling 4.81 carats—the only known handless mystery clock ever made. Crafted by master Swiss horologist Paul Gerber, its complex remontoire movement took two years to perfect. The stunning case features 2,150 grams of 18K yellow gold, 50 carats of diamonds and 9.60 carats of emeralds.
#32-0627 | $585,000



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622 Royal Street • New Orleans, LA 70130
866-349-0378 • msrau.com


PATEK PHILIPPE / TIFFANY & CO. CLOISONNÉ ENAMEL LADIES WATCH Signed “Tiffany & Co.” |
Circa 1893 | Case: 31.5mm #32-0657 | $34,500
